Flamsted Quarries

BY MARY E. WALLER

Author of "The Wood Carver of Lympus," "The Daughter of the Rich," "The Little Citizen," etc.

With Four Illustrations
By G. PATRICK NELSON

A. L. BURT COMPANY
Publishers New York

Copyright, 1910,
By Mary E. Waller
Published September, 1910

Reprinted, September, 1910; November, 1910;
December, 1910

TO THOSE WHO TOIL

"She sang straight on, verse after verse without pause"

Contents

[The Battery in Lieu of a Preface]
[Part First, A Child from the Vaudeville]
[Part Second, Home Soil]
[Part Third, In the Stream]
[Part Fourth, Oblivion]
[Part Fifth, Shed Number Two]
[The Last Word]
[A. L. Burt Company's Popular Copyright Fiction.]

Illustrations

["She sang straight on, verse after verse without pause"]

["Those present loved in after years to recall this scene"]

["What a picture she made leaning caressingly against the charmed and patient Bess"]

["'Unworthy—unworthy!' was Champney Googe's cry, as he knelt before Aileen"]

FLAMSTED QUARRIES

"Abysmal deeps repose
Beneath the stout ship's keel whereon we glide;
And if a diver plunge far down within
Those depths and to the surface safe return,
His smile, if so it chance he smile again,
Outweighs in worth all gold."

The Battery in Lieu of a Preface

A few years ago, at the very tip of that narrow rocky strip of land that has been well named "the Tongue that laps the Commerce of the World," the million-teeming Island of Manhattan, there was daily presented a scene in the life-drama of our land that held in itself, as in solution, a great national ideal. The old heroic "Epic of the Nations" was still visible to the naked eye, and masquerading here among us of the then nineteenth century in the guise of the arrival of the immigrant ship.

The scenic setting is in this instance incomparably fine. As we lean on the coping of the sea wall at the end of the green-swarded Battery, in the flush of a May sunset that, on the right, throws the Highlands of the Navesink into dark purple relief and lights the waters of Harbor, River, and Sound into a softly swelling roseate flood, we may fix our eyes on the approach to The Narrows and watch the incoming shipping of the world: the fruit-laden steamer from the Bermudas, the black East Indiaman heavy with teakwood and spices, the lumberman's barge awash behind the tow, the old three-masted schooner, low in the water, her decks loaded with granite from the far-away quarries of Maine. We may see, if we linger, the swift approach of a curiously foreshortened ocean steamship, her smokestack belching blackness, and the slower on-coming of a Norwegian bark, her sails catching the sunset light and gleaming opaline against the clear blue of the southern horizon. These last are the immigrant ships.

An hour later in old Castle Garden the North and South of Europe clasp hands on the very threshold of America. Four thousand feet are planted on the soil of the New World. Four thousand hands are knocking at its portals. Two thousand hearts are beating high with hope at prospect of the New, or palpitating with terror at contact with the Strange.

A thousand tragedies, a thousand comedies are here enacted before our very eyes: hopes, fears, tears, laughter, shrieks, groans, wailings, exultant cries, welcoming words, silent all-expressing hand-clasp, embrace, despairing wide-eyed search, hopeless isolation, the befriended, the friendless, the home-welcomed, the homeless—all commingled.

But an official routine soon sorts, separates, pairs, locates; speaks in Norwegian, speaks in Neapolitan. An hour passes; the dusk falls; the doors are opened; the two thousand, ticketed, labelled, are to enter upon the new life. The confusing chatter grows less and less. A child wails, and is hushed in soft Italian—a Neapolitan lullaby—by its mother as she sits on a convenient bench and for the first time gives her little one the breast in a strange land. An old Norwegian, perhaps a lineal descendant of our Viking visitors some thousand years ago, makes his way to the door, bent beneath a sack-load of bedding; his right hand holds his old wife's left. They are the last to leave.

The dusk has fallen. To the sea wall again for air after the thousands of garlic-reeking breaths in old Castle Garden. The sea is dark. The heavens are deep indigo; against them flashes the Liberty beacon; within them are set the Eternal Lights. Upon the waters of the harbor the illumined cabin windows of a multitude of river craft throw quivering rays along the slow glassy swell.

For a moment on River, and Harbor, and Sound, there is silence. But behind us we hear the subdued roar and beat of the metropolis, a sound comparable to naught else on earth or in heaven: the mighty systole and dyastole of a city's heart, and the tramp, tramp of a million homeward bound toilers—the marching tune of Civilization's hosts, to which the feet of the newly arrived immigrants are already keeping time, for they have crossed the threshold of old Castle Garden and entered the New World.

PART FIRST

A Child from the Vaudeville

I

The performance in itself was crude and commonplace, but the demonstration in regard to it was unusual. Although this scene had been enacted both afternoon and evening for the past six weeks, the audience at the Vaudeville was showing its appreciation by an intent silence.

The curtain had risen upon a street scene in the metropolis at night. Snow was falling, dimming the gas jets at the corner and half-veiling, half-disclosing the imposing entrance-porch of a marble church. The doors were closed; the edifice dark. As the eyes of the onlookers became accustomed to the half-lights, they were aware of a huddle of clothes against the iron railing that outlined the curve of the three broad entrance-steps. As vision grew keener the form of a child was discernible, a little match girl who was lighting one by one a few matches and shielding the flame with both hands from the draught. Suddenly she looked up and around. The rose window above the porch was softly illumined; the light it emitted transfused the thickly falling snow. Low organ tones became audible, although distant and muffled.

The child rose; came down the centre of the stage to the lowered footlights and looked about her, first at the orchestra, then around and up at the darkened house that was looking intently at her—a small ill-clad human, a spiritual entity, the only reality in this artificial setting. She grasped her package of matches in both hands; listened a moment as if to catch the low organ tones, then began to sing.

She sang as a bird sings, every part of her in motion: throat, eyes, head, body. The voice was clear, loud, full, strident, at times, on the higher notes from over-exertion, but always childishly appealing. The gallery leaned to catch every word of "The Holy City."

She sang straight on, verse after verse without pause. There was no modulation, no phrasing, no interpretation; it was merely a steady fortissimo outpouring of a remarkable volume of tone for so small an instrument. And the full power of it was, to all appearance, sent upwards with intent to the gallery. In any case, the gallery took the song unto itself, and as the last words, "Hosanna for evermore" rang upward, there was audible from above a long-drawn universal "Ah!" of satisfaction.

It was followed by a half minute of silence that was expressive of latent enthusiasm. The child was still waiting at the footlights, evidently for the expected applause from the higher latitudes. And the gallery responded—how heartily, those who were present have never forgotten: roar upon roar, call upon call, round after round of applause, cries of approbation couched in choice Bowery slang, a genuine stampede that shook the spectators in their seats. It was an irresistible, insatiable, unappeasable, overwhelming clamor for more. The infection of enthusiasm was communicated to floors, balconies, boxes; they answered, as it were, antiphonally. Faces were seen peeking from the wings; hands were visible there, clapping frantically. In the midst of the tumultuous uproar the little girl smiled brightly and ran off the stage.

The lights were turned on. A drop-scene fell; the stage was transformed, for, in the middle distance, swelling green hills rose against a soft blue sky seen between trees in the foreground. Sunshine lay on the landscape, enhancing the haze in the distance and throwing up the hills more prominently against it. The cries and uproar continued.

Meanwhile, in the common dressing-room beyond the wings, there was being enacted a scene which if slightly less tumultuous in expression was considerably more dangerous in quality. A quick word went the round of the stars' private rooms; it penetrated to the sanctum of the Japanese wrestlers; it came to the ear of the manager himself: "The Little Patti's struck!" It sounded ominous, and, thereupon, the Vaudeville flocked to the dressing-room door to see—what? Merely a child in a tantrum, a heap of rags on the floor, a little girl in white petticoats stamping, dancing, pulling away from an old Italian woman who was trying to robe her and exhorting, imploring, threatening the child in almost one and the same breath.

The manager rushed to the rescue for the house was losing its head. He seized the child by the arm. "What's the matter here, Aileen?"

"I ain't goin' ter dance a coon ter-night—not ter-night!" she cried defiantly and in intense excitement; "he's in the box again, an' I'm goin' to give him the Sunday-night song, like as I did before when he give me the flowers, so now!"

Nonna Lisa, the old Italian, slipped the white dress deftly over the mutinous head, so muffling the half-shriek. The manager laughed. "Hurry up then—on with you!" The child sprang away with a bound. "I've seen this too many times before," he added; "it's an attack of 'the last night's nerves.'—Hark!"

The tumult was drowning the last notes of the orchestral intermezzo, as the little girl, clad now wholly in white, ran in upon the stage and coming again down the centre raised her hand as if to command silence. With the gallery to see was to obey; the floor and balconies having subsided the applause from above died away.

The child, standing in the full glare of the footlights with the sunny skyey spaces and overlapping blue hills behind her, half-faced the brilliant house as, without accompaniment, she began to sing:

"There is a green hill far away
Without a city wall."

The childish voice sustained the simple melody perfectly, and it was evident when the little girl began the second verse that she was singing wholly to please herself and some one in a proscenium box. Before the close of the first stanza the gallery experienced a turn, the audience as a whole a sensation. Night after night the gallery gods had made it a point to be present at that hour of the continuous performance when the Little Patti—such was the name on the poster—sang either her famous Irish song "Oh, the praties they are small", or "The Holy City", and followed them by a coon dance the like of which was not to be seen elsewhere in New York; for into it the child threw such an abandonment of enthusiasm that she carried herself and her audience to the verge of extravagance—the one in action, the other in expression.

And now this!

A woman sobbed outright at the close of the second verse. The gallery heard—it hated hysterics—and considered whether it should look upon itself as cheated and protest, or submit quietly to being coerced into approval. The scales had not yet turned, when someone far aloft drew a long breath in order to force it out between closed teeth, and this in sign of disapproval. That one breath was, in truth, indrawn, but whether or no there was ever an outlet for the same remained a question with the audience. A woollen cap was deftly and unexpectedly thrust between the malevolent lips and several pair of hands held it there until the little singer left the stage.

What appeal, if any, that childish voice, dwelling melodiously on the simple words, made to the audience as a whole, cannot be stated because unknown; but that it appealed powerfully by force of suggestion, by the power of imagination, by the law of association, by the startling contrast between the sentiment expressed and the environment of that expression, to three, at least, among the many present is a certainty.

There is such a thing in our national life—a constant process, although often unrecognized—as social anastomosis: the intercommunication by branch of every vein and veinlet of the politico-social body, and thereby the coming into touch of lives apparently alien. As a result we have a revelation of new experiences; we find ourselves in subjection to new influences of before unknown personalities; we perceive the opening-up of new channels of communication between individual and individual as such. We comprehend that through it a great moral law is brought into operation both in the individual and the national life. And in recognition of this natural, though oft hidden process, the fact that to three men in that audience—men whose life-lines, to all appearance, were divergent, whose aims and purposes were antipodal—the simple song made powerful appeal, and by means of that appeal they came in after life to comprehend something of the workings of this great natural law, need cause no wonderment, no cavilling at the so-called prerogative of fiction. The laws of Art are the laws of Life, read smaller on the obverse.

The child was singing the last stanza in so profound a silence that the fine snapping of an over-charged electric wire was distinctly heard:

"Oh, dearly, dearly has he loved
And we must love him too,
And trust in his redeeming blood,
And try his works to do."

The little girl waited at the footlights for—something. She had done her best for an encore and the silence troubled her. She looked inquiringly towards the box. There was a movement of the curtains at the back; a messenger boy came in with flowers; a gentleman leaned over the railing and motioned to the child. She ran forward, holding up the skirt of her dress to catch the roses that were dropped into it. She smiled and said something. The tension in the audience gave a little; there was a low murmur of approval which increased to a buzz of conversation; the conductor raised his baton and the child with a courtesy ran off the stage. But there was no applause.

During the musical intermezzo that followed, the lower proscenium box was vacated and in the first balcony one among a crowd of students rose and made his way up the aisle.

"Lien's keller, Champ?" said a friend at the exit, putting a hand on his shoulder; "I'm with you."

"Not to-night." He shook off the detaining hand and kept on his way. The other stared after him, whistled low to himself and went down the aisle to the vacant seat.

At the main entrance of the theatre there was an incoming crowd. It was not late, only nine. The drawing-card at this hour was a famous Parisian singer of an Elysée café chantant. The young fellow stepped aside, beyond the ticket-office railing, to let the first force of the inrushing human stream exhaust itself before attempting egress for himself. In doing so he jostled rather roughly two men who were evidently of like mind with him in their desire to avoid the press. He lifted his hat in apology, and recognized one of them as the occupant of the proscenium box, the gentleman who had given the roses to the little singer. The other, although in citizen's dress, he saw by the tonsure was a priest.

The sight of such a one in that garb and that environment, diverted for the moment Champney Googe's thoughts from the child and her song. He scanned the erect figure of the man who, after immediate and courteous recognition of the other's apology, became oblivious, apparently, of his presence and intent upon the passing throng.

The crowd thinned gradually; the priest passed out under the arch of colored electric lights; the gentleman of the box, observing the look on the student's face, smiled worldly-wisely to himself as he, too, went down the crimson-carpeted incline. Champney Googe's still beardless lip had curled slightly as if his thought were a sneer.

II

The priest, after leaving the theatre, walked rapidly down Broadway past the marble church, that had been shown on the stage, and still straight on for two miles at the same rapid gait, past the quiet churchyards of St. Paul's and Trinity into the comparative silence of Battery Park and across to the sea wall. There he leaned for half an hour, reliving in memory not only the years since his seven-year old feet had crossed this threshold of the New World, but recalling something of his still earlier childhood in his native France. The child's song had been an excitant to the memory in recalling those first years in Auvergne.

"There is a green hill far away
Without a city wall."

How clearly he saw that! and his peasant father and mother as laborers on or about it, and himself, a six-year old, tending the goats on that same green hill or minding the geese in the meadows at its foot.

All this he saw as he gazed blankly at the dark waters of the bay, saw clearly as if visioned in crystal. But of subsequent movings and wanderings there was a blurred reflection only, till the vision momentarily brightened, the outlines defined themselves again as he saw his tired drowsy self put to bed in a tiny room that was filled with the fragrance of newly baked bread. He remembered the awakening in that small room over a bread-filled shop; it belonged to a distant great-uncle baker on the mother's side, a personage in the family because in trade. He could remember the time spent in that same shop and the brick-walled, brick-floored, brick-ovened room behind it. He recalled having stood for hours, it might have been days, he could not remember—for then Time was forever and its passing of no moment—before the deep ovens with a tiny blue-eyed slip of a girl. P'tite Truite, Little Trout, they called her, the great-uncle baker's one grandchild.

And the shop—he remembered that, so light and bright and sweet and clean, with people coming and going—men and women and children—and the crisp yard-long loaves carried away in shallow baskets on many a fine Norman head in the old seaport of Dieppe. And always the Little Trout was by his side, even when the great-uncle placed him in one of the huge flat-bottomed bread baskets and drew the two up and down in front of the shop. Then all was dim again; so dim that except for the lap and backward sucking of the waters against the sea wall, whereon he leaned, he had scarcely recalled a ship at the old pier of Dieppe, and the Little Trout standing beside her grandfather on the stringer, frantically waving her hand as the ship left her moorings and the prow nosed the first heavy channel sea that washed against the bulkhead and half-drowned her wailing cry:

"Jean—mon Jean!"

The rest was a blank until he landed here almost on this very spot in old Castle Garden and, holding hard by his father's hand, was bidden to look up at the flag flying from the pole at the top of the queer round building—a brave sight even for his young eyes: all the red and white and blue straining in the freshening wind with an energy of motion that made the boy dance in sympathetic joy at his father's side—

And what next?

Again a confusion of journeyings, and afterwards quiet settlement in a red brick box of a house in a mill town on the Merrimac. He could still hear the clang of the mill-gates, the ringing of the bells, the hum and whir and roar of a hundred thousand spindles, the clacking crash of the ponderous shifting frames. He could still see with the inner eye the hundreds of windows blazing in the reflected fires of the western sun, or twinkling with numberless lights that cast their long reflections on the black waters of the canal. There on the bank, at the entrance to the footbridge, the boy was wont to take his stand regularly at six o'clock of a winter's day, and wait for the hoisting of the mill-gates and the coming of his father and mother with the throng of toilers.

So he saw himself—himself as an identity emerging at last from the confusion of time and place and circumstance; for there followed the public school, the joys of rivalry, the eager outrush for the boy's Ever New, the glory of scrimmage and school-boy sports, the battle royal for the little Auvergnat when taunted with the epithet "Johnny Frog" by the belligerent youth, American born, and the victorious outcome for the "foreigner"; the Auvergne blood was up, and the temperament volcanic like his native soil where subterranean heats evidence themselves in hot, out-welling waters. And afterwards, at home, there were congratulations and comfortings, plus applications of vinegar and brown butcher's paper to the severely smitten nose of this champion of his new Americanhood. But at school and in the street, henceforth there was due respect and a general atmosphere of "let bygones be bygones."

Ah, but the pride of his mother in her boy's progress! the joy over the first English-French letter that went to the great-uncle baker; the constant toil of both parents that the savings might be sufficient to educate their one child—that the son might have what the parents lacked. Already the mother had begun to speak of the priesthood: she might yet see her son Jean a priest, a bishop, and archbishop. Who could tell? America is America, and opportunities infinite—a cardinal, perhaps, and the gift of a red hat from the Pope, and robes and laces! There was no end to her ambitious dreaming.

But across the day-dreams fell the shadow of hard times: the shutting down of the mills, the father's desperate illness in a workless winter, his death in the early spring, followed shortly by that of the worn-out and ill-nourished mother—and for the twelve-year-old boy the abomination of desolation, and world and life seen dimly through tears. Dim, too, from the like cause, that strange passage across the ocean to Dieppe—his mother's uncle having sent for him to return—a weight as of lead in his stomach, a fiery throbbing in his young heart, a sickening craving for some expression of human love. The boyish tendrils, although touched in truth by spring frosts, were outreaching still for some object upon which to fasten; yet he shrank from human touch and sympathy on that voyage in the steerage lest in his grief and loneliness he scream aloud.

Dieppe again, and the Little Trout with her grandfather awaiting him on the pier; the Little Trout's arms about his neck in loving welcome, the boy's heart full to bursting and his eyelids reddened in his supreme effort to keep back tears. Dependent, an orphan, and destined for the priesthood—those were his life lines for the next ten years. And the end? Revolt, rebellion, partial crime, acquittal under the law, but condemnation before the tribunal of his conscience and his God.

There followed the longing to expiate, to expiate in that America where he was not known but where he belonged, where his parents' dust mingled with the soil; to flee to the Church as to a sanctuary of refuge, to be priest through expiation. And this he had been for years while working among the Canadian rivermen, among the lumbermen of Maine, sharing their lives, their toil, their joys and sorrows, the common inheritance of the Human. For years subsequent to his Canadian mission, and after his naturalization as an American citizen, he worked in town and city, among high and low, rich and poor, recognizing in his catholicity of outlook but one human plane: that which may be tested by the spirit level of human needs. Now, at last, he was priest by conviction, by inner consecration.

He stood erect; drew a long full breath; squared his shoulders and looked around him. He noticed for the first time that a Staten Island ferryboat had moved into the slip near him; that several passengers were lingering to look at him; that a policeman was pacing behind him, his eye alert—and he smiled to himself, for he read their thought. He could not blame them for looking. He had fancied himself alone with the sea and the night and his thoughts; had lost himself to his present surroundings in the memory of those years; he had suffered again the old agony of passion, shame, guilt, while the events of that pregnant, preparatory period in France, etched deep with acid burnings into his inmost consciousness, were passing during that half hour in review before his inner vision. Small wonder he was attracting attention!

He bared his head. A new moon was sinking to the Highlands of the Navesink. The May night was mild, the sea breeze drawing in with gentle vigor. He looked northwards up the Hudson, and southwards to the Liberty beacon, and eastwards to the Sound. "God bless our Land" he murmured; then, covering his head, bowed courteously to the policeman and took his way across the Park to the up-town elevated station.

Yes, at last he dared assert it: he was priest by consecration; soul, heart, mind, body dedicate to the service of God through Humanity. That service led him always in human ways. A few nights ago he saw the poster: "The Little Patti". A child then? Thought bridged the abyss of ocean to the Little Trout. Some rescue work for him here, possibly; hence his presence in the theatre.

III

That the priest's effort to rescue the child from the artificial life of the stage had been in a measure successful, was confirmed by the presence, six months later, of the little girl in the yard of the Orphan Asylum on ——nd Street.

On an exceptionally dreary afternoon in November, had any one cared to look over the high board fence that bounds three sides of the Asylum yard, he might have seen an amazing sight and heard a still more amazing chorus:

"Little Sally Waters
Sitting in the sun,
Weeping and crying for a young man;
Rise, Sally, rise, Sally,
Wipe away your tears, Sally;
Turn to the east
And turn to the west,
And turn to the one that you love best!"

Higher and higher the voices of the three hundred orphans shrilled in unison as the owners thereof danced frantically around a small solitary figure in the middle of the ring of girls assembled in the yard on ----nd Street. Her coarse blue denim apron was thrown over her head; her face was bowed into her hands that rested on her knees. It was a picture of woe.

The last few words "you love best" rose to a shriek of exhortation. In the expectant silence that followed, "Sally" rose, pirouetted in a fashion worthy of a ballet dancer, then, with head down, fists clenched, arms tight at her sides, she made a sudden dash to break through the encircling wall of girls. She succeeded in making a breach by knocking the legs of three of the tallest out from under them; but two or more dozen arms, octopus-like, caught and held her. For a few minutes chaos reigned: legs, arms, hands, fingers, aprons, heads, stockings, hair, shoes of three hundred orphans were seemingly inextricably entangled. A bell clanged. The three hundred disentangled themselves with marvellous rapidity and, settling aprons, smoothing hair, pulling up stockings and down petticoats, they formed in a long double line. While waiting for the bell to ring the second warning, they stamped their feet, blew upon their cold fingers, and freely exercised their tongues.

"Yer dassn't try that again!" said the mate in line with the obstreperous "Sally" who had so scorned the invitation of the hundreds of girls to "turn to the one that she loved best".

"I dass ter!" was the defiant reply accompanied by the protrusion of a long thin tongue.

"Yer dassn't either!"

"I dass t'either!"

"Git out!" The first speaker nudged the other's ribs with her sharp elbow.

"Slap yer face for two cents!" shrieked the insulted "Sally", the Little Patti of the Vaudeville, and proceeded to carry out her threat. Whereupon Freckles, as she was known in the Asylum, set up a howl that was heard all along the line and turned upon her antagonist tooth and nail. At that moment the bell clanged a second time. A hush fell upon the multitude, broken only by a suppressed shriek that came from the vicinity of Freckles. A snicker ran down the line. The penalty for breaking silence after the second bell was "no supper", and not one of the three hundred cared to incur that—least of all Flibbertigibbet, the "Sally" of the game, who had forfeited her dinner, because she had been caught squabbling at morning prayers, and was now carrying about with her an empty stomach that was at bottom of her ugly mood.

"One, two—one, two." The monitor counted; the girls fell into step, all but Flibbertigibbet—the Asylum nickname for the "Little Patti"—who contrived to keep out just enough to tread solidly with hobnailed shoe on the toes of the long-suffering Freckles. It was unbearable, especially the last time when a heel was set squarely upon Freckles' latest bunion.

"Ou, ou—oh, au—wau!" Freckles moaned, limping.

"Number 207 report for disorder," said the monitor.

Flibbertigibbet giggled. Number 207 stepped out of the line and burst into uncontrollable sobbing; for she was hungry, oh, so hungry! And the matron had chalked on the blackboard "hot corn-cakes and molasses for Friday". It was the one great treat of the week. The girl behind Flibbertigibbet hissed in her ear:

"Yer jest pizen mean; dirt ain't in it."

A back kick worthy of a pack mule took effect upon the whisperer's shin. Flibbertigibbet moved on unmolested, underwent inspection at the entrance, and passed with the rest into the long basement room which was used for meals.

Freckles stood sniffing disconsolately by the door as the girls filed in. She was meditating revenge, and advanced a foot in hope that, unseen, she might trip her tormentor as she passed her. What, then, was her amazement to see Flibbertigibbet shuffle along deliberately a little sideways in order to strike the extended foot! This man[oe]uvre she accomplished successfully and fell, not forward, but sideways out of line and upon Freckles. Freckles pushed her off with a vengeance, but not before she heard a gleeful whisper in her ear:

"Dry up—watch out—I'll save yer some!"

That was all; but to Freckles it was a revelation. The children filed between the long rows of wooden benches, that served for seats, and the tables. They remained standing until the sister in charge gave the signal to be seated. When the three hundred sat down as one, with a thud of something more than fifteen tons' weight, there broke loose a Babel of tongues—English as it is spoken in the mouths of children of many nationalities.

It was then that Freckles began to "watch out."

Flibbertigibbet sat rigid on the bench, her eyes turned neither to right nor left but staring straight at the pile of smoking corn-meal cakes trickling molasses on her tin plate. She was counting: "One, two, three, four, five," and the prospect of more; for on treat nights, which occurred once a week, there was no stinting with corn-meal cakes, hulled corn, apple sauce with fried bread or whatever else might be provided for the three hundred orphans at the Asylum on ——nd Street, in the great city of New York.

Freckles grew nervous as she watched. What was Flibbertigibbet doing? Her fingers were busy untying the piece of red mohair tape with which her heavy braid was fastened in a neat loop. She put it around her apron, tying it fast; then, blousing the blue denim in front to a pouch like a fashion-plate shirt waist, she said in an undertone to her neighbor on the right:

"Gee—look! Ain't I got the style?"

"I ain't a-goin' ter look at yer, yer so pizen mean—dirt ain't in it," said 206 contemptuously, and sat sideways at such an angle that she could eat her cakes without seeing the eyesore next her.

"Stop crowdin'!" was the next command from the bloused bit of "style" to her neighbor on the left. Her sharp elbow emphasized her words and was followed by a solid thigh-to-thigh pressure that was felt for the length of at least five girls down the bench. The neighbor on the left found she could not withstand the continued pressure. She raised her hand.

"What is the trouble with 205?" The voice from the head of the table was one of controlled impatience.

"Please 'um—"; but she spoke no further word, for the pressure was removed so suddenly that she lost her balance and careened with such force towards her torment of a neighbor that the latter was fain to put her both arms about her to hold her up. This she did so effectually that 205 actually gasped for breath.

"I'll pinch yer black an' blue if yer tell!" whispered Flibbertigibbet, relaxing her hold and in turn raising her hand.

"What's wanting now, 208?"

"A second helpin', please 'um."

The tin round was passed up to the nickel-plated receptacle, that resembled a small bathtub with a cover, and piled anew. Flibbertigibbet viewed its return with satisfaction, and Freckles, who had been watching every move of this by-play, suddenly doubled up from her plastered position against the wall. She saw Flibbertigibbet drop the cakes quick as a flash into the low neck of her apron, and at that very minute they were reposing in the paunch of the blouse and held there by the mohair girdle. Thereafter a truce was proclaimed in the immediate vicinity of 208. Her neighbors, right and left, their backs twisted towards the tease, ate their portions in fear and trembling. After a while 208's hand went up again. This time it waved mechanically back and forth as if the owner were pumping bucketfuls of water.

"What is it now, 208?" The voice at the head of the table put the question with a note of exasperation in it.

"Please 'um, another helpin'."

The sister's lips set themselves close. "Pass up 208's plate," she said. The empty plate, licked clean of molasses on the sly, went up the line and returned laden with three "bloomin' beauties" as 208 murmured serenely to herself. She ate one with keen relish, then eyed the remaining two askance and critically. Freckles grew anxious. What next? Contrary to all rules 208's head, after slowly drooping little by little, lower and lower, dropped finally with a dull thud on the edge of the table and a force that tipped the plate towards her. Freckles doubled up again; she had seen through the man[oe]uvre: the three remaining cakes slid gently into the open half—low apron neck and were safely lodged with the other four.

"Number 208 sit up properly or leave the table."

The sister spoke peremptorily, for this special One Three-hundredth was her daily, almost hourly, thorn in the flesh. The table stopped eating to listen. There was a low moan for answer, but the head was not lifted. Number 206 took this opportunity to give her a dig in the ribs, and Number 205 crowded her in turn. To their amazement there was no response.

"Number 208 answer at once."

"Oh, please, 'um, I've got an awful pain—oo—au—." The sound was low but piercing.

"You may leave the table, 208, and go up to the dormitory."

208 rose with apparent effort. Her hands were clasped over the region where hot corn-meal cakes are said to lie heavily at times. Her face was screwed into an expression indicative of excruciating inner torment. As she made her way, moaning softly, to the farther door that opened into the cheerless corridor, there was audible a suppressed but decided giggle. It proceeded from Freckles. The monitor warned her, but, unheeding, the little girl giggled again.

A ripple of laughter started down the three tables, but was quickly suppressed.

"Number 207," said the much-tried and long-suffering sister, "you have broken the rule when under discipline. Go up to the dormitory and don't come down again to-night." This was precisely what Freckles wanted. She continued to sniff, however, as she left the room with seemingly reluctant steps. Once the door had closed upon her, she flew up the two long flights of stairs after Flibbertigibbet whom she found at the lavatory in the upper dormitory, cleansing the inside of her apron from molasses.

Oh, but those cakes were good, eaten on the broad window sill where the two children curled themselves to play at their favorite game of "making believe about the Marchioness"!

"But it's hot they be!" Freckles' utterance was thick owing to a large mouthful of cake with which she was occupied.

"I kept 'em so squeezin' 'em against my stommick."

"Where the pain was?"

"M-m," her chum answered abstractedly. Her face was flattened against the window in order to see what was going on below, for the electric arc-light at the corner made the street visible for the distance of a block.

"I've dropped a crumb," said Freckles ruefully.

"Pick it up then, or yer'll catch it—Oh, my!"

"Wot?" said Freckles who was on her hands and knees beneath the window searching for the crumb that might betray them if found by one of the sisters.

"Git up here quick if yer want to see—it's the Marchioness an' another kid. Come on!" she cried excitedly, pulling at Freckles' long arm. The two little girls knelt on the broad sill, and with faces pressed close to the window-pane gazed and whispered and longed until the electric lights were turned on in the dormitory and the noise of approaching feet warned them that it was bedtime.

Across the street from the Asylum, but facing the Avenue, was a great house of stone, made stately by a large courtyard closed by wrought-iron gates. On the side street looking to the Asylum, the windows in the second story had carved stone balconies; these were filled with bright blossoms in their season and in winter with living green. There was plenty of room behind the balcony flower-boxes for a white Angora cat to take her constitutional. When Flibbertigibbet entered the Asylum in June, the cat and the flowers were the first objects outside its walls to attract her attention and that of her chum, Freckles. It was not often that Freckles and her mate were given, or could obtain, the chance to watch the balcony, for there were so many things to do, something for every hour in the day: dishes to wash, beds to make, corridors to sweep, towels and stockings to launder, lessons to learn, sewing and catechism. But one day Flibbertigibbet—so Sister Angelica called the little girl from her first coming to the Asylum, and the name clung to her—was sent to the infirmary in the upper story because of a slight illness; while there she made the discovery of the "Marchioness." She called her that because she deemed it the most appropriate name, and why "appropriate" it behooves to tell.

Behind the garbage-house, in the corner of the yard near the railroad tracks, there was a fine place to talk over secrets and grievances. Moreover, there was a knothole in the high wooden fence that inclosed the lower portion of the yard. When Flibbertigibbet put her eye to this aperture, it fitted so nicely that she could see up and down the street fully two rods each way. Generally that eye could range from butcher's boy to postman, or 'old clothes' man; but one day, having found an opportunity, she placed her visual organ as usual to the hole—and looked into another queer member that was apparently glued to the other side! But she was not daunted, oh, no!

"Git out!" she commanded briefly.

"I ain't in." The Eye snickered.

"I'll poke my finger into yer!" she threatened further.

"I'll bite your banana off," growled the Eye.

"Yer a cross-eyed Dago."

"You're another—you Biddy!" The Eye was positively insulting; it winked at her.

Flibbertigibbet was getting worsted. She stamped her foot and kicked the fence. The Eye laughed at her, then suddenly vanished; and Flibbertigibbet saw a handsome-faced Italian lad sauntering up the street, hands in his pockets, and singing—oh, how he sang! The little girl forgot her rage in listening to the song, the words of which reminded her of dear Nonna Lisa and her own joys of a four weeks' vagabondage spent in the old Italian's company. All this she confessed to Freckles; and the two, under one pretence or another, managed to make daily visits to the garbage house knothole.

That hole was every bit as good as a surprise party to them. The Eye was seen there but once more, when it informed the other Eye that it belonged to Luigi Poggi, Nonna Lisa's one grandson; that it was off in Chicago with a vaudeville troupe while the other Eye had been with Nonna Lisa. But instead of the Eye there appeared a stick of candy twisted in a paper and thrust through; at another time some fresh dates, strung on a long string, were found dangling on the inner side of the fence—the knothole having provided the point of entrance for each date; once a small bunch of wild flowers graced it on the yard side. Again, for three months, the hole served for a circulating library. A whole story found lodgement there, a chapter at a time, torn from a paper-covered novel. Flibbertigibbet carried them around with her pinned inside of her blue denim apron, and read them to Freckles whenever she was sure of not being caught. Luigi was their one boy on earth.

The Marchioness of Isola Bella, that was the name of the story; and if Flibbertigibbet and Freckles on their narrow cots in the bare upper dormitory of the Orphan Asylum on ——nd Street, did not dream of sapphire lakes and snow-crowned mountains, of marble palaces and turtledoves, of lovely ladies and lordly men, of serenades and guitars and ropes of pearl, it was not the fault either of Luigi Poggi or the Marchioness of Isola Bella. But at times the story-book marchioness seemed very far away, and it was a happy thought of Flibbertigibbet's to name the little lady in the great house after her; for, once, watching at twilight from the cold window seat in the dormitory, the two orphan children saw her ladyship dressed for a party, the maid having forgotten to lower the shades.

Freckles and Flibbertigibbet dared scarcely breathe; it was so much better than the Marchioness of Isola Bella, for this one was real and alive—oh, yes, very much alive! She danced about the room, running from the maid when she tried to catch her, and when the door opened and a tall man came in with arms opened wide, the real Marchioness did just what the story-book marchioness did on the last page to her lover: gave one leap into the outstretched arms of the father-lover.

While the two children opposite were looking with all their eyes at this unexpected dénouement, the maid drew the shades, and Freckles and Flibbertigibbet were left to stare at each other in the dark and cold. Flibbertigibbet nodded and whispered:

"That takes the cake. The Marchioness of Isola Bella ain't in it!"

Freckles squeezed her hand. Thereafter, although the girls appreciated the various favors of the knothole, their entire and passionate allegiance was given to the real Marchioness across the way.

IV

One day, it was just after Thanksgiving, the Marchioness discovered her opposite neighbors. It was warm and sunny, a summer day that had strayed from its place in the Year's procession. The maid was putting the Angora cat out on the balcony among the dwarf evergreens. The Marchioness was trying to help her when, happening to look across the street, she saw the two faces at the opposite window. She stared for a moment, then taking the cat from the window sill held her up for the two little girls to see. Flibbertigibbet and her mate nodded vigorously and smiled, making motions with their hands as if stroking the fur.

The Marchioness dropped the cat and waved her hand to them; the maid drew her back from the window; the two girls saw her ladyship twitch away from the detaining hand and stamp her foot.

"Gee!" said Flibbertigibbet under her breath, "she's just like us."

"Oh, wot's she up ter now?" Freckles whispered.

Truly, any sane person would have asked that question. The Marchioness, having gained her point, was standing on the window seat by the open window, which was protected by an iron grating, and making curious motions with her fingers and hands.

"Is she a luny?" Freckles asked in an awed voice.

Flibbertigibbet was gazing fixedly at this apparition and made no reply. After watching this pantomime a few minutes, she spoke slowly:

"She's one of the dumb uns; I've seen 'em."

The Marchioness was now making frantic gestures towards the top of their window. She was laughing too.

"She's a lively one if she is a dumber," said Freckles approvingly. Flibbertigibbet jumped to her feet and likewise stood on the window sill.

"Gee! She wants us to git the window open at the top. Here—pull!" The two children hung their combined weight by the tips of their fingers from the upper sash, and the great window opened slowly a few inches; then it stuck fast. But they both heard the gleeful voice of their opposite neighbor and welcomed the sound.

"I'm talking to you—it's the only way I can—the deaf and dumb—"

The maid lifted her down, struggling, from the window seat, and they heard the childish voice scolding in a tongue unknown to them.

Flibbertigibbet set immediately about earning the right to learn the deaf-and-dumb alphabet; she hung out all monitor Number Twelve's washing—dish towels, stockings, handkerchiefs—every other day for two weeks in the bitter December weather. She knew that this special monitor had a small brother in the Asylum for Deaf Mutes; this girl taught her the strange language in compensation for the child's time and labor. It was mostly "give and take" in the Asylum.

"That child has been angelic lately; I don't know what's going to happen." Long-suffering Sister Agatha heaved a sigh of relief.

"Oh, there is a storm brewing you may be sure; this calm is unnatural," Sister Angelica replied, smiling at sight of the little figure in the yard dancing in the midst of an admiring circle of blue-nosed girls. "I believe they would rather stand and watch her than to run about and get warm. She is as much fun for them as a circus, and she learns so quickly! Have you noticed her voice in chapel lately?"

"Yes, I have"; said Sister Agatha grumpily, "and I confess I can't bear to hear her sing like an angel when she is such a little fiend."

Sister Angelica smiled. "Oh, I'm sure she'll come out all right; there's nothing vicious about her, and she's a loyal little soul, you can't deny that."

"Yes, to those she loves," Sister Agatha answered with some bitterness. She knew she was no favorite with the subject under discussion. "See her now! I shouldn't think she would have a whole bone left in her body."

They were playing "Snap-the-whip". Flibbertigibbet was the snapper for a line of twenty or more girls. As she swung the circle her legs flew so fast they fairly twinkled, and her hops and skips were a marvel to onlookers. But she landed right side up at last, although breathless, her long braid unloosened, hair tossing on the wind, cheeks red as American beauty roses, and gray eyes black with excitement of the game. Then the bell rang its warning, the children formed in line and marched in to lessons.

The two weeks in December in which Flibbertigibbet had given herself to the acquisition of the new language, proved long for the Marchioness. Every day she watched at the window for the reappearance of the two children at the bare upper window opposite; but thus far in vain. However, on the second Saturday after their first across-street meeting, she saw to her great joy the two little girls curled up on the window sill and frantically waving to attract her attention. The Marchioness nodded and smiled, clapped her hands, and mounted upon her own broad window seat in order to have an unobstructed view over the iron grating.

"She sees us, she sees us!" Freckles cried excitedly, but under her breath; "now let's begin."

Flibbertigibbet chose one of the panes that was cleaner than the others and putting her two hands close to it began operations. The Marchioness fairly hopped up and down with delight when she saw the familiar symbols of the deaf-and-dumb alphabet, and immediately set her own small white hands to work on her first sentence:

"Go slow."

Flibbertigibbet nodded emphatically; the conversation was begun again and continued for half an hour. It was in truth a labor as well as a work of love. The spelling in both cases was far from perfect and, at times, puzzling to both parties; but little by little they became used to each other's erratic symbols together with the queer things for which they stood, and no conversation throughout the length and breadth of New York—yes, even of our United States—was ever more enjoyed than by these three girls. Flibbertigibbet and the Marchioness did the finger-talking, and Freckles helped with the interpretation. In the following translation of this first important exchange of social courtesies, the extremely peculiar spelling, and wild combinations of vowels in particular, are omitted: but the questions and answers are given exactly as they were constructed by the opposite neighbors.

"Go slow." This as a word of warning from the Marchioness.

"You bet."

"Isn't this fun?"

"Beats the band."

"What is your name?"

Flibbertigibbet and her chum looked at each other; should it be nickname or real name? As they were at present in society and much on their dignity they decided to give their real names.

"Aileen Armagh." Thereupon Flibbertigibbet beat upon her breast to indicate first person singular possessive. The Marchioness stared at her for a minute, then spelled rather quickly:

"It's lovely. We call you something else."

"Who's we?"

"Aunt Ruth and I."

"What do you call me?"

"Flibbertigibbet."

"Git off!" cried Flibbertigibbet, recklessly shoving Freckles on to the floor. "Gee, how'd she know!" And thereupon she jumped to her feet and, having the broad window sill to herself, started upon a rather restricted coon dance in order to prove to her opposite neighbor that the nickname belonged to her by good right. Oh, but it was fun for the Marchioness! She clapped her hands to show her approval and catching up the skirt of her dainty white frock, slowly raised one leg at a right angle to her body and stood so for a moment, to the intense admiration of the other girls.

"That's what they call me here," said Flibbertigibbet when they got down to conversation again.

"What is hers?" asked the Marchioness, pointing to Freckles.

"Margaret O'Dowd, but we call her Freckles."

How the Marchioness laughed! So hard, indeed, that she apparently tumbled off the seat, for she disappeared entirely for several minutes, much to the girls' amazement as well as chagrin.

"It's like she broke somethin'," whimpered Freckles; "a bone yer know—her nose fallin' that way when she went over forrard."

"She ain't chany, I tell yer; she's jest Injy rubber," said Flibbertigibbet scornfully but with a note of anxiety in her voice. At this critical moment the Marchioness reappeared and jumped upon the seat. She had a curious affair in her hand; after placing it to her eyes, she signalled her answer:

"I can see them."

"See what?"

"The freckles."

"Wot's she givin' us?" Freckles asked in a perplexed voice.

"She's all right," said Flibbertigibbet with the confidence of superior knowledge; "it's a tel'scope; yer can see the moon through, an' yer freckles look to her as big as pie-plates."

Freckles crossed herself; it sounded like witches and it had a queer look.

"Ask her wot's her name," she suggested.

"What's your name?" Flibbertigibbet repeated on her fingers.

"Alice Maud Mary Van Ostend."

"Gee whiz, ain't that a corker!" Flibbertigibbet exclaimed delightedly. "How old are you?" She proceeded thus with her personal investigation prompted thereto by Freckles.

"Most ten;—you?"

"Most twelve."

"And Freckles?" The Marchioness laughed as she spelled the name.

"Eleven."

"Ask her if she's an orphant," said Freckles.

"Are you an orphan, Freckles says."

"Half," came the answer. "What are you?"

"Whole," was the reply. "Which is your half?"

"I have only papa—I'll introduce him to you sometime when—"

This explanation took fully five minutes to decipher, and while they were at work upon it the maid came up behind the Marchioness and, without so much as saying "By your leave", took her down struggling from the window seat and drew the shades. Whereupon Flibbertigibbet rose in her wrath, shook her fist at the insulting personage, and vowed vengeance upon her in her own forceful language:

"You're an old cat, and I'll rub your fur the wrong way till the sparks fly."

At this awful threat Freckles looked alarmed, and suddenly realized that she was shivering, the result of sitting so long against the cold window. "Come on down," she pleaded with the enraged Flibbertigibbet; and by dint of coaxing and the promise of a green woollen watch-chain, which she had patiently woven, and so carefully, with four pins and an empty spool till it looked like a green worm, she succeeded in getting her away from the dormitory window.

V

If the Marchioness of Isola Bella had filled many of Flibbertigibbet's dreams during the last six months, the real Alice Maud Mary Van Ostend now filled all her waking hours. Her sole thought was to contrive opportunities for more of this fascinating conversation, and she and Freckles practised daily on the sly in order to say more, and quickly, to the real Marchioness across the way.

By good luck they were given a half-hour for themselves just before Christmas, in reward for the conscientious manner in which they made beds, washed dishes, and recited their lessons for an entire week. When Sister Angelica, laying her hand on Flibbertigibbet's shoulder, had asked her what favor she wanted for the good work of that week, the little girl answered promptly enough that she would like to sit with Freckles in the dormitory window and look out on the street, for maybe there might be a hurdy-gurdy with a monkey passing through.

"Not this cold day, I'm sure," said Sister Angelica, smiling at the request; "for no monkey could be out in this weather unless he had an extra fur coat and a hot water bottle for his toes. Yes, you may go but don't stay too long in the cold."

But what if the Marchioness were to fail to make her appearance! They could not bear to think of this, and amused themselves for a little while by blowing upon the cold panes and writing their names and the Marchioness' in the vapor. But, at last—oh, at last, there she was! The fingers began to talk almost before they knew it. In some respects it proved to be a remarkable conversation, for it touched upon many and various topics, all of which proved of equal interest to the parties concerned. They lost no time in setting about the exchange of their views.

"I'm going to a party," the Marchioness announced, smoothing her gown.

"What time?"

"Five o'clock, but I'm all ready. I am going to dance a minuet."

This was a poser; but Flibbertigibbet did not wish to be outdone, although there was no party for her in prospect.

"I can dance too," she signalled.

"I know you can—lovely; that's why I told you."

"I wish I could see you dance the minute."

The Marchioness did not answer at once. Finally she spelled "Wait a minute," jumped down from the broad sill and disappeared. In a short time she was back again.

"I'm going to dance for you. Look downstairs—when it is dark—and you'll see the drawing-room lighted—I'll dance near the windows."

The two girls clapped their hands and Flibbertigibbet jumped up and down on the window sill to express her delight.

"When do you have to go to bed?" was the next pointed question from Alice Maud Mary.

"A quarter to eight."

"Who puts you in?"

This was another poser for even Flibbertigibbet's quick wits.

"Wot does she mane?" Freckles demanded anxiously.

"I dunno; anyhow, I'll tell her the sisters."

"The sisters," was the word that went across the street.

"Oh, how nice! Do you say your prayers to them too?"

Freckles groaned. "Wot yer goin' to tell her now?"

"Shut up now till yer hear me, an' cross yerself, for I mane it." Such was the warning from her mate.

"No; I say them to another lady—Our Lady."

"Oh gracious!" Freckles cried out under her breath and began to snicker.

"What lady?" The Marchioness looked astonished but intensely interested.

"The Holy Virgin. I'll bet she don't know nothin' 'bout Her," said Flibbertigibbet in a triumphant aside to Freckles. The Marchioness' eyes opened wider upon the two children across the way.

"That is the mother of Our Lord, isn't it?" she said in her dumb way. The two children nodded; no words seemed to come readily just then, for Alice Maud Mary had given them a surprise. They crossed themselves.

"I never thought of saying my prayers to His mother before, but I shall now. He always had a mother, hadn't he?"

Flibbertigibbet could think of nothing to say in answer, but she did the next best thing: she drew her rosary from under her dress waist and held it up to the Marchioness who nodded understandingly and began to fumble at her neck. In a moment she brought forth a tiny gold chain with a little gold cross hanging from it. She held it up and dangled it before the four astonished eyes opposite.

"Gee! Yer can't git ahead of her, an' I ain't goin' to try. She's just a darlint." Flibbertigibbet's heart was very full and tender at that moment; but she giggled at the next question.

"Do you know any boys?"

One finger was visible at the dormitory window. The Marchioness laughed and after telling them she knew ever so many began to count on her fingers for the benefit of her opposite neighbors.

"One, two, three, four, five," she began on her right hand—

"I don't believe her," said Freckles with a suspicious sniff.

Flibbertigibbet turned fiercely upon her. "I'd believe her if she said she knew a thousand, so now, Margaret O'Dowd, an' yer hold yer tongue!" she cried; but in reprimanding Freckles for her want of faith she lost count of the boys.

"I must go now," said the Marchioness; "but when the drawing-room downstairs is lighted, you look in—there'll be one boy there to dance with me. Be sure you look." Suddenly the Marchioness made a sign that both girls understood, although it was an extra one and the very prettiest of all in the deaf-and-dumb alphabet of the affections: she put her fingers to her lips and blew them a kiss.

"Ain't she a darlint!" murmured Flibbertigibbet, tossing the same sign across the street. When the Marchioness had left the window, the two girls spent the remaining minutes of their reward in planning how best to see the dance upon which they had set their hearts. They thought of all the places available, but were sure they would not be permitted to occupy them. At last Flibbertigibbet decided boldly, on the strength of a good conscience throughout one whole week, to ask at headquarters.

"I'm goin' straight to Sister Angelica an' ask her to let us go into the chapel; it's the only place. Yer can see from the little windy in the cubby-hole where the priest gits into his other clothes."

Freckles looked awestruck. "She'll never let yer go in there."

Her mate snapped her fingers in reply, and catching Freckles' hand raced her down the long dormitory, down the two long flights of stairs to the schoolroom where Sister Angelica was giving a lesson to the younger girls.

"Well, Flibbertigibbet, what is it now?" said the sister smiling into the eager face at her elbow. When Sister Angelica called her by her nickname instead of by the Asylum number, Flibbertigibbet knew she was in high favor. She nudged Freckles and replied:

"I want to whisper to you."

Sister Angelica bent down; before she knew it the little girl's arms were about her neck and the child was telling her about the dance at the stone house across the way. The sister smiled as she listened to the rush of eager words, but she was so glad to find this madcap telling her openly her heart's one desire, that she did what she had never done before in all her life of beautiful child-consecrated work: she said "Yes, and I will go with you. Wait for me outside the chapel door at half-past four."

Flibbertigibbet squeezed her around the neck with such grateful vigor that the blood rushed to poor Sister Angelica's head. She was willing, however, to be a martyr in such a good cause. The little girl walked quietly to the door, but when it had closed upon her she executed a series of somersaults worthy of the Madison Square Garden acrobats. "What'd I tell yer, what'd I tell yer!" she exclaimed, pirouetting and somersaulting till the slower-moving Freckles was a trifle dizzy.

Within a quarter of an hour the three were snugly ensconced in the window niche of the "cubby-hole," so Flibbertigibbet termed the robing-room closet, and looking with all their eyes across the street. They were directly opposite what Sister Angelica said must be the drawing-room and on a level with it. As they looked, one moment the windows were dark, in the next they were filled with soft yet brilliant lights. The lace draperies were parted and the children could see down the length of the room.

There she was! Hopping and skipping by the side of her father-lover and drawing him to the central window. Behind them came the lovely young lady and the Boy! The two were holding hands and swinging them freely as they laughed and chatted together.

"That's the Boy!" cried Flibbertigibbet, wild with excitement.

"And that must be the Aunt Ruth she told about—oh, ain't she just lovely!" cried Freckles.

"Watch out now, an' yer'll see the minute!" said Flibbertigibbet, squeezing Sister Angelica's hand; Sister Angelica squeezed back, but kept silence. She was learning many things before unknown to her. The four came to the middle window and looked out, up, and all around. But although the two children waved their hands wildly to attract their attention, the good people opposite failed to see them because the little window suffered eclipse in the shadow of the large electric arc-light's green cap.

"She's goin' to begin!" cried Flibbertigibbet, clapping her hands.

The young lady sat down at the piano and began to play. Whether Flibbertigibbet expected a variation of a "coon dance" or an Irish jig cannot be stated with certainty, but that she was surprised is a fact; so surprised, indeed, that for full two minutes she forgot to talk. To the slow music, for such it was—Flibbertigibbet beat time with her fingers on the pane to the step—the Marchioness and the Boy, pointing their daintily slippered feet, moved up and down, back and forth, swinging, turning, courtesying, bowing over the parquet floor with such childishly stately yet charming grace that their rhythmic motions were as a song without words.

The father-lover stood with his back to the mantel and applauded after an especially well executed flourish or courtesy; Aunt Ruth looked over her shoulder, smiling, her hands wandering slowly over the keys. At last, the final flourish, the final courtesy. The Marchioness' dress fairly swept the floor, and the Boy bowed so low that—well, Flibbertigibbet never could tell how it happened, but she had a warm place in her heart for that boy ever after—he quietly and methodically stood head downwards on his two hands, his white silk stockings and patent leathers kicking in the air.

The Marchioness was laughing so hard that she sat down in a regular "cheese" on the floor; the father-lover was clapping his hands like mad; the lady swung round on the piano stool and shook her forefinger at the Boy who suddenly came right side up at last, hand on his heart, and bowed with great dignity to the little girl on the floor. Then he, too, laughed and cut another caper just as a solemn-faced butler came in with wraps and furs. But by no means did he remain solemn long! How could he with the Boy prancing about him, and the Marchioness playing at "Catch-me-if-you-can" with her father-lover, and the lady slipping and sliding over the floor to catch the Boy who was always on the other side of the would-be solemn butler? Why, he actually swung round in a circle by holding on to that butler's dignified coat-tails!

Nor were they the only ones who laughed. Across the way in one of the Orphan Asylum windows, Sister Angelica and the children laughed too, in spirit joining in the fun, and when the butler came to the window to draw the shades there were three long "Ah's," both of intense disappointment and supreme satisfaction.

"Watch out, now," said Flibbertigibbet excitedly on the way down into the basement for supper and dishwashing, for it was their turn this week, "an' yer'll see me dance yer a minute in the yard ter-morrow."

"Yer can't dance it alone," replied doubting Freckles; "yer've got to have a boy."

"I don't want one; I'll take you, Freckles, for a boy." Clumsy Freckles blushed with delight beneath her many beauty-spots at such promise of unwonted graciousness on the part of her chum, and wondered what had come over Flibbertigibbet lately.

A few hours afterwards when they went up to bed, they whispered together again concerning the dance, and begged Sister Angelica to let them have just one peep from the dormitory window at their house of delight—a request she was glad to grant. They opened one of the inside blinds a little way, and exclaimed at the sight. It was snowing. The children oh'ed and ah'ed under their breath, for a snowstorm at Christmas time in the great city is the child's true joy. At their opposite neighbor's a faint light was visible in the balcony room; the wet soft flakes had already ridged the balustrade, powdered the dwarf evergreens, topped the cap of the electric arc-light and laid upon the concrete a coverlet of purest white.

The long bare dormitory filled with the children—the fatherless and motherless children we have always with us. Soon each narrow cot held its asylum number; the many heads, golden, brown, or black, busied all of them with childhood's queer unanchored thoughts, were pillowed in safety for another night.

And without the snow continued to fall upon the great city. It graced with equal delicacy the cathedral's marble spires and the forest of pointed firs which made the numberless Christmas booths that surrounded old Washington Market. It covered impartially, and with as pure a white, the myriad city roofs that sheltered saint and sinner, whether among the rich or the poor, among the cherished or castaways. It fell as thickly upon the gravestones in Trinity's ancient churchyard as upon the freshly turned earth in a corner of the paupers' burying ground; and it set upon black corruption wherever it was in evidence the seal of a transient stainlessness.

VI

"Really, I am discouraged about that child," said Sister Agatha just after Easter. She was standing at one of the schoolroom windows that overlooked the yard; she spoke as if thoroughly vexed.

"What is it now—208 again?" Sister Angelica looked up from the copybook she was correcting.

"Oh, yes, of course; it's always 208."

"Oh, she doesn't mean anything; it's only her high spirits; they must have some vent."

"It's been her ruin being on the stage even for those few weeks, and ever since the Van Ostends began to make of her and have her over for that Christmas luncheon and the Sunday nights, the child is neither to have nor to hold. What with her 'make believing' and her 'acting' she upsets the girls generally. She ought to be set to good steady work; the first chance I get I'll put her to it. I only wish some one would adopt her—"

"I heard Father Honoré—"

"Look at her now!" exclaimed Sister Agatha interrupting her.

Sister Angelica joined her at the window. They could not only see but hear all that was going on below. With the garbage house as a stage-setting and background to the performance, Flibbertigibbet was courtesying low to her audience; the skirt of her scant gingham dress was held in her two hands up and out to its full extent. The orphans crouched on the pavement in a triple semi-circle in front of her.

"All this rigmarole comes of the theatre," said Sister Agatha grimly.

"Well, where's the harm? She is only living it all over again and giving the others a little pleasure at the same time. Dear knows, they have little enough, poor things."

Sister Agatha made no reply; she was listening intently to 208's orders. The little girl had risen from her low courtesy and was haranguing the assembled hundreds:

"Now watch out, all of yer, an' when I do the minute yer can clap yer hands if yer like it; an' if yer want some more, yer must clap enough to split yer gloves if yer had any on, an' then I'll give yer the coon dance; an' then if yer like that, yer can play yer gloves are busted with clappin' an' stomp yer feet—"

"But we can't," Freckles entered her prosaic protest, "'cause we're squattin'."

"Well, get up then, yer'll have to; an' then if you stomp awful, an' holler 'On-ko—on-ko!'—that's what they say at the thayertre—I'll give yer somethin' else—"

"Wot?" demanded 206 suspiciously.

"Don't yer wish I'd tell!" said 208, and began the minuet.

It was marvellous how she imitated every graceful movement, every turn and twist and bow, every courtesy to the imaginary partner—Freckles had failed her entirely in this role—whose imaginary hand she held clasped high above her head; her clumsy shoes slid over the flagging as if it had been a waxed floor under dainty slippers. There was an outburst of applause; such an outburst that had the audience really worn gloves, every seam, even if French and handsewed, must have cracked under the healthy pressure.

208 beamed and, throwing back her head, suddenly flung herself into the coon dance which, in its way, was as wild and erratic as the minuet had been stately and methodical. Wilder and wilder grew her gyrations—head, feet, legs, shoulders, hair, hands, arms, were in seemingly perpetual motion. The audience grew wildly excited. They jumped up, shouting "On-ko—on-ko!" and accompanied their shouts with the stamping of feet. A dexterous somersault on the dancer's part ended the performance; her cheeks were flushed with exercise and excitement, her black mane was loosened and tossed about her shoulders. The audience lost their heads and even 206 joined in the prolonged roar:

"On-ko, 208—on-ko-o-o-oor! On-ko, Flibbertigibbet—some more—some more!"

"It's perfectly disgraceful," muttered Sister Agatha, and made a movement to leave the window; but Sister Angelica laid a gently detaining hand on her arm.

"No, Agatha, not that," she said earnestly; "you'll see that they will work all the better for this fun—Hark!"

There was a sudden and deep silence. 208 was evidently ready with her encore, a surprise to all but the performer. She shook back the hair from her face, raised her eyes, crossed her two hands upon her chest, waited a few seconds until a swift passenger train on the track behind the fence had smothered its roar in the tunnel depths, then began to sing "The Holy City." Even Sister Agatha felt the tears spring as she listened. A switch engine letting off steam drowned the last words, and there was no applause. Flibbertigibbet looked about her inquiringly; but the girls were silent. Such singing appeared to them out of the ordinary—and so unlike 208! It took them a moment to recover from their surprise; they gathered in groups to whisper together concerning the performance.

Meanwhile Flibbertigibbet was waiting expectantly. Where was the well earned applause? And she had reserved the best for the last! Ungrateful ones! Her friends in the stone house always praised her when she did her best,—but these girls—

She stamped her foot, then dashed through the broken ranks, making faces as she ran, and crying out in disgust and anger:

"Catch me givin' yer any more on-kos, yer stingy things!" and with that she ran into the basement followed by Freckles who was intent upon appeasing her.

The two sisters, pacing the dim corridor together after chapel that evening, spoke again of their little wilding.

"I didn't finish what I was going to tell you about 208," said Sister Angelica. "I heard the Sister Superior tell Father Honoré when he was here the other day that Mr. Van Ostend had been to see her in regard to the child. It seems he has found a place for her in the country with some of his relations, as I understand it. He said his interest in her had been roused when he heard her for the first time on the stage, and that when he found Flibbertigibbet was the little acquaintance his daughter had made, he determined to further the child's interests so far as a home is concerned."

"Then there is a prospect of her going," Sister Agatha drew a breath of relief. "Did you hear what Father Honoré said?"

"Very little; but I noticed he looked pleased, and I heard him say, 'This is working out all right; I'll step across and see Mr. Van Ostend myself.'—I shall miss her so!"

Sister Agatha made no reply. Together the two sisters continued to pace the dim corridor, silent each with her thoughts; and, pacing thus, up and down, up and down, the slender, black-robed figures were soon lost in the increasing darkness and became mere neutral outlines as they passed the high bare windows and entered their respective rooms.

Even so, a few weeks later when Number 208 left the Orphan Asylum on ----nd Street, they passed quietly out of the child's actual life and entered the fitfully lighted chambers of her childish memory wherein, at times, they paced with noiseless footsteps as once in the barren halls of her orphanage home.

PART SECOND

Home Soil

I

A land of entrancing inner waters, our own marvellous Lake Country of the East, lies just behind those mountains of Maine that sink their bases in the Atlantic and are fitly termed in Indian nomenclature Waves-of-the-Sea. Bight and bay indent this mountainous coast, in beauty comparable, if less sublime yet more enticing, to the Norwegian fjords; within them are set the islands large and small whereon the sheep, sheltered by cedar coverts, crop the short thick turf that is nourished by mists from the Atlantic. Above bight and bay and island tower the mountains. Their broad green flanks catch the earliest eastern and the latest western lights. Their bare summits are lifted boldly into the infinite blue that is reflected in the waters which lap their foundations.

Flamsted lies at the outlet of Lake Mesantic, on the gentle northward slope of these Waves-of-the-Sea, some eighteen miles inland from Penobscot Bay. Until the last decade of the nineteenth century it was unconnected with the coast by any railroad; but at that time a branch line from Hallsport on the Bay, encouraged by the opening of a small granite quarry in the Flamsted Hills, made its terminus at The Corners—a sawmill settlement at the falls of the Rothel, a river that runs rapidly to the sea after issuing from Lake Mesantic. A mile beyond the station the village proper begins at its two-storied tavern, The Greenbush.

From the lower veranda of this hostelry, one may look down the shaded length of the main street, dignified by many an old-fashioned house, to The Bow, an irregular peninsula extending far into the lake and containing some two hundred acres. This estate is the ancestral home of the Champneys, known as Champ-au-Haut, in the vernacular "Champo." At The Bow the highway turns suddenly, crosses a bridge over the Rothel and curves with the curving pine-fringed shores of the lake along the base of the mountain until it climbs the steep ascent that leads to Googe's Gore, the third division of the town of Flamsted.

As in all New England towns, that are the possessors of "old families," so in Flamsted;—its inhabitants are partisans. The result is, that it has been for years as a house divided against itself, and heated discussion of the affairs of the Googes at the Gore and the Champneys at The Bow has been from generation to generation an inherited interest. And from generation to generation, as the two families have ramified and intermarriages occurred more and more frequently, party spirit has run higher and higher and bitter feelings been engendered. But never have the factional differences been more pronounced and the lines of separation drawn with a sharper ploughshare in this mountain-ramparted New England town, than during the five years subsequent to the opening of the Flamsted Quarries which brought in its train the railroad and the immigrants. This event was looked upon by the inhabitants as the Invasion of the New.

The interest of the first faction was centred in Champ-au-Haut and its present possessor, the widow of Louis Champney, old Judge Champney's only son. That of the second in the Googes, Aurora and her son Champney, the owners of Googe's Gore and its granite outcrop.

The office room of The Greenbush has been for two generations the acknowledged gathering place of the representatives of the hostile camps. On a cool evening in June, a few days after the departure of several New York promoters, who had formed a syndicate to exploit the granite treasure in The Gore and for that purpose been fully a week in Flamsted, a few of the natives dropped into the office to talk it over.

When Octavius Buzzby, the factotum at Champ-au-Haut and twin of Augustus Buzzby, landlord of The Greenbush, entered the former bar-room of the old hostelry, he found the usual Saturday night frequenters. Among them was Colonel Milton Caukins, tax collector and assistant deputy sheriff who, never quite at ease in the presence of his long-tongued wife, expanded discursively so soon as he found himself in the office of The Greenbush. He was in full flow when Octavius entered.

"Hello, Tave," he cried, extending his hand in easy condescension, "you're well come, for you're just in time to hear the latest; the deal's on—an A. 1 sure thing this time. Aurora showed me the papers to-day. We're in for it now—government contracts, state houses, battle monuments, graveyards; we've got 'em all, and things'll begin to hum in this backwater hole, you bet!"

Octavius looked inquiringly at his brother. Augustus answered by raising his left eyebrow and placidly closing his right eye as a cautionary signal to lie low and await developments.

It was the Colonel's way to boom everything, and simply because he could not help it. It was not a matter of principle with him, it was an affair of temperament. He had boomed Flamsted for the last ten years—its climate, its situation, its scenery, its water power, its lake-shore lands as prospective sites for mansion summer cottages, and the treasures of its unopened quarries. So incorrigible an optimist was Milton Caukins that any slight degree of success, which might attend the promotion of any one of his numerous schemes, caused an elation that amounted to hilarity. On the other hand, the deadly blight of non-fulfilment, that annually attacked his most cherished hopes for the future development of his native town, failed in any wise to depress him, or check the prodigal casting of his optimistic daily bread on the placid social waters where, as the years multiplied, his enthusiasms scarce made a ripple.

"I see Mis' Googe yisterd'y, an' she said folks hed been down on her so long for sellin' thet pass'l of paster for the first quarry, thet she might ez well go the hull figger an' git 'em down on her for the rest of her days by sellin' the rest. By Andrew Jackson! she's got the grit for a woman—and the good looks too! She can hold her own for a figger with any gal in this town. I see the syndicaters a-castin' sheeps' eyes her ways the day she took 'em over The Gore prospectin'; but, by A. J.! they hauled in their lookin's when she turned them great eyes of her'n their ways.—What's the figger for the hull piece? Does anybody know?"

It was Joel Quimber, the ancient pound-master, who spoke, and the silence that followed proved that each man present was resenting the fact that he was not in a position to give the information desired.

"I shall know as soon as they get it recorded, that is, if they don't trade for a dollar and if they ever do get it recorded." The speaker was Elmer Wiggins, druggist and town clerk for the last quarter of a century. He was pessimistically inclined, the tendency being fostered by his dual vocation of selling drugs and registering the deaths they occasionally caused.

Milton Caukins, or the Colonel, as he preferred to be called on account of his youthful service in the state militia and his present connection with the historical society of The Rangers, took his cigar from his lips and blew the smoke forcibly towards the ceiling before he spoke.

"She's got enough now to put Champ through college. The first forty acres she sold ten years ago will do that."

"I ain't so sure of thet." Joel Quimber's tone implied obstinate conviction that his modestly expressed doubt was a foregone conclusion. "Champ's a devil of a feller when it comes to puttin' through anything. He's a chip off the old block. He'll put through more 'n his mother can git out if he gits in any thicker with them big guns—race hosses, steam yachts an' fancy fixin's. He could sink the hull Gore to the foundations of Old Time in a few of them suppers I've heerd he gin arter the show. I heerd he gin ten dollars a plate for the last one—some kind of primy-donny, I heerd. But Champ's game though. I heerd Mr. Van Ostend talkin' 'bout him to one of the syndicaters—mebbe they're goin' to work him in with them somehow; anyway, I guess Aurory don't begrutch him a little spendin' money seein' how easy it come out of the old sheep pasters. Who'd 'a' thought a streak of granite could hev made sech a stir!"

"It's a stir that'll sink this town in the mud." Mr. Wiggins' voice was what might be called thorough-bass, and was apt to carry more weight with his townspeople than his opinions, which latter were not always acceptable to Colonel Caukins. "Look at it now! This town has never been bonded; we're free from debt and a good balance on hand for improvements. Now along comes three or four hundred immigrants to begin with—trade following the flag, I suppose you call it, Colonel," (he interpolated this with cutting sarcasm)—"a hodge-podge of Canucks, and Dagos, and Polacks, and the Lord knows what—a darned set of foreigners, foreign to our laws, our ways, our religion; and behind 'em a lot of men that would be called windbags if it wasn't for their money-bags. And between 'em our noses are going to be held right down on the grindstone. I tell you we'll have to bond this town to support the schooling for these foreign brats, and there's a baker's dozen of 'em every time; and there'll be tooting and dancing and singing and playing on Sunday with their foreign gimcranks,—mandolin-banjos and what-all—"

"Good heavens, my dear fellow!" the Colonel broke in with an air of impatience, "can't you see that it's this very 'stir,' as you term it, that is going to put this town into the front rank of the competing industrial thousands of America?"

The Colonel, when annoyed at the quantity of cold water thrown upon his redhot enthusiasm, was apt to increase the warmth of his patronizing address by an endearing term.

"I see farther than the front ranks of your 'competing industrial thousands of America,' Milton Caukins; I see clear over 'em to the very brink, and I see a struggling wrestling mass of human beings slipping, sliding to the bottomless pit of national destitution, helped downwards by just such darned boomers of what you call 'industrial efficiency' as you are, Milton Caukins." He paused for breath.

Augustus Buzzby, who was ever a man of peace, tried to divert this raging torrent of speech into other and personal channels.

"I ain't nothin' 'gainst Mis' Googe as a woman, but she played me a mean trick when she sold that first quarry. It killed my trade as dead as a door nail. You can't hire them highflyers to put themselves into a town their money's bankin' on to ruin in what you might call a summer-social way. I found that out 'fore they left this house last week."

"Yes, and she's played a meaner one now." Mr. Wiggins made the assertion with asperity and looked at the same time directly at Octavius Buzzby. "I know all about their free dispensaries that'll draw trade away from my very counter and take the bread and butter out of my mouth; and as for the fees—there won't be a chance for recording a homestead site; there isn't any counting on such things, for they're a homeless lot, always moving from pillar to post with free pickings wherever they locate over night, just like the gypsies that came through here last September."

"It's kinder queer now, whichever way you've a mind to look at it," Joel Quimber remarked meditatively. His eyes were cast up to the ceiling; his fore-fingers and thumbs formed an acute triangle over the bridge of his nose; the arms of his chair supported his elbows. "Queer thet it's allus them upper tens an' emigrants thet keep a-movin' on, fust one place then t'other. Kinder looks ez if, arter all, there warn't no great real difference when it comes to bein' restless. Take us home folks now, we're rooted in deep, an' I guess if we was to be uprooted kinder suddin', p'raps we'd hev more charity for the furriners. There's no tellin'; I ain't no jedge of sech things, an' I'm an out-an-out American. But mebbe my great-great-great-granther's father could hev' told ye somethin' wuth tellin'; he an' the Champneys was hounded out of France, an' was glad 'nough to emigrate, though they called it refugeein' an' pioneerin' in them days."

Augustus Buzzby laid his hand affectionately on the old man's shoulder. "You're a son of the soil, Joel; I stand corrected. I guess the less any of us true blue Americans say 'bout flinging stones at furriners the safer 'twill be for all on us."

But Mr. Wiggins continued his diatribe: "There ain't no denying it, the first people in town are down on the whole thing. Didn't the rector tell me this very day that 'twas like ploughing up the face of nature for the sake of sowing the seeds of political and social destruction—his very words—in this place of peace and happy homes? He don't blame Mrs. Champney for feeling as she does 'bout Aurora Googe. He said it was a shame that just as soon as Mrs. Champney had begun to sell off her lake shore lands so as her city relatives could build near her, Mrs. Googe must start up and balk all her plans by selling two hundred acres of old sheep pasture for the big quarry."

"Humph!" It was the first sound that Octavius Buzzby had uttered since his entrance and general greeting. Hearing it his brother looked warningly in his direction, for he feared that the factional difference, which had come to the surface to breathe in his own and Elmer Wiggins' remarks, might find over-heated expression in the mouth of his twin if once Tave's ire should be aroused. But his brother gave no heed and, much to Augustus' relief, went off at a tangent.

"I heard old Judge Champney talk on these things a good many times in his lifetime, an' he was wise, wiser'n any man here." He allowed himself this one thrust at Mr. Wiggins and the Colonel. "He used to say: 'Tavy, it's all in the natural course of things, and it's got to strike us here sometime; not in my time, but in my boy's. No man of us can say he owns God's earth, an' set up barriers an' fences, an' sometimes breastworks, an' holler "hands off" to every man that peeks over the wall, "this here is mine or that is ours!" because 't isn't in the natural order of things, and what isn't in the natural order isn't going to be, Tavy.' That's what the old Judge said to me more'n once."

"He was right, Tavy, he was right," said Quimber eagerly and earnestly. "I can't argify, an' I can't convince; but I know he was right. I've lived most a generation longer'n any man here, an' I've seen a thing or two an' marked the way of nater jest like the Jedge. I've stood there where the Rothel comes down from The Gore in its spring freshet, rarin', tearin' down, bearin' stones an' rocks along with its current till it strikes the lowlands; then a racin' along, catchin' up turf an' mud an' sand, an' foamin' yaller an' brown acrost the medders, leavin' mud a quarter of an inch thick on the lowlands; and then a-rushin' into the lake ez if 't would turn the bottom upside down—an' jest look what happens! Stid of kickin' up a row all along the banks it jest ain't nowhere when you look for it! Only the lake riled for a few furlongs off shore an' kinder humpin' up in the middle. An' arter a day or two ye come back an' look agin, an' where's the rile? All settled to the bottom, an' the lake as clear as a looking-glass. An' then ye look at the medders an' ye see thet, barrin' a big boulder or two an' some stuns thet an ox-team can cart off, an' some gullyin' out long the highroad, they ain't been hurt a mite. An' then come 'long 'bout the fust of July, an' ye go out an' stan' there and look for the silt—an' what d' ye see? Why, jest thet ye're knee deep in clover an' timothy thet hez growed thet high an' lush jest on account of thet very silt!

"Thet's the way 't is with nateral things; an' thet's what the old Jedge meant. This furrin flood's a-comin'; an' we've got to stan' some scares an' think mebbe The Gore dam'll bust, an' the boulders lay round too thick for the land, an' the mud'll spile our medders, an' the lake show rily so's the cattle won't drink—an' we'll find out thet in this great free home of our'n, thet's lent us for a while, thet there's room 'nough for all, an', in the end—not in my time, but in your'n—our Land, like the medders, is goin' to be the better for it."

"Well put, well put, Quimber," said the Colonel who had been showing signs of restlessness under the unusual and protracted eloquence of the old pound-master. "We're making the experiment that every other nation has had to make some time or other. Take old Rome, now—what was it started the decay, eh?"

As no one present dared to cope with the decline of so large a subject, the Colonel had the floor. He looked at each man in turn; then waved the hand that held his cigar airily towards the ceiling. "Just inbreeding, sir, inbreeding. That's what did it. We Americans, are profiting by the experience of the centuries and are going to take in fresh blood just as fast as it can attain to an arterial circulation in the body politic, sir; an arterial circulation, I say—" the Colonel was apt to roll a fine phrase more than once under his tongue when the sound thereof pleased him,—"and in the course of nature—I agree perfectly with the late Judge Champney and our friend, Quimber—there may be, during the process, a surcharge of blood to the head or stomach of the body politic that will cause a slight attack of governmental vertigo or national indigestion. But it will pass, gentlemen, it will pass; and I assure you the health of the Republic will be kept at the normal, with nothing more than passing attacks of racial hysteria which, however undignified they may appear in the eyes of all right-minded citizens, must ever remain the transient phenomena of a great nation in the making."

The Colonel, having finished his peroration with another wave of his cigar towards the ceiling, lowered his feet from their elevated position on the counter, glanced anxiously at the clock, which indicated a quarter of nine, and remarked casually that, as Mrs. Caukins was indisposed, he felt under obligations to be at home by half-past nine.

Joel Quimber, whom such outbursts of eloquence on the Colonel's part in the usual town-meeting left in a generally dazed condition of mind and politics, remarked that he heard the whistle of the evening train about fifteen minutes ago, and asked if Augustus were expecting any one up on it.

"No, but the team's gone down to meet it just the same. Maybe there'll be a runner or two; they pay 'bout as well as the big guns after all; and then there's a chance of one of the syndicaters coming in on me at any time now.—There's the team."

He went out on the veranda. The men within the office listened with intensified interest, strengthened by that curiosity which is shown by those in whose lives events do not crowd upon one another with such overwhelming force, that the susceptibility to fresh impressions is dulled. They heard the land-lord's cordial greeting, a confusion of sounds incident upon new arrivals; then Augustus Buzzby came in, carrying bags and travelling shawl, and, following him, a tall man in the garb of a priest of the Roman Catholic Church. Close at his side was a little girl. She was far from appearing shy or awkward in the presence of strangers, nodding brightly to Octavius, who sat nearest the door, and smiling captivatingly upon Joel Quimber, whereupon he felt immediately in his pockets for a peppermint which, to his disappointment, was not there.

The Colonel sprang to his feet when the guests entered, and quickly doffed his felt hat which was balancing in a seemingly untenable position on the side of his head. The priest, who removed his on the threshold, acknowledged the courtesy with a bow and a keen glance which included all in the room; then he stepped to the desk on the counter to enter his name in the ponderous leather-backed registry which Augustus opened for him. The little girl stood beside him, watching his every movement.

The Flamstedites saw before them a man in the prime of life, possibly forty-five. He was fully six feet in height, noticeably erect, with an erectness that gave something of the martial to his carriage, spare but muscular, shoulders high and square set, and above them a face deeply pock-marked, the features large but regular, the forehead broad and bulging rather prominently above the eyes. The eyes they could not see; but the voice made itself heard, and felt, while he was writing. The men present unconsciously welcomed it as a personality.

"Can you tell me if Mrs. Louis Champney lives near here?" he said, addressing his host.

"Yes, sir; just about a mile down the street at The Bow."

"Oh, please, yer Riverence, write mine too," said the child who, by standing on tiptoe at the high counter, had managed to follow every stroke of the pen.

The priest looked at the landlord with a frankly interrogatory smile.

"To be sure, to be sure. Ain't you my guest as long as you're in my home?" Augustus replied with such whole-souled heartiness that the child beamed upon him and boldly held out her hand for the pen.

"Let me write it," she said decidedly, as if used to having her way. Colonel Caukins sprang to place a high three-legged stool for the little registree, and was about to lift her on, but the child, laughing aloud, managed to seat herself without his assistance, and forthwith gave her undivided attention to the entering of her name.

Those present loved in after years to recall this scene: the old bar, the three-legged stool, the little girl perched on top, one foot twisted over the round—so busily intent upon making a fine signature that a tip of her tongue was visible held tightly against her left cheek—the coarse straw hat, the clean but cheap blue dress, the heavy shoes that emphasized the delicacy of her ankles and figure; and above her the leaning priest, smiling gravely with fatherly indulgence upon this firstling of his flock in Flamsted.

"Those present loved in after years to recall this scene"

The child looked up for approval when she had finished and shaken, with an air of intense satisfaction, a considerable quantity of sand over the fresh ink. Evidently the look in the priest's eyes was reward enough, for, although he spoke no word, the little girl laughed merrily and in the next moment hopped down rather unexpectedly from her high place and busied herself with taking a survey of the office and its occupants.

The priest took an envelope from his pocket and handed it to Augustus, saying as he did so:

"This is Mr. Buzzby, I know; and here is a letter from Mr. Van Ostend in regard to this little girl. Her arrival is premature; but the matron of the institution, where she has been, wished to take advantage of my coming to Flamsted to place her in my care. Mr. Van Ostend would like to have her remain here with you for a few days if Mrs. Champney is not prepared to receive her just now."

There was a general movement of surprise among the men in the office, and all eyes, with a question-mark visible in them, were turned towards Octavius Buzzby. Upon him, the simple announcement had the effect of a shock; he felt the need of air, and slipped out to the veranda, but not before he received another bright smile from the little girl. He waited outside until he saw Augustus show the newcomers upstairs; then he re-entered the office and went to the register which was the speculative focus of interest for all the others. Octavius read:

June 18, 1889—Fr. John Francis Honoré, New York. Aileen Armagh, Orphan Asylum, New York City.

The Colonel was in a state of effervescing hilarity. He rubbed his hands energetically, slapped Octavius on the back, and exclaimed in high feather:

"How's this for the first drops of the deluge, eh, Tave?"

Octavius made no reply. He waited, as usual, for the evening's mail. The carrier handed him a telegram from New York for Mrs. Champney. It had just come up on the train from Hallsport. He wondered what connection its coming might have with the unexpected arrival of this orphan child?

II

On his way home Octavius Buzzby found himself wondering, as he had wondered many times before on occasion, how he could checkmate this latest and most unexpected move on the part of the mistress of Champ-au-Haut. His mind was perturbed and he realized, while making an effort to concentrate his attention on ways and means, that he had been giving much of his mental strength during the last twenty years to the search for ulterior motives on the part of Mrs. Louis Champney, a woman of sixty now, a Googe by birth (the Googes, through some genealogical necromancy, traced their descent from Sir Ferdinando Gorges. The name alone, not the blood, had, according to family tradition, suffered corruption with time), and the widow of Louis Champney, the late Judge Champney's only son.

The Champneys had a double strain of French blood in their veins, Breton and Flemish; the latter furnished the collateral branch of the Van Ostends. This intermixture, flowing in the veins of men and women who were Americans by the birthright of more than two centuries' enjoyment of our country's institutions, had produced for several generations as fine a strain of brains and breeding as America can show.

Louis Champney, the last of the line in direct descent, was looked upon from his boyhood up as the culmination of these centuries' flowering. When, at forty, he died without having fulfilled in any wise the great expectations of his townspeople and relations, the interest of the community, as well as of the family, centred in the prospects of Louis Champney Googe, his namesake, and nephew on his wife's side. Here, again, numerous family interests as well as communal speculations were disappointed. The Champney estate was left entire to the widow, Almeda Googe Champney, to dispose of as she might deem fit. Her powers of administratrix were untrammelled save in one respect: Octavius Buzzby was to remain in his position as factotum on the Champney estate and adviser for its interests.

It was at this juncture, when Louis Champney died without remembering his nephew-in-law by so much as a book from his library and the boy was ten years old, that a crisis was discovered to be imminent in the fortunes of the Googe-Champney families, the many ramifications of which were intricately interwoven in the communal life of Flamsted. This crisis had not been averted; for Aurora Googe, the sister-in-law of Mrs. Champney and mother of young Champney, sold a part of her land in The Gore for the first granite quarry, and in so doing changed for all time the character and fortunes of the town of Flamsted.

For many years Octavius Buzzby had championed openly and in secret the cause of Aurora Googe and her only son. To-night, while walking slowly homewards, he was pondering what attitude of mind he must assume, before he could deal adequately with the momentous event which had been foreshadowed from the moment he learned from the priest's lips that Mr. Van Ostend was implicated in the coming of this orphan child. He recalled that little Alice Van Ostend prattled much about this same child during the week she had spent recently with her father at Champ-au-Haut.

Was the mistress of Champ-au-Haut going to adopt her?

Almeda Champney had never wanted the blessing of a child, and, contrary to her young husband's wishes—he was her junior by twelve years—she had had her way. Her nature was so absorbingly tenacious of whatever held her narrow interests, that a child at Champ-au-Haut would have broken, in a measure, her domination of her weaker-willed husband, because it would have centred in itself his love and ambition to "keep up the name." That now, eleven years after Louis Champney's death, she should contemplate the introduction into her perfectly ordered household of a child, an alien, was a revelation of appalling moment to Octavius. He scouted the idea that she would enter the house as an assistant. None was needed; and, moreover, those small hands could accomplish little in the next ten years. She meant to adopt her then! An alien was to inherit the Champney property! Octavius actually shivered at the thought.

Was it, could it be an act of spite against Aurora Googe? Was it a final answer to any expectations of her nephew, Champney Googe, her husband's namesake and favorite? Was this little alien waif to be made a catspaw for her revenge? She was capable of such a thing, was Almeda Champney. He knew her; none better! Had not her will, thus far in her life, bent everything with which it had come in contact; crushed whatever had opposed it; broken irrevocably whosoever for a while had successfully resisted it?

His thin lips drew to a straight line. All his manhood's strength of desire for fair play, a desire he had been fated to see unfulfilled during the last twenty years, rose in rebellion to champion the cause of the little newcomer who smiled on him so brightly in the office of The Greenbush. Nor did he falter in his resolution when he presented himself at the library door with the telegram in his hand.

"Come in, Octavius; was there any mail?"

"Only a telegram from New York." He handed it to her.

She opened and read it; then laid it on the table. She removed her eyeglasses, for she had grown far-sighted with advancing years, in order to look at the back of the small man who was leaving the room. If he had seen the smile that accompanied the action, he might well have faltered in his resolution to champion any righteous cause on earth.

"Wait a moment, Octavius."

"Now it's coming!" he thought and faced her again; he was bracing himself mentally to meet the announcement.

"Did you see the junk man at The Corners to-day about those shingle nails?"

In the second of hesitation before replying, he had time inwardly to curse her. She was always letting him down in this way. It was a trick of hers when, to use his own expression, she had "something up her sleeve."

"Yes; but he won't take them off our hands."

"Why not?" She spoke sharply as was her way when she suspected any thwarting of her will or desire.

"He says he won't give you your price for they ain't worth it. They ain't particular good for old iron anyway; most on 'em's rusty and crooked. You know they've been on the old coach house for good thirty years, and the Judge used to say—"

"What will he give?"

"A quarter of a cent a pound."

"How many pounds are there?"

"Fifty-two."

"Fifty-two—hm-m; he sha'n't have them. They're worth a half a cent a pound if they're worth anything. You can store them in the workshop till somebody comes along that does want them, and will pay." He turned again to leave her.

"Just a moment, Octavius." Once more he came back over the threshold.

"Were there any arrivals at The Greenbush to-night?"

"I judged so from the register."

"Did you happen to see a girl there?"

"I saw a child, a little girl, smallish and thin; a priest was with her."

"A priest?" Mrs. Champney looked nonplussed for a moment and put on her glasses to cover her surprise. "Did you learn her name, the girl's?"

"It was in the register, Aileen Armagh, from an orphan asylum in New York."

"Then she's the one," she said in a musing tone but without the least expression of interest. She removed her glasses. Octavius took a step backwards. "A moment more, Octavius. I may as well speak of it now; I am only anticipating by a week or two, at the most, what, in any case, I should have told you. While Mr. Van Ostend was here, he enlisted my sympathy in this girl to such an extent that I decided to keep her for a few months on trial before making any permanent arrangement in regard to her. I want to judge of her capability to assist Ann and Hannah in the housework; Hannah is getting on in years. What do you think of her? How did she impress you? Now that I have decided to give her a trial, you may speak freely. You know I am guided many times by your judgment in such matters."

Octavius Buzzby could have ground his teeth in impotent rage at this speech which, to his accustomed ears, rang false from beginning to end, yet was cloaked in terms intended to convey a compliment to himself. But, instead, he smiled the equivocal smile with which many a speech of like tenor had been greeted, and replied with marked earnestness:

"I wouldn't advise you, Mrs. Champney, to count on much assistance from a slip of a thing like that. She's small, and don't look more 'n nine, and—"

"She's over twelve," Mrs. Champney spoke decidedly; "and a girl of twelve ought to be able to help Ann and Hannah in some of their work."

"Well, I ain't no judge of children as there's never been any of late years at Champo." He knew his speech was barbed. Mrs. Champney carefully adjusted her glasses to the thin bridge of her straight white nose. "And if there had been, I shouldn't want to say what they could do or what they couldn't at that age. Take Romanzo, now, he's old enough to work if you watch him; and now he's here I don't deny but what you had the rights of it 'bout my needing an assistant. He takes hold handy if you show him how, and is willing and steady. But two on 'em—I don't know;" he shook his head dubiously; "a growing boy and girl to feed and train and clothe—seems as if—" Octavius paused in the middle of his sentence. He knew his ground, or thought he knew it.

"You said yourself she was small and thin, and I can give her work enough to offset her board. Of course, she will have to go to school, but the tuition is free; and if I pay school taxes, that are increasing every year, I might as well have the benefit of them, if I can, in my own household."

There seemed no refutation needed to meet such an argument, and Octavius retreated another step towards the door.

"A moment more, Octavius," she said blandly, for she knew he was longing to rid her of his presence; "Mr. Emlie has been here this evening and drawn up the deeds conveying my north shore property to the New York syndicate. Mr. Van Ostend has conducted all the negotiations at that end, and I have agreed to the erection of the granite sheds on those particular sites and to the extension of a railroad for the quarries around the head of the lake to The Corners. The syndicate are to control all the quarry interests, and Mr. Van Ostend says in a few years they will assume vast proportions, entailing an outlay of at least three millions. They say there is to be a large electric plant at The Corners, for the mill company have sold them the entire water power at the falls.—I hope Aurora is satisfied with what she has accomplished in so short a time. Champney, I suppose, comes home next month?"

Octavius merely nodded, and withdrew in haste lest his indignation get the upper hand of his discretion. It behooved him to be discreet at this juncture; he must not injure Aurora Googe's cause, which he deemed as righteous a one as ever the sun shone upon, by any injudicious word that might avow his partisanship.

Mrs. Champney smiled again when she saw his precipitous retreat. She had freighted every word with ill will, and knew how to raise his silent resentment to the boiling point. She rose and stepped quickly into the hall.

"Tavy," she called after him as he was closing the door into the back passage. He turned to look at her; she stood in the full light of the hall-lamp. "Just a moment before you go. Did you happen to hear who the priest is who came with the girl?"

"His name was in the ledger. The Colonel said he was a father—Father Honoré, I can't pronounce it, from New York."

"Is he stopping at The Greenbush?"

"He's put up there for to-night anyway."

"I think I must see this priest; perhaps he can give me more detailed information about the girl. That's all."

She went back into the library, closing the door after her. Octavius shut his; then, standing there in the dimly lighted passageway, he relieved himself by doubling both fists and shaking them vigorously at the panels of that same door, the while he simulated, first with one foot then with the other, a lively kick against the baseboard, muttering between his set teeth:

"The devil if it's all, you devilly, divelly, screwy old—"

The door opened suddenly. Simultaneously with its opening Octavius had sufficient presence of mind to blow out the light. He drew his breath short and fumbled in his pocket for matches.

"Why, Tavy, you here!" (How well she knew that the familiar name "Tavy" was the last turn of the thumbscrew for this factotum of the Champneys! She never applied it unless she knew he was thoroughly worsted in the game between them.) "I was coming to find you; I forgot to say that you may go down to-morrow at nine and bring her up. I want to look her over."

She closed the door. Octavius, without stopping to relight the lamp, hurried up to his room in the ell, fearful lest he be recalled a fifth time—a test of his powers of mental endurance to which he dared not submit in his present perturbed state.

Mrs. Champney walked swiftly down the broad main hall, that ran through the house, to the door opening on the north terrace whence there was an unobstructed view up the three miles' length of Lake Mesantic to the Flamsted Hills; and just there, through a deep depression in their midst, the Rothel, a rushing brook, makes its way to the calm waters at their gates. At this point, where the hills separate like the opening sepals of a gigantic calyx, the rugged might of Katahdin heaves head and shoulder into the blue.

The irregular margin of the lake is fringed with pines of magnificent growth. Here and there the shores rise into cliffs, seamed at the top and inset on the face with slim white lady birches, or jut far into the waters as rocky promontories sparsely wooded with fir and balsam spruce.

Mrs. Champney stepped out upon the terrace. Her accustomed eyes looked upon this incomparable, native scene that was set in the full beauty of mid-summer's moonlight. She advanced to the broad stone steps, that descend to the level of the lake, and, folding her arms, her hands resting lightly upon them, stood immovable, looking northwards to the Flamsted Hills—looking, but not seeing; for her thoughts were leaping upwards to The Gore and its undeveloped resources; to Aurora Googe and the part she was playing in this transitional period of Flamsted's life; to the future years of industrial development and, in consequence, her own increasing revenues from the quarries. She had stipulated that evening that a clause, which would secure to her the rights of a first stockholder, should be inserted in the articles of conveyance.

The income of eight thousand from the estate, as willed to her, had increased under her management, aided by her ability to drive a sharp bargain and the penuriousness which, according to Octavius, was capable of "making a cent squeal", to twelve thousand. The sale of her north shore lands would increase it another five thousand. Within a few years, according to Mr. Van Ostend—and she trusted him—her dividends from her stock would net her several thousands more. She was calculating, as she stood there gazing northwards, unseeing, into the serene night and the hill-peace that lay within it, how she could invest this increment for the coming years, and casting about in her mathematically inclined mind for means to make the most of it in interest per cent. She felt sure the future would show satisfactory results.—And after?

That did not appeal to her.

She unfolded her arms, and gathering her skirt in both hands went down the steps and took her stand on the lowest. She was still looking northwards. Her skirt slipped from her left hand which she raised half mechanically to let a single magnificent jewel, that guarded the plain circlet of gold on her fourth finger, flash in the moonlight. She held it raised so for a moment, watching the play of light from the facets. Suddenly she clinched her delicate fist spasmodically; shook it forcibly upwards towards the supreme strength of those silent hills, which, in comparison with the human three score and ten, may well be termed "everlasting", and, muttering fiercely under her breath, "You shall never have a penny of it!", turned, went swiftly up the steps, and entered the house.

III

Had the mistress of Champ-au-Haut stood on the terrace a few minutes longer, she might have seen with those far-sighted eyes of hers a dark form passing quickly along the strip of highroad that showed white between the last houses at The Bow. It was Father Honoré. He walked rapidly along the highway that, skirting the base of the mountain, follows the large curve of the lake shore. Rapid as was the pace, the quickened eyes were seeing all about, around, above. In passing beneath a stretch of towering pines, he caught between their still indefinite foliage the gleam of the lake waters. He stopped short for a full minute to pommel his resonant chest; to breathe deep, deep breaths of the night balm. Then he proceeded on his way.

That way led northwards along the lake shore; it skirted the talus that had fallen from the cliff which rose three hundred feet above him. He heard the sound of a rolling stone gathering in velocity among the rubble. He halted in order to listen; to trace, if possible, its course. The dull monotone of its rumbling rattle started a train of thought: perhaps his foot, treading the highway lightly, had caused the sensitive earth to tremble just sufficiently to jar the delicately poised stone and send it from its resting place! He went on. Thoughts not to be uttered crowded to the forefront of consciousness as he neared the cleft in the Flamsted Hills, whence the Rothel makes known to every wayfarer that it has come direct from the heart of The Gore, and brought with it the secrets of its granite veins.

The road grew steeper; the man's pace did not slacken, but the straight back was bent at an angle which showed the priest had been accustomed to mountain climbing. In the leafy half-light, which is neither dawn nor twilight, but that reverential effulgence which is made by moonlight sifting finely through midsummer foliage, the Rothel murmured over its rocky bed; once, when in a deep pool its babble wholly ceased, an owl broke the silence with his "witti-hoo-hoo-hoo".

Still upwards he kept his way and his pace until he emerged into the full moonlight of the heights. There he halted and looked about him. He was near the apex of The Gore. To the north, above the foreground of the sea of hilltops, loomed Katahdin. At his right, a pond, some five acres in extent, lay at the base of cliff-like rocks topped with a few primeval pines. Everywhere there were barren sheep pastures alternating with acres of stunted fir and hemlock, and in sheltered nooks, adjacent to these coverts, he could discern something which he judged to be stone sheepfolds. Just below him, on the opposite side of the road and the Rothel, which was crossed by a broad bridging of log and plank, stood a long low stone house, to the north of which a double row of firs had been planted for a windbreak. Behind him, on a rise of ground a few rods from the highway, was a large double house of brick with deep granite foundations and white granite window caps. Two shafts of the same stone supported the ample white-painted entrance porch. Ancestral elms over-leafed the roof on the southern side. One light shone from an upper window. Beyond the elms, a rough road led still upwards to the heights behind the house.

The priest retraced his steps; turned into this road, for which the landlord of The Greenbush had given him minute instructions, and followed its rough way for an eighth of a mile; then a sudden turn around a shoulder of the hill—and the beginning of the famous Flamsted granite quarries lay before him, gleaming, sparkling in the moonlight—a snow-white, glistening patch on the barren hilltop. Near it were a few huts of turf and stone for the accommodation of the quarrymen. This was all. But it was the scene, self-chosen, of this priest's future labors; and while he looked upon it, thoughts unutterable crowded fast, too fast for the brain already stimulated by the time and environment. He turned about; retraced his steps at the same rapid pace; passed again up the highroad to the head of The Gore, then around it, across a barren pasture, and climbed the cliff-like rock that was crowned by the ancient pines. He stood there erect, his head thrown back, his forehead to the radiant heavens, his eyes fixed on the pale twinklings of the seven stars in the northernmost constellation of the Bear—rapt, caught away in spirit by the intensity of feeling engendered by the hour, the place. Then he knelt, bowing his head on a lichened rock, and unto his Maker, and the Maker of that humanity he had elected to serve, he consecrated himself anew.

Ten minutes afterwards, he was coming down The Gore on his way back to The Greenbush. He heard the agitated ringing of a bell-wether; then the soft huddling rush of a flock of sheep somewhere in the distance. A sheep dog barked sharply; a hound bayed in answer till the hills north of The Gore gave back a multiple echo; but the Rothel kept its secrets, and with inarticulate murmuring made haste to deposit them in the quiet lake waters.

IV

"But, mother—"

There was an intonation in the protest that hinted at some irritation. Champney Googe emptied his pipe on the grass and knocked it clean against the porch rail before he continued.

"Won't it make a lot of talk? Of course, I can see your side of it; it's hospitable and neighborly and all that, to give the priest his meals for a while, but,—" he hesitated, and his mother answered his thought.

"A little talk more or less after all there has been about the quarry won't do any harm, and I'm used to it." She spoke with some bitterness.

"It has stirred up a hornet's nest about your ears, that's a fact. How does Aunt Meda take this latest move? Meat-axey as usual? I didn't see her when I went there yesterday; she's in Hallsport for two days on business, so Tave says."

His mother smiled. "I haven't seen her since the sale was concluded, but I hear she has strengthened the opposition in consequence. I get my information from Mrs. Caukins."

At the mention of that name Champney laughed out. "Good authority, mother. I must run over and see her to-night. Well, we don't care, do we? I mean about the feeling. Mother, I just wish you were a man for one minute."

"Why?"

"Because I'd like to go up to you, man fashion, grip your hand, slap you on the back, and shout 'By Jove, old man, you've made a deal that would turn the sunny side of Wall Street green with envy!' How did you do it, mother? And without a lawyer! I'll bet Emlie is mad because he didn't get a chance to put his finger in your pie."

"I was thinking of you, of your future, and how you have been used by Almeda Champney; and that gave me the confidence, almost the push of a man—and I dealt with them as a man with men; but I felt unsexed in doing it. I've wondered what they think of me."

"Think of you! I can tell you what one man thinks of you, and that's Mr. Van Ostend. I had a note from him at the time of the sale asking me to come to his office, an affidavit was necessary, and I found he had had eyes in his head for the most beautiful woman in the world—"

"Champney!"

"Fact; and, what's more, I got an invitation to his house on the strength of his recognition of that fact. I dined with him there; his sister is a stunning girl."

"I'm glad such homes are open to you; it is your right and—it compensates."

"For what, mother?"

"Oh, a good many things. How do they live?"

"The Van Ostends?"

"Yes."

Champney Googe hugged his knees and rocked back and forth on the step before he answered. His merry face seemed to lengthen in feature, to harden in line. His mother left her chair and sewing to sit down on the step beside him. She looked up inquiringly.

"Just as I mean to live sometime, mother,"—his fresh young voice rang determined and almost hard; his mother's eyes kindled;—"in a way that expresses Life—as you and I understand it, and don't live it, mother; as you and I have conceived of it while up here among these sheep pastures." He glanced inimically for a moment at the barren slopes above them. "I have you to thank for making me comprehend the difference." He continued the rocking movement for a while, his hands still clasping his knees. Then he went on:

"As for his home on the Avenue, there isn't its like in the city, and as a storehouse of the best in art it hasn't its equal in the country; it's just perfect from picture gallery to billiard room. As for adjuncts, there's a shooting box and a bona fide castle in the Scottish Highlands, a cottage at Bar Harbor with the accessory of a steam yacht, and a racing stud on a Long Island farm. As a financier he's great!"

He sat up straight, and freely used his fists, first on one knee then on the other, to emphasize his words; "His right hand is on one great lever of interstate traffic, his left on the other of foreign trade, and two continents obey his manipulations. His eye exacts trained efficiency from thousands; his word is a world event; Wall Street is his automaton. Oh, the power of it all! I can't wait to get out into the stream, mother! I'm only hugging the shore at present; that's what has made me kick against this last year in college; it has been lost time, for I want to get rich quick."

His mother laid her hand on his knee. "No, Champney, it's not lost time; it's one of your assets as a gentleman."

He looked up at her, his blue eyes smiling into her dark ones.

"I can be a gentleman all right without that asset; you said father didn't go."

"No, but the man for whom you are named went, and he told me once a college education was a 'gentleman's asset.' That expression was his."

"Well, I don't see that the asset did him much good. It didn't seem to discount his liabilities in other ways. Queer, how Uncle Louis went to seed—I mean, didn't amount to anything along any business or professional line. Only last spring I met the father of a second-year man who remembers Uncle Louis well, said he was a classmate of his. He told me he was banner man every time and no end popular; the others didn't have a show with him."

His mother was silent. Champney, apparently unheeding her unresponsiveness, rose quickly, shook himself together, and suddenly burst into a mighty laughter that is best comparable to the inextinguishable species of the blessed gods. He laughed in arpeggios, peal on peal, crescendo and diminuendo, until, finally, he flung himself down on the short turf and in his merriment rolled over and over. He brought himself right side up at last, tears in his eyes and a sigh of satisfying exhaustion on his lips. To his mother's laughing query:

"What is it now, Champney?" He shook his head as if words failed him; then he said huskily:

"It's Aunt Meda's protégée. Oh, Great Scott! She'll be the death by shock of some of the Champo people if she stays another three months. I hear Aunt Meda has had her Waterloo. Tavy buttonholed me out in the carriage house yesterday, and told me the whole thing—oh, but it's rich!" He chuckled again. "He got me to feel his vest; says he can lap it three inches already and she has only been here two weeks; and as for Romanzo, he's neither to have nor to hold when the girl's in sight—wits topsy-turvy, actually, oh, Lord!"—he rolled over again on the grass—"what do you think, mother! She got Roman to scour down Jim—you know, the white cart-horse, the Percheron—with Hannah's cleaning powder, and the girl helped him, and together they got one side done and then waited for it to dry to see how it worked. Result: Tave dead ashamed to drive him in the cart for fear some one will see the yellow-white calico-circus horse, that the two rapscallions have left on his hands, and doesn't want Aunt Meda to know it for fear she'll turn down Roman. He says he's going to put Jim out to grass in the Colonel's back sheep pasture, and when Aunt Meda comes home lie about sudden spavin or something. And the joke of it is Roman takes it all as a part of the play, and has owned up to Tave that, by mistake, he blacked Aunt Meda's walking boots, before she went to Hallsport, with axle grease, while the girl was 'telling novels' to him! Tave said Roman told him she knew a lot of the nobility, marchionesses and 'sich'; and now Roman struts around cocksure, high and mighty as if he'd just been made K.C.B., and there's no getting any steady work out of him. You should have seen Tave's face when he was telling me!"

His mother laughed. "I can imagine it; he's worried over this new move of Almeda's. I confess it puzzles me."

"Well, I'm off to see some of the fun—and the girl. Tave said he didn't expect Aunt Meda before to-morrow night, and it's a good time for me to rubber round the old place a little on my own hook;—and, mother,"—he stooped to her; Aurora Googe raised her still beautiful eyes to the frank if somewhat hard blue ones that looked down into hers; a fine color mounted into her cheeks,—"take the priest for his meals, for all me. It's an invasion, but, of course, I recognize that we're responsible for it on account of the quarry business. I suppose we shall have to make some concessions to all classes till we get away from here for good and all—then we'll have our fling, won't we, mother?"

He was off without waiting for a reply. Aurora Googe watched him out of sight, then turned to her work, the flush still upon her cheeks.

V

Champney leaned on the gate of the paddock at Champ-au-Haut and looked about him. The estate at The Bow had been familiar to him throughout his childhood and boyhood. He had been over every foot of it, and at all seasons, with his Uncle Louis. He was realizing that it had never seemed more beautiful to him than now, seen in the warm light of a July sunset. In the garden pleasance, that sloped to the lake, the roses and lilies planted there a generation ago still bloomed and flourished, and in the elm-shaded paddock, on the gate of which he was leaning, filly and foal could trace their pedigree to the sixth and seventh generation of deep-chested, clean-flanked ancestors.

The young man comprehended in part only, the reason of his mother's extreme bitterness towards Almeda Champney. His uncle had loved him; had kept him with him much of the time, encouraging him in his boyish aims and ambitions which his mother fostered—and Louis Champney was childless, the last in direct descent of a long line of fine ancestors—.

Here his thought was checked; those ancestors were his, only in a generation far removed; the Champney blood was in his mother's veins. But his father was Almeda Champney's only brother—why then, should not his mother count on the estate being his in the end? He knew this to have been her hope, although she had never expressed it. He had gained an indefinite knowledge of it through old Joel Quimber and Elmer Wiggins and Mrs. Milton Caukins, a distant relative of his father's. To be sure, Louis Champney might have left him his hunting-piece, which as a boy he had coveted, just for the sake of his name—

He stopped short in his speculations for he heard voices in the lane. The cows were entering it and coming up to the milking shed. The lane led up from the low-lying lake meadows, knee deep with timothy and clover, and was fenced on both sides from the apple orchards which arched and overshadowed its entire length. The sturdy over-reaching boughs hung heavy with myriads of green balls. Now and then one dropped noiselessly on the thick turf in the lane, and a noble Holstein mother, ebony banded with ivory white, her swollen cream-colored bag and dark-blotched teats flushed through and through by the delicate rose of a perfectly healthy skin, lowered her meek head and, snuffing largely, caught sideways as she passed at the enticing green round.

At the end of this lane there swung into view a tall loose-jointed figure which the low strong July sunshine threw into bold relief. It was Romanzo Caukins, one of the Colonel's numerous family, a boy of sixteen who had been bound out recently to the mistress of Champ-au-Haut upon agreement of bed, board, clothes, three terms of "schooling" yearly, and the addition of thirty dollars to be paid annually to the Colonel.

The payment of this amount, by express stipulation, was to be made at the end of each year until Romanzo should come into his majority. By this arrangement, Mrs. Champney assured to herself the interest on the aforesaid thirty dollars, and congratulated herself on the fact that such increment might be credited to Milton Caukins as a minus quantity.

Champney leaped the bars and went down the lane to meet him.

"Hello, Roman, how are you?"

The boy's honest blue eyes, that seemed always to be looking forward in a chronic state of expectancy for the unexpected, beamed with goodness and goodwill. He wiped his hands on his overalls and clasped Champney's.

"Hullo, Champ, when'd you come?"

"Only yesterday. I didn't see you about when I was here in the afternoon. How do you like your job?"

The youth made an uncouth but expressive sign towards the milk shed. "Sh—Tave'll hear you. He and I ain't been just on good terms lately; but 'tain't my fault," he added doggedly.

At that moment a clear childish voice called from somewhere below the lane:

"Romanzo—Romanzo!"

The boy started guiltily. "I've got to go, Champ; she wants me."

Champney seized him with a strong hand by the suspenders. "Here, hold on! Who, you gump?"

"The girl—le' me go." But Champney gripped him fast.

"No, you don't, Roman; let her yell."

"Ro—man—zo-o-o-o!" The range of this peremptory call was two octaves at least.

"By gum—she's up to something, and Tave won't stand any more fooling—le' me go!" He writhed in the strong grasp.

"I won't either. I haven't been half-back on our team for nothing; so stand still." And Romanzo stood still, perforce.

Another minute and Aileen came running up the lane. She was wearing the same heavy shoes, the same dark blue cotton dress, half covered now with a gingham apron—Mrs. Champney had not deemed it expedient to furnish a wardrobe until the probation period should have decided her for or against keeping the child. She was bareheaded, her face flushed with the heat and her violent exercise. She stopped short at a little distance from them so soon as she saw that Romanzo was not alone. She tossed back her braid and stamped her foot to emphasize her words:

"Why didn't yer come, Romanzo Caukins, when I cried ter yer!"

"'Coz I couldn't; he wouldn't let me." He spoke anxiously, making signs towards the shed. But Aileen ignored them; ignored, also, the fact that any one was present besides her slave.

Champney answered for himself. He promptly bared his head and advanced to shake hands; but Aileen jerked hers behind her.

"I'm Mr. Champney Googe, at your service. Who are you?"

The little girl was sizing him up before she accepted the advance; Champney could tell by the "East-side" look with which she favored him.

"I'm Miss Aileen Armagh, and don't yer forget it!—at your service." She mimicked him so perfectly that Champney chuckled and Romanzo doubled up in silent glee.

"I sha'n't be apt to, thank you. Come, let's shake hands, Miss Aileen Armagh-and-don't-yer-forget-it, for we've got to be friends if you're to stay here with my aunt." He held out both hands. But the little girl kept her own obstinately behind her and backed away from him.

"I can't."

"Why not?"

"'Coz they're all stuck up with spruce gum and Octavius said nothing would take it off but grease, and—" she turned suddenly upon Romanzo, blazing out upon him in her wrath—"I hollered ter yer so's yer could get some for me from Hannah, and you was just dirt mean not to answer me."

"Champ wouldn't let me go," said Romanzo sulkily; "besides, I dassn't ask Hannah, not since I used the harness cloth she gave to clean down Jim."

"Yer 'dassn't!' Fore I'd be a boy and say 'I dassn't!'" There was inexpressible scorn in her voice. She turned to Champney, her eyes brimming with mischief and flashing a challenge:

"And yer dassn't shake hands with me 'coz mine are all stuck up, so now!"

Champney had not anticipated this pronunciamento, but he accepted the challenge on the instant. "Dare not! You can't say that to me! Here, give me your hands." Again he held out his shapely well-kept members, and Aileen with a merry laugh brought her grimy sticky little paws into view and, without a word, laid them in Champney's palms. He held them close, purposely, that they might adhere and provide him with some fun; then, breaking into his gay laugh he said:

"Clear out, Roman; Tave 'll be looking for the milk pails. As for you, Miss Aileen Armagh-and-don't-yer-forget-it, you can't pull away from me now. So, come on, and we'll get Hannah to give us some lard and then we'll go down to the boat house where it is cool and cleanup. Come on!"

Holding her by both hands he raced her down the long lane, through the vegetable garden, all chassez, down the middle, swing your partner—Aileen wild with the fun—up the slate-laid kitchen walk to the kitchen door. His own laughter and the child's, happy, merry, care-free, rang out peal on peal till Ann and Hannah and Octavius paused in their work to listen, and wished that such music might have been heard often during their long years of faithful service in childless Champ-au-Haut.

"I hear you are acquainted with some of the nobility, marchionesses and so forth," said Champney; the two were sitting in the shadow of the boat house cleaning their fingers with the lard Hannah had provided. "Where did you make their acquaintance?"

Aileen paused in the act of sliding her greasy hands rapidly over and over in each other, an occupation which afforded her unmixed delight, to look up at him in amazement. "How did yer know anything 'bout her?"

"Oh, I heard."

"Did Romanzo Caukins tell yer?" she demanded, as usual on the defensive.

"No, oh no; it was only hearsay. Do tell me about her. We don't have any round here."

Aileen giggled and resumed the rapid rotary motion of her still unwashed hands. "If I tell yer 'bout her, yer'll tell her I told yer. P'raps sometime, if yer ever go to New York, yer might see her; and she wouldn't like it."

"How do you know but what I have seen her? I've just come from there."

Aileen looked her surprise again. "That's queer, for I've just landed from New York meself."

"So I understood; does the marchioness live there too?"

She shook her head. "I ain't going to tell yer; but I'll tell yer 'bout some others I know."

"That live in New York?"

"Wot yer giving me?" She laughed merrily; "they live where the Dagos live, in Italy, yer know, and—"

"Italy? What are they doing over there?"

"—And—just yer wait till I'll tell yer—they live on an island in a be-ee-u-tiful lake, like this;" she looked approvingly at the liquid mirror that reflected in its rippleless depths the mountain shadow and sunset gold; "and they live in great marble houses, palaces, yer know, and flower gardens, and wear nothing but silks and velvet and pearls, ropes,—yer mind?—ropes of 'em; and the lords and ladies have concerts, yer know, better 'n in the thayertre—"

"What do you know about the theatre?" Champney was genuinely surprised; "I thought you came from an orphan asylum."

"Yer did, did yer!" There was scorn in her voice. "Wot do I know 'bout the thayertre?—Oh, but yer green!" She broke into another merry laugh which, together with the patronage of her words and certain unsavory memories of his own, nettled Champney more than he would have cared to acknowledge.

"Better 'n the thayertre," she repeated emphatically; "and the lords serenade the ladies—Do yer know wot a serenade is?" She interrupted herself to ask the question with a strong doubt in the interrogation.

"I've heard of 'em," said Champney meekly; "but I don't think I've ever seen one."

"I'll tell yer 'bout 'em. The lords have guitars and go out in the moonlight and stand under the ladies' windys and play, and the ladies make believe they haven't heard; then they look up all round at the moon and sigh awful,—" she sighed in sympathy,—"and then the lords begin to sing and tell 'em they love 'em and can't live without a—a token. I'll bet yer don't know wot that is?"

"No, of course I don't; I'm not a lord, and I don't live in Italy."

"Well, I'll tell yer." Her tone was one of relenting indulgence for his ignorance. "Sometimes it's a bow that they make out of the ribbon their dresses is trimmed with, and sometimes it's a flower, a rose, yer know; and the lord sings again—can yer sing?"

Her companion repressed a smile. "I can manage a tune or two at a pinch."

"And the lady comes out on the balcony and leans over—like this, yer know;" she jumped up and leaned over the rail of the float, keeping her hands well in front of her to save her apron; "and she listens and keeps looking, and when he sings he's going to die because he loves her so, she throws the token down to him to let him know he mustn't die 'coz she loves him too; and he catches it, the rose, yer know, and smells it and then he kisses it and squeezes it against his heart—" she forgot her greasy hands in the rapture of this imaginative flight, and pressed them theatrically over her gingham apron beneath which her own little organ was pulsing quick with the excitement of this telling moment; "—and then the moon shines just as bright as silver and—and she marries him."

She drew a deep breath. During the recital she had lost herself in the personating of the favorite characters from her one novel. While she stood there looking out on the lake and the Flamsted Hills with eyes that were still seeing the gardens and marble terraces of Isola Bella, Champney Googe had time to fix that picture on his mental retina and, recalling it in after years, knew that the impression was "more lasting than bronze."

She came rather suddenly to herself when she grew aware of her larded hands pressed against her clean apron.

"Oh, gracious, but I'll catch it!" she exclaimed ruefully. "Wot'll I do now? She said I'd got to keep it clean till she got back, and she'll fire me and—and I want to stay awful; it's just like the story, yer know." She raised her gray eyes appealingly to his, and he saw at once that her childish fear was real. He comforted her.

"I'll tell you what: we'll go back to Hannah and she'll fix it for you; and if it's spoiled I'll go down and get some like it in the village and my mother will make you a new one. So, cheer up, Miss Aileen Armagh and-don't-yer-forget-it! And to-morrow evening, if the moon is out, we'll have a serenade all by ourselves; what do you say to that?"

"D' yer mane it?" she demanded, half breathless in her earnestness.

He nodded.

Aileen clapped her hands and began to dance; then she stopped suddenly to say: "I ain't going to dance for yer now; but I will sometime," she added graciously. "I've got to go now and help Ann. What time are yer coming for the serenade?"

"I'll be here about eight; the moon will be out by then and we must have a moon."

She started away on the run, beckoning to him with her unwashed hands: "Come on, then, till I show yer my windy. It's the little one over the dining-room. There ain't a balcony, but—see there! there's the top of the bay windy and I can lean out—why didn't yer tell me yer could play the guitar?"

"Because I can't."

"A harp, belike?"

"No; guess again."

"Yer no good;—but yer'll come?"

"Shurre; an' more be token it's at eight 'o the clock Oi'll be under yer windy." He gave the accent with such Celtic gusto that the little girl was captivated.

"Ain't you a corker!" she said admiringly and, waving her hand again to him, ran to the house. Champney followed more slowly to lay the case before Ann and Hannah.

On his way homeward he found himself wondering if he had ever seen the child before. As she leaned on the rail and looked out over the lake, a certain grace of attitude, which the coarse clothing failed to conceal, the rapt expression in the eyes, the timbre of her voice, all awakened a dim certainty that he had seen her before at some time and place distinctly unusual; but where? He turned the search-light of concentrated thought upon his comings and goings and doings during the last year and more. Where had he seen just such a child?

He looked up from the roadway, on which his eyes had been fixed while his absent thought was making back tracks over the last twelve months, and saw before him the high pastures of The Gore. In the long afterglow of the July sunset they enamelled the barren heights with a rich, yellowish green. In a flash it came to him: "The green hill far away without a city wall"; the child singing on the vaudeville stage; the hush in the audience. He smiled to himself. He was experiencing that satisfaction which is common to all who have run down the quarry of a long-hunted recollection.

"She's the very one," he said to himself; "I wonder if Aunt Meda knows."

VI

That which proves momentous in our lives is rarely anticipated, seldom calculated. Its factors are for the most part unknown quantities; if not prime in themselves they are, at least, prime to each other. It cannot be measured in terms of time, for often it lies between two infinities. But the momentous decision, event, action, which reacts upon the life of a man or woman and influences that life so long as it is lived here on earth, is on the surface sufficiently finite for us to say: It was on such a day I made my decision; to such and such an event I can look back as the cause of all that has followed. The How thereof remains traceable to our purblind eyes for a month, a term of years, one generation, possibly two; the Where and When can generally be defined; but the Why we ask blindly, and are rarely answered satisfactorily.

Had young Googe been told, while he was walking homewards up The Gore, that his life line, like the antenna of the wireless, was even then the recipient and transmitter of multiple influences that had been, as it were, latent in the storage batteries of a generation; that what he was to be in the future was at this very hour in germ for development, he would have scouted the idea. His young self-sufficiency would have laughed the teller to scorn. He would have maintained as a man his mastership of his fate and fortunes, and whistled as carelessly as he whistled now for the puppy, an Irish terrier which he had brought home with him, for training, to come and meet him.

And the puppy, whose name was Ragamuffin and called Rag for short, came duly, unknowing, like his young master, to meet his fate. He wriggled broad-side down the walk as a puppy will in his first joy till, overpowered by his emotions, he rolled over on his back at Champney's feet, the fringes of his four legs waving madly in air.

"Champney, I'm waiting for you." It was his mother calling from the door. He ran in through the kitchen, and hurried to make himself presentable for the table and their guest whom he saw on the front porch.

As he entered the dining-room, his mother introduced him: "Father Honoré, my son, Champney."

The two men shook hands, and Mrs. Googe took her seat. The priest bowed his head momentarily to make the sign of the cross. Champney Googe shot one keen, amazed look in his direction. When that head was lifted Champney "opened fire," so he termed it to himself.

"I think I've seen you before, sir." It was hard for him to give the title "Father." "I got in your way, didn't I, at the theatre one evening over a year ago?"

His mother looked at him in amazement and something of anxiety. Was her son in his prejudice forgetting himself?

"Indeed, I think it was the other way round, I was in your way, for I remember thinking when you ran up against me 'that young fellow has been half-back on a football team.'"

Champney laughed. There was no withstanding this man's voice and the veiled humor of his introductory remarks.

"Did I hit hard? I didn't think for a moment that you would recognize me; but I knew you as soon as mother introduced us. I see by your face, mother, that you need enlightening. It was only that I met Father Honoré"—he brought that out with no hesitation—"at the entrance to one of the New York theatres over a year ago, and in the crowd nearly ran him down. No wonder, sir, you sized me up by the pressure as a football fiend. That's rich!" His merry laugh reassured his mother; she turned to Father Honoré.

"I don't know whether all my son's acquaintances are made at the theatre or not, but it is a coincidence that the other day he happened to mention the fact that the first time he saw Mr. Van Ostend he saw him there."

"It's my strong impression, Mrs. Googe, that Mr. Googe saw us both at the same place, at the same time. Mr. Van Ostend spoke to me of your son just a few days before I left New York."

"Did he?" Champney's eager blue eyes sought the priest's. "Do you know him well?"

"As we all know him through his place in the world of affairs. Personally I have met him only a few times. You may know, perhaps, that he was instrumental in placing little Aileen Armagh, the orphan child,—you know whom I mean?—at Mrs. Champney's, your aunt, Mrs. Googe tells me."

"I was just going to ask you if you would be willing to tell us something about her," said Mrs. Googe. "I've not seen her, but from all I hear she is a most unusual child, most interesting—"

"Interesting, mother!" Champney interrupted her rather explosively; "she's unique, the only and ever Aileen Armagh." He turned again to Father Honoré. "Do tell us about her; I've been so blockheaded I couldn't put two and two together, but I'm beginning to see daylight at last. I made her acquaintance this afternoon. That's why I was a little late, mother."

How we tell, even the best of us, with reserves! Father Honoré told of his interest being roused, as well as his suspicions, by the wording of the poster, and of his determination to see for himself to what extent the child was being exploited. But of the thought-lever, the "Little Trout", that raised that interest, he made no mention; nor, indeed, was it necessary.

"You see there is a class of foreigners on the East side that receive commissions for exploiting precocious children on the stage; they are very clever in evading the law. The children themselves are helpless. I had looked up a good many cases before this because it was in my line of work, and in this particular one I found that the child had been orphaned in Ireland almost from her birth; that an aunt, without relatives, had emigrated with her only a few months before I saw her on the stage, and the two had lived in an east side tenement with an old Italian. The child's aunt, a young woman about twenty-eight, developed quick consumption during the winter and died in the care of the Italian, Nonna Lisa they call her. This woman cared for the little girl, and began to take her out with her early in March on the avenues and streets of the upper west side. The old woman is an itinerant musician and plays the guitar with real feeling—I've heard her—and, by the way, makes a decent little living of her own. She found that Aileen had a good voice and could sing several Irish songs. She learned the accompaniments, and the two led, so far as I can discover, a delightful life of vagabondage for several weeks. It seems the old Italian has a grandson, Luigi, who sings in vaudeville with a travelling troop. He was in the west and south during the entire time that Aileen was with his grandmother; and through her letters he learned of the little girl's voice. He spoke of this to his manager, and he communicated with the manager of a Broadway vaudeville—they are both in the vaudeville trust—and asked him to engage her, and retain her for the troop when they should start on their annual autumn tour. But Nonna Lisa was shrewd.—It's wonderful, Mrs. Googe, how quickly they develop the sixth sense of cautious speculation after landing! She made a contract for six weeks only, hoping to raise her price in the autumn. So I found that the child was not being exploited, except legitimately, by the old Italian who was caring for her and guarding her from all contamination. But, of course, that could not go on, and I had the little girl placed in the orphan asylum on ----nd Street—" He interrupted himself to say half apologetically:

"I am prolix, I fear, but I am hoping you will be personally interested in this child whose future life will, I trust, be spent here far away from the metropolitan snares. I am sure she is worth your interest."

"I know she is," said Champney emphatically; "and the more we know of her the better. You'll laugh at my experience when you have heard it; but first let us have the whole of yours."

"You know, of course, where Mr. Van Ostend lives?" Champney nodded. "Did you happen to notice the orphan asylum just opposite on ——nd Street?"

"No; I don't recall any building of that sort."

He smiled. "Probably not; that is not in your line and we men are apt to see only what is in the line of our working vision. It seems that Mr. Van Ostend has a little girl—"

"I know, that's the Alice I told you of, mother; did you see her when she was here last month?"

"No; I only met Mr. Van Ostend on business. You were saying—?" She addressed Father Honoré.

"His little daughter told him so much about two orphan children, with whom she had managed to have a kind of across-street-and-window acquaintance, that he proposed to her to have the children over for Christmas luncheon. The moment he saw Aileen, he recognized in her the child on the vaudeville stage to whom he had given the flowers—You remember that incident?"

"Don't I though!"

"—Because she had sung his wife's favorite hymn. He was thoroughly interested in the child after seeing her, so to say, at close range, and took the first opportunity to speak with the Sister Superior in regard to finding for her a suitable and permanent home. The Sister Superior referred him to me. As you know, he came to Flamsted recently with this same little daughter; and the child talked so much and told so many amusing things about Aileen to Mrs. Champney, that Mr. Van Ostend saw at once this was an opportunity to further his plans, although he confided to me his surprise that his cousin, Mrs. Champney, should be willing to have so immature a child, in her house. Directly on getting home, he telephoned to me that he had found a home for her with a relation of his in Flamsted. You may judge of my surprise and pleasure, for I had received the appointment to this place and the work among the quarrymen only a month before. This is how the little girl happened to come up with me. I hear she is making friends."

"She can't help making them, and a good deal more besides; for Romanzo Caukins, our neighbor's son, and Octavius Buzzby, my aunt's chargé d'affaires, are at the present time her abject slaves," said Champney, rising from the table at a signal from his mother. "Let's go out on the porch, and I'll tell you of the fun I've had with her—poor Roman!" He shook his head and chuckled.

He stepped into the living-room as he passed through the hall and reached for his pipe in a rack above the mantel. "Do you smoke," he asked half-hesitatingly, but with an excess of courtesy in his voice as if he were apologizing for asking such a question.

"Sometimes; a pipe, if you please." He held out his hand; Champney handed him a sweetbrier and a tobacco pouch. "You permit, Madam?" He spoke with old world courtesy. Aurora Googe smiled permission. She saw with satisfaction her son's puzzled look of inquiry as he noted the connoisseurship with which Father Honoré handled his after-supper tools.

Mrs. Milton Caukins, their neighbor in the stone house across the bridge over the Rothel, stood for several minutes at her back door listening to Champney's continued arpeggios and wondered whose was the deep hearty laugh that answered them. In telling his afternoon's experience Champney, also, had his reserves: of the coming serenade he said never a word to the priest.

"He's O.K. and a man, mother," was his comment on their guest, as he bade her good night. Aurora Googe answered him with a smile that betokened content, but she was wise enough not to commit herself in words. Afterwards she sat long in her room, planning for her son's future. The twenty thousand she had just received for the undeveloped quarry lands should serve to start him well in life.

VII

On the following day, mother and son constituted themselves a committee of ways and means as to the best investment of the money in furtherance of Champney's interests. Her ambition was gratified in that she saw him anxious to take his place in the world of affairs, to "get on" and, as he said, make his mark early in the world of finance.

The fact that, during his college course, he had spent the five thousand received from the sale of the first quarry, plus the interest on the same without accounting for a penny of it, seemed to his mother perfectly legitimate; for she had sold the land and laid by the amount paid for it in order to put her son through college. Since he was twelve years old she had brought him up in the knowledge that it was to be his for that purpose. From the time he came, through her generosity, into possession of the property, she always replied to those who had the courage to criticise her course in placing so large a sum at the disposal of a youth:

"My son is a man. I realize I can suggest, but not dictate; moreover I have no desire to."

She drew the line there, and rarely had any one dared to expostulate further with her. When they ventured it, Aurora Googe turned upon them those dark eyes, in which at such times there burned a seemingly unquenchable light of self-feeding defiance, and gave them to understand, with a repelling dignity of manner that bordered hard on haughtiness, that what she and her son might or might not do was no one's concern but their own. This self-evident truth, when it struck home to her well-wishers, made her no friends. Nor did she regret this. She had dwelt, as it were, apart, since her marriage and early widowhood—her husband had died seven months before Champney was born—on the old Googe estate at The Gore. But she was a good neighbor, as Mrs. Caukins could testify; paid her taxes promptly, and minded her flocks, the source of her limited income, until wool-raising in New England became unprofitable. An opportunity was presented when her boy was ten years old to sell a portion of the barren sheep pastures for the first quarry. She counted herself fortunate in being able thus to provide for Champney's four college years.

In all the village, there were only three men, whom Aurora Googe named friend. These men, with the intimacy born of New England's community of interest, called her to her face by her Christian name; they were Octavius Buzzby, old Joel Quimber, and Colonel Caukins. There had been one other, Louis Champney, who during his lifetime promised to do much for her boy when he should have come of age; but as the promises were never committed to black and white, they were, after his death, as though they had never been.

"If only Aunt Meda would fork over some of hers!" Champney exclaimed with irritation. They were sitting on the porch after tea. "All I want is a seat in the Stock Exchange—and the chance to start in. I believe if I had the money Mr. Van Ostend would help me to that."

"You didn't say anything to him about your plans, did you?"

"Well, no; not exactly. But it isn't every fellow gets a chance to dine at such a man's table, and I thought the opportunity was too good to be wasted entirely. I let him know in a quiet way that I, like every other fellow, was looking for a job." Champney laughed aloud at the shocked look on his mother's face. He knew her independence of thought and action; it brooked no catering for favors.

"You see, mother, men have to do it, or go under. It's about one chance in ten thousand that a man gets what he wants, and it's downright criminal to throw away a good opportunity to get your foot on a round. Run the scaling ladder up or down, it doesn't much matter—there are hundreds of applicants for every round; and only one man can stand on each—and climb, as I mean to. You don't get this point of view up here, mother, but you will when you see the development of these great interests. Then it will be each for himself and the devil gets the hindermost. Shouldn't I take every legitimate means to forge ahead? You heard what the priest said about Mr. Van Ostend's mentioning me to him? Let me tell you such men don't waste one breath in mentioning anything that does not mean a big interest per cent, not one breath. They can't, literally, afford to; and I'm hoping, only hoping, you know—", he looked up at her from his favorite seat on the lowest step of the front porch with a keen hard expectancy in his eyes that belied his words, "—that what he said to Father Honoré means something definite. Anyhow, we'll wait a while till we see how the syndicate takes hold of this quarry business before we decide on anything, won't we, mother?"

"I'm willing to wait as long as you like if you will only promise me one thing."

"What's that?" He rose and faced her; she saw that he was slightly on the defensive.

"That you will never, never, in any circumstances, apply to your Aunt Almeda for funds, no matter how much you may want them. I couldn't bear that!"

She spoke passionately in earnest, with such depth of feeling that she did not realize her son was not giving her the promise when he said abruptly, the somewhat hard blue eyes looking straight into hers:

"Mother, why are you so hard on Aunt Meda? She's a stingy old screw, I know, and led Uncle Louis round by the nose, so everybody says; but why are you so down on her?"

He was insistent, and his insistence was the one trait in his character which his mother had found hardest to deal with from his babyhood; from it, however, if it should develop happily into perseverance, she hoped the most. This trait he inherited from his father, Warren Googe, but in the latter it had deteriorated into obstinacy. She always feared for her self-control when she met it in her son, and just now she was under the influence of a powerful emotion that helped her to lose it.

"Because," she made answer, again passionately but the earnestness had given place to anger, "I am a woman and have borne from her what no woman bears and forgets, or forgives! Are you any the wiser now?" she demanded. "It is all that I shall tell you; so don't insist."

The two continued to look into each other's eyes, and something, it could hardly be called inimical, rather an aloofness from the tie of blood, was visible to each in the other's steadfast gaze. Aurora Googe shivered. Her eyes fell before the younger ones.

"Don't Champney! Don't let's get upon this subject again; I can't bear it."

"But, mother," he protested, "you mentioned it first."

"It was what you said about Almeda's furnishing you with money that started it. Don't say anything more about it; only promise me, won't you?"

She raised her eyes again to his, but this time in appeal. At forty-one Aurora Googe was still a very beautiful woman, and her appeal, made gently as if in apology for her former vehemence, rendered that beauty potent with her son's manhood.

"Let me think it over, mother, before I promise." He answered her as gently. "It's a hard thing to exact of a man, and I don't hold much with promises. What did Uncle Louis' amount to?"

The blood surged into his mother's face, and tears, rare ones, for she was not a weak woman neither was she a sentimental one, filled her eyes. Her son came up the steps and kissed her. They were seldom demonstrative to this extent save in his home-comings and leave-takings. He changed the subject abruptly.

"I'm going down to the village now. You know I have the serenade on my program, at eight. Afterwards I'll run down to The Greenbush for the mail and to see my old cronies. I haven't had a chance yet." He began to whistle for the puppy, but cut himself short, laughing. "I was going to take Rag, but he won't fit in with the serenade. Keep him tied up while I'm gone, please. Anything you want from the village, mother?"

"No, not to-night."

"Don't sit up for me; I may be late. Joel is long-winded and the Colonel is booming The Gore for all it is worth and more too; I want to hear the fun. Good night."

VIII

The afterglow of sunset was long. The dilated moon, rising from the waters of the Bay, shone pale at first; but as it climbed the shoulder of the mountain Wave-of-the-Sea and its light fell upon the farther margin of the lake, its clear disk was pure argent.

Champney looked his approval. It was the kind of night he had been hoping for. He walked leisurely down the road from The Gore for the night was warm. It was already past eight, but he lingered, purposely, a few minutes longer on the lake shore until the moonlight should widen on the waters. Then he went on to the grounds.

He entered by the lane and crossed the lawn to an arching rose-laden trellis near the bay window; beneath it was a wooden bench. He looked up at the window. The blinds were closed. So far as he could see there was no light in all the great house. Behind the rose trellis was a group of stately Norway spruce; he could see the sheen of their foliage in the moonlight. He took his banjo out of its case and sat down on the bench, smiling to himself, for he was thoroughly enjoying, with that enjoyment of youth, health, and vitality which belongs to twenty-one, this rustic adventure. He touched the strings lightly with preliminary thrumming. It was a toss-up between "Annie Rooney" and "Oft in the stilly night." He decided for the latter. Raising his eyes to the closed blinds, behind which he knew the witch was hiding, he began the accompaniment. The soft thrum-thrum, vibrating through the melody, found an echo in the whirring wings of all that ephemeral insect life which is abroad on such a night. The prelude was almost at an end when he saw the blinds begin to separate. Champney continued to gaze steadily upwards. A thin bare arm was thrust forth; the blinds opened wide; in the dark window space he saw Aileen, listening intently and gazing fixedly at the moon as if its every beam were dropping liquid music.

He began to sing. His voice was clear, fine, and high, a useful first tenor for two winters in the Glee Club. When he finished Aileen deigned to look down upon him, but she made no motion of recognition. He rose and took his stand directly beneath the window.

"I say, Miss Aileen Armagh-and-don't-yer-forget-it, that isn't playing fair! Where's my token?"

There was a giggle for answer; then, leaning as far out as she dared, both hands stemmed on the window ledge, the child began to sing. Full, free, joyously light-hearted, she sent forth the rollicking Irish melody and the merry sentiment that was strung upon it; evidently it had been adapted to her, for the words had suffered a slight change:

"Och! laughin' roses are my lips,
Forget-me-nots my ee,
It's many a lad they're drivin' mad;
Shall they not so wi' ye?
Heigho! the morning dew!
Heigho! the rose and rue!
Follow me, my bonny lad,
For I'll not follow you.

"Wi' heart in mout', in hope and doubt,
My lovers come and go:
My smiles receive, my smiles deceive;
Shall they not serve you so?
Heigho! the morning dew!
Heigho! the rose and rue!
Follow me, my bonny lad,
For I'll not follow you."

It was a delight to hear her.

"There now, I'll give yer my token. Hold out yer hands!"

Champney, hugging his banjo under one arm, made a cup of his hands. Carefully measuring the distance, she dropped one rosebud into them.

"Put it on yer heart now," was the next command from above. He obeyed with exaggerated gesture, to the great delight of the serenadee. "And yer goin' to keep it?"

"Forever and a day." Champney made this assertion with a hyper-sentimental inflection of voice, and, lifting the flower to his nose, drew in his breath—

"Confound you, you little fiend—" he sneezed rather than spoke.

The sneeze was answered by a peal of laughter from above and a fifteen-year-old's cracked "Haw-haw-haw" from the region of the Norway spruces. Every succeeding sneeze met with a like response—roars of laughter on the one hand and peal upon peal on the other. Even the kitchen door began to give signs of life, for Hannah and Ann made their appearance.

The strong white pepper, which Romanzo managed to procure from Hannah, had been cunningly secreted by Aileen between the imbricate petals, and then tied, in a manner invisible at night, with a fine thread of pink silk begged from Ann. It was now acting and re-acting on the lining of the serenader's olfactory organ in a manner to threaten final decapitation. Champney was still young enough to resent being made a subject of such practical joking by a little girl; but he was also sufficiently wise to acknowledge to himself that he had been worsted and, in the end, to put a good face on it. It is true he would have preferred that Romanzo Caukins had not been witness to his defeat.

The sneezing and laughter gradually subsided. He sat down again on the bench and taking up his banjo prepared, with somewhat elaborate effort, to put it into its case. He said nothing.

"Say!" came in a sobered voice from above; "are yer mad with me?"

Ignoring both question and questioner, he took out his handkerchief, wiped his face and forehead and, returning it to his pocket, heaved a sigh of apparent exhaustion.

"I say, Mr. Champney Googe, are yer mad with me?"

To Champney's delight, he heard an added note of anxiety. He bowed his head lower over the banjo case and in silence renewed his simulated struggle to slip that instrument into it.

"Champney! Are yer rale mad with me?" There was no mistaking the earnestness of this appeal. He made no answer, but chuckled inwardly at the audacity of the address.

"Champ!" she stamped her foot to emphasize her demand; "if yer don't tell me yer ain't mad with me, I'll lave yer for good and all—so now!"

"I don't know that I'm mad with you," he spoke at last in an aggrieved, a subdued tone; "I simply didn't think you could play me such a mean trick when I was in earnest, dead earnest."

"Did yer mane it?"

"Why, of course I did! You don't suppose a man walks three miles in a hot night to serenade a girl just to get an ounce of pepper in his nose by way of thanks, do you?"

"I thought yer didn't mane it; Romanzo said yer was laughing at me for telling yer 'bout the lords and ladies a-making love with their guitars." The voice indicated some dejection of spirits.

"He did, did he! I'll settle with Romanzo later." He heard a soft brushing of branches in the region of the Norway spruces and knew that the youth was in retreat. "And I'll settle it with you, too, Miss Aileen Armagh-and-don't-you-forget-it, in a way that'll make you remember the tag end of your name for one while!"

This threat evidently had its effect.

"Wot yer going to do?"

He heard her draw her breath sharply.

"Come down here and I'll tell you."

"I can't. She might catch me. She told me I'd got to stay in my room after eight, and she's coming home ter-night. Wot yer going to do?"

Champney laughed outright. "Don't you wish you might know, Aileen Armagh!" He took his banjo in one hand, lifted his cap with the other and, standing so, bareheaded in the moonlight, sang with all the simulated passion and pathos of which he was capable one of the few love songs that belong to the world, "Kathleen Mavoureen"; but he took pains to substitute "Aileen" for "Kathleen." Even Ann and Hannah, listening from the kitchen porch, began to feel sentimentally inclined when the clear voice rendered with tender pathos the last lines:

"Oh! why art thou silent, thou voice of my heart?
Oh! why art thou silent, Aileen Mavoureen?"

Without so much as another glance at the little figure in the window, he ran across the lawn and up the lane to the highroad.

IX

On his way to The Greenbush he overtook Joel Quimber, and without warning linked his arm close in the old man's. At the sudden contact Joel started.

"Uncle Jo, old chap, how are you? This seems like home to see you round."

"Lord bless me, Champ, how you come on a feller! Here, stan' still till I get a good look at ye;—growed, growed out of all notion. Why, I hain't seen ye for good two year. You warn't to home last summer?"

"Only for a week; I was off on a yachting cruise most of the time. Mother said you were up on the Bay then at your grandniece's—pretty girl. I remember you had her down here one Christmas."

The old man made no definite answer, but cackled softly to himself: "Yachting cruise, eh? And you remember a pretty girl, eh?" He nudged him with a sharpened elbow and whispered mysteriously: "Devil of a feller, Champ! I've heerd tell, I've heerd tell—chip of the old block, eh?" He nudged him knowingly again.

"Oh, we're all devils more or less, we men, Uncle Jo; now, honor bright, aren't we?"

"You've hit it, Champ; more or less—more or less. I heerd you was a-goin' it strong: primy donny suppers an' ortermobillies—"

"Now, Uncle Jo, you know there's no use believing all you hear, but you can't plunge a country raised boy into a whirlpool like New York for four years and not expect him to strike out and swim with the rest. You've got to, Uncle Jo, or you're nobody. You'd go under."

"Like 'nough you would, Champ; I can't say, fer I hain't ben thar. Guess twixt you an' me an' the post, I won't hev ter go thar sence Aurory's sold the land fer the quarries. I hear it talked thet it'll bring half New York right inter old Flamsted; I dunno, I dunno—you 'member 'bout the new wine in the old bottles, Champ?—highflyers, emigrants, Dagos and Polacks—Come ter think, Mis' Champney's got one on 'em now. Hev you seen her, Champ?"

Champney's hearty laugh rang out with no uncertain sound. "Seen her! I should say so. She's worth any 'primy donny', as you call them, that ever drew a good silver dollar out of my pockets. Oh, it's too good to keep! I must tell you; but you'll keep mum, Uncle Jo?"

"Mum's the word, ef yer say so, Champ." They turned from The Greenbush and arm in arm paced slowly up the street again. From time to time, for the next ten minutes, Augustus Buzzby and the Colonel in the tavern office heard from up street such unwonted sounds of hilarity and so long continued, that Augustus looked apprehensively at the Colonel who was becoming visibly uneasy lest he fail to place the joke.

When the two appeared at the office door they bore unmistakable signs of having enjoyed themselves hugely. Augustus Buzzby gave them his warmest welcome and seated Uncle Joel in his deepest office chair, providing him at the same time with a pipe and some cut leaf. The Colonel was in his glory. With one arm thrown affectionately around young Googe's neck, he expatiated on the joy of the community as a whole in again welcoming its own.

"Champney, my dear boy,—you still permit me the freedom of old friendship?—this town is already looking to you as to its future deliverer; I may say, as to a Moses who will lead us into the industrial Canaan which is even now, thanks to my friend, your honored mother, beckoning to us with its promise of abundant plenty. Never, in my wildest dreams, my dear boy, have I thought to see such a consummation of my long-cherished hopes."

It was always one of Champney's prime youthful joys to urge the Colonel, by judiciously applied excitants, to a greater flowering of eloquence; so, now, as an inducement he wrung his neighbor's hand and thanked him warmly for his timely recognition of the new Flamsted about to be.

"Now," he said, "the thing is for all of us to fall into line and forge ahead, Colonel. If we don't, we'll be left behind; and in these times to lag is to take to the backwoods."

"Right you are, my dear fellow; deterioration can only set in when the members of a community, like ours, fail to present a solid front to the disintegrating forces of a supine civilization which—"

"At it again, Milton Caukins!" It was Mr. Wiggins who, entering the office, interrupted the flow,—"dammed the torrent", he was wont to say. He extended a hand to young Googe. "Glad to see you, Champney. I hear there is a prospect of your remaining with us. Quimber tells us he heard something to the effect that a position might be offered you by the syndicate."

"It's the first I've heard of it. How did you hear, Uncle Jo?" He turned upon the old man with a keen alertness which, taken in connection with the Colonel's oratory, was both disconcerting and confusing.

"How'd I hear? Le' me see; Champ, what was we just talking 'bout up the street, eh?"

"Oh, never mind that now," he answered impatiently; "let's hear what you heard. I'm the interested party just now." But the old man looked only the more disturbed and was not to be hurried.

"'Bout that little girl—" he began, but was unceremoniously cut short by Champney.

"Oh, damn the girl, just for once, Uncle Jo. What I want to know is, how you came to hear anything about me in connection with the quarry syndicate."

The old man persisted: "I'm a-tryin' to get a-holt of that man's name that got her up here—"

"Van Ostend," Champney suggested; "is that the name you want?"

"That's him, Van Ostend; that's the one. He an' the rest was hevin' a meetin' right here in this office 'fore they went to the train, an' I was settin' outside the winder an' heerd one on 'em say: 'Thet Mis' Googe's a stunner; what's her son like, does any one know?' An' I heerd Mr. Van Ostend say: 'She's very unusual; if her son has half her executive ability'—them's his very words—'we might work him in with us. It would be good business policy to interest, through him, the land itself in its own output, so to speak, besides being something of a courtesy to Mis' Googe. I've met him twice.' Then they fell to discussin' the lay of The Gore and the water power at The Corners."

"Bully for you, Uncle Jo!" Champney slapped the rounded shoulders with such appreciative heartiness that the old man's pipe threatened to be shaken from between his toothless gums. "You have heard the very thing I've been hoping for. Tave never let on that he knew anything about it."

"He didn't, only what I told him." Old Quimber cackled weakly. "I guess Tave's got his hands too full at Champo to remember what's told him; what with the little girl an' Romanzo—no offence, Colonel." He looked apologetically at the Colonel who waved his hand with an airiness that disposed at once of the idea of any feeling on his part in regard to family revelations. "I heerd tell thet the little girl hed turned his head an' Tave couldn't git nothin' in the way of work out of him."

"In that case I must look into the matter." The Colonel spoke with stern gravity. "Both Mrs. Caukins and I would deplore any undue influence that might be brought to bear upon any son of ours at so critical a period of his career."

Mr. Wiggins laughed; but the laugh was only a disguised sneer. "Perhaps you'll come to your senses, Colonel, when you've got an immigrant for a daughter-in-law. Own up, now, you didn't think your 'competing industrial thousands' might be increased by some half-Irish grandchildren, now did you?"

Champney listened for the Colonel's answer with a suspended hope that he might give Elmer Wiggins "one," as he said to himself. He still owed the latter gentleman a grudge because in the past he had been, as it were, the fountain head of all in his youthful misery in supplying ample portions of the never-to-be-forgotten oil of the castor bean and dried senna leaves. He felt at the present time, moreover, that he was inimical to his mother and her interests. And Milton Caukins was his friend and hers, past, present, and future; of this he was sure.

The Colonel took time to light his cigar before replying; then, waving it towards the ceiling, he said pleasantly:

"My young friend here, Champney, to whom we are looking to restore the pristine vigor of a fast vanishing line of noble ancestors, is both a Googe and a Champney. His ancestors counted themselves honored in making alliances with foreigners—immigrants to our all-welcoming shores; 'a rose', Mr. Wiggins, 'by any other name'; I need not quote." His chest swelled; he interrupted himself to puff vigorously at his cigar before continuing: "My son, sir, is on the spindle side of the house a Googe, and a Googe, sir, has the blood of the Champneys and the Lord knows of how many noble immigrants" (the last word was emphasized by a fleeting glance of withering scorn at the small-headed Wiggins) "in his veins which, fortunately, cannot be said of you, sir. If, at any time in the distant future, my son should see fit to ally himself with a scion of the noble and long-suffering Hibernian race, I assure you"—his voice was increasing in dimensions—"both Mrs. Caukins and myself would feel honored, sir, yes, honored in the breach!"

After this wholly unexpected ending to his peroration, he lowered his feet from their accustomed rest on the counter of the former bar and, ignoring Mr. Wiggins, remarked to Augustus that it was time for the mail. Augustus, glad to welcome any diversion of the Colonel's and Mr. Wiggins's asperities, said the train was on time and the mail would be there in a few minutes.

"Tave's gone down to meet Mis' Champney," he added turning to Champney. "She's been in Hallsport for two days. I presume you ain't seen her."

"Not yet. If you can give me my mail first I can drive up to Champ-au-Haut with her to-night. There's the mail-wagon."

"To be sure, to be sure, Champney; and you might take out Mis' Champney's; Tave can't leave the hosses."

"All right." He went out on the veranda to see if the Champ-au-Haut carriage was in sight. A moment later, when it drove up, he was at the door to open it.

"Here I am, Aunt Meda. Will this hold two and all those bundles?"

"Why, Champney, you here? Come in." She made room for him on the ample seat; he sprang in, and bent to kiss her before sitting down beside her.

"Now, I call this luck. This is as good as a confessional, small and dark, and 'fess I've got to, Aunt Meda, or there'll be trouble for somebody at Campo."

Had the space not been so "small and dark" he might have seen the face of the woman beside him quiver painfully at the sound of his cheery young voice and, when he kissed her, flush to her temples.

"What devilry now, Champney?"

"It's a girl, of course, Aunt Meda—your girl," he added laughing.

"So you've found her out, have you, you young rogue? Well, what do you think of her?"

"I think you'll have a whole vaudeville show at Champ-au-Haut for the rest of your days—and gratis."

"I've been coming to that conclusion myself," said Mrs. Champney, smiling in turn at the recollection of some of her experiences during the past three weeks. "She amuses me, and I've concluded to keep her. I'm going to have her with me a good part of the time. I've seen enough since she has been with me to convince me that my people will amount to nothing so long as she is with them." There was an edge to her words the sharpness of which was felt by Octavius on the front seat.

"I can't blame them; I couldn't. Why Tave here is threatened already with a quick decline—sheer worry of mind, isn't it Tave?" Octavius nodded shortly; "And as for Romanzo there's no telling where he will end; even Ann and Hannah are infected."

"What do you mean, Champney?" She was laughing now.

"Just wait till I run in and get the mail for us both, and I'll tell you; it's my confession."

He sprang out, ran up the steps and disappeared for a moment. He reappeared thrusting some letters into his pocket. Evidently he had not looked at them. He handed the other letters and papers to Octavius, and so soon as the carriage was on the way to The Bow he regaled his aunt with his evening's experience under the bay window.

"Serves you right," was her only comment; but her laugh told him she enjoyed the episode. He went into the house upon her invitation and sat with her till nearly eleven, giving an account of himself—at least all the account he cared to give which was intrinsically different from that which he gave his mother. Mrs. Champney was what he had once described to his mother as "a worldly woman with the rind on," and when he was with her, he involuntarily showed that side of his nature which was best calculated to make an impression on the "rind." He grew more worldly himself, and she rejoiced in what she saw.

X

While walking homewards up The Gore, he was wondering why his mother had shown such strength of feeling when he expressed the wish that his aunt would help him financially to further his plans. He knew the two women never had but little intercourse; but with him it was different. He was a man, the living representative of two families, and who had a better right than he to some of his Aunt Meda's money? A right of blood, although on the Champney side distant and collateral. He knew that the community as a whole, especially now that his mother had become a factor in its new industrial life, was looking to him, as once they had looked to his Uncle Louis, to "make good" with his inheritance of race. To this end his mother had equipped him with his university training. Why shouldn't his aunt be willing to help him? She liked him, that is, she liked to talk with him. Sometimes, it is true, it occurred to him that his room was better than his company; this was especially noticeable in his young days when he was much with his aunt's husband whom he called "Uncle Louis." Since his death he had never ceased to visit her at Champ-au-Haut—too much was at stake, for he was the rightful heir to her property at least, if not Louis Champney's. She, as well as his father, had inherited twenty thousand from the estate in The Gore. His father, so he was told, had squandered his patrimony some two years before his death. His aunt, on the contrary, had already doubled hers; and with skilful manipulation forty thousand in these days might be quadrupled easily. It was wise, whatever might happen, to keep on the right side of Aunt Meda; and as for giving that promise to his mother he neither could nor would. His mind was made up on this point when he reached The Gore. He told himself he dared not. Who could say what unmet necessity might handicap him at some critical time?—this was his justification.

In the midst of his wonderings, he suddenly remembered the evening's mail. He took it out and struck a match to look at the hand-writing. Among several letters from New York, he recognized one as having Mr. Van Ostend's address on the reverse of the envelope. He tore it open; struck another match and, the letter being type-written, hastily read it through with the aid of a third and fourth pocket-lucifer; read it in a tumult of expectancy, and finished it with an intense and irritating sense of disappointment. He vehemently voiced his vexation: "Oh, damn it all!"

He did not take the trouble to return the letter to its cover, but kept flirting it in his hand as he strode indignantly up the hill, his arms swinging like a young windmill's. When he came in sight of the house, he looked up at his mother's bedroom window. Her light was still burning; despite his admonition she was waiting for him as usual. He must tell her before he slept.

"Champney!" she called, when she heard him in the hall.

"Yes, mother; may I come up?"

"Of course." She opened wide her bedroom door and stood there, waiting for him, the lamp in her hand. Her beauty was enhanced by the loose-flowing cotton wrapper of pale pink. Her dark heavy hair was braided for the night and coiled again and again, crown fashion, on her head.

"Aunt Meda never could hold a candle to mother!" was Champney Googe's thought on entering. The two sat down for the usual before-turning-in-chat.

He was so full of his subject that it overflowed at once in abrupt speech.

"Mother, I've had a letter from Mr. Van Ostend—"

"Oh, Champney!" There was the joy of anticipation in her voice.

"Now, mother, don't—don't expect anything," he pleaded, "for you'll be no end cut up over the whole thing. Now, listen." He read the letter; the tone of his voice indicated both disgust and indignation.

"Now, look at that!" He burst forth eruptively when he had finished. "Here we've been banking on an offer for some position in the syndicate, at least, something that would help clear the road to Wall Street where I should be able to strike out for myself without being dependent on any one—I didn't mince matters that day of the dinner when I told him what I wanted, either! And here I get an offer to go to Europe for five years and study banking systems and the Lord knows what in London, Paris, and Berlin, and act as a sort of super in his branch offices. Great Scott! Does he think a man is going to waste five years of his life in Europe at a time when twenty-four hours here at home might make a man! He's a donkey if he thinks that, and I'd have given him credit for more common sense—"

"Now, Champney, stop right where you are. Don't boil over so." She repressed a smile. "Let's talk business and look at matters as they stand."

"I can't;" he said doggedly; "I can't talk business without a business basis, and this here,"—he shook the letter much as Rag shook a slipper,—"it's just slop! What am I going to do over there, I'd like to know?" he demanded fiercely; whereupon his mother took the letter from his hand and, without heeding his grumbling, read it carefully twice.

"Now, look here, Champney," she said firmly; "you must use some reason. I admit this isn't what you wanted or I expected, but it's something; many would think it everything. Didn't you tell me only yesterday that in these times a man is fortunate to get his foot on any round of the ladder—"

"Well, if I did, I didn't mean the rung of a banking house fire-escape over in Europe." He interrupted her, speaking sulkily. Then of a sudden he laughed out. "Go on, mother, I'm a chump." His mother smiled and continued the broken sentence:

"—And that ten thousand fail where one succeeds in getting even a foothold—to climb, as you want to?"

"But how can I climb? That's the point. Why, I shall be twenty-six in five years—if I live," he added lugubriously.

His mother laughed outright. The splendid specimen of health, vitality, and strength before her was in too marked contrast to his words.

"Well, I don't care," he muttered, but joining heartily in her laugh; "I've heard of fellows like me going into a decline just out of pure homesickness over there."

"I don't think you will be homesick for Flamsted; I saw no traces of that malady while you were in New York. On the contrary, I thought you accepted every opportunity to stay away."

"New York is different," he replied, a little shamefaced in the presence of the truth he had just heard. "But, mother, you would be alone here."

"I'm used to it, Champney;" she spoke as it were perfunctorily; "and I am ambitious to see you succeed as you wish to. I want to see you in a position which will fulfil both your hopes and mine; but neither you nor I can choose the means, not yet; we haven't the money. For my part, I think you should accept this offer; it's one in ten thousand. Work your way up during these five years into Mr. Van Ostend's confidence, and I am sure, sure, that by that time he will have something for you that will satisfy even your young ambition. I think, moreover, it is a necessity for you to accept this, Champney."

"You do; why?"

"Well, for a good many reasons. I doubt, in the first place, if these quarries can get under full running headway for the next seven years, and even if you had been offered some position of trust in connection with them, you haven't had an opportunity to prove yourself worthy of it in a business way. I doubt, too, if the salary would be any larger; it is certainly a fair one for the work he offers." She consulted the letter. "Twelve hundred for the first year, and for every succeeding year an additional five hundred. What more could you expect, inexperienced as you are? Many men have to give their services gratis for a while to obtain entrance into such offices and have their names, even, connected with such a financier. This opportunity is a business asset. I feel convinced, moreover, that you need just this discipline."

"Why?"

"For some other good reasons. For one, you would be brought into daily contact with men, experienced men, of various nationalities—"

"You can be that in New York. There isn't a city in the world where you can gain such a cosmopolitan experience." He was still protesting, still insisting. His mother made no reply, nor did she notice the interruption.

"—Learn their ways, their point of view. All this would be of infinite help if, later on, you should come into a position of great responsibility in connection with the quarry syndicate.—It does seem so strange that hundreds will make their livelihood from our barren pastures!" She spoke almost to herself, and for a moment they were silent.

"And look at this invitation to cross in his yacht with his family! Champney, you know perfectly well nothing could be more courteous or thoughtful; it saves your passage money, and it shows plainly his interest in you personally."

"I know; that part isn't half bad." He spoke with interest and less reluctance. "I saw the yacht last spring lying in North River; she's a perfect floating palace they say. Of course, I appreciate the invitation; but supposing—only supposing, you know,"—this as a warning not to take too much for granted,—"I should accept. How could I live on twelve hundred a year? He spends twice that on a cook. How does he think a fellow is going to dress and live on that? 'T was a tight squeeze in college on thirteen hundred."

His mother knew his way so well, that she recognized in this insistent piling of one obstacle upon another the budding impulse to yield. She was willing to press the matter further.

"Oh, clothes are cheaper abroad and living is not nearly so dear. You could be quite the gentleman on your second year's salary, and, of course, I can help out with the interest on the twenty thousand. You forget this."

"By George, I did, mother! You're a trump; but I don't want you to think I want to cut any figure over there; I don't care enough about 'em. But I want enough to have a ripping good time to compensate for staying away so long."

"You need not stay five consecutive years away from home. Look here, Champney; you have read this letter with your eyes but not with your wits. Your boiling condition was not conducive to clear-headedness."

"Oh, I say mother! Don't rap a fellow too hard when he's down."

"You're not down; you're up,"—she held her ground with him right sturdily,—"up on the second round already, my son; only you don't know it. Here it is in black and white that you can come home for six weeks after two years, and the fifth year is shortened by three months if all goes well. What more do you want?"

"That's something, anyway."

"Now, I want you to think this over."

"I wish I could run down to New York for a day or two; it would help a lot. I could look round and possibly find an opening in the direction I want. I want to do this before deciding."

"Champney, I shall lose patience with you soon. You know you, can't run down to New York for even a day. Mr. Van Ostend states the fact baldly: 'Your decision I must have by telegraph, at the latest, by Thursday noon.' That's day after to-morrow. 'We sail on Saturday.' Mr. Van Ostend is not a man to waste a breath, as you have said."

Champney had no answer ready. He evaded the question. "I'll tell you to-morrow, mother. It's late; you mustn't sit up any longer." He looked at his watch. "One o'clock. Good night."

"Good night, Champney. Leave your door into the hall wide open; it's so close."

She put out her light and sat down by the window. The night was breathless; not a leaf of the elm trees quivered. She heard the Rothel picking its way down the rocky channel of The Gore. She gave herself up to thought, far-reaching both into the past and the future. Soon, mingled with the murmur of the brook, she heard her son's quiet measured breathing. She rose, walked noiselessly down the hall and stood at his bedroom door, to gaze—mother-like, to worship. The moonlight just touched the pillow. He lay with his head on his arm; the full white chest was partly bared; the spare length of the muscular body was outlined beneath the sheet. Her eyes filled with tears. She turned from the door, and, noiselessly as she had come, went back to her room and her couch.

How little the pending decision weighed on his mind was proven by his long untroubled sleep; but directly after a late breakfast he told his mother he was going out to prospect a little in The Gore; and she, understanding, questioned him no further. He whistled to Rag and turned into the side road that led to the first quarry. There was no work going on there. This small ownership of forty acres was merged in the syndicate which had so recently acquired the two hundred acres from the Googe estate. He made his way over the hill and around to the head of The Gore. He wanted to climb the cliff-like rocks and think it out under the pines, landmarks of his early boyhood. He picked his way among the boulders and masses of sheep laurel; he was thinking not of the quarries but of himself; he did not even inquire of himself how the sale of the quarries might be about to affect his future.

Champney Googe was self-centred. The motives for all his actions in a short and uneventful life were the spokes to his particular hub of self; the tire, that bound them and held them to him, he considered merely the necessary periphery of constant contact with people and things by which his own little wheel of fortune might be made to roll the more easily. He was following some such line of thought while turning Mr. Van Ostend's plan over and over in his mind, viewing it from all sides. It was not what he wanted, but it might lead to that. His eyes were on the rough ground beneath him, his thoughts busy with the pending decision, when he was taken out of himself by hearing an unexpected voice in his vicinity.

"Good morning, Mr. Googe. Am I poaching on your preserve?"

Champney recognized the voice at once. It was Father Honoré's hailing him from beneath the pines. He was sitting with his back against one; a violin lay on its cover beside him; on his lap was a drawing-board with rule and compass pencil. Champney realized on the instant, and with a feeling of pleasure, that the priest's presence was no intrusion even at this juncture.

"No, indeed, for it is no longer my preserve," he answered cheerily, and added, with a touch of earnestness that was something of a surprise to himself, "and it wouldn't be if it were still mine."

"Thank you, Mr. Googe; I appreciate that. You must find it hard to see a stranger like myself preëmpting your special claim, as I fancy this one is."

"It used to be when I was a youngster; but, to tell the truth, I haven't cared for it much of late years. The city life spoils a man for this. I love that rush and hustle and rubbing-elbows with the world in general, getting knocked about—and knocking." He laughed merrily, significantly, and Father Honoré, catching his meaning at once, laughed too. "But I'm not telling you any news; of course, you've had it all."

"Yes, all and a surfeit. I was glad to get away to this hill-quiet."

Champney sat down on the thick rusty-red matting of pine needles and turned to him, a question in his eyes. Father Honoré smiled. "What is it?" he said.

"May I ask if it was your own choice coming up here to us?"

"Yes, my deliberate choice. I had to work for it, though. The superior of my order was against my coming. It took moral suasion to get the appointment."

"I don't suppose they wanted to lose a valuable man from the city," said Champney bluntly.

"The question of value is not, happily, a question of environment. I simply felt I could do my best work here in the best way."

"And you didn't consider yourself at all?" Champney put the question, which voiced his thought, squarely.

"Oh, I'm human," he answered smiling at the questioner; "don't make any mistake on that point; and I don't suppose many of us can eliminate self wholly in a matter of choice. I did want to work here because I believe I can do the best work, but I also welcomed the opportunity to get away from the city—it weighs on me, weighs on me," he added, but it sounded as if he were merely thinking aloud.

Champney failed to comprehend him. Father Honoré, raising his eyes, caught the look on the young man's face and interpreted it. He said quietly:

"But then you're twenty-one and I'm forty-five; that accounts for it."

For a moment, but a moment only, Champney was tempted to speak out to this man, stranger as he was. Mr. Van Ostend evidently had confidence in him; why shouldn't he? Perhaps he might help him to decide, and for the best. But even as the thought flashed into consciousness, he was aware of its futility. He was sure the man would repeat only what his mother had said. He did not care to hear that twice. And what was this man to him that he should ask his opinion, appeal to him for advice in directing this step in his career? He changed the subject abruptly.

"I think you said you had met Mr. Van Ostend?"

"Yes, twice in connection with the orphan child, as I told you, and once I dined with him. He has a charming family: his sister and his little daughter. Have you met them?"

"Only once. He has just written me and asked me to join them on his yacht for a trip to Europe." Champney felt he was coasting on the edge, and enjoyed the sport.

"And of course you're going? I can't imagine a more delightful host." Father Honoré spoke with enthusiasm.

But Champney failed to respond in like manner. The priest took note of it.

"I haven't made up my mind;" he spoke slowly; then, smiling merrily into the other's face, "and I came up here to try to make it up."

"And I was here so you couldn't do it, of course!" Father Honoré exclaimed so ruefully that Champney's hearty laugh rang out. "No, no; I didn't mean for you to take it in that way. I'm glad I found you here—I liked what you said about the 'value'."

Father Honoré looked mystified for a moment; his brow contracted in the effort to recall at the moment what he had said about "value", and in what connection; but instead of any further question as to Champney's rather incoherent meaning, he handed him the drawing-board.

"This is the plan for my shack, Mr. Googe. I have written to Mr. Van Ostend to ask if the company would have any objection to my putting it here near these pines. I understand the quarries are to be opened up as far as the cliff, and sometime, in the future, my house will be neighbor to the workers. I suppose then I shall have to 'move on'. I'm going to build it myself."

"All yourself?"

"Why not? I'm a fairly good mason; I've learned that trade, and there is plenty of material, good material, all about." He looked over upon the rock-strewn slopes. "I'm going to use some of the granite waste too." He put his violin into its case and held out his hand for the board. "I'm going now, Mr. Googe; I shall be interested to know your decision as soon as you yourself know about it."

"I'll let you know by to-morrow. I've nearly a day of grace. You play? You are a musician?" he asked, as Father Honoré rose and tucked the violin and drawing-board under his arm.

"My matins," the priest answered, smiling down into the curiously eager face that with the fresh unlined beauty of young manhood was upturned to his. "Good morning." He lifted his hat and walked rapidly away without waiting for any further word from Champney.

"Sure-footed as a mountain goat!" Champney said to himself as he watched him cross the rough hilltop. "I'd like to know where he gets it all!"

He stretched out under the pines, his hands clasped under his head, and fell to thinking of his own affairs, into the as yet undecided course of which the memory of the priest's words, "The question of value is not, happily, a question of environment" fell with the force of gravity.

"I might as well go it blind," he spoke aloud to himself: "it's all a matter of luck into which ring you shy your hat; I suppose it's the 'value', after all, that does it in the end. Besides—"

He did not finish that thought aloud; but he suddenly sat bolt upright, a fist pressed hard on each knee. His face hardened into determination. "By George, what an ass I've been! If I can't do it in one way I can in another.—Hoop! Hooray!"

He turned a somersault then and there; came right side up; cuffed the dazed puppy goodnaturedly and bade him "Come on", which behest the little fellow obeyed to the best of his ability among the rough ways of the sheep walks.

He did not stop at the house, but walked straight down to Flamsted, Rag lagging at his heels. He sent a telegram to New York. Then he went homewards in the broiling sun, carrying the exhausted puppy under his arm. His mother met him on the porch.

"I've just telegraphed Mr. Van Ostend, mother, that I'll be in New York Friday, ready to sail on Saturday."

"My dear boy!" That was all she said then; but she laid her hand on his shoulder when they went in to dinner, and Champney knew she was satisfied.

Two days later, Champney Googe, having bade good-bye to his neighbors, the Caukinses large and small, to Octavius, Ann and Hannah,—Aileen was gone on an errand when he called last at Champ-au-Haut but he left his remembrance to her with the latter—to his aunt, to Joel Quimber and Augustus, to Father Honoré and a host of village well-wishers who, in their joyful anticipation of his future and his fortunes, laid aside all factional differences, said, at last, farewell to Flamsted, to The Corners, The Bow, and his home among the future quarries in The Gore.

PART THIRD

In the Stream

I

Mrs. Milton Caukins had her trials, but they were of a kind some people would call "blessed torments." The middle-aged mother of eight children, six boys, of whom Romanzo was the eldest, and twin girls, Elvira Caukins might with justice lay claim to a superabundance of a certain kind of trial. Every Sunday morning proved the crux of her experience, and Mrs. Caukins' nerves were correspondingly shaken. To use her own words, she "was all of a tremble" by the time she was dressed for church.

On such occasions she was apt to speak her mind, preferably to the Colonel; but lacking his presence, to her family severally and collectively, to 'Lias, the hired man, or aloud to herself when busy about her work. She had been known, on occasion, to acquaint even the collie with her state of mind, and had assured the head of the family afterwards that there was more sense of understanding of a woman's trials in one wag of a dog's tail than in most men's head-pieces.

"Mr. Caukins!" she called up the stairway. She never addressed her husband in the publicity of domestic life without this prefix; to her children she spoke of him as "your pa"; to all others as "the Colonel."

"Yes, Elvira."

The Colonel's voice was leisurely, but muffled owing to the extra heavy lather he was laying about his mouth for the Sunday morning shave. His wife's voice shrilled again up the staircase:

"It's going on nine o'clock and the boys are nowheres near ready; I haven't dressed the twins yet, and the boys are trying to shampoo each other—they've got your bottle of bay rum, and not a single shoe have they greased. I wish you'd hurry up and come down; for if there's one thing you know I hate it's to go into church after the beginning of the first lesson with those boys squeaking and scrunching up the aisle behind me. It makes me nervous and upsets me so I can't find the place in my prayer book half the time."

"I'll be down shortly." The tone was intended to be conciliatory, but it irritated Mrs. Caukins beyond measure.

"I know all about your 'shortlies,' Mr. Caukins; they're as long as the rector's sermon this very Whit-sunday—the one day in the whole year when the children can't keep still any more than cows in fly time. Did you get their peppermints last night?"

"'Gad, my dear, I forgot them! But really—", his voice was degenerating into a mumble owing to the pressure of circumstances, "—matters of such—er—supreme importance—came—er—to my knowledge last evening that—that—"

"That what?"

"—That—that—mm—mm—" there followed the peculiar noise attendant upon a general clearing up of much lathered cuticle, "—I forgot them."

"What matters were they? You didn't say anything about 'supreme importance' last night, Mr. Caukins."

"I'll tell you later, Elvira; just at present I—"

"Was it anything about the quarries?"

"Mm—"

"What was it?"

"I heard young Googe was expected next week."

"Well, I declare! I could have told you that much myself if you'd been at home in any decent season. It seems pretty poor planning to have to run down three miles to The Greenbush every Saturday evening to find out what you could know by just stepping across the bridge to Aurora's. She told me yesterday. Was that all?"

"N—no—"

"For mercy's sake, Mr. Caukins, don't keep me waiting here any longer! It's almost church time."

"I wasn't aware that I was detaining you, Elvira." The Colonel's protest was mild but dignified. There were sounds above of renewed activity.

"Dulcie," said Mrs. Caukins, turning to a little girl who was standing beside her, listening with erected ears to her mother's questions and father's answers, "go up stairs into mother's room and see if Doosie's getting ready, there's a good girl."

"Doosie is with me, Elvira; I would let well enough alone for the present, if I were you," said the Colonel admonishingly. His wife wisely took the hint. "Come up, Dulcie," he called, "father's ready." Dulcie hopped up stairs.

"You haven't said what matters of importance kept you last night." Mrs. Caukins returned to her muttons with redoubled energy.

"Champney came home unexpectedly last evening, and the syndicate has offered him a position, a big one, in New York—treasurer of the Flamsted Quarries Company; and our Romanzo's got a chance too—"

"You don't say! What is it?" Mrs. Caukins started up stairs whence came sounds of an obstreperous bootjack.

"Paymaster, here in town; I'll explain in more propitious circumstances. Has 'Lias harnessed yet, Elvira?"

Without deigning to answer, Mrs. Caukins freed her mind.

"Well, Mr. Caukins, I must say you grow more and more like that old ram of 'Lias's that has learned to butt backwards just for the sake of going contrary to nature. I believe you'd rather tell a piece of news backwards than forwards any day! Why didn't you begin by telling me about Romanzo? If your own child that's your flesh and blood and bone isn't of most interest to you, I'd like to know what is!"

The Colonel's reply was partly inaudible owing to a sudden outbreak of altercation among the boys in the room below. Mrs. Caukins, who had just reached the landing, turned in her tracks and hurried to the rescue.

The Colonel smiled at the rosy, freshly-shaved face reflected in the mirror of the old-fashioned dressing-case, and, at the same time, caught the reflection of another image—that of his hired man, 'Lias, who was crossing the yard. He went to the window and leaned out, stemming his hands on the sill.

"There seems to be the usual Sunday morning row going on below, 'Lias. I fear the boys are shampooing each other's heads with the backs of their brushes from the sounds."

'Lias smiled, and nodded understandingly.

"Just look in and lend a hand in case Mrs. Caukins should be outnumbered, will you? I'm engaged at present." And deeply engaged he was to the twins' unspeakable delight. Whistling softly an air from "Il Trovatore," he rubbed some orange-flower water on his chin and cheeks; then taking a fresh handkerchief, dabbed several drops on the two little noses that waited upon him weekly in expectation of this fragrant boon. He was rewarded by a few satisfactory kisses.

"Now run away and help mother—coach leaves at nine forty-five pre-cisely. I forgot the peppermints, but—" he slapped his trousers' pockets significantly.

The twins shouted with delight and rushed away to impart the news to the boys.

"I wish you would tell me the secret of your boys' conduct in church, Colonel Caukins; it's exemplary. I don't understand it, for boys will be boys," said the rector one Sunday several years before when all the boys were young. He had taken note of their want of restlessness throughout the sermon.

The Colonel's mouth twitched; he answered promptly, but avoided his wife's eyes.

"All in the method, I assure you. We Americans have spent a generation in experimenting with the inductive, the subjective method in education, and the result is, to all intents and purposes, a dismal failure. The future will prove the value of the objective, the deductive—which is mine," he added with a sententious emphasis that left the puzzled rector no wiser than before.

"Whatever the method, Colonel, you have a fine family; there is no mistake about that," he said heartily.

The Colonel beamed and responded at once:

"'Blessed is the man that hath his quiver full'—"

At this point Mrs. Caukins surreptitiously poked the admonitory end of her sunshade between the Colonel's shoulder blades, and the Colonel, comprehending, desisted from further quotation of scripture. It was not his strong point. Once he had been known to quote, not only unblushingly but triumphantly, during a touch-and-go discussion of the labor question in the town hall:—"The ass, gentlemen, is worthy of his hire"; and in so doing had covered Mrs. Caukins with confusion and made a transient enemy of every wage-earner in the audience.

But his boys behaved—that was the point. What boys wouldn't when their heart's desire was conveyed to them at the beginning of the sermon by a secret-service-under-the-pew process wholly delightful to the young human male? Who wouldn't be quiet for the sake of the peppermints, a keen three-bladed knife, or a few gelatine fishes that squirmed on his warm moist palm in as lively a manner as if just landed on the lake shore? Their father had been a boy, and at fifty had a boy's heart within him—this was the secret of his success.

Mrs. Caukins appeared at last, radiant in the consciousness of a new chip hat and silk blouse. Dulcie and Doosie in white lawn did their pains-taking mother credit in every respect. The Colonel gallantly presented his wife with a small bunch of early roses—an attention which called up a fine bit of color into her still pretty face. 'Lias helped her into the three-seated wagon, then lifted in the twins; the boys piled in afterwards; the Colonel took the reins. Mrs. Caukins waved her sunshade vigorously at 'Lias and gave a long sigh of relief and satisfaction.

"Well, we're off at last! I declare I miss Maggie every hour in the day. I don't know what I should have done all these years without that girl!"

The mention of "Maggie" emphasizes one of the many changes in Flamsted during the six years of Champney Googe's absence. Mrs. Caukins, urged by her favorite, Aileen, and advised by Mrs. Googe and Father Honoré, had imported Margaret O'Dowd, the "Freckles" of the asylum, as mother's helper six months after Aileen's arrival in Flamsted. For nearly six years Maggie loyally seconded Mrs. Caukins in the care of her children and her household. Slow, but sure and dependable, strong and willing, she made herself invaluable in the stone house among the sheep pastures; her stunted affections revived and flourished apace in that household of well-cared-for children to whom both parents were devoted. It cost her a heartache to leave them; but six months ago burly Jim McCann, one of the best workmen in the sheds—although of unruly spirit and a source of perennial trouble among the men—began to make such determined love to the mother's helper that the Caukinses found themselves facing inevitable loss. Maggie had been married three months; and already McCann had quarrelled with the foreman, and, in a huff, despite his wife's tears and prayers, sought of his own accord work in another and far distant quarry.

"Maggie told me she'd never leave off teasing Jim to bring her back," said the fifth eldest Caukins.—"Oh, look!" he cried as they rumbled over the bridge; "there's Mrs. Googe and Champney on the porch waving to us!"

The Colonel took off his hat with a flourish; the boys swung theirs; Mrs. Caukins waved her sunshade to mother and son.

"I declare, I'd like to stop just a minute," she said regretfully, for the Colonel continued to drive straight on. "I'm so glad for Aurora's sake that he's come home; I only hope our Romanzo will do as well."

"It would be an intrusion at such a time, Elvira. The effusions of even the best-intentioned friends are injudicious at the inopportune moment of domestic reunion."

Mrs. Caukins subsided on that point. She was always depressed by the Colonel's grandiloquence, which he usually reserved for The Greenbush and the town-meeting, without being able to account for it.

"He'll see a good many changes here; it's another Flamsted we're living in," she remarked later on when they passed the first stone-cutters' shed on the opposite shore of the lake; and the family proceeded to comment all the way to church on the various changes along the route.

It was in truth another Flamsted, the industrial Flamsted which the Colonel predicted six years before on that memorable evening in the office of The Greenbush.

To watch the transformation of a quiet back-country New England village into the life-centre of a great and far-reaching industry, is in itself a liberal education, not only in economics, but in inherited characteristics of the human race. Those first drops of "the deluge," the French priest and the Irish orphan, were followed by an influx of foreigners of many nationalities: Scotch, Irish, Italians, Poles, Swedes, Canadian French; and with these were associated a few American-born.

Their life-problem, the earning of wages for the sustenance of themselves and their families, was one they had in common. Its solution was centred for one and all in their work among the granite quarries of The Gore and in the stone-cutters' sheds on the north shore of Lake Mesantic. These two things the hundreds belonging to a half-dozen nationalities possessed in common—these, and their common humanity together with the laws to which it is subject. But aside from this, their speech, habits, customs, religions, food, and pastimes were polyglot; on this account the lines of racial demarkation were apt, at times, to be drawn all too sharply. Yet this very fact of differentiation provided hundreds of others—farmers, shopkeepers, jobbers, machinists, mechanics, blacksmiths, small restaurant-keepers, pool and billiard room owners—with ample sources of livelihood.

This internal change in the community of Flamsted corresponded to the external. During those six years the very face of nature underwent transformation. The hills in the apex of The Gore were shaved clean of the thin layer of turf, and acres of granite laid bare to the drill. Monster derricks, flat stone-cars, dummy engines, electric motors, were everywhere in evidence. Two glittering steel tracks wound downwards through old watercourses to the level of the lake, and to the huge stone-cutting sheds that stretched their gray length along the northern shore. Here the quarried stones, tons in weight, were unloaded by the great electric travelling crane which picks up one after the other with automatic perfection of silence and accuracy, and deposits them wherever needed by the workmen.

A colony of substantial three-room houses, two large boarding-houses, a power house and, farther up beyond the pines, a stone house and a long low building, partly of wood, partly of granite waste cemented, circled the edges of the quarry.

The usual tale of workmen in the fat years was five hundred quarrymen and three hundred stone-cutters. This population of working-men, swelled to three thousand by the addition of their families, increased or diminished according as the years and seasons proved fat or lean. A ticker on Wall Street was sufficient to give to the great industry abnormal life and activity, and draw to the town a surplus working population. A feeling of unrest and depression, long-continued in metropolitan financial circles, was responded to with sensitive pulse on these far-away hills of Maine and resulted in migratory flights, by tens and twenties, of Irish and Poles, of Swedes, Italians, French Canucks, and American-born to more favorable conditions. "Here one day and gone the next"; even the union did not make for stability of tenure.

In this ceaseless tidal ebb and flow of industrials, the original population of Flamsted managed at times to come to the surface to breathe; to look about them; to speculate as to "what next?" for the changes were rapid and curiosity was fed almost to satiety. A fruitful source of speculation was Champney Googe's long absence from home, already six years, and his prospects when he should have returned. Speculation was also rife when Aurora Googe crossed the ocean to spend a summer with her son; at one time rumors were afloat that Champney's prospective marriage with a relation of the Van Ostends was near at hand, and this was said to be the cause of his mother's rather sudden departure. But on her return, Mrs. Googe set all speculation in this direction at rest by denying the rumor most emphatically, and adding the information for every one's benefit that she had gone over to be with Champney because he did not wish to come home at the time his contract with Mr. Van Ostend permitted.

Once during the past year, the village wise heads foregathered in the office of The Greenbush to discuss the very latest:—the coming to Flamsted of seven Sisters, Daughters of the Mystic Rose, who, foreseeing the suppression of their home institution in France, had come to prepare a refuge for their order on the shores of America and found another home and school among the quarrymen in this distant hill-country of the new Maine—an echo of the old France of their ancestors. This was looked upon as an undreamed-of innovation exceeding all others that had come to their knowledge; it remained for old Joel Quimber to enter the lists as champion of the newcomers, their cause, and their school which, with Father Honoré's aid, they at once established among the barren hills of The Gore.

"Hounded out er France, poor souls, just like my own great-great-great-granther's father!" he said, referring to the subject again on that last Saturday evening when the frequenters of The Greenbush were to be stirred shortly by the news they considered best of all: Champney Googe's unexpected arrival. "I was up thar yisterd'y an' it beats all how snug they're fixed! The schoolroom's ez neat as a pin, an' pitchers on the walls wuth a day's journey to see. They're havin' a room built onto the farther end—a kind of er relief hospital, so Father Honoré told me—ter help out when the quarrymen git a jammed foot er finger, so's they needn't be took home to muss up their little cabins an' worrit their wives an' little 'uns. I heerd Aileen hed ben goin' up thar purty reg'lar lately for French an' sich; guess Mis' Champney's done 'bout the right thing by her, eh, Tave?"

Octavius nodded. "And Aileen's done the right thing by Mrs. Champney. 'T isn't every young girl that would stick to it as Aileen's done the last six years—not in the circumstances."

"You're right, Tave. I heerd not long ago thet she was a-goin' on the stage when she'd worked out her freedom, and by A. J. she's got the voice for it! But I'd hate ter see her thar. She's made a lot er sunshine in this place, and I guess from all I hear there's them thet would stan' out purty stiff agin it; they say Luigi Poggi an' Romanzo Caukins purty near fit over her t' other night."

"You needn't believe all you hear, Joel, but you can believe me when I tell you there'll be no going on the stage for Aileen—not if I know it, or Father Honoré either."

He spoke so emphatically that his brother Augustus looked at him in surprise.

"What's up, Tave?" he inquired.

"I mean Aileen's got a level head and isn't going to leave just as things are beginning to get interesting. She's stood it six year and she can stand it six more if she makes up her mind to it, and I'd ought to know, seeing as I've lived with her ever since she come to Flamsted."

"To be sure, Tave, to be sure; nobody knows better'n you, 'bout Aileen, an' I guess she's come to look on you, from all I hear, as her special piece of property." His brother spoke appeasingly.

Octavius smiled. "Well, I don't deny but she lays claim to me most of the time; it's 'Octavius' here and 'Octavius' there all day long. Sometimes Mrs. Champney ruffs up about it, but Aileen has a way of smoothing her down, generally laughs her out of it. Is that the Colonel?" He listened to a step on the veranda. "Don't let on 'bout anything 'twixt Romanzo and Aileen before the Colonel, Joel."

"You don't hev ter say thet to me," said old Quimber resentfully; "anybody can see through a barn door when thar's a hole in it. All on us know Mis' Champney's a-breakin'; they do say she's hed a shock, leastwise I heerd so, an' Aileen'll look out for A No. 1. I ain't lived to be most eighty in Flamsted for nothin', an' I've seen an' heerd more'n I've ever told, Tave; more'n even you know 'bout some things. You don't remember the time old Square Googe took Aurory inter his home to bring up an' Judge Champney said he was sorry he'd got ahead of him for he wanted to adopt her for a daughter himself; them's his words; I heerd him. An' I can tell more'n—"

"Shut up, Quimber," said Octavius shortly; and Joel Quimber "shut up," but, winking knowingly at Augustus Buzzby, continued to chuckle to himself till the Colonel entered who, beginning to expatiate upon the subject of Champney Googe's prospects when he should have returned to the home-welcome awaiting him, was happily interrupted by the announcement of that young man's unexpected arrival on the evening train.

II

Champney Googe was beginning to realize, as he stood on the porch with his mother and waved to his old neighbors, the Caukinses, the changed conditions he was about to face. He was also realizing that he must change to meet these conditions. On his way up from the train Saturday evening, he noted the power house at The Corners and the substantial line of comfortable cottages that extended for a mile along the highroad to the entrance of the village. He found Main Street brilliant with electric lights and lined nearly its entire length with shops, large and small, which were thronged with week-end purchasers. An Italian fruit store near The Greenbush bore the proprietor's name, Luigi Poggi; as he drove past he saw an old Italian woman bargaining with smiles and lively gestures over the open counter. Farther on, from an improvised wooden booth, the raucous voice of the phonograph was jarring the night air and entertaining a motley group gathered in front of it. Across the street a flaunting poster announced "Moving Picture Show for a Nickel." Vehicles of all descriptions, from a Maine "jigger" to a "top buggy," were stationary along the village thoroughfare, their various steeds hitched to every available stone post. In front of the rectory some Italian children were dancing to the jingle of a tambourine.

On nearing The Bow the confusion ceased; the polyglot sounds were distinguishable only as a murmur. In passing Champ-au-Haut, he looked up at the house; here and there a light shone behind drawn shades. Six years had passed since he was last there; six years—and time had not dulled the sensation of that white pepper in his nostrils! He smiled to himself. He must see Aileen before he left, for from time to time he had heard good reports of her from his mother with whom she had become a favorite. He thought she must be mighty plucky to stand Aunt Meda all this time! He gathered from various sources that Mrs. Champney was growing peculiar as she approached three score and ten. Her rare letters to him, however, were kind enough. But he was sure Aileen's anomalous place in the household at Champ-au-Haut—neither servant nor child of the house, never adopted, but only maintained—could have been no sinecure. Anyway, he knew she had kept the devotion of her two admirers, Romanzo Caukins and Octavius Buzzby. From a hint in his aunt's last letter, he drew the conclusion that Aileen and Romanzo would make a match of it before long, when Romanzo should be established. At any rate, Aileen had wit enough, he was sure, to know on which side her bread was buttered, and from all he heard by the way of letters, Romanzo Caukins was not to be sneezed at as a prospective husband—a steady-going, solid sort of a chap who, he was told, had a chance now like himself in the quarry business. He must credit Aunt Meda with this one bit of generosity, at least; Mr. Van Ostend told him she had applied to him for some working position for Romanzo in the Flamsted office, and not in vain; he was about to be put in as pay-master.

As he drove slowly up the highroad towards The Gore, he saw the stone-cutters' sheds stretching dim and gray in the moonlight along the farther shore. A standing train of loaded flat-cars gleamed in the electric light like a long high-piled drift of new-fallen snow. Here and there, on approaching The Gore, an arc-light darkened the hills round about and sent its blinding glare into the traveller's eyes. At last, his home was in sight—his home!—he wondered that he did not experience a greater thrill of home-coming—and behind and above it the many electric lights in and around the quarries produced hazy white reflections concentrated in luminous spots on the clear sky.

His mother met him on the porch. Her greeting was such that it caused him to feel, and for the first time, that where she was, there, henceforth, his true home must ever be.

"It will be hard work adjusting myself at first, mother," he said, turning to her after watching the wagonload of Caukinses out of sight, "harder than I had any idea of. A foreign business training may broaden a man in some ways, but it leaves his muscles flabby for real home work here in America. You make your fight over there with gloves, and here only bare knuckles are of any use; but I'm ready for it!" He smiled and squared his shoulders as to an imaginary load.

"You don't regret it, do you, Champney?"

"Yes and no, mother. I don't regret it because I have gained a certain knowledge of men and things available only to one who has lived over there; but I do regret that, because of the time so spent, I am, at twenty-seven, still hugging the shore—just as I was when I left college. After all these years I'm not 'in it' yet; but I shall be soon," he added; the hard determined ring of steadfast purpose was in his voice. He sat down on the lower step: his mother brought forward her chair.

"Champney," she spoke half hesitatingly; she did not find it easy to question the man before her as she used to question the youth of twenty-one, "would you mind telling me if there ever was any truth in the rumor that somehow got afloat over here three years ago that you were going to marry Ruth Van Ostend? Of course, I denied it when I got home, for I knew you would have told me if there had been anything to it."

Champney clasped his hands about his knee and nursed it, smiling to himself, before he answered:

"I suppose I may as well make a clean breast of the whole affair, which is little enough, mother, even if I didn't cover myself with glory and come out with colors flying. You see I was young and, for all my four years in college, pretty green when it came to the real life of those people—"

"You mean the Van Ostends?"

"Yes, their kind. It's one thing to accept their favors, and it's quite another to make them think you are doing them one. So I sailed in to make Ruth Van Ostend interested in me as far as possible, circumstances permitting—and you'll admit that a yachting trip is about as favorable as they make it. You know she's three years older than I, and I think it flattered and amused her to accept my devotion for a while, but then—"

"But, Champney, did you love her?"

"Well, to be honest, mother, I hadn't got that far myself—don't know that I ever should have; any way, I wanted to get her to the point before I went through any self-catechism on that score."

"But, Champney!" She spoke with whole-hearted protest.

He nodded up at her understandingly. "I know the 'but', mother; but that's how it stood with me. You know they were in Paris the next spring and, of course, I saw a good deal of them—and of many others who were dancing attendance on the heiress to the same tune that I was. But I caught on soon, and saw all the innings were with one special man; and, well—I didn't make a fool of myself, that's all. As you know, she was married the autumn after your return, three years ago."

"You're sure you really didn't mind, Champney?"

He laughed out at that. "Mind! Well, rather! You see it knocked one of my little plans higher than a kite—a plan I made the very day I decided to accept Mr. Van Ostend's offer. Of course I minded."

"What plan?"

"Wonder if I'd better tell you, mother? I'd like to stand well in your good graces—"

"Oh, Champney!"

"Fact, I would. Well, here goes then: I decided—I was lying up under the pines, you know that day I didn't want to accept his offer?"—she nodded confirmatorily—"that if I couldn't have an opportunity to get rich quick in one way, I would in another; and, in accepting the offer, I made up my mind to try for the sister and her millions; if successful, I intended to take by that means a short cut to matrimony and fortune."

"Oh, Champney!"

"Young and fresh and—hardened, wasn't it, mother?"

"You were so young, so ignorant, so unused to that sort of living; you had no realization of the difficulties of life—of love—."

She began speaking as if in apology for his weakness, but ended with the murmured words "life—love", in a voice so tense with pain that it sounded as if the major dominant of youth and ignorance suddenly suffered transcription into a haunting minor.

Her son looked up at her in surprise.

"Why, mother, don't take it so hard; I assure you I didn't. It brought me down to bed rock, for I was making a conceited ass of myself that's all, in thinking I could have roses for fodder instead of thistles—and just for the asking! It did me no end of good. I shall never rush in again where even angels fear to tread except softly—I mean the male wingless kind—worth a couple of millions; she has seven in her own right.—But we're the best of friends."

He spoke without bitterness. His mother felt, however, at the moment, that she would have preferred to hear a note of keen disappointment in his explanation rather than this tone of lightest persiflage.

"I don't see how—" she began, but checked herself. A slight flush mounted in her cheeks.

"See how what, mother? Please don't leave me dangling; I'm willing to take all you can give. I deserve it."

"I wasn't going to blame you, Champney. I'm the last one to do that—Life teaches each in her own way. I was only thinking I didn't see how any girl could resist loving you, dear."

"Oh, ho! Don't you, mother mine! Well, commend me to a doting—"

"I'm not doting, Champney," she protested, laughing; "I know your faults better than you know them yourself."

"A doting mother, I say, to brace up a man fallen through his pride. Do you mean to say"—, he sprang to his feet, faced her, his hands thrust deep in his pockets, his face alive with the fun of the moment,—"do you mean to say that if you were a girl I should prove irresistible to you? Come now, mother, tell me, honor bright."

She raised her eyes to his. The flush faded suddenly in her cheeks, leaving them unnaturally white; her eyes filled with tears.

"I should worship you," she said under her breath, and dropped her head into her hands. He sprang up the steps to her side.

"Why, mother, mother, don't speak so. I'm not worthy of it—it shames me. Here, look up," he took her bowed head tenderly between his hands and raised it, "look into my face; read it well—interpret, and you will cease to idealize, mother."

She wiped her eyes, half-smiling through her tears. "I'm not idealizing, Champney, and I didn't know I could be so weak; I think—I think the telegram and your coming so unexpectedly—"

"I know, mother," he spoke soothingly, "it was too much; you've been too long alone. I'm glad I'm at home at last and can run up here almost any time." He patted her shoulder softly, and whistled for Rag. "Come, put on your shade hat and we'll go up to the quarries. I want to see them; do you realize they are the largest in the country? It's wonderful what a change they've made here! After all, it takes America to forge ahead, for we've got the opportunities and the money to back them—and what more is needed to make us great?" He spoke lightly, expecting no answer.

She brought her hat and the two went up the side road under the elms to the quarry.

Ay, what more is needed to make us great? That is the question. There comes a time when a man, whose ears are not wholly deafened by the roar of a trafficking commercialism, asks this question of himself in the hope that some answer may be vouchsafed to him. If it come at all, it comes like the "still small voice" after the whirlwind; and the man who asks that question in the expectation of a response, must first have suffered, repented, struggled, fought, at times succumbed to fateful overwhelming circumstance, before his soul can be attuned so finely that the "still small voice" becomes audible. Youth and that question are not synchronous.

"I've not been so much alone as you imagine, Champney," said his mother. They were picking their way over the granite slopes and around to Father Honoré's house. "Aileen and Father Honoré and all the Caukinses and, during this last year, those sweet women of the sisterhood have brought so much life into my life up here among these old sheep pastures that I've not had the chance to feel the loneliness I otherwise should. And then there is that never-to-be-forgotten summer with you over the ocean—I feed constantly on the remembrance of all that delight."

"I'm glad you had it, mother."

"Besides, this great industry is so many-sided that it keeps me interested in every new development in spite of myself."

"By the way, mother, you wrote me that you had invested most of that twenty thousand from the quarry lands in bank stock, didn't you?"

"Yes; Mr. Emlie is president now; he is considered safe. The deposits have quadrupled these last two years, and the dividends have been satisfactory."

"Yes, I know Emlie's safe enough, but you don't want to tie up your money so that you can't convert it at once into cash if advisable. You know I shall be on the inside track now and in a position to use a little of it at a time judiciously in order to increase it for you. I'd like to double it for you as Aunt Meda has doubled her inheritance from grandfather—Who's that?"

He stopped short and, shading his eyes with his hat, nodded in the direction of the sisterhood house that stood perhaps an eighth of a mile beyond the pines. His mother, following his look, saw the figure of a girl dodge around the corner of the house. Before she could answer, Rag, the Irish terrier, who had been nosing disconsolately about on the barren rock, suddenly lost his head. With one short suppressed yelp, he laid his heels low to the slippery granite shelves and scuttled, scurried, scrambled, tore across the intervening quarry hollow like a bundle of brown tow driven before a hurricane.

Mrs. Googe laughed. "No need to ask 'who' when you see Rag go mad like that! It's Aileen; Rag has been devoted to her ever since you've been gone. I wonder why she isn't at church?"

The girl disappeared in the house. Again and again Champney whistled for his dog but Rag failed to put in an appearance.

"He'll need to be re-trained. It isn't well, even for a dog, to be under such petticoat government as that; it spoils him. Only I'm afraid I sha'n't be at home long enough to make him hear to reason."

"Aileen has him in good training. She knows the dog adores her and makes the most of it. Oh, I forgot to tell you I sent word to Father Honoré this morning to come over to tea to-night. I knew you would like to see him, and he has been anticipating your return."

"Has he? What for I wonder. By the way, where did he take his meals after he left you?"

"Over in the boarding-house with the men. He stayed with me only three months, until his house was built. He has an old French Canadian for housekeeper now."

"He's greatly beloved, I hear."

"The Gore wouldn't be The Gore without him," Mrs. Googe spoke earnestly. "The Colonel"—she laughed as she always did when about to quote her rhetorical neighbor—"speaks of him to everyone as 'the heart of the quarry that responds to the throb of the universal human,' and so far as I know no one has ever taken exception to it, for it's true."

"I remember—he was an all round fine man. I shall be glad to see him again. He must find some pretty tough customers up here to deal with, and the Colonel's office is no longer the soft snap it was for fifteen years, I'll bet."

"No, that's true; but, on the whole, there is less trouble than you would expect among so many nationalities. Isn't it queer?—Father Honoré says that most of the serious trouble comes from disputes between the Hungarians and Poles about religious questions. They are apt to settle it with fists or something worse. But he and the Colonel have managed well between them; they have settled matters with very few arrests."

"I can't imagine the Colonel in that rôle." Champney laughed. "What does he do with all his rhetorical trumpery at such times? I've never seen him under fire—in fact, he never had been when I left."

"I know he doesn't like it. He told me he shouldn't fill the office after another year. You know he was obliged to do it to make both ends meet; but since the opening of the quarries he has really prospered and has a market right here in town for all the mutton he can raise. I'm so glad Romanzo's got a chance."

They rambled on, crossing the apex of The Gore and getting a good view of the great extent of the opened quarries. Their talk drifted from one thing to another, Champney questioning about this one and that, until, as they turned homewards, he declared he had picked up the many dropped stitches so fast, that he should feel no longer a stranger in his native place when he should make his first appearance in the town the next day. He wanted to renew acquaintance with all the people at Champ-au-Haut and the old habitués of The Greenbush.

III

He walked down to Champ-au-Haut the next afternoon. Here and there on the mountain side and along the highroad he noticed the massed pink and white clusters of the sheep laurel. Every singing bird was in full voice; thrush and vireo, robin, meadow lark, song-sparrow and catbird were singing as birds sing but once in the whole year; when the mating season is at its height and the long migratory flight northwards is forgotten in the supreme instinctive joy of the ever-new miracle of procreation.

When he came to The Bow he went directly to the paddock gate. He was hoping to find Octavius somewhere about. He wanted to interview him before seeing any one else, in regard to Rag who had not returned. The recalcitrant terrier must be punished in a way he could not forget; but Champney was not minded to administer this well-deserved chastisement in the presence of the dog's protectress. He feared to make a poor first impression.

He stopped a moment at the gate to look down the lane—what a beautiful estate it was! He wondered if his aunt intended leaving anything of it to the girl she had kept with her all these years. Somehow he had received the impression, whether from Mr. Van Ostend or his sister he could not recall, that she once said she did not mean to adopt her. His mother never mentioned the matter to him; indeed, she shunned all mention, when possible, of Champ-au-Haut and its owner.

In his mind's eye he could still see this child as he saw her on the stage at the Vaudeville, clad first in rags, then in white; as he saw her again dressed in the coarse blue cotton gown of orphan asylum order, sitting in the shade of the boat house on that hot afternoon in July, and rubbing her greasy hands in glee; as he saw her for the third time leaning from the bedroom window and listening to his improvised serenade. Well, he had a bone to pick with her about his dog; that would make things lively for a while and serve for an introduction. He reached over to unlatch the gate. At that moment he heard Octavius' voice in violent protest. It came from behind a group of apple trees down the lane in the direction of the milking shed.

"Now don't go for to trying any such experiment as that, Aileen; you'll fret the cow besides mussing your clean dress."

"I don't care; it'll wash. Now, please, do let me, Tave, just this once."

"I tell you the cow won't give down her milk if you take hold of her. She'll get all in a fever having a girl fooling round her." There followed the rattle of pails and a stool.

"Now, look here, Octavius Buzzby, who knows best about a cow, you or I?"

"Well, seeing as I've made it my business to look after cows ever since I was fifteen year old, you can't expect me to give in to you and say you do."

Her merry laugh rang out. Champney longed to echo it, but thought best to lie low for a while and enjoy the fun so unexpectedly provided.

"Tavy, dear, that only goes to prove you are a mere man; a dear one to be sure—but then! Don't you flatter yourself for one moment that you, or any other man, really know any creature of the feminine gender from a woman to a cow. You simply can't, Tavy, because you aren't feminine. Can you comprehend that? Can you say on your honor as a man that you have ever been able to tell for certain what Mrs. Champney, or Hannah, or I, for instance, or this cow, or the cat, or Bellona, when she hasn't been ridden enough, or the old white hen you've been trying to force to sit the last two weeks, is going to do next? Now, honor bright, have you?"

Octavius was grumbling some reply inaudible to Champney.

"No, of course you haven't; and what's more you never will. Not that it's your fault, Tavy, dear, it's only your misfortune." Exasperating patronage was audible in her voice. Champney noted that a trace of the rich Irish brogue was left. "Here, give me that pail."

"I tell you, Aileen, you can't do it; you've never learned to milk."

"Oh, haven't I? Look here, Tave, now no more nonsense; Romanzo taught me how two years ago—but we both took care you shouldn't know anything about it. Give me that pail." This demand was peremptory.

Evidently Octavius was weakening, for Champney heard again the rattle of the pails and the stool; then a swish of starched petticoat and a cooing "There, there, Bess."

He opened the gate noiselessly and closing it behind him walked down the lane. The golden light of the June sunset was barred, where it lay upon the brilliant green of the young grass, with the long shadows of the apple-tree trunks. He looked between the thick foliage of the low-hanging branches to the milking shed. The two were there. Octavius was looking on dubiously; Aileen was coaxing the giant Holstein mother to stand aside at a more convenient angle for milking.

"Hold her tail, Tave," was the next command.

She seated herself on the stool and laid her cheek against the warm, shining black flank; her hands manipulated the rosy teats; then she began to sing:

"O what are you seeking my pretty colleen,
So sadly, tell me now!"—
"O'er mountain and plain
I'm searching in vain
Kind sir, for my Kerry cow."

The milk, now drumming steadily into the pail, served for a running accompaniment to the next verses.

"Is she black as the night with a star of white
Above her bonny brow?
And as clever to clear
The dykes as a deer?"—
"That's just my own Kerry cow."

"Then cast your eye into that field of wheat
She's there as large as life."—
"My bitter disgrace!
Howe'er shall I face
The farmer and his wife?"

What a voice! And what a picture she made leaning caressingly against the charmed and patient Bess! She was so slight, yet round and supple—strong, too, with the strength of perfect health! The thick fluffed black hair was rolled away from her face and gathered into a low knot in the nape of her neck. Her dress cut low at the throat enhanced the white purity of her face and the slim round grace of her neck which showed to advantage against the ebony flank of the mother of many milky ways. Her lips were red and full; the nose was a saucy stub; the eyes he could not see; they were downcast, intent upon her filling pail and the rising creamy foam; but he knew them to be an Irish blue-gray.

"What a picture she made leaning caressingly against the charmed and patient Bess"

"Since the farmer's unwed you've no cause to dread
From his wife, you must allow.
And for kisses three—
'Tis myself is he—
The farmer will free your cow."

The song ceased; the singer was giving her undivided attention to her self-imposed task. Octavius took a stool and began work with another cow. Champney, nothing loath to prolong the pleasure of looking at the improvised milkmaid, waited before making his presence known until she should have finished.

And watching her, he could but wonder at the ways of Chance that had cast this little piece of foreign flotsam upon the shores of America, only to sweep it inland to this village in Maine. He could not help comparing her with Alice Van Ostend—what a contrast! What an abyss between the circumstances of the two lives! Yet this one was decidedly charming, more so than the other; for he was at once aware that Aileen was already in possession of her womanhood's dower of command over all poor mortals of the opposite sex—her manner with Octavius showed him that; and Alice when he saw her last, now nearly six months ago, would have given any one the impression of something still unfledged—a tall, slim, overgrown girl of sixteen, and somewhat spoiled. This was indeed only natural, for her immediate world of father, aunt, and relations had circled ever since her birth in the orbit of her charming wilfulness. Champney acknowledged to himself that he had done her bidding a little too frequently ever since the first yachting trip, when as a little girl she attached herself to him, or rather him to her as a part of her special goods and chattels. At that time their common ground for conversation was Aileen; the child was never tired of his rehearsing for her delight the serenade scene. But in another year she lost this interest, for many others took its place; nor was it ever renewed.

The Van Ostends, together with Ruth and her husband, had been living the last three winters in Paris, Mr. Van Ostend crossing and recrossing as his business interests demanded or permitted. Champney was much with them, for their home was always open to him who proved an ever welcome guest. He acknowledged to himself, while participating in the intimacy of their home life, that if the child's partiality to his companionship, so undisguisedly expressed on every occasion, should, in the transition periods of girlhood and young womanhood, deepen into a real attachment, he would cultivate it with a view to asking her in marriage of her father when the time should show itself ripe. In his first youthful arrogance of self-assertion he had miscalculated with Ruth Van Ostend. He would make provision that this "undeveloped affair"—so he termed it—with her niece should not miscarry for want of caution. He intended while waiting for Alice to grow up—a feat which her aunt was always deploring as an impossibility except in a physical sense—to make himself necessary in this young life. Thus far he had been successful; her weekly girlish letters conclusively proved it.

While waiting for the milk to cease its vigorous flow, he was conscious of reviewing his attitude towards the "undeveloped affair" in some such train of thought, and finding in it nothing to condemn, rather to commend, in fact; for not for the fractional part of a second did he allow a thought of it to divert his mind from the constant end in view: the making for himself a recognized place of power in the financial world of affairs. He knew that Mr. Van Ostend was aware of this steadfast pursuit of a purpose. He knew, moreover, that the fact that the great financier was taking him into his New York office as treasurer of the Flamsted Quarries, was a tacit recognition not only of his six years' apprenticeship in some of the largest banking houses in Europe, but of his ability to acquire that special power which was his goal. In the near future he would handle and practically control millions both in receipt and disbursement. Many of the contracts, already signed, were to be filled within the next three years—the sound of the milking suddenly ceased.

"My, how my wrists ache! See, Tave, the pail is almost full; there must be twelve or fourteen quarts in all."

She began to rub her wrists vigorously. Octavius muttered: "I told you so. You might have known you couldn't milk steady like that without getting all tuckered out."

Champney stepped forward quickly. "Right you are, Tave, every time. How are you, dear old chap?" He held out his hand.

"Champ—Champney—why—" he stammered rather than spoke.

"It's I, Tave; the same old sixpence. Have I changed so much?"

"Changed? I should say so! I thought—I thought—" he was wringing Champney's hand; some strange emotion worked in his features—"I thought for a second it was Mr. Louis come to life." He turned to Aileen who had sprung from her stool. "Aileen, this is Mr. Champney Googe; you've forgotten him, I dare say, in all these years."

The rich red mantled her cheeks; the gray eyes smiled up frankly into his; she held out her hand. "Oh, no, I've not forgotten Mr. Champney Googe; how could I?"

"Indeed, I think it is the other way round; if I remember rightly you gave me the opportunity of never forgetting you." He held her hand just a trifle longer than was necessary. The girl smiled and withdrew it.

"Milky hands are not so sticky as spruce gum ones, Mr. Googe, but they are apt to be quite as unpleasant."

Champney was annoyed without in the least knowing why. He was wondering if he should address her as "Aileen" or "Miss Armagh," when Octavius spoke: