A WARNING TO THE CURIOUS
By Dr M. R. JAMES
PROVOST OF ETON
GHOST STORIES OF AN ANTIQUARY
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MORE GHOST STORIES
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A THIN GHOST AND OTHERS
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THE FIVE JARS
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LONDON: EDWARD ARNOLD & CO.
A WARNING TO
THE CURIOUS
and other Ghost Stories
BY
MONTAGUE RHODES JAMES
Author of “Ghost Stories of an Antiquary,” etc.
LONDON
EDWARD ARNOLD & CO.
1925
[All rights reserved]
MADE AND PRINTED IN GREAT BRITAIN BY
THE EDINBURGH PRESS, 9 AND 11 YOUNG STREET, EDINBURGH.
ACKNOWLEDGMENTS
The first of these stories was written for the library of the Queen’s Doll’s House, and was printed in the Book thereof; I gratefully acknowledge the gracious permission granted by Her Majesty to have it reprinted in this volume.
For like permissions from the editors of the Atlantic Monthly, Empire Review, London Mercury, and Eton Chronic I return thanks.
M. R. JAMES.
September 1925.
CONTENTS
| PAGE | |
| The Haunted Doll’s House | [ 9] |
| The Uncommon Prayer-Book | [ 35] |
| A Neighbour’s Landmark | [ 70] |
| A View from a Hill | [ 97] |
| A Warning to the Curious | [ 138] |
| An Evening’s Entertainment | [ 176] |
THE HAUNTED DOLL’S HOUSE.
“I SUPPOSE you get stuff of that kind through your hands pretty often?” said Mr Dillet, as he pointed with his stick to an object which shall be described when the time comes: and when he said it, he lied in his throat, and knew that he lied. Not once in twenty years—perhaps not once in a lifetime—could Mr Chittenden, skilled as he was in ferreting out the forgotten treasures of half-a-dozen counties, expect to handle such a specimen. It was collectors’ palaver, and Mr Chittenden recognised it as such.
“Stuff of that kind, Mr Dillet! It’s a museum piece, that is.”
“Well, I suppose there are museums that’ll take anything.”
“I’ve seen one, not as good as that, years back,” said Mr Chittenden, thoughtfully. “But that’s not likely to come into the market: and I’m told they ’ave some fine ones of the period over the water. No: I’m only telling you the truth, Mr Dillet, when I say that if you was to place an unlimited order with me for the very best that could be got—and you know I ’ave facilities for getting to know of such things, and a reputation to maintain—well, all I can say is, I should lead you straight up to that one and say, ‘I can’t do no better for you than that, Sir.’”
“Hear, hear!” said Mr Dillet, applauding ironically with the end of his stick on the floor of the shop. “How much are you sticking the innocent American buyer for it, eh?”
“Oh, I shan’t be over hard on the buyer, American or otherwise. You see, it stands this way, Mr Dillet—if I knew just a bit more about the pedigree——”
“Or just a bit less,” Mr Dillet put in.
“Ha, ha! you will have your joke, Sir. No, but as I was saying, if I knew just a little more than what I do about the piece—though anyone can see for themselves it’s a genuine thing, every last corner of it, and there’s not been one of my men allowed to so much as touch it since it came into the shop—there’d be another figure in the price I’m asking.”
“And what’s that: five and twenty?”
“Multiply that by three and you’ve got it, Sir. Seventy-five’s my price.”
“And fifty’s mine,” said Mr Dillet.
The point of agreement was, of course, somewhere between the two, it does not matter exactly where—I think sixty guineas. But half-an-hour later the object was being packed, and within an hour Mr Dillet had called for it in his car and driven away. Mr Chittenden, holding the cheque in his hand, saw him off from the door with smiles, and returned, still smiling, into the parlour where his wife was making the tea. He stopped at the door.
“It’s gone,” he said.
“Thank God for that!” said Mrs Chittenden, putting down the teapot. “Mr Dillet, was it?”
“Yes, it was.”
“Well, I’d sooner it was him than another.”
“Oh, I don’t know, he ain’t a bad feller, my dear.”
“May be not, but in my opinion he’d be none the worse for a bit of a shake up.”
“Well, if that’s your opinion, it’s my opinion he’s put himself into the way of getting one. Anyhow, we shan’t have no more of it, and that’s something to be thankful for.”
And so Mr and Mrs Chittenden sat down to tea.
And what of Mr Dillet and of his new acquisition? What it was, the title of this story will have told you. What it was like, I shall have to indicate as well as I can.
There was only just room enough for it in the car, and Mr Dillet had to sit with the driver: he had also to go slow, for though the rooms of the Doll’s House had all been stuffed carefully with soft cotton-wool, jolting was to be avoided, in view of the immense number of small objects which thronged them; and the ten-mile drive was an anxious time for him, in spite of all the precautions he insisted upon. At last his front door was reached, and Collins, the butler, came out.
“Look here, Collins, you must help me with this thing—it’s a delicate job. We must get it out upright, see? It’s full of little things that mustn’t be displaced more than we can help. Let’s see, where shall we have it? (After a pause for consideration). Really, I think I shall have to put it in my own room, to begin with at any rate. On the big table—that’s it.”
It was conveyed—with much talking—to Mr Dillet’s spacious room on the first floor, looking out on the drive. The sheeting was unwound from it, and the front thrown open, and for the next hour or two Mr Dillet was fully occupied in extracting the padding and setting in order the contents of the rooms.
When this thoroughly congenial task was finished, I must say that it would have been difficult to find a more perfect and attractive specimen of a Doll’s House in Strawberry Hill Gothic than that which now stood on Mr Dillet’s large kneehole table, lighted up by the evening sun which came slanting through three tall sash-windows.
It was quite six feet long, including the Chapel or Oratory which flanked the front on the left as you faced it, and the stable on the right. The main block of the house was, as I have said, in the Gothic manner: that is to say, the windows had pointed arches and were surmounted by what are called ogival hoods, with crockets and finials such as we see on the canopies of tombs built into church walls. At the angles were absurd turrets covered with arched panels. The Chapel had pinnacles and buttresses, and a bell in the turret and coloured glass in the windows. When the front of the house was open you saw four large rooms, bedroom, dining-room, drawing-room and kitchen, each with its appropriate furniture in a very complete state.
The stable on the right was in two storeys, with its proper complement of horses, coaches and grooms, and with its clock and Gothic cupola for the clock bell.
Pages, of course, might be written on the outfit of the mansion—how many frying pans, how many gilt chairs, what pictures, carpets, chandeliers, four-posters, table linen, glass, crockery and plate it possessed; but all this must be left to the imagination. I will only say that the base or plinth on which the house stood (for it was fitted with one of some depth which allowed of a flight of steps to the front door and a terrace, partly balustraded) contained a shallow drawer or drawers in which were neatly stored sets of embroidered curtains, changes of raiment for the inmates, and, in short, all the materials for an infinite series of variations and refittings of the most absorbing and delightful kind.
“Quintessence of Horace Walpole, that’s what it is: he must have had something to do with the making of it.” Such was Mr Dillet’s murmured reflection as he knelt before it in a reverent ecstasy. “Simply wonderful; this is my day and no mistake. Five hundred pound coming in this morning for that cabinet which I never cared about, and now this tumbling into my hands for a tenth, at the very most, of what it would fetch in town. Well, well! It almost makes one afraid something’ll happen to counter it. Let’s have a look at the population, anyhow.”
Accordingly, he set them before him in a row. Again, here is an opportunity, which some would snatch at, of making an inventory of costume: I am incapable of it.
There were a gentleman and lady, in blue satin and brocade respectively. There were two children, a boy and a girl. There was a cook, a nurse, a footman, and there were the stable servants, two postillions, a coachman, two grooms.
“Anyone else? Yes, possibly.”
The curtains of the four-poster in the bedroom were closely drawn round four sides of it, and he put his finger in between them and felt in the bed. He drew the finger back hastily, for it almost seemed to him as if something had—not stirred, perhaps, but yielded—in an odd live way as he pressed it. Then he put back the curtains, which ran on rods in the proper manner, and extracted from the bed a white-haired old gentleman in a long linen night-dress and cap, and laid him down by the rest. The tale was complete.
Dinner time was now near, so Mr Dillet spent but five minutes in putting the lady and children into the drawing-room, the gentleman into the dining-room, the servants into the kitchen and stables, and the old man back into his bed. He retired into his dressing room next door, and we see and hear no more of him until something like eleven o’clock at night.
His whim was to sleep surrounded by some of the gems of his collection. The big room in which we have seen him contained his bed: bath, wardrobe, and all the appliances of dressing were in a commodious room adjoining: but his four-poster, which itself was a valued treasure, stood in the large room where he sometimes wrote, and often sat, and even received visitors. To-night he repaired to it in a highly complacent frame of mind.
There was no striking clock within earshot—none on the staircase, none in the stable, none in the distant Church tower. Yet it is indubitable that Mr Dillet was startled out of a very pleasant slumber by a bell tolling One.
He was so much startled that he did not merely lie breathless with wide-open eyes, but actually sat up in his bed.
He never asked himself, till the morning hours, how it was that, though there was no light at all in the room, the Doll’s House on the kneehole table stood out with complete clearness. But it was so. The effect was that of a bright harvest moon shining full on the front of a big white stone mansion—a quarter of a mile away it might be, and yet every detail was photographically sharp. There were trees about it, too—trees rising behind the chapel and the house. He seemed to be conscious of the scent of a cool still September night. He thought he could hear an occasional stamp and clink from the stables, as of horses stirring. And with another shock he realized that, above the house, he was looking, not at the wall of his room with its pictures, but into the profound blue of a night sky.
There were lights, more than one, in the windows, and he quickly saw that this was no four-roomed house with a movable front, but one of many rooms, and staircases—a real house, but seen as if through the wrong end of a telescope. “You mean to show me something,” he muttered to himself, and he gazed earnestly on the lighted windows. They would in real life have been shuttered or curtained, no doubt, he thought; but, as it was, there was nothing to intercept his view of what was being transacted inside the rooms.
Two rooms were lighted—one on the ground floor to the right of the door, one upstairs, on the left—the first brightly enough, the other rather dimly. The lower room was the dining-room: a table was laid, but the meal was over, and only wine and glasses were left on the table. The man of the blue satin and the woman of the brocade were alone in the room, and they were talking very earnestly, seated close together at the table, their elbows on it: every now and again stopping to listen, as it seemed. Once he rose, came to the window and opened it and put his head out and his hand to his ear. There was a lighted taper in a silver candlestick on a sideboard. When the man left the window he seemed to leave the room also; and the lady, taper in hand, remained standing and listening. The expression on her face was that of one striving her utmost to keep down a fear that threatened to master her—and succeeding. It was a hateful face, too; broad, flat and sly. Now the man came back and she took some small thing from him and hurried out of the room. He, too, disappeared, but only for a moment or two. The front door slowly opened and he stepped out and stood on the top of the perron, looking this way and that; then turned towards the upper window that was lighted, and shook his fist.
It was time to look at that upper window. Through it was seen a four-post bed: a nurse or other servant in an armchair, evidently sound asleep; in the bed an old man lying: awake, and, one would say, anxious, from the way in which he shifted about and moved his fingers, beating tunes on the coverlet. Beyond the bed a door opened. Light was seen on the ceiling, and the lady came in: she set down her candle on a table, came to the fireside and roused the nurse. In her hand she had an old-fashioned wine bottle, ready uncorked. The nurse took it, poured some of the contents into a little silver sauce-pan, added some spice and sugar from casters on the table, and set it to warm on the fire. Meanwhile the old man in the bed beckoned feebly to the lady, who came to him, smiling, took his wrist as if to feel his pulse, and bit her lip as if in consternation. He looked at her anxiously, and then pointed to the window, and spoke. She nodded, and did as the man below had done; opened the casement and listened—perhaps rather ostentatiously: then drew in her head and shook it, looking at the old man, who seemed to sigh.
By this time the posset on the fire was steaming, and the nurse poured it into a small two-handled silver bowl and brought it to the bedside. The old man seemed disinclined for it and was waving it away, but the lady and the nurse together bent over him and evidently pressed it upon him. He must have yielded, for they supported him into a sitting position, and put it to his lips. He drank most of it, in several draughts, and they laid him down. The lady left the room, smiling good-night to him, and took the bowl, the bottle and the silver sauce-pan with her. The nurse returned to the chair, and there was an interval of complete quiet.
Suddenly the old man started up in his bed—and he must have uttered some cry, for the nurse started out of her chair and made but one step of it to the bedside. He was a sad and terrible sight—flushed in the face, almost to blackness, the eyes glaring whitely, both hands clutching at his heart, foam at his lips.
For a moment the nurse left him, ran to the door, flung it wide open, and, one supposes, screamed aloud for help, then darted back to the bed and seemed to try feverishly to soothe him—to lay him down—anything. But as the lady, her husband, and several servants, rushed into the room with horrified faces, the old man collapsed under the nurse’s hands and lay back, and the features, contorted with agony and rage, relaxed slowly into calm.
A few moments later, lights showed out to the left of the house, and a coach with flambeaux drove up to the door. A white-wigged man in black got nimbly out and ran up the steps, carrying a small leather trunk-shaped box. He was met in the doorway by the man and his wife, she with her handkerchief clutched between her hands, he with a tragic face, but retaining his self-control. They led the newcomer into the dining-room, where he set his box of papers on the table, and, turning to them, listened with a face of consternation at what they had to tell. He nodded his head again and again, threw out his hands slightly, declined, it seemed, offers of refreshment and lodging for the night, and within a few minutes came slowly down the steps entering the coach and driving off the way he had come. As the man in blue watched him from the top of the steps, a smile not pleasant to see stole slowly over his fat white face. Darkness fell over the whole scene as the lights of the coach disappeared.
But Mr Dillet remained sitting up in the bed: he had rightly guessed that there would be a sequel. The house front glimmered out again before long. But now there was a difference. The lights were in other windows, one at the top of the house, the other illuminating the range of coloured windows of the chapel. How he saw through these is not quite obvious, but he did. The interior was as carefully furnished as the rest of the establishment, with its minute red cushions on the desks, its Gothic stall-canopies, and its western gallery and pinnacled organ with gold pipes. On the centre of the black and white pavement was a bier: four tall candles burned at the corners. On the bier was a coffin covered with a pall of black velvet.
As he looked the folds of the pall stirred. It seemed to rise at one end: it slid downwards: it fell away, exposing the black coffin with its silver handles and name-plate. One of the tall candlesticks swayed and toppled over. Ask no more, but turn, as Mr Dillet hastily did, and look in at the lighted window at the top of the house, where a boy and girl lay in two truckle-beds, and a four-poster for the nurse rose above them. The nurse was not visible for the moment; but the father and mother were there, dressed now in mourning, but with very little sign of mourning in their demeanour. Indeed, they were laughing and talking with a good deal of animation, sometimes to each other, and sometimes throwing a remark to one or other of the children, and again laughing at the answers. Then the father was seen to go on tiptoe out of the room, taking with him as he went a white garment that hung on a peg near the door. He shut the door after him. A minute or two later it was slowly opened again, and a muffled head poked round it. A bent form of sinister shape stepped across to the truckle-beds, and suddenly stopped, threw up its arms and revealed, of course, the father, laughing. The children were in agonies of terror, the boy with the bed clothes over his head, the girl throwing herself out of bed into her mother’s arms. Attempts at consolation followed—the parents took the children on their laps, patted them, picked up the white gown and showed there was no harm in it, and so forth; and at last putting the children back into bed, left the room with encouraging waves of the hand. As they left it, the nurse came in, and soon the light died down.
Still Mr Dillet watched immovable.
A new sort of light—not of lamp or candle—a pale ugly light, began to dawn around the door-case at the back of the room. The door was opening again. The seer does not like to dwell upon what he saw entering the room: he says it might be described as a frog—the size of a man—but it had scanty white hair about its head. It was busy about the truckle-beds, but not for long. The sound of cries—faint, as if coming out of a vast distance—but, even so, infinitely appalling, reached the ear.
There were signs of a hideous commotion all over the house: lights passed along and up, and doors opened and shut, and running figures passed within the windows. The clock in the stable turret tolled one, and darkness fell again.
It was only dispelled once more, to show the house front. At the bottom of the steps dark figures were drawn up in two lines, holding flaming torches. More dark figures came down the steps, bearing, first one, then another small coffin. And the lines of torch-bearers with the coffins between them moved silently onward to the left.
The hours of night passed on—never so slowly, Mr Dillet thought. Gradually he sank down from sitting to lying in his bed—but he did not close an eye: and early next morning he sent for the doctor.
The doctor found him in a disquieting state of nerves, and recommended sea-air. To a quiet place on the East Coast he accordingly repaired by easy stages in his car.
One of the first people he met on the sea-front was Mr Chittenden, who, it appeared, had likewise been advised to take his wife away for a bit of a change.
Mr Chittenden looked somewhat askance upon him when they met: and not without cause.
“Well, I don’t wonder at you being a bit upset, Mr Dillet. What? yes, well, I might say ’orrible upset, to be sure, seeing what me and my poor wife went through ourselves. But I put it to you, Mr Dillet, one of two things: was I going to scrap a lovely piece like that on the one ’and, or was I going to tell customers: ‘I’m selling you a regular picture-palace-dramar in reel life of the olden time, billed to perform regular at one o’clock a.m.’? Why, what would you ’ave said yourself? And next thing you know, two Justices of the Peace in the back parlour, and pore Mr and Mrs Chittenden off in a spring cart to the County Asylum and everyone in the street saying, ‘Ah, I thought it ’ud come to that. Look at the way the man drank!’—and me next door, or next door but one, to a total abstainer, as you know. Well, there was my position. What? Me ’ave it back in the shop? Well, what do you think? No, but I’ll tell you what I will do. You shall have your money back, bar the ten pound I paid for it, and you make what you can.”
Later in the day, in what is offensively called the “smoke-room” of the hotel, a murmured conversation between the two went on for some time.
“How much do you really know about that thing, and where it came from?”
“Honest, Mr Dillet, I don’t know the ’ouse. Of course, it came out of the lumber room of a country ’ouse—that anyone could guess. But I’ll go as far as say this, that I believe it’s not a hundred miles from this place. Which direction and how far I’ve no notion. I’m only judging by guess-work. The man as I actually paid the cheque to ain’t one of my regular men, and I’ve lost sight of him; but I ’ave the idea that this part of the country was his beat, and that’s every word I can tell you. But now, Mr Dillet, there’s one thing that rather physicks me—that old chap,—I suppose you saw him drive up to the door—I thought so: now, would he have been the medical man, do you take it? My wife would have it so, but I stuck to it that was the lawyer, because he had papers with him, and one he took out was folded up.”
“I agree,” said Mr Dillet. “Thinking it over, I came to the conclusion that was the old man’s will, ready to be signed.”
“Just what I thought,” said Mr Chittenden, “and I took it that will would have cut out the young people, eh? Well, well! It’s been a lesson to me, I know that. I shan’t buy no more dolls’ houses, nor waste no more money on the pictures—and as to this business of poisonin’ grandpa, well, if I know myself, I never ’ad much of a turn for that. Live and let live: that’s bin my motto throughout life, and I ain’t found it a bad one.”
Filled with these elevated sentiments, Mr Chittenden retired to his lodgings. Mr Dillet next day repaired to the local Institute, where he hoped to find some clue to the riddle that absorbed him. He gazed in despair at a long file of the Canterbury and York Society’s publications of the Parish Registers of the district. No print resembling the house of his nightmare was among those that hung on the staircase and in the passages. Disconsolate, he found himself at last in a derelict room, staring at a dusty model of a church in a dusty glass case: Model of St Stephen’s Church, Coxham. Presented by J. Merewether, Esq., of Ilbridge House, 1877. The work of his ancestor James Merewether, d. 1786. There was something in the fashion of it that reminded him dimly of his horror. He retraced his steps to a wall map he had noticed, and made out that Ilbridge House was in Coxham Parish. Coxham was, as it happened, one of the parishes of which he had retained the name when he glanced over the file of printed registers, and it was not long before he found in them the record of the burial of Roger Milford, aged 76, on the 11th of September, 1757, and of Roger and Elizabeth Merewether, aged 9 and 7, on the 19th of the same month. It seemed worth while to follow up this clue, frail as it was; and in the afternoon he drove out to Coxham. The east end of the north aisle of the church is a Milford chapel, and on its north wall are tablets to the same persons; Roger, the elder, it seems, was distinguished by all the qualities which adorn “the Father, the Magistrate, and the Man”: the memorial was erected by his attached daughter Elizabeth, “who did not long survive the loss of a parent ever solicitous for her welfare, and of two amiable children.” The last sentence was plainly an addition to the original inscription.
A yet later slab told of James Merewether, husband of Elizabeth, “who in the dawn of life practised, not without success, those arts which, had he continued their exercise, might in the opinion of the most competent judges have earned for him the name of the British Vitruvius: but who, overwhelmed by the visitation which deprived him of an affectionate partner and a blooming offspring, passed his Prime and Age in a secluded yet elegant Retirement: his grateful Nephew and Heir indulges a pious sorrow by this too brief recital of his excellences.”
The children were more simply commemorated. Both died on the night of the 12th of September.
Mr Dillet felt sure that in Ilbridge House he had found the scene of his drama. In some old sketch-book, possibly in some old print, he may yet find convincing evidence that he is right. But the Ilbridge House of to-day is not that which he sought; it is an Elizabethan erection of the forties, in red brick with stone quoins and dressings. A quarter of a mile from it, in a low part of the park, backed by ancient, stag-horned, ivy-strangled trees and thick undergrowth, are marks of a terraced platform overgrown with rough grass. A few stone balusters lie here and there, and a heap or two, covered with nettles and ivy, of wrought stones with badly carved crockets. This, someone told Mr Dillet, was the site of an older house.
As he drove out of the village, the hall clock struck four, and Mr Dillet started up and clapped his hands to his ears. It was not the first time he had heard that bell.
Awaiting an offer from the other side of the Atlantic, the doll’s house still reposes, carefully sheeted, in a loft over Mr Dillet’s stables, whither Collins conveyed it on the day when Mr Dillet started for the sea coast.
[It will be said, perhaps, and not unjustly, that this is no more than a variation on a former story of mine called The Mezzotint. I can only hope that there is enough of variation in the setting to make the repetition of the motif tolerable].
THE UNCOMMON PRAYER-BOOK
I
MR DAVIDSON was spending the first week in January alone in a country town. A combination of circumstances had driven him to that drastic course: his nearest relations were enjoying winter sports abroad, and the friends who had been kindly anxious to replace them had an infectious complaint in the house. Doubtless he might have found someone else to take pity on him. “But,” he reflected, “most of them have made up their parties, and, after all, it is only for three or four days at most that I have to fend for myself, and it will be just as well if I can get a move on with my introduction to the Leventhorp Papers. I might use the time by going down as near as I can to Gaulsford and making acquaintance with[36] the neighbourhood. I ought to see the remains of Leventhorp House, and the tombs in the church.”
The first day after his arrival at the Swan Hotel at Longbridge was so stormy that he got no farther than the tobacconist’s. The next, comparatively bright, he used for his visit to Gaulsford, which interested him more than a little, but had no ulterior consequences. The third, which was really a pearl of a day for early January, was too fine to be spent indoors. He gathered from the landlord that a favourite practice of visitors in the summer was to take a morning train to a couple of stations westward, and walk back down the valley of the Tent, through Stanford St Thomas and Stanford Magdalene, both of which were accounted highly picturesque villages. He closed with this plan, and we now find him seated in a third-class carriage at 9.45 A.M., on his way to Kingsbourne Junction, and studying the map of the district.
One old man was his only fellow-traveller, a piping old man, who seemed inclined for conversation. So Mr Davidson, after going through the necessary versicles and responses about the weather, inquired whether he was going far.
“No, sir, not far, not this morning, sir,” said the old man. “I ain’t only goin’ so far as what they call Kingsbourne Junction. There isn’t but two stations betwixt here and there. Yes, they calls it Kingsbourne Junction.”
“I’m going there, too,” said Mr Davidson.
“Oh, indeed, sir; do you know that part?”
“No, I’m only going for the sake of taking a walk back to Longbridge, and seeing a bit of the country.”
“Oh, indeed, sir! Well, ’tis a beautiful day for a gentleman as enjoys a bit of a walk.”
“Yes, to be sure. Have you got far to go when you get to Kingsbourne?”
“No, sir, I ain’t got far to go, once I get to Kingsbourne Junction. I’m agoin’ to see my daughter, sir. She live at Brockstone. That’s about two mile across the fields from what they call Kingsbourne Junction, that is. You’ve got that marked down on your map, I expect, sir.”
“I expect I have. Let me see, Brockstone, did you say? Here’s Kingsbourne, yes; and which way is Brockstone—toward the Stanfords? Ah, I see it: Brockstone Court, in a park. I don’t see the village, though.”
“No, sir, you wouldn’t see no village of Brockstone. There ain’t only the Court and the Chapel at Brockstone.”
“Chapel? Oh, yes, that’s marked here, too. The Chapel; close by the Court, it seems to be. Does it belong to the Court?”
“Yes, sir, that’s close up to the Court, only a step. Yes, that belong to the Court. My daughter, you see, sir, she’s the keeper’s wife now, and she live at the Court and look after things now the family’s away.”
“No one living there now, then?”
“No, sir, not for a number of years. The old gentleman, he lived there when I was a lad; and the lady, she lived on after him to very near upon ninety years of age. And then she died, and them that have it now, they’ve got this other place, in Warwickshire I believe it is, and they don’t do nothin’ about lettin’ the Court out; but Colonel Wildman, he have the shooting, and young Mr Clark, he’s the agent, he come over once in so many weeks to see to things, and my daughter’s husband, he’s the keeper.”
“And who uses the Chapel? just the people round about, I suppose.”
“Oh, no, no one don’t use the Chapel. Why, there ain’t no one to go. All the people about, they go to Stanford St Thomas Church; but my son-in-law, he go to Kingsbourne Church now, because the gentleman at Stanford, he have this Gregory singin’, and my son-in-law, he don’t like that; he say he can hear the old donkey brayin’ any day of the week, and he like something a little cheerful on the Sunday.” The old man drew his hand across his mouth and laughed. “That’s what my son-in-law say; he say he can hear the old donkey,” etc., da capo.
Mr Davidson also laughed as honestly as he could, thinking meanwhile that Brockstone Court and Chapel would probably be worth including in his walk; for the map showed that from Brockstone he could strike the Tent Valley quite as easily as by following the main Kingsbourne-Longbridge road. So, when the mirth excited by the remembrance of the son-in-law’s bon mot had died down, he returned to the charge, and ascertained that both the Court and the Chapel were of the class known as “old-fashioned places,” and that the old man would be very willing to take him thither, and his daughter would be happy to show him whatever she could.
“But that ain’t a lot, sir, not as if the family was livin’ there; all the lookin’-glasses is covered up, and the paintin’s, and the curtains and carpets folded away; not but what I dare say she could show you a pair just to look at, because she go over them to see as the morth shouldn’t get into ’em.”
“I shan’t mind about that, thank you; if she can show me the inside of the Chapel, that’s what I’d like best to see.”
“Oh, she can show you that right enough, sir. She have the key of the door, you see, and most weeks she go in and dust about. That’s a nice Chapel, that is. My son-in-law, he say he’ll be bound they didn’t have none of this Gregory singin’ there. Dear! I can’t help but smile when I think of him sayin’ that about th’ old donkey. ‘I can hear him bray,’ he say, ‘any day of the week’; and so he can, sir; that’s true, anyway.”
The walk across the fields from Kingsbourne to Brockstone was very pleasant. It lay for the most part on the top of the country, and commanded wide views over a succession of ridges, plough and pasture, or covered with dark-blue woods—all ending, more or less abruptly, on the right, in headlands that overlooked the wide valley of a great western river. The last field they crossed was bounded by a close copse, and no sooner were they in it than the path turned downward very sharply, and it became evident that Brockstone was neatly fitted into a sudden and very narrow valley. It was not long before they had glimpses of groups of smokeless stone chimneys, and stone-tiled roofs, close beneath their feet; and, not many minutes after that, they were wiping their shoes at the back door of Brockstone Court, while the keeper’s dogs barked very loudly in unseen places, and Mrs Porter, in quick succession, screamed at them to be quiet, greeted her father, and begged both her visitors to step in.
II
It was not to be expected that Mr Davidson should escape being taken through the principal rooms of the Court, in spite of the fact that the house was entirely out of commission. Pictures, carpets, curtains, furniture, were all covered up or put away, as old Mr Avery had said; and the admiration which our friend was very ready to bestow had to be lavished on the proportions of the rooms, and on the one painted ceiling, upon which an artist who had fled from London in the plague-year had depicted the Triumph of Loyalty and Defeat of Sedition. In this Mr Davidson could show an unfeigned interest. The portraits of Cromwell, Ireton, Bradshaw, Peters, and the rest, writhing in carefully devised torments, were evidently the part of the design to which most pains had been devoted.
“That were the old Lady Sadleir had that paintin’ done, same as the one what put up the Chapel. They say she were the first that went up to London to dance on Oliver Cromwell’s grave.” So said Mr Avery, and continued musingly, “Well, I suppose she got some satisfaction to her mind, but I don’t know as I should want to pay the fare to London and back just for that; and my son-in-law, he say the same; he say he don’t know as he should have cared to pay all that money only for that. I was tellin’ the gentleman as we came along in the train, Mary, what your ’Arry says about this Gregory singin’ down at Stanford here. We ’ad a bit of a laugh over that, sir, didn’t us?”
“Yes, to be sure we did; ha! ha!” Once again Mr Davidson strove to do justice to the pleasantry of the keeper. “But,” he said, “if Mrs Porter can show me the Chapel, I think it should be now, for the days aren’t long, and I want to get back to Longbridge before it falls quite dark.”
Even if Brockstone Court has not been illustrated in Rural Life (and I think it has not), I do not propose to point out its excellences here; but of the Chapel a word must be said. It stands about a hundred yards from the house, and has its own little graveyard and trees about it. It is a stone building about seventy feet long, and in the Gothic style, as that style was understood in the middle of the seventeenth century. On the whole it resembles some of the Oxford college chapels as much as anything, save that it has a distinct chancel, like a parish church, and a fanciful domed bell-turret at the south-west angle.
When the west door was thrown open, Mr Davidson could not repress an exclamation of pleased surprise at the completeness and richness of the interior. Screen-work, pulpit, seating, and glass—all were of the same period; and as he advanced into the nave and sighted the organ-case with its gold-embossed pipes in the western gallery, his cup of satisfaction was filled. The glass in the nave windows was chiefly armorial; and in the chancel were figure-subjects, of the kind that may be seen at Abbey Dore, of Lord Scudamore’s work.
But this is not an archæological review.
While Mr Davidson was still busy examining the remains of the organ (attributed to one of the Dallams, I believe), old Mr Avery had stumped up into the chancel and was lifting the dust-cloths from the blue-velvet cushions of the stall-desks. Evidently it was here that the family sat.
Mr Davidson heard him say in a rather hushed tone of surprise, “Why, Mary, here’s all the books open agin!”
The reply was in a voice that sounded peevish rather than surprised. “Tt-tt-tt, well, there, I never!”
Mrs Porter went over to where her father was standing, and they continued talking in a lower key. Mr Davidson saw plainly that something not quite in the common run was under discussion; so he came down the gallery stairs and joined them. There was no sign of disorder in the chancel any more than in the rest of the Chapel, which was beautifully clean; but the eight folio Prayer-Books on the cushions of the stall-desks were indubitably open.
Mrs Porter was inclined to be fretful over it. “Whoever can it be as does it?” she said: “for there’s no key but mine, nor yet door but the one we came in by, and the winders is barred, every one of ’em; I don’t like it, father, that I don’t.”
“What is it, Mrs Porter? Anything wrong?” said Mr Davidson.
“No, sir, nothing reely wrong, only these books. Every time, pretty near, that I come in to do up the place, I shuts ’em and spreads the cloths over ’em to keep off the dust, ever since Mr Clark spoke about it, when I first come; and yet there they are again, and always the same page—and as I says, whoever it can be as does it with the door and winders shut; and as I says, it makes anyone feel queer comin’ in here alone, as I ’ave to do, not as I’m given that way myself, not to be frightened easy, I mean to say; and there’s not a rat in the place—not as no rat wouldn’t trouble to do a thing like that, do you think, sir?”
“Hardly, I should say; but it sounds very queer. Are they always open at the same place, did you say?”
“Always the same place, sir, one of the psalms it is, and I didn’t particular notice it the first time or two, till I see a little red line of printing, and it’s always caught my eye since.”
Mr Davidson walked along the stalls and looked at the open books. Sure enough, they all stood at the same page; Psalm cix., and at the head of it, just between the number and the Deus laudum, was a rubric, “For the 25th day of April.” Without pretending to minute knowledge of the history of the Book of Common Prayer, he knew enough to be sure that this was a very odd and wholly unauthorized addition to its text; and though he remembered that April 25 is St Mark’s Day, he could not imagine what appropriateness this very savage psalm could have to that festival. With slight misgivings he ventured to turn over the leaves to examine the title-page, and knowing the need for particular accuracy in these matters, he devoted some ten minutes to making a line-for-line transcript of it. The date was 1653; the printer called himself Anthony Cadman. He turned to the list of proper psalms for certain days; yes, added to it was that same inexplicable entry: For the 25th day of April: the 109th Psalm. An expert would no doubt have thought of many other points to inquire into, but this antiquary, as I have said, was no expert. He took stock, however, of the binding—a handsome one of tooled blue leather, bearing the arms that figured in several of the nave windows in various combinations.
“How often,” he said at last to Mrs Porter, “have you found these books lying open like this?”
“Reely I couldn’t say, sir, but it’s a great many times now. Do you recollect, father, me telling you about it the first time I noticed it?”
“That I do, my dear; you was in a rare taking, and I don’t so much wonder at it; that was five year ago I was paying you a visit at Michaelmas time, and you come in at tea-time, and says you, ‘Father, there’s the books laying open under the cloths agin;’ and I didn’t know what my daughter was speakin’ about, you see, sir, and I says, ‘Books?’ just like that, I says; and then it all came out. But as Harry says,—that’s my son-in-law, sir,—‘whoever it can be,’ he says, ‘as does it, because there ain’t only the one door, and we keeps the key locked up,’ he says, ‘and the winders is barred, every one on ’em. Well,’ he says, ‘I lay once I could catch ’em at it, they wouldn’t do it a second time,’ he says. And no more they wouldn’t, I don’t believe, sir. Well, that was five year ago, and it’s been happenin’ constant ever since by your account, my dear. Young Mr Clark, he don’t seem to think much to it; but then he don’t live here, you see, and ’tisn’t his business to come and clean up here of a dark afternoon, is it?”
“I suppose you never notice anything else odd when you are at work here, Mrs Porter?” said Mr Davidson.
“No, sir, I do not,” said Mrs Porter, “and it’s a funny thing to me I don’t, with the feeling I have as there’s someone settin’ here—no, it’s the other side, just within the screen—and lookin’ at me all the time I’m dustin’ in the gallery and pews. But I never yet see nothin’ worse than myself, as the sayin’ goes, and I kindly hope I never may.”
III
In the conversation that followed (there was not much of it), nothing was added to the statement of the case. Having parted on good terms with Mr Avery and his daughter, Mr Davidson addressed himself to his eight-mile walk. The little valley of Brockstone soon led him down into the broader one of the Tent, and on to Stanford St Thomas, where he found refreshment.
We need not accompany him all the way to Longbridge. But as he was changing his socks before dinner, he suddenly paused and said half-aloud, “By Jove, that is a rum thing!” It had not occurred to him before how strange it was that any edition of the Prayer-Book should have been issued in 1653, seven years before the Restoration, five years before Cromwell’s death, and when the use of the book, let alone the printing of it, was penal. He must have been a bold man who put his name and a date on that title-page. Only, Mr Davidson reflected, it probably was not his name at all, for the ways of printers in difficult times were devious.
As he was in the front hall of the Swan that evening, making some investigations about trains, a small motor stopped in front of the door, and out of it came a small man in a fur coat, who stood on the steps and gave directions in a rather yapping foreign accent to his chauffeur. When he came into the hotel, he was seen to be black-haired and pale-faced, with a little pointed beard, and gold pince-nez; altogether, very neatly turned out.
He went to his room, and Mr Davidson saw no more of him till dinner-time. As they were the only two dining that night, it was not difficult for the newcomer to find an excuse for falling into talk; he was evidently wishing to make out what brought Mr Davidson into that neighbourhood at that season.
“Can you tell me how far it is from here to Arlingworth?” was one of his early questions; and it was one which threw some light on his own plans; for Mr Davidson recollected having seen at the station an advertisement of a sale at Arlingworth Hall, comprising old furniture, pictures, and books. This, then, was a London dealer.
“No,” he said, “I’ve never been there. I believe it lies out by Kingsbourne—it can’t be less than twelve miles. I see there’s a sale there shortly.”
The other looked at him inquisitively, and he laughed. “No,” he said, as if answering a question, “you needn’t be afraid of my competing; I’m leaving this place to-morrow.”
This cleared the air, and the dealer, whose name was Homberger, admitted that he was interested in books, and thought there might be in these old country-house libraries something to repay a journey. “For,” said he, “we English have always this marvellous talent for accumulating rarities in the most unexpected places, ain’t it?”
And in the course of the evening he was most interesting on the subject of finds made by himself and others. “I shall take the occasion after this sale to look round the district a bit; perhaps you could inform me of some likely spots, Mr Davidson?”
But Mr Davidson, though he had seen some very tempting locked-up book-cases at Brockstone Court, kept his counsel. He did not really like Mr Homberger.
Next day, as he sat in the train, a little ray of light came to illuminate one of yesterday’s puzzles. He happened to take out an almanac-diary that he had bought for the new year, and it occurred to him to look at the remarkable events for April 25. There it was: “St Mark. Oliver Cromwell born, 1599.”
That, coupled with the painted ceiling, seemed to explain a good deal. The figure of old Lady Sadleir became more substantial to his imagination, as of one in whom love for Church and King had gradually given place to intense hate of the power that had silenced the one and slaughtered the other. What curious evil service was that which she and a few like her had been wont to celebrate year by year in that remote valley? And how in the world had she managed to elude authority? And again, did not this persistent opening of the books agree oddly with the other traits of her portrait known to him? It would be interesting for anyone who chanced to be near Brockstone on the twenty-fifth of April to look in at the Chapel and see if anything exceptional happened. When he came to think of it, there seemed to be no reason why he should not be that person himself; he, and if possible, some congenial friend. He resolved that so it should be.
Knowing that he knew really nothing about the printing of Prayer-Books, he realized that he must make it his business to get the best light on the matter without divulging his reasons. I may say at once that his search was entirely fruitless. One writer of the early part of the nineteenth century, a writer of rather windy and rhapsodical chat about books, professed to have heard of a special anti-Cromwellian issue of the Prayer-Book in the very midst of the Commonwealth period. But he did not claim to have seen a copy, and no one had believed him. Looking into this matter, Mr Davidson found that the statement was based on letters from a correspondent who had lived near Longbridge; so he was inclined to think that the Brockstone Prayer-Books were at the bottom of it, and had excited a momentary interest.
Months went on, and St Mark’s Day came near. Nothing interfered with Mr Davidson’s plans of visiting Brockstone, or with those of the friend whom he had persuaded to go with him, and to whom alone he had confided the puzzle. The same 9.45 train which had taken him in January took them now to Kingsbourne; the same field-path led them to Brockstone. But to-day they stopped more than once to pick a cowslip; the distant woods and ploughed uplands were of another colour, and in the copse there was, as Mrs Porter said, “a regular charm of birds; why you couldn’t hardly collect your mind sometimes with it.”
She recognized Mr Davidson at once, and was very ready to do the honours of the Chapel. The new visitor, Mr Witham, was as much struck by the completeness of it as Mr Davidson had been. “There can’t be such another in England,” he said.
“Books open again, Mrs Porter?” said Davidson, as they walked up to the chancel.
“Dear, yes, I expect so, sir,” said Mrs Porter, as she drew off the cloths. “Well, there!” she exclaimed the next moment, “if they ain’t shut! That’s the first time ever I’ve found ’em so. But it’s not for want of care on my part, I do assure you, gentlemen, if they wasn’t, for I felt the cloths the last thing before I shut up last week, when the gentleman had done photografting the heast winder, and every one was shut, and where there was ribbons left, I tied ’em. Now I think of it, I don’t remember ever to ’ave done that before, and per’aps, whoever it is, it just made the difference to ’em. Well, it only shows, don’t it? If at first you don’t succeed, try, try, try again.”
Meanwhile the two men had been examining the books, and now Davidson spoke.
“I’m sorry to say I’m afraid there’s something wrong here, Mrs Porter. These are not the same books.”
It would make too long a business to detail all Mrs Porter’s outcries, and the questionings that followed. The upshot was this. Early in January the gentleman had come to see over the Chapel, and thought a great deal of it, and said he must come back in the spring weather and take some photografts. And only a week ago he had drove up in his motoring car, and a very ’eavy box with the slides in it, and she had locked him in because he said something about a long explosion, and she was afraid of some damage happening; and he says, no, not explosion, but it appeared the lantern what they take the slides with worked very slow; and so he was in there the best part of an hour and she come and let him out, and he drove off with his box and all and gave her his visiting-card, and oh, dear, dear, to think of such a thing! he must have changed the books and took the old ones away with him in his box.
“What sort of man was he?”
“Oh, dear, he was a small-made gentleman, if you can call him so after the way he’ve behaved, with black hair, that is if it was hair, and gold eye-glasses, if they was gold; reely, one don’t know what to believe. Sometimes I doubt he weren’t a reel Englishman at all, and yet he seemed to know the language, and had the name on his visiting-card like anybody else might.”
“Just so; might we see the card? Yes; T. W. Henderson, and an address somewhere near Bristol. Well, Mrs Porter, it’s quite plain this Mr Henderson, as he calls himself, has walked off with your eight Prayer-Books and put eight others about the same size in place of them. Now listen to me. I suppose you must tell your husband about this, but neither you nor he must say one word about it to anyone else. If you’ll give me the address of the agent,—Mr Clark, isn’t it?—I will write to him and tell him exactly what has happened, and that it really is no fault of yours. But, you understand, we must keep it very quiet; and why? Because this man who has stolen the books will of course try to sell them one at a time—for I may tell you they are worth a good deal of money—and the only way we can bring it home to him is by keeping a sharp lookout and saying nothing.”
By dint of repeating the same advice in various forms, they succeeded in impressing Mrs Porter with the real need for silence, and were forced to make a concession only in the case of Mr Avery, who was expected on a visit shortly. “But you may be safe with father, sir,” said Mrs Porter. “Father ain’t a talkin’ man.”
It was not quite Mr Davidson’s experience of him; still, there were no neighbours at Brockstone, and even Mr Avery must be aware that gossip with anybody on such a subject would be likely to end in the Porters’ having to look out for another situation.
A last question was whether Mr Henderson, so-called, had anyone with him.
“No, sir, not when he come he hadn’t; he was working his own motoring car himself, and what luggage he had, let me see: there was his lantern and this box of slides inside the carriage, which I helped him into the Chapel and out of it myself with it, if only I’d knowed! And as he drove away under the big yew tree by the monument, I see the long white bundle laying on the top of the coach, what I didn’t notice when he drove up. But he set in front, sir, and only the boxes inside behind him. And do you reely think, sir, as his name weren’t Henderson at all? Oh, dear me, what a dreadful thing! Why, fancy what trouble it might bring to a innocent person that might never have set foot in the place but for that!”
They left Mrs Porter in tears. On the way home there was much discussion as to the best means of keeping watch upon possible sales. What Henderson-Homberger (for there could be no real doubt of the identity) had done was, obviously, to bring down the requisite number of folio Prayer-Books—disused copies from college chapels and the like, bought ostensibly for the sake of the bindings, which were superficially like enough to the old ones—and to substitute them at his leisure for the genuine articles. A week had now passed without any public notice being taken of the theft. He would take a little time himself to find out about the rarity of the books, and would ultimately, no doubt, “place” them cautiously. Between them, Davidson and Witham were in a position to know a good deal of what was passing in the book-world, and they could map out the ground pretty completely. A weak point with them at the moment was that neither of them knew under what other name or names Henderson-Homberger carried on business. But there are ways of solving these problems.
And yet all this planning proved unnecessary.
IV
We are transported to a London office on this same 25th of April. We find there, within closed doors, late in the day, two police inspectors, a commissionaire, and a youthful clerk. The two latter, both rather pale and shaky in appearance, are sitting on chairs and being questioned.
“How long do you say you’ve been in this Mr Poschwitz’s employment? Six months? And what was his business? Attended sales in various parts and brought home parcels of books. Did he keep a shop anywhere? No? Disposed of ’em here and there, and sometimes to private collectors. Right. Now then, when did he go out last? Rather better than a week ago? Tell you where he was going? No? Said he was going to start next day from his private residence, and shouldn’t be at the office—that’s here, eh?—before two days; you was to attend as usual. Where is his private residence? Oh, that’s the address, Norwood way; I see. Any family? Not in this country? Now, then, what account do you give of what’s happened since he came back? Came back on the Tuesday, did he? and this is the Saturday. Bring any books? One package; where is it? In the safe? You got the key? No, to be sure, it’s open, of course. How did he seem when he got back—cheerful? Well, but how do you mean—curious? Thought he might be in for an illness: he said that, did he? Odd smell got in his nose, couldn’t get rid of it; told you to let him know who wanted to see him before you let ’em in? That wasn’t usual with him? Much the same all Wednesday, Thursday, Friday. Out a good deal; said he was going to the British Museum. Often went there to make inquiries in the way of his business. Walked up and down a lot in the office when he was in. Anyone call in on those days? Mostly when he was out. Anyone find him in? Oh, Mr Collinson? Who’s Mr Collinson? An old customer; know his address? All right, give it us afterwards. Well, now, what about this morning? You left Mr Poschwitz’s here at twelve and went home. Anybody see you? Commissionaire, you did? Remained at home till summoned here. Very well.
“Now, commissionaire; we have your name—Watkins, eh? Very well, make your statement; don’t go too quick, so as we can get it down.”
“I was on duty ’ere later than usual, Mr Potwitch ’aving asked me to remain on, and ordered his lunching to be sent in, which came as ordered. I was in the lobby from eleven-thirty on, and see Mr Bligh [the clerk] leave at about twelve. After that no one come in at all except Mr Potwitch’s lunching come at one o’clock and the man left in five minutes’ time. Towards the afternoon I became tired of waitin’ and I come upstairs to this first floor. The outer door what lead to the orfice stood open, and I come up to the plate-glass door here. Mr Potwitch he was standing behind the table smoking a cigar, and he laid it down on the mantelpiece and felt in his trouser pockets and took out a key and went across to the safe. And I knocked on the glass, thinkin’ to see if he wanted me to come and take away his tray; but he didn’t take no notice, bein’ engaged with the safe door. Then he got it open and stooped down and seemed to be lifting up a package off of the floor of the safe. And then, sir, I see what looked to be like a great roll of old shabby white flannel, about four to five feet high, fall for’ards out of the inside of the safe right against Mr Potwitch’s shoulder as he was stooping over; and Mr Potwitch, he raised himself up as it were, resting his hands on the package, and gave a exclamation. And I can’t hardly expect you should take what I says, but as true as I stand here I see this roll had a kind of a face in the upper end of it, sir. You can’t be more surprised than what I was, I can assure you, and I’ve seen a lot in me time. Yes, I can describe it if you wish it, sir; it was very much the same as this wall here in colour [the wall had an earth-coloured distemper] and it had a bit of a band tied round underneath. And the eyes, well they was dry-like, and much as if there was two big spiders’ bodies in the holes. Hair? no, I don’t know as there was much hair to be seen; the flannel-stuff was over the top of the ’ead. I’m very sure it warn’t what it should have been. No, I only see it in a flash, but I took it in like a photograft—wish I hadn’t. Yes, sir, it fell right over on to Mr Potwitch’s shoulder, and this face hid in his neck,—yes, sir, about where the injury was,—more like a ferret going for a rabbit than anythink else; and he rolled over, and of course I tried to get in at the door; but as you know, sir, it were locked on the inside, and all I could do, I rung up everyone, and the surgeon come, and the police and you gentlemen, and you know as much as what I do. If you won’t be requirin’ me any more to-day I’d be glad to be getting off home; it’s shook me up more than I thought for.”
“Well,” said one of the inspectors, when they were left alone; and “Well?” said the other inspector; and, after a pause, “What’s the surgeon’s report again? You’ve got it there. Yes. Effect on the blood like the worst kind of snake-bite; death almost instantaneous. I’m glad of that, for his sake; he was a nasty sight. No case for detaining this man Watkins, anyway; we know all about him. And what about this safe, now? We’d better go over it again; and, by the way, we haven’t opened that package he was busy with when he died.”
“Well, handle it careful,” said the other; “there might be this snake in it, for what you know. Get a light into the corners of the place, too. Well, there’s room for a shortish person to stand up in; but what about ventilation?”
“Perhaps,” said the other slowly, as he explored the safe with an electric torch, “perhaps they didn’t require much of that. My word! it strikes warm coming out of that place! like a vault, it is. But here, what’s this bank-like of dust all spread out into the room? That must have come there since the door was opened; it would sweep it all away if you moved it—see? Now what do you make of that?”
“Make of it? About as much as I make of anything else in this case. One of London’s mysteries this is going to be, by what I can see. And I don’t believe a photographer’s box full of large-size old-fashioned Prayer-Books is going to take us much further. For that’s just what your package is.”
It was a natural but hasty utterance. The preceding narrative shows that there was in fact plenty of material for constructing a case; and when once Messrs Davidson and Witham had brought their end to Scotland Yard, the join-up was soon made, and the circle completed.
To the relief of Mrs Porter, the owners of Brockstone decided not to replace the books in the Chapel; they repose, I believe, in a safe-deposit in town. The police have their own methods of keeping certain matters out of the newspapers; otherwise, it can hardly be supposed that Watkins’s evidence about Mr Poschwitz’s death could have failed to furnish a good many head-lines of a startling character to the press.
A NEIGHBOUR’S LANDMARK
THOSE who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. Happy in these employments, and in occasionally opening an eighteenth-century octavo, to see “what it is all about,” and to conclude after five[71] minutes that it deserves the seclusion it now enjoys, I had reached the middle of a wet August afternoon at Betton Court——
“You begin in a deeply Victorian manner,” I said; “is this to continue?”
“Remember, if you please,” said my friend, looking at me over his spectacles, “that I am a Victorian by birth and education, and that the Victorian tree may not unreasonably be expected to bear Victorian fruit. Further, remember that an immense quantity of clever and thoughtful Rubbish is now being written about the Victorian age. Now,” he went on, laying his papers on his knee, “that article, ‘The Stricken Years,’ in the Times Literary Supplement the other day,—able? of course it is able; but, oh! my soul and body, do just hand it over here, will you? it’s on the table by you.”
“I thought you were to read me something you had written,” I said, without moving, “but, of course——”
“Yes, I know,” he said. “Very well, then, I’ll do that first. But I should like to show you afterwards what I mean. However——” And he lifted the sheets of paper and adjusted his spectacles.
——at Betton Court, where, generations back, two country-house libraries had been fused together, and no descendant of either stock had ever faced the task of picking them over or getting rid of duplicates. Now I am not setting out to tell of rarities I may have discovered, of Shakespeare quartos bound up in volumes of political tracts, or anything of that kind, but of an experience which befell me in the course of my search—an experience which I cannot either explain away or fit into the scheme of my ordinary life.
It was, I said, a wet August afternoon, rather windy, rather warm. Outside the window great trees were stirring and weeping. Between them were stretches of green and yellow country (for the Court stands high on a hillside), and blue hills far off, veiled with rain. Up above was a very restless and hopeless movement of low clouds travelling north-west. I had suspended my work—if you call it work—for some minutes to stand at the window and look at these things, and at the greenhouse roof on the right with the water sliding off it, and the Church tower that rose behind that. It was all in favour of my going steadily on; no likelihood of a clearing up for hours to come. I, therefore, returned to the shelves, lifted out a set of eight or nine volumes, lettered “Tracts,” and conveyed them to the table for closer examination.
They were for the most part of the reign of Anne. There was a good deal of The Late Peace, The Late War, The Conduct of the Allies: there were also Letters to a Convocation Man; Sermons preached at St Michael’s, Queenhithe; Enquiries into a late Charge of the Rt. Rev. the Lord Bishop of Winchester (or more probably Winton) to his Clergy: things all very lively once, and indeed still keeping so much of their old sting that I was tempted to betake myself into an armchair in the window, and give them more time than I had intended. Besides, I was somewhat tired by the day. The Church clock struck four, and it really was four, for in 1889 there was no saving of daylight.
So I settled myself. And first I glanced over some of the War pamphlets, and pleased myself by trying to pick out Swift by his style from among the undistinguished. But the War pamphlets needed more knowledge of the geography of the Low Countries than I had. I turned to the Church, and read several pages of what the Dean of Canterbury said to the Society for Promoting Christian Knowledge on the occasion of their anniversary meeting in 1711. When I turned over to a Letter from a Beneficed Clergyman in the Country to the Bishop of C....r, I was becoming languid, and I gazed for some moments at the following sentence without surprise:
“This Abuse (for I think myself justified in calling it by that name) is one which I am persuaded Your Lordship would (if ’twere known to you) exert your utmost efforts to do away. But I am also persuaded that you know no more of its existence than (in the words of the Country Song)
‘That which walks in Betton Wood
Knows why it walks or why it cries.’”
Then indeed I did sit up in my chair, and run my finger along the lines to make sure that I had read them right. There was no mistake. Nothing more was to be gathered from the rest of the pamphlet. The next paragraph definitely changed the subject: “But I have said enough upon this Topick” were its opening words. So discreet, too, was the namelessness of the Beneficed Clergyman that he refrained even from initials, and had his letter printed in London.
The riddle was of a kind that might faintly interest anyone: to me, who have dabbled a good deal in works of folklore, it was really exciting. I was set upon solving it—on finding out, I mean, what story lay behind it; and, at least, I felt myself lucky in one point, that, whereas I might have come on the paragraph in some College Library far away, here I was at Betton, on the very scene of action.
The Church clock struck five, and a single stroke on a gong followed. This, I knew, meant tea. I heaved myself out of the deep chair, and obeyed the summons.
My host and I were alone at the Court. He came in soon, wet from a round of landlord’s errands, and with pieces of local news which had to be passed on before I could make an opportunity of asking whether there was a particular place in the Parish that was still known as Betton Wood.
“Betton Wood,” he said, “was a short mile away, just on the crest of Betton Hill, and my father stubbed up the last bit of it when it paid better to grow corn than scrub oaks. Why do you want to know about Betton Wood?”
“Because,” I said, “in an old pamphlet I was reading just now, there are two lines of a country song which mention it, and they sound as if there was a story belonging to them. Someone says that someone else knows no more of whatever it may be—
‘Than that which walks in Betton Wood
Knows why it walks or why it cries.’”
“Goodness,” said Philipson, “I wonder whether that was why.... I must ask old Mitchell.” He muttered something else to himself, and took some more tea, thoughtfully.
“Whether that was why——?” I said.
“Yes, I was going to say, whether that was why my father had the Wood stubbed up. I said just now it was to get more plough-land, but I don’t really know if it was. I don’t believe he ever broke it up: it’s rough pasture at this moment. But there’s one old chap at least who’d remember something of it—old Mitchell.” He looked at his watch. “Blest if I don’t go down there and ask him. I don’t think I’ll take you,” he went on, “he’s not so likely to tell anything he thinks is odd if there’s a stranger by.”
“Well, mind you remember every single thing he does tell. As for me, if it clears up, I shall go out, and if it doesn’t, I shall go on with the books.”
It did clear up, sufficiently at least to make me think it worth while to walk up the nearest hill and look over the country. I did not know the lie of the land; it was the first visit I had paid to Philipson, and this was the first day of it. So I went down the garden and through the wet shrubberies with a very open mind, and offered no resistance to the indistinct impulse—was it, however, so very indistinct?—which kept urging me to bear to the left whenever there was a forking of the path. The result was that after ten minutes or more of dark going between dripping rows of box and laurel and privet, I was confronted by a stone arch in the Gothic style set in the stone wall which encircled the whole demesne. The door was fastened by a spring-lock, and I took the precaution of leaving this on the jar as I passed out into the road. That road I crossed, and entered a narrow lane between hedges which led upward; and that lane I pursued at a leisurely pace for as much as half-a-mile, and went on to the field to which it led. I was now on a good point of vantage for taking in the situation of the Court, the village, and the environment; and I leant upon a gate and gazed westward and downward.
I think we must all know the landscapes—are they by Birket Foster, or somewhat earlier?—which, in the form of wood-cuts, decorate the volumes of poetry that lay on the drawing-room tables of our fathers and grandfathers—volumes in “Art Cloth, embossed bindings”; that strikes me as being the right phrase. I confess myself an admirer of them, and especially of those which show the peasant leaning over a gate in a hedge and surveying, at the bottom of a downward slope, the village church spire—embosomed amid venerable trees, and a fertile plain intersected by hedgerows, and bounded by distant hills, behind which the orb of day is sinking (or it may be rising) amid level clouds illumined by his dying (or nascent) ray. The expressions employed here are those which seem appropriate to the pictures I have in mind; and were there opportunity, I would try to work in the Vale, the Grove, the Cot, and the Flood. Anyhow, they are beautiful to me, these landscapes, and it was just such a one that I was now surveying. It might have come straight out of “Gems of Sacred Song, selected by a Lady” and given as a birthday present to Eleanor Philipson in 1852 by her attached friend Millicent Graves. All at once I turned as if I had been stung. There thrilled into my right ear and pierced my head a note of incredible sharpness, like the shriek of a bat, only ten times intensified—the kind of thing that makes one wonder if something has not given way in one’s brain. I held my breath, and covered my ear, and shivered. Something in the circulation: another minute or two, I thought, and I return home. But I must fix the view a little more firmly in my mind. Only, when I turned to it again, the taste was gone out of it. The sun was down behind the hill, and the light was off the fields, and when the clock bell in the Church tower struck seven, I thought no longer of kind mellow evening hours of rest, and scents of flowers and woods on evening air; and of how someone on a farm a mile or two off would be saying “How clear Betton bell sounds to-night after the rain!”; but instead images came to me of dusty beams and creeping spiders and savage owls up in the tower, and forgotten graves and their ugly contents below, and of flying Time and all it had taken out of my life. And just then into my left ear—close as if lips had been put within an inch of my head, the frightful scream came thrilling again.
There was no mistake possible now. It was from outside. “With no language but a cry” was the thought that flashed into my mind. Hideous it was beyond anything I had heard or have heard since, but I could read no emotion in it, and doubted if I could read any intelligence. All its effect was to take away every vestige, every possibility, of enjoyment, and make this no place to stay in one moment more. Of course there was nothing to be seen: but I was convinced that, if I waited, the thing would pass me again on its aimless, endless beat, and I could not bear the notion of a third repetition. I hurried back to the lane and down the hill. But when I came to the arch in the wall I stopped. Could I be sure of my way among those dank alleys, which would be danker and darker now? No, I confessed to myself that I was afraid: so jarred were all my nerves with the cry on the hill that I really felt I could not afford to be startled even by a little bird in a bush, or a rabbit. I followed the road which followed the wall, and I was not sorry when I came to the gate and the lodge, and descried Philipson coming up towards it from the direction of the village.
“And where have you been?” said he.
“I took that lane that goes up the hill opposite the stone arch in the wall.”
“Oh! did you? Then you’ve been very near where Betton Wood used to be: at least, if you followed it up to the top, and out into the field.”
And if the reader will believe it, that was the first time that I put two and two together. Did I at once tell Philipson what had happened to me? I did not. I have not had other experiences of the kind which are called super-natural, or -normal, or -physical, but, though I knew very well I must speak of this one before long, I was not at all anxious to do so; and I think I have read that this is a common case.
So all I said was: “Did you see the old man you meant to?”
“Old Mitchell? Yes, I did; and got something of a story out of him. I’ll keep it till after dinner. It really is rather odd.”
So when we were settled after dinner he began to report, faithfully, as he said, the dialogue that had taken place. Mitchell, not far off eighty years old, was in his elbow-chair. The married daughter with whom he lived was in and out preparing for tea.
After the usual salutations: “Mitchell, I want you to tell me something about the Wood.”
“What Wood’s that, Master Reginald?”
“Betton Wood. Do you remember it?”
Mitchell slowly raised his hand and pointed an accusing forefinger. “It were your father done away with Betton Wood, Master Reginald, I can tell you that much.”
“Well, I know it was, Mitchell. You needn’t look at me as if it were my fault.”
“Your fault? No, I says it were your father done it, before your time.”
“Yes, and I dare say if the truth was known, it was your father that advised him to do it, and I want to know why.”
Mitchell seemed a little amused. “Well,” he said, “my father were woodman to your father and your grandfather before him, and if he didn’t know what belonged to his business, he’d oughter done. And if he did give advice that way, I suppose he might have had his reasons, mightn’t he now?”
“Of course he might, and I want you to tell me what they were.”
“Well now, Master Reginald, whatever makes you think as I know what his reasons might ’a been I don’t know how many year ago?”
“Well, to be sure, it is a long time, and you might easily have forgotten, if ever you knew. I suppose the only thing is for me to go and ask old Ellis what he can recollect about it.”
That had the effect I hoped for.
“Old Ellis!” he growled. “First time ever I hear anyone say old Ellis were any use for any purpose. I should ’a thought you know’d better than that yourself, Master Reginald. What do you suppose old Ellis can tell you better’n what I can about Betton Wood, and what call have he got to be put afore me, I should like to know. His father warn’t woodman on the place: he were ploughman—that’s what he was, and so anyone could tell you what knows; anyone could tell you that, I says.”
“Just so, Mitchell, but if you know all about Betton Wood and won’t tell me, why, I must do the next best I can, and try and get it out of somebody else; and old Ellis has been on the place very nearly as long as you have.”
“That he ain’t, not by eighteen months! Who says I wouldn’t tell you nothing about the Wood? I ain’t no objection; only it’s a funny kind of a tale, and ’taint right to my thinkin’ it should be all about the Parish. You, Lizzie, do you keep in your kitchen a bit. Me and Master Reginald wants to have a word or two private. But one thing I’d like to know, Master Reginald, what come to put you upon asking about it to-day?”
“Oh! well, I happened to hear of an old saying about something that walks in Betton Wood. And I wondered if that had anything to do with its being cleared away: that’s all.”
“Well, you was in the right, Master Reginald, however you come to hear of it, and I believe I can tell you the rights of it better than anyone in this Parish, let alone old Ellis. You see it came about this way: that the shortest road to Allen’s Farm laid through the Wood, and when we was little my poor mother she used to go so many times in the week to the farm to fetch a quart of milk, because Mr Allen what had the farm then under your father, he was a good man, and anyone that had a young family to bring up, he was willing to allow ’em so much in the week. But never you mind about that now. And my poor mother she never liked to go through the Wood, because there was a lot of talk in the place, and sayings like what you spoke about just now. But every now and again, when she happened to be late with her work, she’d have to take the short road through the Wood, and as sure as ever she did, she’d come home in a rare state. I remember her and my father talking about it, and he’d say, ‘Well, but it can’t do you no harm, Emma,’ and she’d say, ‘Oh! but you haven’t an idear of it, George. Why, it went right through my head,’ she says, ‘and I came over all bewildered-like, and as if I didn’t know where I was. You see, George,’ she says, ‘it ain’t as if you was about there in the dusk. You always goes there in the daytime, now don’t you?’ and he says: ‘Why, to be sure I do, do you take me for a fool?’ And so they’d go on. And time passed by, and I think it wore her out, because, you understand, it warn’t no use to go for the milk not till the afternoon, and she wouldn’t never send none of us children instead, for fear we should get a fright. Nor she wouldn’t tell us about it herself. ‘No,’ she says, ‘it’s bad enough for me. I don’t want no one else to go through it, nor yet hear talk about it.’ But one time I recollect she says, ‘Well, first it’s a rustling-like all along in the bushes, coming very quick, either towards me or after me according to the time, and then there comes this scream as appears to pierce right through from the one ear to the other, and the later I am coming through, the more like I am to hear it twice over; but thanks be, I never yet heard it the three times.’ And then I asked her, and I says: ‘Why, that seems like someone walking to and fro all the time, don’t it?’ and she says, ‘Yes, it do, and whatever it is she wants, I can’t think’: and I says, ‘Is it a woman, mother?’ and she says, ‘Yes, I’ve heard it is a woman.’
“Anyway, the end of it was my father he spoke to your father, and told him the Wood was a bad wood. ‘There’s never a bit of game in it, and there’s never a bird’s nest there,’ he says, ‘and it ain’t no manner of use to you.’ And after a lot of talk, your father he come and see my mother about it, and he see she warn’t one of these silly women as gets nervish about nothink at all, and he made up his mind there was somethink in it, and after that he asked about in the neighbourhood, and I believe he made out somethink, and wrote it down in a paper what very like you’ve got up at the Court, Master Reginald. And then he gave the order, and the Wood was stubbed up. They done all the work in the daytime, I recollect, and was never there after three o’clock.”
“Didn’t they find anything to explain it, Mitchell? No bones or anything of that kind?”
“Nothink at all, Master Reginald, only the mark of a hedge and ditch along the middle, much about where the quickset hedge run now, and with all the work they done, if there had been anyone put away there, they was bound to find ’em. But I don’t know whether it done much good, after all. People here don’t seem to like the place no better than they did afore.”
“That’s about what I got out of Mitchell,” said Philipson, “and as far as any explanation goes, it leaves us very much where we were. I must see if I can’t find that paper.”
“Why didn’t your father ever tell you about the business?” I said.
“He died before I went to school, you know, and I imagine he didn’t want to frighten us children by any such story. I can remember being shaken and slapped by my nurse for running up that lane towards the Wood when we were coming back rather late one winter afternoon: but in the daytime no one interfered with our going into the Wood if we wanted to—only we never did want.”
“Hm!” I said, and then, “Do you think you’ll be able to find that paper that your father wrote?”
“Yes,” he said, “I do. I expect it’s no further away than that cupboard behind you. There’s a bundle or two of things specially put aside, most of which I’ve looked through at various times, and I know there’s one envelope labelled Betton Wood: but as there was no Betton Wood any more, I never thought it would be worth while to open it, and I never have. We’ll do it now, though.”
“Before you do,” I said (I was still reluctant, but I thought this was perhaps the moment for my disclosure), “I’d better tell you I think Mitchell was right when he doubted if clearing away the Wood had put things straight.” And I gave the account you have heard already: I need not say Philipson was interested. “Still there?” he said. “It’s amazing. Look here, will you come out there with me now, and see what happens?”
“I will do no such thing,” I said, “and if you knew the feeling, you’d be glad to walk ten miles in the opposite direction. Don’t talk of it. Open your envelope, and let’s hear what your father made out.”
He did so, and read me the three or four pages of jottings which it contained. At the top was written a motto from Scott’s Glenfinlas, which seemed to me well-chosen:
“Where walks, they say, the shrieking ghost.”
Then there were notes of his talk with Mitchell’s mother, from which I extract only this much. “I asked her if she never thought she saw anything to account for the sounds she heard. She told me, no more than once, on the darkest evening she ever came through the Wood; and then she seemed forced to look behind her as the rustling came in the bushes, and she thought she saw something all in tatters with the two arms held out in front of it coming on very fast, and at that she ran for the stile, and tore her gown all to flinders getting over it.”
Then he had gone to two other people whom he found very shy of talking. They seemed to think, among other things, that it reflected discredit on the parish. However, one, Mrs Emma Frost, was prevailed upon to repeat what her mother had told her. “They say it was a lady of title that married twice over, and her first husband went by the name of Brown, or it might have been Bryan (“Yes, there were Bryans at the Court before it came into our family,” Philipson put in), and she removed her neighbour’s landmark: leastways she took in a fair piece of the best pasture in Betton Parish what belonged by rights to two children as hadn’t no one to speak for them, and they say years after she went from bad to worse, and made out false papers to gain thousands of pounds up in London, and at last they was proved in law to be false, and she would have been tried and put to death very like, only she escaped away for the time. But no one can’t avoid the curse that’s laid on them that removes the landmark, and so we take it she can’t leave Betton before someone take and put it right again.”
At the end of the paper there was a note to this effect. “I regret that I cannot find any clue to previous owners of the fields adjoining the Wood. I do not hesitate to say that if I could discover their representatives, I should do my best to indemnify them for the wrong done to them in years now long past: for it is undeniable that the Wood is very curiously disturbed in the manner described by the people of the place. In my present ignorance alike of the extent of the land wrongly appropriated, and of the rightful owners, I am reduced to keeping a separate note of the profits derived from this part of the estate, and my custom has been to apply the sum that would represent the annual yield of about five acres to the common benefit of the Parish and to charitable uses: and I hope that those who succeed me may see fit to continue this practice.”
So much for the elder Mr Philipson’s paper. To those who, like myself, are readers of the State Trials it will have gone far to illuminate the situation. They will remember how between the years 1678 and 1684 the Lady Ivy, formerly Theodosia Bryan, was alternately Plaintiff and Defendant in a series of trials in which she was trying to establish a claim against the Dean and Chapter of St Paul’s for a considerable and very valuable tract of land in Shadwell: how in the last of those trials, presided over by L.C.J. Jeffreys, it was proved up to the hilt that the deeds upon which she based her claim were forgeries executed under her orders: and how, after an information for perjury and forgery was issued against her, she disappeared completely—so completely, indeed, that no expert has ever been able to tell me what became of her.
Does not the story I have told suggest that she may still be heard of on the scene of one of her earlier and more successful exploits?
“That,” said my friend, as he folded up his papers, “is a very faithful record of my one extraordinary experience. And now——”
But I had so many questions to ask him, as for instance, whether his friend had found the proper owner of the land, whether he had done anything about the hedge, whether the sounds were ever heard now, what was the exact title and date of his pamphlet, etc., etc., that bed-time came and passed, without his having an opportunity to revert to the Literary Supplement of the Times.
A VIEW FROM A HILL
HOW pleasant it can be, alone in a first-class railway carriage, on the first day of a holiday that is to be fairly long, to dawdle through a bit of English country that is unfamiliar, stopping at every station. You have a map open on your knee, and you pick out the villages that lie to right and left by their church towers. You marvel at the complete stillness that attends your stoppage at the stations, broken only by a footstep crunching the gravel. Yet perhaps that is best experienced after sundown, and the traveller I have in mind was making his leisurely progress on a sunny afternoon in the latter half of June.
He was in the depths of the country. I need not particularise further than to say that if you divided the map of England into four quarters, he would have been found in the south-western of them.
He was a man of academic pursuits, and his term was just over. He was on his way to meet a new friend, older than himself. The two of them had met first on an official enquiry in town, had found that they had many tastes and habits in common, liked each other, and the result was an invitation from Squire Richards to Mr Fanshawe which was now taking effect.
The journey ended about five o’clock. Fanshawe was told by a cheerful country porter that the car from the Hall had been up to the station and left a message that something had to be fetched from half-a-mile farther on, and would the gentleman please to wait a few minutes till it came back? “But I see,” continued the porter, “as you’ve got your bysticle, and very like you’d find it pleasanter to ride up to the ’All yourself. Straight up the road ’ere, and then first turn to the left—it ain’t above two mile—and I’ll see as your things is put in the car for you. You’ll excuse me mentioning it, only I thought it were a nice evening for a ride. Yes, sir, very seasonable weather for the haymakers: let me see, I have your bike ticket. Thank you, sir; much obliged: you can’t miss your road, etc., etc.”
The two miles to the Hall were just what was needed, after the day in the train, to dispel somnolence and impart a wish for tea. The Hall, when sighted, also promised just what was needed in the way of a quiet resting-place after days of sitting on committees and college-meetings. It was neither excitingly old nor depressingly new. Plastered walls, sash-windows, old trees, smooth lawns, were the features which Fanshawe noticed as he came up the drive. Squire Richards, a burly man of sixty odd, was awaiting him in the porch with evident pleasure.
“Tea first,” he said, “or would you like a longer drink? No? All right, tea’s ready in the garden. Come along, they’ll put your machine away. I always have tea under the lime-tree by the stream on a day like this.”
Nor could you ask for a better place. Midsummer afternoon, shade and scent of a vast lime-tree, cool, swirling water within five yards. It was long before either of them suggested a move. But about six, Mr Richards sat up, knocked out his pipe, and said: “Look here, it’s cool enough now to think of a stroll, if you’re inclined? All right: then what I suggest is that we walk up the park and get on to the hillside, where we can look over the country. We’ll have a map, and I’ll show you where things are; and you can go off on your machine, or we can take the car, according as you want exercise or not. If you’re ready, we can start now and be back well before eight, taking it very easy.”
“I’m ready. I should like my stick, though, and have you got any field-glasses? I lent mine to a man a week ago, and he’s gone off Lord knows where and taken them with him.”
Mr Richards pondered. “Yes,” he said, “I have, but they’re not things I use myself, and I don’t know whether the ones I have will suit you. They’re old-fashioned, and about twice as heavy as they make ’em now. You’re welcome to have them, but I won’t carry them. By the way, what do you want to drink after dinner?”
Protestations that anything would do were overruled, and a satisfactory settlement was reached on the way to the front hall, where Mr Fanshawe found his stick, and Mr Richards, after thoughtful pinching of his lower lip, resorted to a drawer in the hall-table, extracted a key, crossed to a cupboard in the panelling, opened it, took a box from the shelf, and put it on the table. “The glasses are in there,” he said, “and there’s some dodge of opening it, but I’ve forgotten what it is. You try.” Mr Fanshawe accordingly tried. There was no keyhole, and the box was solid, heavy and smooth: it seemed obvious that some part of it would have to be pressed before anything could happen. “The corners,” said he to himself, “are the likely places; and infernally sharp corners they are too,” he added, as he put his thumb in his mouth after exerting force on a lower corner.
“What’s the matter?” said the Squire.
“Why, your disgusting Borgia box has scratched me, drat it,” said Fanshawe. The Squire chuckled unfeelingly. “Well, you’ve got it open, anyway,” he said.
“So I have! Well, I don’t begrudge a drop of blood in a good cause, and here are the glasses. They are pretty heavy, as you said, but I think I’m equal to carrying them.”
“Ready?” said the Squire. “Come on then; we go out by the garden.”
So they did, and passed out into the park, which sloped decidedly upwards to the hill which, as Fanshawe had seen from the train, dominated the country. It was a spur of a larger range that lay behind. On the way, the Squire, who was great on earthworks, pointed out various spots where he detected or imagined traces of war-ditches and the like. “And here,” he said, stopping on a more or less level plot with a ring of large trees, “is Baxter’s Roman villa.” “Baxter?” said Mr Fanshawe.
“I forgot; you don’t know about him. He was the old chap I got those glasses from. I believe he made them. He was an old watch-maker down in the village, a great antiquary. My father gave him leave to grub about where he liked; and when he made a find he used to lend him a man or two to help him with the digging. He got a surprising lot of things together, and when he died—I dare say it’s ten or fifteen years ago—I bought the whole lot and gave them to the town museum. We’ll run in one of these days, and look over them. The glasses came to me with the rest, but of course I kept them. If you look at them, you’ll see they’re more or less amateur work—the body of them; naturally the lenses weren’t his making.”
“Yes, I see they are just the sort of thing that a clever workman in a different line of business might turn out. But I don’t see why he made them so heavy. And did Baxter actually find a Roman villa here?”
“Yes, there’s a pavement turfed over, where we’re standing: it was too rough and plain to be worth taking up, but of course there are drawings of it: and the small things and pottery that turned up were quite good of their kind. An ingenious chap, old Baxter: he seemed to have a quite out-of-the-way instinct for these things. He was invaluable to our archæologists. He used to shut up his shop for days at a time, and wander off over the district, marking down places, where he scented anything, on the ordnance map; and he kept a book with fuller notes of the places. Since his death, a good many of them have been sampled, and there’s always been something to justify him.”
“What a good man!” said Mr Fanshawe.
“Good?” said the Squire, pulling up brusquely.
“I meant useful to have about the place,” said Mr Fanshawe. “But was he a villain?”
“I don’t know about that either,” said the Squire; “but all I can say is, if he was good, he wasn’t lucky. And he wasn’t liked: I didn’t like him,” he added, after a moment.
“Oh?” said Fanshawe, interrogatively.
“No, I didn’t; but that’s enough about Baxter: besides, this is the stiffest bit, and I don’t want to talk and walk as well.”
Indeed it was hot, climbing a slippery grass slope that evening. “I told you I should take you the short way,” panted the Squire, “and I wish I hadn’t. However, a bath won’t do us any harm when we get back. Here we are, and there’s the seat.”
A small clump of old Scotch firs crowned the top of the hill; and, at the edge of it, commanding the cream of the view, was a wide and solid seat, on which the two disposed themselves, and wiped their brows, and regained breath.
“Now, then,” said the Squire, as soon as he was in a condition to talk connectedly, “this is where your glasses come in. But you’d better take a general look round first. My word! I’ve never seen the view look better.”
Writing as I am now with a winter wind flapping against dark windows and a rushing, tumbling sea within a hundred yards, I find it hard to summon up the feelings and words which will put my reader in possession of the June evening and the lovely English landscape of which the Squire was speaking.
Across a broad level plain they looked upon ranges of great hills, whose uplands—some green, some furred with woods—caught the light of a sun, westering but not yet low. And all the plain was fertile, though the river which traversed it was nowhere seen. There were copses, green wheat, hedges and pasture-land: the little compact white moving cloud marked the evening train. Then the eye picked out red farms and grey houses, and nearer home scattered cottages, and then the Hall, nestled under the hill. The smoke of chimneys was very blue and straight. There was a smell of hay in the air: there were wild roses on bushes hard by. It was the acme of summer.
After some minutes of silent contemplation, the Squire began to point out the leading features, the hills and valleys, and told where the towns and villages lay. “Now,” he said, “with the glasses you’ll be able to pick out Fulnaker Abbey. Take a line across that big green field, then over the wood beyond it, then over the farm on the knoll.”
“Yes, yes,” said Fanshawe. “I’ve got it. What a fine tower!”
“You must have got the wrong direction,” said the Squire; “there’s not much of a tower about there that I remember, unless it’s Oldbourne Church that you’ve got hold of. And if you call that a fine tower, you’re easily pleased.”
“Well, I do call it a fine tower,” said Fanshawe, the glasses still at his eyes, “whether it’s Oldbourne or any other. And it must belong to a largish church—it looks to me like a central tower; four big pinnacles at the corners, and four smaller ones between. I must certainly go over there. How far is it?”
“Oldbourne’s about nine miles, or less,” said the Squire. “It’s a long time since I’ve been there, but I don’t remember thinking much of it. Now I’ll show you another thing.”
Fanshawe had lowered the glasses, and was still gazing in the Oldbourne direction. “No,” he said, “I can’t make out anything with the naked eye. What was it you were going to show me?”
“A good deal more to the left—it oughtn’t to be difficult to find. Do you see a rather sudden knob of a hill with a thick wood on top of it? It’s in a dead line with that single tree on the top of the big ridge.”
“I do,” said Fanshawe, “and I believe I could tell you without much difficulty what it’s called.”
“Could you now?” said the Squire. “Say on.”
“Why, Gallows Hill,” was the answer.
“How did you guess that?”
“Well, if you don’t want it guessed, you shouldn’t put up a dummy gibbet and a man hanging on it.”
“What’s that?” said the Squire abruptly. “There’s nothing on that hill but wood.”
“On the contrary,” said Fanshawe, “there’s a largish expanse of grass on the top and your dummy gibbet in the middle; and I thought there was something on it when I looked first. But I see there’s nothing—or is there? I can’t be sure.”