The San Rosario Ranch

Cover

THE

SAN ROSARIO RANCH

BY
MAUD HOWE

BOSTON
ROBERTS BROTHERS
1884

Copyright, 1884,
BY ROBERTS BROTHERS.

University Press:
JOHN WILSON AND SON, CAMBRIDGE.

TO
My Beloved Sister,
LAURA E. RICHARDS.

SAN ROSARIO RANCH.

CHAPTER I.

"Welcome her, all things youthful and sweet,

Scatter the blossoms under her feet!"

The house was a large square building, simple and hospitable in appearance. A wide veranda ran about the four sides, heavily draped by climbing roses and clematis. There were indisputable evidences that visitors were expected. Old Tip, the dog, knew it as well as everybody else about the house. He had been routed out from his favorite spot on the sunny side of the piazza, by Ah Lam, who had given him a shower-bath of water and soap-suds, because he did not move away to make room for the scrubbing-brush which the white-clad Celestial plied vigorously. From earliest morning the inhabitants of the simple house had been busied in making it ready. The very kittens which played about the steps of the piazza had licked an extra gloss upon their shining coats in honor of the expected guest. Only Tip, the old hunting-dog, the spoiled child of the household, showed no interest in what was going on, and with a cynical growl trotted off to the woods behind the house, where he might sleep safe from all fear of interruption.

From the wide doorway, which stood hospitably open, stepped a lady. At the first sight of Barbara Deering, strangers were always strongly impressed with the indisputable fact that she was above and before all else a lady. A second look,--and people were sure to take one,--and it appeared that she was a young lady and a beautiful one. She was tall, above the height of ordinary women, and her carriage was remarkably erect and commanding. She walked with a quick, light step to the edge of the piazza, and raising one hand to shade her eyes from the rays of the setting sun, stood looking out across the wide garden. Her figure was like that of a Greek Diana, muscular and graceful, indicating great strength and endurance. The limbs were rounded but not languidly, as one saw by the arm, from which the sleeve had slipped back: it was white, firm, and hard. Her hands were large and shapely, the tips of the fingers red, and the texture of the skin showed that they were used to other work than that of the broidery-frame. Her head, with its crown of pretty, curling flaxen hair, was habitually held rather high, and her face wore an expression in which a certain natural hauteur and imperiousness seemed at war with a gentleness which was more the result of education than a natural trait. The forehead was wide and unlined, the eyes brown and clear, the nose straight, and the mouth small and rosy. The soft, white woollen gown, with its breast-knot of red roses, suited the young woman perfectly; and as she stood in the sunset light, a spray of climbing rose hanging overhead from the roof of the piazza, she made an unconscious picture of grace and loveliness.

At the sound of a wagon on the driveway a warm flush mantled her cheek and throat, and stepping to the door of the house she called out in a sweet, high voice, "Mamma, mamma! they are coming!"

A moment later and a large open vehicle came into sight, drawn by two swift mules, which were urged forward by the driver, a young man in whose face the traits of the girl on the piazza were reproduced, but somewhat roughly. On the seat behind the driver was seen a female figure closely enveloped in heavy travelling wraps, her features concealed by a thick veil. As the mules stopped before the entrance, the young woman on the piazza came forward with both hands outstretched, saying cordially but half shyly,--

"Dear Millicent, welcome to San Rosario! Are you very, very tired? Let me help you out."

So saying, Barbara Deering almost lifted the new arrival from the wagon, and with her strong arm supported her to a chair.

"Thank you so much!" said the new-comer, speaking with a slightly foreign accent, and lifting her veil; "and you are Barbara? I know you from your picture, only you are much prettier."

"Poor child, you must be terribly tired; you shall come and speak to mamma, and then you must go directly to your room and lie down. Hal, you will go down for Millicent's luggage?"

The young man nodded an assent, touched up his steeds, and the wagon disappeared down the red dusty road. The two young girls entered the house, Barbara leading the stranger to a large room on the upper story. In a low chair sat a small woman, with a face which must have once been beautiful, and which now shone with an expression of simple sincerity and kindliness. She held out her hand to Millicent, kissed her on both cheeks, and warmly bade her welcome to San Rosario. Millicent Almsford acknowledged the greeting with a courteous grace, and immediately after accepted Barbara's offer to show her to her room.

When the door was shut upon her, and she was for the first time in many days alone, she seated herself at the window, and leaning her head upon her hand, remained wrapped in thought. She had travelled from the coast of the Adriatic Sea to the shores of the Pacific Ocean, with no companion save her maid and her own painful thoughts. And now the long journeying was at an end, and she found herself in the far West, in California, amidst her kindred, all strangers to her save by tradition and some slight correspondence. She looked about the strange room. It was exquisitely neat and fresh, with its clean whitewashed walls and new blue Kidderminster carpet, its black-walnut "bedroom set," and comfortable lounge, which had been newly covered in her honor. On the bureau were blue and white mats and cushions, a toilet-set which Barbara's busy fingers had stolen time to make.

She marked all these little details, not one of which escaped her eyes, even to the embroidered towel-rack with her initials, and the worked motto, "Welcome home." Again she looked out from the window over a wide pleasant orchard, filled with heavily fruited peach and plum trees; over a garden gay with bright-hued flowers, and beyond to the everlasting hills which close about the happy valley wherein stands the house of the San Rosario Ranch. Numbers of oxen and cows were straying over the hills, with here and there groups of sheep cropping the sun-dried grass of the hills.

The landscape was a perfect symphony in brown. The round shiny hills were golden in color; the warm-hued earth in the ploughed fields and the meadows, whose crop of grass had long since been mowed, was of a deeper tint. The house stood in an oasis of green. A great hedge of rose-trees blushing with red blossoms marked the boundary of the flower-garden, irrigated with great care through the long summer months. The sun, low-hanging over the hilltops, suddenly dropped from sight; and as the room grew dim, Millicent shivered slightly, and turning from the window threw herself on the couch and lay there quite still, too tired even to weep out the pain and homesickness in her heart. A tap on the door was followed by the entrance of one of her trunks, brought in by two strong Chinamen, at whose coppery faces Millicent stared curiously. Six large boxes were placed in a row and unstrapped by the younger Chinaman, who, when he had completed his task, approached the stranger land said in a sympathetic voice, "Me solly you sick; Ah Lam bring tea-cup?" The white Celestial smiled benignantly and vanished, quickly reappearing with the promised cup of tea, which proved most grateful to the girl's tired nerves. The creature's sympathy and attention brought tears to her eyes; and when Barbara came in a few minutes later, to help her in unpacking, she found the traces of these tears on Millicent's cheeks.

"Do not try to dress for tea, dear; you are too tired. Where shall I find your dressing-case? You must let me take the place of your maid, now that she has left you so cruelly."

So talking pleasantly, Barbara unpacked the guest's dressing-bag, looked admiringly at the silver-topped bottles with "M. A." engraven upon them, the ivory brushes, and all the dainty et ceteras which were necessities to the foreign girl, with the long white hands and finger-nails which shone like pale pink conch-pearls.

"Thank you, if you would help me a little to-night, I shall quickly learn to do for myself. If you will look in that largest trunk, you may give me whatever gown lies at the top."

Barbara unfolded as she was bid a sea-green cashmere dress, in which the stranger quickly clad her slender figure. Manifold strings of tiny seed-pearls she wound about her white throat and wrists, performing all the details of her dressing with a careful precision which seemed part of her nature. The pink nails received an extra polish, though the tea-bell had twice summoned the inmates of the house to the evening repast. With a peculiarly graceful motion, like the undulation of a swift but quiet stream, she moved about the room and finally down the stairway to the dining-room below.

"Millicent, will you sit here, on my right? Hal shall have the pleasure of occupying the place beside you."

The speaker was the lady whose gentle, firm hand swayed the small realm of the San Rosario Ranch during the long absence of its master, Mr. Ralph Almsford.

Mr. Almsford had been a widower for the past ten years. On the death of his beloved wife, her mother Mrs. Deering had continued at his earnest request to make his house her home. Her two younger children, Barbara and Henry Deering, remembered no other home, and it seemed but natural to them that they should continue to live with their brother-in-law. The family life was a particularly happy one, and the tie between Ralph Almsford and the Deerings was closer than that which exists between many blood relations.

The advent of the young heiress Millicent Almsford, the half-sister of Ralph, was an event of great importance in the household, and had been eagerly anticipated by Mrs. Deering and her daughter for several weeks. Henry Deering--or as he was always called Hal--displayed an absolute indifference concerning the "strange girl" who was coming to make her home among them for a year. What Ralph Almsford felt about his guest no one of the household could divine. He was a quiet, reticent man, entirely absorbed in his business, which of late had often taken him from home for months at a time. He had written to his half-sister, urging her to visit the ranch; and his letter, the first one of the kind she had ever received, had so moved the girl that she had telegraphed her departure, and forthwith started on her long journey.

Her brother met her in San Francisco, where they passed one day together,--a business engagement calling him away on the morrow, as he hoped for a few days only.

Millicent took the place assigned her by Mrs. Deering, and supper was enlivened by conversation about the journey she had just achieved, which she described as the most terrible ordeal that it was possible for a human being to undergo. The guest was entirely at her ease, though her position might have been to many people an embarrassing one. Arriving alone in a household of near connections, who were as yet absolute strangers to her, and with whom it had been decided that the next year of her life should be passed, most girls in her place would have experienced some sensation of awkwardness; but Millicent was entirely mistress of the situation. She spoke principally to Hal Deering, a jolly-looking fellow of twenty-five, who puzzled her with the bits of dialect, perfectly unintelligible to her, which he introduced into his conversation.

After supper Mrs. Deering led the way into the drawing-room, saying to her guest,--

"Will you join us at prayers in the library, Millicent? Or would you prefer waiting here for us?"

"I see that you already know that I am an unorthodox person, Mrs. Deering. Frankly, I would prefer not coming, if you will allow me. Being an agnostic, I should hardly be in sympathy with your service. If you will kindly excuse me, I will await you here."

Millicent's refusal to join the family at their devotions was accompanied with a smile so exquisite and winning that the offence was forgiven, although forgiveness had not been asked. Hal, the great six-foot giant, more than forgave the graceful girl her ungraciousness, and would have a thousand times preferred remaining with her to joining his mother and sister.

On being left to herself, Millicent moved to the piano which stood open near the window, and seating herself let her white fingers stray gently over the keys. Strange hands were Millicent's, of a whiteness that made her pale cheek look brown by comparison. The fingers were long and taper, at the tip of each a drop as of water ready to fall from the pink digits. The wrists were round and very slender. On the fifth finger of the left hand she wore a strange, small old ring of an Etruscan pattern, which had been stripped from the fleshless hand of a princess, whose sanctuary had been rifled by some nineteenth-century robber of graves. The setting enclosed a small green intaglio exquisitely carved, representing a Psyche with new-found wings.

She had a strange, white luminous face whose beauty shone from within and lit the dark gray eyes with a rare and tender loveliness. The large mouth was more exquisitely refined than the mere rosebud tininess of Barbara Deering's. The teeth were very white and perfect, and the veil of soft, golden bronze hair, in which she could have clothed herself like Mary in the desert, was deftly massed into a great dusky knot at the nape of her white neck. Her arms and bosom, veiled by half transparent draperies, were white as marble from Carrara, and as finely yet generously chiselled as those of a goddess of Phidias. She was very tall, though her grace of movement concealed her height; her small feet in their velvet sandals were not disproportionate to her size. Her features were beautiful, and her hair and eyes the delight of every artist who looked upon her. And yet that which made her so remarkable among women had nothing to do with delicate contours or harmonious tints. Her body seemed like a screen through which shone a flame, at times white and gentle, again rosy and passionate. She was like the twin opals which clasped her girdle, and was as sensitive as they to every passing influence.

As the words of the ritual, grown to be meaningless to him by their frequent repetition, fell upon the ears of Henry Deering he heeded them not, and failed to make the proper responses: other sounds had struck his ear, and soft, solemn strains of music made an under prayer to the evening service. To these strange chords his heart made answer, and his thoughts were raised by them far higher than was usual at that hour, when it was their wont to run riot over the business in hand for the next day.

As the family re-entered the drawing-room, Millicent remained seated at the piano, now striking louder chords, and finally ending the long rhapsody with a brilliant waltz of Chopin.

"Thank you, dear," said Barbara, as Millicent left the piano; "I am so glad that you are musical. I find very little sympathy for my music in the family; we will have great pleasure in practising together. I have some very good four-hand music."

Soon after, the newly arrived guest bade good-night to the family, and went to her room accompanied by Barbara.

"She is a little like Ralph," said Mrs. Deering, "only infinitely handsomer. How did she please you, my son?"

"Is she handsome? I hardly noticed. It was her voice that struck me; it has the sound of laughing waters. And can't she play, though! I never heard such music in my life."

"I am very glad for Barbara's sake that she is musical," answered his mother.

"Yes; I hope that Barbara and Miss Almsford will get on together. But I have my doubts," said Hal, dubiously pulling his straw-colored mustache.

This is San Rosario to-day. Shall we go back a hundred years? It has a history worth a word or two. To one who is familiar with the beautiful country which lies about the old Mission of San Rosario, it is not a little strange that the place has as yet no prominence either in history or literature. Santa Barbara and the Mission Dolores have been celebrated in prose and verse. San Miguel and San Fernando Rey are not forgotten; while San Rafael and San Francisco, now grown to be important cities, will be remembered as long as Plymouth or Manhattan.

The venerable President of the missions of Upper California, Father Junipero Serra, founded the San Rosario Mission in 1784, the last year of his life. It is possible that the judgment of the enthusiastic priest was already failing when he chose this site, for the Mission was never prosperous, and was abandoned early in the present century. While standing among the ruins of the old church, it is not difficult to see in fancy a picturesque scene enacted on the spot a century ago, on the morning of the consecration of the Mission.

The little band of priests and soldiers have come to the end of their journey; the pleasant valley set in sheltering green hills has been chosen for the site of the new Mission. The tall thin figure of Father Junipero first strikes the eye. In spite of his great age, and the mortal disease with which he is afflicted, it is his hand that tugs lustily at the rope which swings the great bronze bell, hung in the arms of a gigantic redwood. It is he who shouts aloud the summons, "Hear, hear! all ye Gentiles! come to the holy Church!" Close to the President stand two priests,--one, a middle-aged man with a head which indicates great power and a dogged persistence; the other, a delicate looking youth with the face of an enthusiast, beautiful and dreamy. The handful of soldiers who serve the Fathers as an escort are making fast the slight church tent which they have just set up. From the neighboring thicket the cries of the startled birds mingle with the earnest tones of Father Junipero and the deep notes of the bronze bell. Hardly less timorous than the wood creatures are the Indians, who peer cautiously from behind the great trees at the strange spectacle before them. They are invited to draw near, and the bolder ones come close to the black-robed figures, and stare curiously at the simple ceremonials with which the ground is consecrated to the service of the heavenly kingdom.

Through the indefatigable energy of the President and the two priests, the few buildings of the Mission were completed within a year. The adobe church was unusually large and well built, as one can see to-day. The tower, the base of which is strongly fortified, is still standing, though the roof of the church has long since fallen to the earthen floor. Little trace now remains of the less important buildings, for the Mission was abandoned thirty years after its establishment, and the property passed into the hands of its present owner, Mr. Ralph Almsford, some fifteen years before the opening of our story.

A century has elapsed since that day when the Fathers planted the cross amidst the stately aisles of madrone trees; the Mission is now almost forgotten, but the San Rosario Ranch is well known for its famous breed of cattle, and for its fine dairy, which supplies the San Francisco market with choice butter and cream.

The two priests--he of the hard-favored countenance, and he of the gentle eyes--lie side by side at the foot of the crumbling altar. The Indians who were reclaimed by them from barbarism have gone to their happy hunting-grounds, and the brilliant future prophesied by Father Junipero is proven to be a dream and nothing more.

CHAPTER II.

"Look to yourselves, ye polished gentlemen!

No city airs or arts pass current here.

Your rank is all reversed: let men of cloth

Bow to the stalwart churls in overalls."

Millicent Almsford awoke early on the morning after her arrival. "What is the matter?" she asked.

No one answering her question, she put another.

"Why do we not go on, what are we stopping for?" this still in a semi-somnolent voice. On opening her eyes and finding that she was not in the berth of the palace car, where she had for a week past always found herself, she laughed outright and then gave a deep sigh.

Her long journey, from the Palazzo Fortunio in Venice to the San Rosario Ranch in California, was at an end; and here she was, to use her own phrase, "planted in the wilderness for a year to come."

"Heavens! how can I bear it?" she cried, tossing restlessly to the other side of her wide bed; "it is all so new, so raw, so crude, so terrible,--just like this cotton sheet, which has chafed my chin so badly that I would rather have slept without one."

Soon a loud bell broke the silence of the morning. Millicent did not heed it, but looked about the room to find a means of summoning assistance. Happily she found the bell quite near her, and, after twice ringing, a tap at her door was heard. In answer to her "Come in," Ah Lam opened the door cautiously.

"Missie call Ah Lam?"

"I want my breakfast now," said Millicent, somewhat dismayed at the attendant she had summoned.

Soon Barbara came, carrying the breakfast tray in her strong arms.

"I am so sorry you don't feel well this morning, Millicent. What can I do for you?"

"But I feel perfectly well. Do I look so badly?"

"No, dear; but we were afraid, not seeing you--"

"Dear Barbara, you must excuse my strange foreign habits. You know I have been only a week in your country. I did not realize that you all came downstairs to breakfast. What time is it?"

"After seven."

"And you have been up since--?"

"Since six o'clock only. Hal is the early riser. Half-past four sees him overlooking the milking."

Millicent shuddered; she had indeed come to a strange land.

"I will try to learn the customs of your country," she said rather piteously, taking up her cup of coffee.

"Only learn those that please you, dear. As for our early breakfast, which I see shocks you, think no more about it. I will gladly bring it up to you every day."

"I shall unpack some of my boxes this morning, Barbara; and later we will try some of your duets, if you like."

The unpacking of her Penates gave Millicent a certain satisfaction, which was, however, tempered by the sad recollections they brought to her mind, of her own apartment with its three pretty rooms in the corner of the great Palazzo Fortunio.

Millicent Almsford was the daughter of an American gentleman who had lived in Venice since before the birth of his daughter. Here the greater portion of her life had been spent, with the interruption only of one long visit made to a relative in England.

A month previous to the opening of our story her father, widowed at her birth, had married for the third time, his wife being a young and uninteresting Italian woman of the middle class. The marriage, to which Millicent was strongly opposed, had led her to accept the invitation of her half-brother to make him an extended visit in his California home.

From the great cases she lifted, with the help of Ah Lam, the household treasures which she had been unwilling to leave behind, in the home which knew her as its mistress no longer. A motley collection of articles had the great trunks enclosed: pictures, books, a large Eastern carpet, a parchment missal of the fifteenth century with beautiful illuminations, a guitar, a little majolica shrine with a figure of San Antonio very much the worse for the journey, a set of delicately wrought silken window and bed hangings of pale sea color, a pair of heavy silver candelabra, with a ponderous packet of wax tapers, and innumerable other knick-knacks.

With the willing and ingenious assistance of Ah Lam, this roba, to borrow the untranslatable Italian phrase, was disposed about the large room. The neat Nottingham lace curtains, at which Millicent had looked askance, were now hidden beneath the blue-green draperies, embroidered by the hands of the mother whose face she had never seen. The pictures were hung upon the walls, and a deep-hued Egyptian scarf disguised the pasteboard motto, with its friendly welcome. A book-case was improvised by the Chinaman from some old boxes, and covered by Millicent, who unhesitatingly cut to pieces a heavy woollen gown whose color struck her as appropriate to that end. Beside the bed she hung the little shrine of San Antonio, with much grief that the long journey had damaged his saintly toes and fingers. On a table were ranged the candlesticks and the missal, and an old copy of Dante with a mouse-gnawed cover, and Lear's "Nonsense Book,"--this last because it was an old friend from childhood, which she, being a creature of habit, had forgotten to discard.

The complete metamorphosis of the apartment was a work of several days; and only when it was entirely accomplished were Mrs. Deering and her daughter admitted to see the change. Poor Barbara! All the pains and trouble she had taken, all the careful stitches she had set, were unavailing. The new carpet she had bought with her own pocket money was entirely covered by old rugs, some of which were very faded and worn; none of them were as bright and clean as the Kidderminster.

The warm knitted afghan had disappeared from the bed, which was covered by a white quilt embroidered in strange floral designs. The very toilet set had been replaced, and the pretty painted candles had been banished.

"I have made it a little like Venice," cried Millicent excitedly, "only the walls in my bedroom there are hung in silk and all painted in water-color, and the rooms are so high,--you remember the green room in the Palazzo Fortunio, Mrs. Deering, with the nymphs, the sea gods, and the green hobgoblins painted all over it?"

"Yes, indeed, Millicent. What a change you have wrought in the spare bedroom. Ralph would hardly recognize it. I see now what was contained in the boxes which so aroused Hal's curiosity. I am afraid you have made your room too attractive, dear, and that we shall find difficulty in coaxing you out of it into our more prosaic apartments."

"Oh, I always live the greater part of my life between my own four walls: I am not a sociable person, I am afraid. At least so Barbara thinks."

Barbara said nothing; she was hurt and disappointed. The room, with its strange furnishing, was unnatural to her. She felt, as she looked at Millicent with this new setting which suited her so perfectly, that neither in the room nor in the life of Millicent Almsford was there a place for her. She had eagerly anticipated the advent of this unknown girl, sisterless like herself, who should grow to be so much to her, and in whom she should find the sympathetic friend of whom she had greatly felt the need; and now that she had come, Barbara was bitterly disappointed. Millicent was gracious, winning, full of attractive qualities, intellectually sympathetic to a degree which she had never before known. And yet the tall daughter of the Ranch was cruelly disturbed.

"I can be nothing to her; she is complete without me," she had said to her mother; and herein lay the reason for all her disappointment. Living among people to whom her beauty, her talent, and her warmth of heart had been the most poetic features of their lives, Barbara Deering had grown to value men and women according to the amount of good or pleasure she could impart to them. Her life had been one wherein the tears and sighs had been stifled, or hidden in the darkness of her chamber; the laughter and smiles, the bright cheery face, the helping hand always meeting those about her. Children loved her, and old people blessed her for her sympathy and kindness. To her mother and brother she was sun, moon, and stars; and to them every hour of her life was consecrated. Naturally endowed with certain tastes which would have somewhat interfered with the quiet plan of life laid out for her, she had systematically neglected these gifts, sacrificing herself to an imaginary duty which was always before her eyes. She had avoided such pursuits as might have led her aside from the common life of the family; and happiness for her was found in the happiness she could afford to others. Enjoyment to her, unless her dear ones were included in it, was something like a sin; and the pleasure she took in her music gave her pangs of conscience.

One morning, about a week after her arrival, Millicent was awakened by the sharp sound of a horse's hoofs clattering down the stony road which led to the orchard from the hill behind the house. She sprang up, and throwing wide the shutters, looked out to see whence the sound came. It was still very early. The sun had not yet clambered over the tops of the high hills; but the sky was bright, and the shadows lay like a misty garment over the happy valley, locked in its circle of hills. The great bull Jupiter, the terror of the Ranch, stood near the house, sniffing the cool morning air, and giving thunderous snorts of pleasure. The bars had been left down, and he had gained access to the green orchard, forbidden ground to him. The hedge of roses was hung with a wondrous garlanding of dewdrops, and the dark-red lilies were just awakening to the draught which the night winds had distilled in their chalices. From every blade of grass and leaf of clover sparkled a diamond. The fair valley had arrayed itself in jewels and fragance for another day of light and love.

The sound of the horse's hoofs grew nearer; and as Millicent looked expectantly along the bridle-path that descends from the mountain, there came into sight, parting the wet boughs of the fruit trees, a horseman mounted on a gray mustang. The rider was a strong man, who sat his steed with the air of one to the manner born. He was dressed in corduroy breeches, high top-boots, and flannel shirt. He had no hat. In his belt shone a long hunting knife, and over his shoulder was slung a rifle. Before him on the saddle lay a stag whose heavy antlers hardly cleared the ground.

The first rays of the sun, just peeping over the hill-tops, touched his thick brown hair, giving it a glint of bronze, shone on the wide white forehead, flashed into the eyes, and showed her for an instant a stern profile, exceedingly beautiful. Then she lost his face as he turned the corner of the piazza. Here he dismounted, and lifting the deer from the horse laid it on the grass. Perhaps the beauty of the dead creature struck a chord of remorse in the breast of the hunter, for he gave a sigh and turned it so that a gaping wound in the neck was not visible. Then drawing a pencil and a bit of paper from his pocket, he wrote something, and fastening the billet to the horns of the deer, he mounted his horse, and giving him the rein returned slowly by the same road. As he drew near again Millicent saw that the mustache which hid the upper lip was golden-brown, that the throat was white and shapely, that the mouth smiled not untenderly, while the eyes smiled not at all. These details were noted with an artist's love of beauty: and as she watched him out of sight, she wondered with all a woman's curiosity who he might be.

Since Millicent's arrival there had been many visitors at the Ranch. All the friends of the Deering family who were within calling distance had either come to make the acquaintance of Miss Almsford, or had signified their intention of shortly doing so.

Calling distance in California may be said to extend not over fifty miles. The neighbor who lives half a hundred miles from you will make a call, or in other words will come to pass the day. Calling terms cease beyond these limits, and visits of not less than twenty-four hours are exchanged.

In none of the people whom she had met had Millicent felt or manifested the least interest. She had received them graciously, but with a cordiality of manner only. Not one man or woman among the circle of friends who were on familiar terms at the Ranch awoke in her a desire for further acquaintance. But this one who had called at six o'clock in the morning, and had left his visiting card pinned to the antlers of a stag, piqued the curiosity of the indifferent young lady. Wrapping herself in a soft gray woollen dressing-gown, she ran downstairs in the liveliest manner.

It was a splendid animal, fine as the buck described by Browning in "Donald." Alas, the slender legs would carry his noble body and stately head no further; the branching horns would never again clash against the antlers of a rival. Millicent touched the beautiful dead creature tenderly between the horns, and tried to close the dim eyes. At that moment she heard a step upon the piazza, and Hal Deering joined her.

"Why, Miss Almsford, what does this mean? You to be up and dressed"--he hesitated, "well, yes, you are dressed, and very becomingly too; I like that loose gown--at six in the morning! sighing over the fine piece of venison, and performing the last kind offices of friendship too. Don't believe you would do as much for me."

The young man looked at the deer approvingly, and perceiving the note, took it from the antler and deliberately read it aloud:--

HONORED MISTRESS DEERING,--I lay myself at your feet, and with myself a pretty bit of game I have just killed, thinking that the fair Venetian might fancy a venison steak for her breakfast. I kiss your hand, dear my lady, and am your most unworthy but loyal servitor,

JOHN GRAHAM.

"Of course, knew it was Graham, queer creature. Wonder why he did not stop and take breakfast with us. He is an unaccountable fellow."

"What did you call him?"

"Graham; his full name is John Douglass Graham. Just like a hero's in a novel. But Graham never does anything very heroic, I fancy."

"Shall you cut off his skin?"

"Whose? Graham's?"

"How foolish, Mr. Deering. I mean the deer's fur."

"Oh no, certainly not; in America we always serve game with the hide or feathers. In fact, we usually do not remove the wool from our mutton; but knowing that you were accustomed to seeing it dressed after the super-civilized fashion of the Venetians, I have--"

"Mr. Deering, that is stupid. I want his skin and horns; please arrange them for me."

"Yes, Princess; your most humble servant will obey your mandate."

He seized the creature by its slender legs, hoisted it deftly to his shoulders, and disappeared through the side door. Millicent picked up the bit of a note, smoothed it, and laid it at Mrs. Deering's plate on the breakfast table.

Millicent asked Barbara later on in the day who and what John Graham might be. She was told that the man with the bronze hair and strange eyes was a near neighbor, and that she would without doubt soon make his acquaintance.

With this answer Millicent was fain to be content. She thought about him all that day and dreamed of him that night; the next morning his face was not so distinctly in her mind, but her thoughts were constantly busy with weaving romances in which John Graham played a conspicuous part. The girl was indeed a creature "of the stuff which dreams are made of;" the web of her daily life, no matter how common-place its actual experience might be, was rich with her own vivid imaginings, like the gold thread that a weaver twists through a sad-colored fabric.

"Mr. Deering, take me to the dairy. I have not yet seen it," said Millicent one afternoon, as they all sat together on the wide piazza, after the early dinner. The young man rose slowly, his great length unfolding itself as he left his chair; and for answer put down his pipe and reached up for Millicent's hat, which he had hung on a peg high above her reach. The two young people passed down the gravel walk between the broad flower beds fragrant with the wonderful roses which grow only upon the shores of the Pacific. A geranium tree twelve feet high, with its great scarlet bunches, and the vine of Maréchal roses which climbed up the piazza and tapped with its heavy blossoms at her casement, aroused Millicent's enthusiasm.

The dairy, Hal told her, was fully thirty years old. But her own palace had frowned grim and black upon the Grand Canal before the passengers on the good ship "Mayflower" had landed in Plymouth. The dairy was a plain, neat frame-building painted white, looking out upon a great farm-yard. Here the pretty cows all stood crowded together, waiting their turn to offer up their evening tribute. Two black-browed Mexicans were milking, and a tall Yankee was overseeing the straining of the milk. He stood by a large trough and received the brimming buckets from the milkers, pouring their contents through a strainer into the great receptacle. In the midst of the herd lay Jupiter, the splendid bull, lazily chewing his cud and switching away the sand flies with his thick black tail.

In a cool inner room were long shelves ranged about the brick walls, whereon stood a shining array of pans filled with milk in different stages. Millicent was one of those people who are always stimulated with a desire to accomplish whatever other people are engaged in doing. She now announced her intention of learning to milk. This suggestion was promptly vetoed by Hal, who, to divert her attention, called to one of the men to bring him the skimming utensils. He placed a large stone jar beneath the shelf, and taking one of the milk pans which was covered with a rich coating of yellow cream, proceeded to skim it. His only tool was a little wooden wand, resembling a sculptor's modelling stick. With this he separated the yellow disk of cream from the sides of the pan, tipping it slightly so that the whole mass of cream slipped off unbroken, leaving the pale-blue skimmed milk in the vessel. Millicent was delighted with the operation which Hal accomplished with such skill, and after many unsuccessful attempts finally performed the feat in a manner very creditable to a beginner.

"If you will find your way back to the house, Princess, I will help the men to finish the milking," said young Deering, when Millicent had announced her intention of returning.

She nodded her assent, and walking a few steps stopped and leaned over the gate of the farm-yard. Presently Deering came out from the dairy, having donned his rough overalls and jersey, and, placing himself on a three-legged stool, proceeded to milk a tall white cow. Millicent looked at him musingly for a few minutes, and then took her way down the path which led to the house. It was but a short distance, and lay within sight of both farm and dwelling-house, and yet she was somewhat astonished at the young man's allowing her to return alone. To see him milking, too, at work with the common laborers, had greatly perplexed her. She cast a glance over her shoulder to reassure herself that it was really Hal's hatless head which was bending forward, almost touching the side of the white cow. "And yet he is a gentleman," she said aloud; and, remembering the white hands of her papa and the gentlemen whom she had known in the Old World, was reminded of the truth, which when it is spoken seems a truism, and yet which is often lost sight of, that the proof of gentlehood lies neither in the skin of the body, nor its raiment.

Neither goodly clothes nor skin

Show the gentleman within.

CHAPTER III.

"And to watch you sink by the fireside now

Back again, as you mutely sit

Musing by fire-light, that great brow

And the spirit-small hand propping it."

John Douglass Graham, by birth American, by descent Scottish, by profession painter, sat looking out from his tower window. It was too dark to paint, and not yet late enough for him to light his study lamp and begin his evening work; so he sat idle, a rare thing for him. Before his window there stretched a fair landscape; and a man, a painter above other men, might well be forgiven an hour's idleness in such a place. The sun's last rays made the little copse look more golden and dreamy than did the stronger morning light. The still pool with its warm reflection of sky and trees, the mysterious dark wood beyond, all shadowy and full of dreams, made a picture which his hand never wearied of reproducing. On his easel stood a canvas which bore a reflection of the scene on which he was looking, painted in a strong, masterly manner, but not yet completed. "Ah, Heavens! no wonder that men love to paint in cities, with nothing of nature's beauty before them to shame their work. If I dwelt face to face with a brick wall and saw no motion save that of horse-cars and over-laden dray horses I might be more satisfied with what I accomplish. This picture might then seem beautiful to me. It is a different thing to look into the face of the great model and then at one's work. Only the strongest of us can do that, only our Duprés and Rousseaus. Shall I ever feel that I can even dimly picture this one view? Can I ever send my testimony of beauty to the world? Can I say the one word of truth which was given me to speak?"

Graham spoke to the four walls to which most of his conversation was addressed. The only sympathy he ever received in his bursts of enthusiasm or despair was from a portrait which hung where the first rays of light fell upon it in the morning. It was the portrait of a woman neither young nor beautiful with the beauty of youth. A tender, sad face, with those heavy lines at the mouth and nose which tell of grief and long weeping. The gray hair was smoothly brushed from the forehead, and the whole mien and costume showed that dignity of age so rarely seen in these days when grandmothers dress in rainbow-hued garments fit for their grandchildren, curl and frizzle their locks after the mode worn by the reigning beauty of the time, and in every possible way simulate a youth whose charm they have not, thus losing the real grace which belongs to their age. Before his mother's portrait the artist always kept fresh flowers, and to that dear and noble face his eyes were turned in a mute appeal for sympathy many times during the long solitary day.

The fires in the western sky burned low and finally faded out before Graham rose from his seat near the window and touched his lamp into flame. The searching light of the large astral revealed clearly the interior of the apartment in which the artist lived and worked. It was a square, high room, not very large, with a miscellaneous furnishing. One corner, half hidden by a large canvas, was devoted to his narrow wooden bed and dressing-table. Near a large casement stood his easel with palette and brushes. On the walls hung a pair of foils and masks and some boxing gloves. These, and a pair of Indian clubs in the corner, proved that the occupant of the tower was not careless of developing the splendid muscles with which he was endowed. Near the doorway hung a string of curious Japanese netshukés,--masks, monkeys, bears, men, women, and fruit, carefully carved in wood or ivory by the greatest artificers the world knows to-day. The walls were covered with pictures and sketches; the large table littered with books and tubes of paint. A group of deer antlers served as clothes-pegs, and the floor was strewn with the skins of these and many other animals. A quaint apartment, in which no attempts at the picturesque had been made, which the careless grouping together of many objects had nevertheless attained.

John Graham had reclaimed the old tower from utter desolation two years before, when he took up his residence in the ruins of the Spanish Mission. The adobe building had fallen to decay, a thick cloak of ivy and flowering vines mercifully hiding from the light of day the desolate ruin of what had been the religious centre of the country of San Rosario. The church walls had fallen to the ground; but the reredos and deserted altar stood swept by the winds of heaven, and decked with climbing roses and clinging ferns. The tower, which had been built very substantially, and with a view to defence in case of danger, still stood stanch, gray and weather-beaten. A flight of steep wooden stairs leading from what had been the vestibule of the church gave access to the room.

The tower stood within the limits of the San Rosario Ranch, the property of Mr. Ralph Almsford, which included twenty square miles of wooded country and arable land.

When Graham had asked permission to establish himself in the old tower, Mr. Almsford had readily granted the request, thinking, however, that he would weary of the solitary life in a few weeks. Two years had now passed, and the artist still inhabited his little eyrie, whose possession he disputed with the night owls which had been wont to sit blinking in the tower through the long hours of daylight. The place was five miles distant from the Deering house, and Graham's only neighbor was an old wood-cutter who lived in a cabin hard by, and who went by the name of French John. He prepared the artist's meals and took charge of his room. French John was a strange, silent old creature, whose life had been a varied one. He had served in the French army first as a soldier, then as an officer's servant. His reminiscences, when he could be induced to tell them, were full of interest. He had been in Paris in '48; his hands had helped to tear up the pavement to make the blockades and barriers. He had served in Algiers, whence he had come to America, and gone as a private to the war of the Southern Rebellion. He had finally drifted out to the San Rosario Ranch, where he would in all probability pass the remainder of his days. For some reason he had received no pension from either of the governments for the support of which he had shed his blood. In his old age this stranded bit of humanity was forced to support himself by the hard labor of a wood-cutter. His little cabin was built behind the altar, where the Lady Chapel had once stood, sheltered from the winds by the high screen of the reredos.

It was to the humble dwelling of French John that Graham proceeded after having made a toilet with unusual care. The door of the little log hut was ajar; and as he approached, the interior was entirely visible, revealed by the uncertain light of the wood-fire. The old man was stooping over the blaze with a saucepan in his hand, the contents of which he was vigorously stirring. Three cats of preternaturally grave aspect sat nearby, intently watching the culinary preparations. A mangy old hunting dog lay snoring in the corner, gray and scarred as his master. A battered fowling-piece and a greasy game-bag were flung on the wooden bench which served as table and chair to the occupant of the humble dwelling. The young man paused a moment on the threshold and sighed. The unkempt little cot with its lonely owner only differed in degree from his own tower, from himself. He had not even the companionship of the dumb beasts. When he should grow as old and battered as the wrinkled wood-cutter, would he be dependent for sympathy on a purring cat, or an old dog? Presently he spoke, but it was in a loud, cheery voice which in nowise indicated the sombre thought which had just suggested itself to his mind.

"Good-evening, John. What luck did you have to-day?"

"Four quail and two rabbits," replied the old man laconically, without returning the greeting of his visitor.

"And what have you in that old iron pot of yours? Something very good, I warrant."

"Stewed quail with bacon."

"Well, you must eat it yourself, for I do not want any supper to-night; I am going up to the house to pass the evening. Here is a package of tobacco for you. I shall be ready at the usual time for my breakfast."

The old man nodded his thanks for the present; and Graham left the hut, and proceeded to the spot where his horse was tethered. He saddled and mounted the mustang, and rode swiftly down the narrow path. Old John watched from his doorway the movements of the young man, and when he had disappeared, sat down to his solitary meal. The brief glimpses of Graham and his many kindly acts were the only human influences which touched the life of poor old French John. His dealings with Hal Deering were rare; once in a month the young man visited his cot, overlooked the work he had been engaged upon, and paid him his wages. For the occasional gifts of tobacco and wine, the chance newspaper from Paris, which were the only events of importance in the dull routine of his life, he was indebted to Graham. He gave no expression to his gratitude, and would have been sorely puzzled to do so. But the artist was none the less aware of it; and some portion of the packages which occasionally came to the tower from San Francisco never failed to find their way to the hut of the wood-cutter.

As Graham rode up the gravel path which led to the house, he caught a glimpse of a tall, slender figure swaying out from the gloom of the piazza. A white, bare arm was stretched upward to pluck a bunch of roses from a vine twisted about the porch. Thus much he saw and nothing more, as he fastened his horse and mounted to the piazza, which had suddenly become tenantless. The house door stood hospitably open, and the young man entered the hall and passed into the library. The soft candle-light showed him the room and its one occupant, the woman whom he had seen dimly amid the climbing roses an instant before. Evidently she had not known that the hoof-beats on the road were bringing a guest; for she was kneeling upon the hearth, her graceful shoulders bent, her strong white arms steadily working a pair of bellows. The total depravity of inanimate things is never more clearly seen than in the case of a wood-fire that refuses to burn. The girl, after several unavailing efforts to rouse a flame from the smouldering mass of embers, deliberately took the fire to pieces and rebuilt it after another fashion, putting a handful of pine cones atop of the logs, and setting them alight with a roll of paper. At last she succeeded in starting the blaze, and, stretching her graceful length upon the deerskin rug, she rested her elbows on the low bench before the fender, and lay quite silent, her face supported by her hands, her dark eyes looking into the fire.

John Graham, who had watched from the doorway every movement of the unconscious young woman with the pleasure of an artist in all things which are graceful and beautiful, still stood silent, giving no sign of his presence. The warm, pleasant interior, with its comfortable easy chairs and sofas, its open piano, near which stood a work-basket, its shelves of books and vases of flowers, bore all the infallible indications which mark the inmost shrine of domestic life. This was a room where the members of the household lived. Here was a home, the centre of affection and hospitality. The shadow of the lonely old man and his desolate dwelling rose for a moment before his eyes, and at that thought he stepped forward as if irresistibly drawn toward the cheerful hearth and the graceful woman whose eyes were lighted by the dancing flames. There was a tender look about his mouth, usually so stern in expression, as he came forward into the firelight with an expectant countenance, as if he were about to meet an old friend. Hearing the footsteps, the girl without turning her head said,--

"Well, Barbara, here you see me, making myself comfortable on Graham's deerskin. It has just come home; is it not a beauty?"

Receiving no answer, Miss Millicent Almsford turned her face so that her eyes fell upon John Graham standing near her, with a smile on his lips, a flush on his cheek. Was it the sudden leaping of the fire from the heart of the great apple log, John Graham asked himself, or was it the shining of a flame from within that lighted Millicent's face with a strange radiance at the instant when her eyes met his own? For an instant, a space of time too short to be counted by seconds, for something less than one quickened heartbeat, they looked at each other, these two, the woman with his name still on her lips, the man drawn toward the warm fireside by an uncontrollable desire to take his place in the picture, to remain no longer an outsider, a looker-on. One instant, and then habit, ceremony, the second nature of both, asserted itself, and each shrank back from that too intimate glance; the girl rising slowly to her feet, the man making a ceremonious bow.

"I beg your pardon for disturbing you, Miss Almsford; but I found the door open, and I am allowed the privilege of making myself at home at San Rosario. As there is no one here to introduce me, will you allow me to name myself as your most humble servitor, John Graham? I am vain enough to hope that my name is not quite unknown to you. Hal has perhaps spoken of me."

"Indeed, yes, they have all mentioned you frequently. Mrs. Deering and Barbara have not yet returned from the station. When you came in I thought they had returned. I think the train must be late; they drove down to meet a friend. Will you not be seated, Mr. Graham?"

Millicent had by this time quite recovered her equanimity, somewhat shaken by the sudden appearance of the man who had lived so persistently in her thoughts for the past fortnight. She seated herself near the fire, motioning Graham to a chair on the other side.

"I suppose that this fire quite shocks you? Mr. Deering cannot bear to sit in the same room with it; but I have suffered so much from the change of climate that I am allowed to have this little blaze every evening. Do you see this pretty rug? It only came home to-day. Mr. Deering had it dressed for me. It is from the deer which you brought here one morning,--a beautiful, soft piece of fur."

"Yes, it is well arranged too. Did I understand you, Miss Almsford, to say that Miss Deering had gone to meet some visitors?"

"Yes, but you need not mind,"--her quick ear had caught the shade of annoyance in his voice,--"it is only poor Ferrara."

"Poor Ferrara? Ah, I see you have already guessed his secret."

"Who could help it when it was so very evident? Do you think Barbara will ever say yes?"

"I cannot tell. I sometimes hope so, but she is over-fastidious."

"Fastidious? Is that the term to use? Surely you would not have her marry him unless she loved him? To a woman like Barbara such a fate would be intolerable."

"I do not quite agree with you. You know that self-sacrifice is Miss Deering's greatest idea of happiness."

"I cannot comprehend it; truly I think I do not understand Barbara, though I do appreciate her and admire her. They have been expecting a visit from you for some time. Mr. Deering said he should ride over to your tower and look you up to-morrow."

"I have been very much occupied of late, or I should have paid my respects to you before this time. If you have heard anything about me, you must have heard that I am an undependable person, and never do the things which people expect of me. Besides, I am a hard-working creature, and not of the butterfly genus of man like our good Ferrara. Tell me a little how this new country strikes you. What a change it must be, this sudden transplantation from Venice to California!"

"I have suffered terribly. Ah! Mr. Graham, you who have known my Venice can feel for me. None of them here can understand it. I feel like a plant which has been torn suddenly from a garden beautiful with flowers and sunshine, gentle showers and happy birds, and placed with its roots all torn and bleeding on a barren mountain-side, with no flowers near it, only sturdy, useful herbs, which neither shrivel in the terrible sun, nor wither in the keen mountain winds. But I fade and die. There is no room for me in this great New World, where all are so busy and have so much work to do. The few beauties which they have, their blue skies and grand hills, they neither understand nor love. They have no time to look back into the glorious past with its memories; they know not how to seize the present with its actualities; they live and toil ever for the future, which they will not live to see. I have nought in common with them. I belong to the land of my birth, where the present is beautiful with the splendors of the past. What are my books, my studies, to these people? Nothing. They tolerate my eccentricity; they listen patronizingly to the tales of what has been; but they bemoan my wasted time, and would fain teach me to throw away my embroidery needle and learn to use their horrible sewing-machines. My music is my saving grace, but they approve of it more than they enjoy it."

Millicent spoke rapidly and with shining eyes. She had at last found a soul which, if not kindred to her own, was at least capable of an intelligent sympathy.

"It is not strange that you should feel as you do; and, believe me, I can sympathize with you; and yet, do not be hurt if I tell you that this very transplanting is the thing which you needed. Do you know how the finest peaches are produced? To borrow another simile from nature, it is by taking a slip from an old tree and grafting it to the sturdy trunk of a young fruit tree, that the most perfect fruit is obtained. Be not afraid; the wound will heal; and the strong, vigorous sap of the young tree will make the blossom, which now droops, bloom as a rare fruit."

"I do not want it. I do not belong here. I have no part, no sympathy with it," she said rebelliously. "I hate it, this land, where you all strive for money, not for art, and where fame is measured out with ingots for weights."

"When I was in Venice," said Graham, "there was with me a fellow artist, a student like myself. We took our first trip through the Grand Canal together. I remember his first criticism. Shall I tell it to you? It was this: 'How terrible to see cabbage leaves floating on the Grand Canal!' It was the feature which first struck him. For years after he lived in the wonderful city, loving it better, painting it more truly, day by day. He has long since forgotten the cabbage leaves which at first annoyed his nice English taste. Believe me, you will find, above and beneath the things which now jar and shock your nerves, much that is grand in this country which you will one day be proud to call your own."

"Never, never!" she cried impetuously.

At this moment voices sounded in the hall, and several persons entered the library. These were Barbara and her mother, Hal Deering, and a short gentleman with a very large round head, on which the coarse black hair, closely cropped, stood straight in air, like the hobbed mane of a Mexican pony. His piercing black eyes were set too close to the well-shaped aquiline nose; and the black mustache curled fiercely from the upper lip, revealing a good mouth set with strong white teeth. His forehead was deeply seared with lines which betokened frequent frowns, but the wrinkles about the mouth looked as if it might be in the habit of laughing constantly. A good olive complexion made the face not ill-looking, while the small, well-modelled hands and feet redeemed the rather unwieldy little body from absolute ugliness. On seeing Graham, the new-comer frowned fiercely and twisted his mustache upward in an irritated manner. When the artist stepped forward so that the light from the lamp fell on his face, the irate expression died from the countenance of the little gentleman; and, with a fat, good-natured laugh, he shook him warmly by the hand, turning his mustachios downward so that they resembled drooping commas. This act altered the expression of his countenance to an extraordinary degree, half its ferocity having disappeared with the tight upward twist of the mustache.

By some coincidence or providence this had been a red-letter day in the lives of several in the party. The morning mail had brought young Deering the welcome news that his favorite pair of oxen had taken a prize at a cattle-show the day before. The gentle mother had received a letter by the same mail from her wandering son-in-law, Ralph Almsford, full of affection and promising a speedy return to the Ranch. Ferrara was greatly elated by Barbara's having driven down to the station to meet him; and Millicent seemed, for the first time since her arrival at the Ranch, to be thoroughly alive and awake. Her pale cheek was softly flushed, the color shining through the luminous skin like the fire of an opal seen beneath its milky veil. Her eyes, usually deep and earnest, but without great animation, were lit by a flame which was not reflected from the firelight. Barbara was happy because those about her were so. Her musical little laugh was not mechanical to-night; she was really in good spirits and in no need of feigning them. Graham's rather frozen existence seemed to be melted by the genial company; and the evening passed by with that lightning rapidity unknown in social gatherings, no matter how magnificently they be appointed, where the spirit of cordiality and good-fellowship is lacking. Music was not wanting to complete the jollity. Ferrara sang some delightful Spanish songs with more animation than voice; and, to the astonishment of the company, Millicent, who until that moment had not sung a note, at Graham's request seated herself at the piano, and sang, with a voice of rare beauty and power, ballads tender and war-songs gay, old Italian music of masters long forgotten.

"Sweet Mistress Deering, will you not give us some music?" asked Graham, as Millicent left the piano.

"After such singing as Millicent's and Mr. Ferrara's, my little thread of a voice could hardly be heard, Graham."

"Play for us then, my lady. Miss Barbara, are you not in the mood for a dance?"

"Of course she is," said Hal, "and so is Ferrara. Come, Princess, I will give you your first lesson in the American waltz."

The young men rolled back the huge rugs, leaving the hard-wood floor exposed. Mrs. Deering placed herself at the piano and struck up a little old-fashioned waltz which she had learned in her youth, and Millicent was whirled off her feet by her energetic partner. Not till she had danced twice with Deering and Ferrara, did Graham claim her hand for a waltz; and not till Mrs. Deering struck the last chords of the music did he loose her waist from his circling arm. Then a stroll on the piazza was proposed, and it was not till the last stroke of twelve warned them that the new day had begun that the party broke up. Barbara and Millicent stood together watching for Hal, who had gone to fetch Graham's horse, when the artist joined them on the piazza and bade them good-night. Millicent, with her foreign breeding, never had conformed to the American habit of hand-shaking, but when Graham wished her good-night she instinctively and unconsciously gave him her hand. He held it possibly a half second longer than was necessary, and then sprang on his horse. As he rode down the dark path, he turned in his saddle and took a last look at the house. Barbara had gone indoors; one figure alone stood beneath the rose-vine with bare white arms, the figure he had seen on his arrival earlier in the evening.

"Good-night to you," he cried. The deep, musical tones were answered by a farewell greeting from the girl who stood there alone in the night watching his retreating form.

CHAPTER IV.

"Then, in the boyhood of the year,

Sir Launcelot and Queen Guinevere

Rode through the coverts of the deer

With blissful treble ringing clear;

She seemed a part of joyous Spring."

Though the greater part of his time was spent in the old tower, John Graham was well known in San Francisco. His studio, at the top of a tall apartment-house in one of the unfrequented thoroughfares of the city, was familiar to most of its aspirants to artistic fame. In this large bare room, with its strong north light, there assembled every morning a dozen young men who were busily engaged in cast drawing and model painting. To the instruction of these youths two days of the week were devoted by the artist, whose only recompense was in the gratitude of his scholars. One morning not long after his meeting with Miss Almsford, John Graham might have been seen carefully examining his pupils' work, giving a word of advice here, a criticism there, and a hearty encouragement to all. On his return from Paris he had opened his studio to all those who were desirous of studying art. The first year he had had but three students; at the end of the second year the number had quadrupled. On the morning in question Graham had arrived with a new model,--a rough-looking fellow whom he had met in the street, and induced to accompany him to the studio. On a platform at the end of the room stood the stalwart model; while the artist, standing beside him, gave an off-hand lecture on anatomy, the students sketched the man or took notes of what their master was saying. It was not Graham's habit to do any work at the studio; but this morning, after he had finished his discourse, he placed himself at a vacant easel, and with a strong, bold hand made a free drawing of the superbly modelled figure. As he worked he forgot his class, his lecture, everything but the canvas before him and the subject he was studying. As the sketch grew beneath his hand the scholars one by one forsook their work, and stood watching him silently. The perfect confidence with which he worked--never hesitating, never altering what was already done--was fascinating to the younger men; and even the sculptor, Arthur Northcote, who inhabited the adjoining studio, stopped on his way upstairs and joined the group behind his chair. When the model declared himself unable longer to maintain the pose in which he had been placed, Graham threw down his brush with a sigh, saying,--

"Well, Horton, you may go now if you must, but do not fail to come to-morrow. I have your name correctly,--Daniel Horton? Where do you live?"

The stranger declined to give his address, and promised to come the next day at the appointed hour. After he had left the room the artist had something to say about expression, characterizing the face of the model as one indicative of brutal cunning and impudent daring.

As Graham quitted the studio the young sculptor joined him, and they walked together toward the station. Northcote was a slender, delicately built man some years Graham's junior. His face was instinct with the poetry of art, but was lacking in force. By the side of Graham's strong, resolute countenance his delicate features appeared weak and effeminate. The younger man took his friend's arm, as if relying on him for physical as well as moral support, and said as they walked along,--

"Graham, where did you pick up that model this morning?"

"I found him lounging about the station. Why do you ask?"

"He has such a bad face. You should be more careful about the men you engage to pose for you."

"And why, Arthur?"

"Because you lead such an unprotected life in that terrible old ruin."

"What a fanciful creature you are, Northcote. As if there was anything to be gained in molesting a beggarly artist in an inaccessible fortress. You have never seen my tower, or you would not think that it would be an attractive spot to thieves."

"Did you not hear," continued Northcote, "of that case of abduction in Cathgate County last week? A man was carried off by a pair of brigands, and kept for a week until a large sum of money was paid for his ransom."

"What manner of man was he?"

"The president of the county bank."

"Well, my dear Arthur, when I become a bank president, or even a railroad treasurer, I will take better care of my worthless self. At present I am not a promising prize to the most sanguine kidnapper. I can fancy your feelings on receiving a notice that, unless five thousand dollars be left in the hollow of a blasted pine-tree on the high-road at San Rosario, a slice of my right ear would be forwarded by way of a reminder! When are you coming out to pass the night with me?"

"When I have sold my Diana, or when Patrick Shallop gives me an order for a life-size statue of himself."

"Come with me to-day. It will do you good to pass an afternoon in the woods."

"Do not ask me. I will take nothing more from you, Graham,--I cannot,--not even a piece of bread, until--"

"Well, if you are so obstinate, farewell to you. I must hurry or I shall miss my train."

The two men shook hands the sculptor turning into a dingy restaurant, the artist walking rapidly in the direction of the railroad station. Arthur Northcote made a light repast,--for he was poorer than usual that day,--and soon returned to his studio, whose rental was defrayed by his friend's slender purse.

Graham caught his train, and reached San Rosario at about three o'clock. He found his horse at the station, and rode toward the house. At a distant point he caught a glimpse of two figures on the piazza, which he recognized as those of Miss Almsford and Hal Deering, who were talking together, quite unconscious of his approach.

"So you like Graham?" Henry Deering was the speaker.

"Of course I like him. I told you I should, from the moment you described his queer tower and his solitary life to me. I always like people who have something to characterize them and set them apart from the mere dead-level rank and file of mediocrity," answered Millicent.

"But may not a hermit like Graham be mediocre like everybody else?"

"No, the fact of his living alone does not make him interesting; but he would not live alone if he were like everybody else. Ordinary people all herd together."

"You must find all of us very ordinary people, I should think, after the people you have lived among,--romantic Italians and that sort?"

"But Italians are by no means all interesting. The great charm about them is that they are usually a happy people, and that it does not take so much to make them contented as it does you more complex Americans."

"You Americans? How soon are you going to call yourself an American? But you do not answer my question. How can you manage to get on as well as you do with commonplace people like ourselves?"

"You are not commonplace. A man who knows how to milk cows and digs potatoes, who rubs down his own horse and feeds his stock, and can withal dance like a city beau, and keep a table full of people laughing from the soup to the coffee, cannot be called commonplace."

"Thank you, Princess, most heartily for the compliment. I see you will not be pinned down by my rather personal question. Let me pay you with some of your own coin. I think it quite remarkable that you have so quickly fitted into the life here, and have accepted so quietly things which must be very strange to you. The difference of the way of living, the surroundings, the very strangeness of being waited on by these Chinamen, must be very uncomfortable, I fear?"

"Do not suggest a word against Ah Lam; he is the most delightful servant I have ever seen. Our Italian domestics are like great children, who have to be humored and managed with the extreme of tact and care. Ah Lam is like nothing but one of the automata described by Bulwer in 'The Coming Race,' which stand motionless against the wall until roused to action by the vrill wand, when they promptly perform the duty in hand. Ah Lam is only mechanical as far as regularity goes, for he has feelings and deep sentiments beneath his calm exterior. Do you know that he brings me fresh roses every morning, and that when he returned from San Francisco yesterday he brought me a present?"

"They all do that; they are the most generous creatures in the world. What did Lam bring you?"

"The prettiest little China silk handkerchief, which he presented with these words: 'I solly got no more, I so poor.' Was it not touching?"

"How do your lessons get on?"

"Very well. Lam learns ten or twelve new words every day. I give him the English word for an article, and he gives me the Chinese; and the following day we catechise each other; but I have never remembered a Chinese name, and Lam has never forgotten an English one. Then I set him copies, which he writes out beautifully with his queer little camel's-hair brush dipped in India-ink. I fear the sentiments will not greatly benefit him, but I try to explain them to him."

"Give me an example of your copy-book maxims; I am sure they are something new, quite unlike those I was brought up on."

"I take my verses all from Mr. Lear's 'Nonsense Book;' they will help him geographically, if not otherwise."

"You have given him the 'Old Man of Moldavia'?"

"Assuredly."

"Truly, Princess, you are the most inexplicable person I have ever seen. I find you in the morning with a volume of Spinoza in your hand, trying to explain his particular dogma of philosophy to poor Barbara; and in the afternoon you are talking about this absurd child's book as if it were something serious. You snubbed that poor professor last night, because he presumed to give an opinion concerning Dante, never having read him in the original; and to-day I heard you ask my mother if Washington was in the State of New York. You are remarkably erudite and positively ignorant at the same time."

"Eh bene, cosa volete? I--"

"Now what is the use of talking Italian to me? You know I can't understand a word of it, and--"

A third voice interrupted Deering. It was that of a man who had joined the pair unnoticed by either of them, the sound of his footsteps being muffled by the deep grass.

"If Miss Almsford knew how pretty her manner of speaking English was, she would never have resort to the weaker language of her birthplace to express her thoughts."

"What, Graham, with a gallant speech upon his lips! Wonder of wonders! Princess, he has the sharpest tongue and the keenest wit I have ever known. Beware of him! When did you come?"

"Just now; I rode over to see if Miss Almsford was in the mood for a ride, and to offer my services as cavalier, knowing that your afternoons, my dear Deering, are too much occupied for you to play esquire to this fair dame."

"It is the thing of all others I should enjoy," said Millicent; "I will be ready in ten minutes."

Deering strolled off, rather disconsolately, in the direction of the dairy, Graham accompanying him as far as the stable, where he proceeded to put Barbara's saddle on the back of a sturdy cob, which from his immovable character had been named Sphinx.

The artist had visited the house several times since his first meeting with Millicent, and had promised to be her guide to the high hill-top, whence a view of the Sierra Nevadas was to be obtained. Up the narrow bridle path toiled the two horses, Graham's leading the way. The road was a difficult one, underbrush and rolling stones making it dangerous for any horse which was not sure-footed. Old Sphinx set his feet firmly on the solid ground, avoiding all pit-falls in a wary fashion. The air was sweet with the spicy breath of the madrone tree, whose dark red bark and brilliant glossy leaves gleamed out here and there through the darker foliage of the great redwoods. The young man turned his head over his shoulder, letting his mustang find out the path, and talked to his companion, who was not yet at home in the saddle. One of the new delights which the western country held for Millicent was that of riding. Most of her life had been spent in Venice; and she had had little opportunity for indulging in that most exhilarating exercise. Graham assured her that she would soon make a good rider, as she quickly learned to assume the graceful but uncomfortable position compelled by the side-saddle. She was without fear, having that sort of bravery which is found in some children, and which comes from an ignorance of danger.

From a point in the road whence a view of the happy valley was to be obtained, Graham reined in his horse. The wide, pleasant valley lay below them, the house, its central point of interest, standing surrounded by the orchard and garden. A brook wound like a silver ribbon through the wide fields and wooded groves, under rustic bridges, here and there breaking into foam over a mass of stone, or a sudden shelving of the land.

When they again started Graham dismounted, and, passing his arm through the bridle of his horse, took Sphinx by the rein and led him over the rough bit of country. Whether from an exaggerated idea of courtesy, or because the head covering was irksome, Graham doffed his hat and walked bareheaded, the little shafts of sunshine touching his dark hair with points of light. The tall girl noted the sun and shadow which made this and all else lovely on this fair afternoon. As the ascent became steeper, the trees were less dense and the path grew wider. Graham still walked beside her horse, though there was no longer need for him to do so. As they emerged upon a broad plateau Millicent drew her breath and touched Graham lightly with her whip, laying her finger on her lip and pointing to a little hillside spring, which ran dancing from the rich dark earth. Close to the spring stood a magnificent buck and a graceful doe. The stag had bent his head and was drinking from the basin which the water had worn for itself, and which was surrounded by a ring of green turf, jewelled with star blue and pale rose blossoms. Of this tender herbage, so different from the dried grass of the hillside and meadow, the dainty doe was nibbling little morsels. For a moment neither of the animals perceived the approach of the riders, and stood quite still in their unconscious beauty. Graham's hand instinctively sought the revolver in his pocket. As he was taking aim Millicent's velvet fingers closed about the steel barrel, and she cried aloud, "You could not be so cruel!"

At the sound of her voice the stag threw up his great head with a mighty shiver, tossing the crystal water drops from his nose. Before the last word was spoken the slender, dappled doe had flashed across the path and was out of sight, her mate with outstretched head following close upon her track. For an instant the flowing lines of the swift motion were seen on the sky background, and then the trembling leaves of the thicket into which they had penetrated were all that told of their flight.

"You are more tender-hearted than Miss Barbara."

"No, but I could not bear that those two glorious creatures should be put out of the warm sunlight which they love so well."

"Miss Barbara is an excellent shot; she could have killed the stag from this point."

"And yet Barbara is really much better-hearted than I, and feels other people's troubles as if they were her own. Everything is in habit and education; she has looked upon deer in the light of venison, as I have always considered oxen in the light of future beef. And yet, though Barbara is so kind and good, I do not find her simpatica--how shall I say?"

"You might say sympathetic or congenial, Miss Almsford, if you could content yourself with the English language."

"But it is not the same thing,--sympathetic and simpatica; indeed it is an untranslatable word. I cannot always express my thoughts in English."

"Would you allow me to suggest that it may not be entirely the fault of the language, which did not fail to express the thoughts of Chaucer and Shakspeare, that you find it difficult to make yourself understood?"

"Do I speak it so badly then? You are not complimentary."

"It is not that you speak it badly, but that your vocabulary is limited, and that your mind far outruns its limits. I fancy you have never read or thought much in a serious vein in the simplest and the strongest of tongues."

"No, I have read very little English, but I challenge your last statement. I do not find English the greatest language. It is coarse by the side of French; it is prosaic compared to Italian. Think of the fine distinctions, the delicate shades of meaning, of the Gallic tongue. Your English can only express the extremes."

"And yet to-day it is more a lender than a borrower of words. You cannot take up a German or a French newspaper without finding an Anglicism in every column."

"What does that prove? Merely that the Anglo-Saxon race is more restless than all others. They are the Goths of the nineteenth century, and invade every corner of Europe, Asia, and Africa, carrying with them their barbarous language. I have heard it intermingled with Arabic in the Syrian desert. It is small wonder they feel the need of travel; there is little enough to interest them at home."

"And yet I, who have lived half my life in Europe, elect to pass the remainder of it in this country of my own free choice. How do you account for that?"

"I cannot account for it save as an aberration of the brain. It is strange, too, for you Americans are not a patriotic people."

"You think not?"

"It does not strike me so."

"You are mistaken, Miss Almsford; but your mistake is a natural one. These ideas, believe me, are not worthy of you, and have been derived by you from some perverted mind. Your own is too clear to have formed such opinions. They have been engrafted or inherited. How should you really have any idea but the most chimerical one, of America or Americans? You have passed your life among a race of people most unlike them, and you have been taught to ignore the country and the race to which you belong. You consider the matter of your birth as a misfortune, and you have learned to look down on your country, from below. I have had some experience of life in the various American colonies in Europe, and I think it a great misfortune to be one of those expatriated Americans. They are people without a country. They feel no responsibility toward any larger society than their own small household circle. Unless he is called by the exigencies of his profession to Europe, the American European is very apt to deteriorate greatly. He is in antagonism with the country which he has abandoned, and his foothold in foreign society is too much on tolerance to be fortunate in its effects on his character."

By this time the strong horses had reached the summit of the foot-hill, and stood breathing heavily. The riders dropped their conversation, which was drawing near to a discussion, and Millicent looked with wide eyes out over the grand scene. Far off stretched the line of the Sierras, the mountain barrier which severs the land of gold from the surrounding country. The sky was faintly flushed with a forewarning of the sunset, and a soft breeze rustled the tree tops, and blew into their faces.

"Are you rewarded for the long ascent, maiden from afar?"

"Yes," answered Millicent softly.

As they made the steep descent together Graham talked, in his strong, sweet voice, of his life in the old tower, of his work, of the pictures he had painted, and those which he dreamed of making some day. The self-dependent and contained young man was much attracted by the girl with the strange ideas and exquisite manners. On the night when they had first met, he had been drawn towards her by an attraction which seemed irresistible. It was not her beauty nor her intelligence which so much affected him, as a nameless charm like the warmth of a bright fire on a cool day, which seemed to wrap him about with a sense of comfort. When he left her this glow was still about him, but as hours passed it seemed to fade away and leave him strangely cold. He felt for the first time how desolate was his life; and he remembered her in his lonely tower as a traveller in the African desert recalls the green oasis where his last draught of water has been drained. Yet sometimes, when they talked together, came a strange antagonism between them like an impalpable mist, chilling the warmth which at meeting always kindled in her eyes and in his own bosom. That the discordance came from himself he often felt, and yet he was helpless in the face of it. The conversation of that afternoon was a type of their interviews, which were often marred by discussions not far removed from disputes. Whose fault was it? Wherein lay the incompatibility? Did it arise from either of their characters, or from the circumstances and surroundings in which they met? He asked himself the question a score of times and left it always unanswered. Graham had not been without experience of women. In his early youth he had had the misfortune to fall deeply in love with a frivolous and heartless girl. His nature was of a complex character, passionate to an unusual degree, yet guided by an intelligence stronger than passion. He had been deceived and outraged in every feeling by the heartless coquette, whose worst characteristic was her entire incapacity for affection. After breaking her faith with him, she had tried to win him back again, and had sued for the love which she had so lightly won and refused. But though he still loved her with the full force of his being, he had repulsed the woman whom he could no longer respect. Then came the long death-agony of deceived love, leaving its unmistakable traces on heart and brain and body. It was graven on the white brow; it was painted in the deep eyes, with their unfathomable look of doubt; it strengthened the fibres of the strong brain with the greater power which great suffering brings to intelligence of a high order; and alas! saddest of all, it chilled the hot heart-blood and left it cooler and more sluggish in its flow. Sorrowful was the man for the sorrow in the world, but pity for the grief of those about him was not so strong in him as it had been before. The bitterness which follows the spoiling of the rose-sweetness of love was happily modified by the broad humanitarian character of the man. It failed to make him bitter towards the world for its treatment of himself. He accepted manfully the knockdown blow which fate had dealt him; and if he mourned it was in secret,--he burdened no other soul with his misery. But as it was a woman who had darkened his life and drawn the veil of grief about his young soul, the whole rage of grief and bitterness which wore his heart went out toward her sex. As he had loved all women for her sweet sake, so now did he distrust them all because she had proved false. Evil to him appeared abstractly as a feminine element in the world; and the great qualities of nobility, abnegation, and heroism in his eyes were masculine attributes only. Too chivalrous by nature to think of himself as in opposition to the gentler sex, his position was in point of fact antagonistic to them. He was courteous in their company, but he always avoided it. In deed, as in word, he treated them with reverence, speaking no lightlier of them behind their backs than to their faces. The bitterness never broke the barriers of his vexed heart in noxious word or jest, but it lay there always embittering his life. He had finally ceased to remember his crushed hopes and spoiled youth; and then had succeeded a long time wherein he seemed to feel not at all. There was left him always his pious devotion to his mother, touching in its pathetic constancy, as to the one creature given him to love. For the gentle Mrs. Deering, whose face recalled that of his only living parent, he felt a real sentiment of friendship. Barbara, with her sweet, wholesome nature, he esteemed more highly than other young women; but since his intimacy with the family he had always emphasized his regard for the son and mother of the house; and Barbara had felt the difference in his voice when he addressed her. It grew colder, and his manner became formal, if by chance they were thrown together alone.

The charm by which Millicent swayed him, he said to himself, was not love. He looked back into the black and stormy past, and compared his feelings for this girl with those which had once torn his breast. She charmed him, but he surely did not love her. He felt a sense of cold discomfort on leaving her, but it was very different from the passionate grief which he once had suffered. This was what he thought when he contemplated the subject at all, which was not very often. For the most part he let himself drift down the pleasant summer tide. Skies were blue and roses sweet. If Millicent made the sky seem bluer, if the roses took on a more perfect hue when she wore them in her bosom, it was because she was like the skies and roses, tender and full of warmth and color. Did not the buds blush into flowers for all the world as well as for him? Did not the white clouds dip and dance across the sky for other men's pleasure as well as his own? Was not the whole small world of the San Rosario Ranch made more blithe and happily alive by the advent of Millicent Almsford, the maiden from afar? Barbara had been stimulated by the new atmosphere to do more thinking, and had found less time for fancy-work and more leisure for reading. Mrs. Deering, gentlest of women, found a companionship in the stranger which she had at first thought impossible; and Hal, poor Hal, was vainly fighting against the witching spell which was fast making him the slave of the girl, who he had prophesied was too cold to interest him.

Had Graham known the change which his companionship had wrought upon Millicent, he would have felt that if there was no danger for him in those swift fleeting hours passed together, there might be for her. The boredom which she had experienced at first was now dissipated, and every phase of the novel life at the Ranch had a charm for her.

The loud summons of the supper-bell struck the ears of the young people as they drew near the house; and the family stood waiting on the piazza as they reined in their horses before the door.

"Are you tired, Millicent?" was the anxious question of Mrs. Deering.

"Did you get a clear view of the mountains?" asked Barbara.

"How did Sphinx go?" said Hal.

"I cannot answer you all at once," cried Millicent, breathless from the rapid gallop which had brought them to the house; "but it was perfectly delightful. Sphinx behaved beautifully, and Mr. Graham almost as well. The view is wonderful, and I think the country of California very fine. There is a compliment for you all; do not pretend I never say anything nice about it."

"My dear, we have an invitation to go down to San Real to visit the Shallops. Mamma thinks we had better start to-morrow. Mr. Graham, here is a note for you which came enclosed in my letter. I fancy it carries the same invitation to you. It will be so nice at the seashore. You will like it, Millicent, won't you?"

"I like it here," Millicent answered, as she walked slowly up the steps; "but if you all want to go, I am willing. Who are the Shallops? Where is San Real?"

Graham had torn open his letter, which he quickly perused. Millicent looked inquiringly at him, and he answered her unspoken query:

"Yes, Mrs. Shallop asks me to join your party for a week at her pleasant house. Very kind of her, I am sure; but I never do that sort of thing. I--"

"Now, Graham," interrupted Mrs. Deering, "say nothing about it till I have talked it over with you. I have a particular reason for advising you to go. We will telegraph the answer in the morning, and can make up our minds in the course of the evening."

"I am yours to command in this and all things, Madame," said Graham, offering his arm to his hostess; "and there stands Ah Lam ready to weep because the muffins are growing cold; and I am famously hungry after our ride."

Tea being ended, Mrs. Deering and Graham paced the gravel path around the house for half an hour. It was evident to the group on the piazza that a discussion was going on between them. They spoke in low, earnest voices, whose tones did not escape Millicent's sensitive hearing, though she failed to catch the import of the words.

"For my sake," she finally heard Mrs. Deering say in a pleading voice.

"Dear my lady, is it just to put it on that ground?"

"But if you will hear to it on no other," she argued.

"Think what it is you ask of me. To leave my tower and my man Friday for a luxurious household with plethoric master and servants; to stagnate for a week among those ridiculous people who fill San Real in the summer; and all this not because it will do me or any one else any good, but to the end that I may begin the portraits I have already refused to paint. You know that I am not suited to that sort of hack work. How can I make a picture of that over-fed Shallop or his pinched, good little wife?"

"But our work cannot all be that which is best suited to us--"

"It should be--"

"Remember, Graham, that in three weeks the payment for the studio is due--"

"Ah, kindest one! you never forget me; bless you for your sweetness and thoughtfulness. Yes, I will go and do my best to make Shallop look like something other than an ex-blacksmith, but it is indeed bitter."

"You will find that there will be compensations," said Mrs. Deering, her eyes resting on the pretty group on the piazza: Barbara sitting at Millicent's feet, and Hal reaching up to pluck a spray of honeysuckles for her hair.

CHAPTER V.

Where have we lived and loved before this, sweet?

My will ere now hath led thy wayward feet;

I knew thy beauties--limbs, lips, brows, and hair--

Before these eyes beheld and found thee fair.

Mrs. Deering's arguments carried the day, and Graham decided to accompany the young ladies to San Real. Ferrara was to be of the party. It was a bright morning which saw the departure of the three travellers from the Ranch. Hal drove them to the station in a very disconsolate frame of mind. During Ralph Almsford's long absences, it was impossible for him to leave the Ranch, in which his interests were all vested; and it seemed rather hard that Graham should enjoy the pleasure which he had been obliged to decline. Henry Deering was a susceptible young man, and he was already enthralled by the soft voice and deep eyes of the girl on whom he had bestowed the title of Princess. His friendship for John Graham was one of the strongest feelings he had ever known. He admired him more than any person he knew. He respected the sterling character of the man, on whose honor he would have staked his life; and yet it was hard that Graham should devote himself to the Princess, for he said to himself there could be no chance for him against such a rival.

The country through which the railroad from San Rosario to San Real passes is most picturesque. Round the high hills winds the yellow line of the track, making horseshoe loops, so that the engine, Millicent said, sometimes turned round and looked the passengers in the face. Long, high bridges carry the shining steel threads of travel over deep canyons, with fierce rocky sides and stony bottoms. The scenery is very wild and beautiful, and the moderate pace at which the shaky little engine tugged along the rickety cars gave the travellers every opportunity for seeing and admiring the view.

A great mountain, lying among the low foothills, remained in view through the greater part of the route; it was conical and sharp-pointed, like the typical mountain of the atlas. A great fire had lately raged for days among the spreading trees and thick undergrowth; and now that the smoke had cleared away, the path which the flame had taken was distinctly visible from certain points. A great cross lay stamped on the mountain-side, for all men to see. The baptism of fire had left the symbol which was sanctified eighteen hundred years ago. Graham attracted Millicent's attention to this, which, she said, would have been considered a miracle in Italy.

"Are they not happy, those dear simple-minded Italians? A large portion of them do really believe in miracles to this day." Millicent was the speaker.

"Yes, far happier than those of us who have lost all belief in anything beyond our own bodies, and the facts which that body's senses reveal to us."

"And you believe--"

"Ask me not, maiden, what I believe. I can only hope. But this I know, that there is need to you and to me, to all of us of this generation, to whom the old fallacious dogmas of dead creeds are meaningless, of faith. This is not the age of belief. The things which have been considered necessary draperies to religion are stripped off; but because truth is naked, it is none the less truth. Faith in that part of ourselves which is not of earth, we must hold fast to, when all else is rent from our feeble natures."

"You should be a preacher. I think that you have got the right end of the truth, perhaps--"

Barbara, who had sat a silent listener to this conversation between the two young people, now spoke for the first time.

"I know little of the modern scientific theories, which Mr. Graham thinks have stripped religion of much that used to belong to it; but to me the denial of a Creator is the most illogical and ignorant act of which the human mind is capable. Look at that house we are just passing. If I should tell you that it never was built, that no architect or workman ever planned and executed its design, you would say that my talk was too idle to require contradiction. And yet you will tell me that the pleasant earth on which the house stands, the very trees which furnished its wood, the metals and stone which are wrought into it, exist, and yet knew no Maker."

"Barbara, do not let us talk any more about it; it is impossible for you and me to speak understandingly to each other on these subjects. Mr. Graham stands midway between your conventional faith and my unbelief; he can understand us both. Now let us talk about love and roses."

"Apropos of love and roses, here comes Ferrara, laden with both of those fragile commodities, which he will straightway lay at Miss Barbara's feet. If you like, Miss Almsford, we will make the next stage of our journey on the engine. I spoke to the engineer, at the last station, of your desire to see the mechanism of his locomotive. You will find the man quite clean and intelligent."

Ferrara joined the party at this moment, having come up to meet the train at this station. He carried a handful of great yellow roses, which he presented to Barbara with a low bow. The girl looked beseechingly at Millicent, who laughed rather heartlessly, and, escorted by Graham, proceeded to the engine. She was pleasantly received by its presiding genius, a hatchet-faced, sharp-voiced Yankee, who made a place for her on his little cushioned seat at one side of the locomotive. As soon as she was comfortably ensconced here, Graham sitting at her feet, the engineer rang the bell and allowed Millicent to pull the lever, which set the panting creature of iron and wood a-screaming. With a guttural shriek the engine pulled itself together and started off down the track at a good speed. Once in motion, the breeze, blowing through the windows, cooled the intense heat. Millicent looked straight down the narrowing steel rails with that keen sense of pleasure which every novel experience gave her. Presently she asked the small Yankee to explain the use of the steam gauge and of the various appliances crowded into the small space where she sat. The fireman, a hideous giant, black and grimy, occasionally opened a door and fed the furious fire with great lumps of coal. When it was well filled he varied his occupation by watering the wooden parts of the engine with a long rubber hose, lest they should ignite from the great heat. On a little shelf above her seat Millicent espied a book, toward which she instinctively stretched her hand. Books always acted on Millicent like magnets. The volume proved to be a Life of Napoleon Bonaparte, lately published in a cheap edition. She asked the sharp-faced engineer if he found the matter interesting, and was somewhat astonished by his astute remarks on the work and the personage of whom it treated. She looked at Graham in some astonishment, but he seemed in no-wise surprised at the phenomenon of a working-man in a blue blouse who could intelligently read and understand the seriously written biography of the great conqueror. The steam gauge rose higher and higher, while the engine tore along at a quicker speed in order to please the delicate visitor, who was now allowed to move the lever, and to pull the bell when they passed the signals requiring them to do so. The engineer was an interesting person, Millicent thought; he told her many humorous stories of his experiences, and some tragical ones. His wife had on one occasion accompanied him on a trip, sitting on the very place where Millicent now reposed. An accident had occurred, a broken rail throwing the cars down a high embankment, while the weight of the engine had saved them both from the terrible fate of many of the passengers. From that day his wife had refused ever to travel in any part of the train save in the small cabin where her husband sat. In a collision, Millicent learned, the dread fate of the engineer could only be avoided by desertion of his post; and the speaker bore witness to the steadfast bravery of more than one of his mates who had preferred death to such an act. As he talked he kept his eyes fixed on the two shining rails stretching before them. Sometimes, when interested in his own story, or their remarks, the engineer would look for a moment into Millicent's face; and she, with a terrified consciousness that her eyes were the only ones which could see any obstruction before the train thundering along at a great speed, would strain her vision to the utmost down the narrowing line of track. What an awful responsibility lay upon the shoulders of this cheerful little man, with his twinkling gimlet blue eyes, and how lightly he seemed to carry his burden. She grew quite white and silent at the thought; and when her hand, guided by the engineer, brought the panting locomotive to a standstill at the next station, she gladly stepped down upon the narrow platform, steadied by Graham's arm. They parted from the engineer with many expressions of pleasure for the ride they had enjoyed, and joined Barbara and Ferrara in the car.

San Real is one of the pleasantest sea-side towns to be found on the coast of California. It has become quite lately a fashionable summer resort, and boasts two large hotels, a colony of boarding-houses, and half a dozen private residences. All of these are of modest dimensions, with the single exception of the pretentious mansion of Mr. Patrick Shallop, which stands at the distance of a mile from the little village composed of one long street of shops and saloons.

At the station the party found a handsome carriage awaiting them, drawn by two prancing gray horses and decorated with sprawling coats-of-arms. The groom and driver were dressed according to the latest English fashion, and the tidy cart for the luggage was driven by a liveried menial. Millicent noted these details with surprise as she sank back on the satin cushions of the landau, and Graham laughingly commented upon her evident astonishment at the smart equipage.

"It appears, O fair Venetian, that you are surprised at this grandeur. Did not Miss Barbara prepare you for it?"

"No," answered the young woman quietly; she did not like to be laughed at. As the carriage rolled along the village street, Millicent gave a little cry of joy: "I smell the sea!" she cried.

Soon after they emerged from the shadow of the houses and struck the road which led to the brow of the cliffs. There, for the first time since she had left New York, Millicent looked out over the salt waves. The cool sea breeze twisted the curls which clustered about her forehead into tighter rings, and fanned a color into her marble cheek. She kissed her hand toward the great gray ocean as if gladly greeting the Pacific. Below the cliffs stretched the white beach, with its rows of bathing-houses, and booths hung with gay-colored wares. They had but time to glance at the view when the carriage turned from the road and entered a long avenue bordered with good-sized trees. Marble statues gleamed through the dark green of the luxuriant gardens, and odorous flowers made the air heavy with sweetness. Before the door of an enormous house the horses were drawn up, and Barbara and Millicent, followed by Graham and Ferrara, entered the wide hall. The exterior of the house was far from attractive. The material used was exclusively wood, which in California is almost universally employed in private dwellings. The fear of earthquakes always lurks in the mind of the Californian, and houses of brick or stone are very rare. The model adopted by the architect was a novel one, and seemed a combination of the Ionic, Corinthian, and Queen Anne styles. Stucco and lath represented decorations and columns which would have been appropriate in marble or granite. The massive style and the flimsy material gave an incongruous appearance to the great building. The wide terrace which surrounded the house, with its bright parterres of flowers, and the pleasant piazza, with roof and pillars like a Norman cloister, were, however, wonderfully attractive. Beyond the close-clipped emerald lawn was seen the ocean, whose white curling waves danced merrily in the unbroken sunshine.

The guests found Mrs. Shallop awaiting them in a long dim drawing-room. She was a skimpy pattern of feminality, with a pitiful, pinched face, great sad-looking eyes, colorless, sandy hair, and a thin, angular body. Though it was early in the afternoon, the elegance of her dress would have been suitable to a ball room. The heavy folds of rich blue brocade stood out from the poor little figure whose emaciated lines its rich fabric refused to indicate. She advanced toward her guests with something of an effort, as if the burden of dress which was laid upon her were greater than she could bear. Her welcome was, however, very cordial; and her bony little hands, with their weight of jewels, clasped Barbara's strong fingers affectionately.

"I am real glad you have all come, Miss Deering. I was awful fidgety about the train's being late. Miss Almsford, I am real pleased to see you. Mister Graham, happy to see you, sir. I hope your health is better, Mister Ferrara?"

Each of the guests acknowledged the kindly greeting, and some general conversation ensued. Millicent looked about the great drawing-room, noting the various beautiful articles of furniture, the Venetian glasses, the pictures and rich embroideries, the thousand-and-one bits of bric-à-brac which decorated the walls and cabinets of the lofty apartment. It was in truth a rarely beautiful room, the prevailing color a deep, soft crimson, the wood-work all painted white and delicately carved. Below the ceiling ran a frieze, the work of John Graham. The subject treated was the history of Cupid and Psyche. The scenes were divided into panels by twining sprays of rose-vines charmingly treated. The first represented the meeting of the two lovers, their marriage being the next in order. In the third compartment the doubting Psyche looks for the first time on the radiant beauty of the sleeping God. Next the artist had portrayed the forsaken, love-lorn bride sitting alone, crushed with grief, repenting the fatal curiosity which prompted her to peer too closely into the nature of love,--that greatest of boons, which should be accepted joyously and with thanksgiving, and to which doubt means death. The hard services required by Cytherea from the desolate Psyche were exquisitely rendered; and the final scene of the reunion of the two lovers was the masterpiece of the whole work. Psyche, radiant with new-found love and joy, her face touched with a more than mortal beauty by the grief she has endured, stands looking reverently into the face of the strongest of gods. Her rainbow wings can lift her now, to soar beside her lover, even to Olympus.

Millicent admired the beautiful frieze, which the hostess confessed troubled her sorely because of the scanty raiment which she said seemed to have been the fashion of the time it represented.

"Mister Graham," she explained, had induced her to keep it in the place for which it had been designed. Mrs. Shallop added that the artist had refused to follow her suggestion of adding clothing to the half nude bodies; and had, moreover, extracted a promise from her husband that he would never allow any other painter to be intrusted with thus supplementing the airy rainbow draperies of the figures.

Miss Almsford was much astonished at the very beautiful interior of the great Shallop house, and soon learned that its furnishing and decoration had been intrusted to Graham, who was gifted with that rarest and most valuable of aesthetic qualities, a perfect and original taste.

"It is the only house Mr. Graham has ever arranged, and he says he will never do another. He was in Europe while it was being built, and mamma persuaded the Shallops to give him carte blanche to buy all the beautiful things he could lay hands upon," Barbara explained.

The guests were shown to their rooms by the hostess, and Millicent gave an exclamation of delight on entering the apartment allotted to her. It was indeed a unique room. The walls were panelled in ebony to a third of their height, a bright light pattern in flowers running to the ceiling, and relieving what might otherwise have been sombre. The glossy black wood was carved into a wide, high fireplace, where two brass andirons, curiously wrought with twisted dragons, supported a fire whose bright blaze was most welcome to Millicent. She found the season very cold compared to the still, hot Italian summers. Below the mantel the fire shone out in welcome, but above the ebony shelf, set in the wall, was a picture which seemed fuller of light and color than the leaping flames. A Venetian scene with a terrace whereon sat men and maidens in the warm glow of the sunset, looking out over a stretch of many-toned water, in which were mirrored sky and clouds, trees, draperies, and graceful human figures. A black gondola, partly shown in the foreground, might have held the painter while he sketched the brilliant scene.

"It is my Venice!" cried Millicent, "it is my home!" Her eyes were full of tears. She caught Barbara by the arm and rapidly described to her the point from which the picture had been painted.

"Mr. Graham will be very much pleased that you recognized the spot."

"Is it his picture? Yes, I ought to have known it."

"Why, are you clairvoyant?"

"Yes, Barbara, sometimes."

Millicent seemed somewhat disconcerted at what she had said; and, without noticing anything more in the pretty room, ascended the dainty little ebon staircase with its fanciful rail, and, pushing back a panel which slid into the wall, entered her bedroom. Later, when both of the girls had exchanged their travelling dresses, Barbara knocked at Millicent's boudoir.

"Entraté," was the response, in obedience to which she opened the door, and found Millicent lying on the low, crescent-shaped sofa, her fair head resting on a pile of cushions. Her graceful figure was clad in a gown soft amber in color, her only ornaments wonderful strings of amber beads falling over the white neck, which the fashion of the frock disclosed, and encircling the smooth bare arms, with their delicate tracery of blue veins like the lines in purest marble. Her hands were hidden, clasped behind her head, and the expression of her face was almost vacant in its look of absorbing reverie. Beside her on the floor lay a small parchment book, ivory-clasped,--"The Sonnets of Petrarch." Her eyes were fixed on the panel over the mantel shelf, but they saw more than the artist had pictured with brush and color: a waking day dream of her home as she had last seen it, and ah! how much sweeter an imagining of how she might next see it,--with what surroundings, with what companionship! O blessed dream-castles of women, in which all the cares and privations of life are forgotten; in which there is never a weariness or a pain; where lonely watching is succeeded by joyous reunion; where those who have lived and know too surely that they must die without that greatest happiness which life can hold, drink the cup of joy innocently, purely, fearing no bitter after-taste, finding no foul dregs!

At Barbara's entrance Millicent slowly drew herself back from dreamland into the actual present. Her eyes, which had been staring widely with a blank look, now seemed to change color with returning consciousness. It was a long journey, and she gave a deep sigh when it was accomplished, and she realized that plump, pretty Barbara, with her best frock and ribbons, stood by her side looking curiously in her face.

"I was reading, and I fancy I had fallen asleep, Bab, what can I do for you?"

"Mrs. Shallop suggested our all having tea here, if you liked. They do not dine till eight to-night. Mr. Shallop has been detained in San Francisco."

"Very well, dear, just as you say. You did not mean to send for the gentlemen?"

"Oh, yes, this room is always used for a tea room, unless you object, of course. If you prefer to 'sport your oak,' you have a perfect right to do so, and we will go downstairs."

"No, no, let us have it here by all means, if it is the custom."