Transcriber's note: Transcriber added the title and author's name to the original cover and placed these modifications into the Public Domain.
A CAMERA ACTRESS IN THE
WILDS OF TOGOLAND
By permission of
Maj. H. Schomburgk, F.R.G.S.
Konkombwa Warrior in Full Gala Dress
The helmet is a calabash, elaborately ornamented with cowrie shells, and surmounted by a fine pair of roan antelope horns. Other less lucky warriors, or less clever hunters, content themselves with the smaller horns of the commoner puku antelope. Note the beautifully ornamented quiver filled with poisoned arrows.
A CAMERA ACTRESS
IN THE WILDS OF
TOGOLAND
THE ADVENTURES, OBSERVATIONS & EXPERIENCES OF A
CINEMATOGRAPH ACTRESS IN WEST AFRICAN FORESTS
WHILST COLLECTING FILMS DEPICTING NATIVE
LIFE AND WHEN POSING AS THE WHITE
WOMAN IN ANGLO-AFRICAN
CINEMATOGRAPH DRAMAS
BY
MISS M. GEHRTS
WITH AN INTRODUCTION BY MAJOR H. SCHOMBURGK
WITH 65 ILLUSTRATIONS & A MAP
PHILADELPHIA
J. B. LIPPINCOTT COMPANY
LONDON: SEELEY, SERVICE & CO. LTD.
1915
[INTRODUCTION]
By Major H. Schomburgk, F.R.G.S.
It was after my return from my first West African cinema expedition, in June 1913, that I made up my mind to try and film native dramas in their true and proper settings.
My aim was to visualise, as it were, for the European public, scenes from African native life as it once was all over the continent, and as it is even now in the more remote and seldom-visited parts; and it was further my object to so present the various incidents as to ensure their being pleasing and interesting to all classes and conditions of people.
To this end, then, it became necessary for me to find a white woman capable of acting the principal parts, supported by native supers. My thoughts at once reverted to Miss Gehrts, a lady with whom I have been acquainted for some little while, and whom I knew to be a keen sportswoman, a good rider, and possessed of histrionic ability of no mean order.
It did not take me long to persuade her to accept the offer I made her; but her parents raised many objections, based principally on the supposed dangers and privations which they assumed—not altogether wrongly—to be inseparable from the trip. These objections, however, were eventually overcome, the enterprise was undertaken and brought to a successful conclusion, and this book is one result of it.
Personally, I must confess to not being altogether favourably impressed with the ordinary African "travel book" of the typical globe-trotting woman writer: the kind of one, I mean, who either conscientiously and carefully hugs the coast, or else ventures but a little way into the hinterland along the ordinary caravan routes, and then puts upon record a long string of facts and fancies which only serve to raise a smile on the faces of those who really know their Africa, exemplifying, as they almost invariably do, that, with regard to this vast and most wonderful continent, more than perhaps anywhere else, a little knowledge is a dangerous thing.
Miss Gehrts' book—and I say so frankly and freely without fear or favour—is not of this sort. She quitted the beaten track altogether; so much so that north of Sokode she was absolutely the first and only white woman the natives had ever beheld. She had, therefore, the satisfaction of seeing these interesting peoples—the Tschaudjo, the Konkombwa, the Tschokossi, and many others—in their original unspoilt state of free and proud savagedom.
I am pleased to say that she appreciated the opportunities afforded her, using her powers of observation to very good purpose indeed, and with results that were not a little surprising even to old dwellers in the country. For instance, it was she who discovered the curious industry of making beads from palm nuts, described in Chapter VII, as also the unique fortified native village of which a plan and drawing, as well as a full and most interesting description, will be found in Chapter XII.
For these reasons I am inclined to dissent from the view, expressed by her in her foreword, that the book possesses no scientific value. I also disagree with most of what she has written in the opening chapter concerning myself: it is far too flattering.
On the other hand I cannot praise too highly the work done by her in connection with the expedition. I am only afraid that no reader will either appreciate or understand, from her very self-restrained narrative, what she really underwent while acting in the dramatic pieces.
Miss Gehrts also took charge of the commissariat, and I am sure that every member of the expedition will be only too pleased to certify that a better could not have been evolved than the one that was run so easily and beautifully by "our little mother," as the "boys" used to call her.
Finally, I should like to say that this book possesses the distinction of being the first published record of a journey through Togoland ever written by anybody, man or woman, black or white. It is, therefore, in a sense unique, and I wish it all the success that, in my humble opinion, it deserves. I cannot say more: nor can I say less.
HANS SCHOMBURGK.
London, July 9, 1914.
[FOREWORD]
In the beginning, when I first went out to West Africa, it had never entered into my head for a single instant that my experiences there might form the subject of a book. But I fell into the habit of keeping a diary of my journeyings, and afterwards many of my friends, as also other people in a position to judge, seemed to think it almost a pity that the adventures and impressions of the first white woman to travel through Togoland from the sea to the northern border and back again, should go unrecorded. It was pointed out to me, too, that the fact of my being the first cinema actress to perform in savage Africa, and with savages as "supers," would most certainly add to the interest, even if it did not enhance the value, of such a record.
In this way the present volume came into being: a creation born—to be perfectly and absolutely frank—of egoism and flattered vanity. I should like to say at the outset, however, that it does not make any pretence to add to the sum of human knowledge in a scientific sense; it is merely a plain and simple narrative of a girl's seeings and doings amongst strange and primitive folk living in a remote and little known land. Still, should there be found in it anything new of anthropological or ethnological value, it will be to me an added pleasure; for I particularly tried, to the best of my ability, to keep my eyes and ears open for the reception of such. Likewise, I shall be glad if this, my first attempt at authorship, helps to win friends for the colonial cause, and tends to dispel the altogether erroneous idea anent West Africa being, in the sense in which the phrase is usually interpreted and understood, the "white man's grave."
Speaking for myself and on the whole, I was both healthy and happy out there. I received nothing but kindness from white and black people alike; so much so, indeed, that I have come to love and admire the country into which I first adventured myself with feelings akin to fear and repulsion. Africa, in short, has cast her spell over me, as she does, I am told, over most others. Even as I write these few last lines I can feel "the call of the wild" stirring my blood.
In concluding this brief foreword, I should wish to be permitted to thank His Highness the Duke of Mecklenburg, Governor of Togoland, whose personal interest in the welfare of the expedition, shown in many ways and at divers times, made it possible for us to carry it out in its entirety on the lines originally laid down.
My thanks are also due to Commander Triebe, of the S.S. Henny Woermamm, for many kindnesses and courtesies received on the outward voyage, as well as to his colleague, Captain Pankow, of the Eleonore Woermamm, for other similar evidences of good-will on the voyage home; to Lieutenant von Rentzel, who so kindly placed his house at our disposal on our first arrival in Lome, the capital and port of Togo; and to Mr. Kuepers, the head-master of the Government school in Sokode, for welcome hospitality freely extended to us.
Especially, too, am I grateful to Captain von Hirschfeld, District Commissioner of Mangu, who not only showed us personally every hospitality and kindness during visits extending altogether to over a month, but who also went out of his way, at considerable trouble and inconvenience, to help us in filming many subjects, scenes, and incidents of native life, which we should otherwise hardly have been able to secure; his efforts in this latter direction being ably seconded by his two European assistants, Messrs Sonntag and Gardin.
Mr. Muckè, of Bassari, also showed us many kindnesses for which I am sincerely grateful; and my best thanks are likewise due to Herr von Parpart, District Commissioner of Sokode, whose hospitality on our return journey to the coast made our last evening in the African bush an outstandingly pleasant recollection. Mr. James S. Hodgson, our camera man, besides proving himself a first-rate and exceedingly careful operator, kept us lively of an evening by his clever playing on the mandoline, while his imperturbable good-humour, even in the most trying circumstances, helped to make our trip a pleasant and agreeable one.
Finally, I should wish to thank my friend, Mr. C. L. McCluer Stevens, of "Ivydene," New Malden, Surrey, author and journalist, for the skilful and painstaking manner in which he has edited my rough manuscript and put it in trim for the publishers, as well as for valuable advice and help regarding the treatment and scope of the various chapters and the work as a whole.
M. GEHRTS.
London, July 1, 1914.
[CONTENTS]
| [CHAPTER I] | |
| LONDON TO LOME | |
| PAGES | |
| I am "up against" a queer business proposition—Doubts and difficulties—Assent—Major Schomburgk, F.R.G.S., the leader of the expedition—His African experiences—Filming cinema pictures in the tropics—The start from England—Dover to Madeira—Life on board ship—Madeira—Teneriffe—Las Palmas—Motoring under difficulties—Arrival in Togo—"Yellow Jack"—Kindness of H.H. the Duke of Mecklenburg, the Governor of Togoland—A jolly dinner party—Rickshaw riding in Lome—Off to Atakpame | 17–28 |
| [CHAPTER II] | |
| HOW WE FILMED "THE WHITE GODDESS OF THE WANGORA" | |
| A tiresome railway journey—My hut in the forest—A trying toilet—Native inquisitiveness—Haute cuisine in the heart of Africa—Mosquitoes—My first night in the bush—A very primitive shower-bath—Rehearsing our first cinema drama—Savages as "supers"—Irritating delays—A false alarm—Filming the principal scene in the White Goddess—I am knocked up—And laid up—Malarial fever—"If you cough you'll die"—Convalescence—I try cookery—A disconcerting experience—Eating 9863 chickens—A little about lizards—Also about ants and beetles | 29–39 |
| [CHAPTER III] | |
| LIFE AT KAMINA | |
| Troubles of cinema playing in Central Africa—Enforced leisure—Native girls and a gramophone—Women and work—Native children—A negro philosopher—Native servants—Learning to cycle—Improvising a studio—Wild monkeys—Native dances—A perilous climb | 40–48 |
| [CHAPTER IV] | |
| STARTING "ON TREK" | |
| On the march into "the back of beyond"—Packing our "chop boxes"—Quinine—"I didn't want to do it"—The starting of the caravan—Good-bye to Kamina—Kindly forethought of the Duke of Mecklenburg—Our first day's march—Sleeping out in the bush—Rest-houses—Our operator goes astray—Dish-washing extraordinary—Our cook disappears—To return with a wife—I try my hand at bush cooking—"Feed the brute"—A native belle | 49–56 |
| [CHAPTER V] | |
| ATAKPAME TO SOKODE | |
| Our friend the doctor—A new way with natives—Laughable results—And to Njamassila—Travelling by hammock—A rash resolve—Njamassila to Agbandi—Sleeping on the march—A native giant—Agbandi to Djabotaure—Depressing effects of the West African climate—An adventure at Djabotaure—Native festivities on the eve of Ramadam—Djabotaure to Audasi—Incompetent hammock boys—"Sea-sickness" on land—A moonlight night in the bush—Nearing Sokode—Our horses waiting for us in charge of a European—A bush toilet—Arrival in Sokode—Kindly hospitality | 57–68 |
| [CHAPTER VI] | |
| IN THE CAPITAL OF TSCHAUDJOLAND | |
| In camp at Paratau—Uro Djabo, paramount chief of the Tschaudjo—A courtly savage—The Tschaudjo a conquering tribe who came riding on horses from the north—Djabo's palace—His wives—A much-married monarch—His prime minister and attendants—He comes to afternoon tea—A democratic king—Tschaudjo horsemen—An accident—I nearly lose my life—A nervous breakdown—We leave Paratau in a hurry—Kindness of the German Government officials at Sokode—They lend us one hundred carriers—On the road to Aledjo-Kadara, "the Switzerland of Togo" | 69–79 |
| [CHAPTER VII] | |
| ALEDJO-KADARA—THE SWITZERLAND OF TOGO | |
| On the march from Paratau to Aledjo-Kadara—A terrible stage—Doubt and depression—An uphill journey—I feel my health improving—An accident—Native sympathy—Our cook annexes our dining-table—A lovely camp—A thousand yards up and surrounded by mountains—The Switzerland of Togo—Beautiful rest-houses—The harmattan—Grass fires—Filming a drama—Another accident—Nebel and I nearly fall over a precipice—Nebel homesick—He leaves for Europe—Filming the final scene of Odd Man Out—We visit Bafilo, near Aledjo—Great reception by natives for the first white woman—The Uro (king) of Bafilo meets us in state—Torch play to celebrate the finish of Ramadam—More filming—An astonished native—Industrial films—The cotton industry—Trade guilds—Primitive looms and spindles—Making beads from palm nuts—Baboons like dogs and rabbits with feet like elephants | 80–96 |
| [CHAPTER VIII] | |
| AMONG THE BAFILO FOLK | |
| The native market at Bafilo—Native sweetmeats—Cowries as currency—A native barber shaving a baby's head—Togo boys playing at the West African equivalent of pitch and toss—A woman's dance that out-tangos the tango—Native baskets at a farthing apiece—Hyenas—I am nearly bitten by a puff-adder—A leopard—Early stables—Filming again—A glut of supers—A "woman palaver"—One of our people abducts a native girl—His punishment—I read the girl a lecture—But make little impression—"He gave me these"—A drunken native—I intercede for him with his chief—Wild tribes from the Kabre Mountains—Nude but modest—The shy girl and her bag of salt—A native falls in love with me—Beautiful native work—I buy a cloak of native manufacture—Good-bye to Bafilo | 97–107 |
| [CHAPTER IX] | |
| ON THE MARCH ONCE MORE | |
| On trek once more—A disquieting discovery—I am very angry—A long day's journey—I narrowly escape sunstroke—"Wholesome anger a good tonic"—I taste native beer for the first time—And find it both refreshing and sustaining—Antelope spoor—Exchange carriers—First meeting with the Konkombwa—The finest race of savages in Togo—Native dandies—Trouble with our horse boys—They are punished—In the heart of the wilds—European and native rest-houses—Paying our carriers with salt—Schomburgk gets "bushed"—Resents my anxiety—We quarrel—Elephant spoor—I am given my first lesson in wood-craft—Mosquitoes—The yellow-fever breeding anophele—We cross the Kara River—First sight of hippopotami—We strike the Oti, the principal river of Northern Togo | 108–124 |
| [CHAPTER X] | |
| CHRISTMAS AT SANSANE-MANGU | |
| At Mangu—Captain von Hirschfeld—I make an "impression"—Though not the kind I should have liked to have made—"The Place where Warriors Meet"—A brush with the Tschokossi—Captain von Hirschfeld's splendid hospitality—Tamberma Fort—The head tax—-The Mangu plantations—Mangu in the rainy season—Great heat—Terrific thunderstorms—Our Christmas dinner at Mangu—New Year's Eve festivities—We burn three thousand feet of film—Game birds round Mangu—A fishing carnival—Queer native methods—Canoeing on the Oti River—A marvellous shot—Filming in the tropics—More difficulties—The new station at Mangu, and the old one—A striking contrast—The big Mangu "songu"—A gathering of the clans—Trapping a hyena—A plague of bats—Fresh milk and native butter—Ancient records at Mangu | 125–140 |
| [CHAPTER XI] | |
| OUR "FARTHEST NORTH" | |
| Northward from Mangu—Wild savages and poisoned arrows—A treacherous attack and a lucky escape—Different arrow poisons—Grass fires and their drawbacks—Mosquitoes and some yarns about them—Wild natives—The wild Tschokossi women—A new dress every day—Our boys go swimming in a crocodile-infested pool—Our pet monkey gets loose—Searching for hippos—An unreliable guide—Sullen natives—A too-early call—A wonderful game country—In God's big "zoo"—Gorgeous plumaged birds—I want Schomburgk to shoot some for me—He objects—Sun birds and blue jays—Across a yam-field country—A bird sanctuary—Discovery of a flock of marabou—I regret having no gun—The costliest feathers on earth—Our guide loses his way again—Fulani herdsmen—They supply us with fresh milk—Arrival at Sumbu | 141–158 |
| [CHAPTER XII] | |
| AMONG THE SUMBU SAVAGES | |
| At Sumbu—Wild savages—Our boys afraid—Tschokossi refuse to sell us provisions—I enter a village and buy a chicken—Astonishment of the people at their first sight of coined money—I make friends with the children—Lumps of sugar—A new delicacy—The "white honey rock"—I become "chummy" with the chief—He invites me to go over his village with him—I accept the invitation—A unique village—Elaborate precautions against attack—Where did the Tschokossi learn to build these remarkable villages?—"Every village a fortress and every house a fort"—Messa gets scared—And Alfred follows suit—Cleanliness and the "classes"—I try my hand at cheese-making—Our too energetic "washerwoman"—A novel theory of wages—The ugliest chief in Togo—Marriage among the wild Tschokossi—Men's view—A primitive form of eugenics—"Can white women laugh?"—Our boys are boycotted—Native women refuse to cook for them—Salt the only currency—Sleeping "rough"—My boys' anxiety for the safety of their "little white mother"—Messa makes himself putties—His anxiety about his wife—A case of filaria—Dangerous symptoms | 159–182 |
| [CHAPTER XIII] | |
| BACK TO MANGU | |
| An adventure with a puff-adder—Welcome news—"Chief's mail"—Out after hippo—Inexperienced hammock boys—My first sight of hippopotami—I am not impressed—Crocodile island—An extraordinary sight—Birds that pick crocodiles' teeth—Panscheli—Hodgson shoots two hippos—Our boys fetch them from the pool—Cutting up the carcases—A loathsome sight—We break camp—Homeward bound—Huge oyster "middens"—Stalked by savages—A nuit blanche—A leopard—and other things—Bad news—Back in Mangu | 183–197 |
| [CHAPTER XIV] | |
| THROUGH THE KONKOMBWA COUNTRY | |
| At Mangu—The harmattan—A meteorological mystery—Filming ethnological pictures—Building the new Mangu station—Drilling native soldiers—Marriage in the native army—Buying wives—Their market value—Polygamy v. monogamy—Filming Togo history—We reconstruct a big battle—Celebrating the Kaiser's Birthday—We buy a wild ostrich—It escapes—An ostrich hunt on the veldt—Packing up for the downward journey—Horrible discovery—No cigarettes—"Battle-axe" brand v. best Egyptians—Quitting Mangu—On the march to Unyogo—No water—Hodgson has an extraordinary "adventure"—A woman palaver—On to Djereponi—Chameleons—Nambiri—Nothing to eat—A glorious feed—An egg-laying story—In the heart of the Konkombwa country | 198–212 |
| [CHAPTER XV] | |
| NAMBIRI TO TSCHOPOWA | |
| The chief of Nambiri—One of Nature's gentlemen—Killing the fatted calf—Pretty Konkombwa villages—The Konkombwa and the Dagomba—Elaborate head-dresses of the Konkombwa men—Konkombwa women—A domestic row—Wonderful recuperative powers of savages—Konkombwa dances—A wonderful performance—Studies in facial expression—Distributing kola-nuts to the dancers—A native delicacy—On to Tschopowa—Voluntary carriers—A "royal" progress—Marabou feathers—A welcome surprise—I secure a wonderful bargain—The rest-house at Tschopowa—A huge baobab tree—Bow and arrow competitions—We secure pictures of hippo—Remarkable corn bins—Roast bats as native luxuries—I decline a share in the "banquet"—A live alarum clock | 213–226 |
| [CHAPTER XVI] | |
| THE WOMEN MINERS OF BANJELI | |
| Tschopowa to Kugnau—No roads—A careless guide—Schomburgk loses his way—Crossing the Oti River—Mosquitoes at Kugnau—Asmani and his "mosquito slaps"—A disconcerting mistake—Messa and Asmani fall out—The Konkombwa and their helmets—A too officious soldier—Anecdote about the Duke of Mecklenburg—Crossing the Oti for the last time—Arrival at Ibubu—A "Roman Fort"—In the Sokode district—Small food rations—Truculent natives—We buy a second ostrich—Lack of carriers—A serious dilemma—The chief of Ibubu is impertinent—"I can't make carriers out of mealie cobs"—I go on ahead with the few carriers available, leaving Schomburgk to follow—The disappearing women—On the road to Banjeli—Beautiful scenery—Schomburgk orders the chief of Ibubu to be arrested and brought a prisoner to Bassari—Women carriers—A glut of green and gold beetles—Our mail arrives at Banjeli from Bassari—News from home—I buy a pig—And am disappointed—A native "cooler"—Our personal boys imbibe not wisely but too well—A model punishment—Filming the native iron industry at Banjeli—Slave women miners—A pitiful sight—We obtain some most interesting pictures | 227–248 |
| [CHAPTER XVII] | |
| IN A MOUNTAIN COUNTRY | |
| Banjeli to Bassari—In a mountain country—Crossing the Katscha River—Bush riding—Arrival at Beapabe—An avenue of mango trees—We reach Bassari—Hospitality of Mr. Muckè, the Sub-District Commissioner—He places the "Massow House" at our disposal—Sleeping in a dwelling with windows—Scarcity of water—The "King of Bassari"—An Arab stallion—Native smiths at Bassari—The Mallam Mohammed, a local Pooh-Bah—An open-air school—The Mallam's eight wives—Their house and its treasures—They pay me a return visit—A Jack-in-the-box baby—Native jewellery—The District Commissioner from Sokode passes through Bassari | 249–262 |
| [CHAPTER XVIII] | |
| A WOMAN "PALAVER" | |
| Native marriages—A matter of sale and exchange—Infant betrothals—Native weddings—A Tschaudjo ceremony—A trying ordeal—Polygamy—Childbirth—Infant diet and infant mortality—Baby girls—A bush ordeal—The "Women's Queen"—Fetish women—Secret rites—Status of native wives—Widows—African death customs—Caravan cookery—Native cooks—Monkey-nut soup—Potatoes a coveted luxury—Bush delicacies | 263–279 |
| [CHAPTER XIX] | |
| BACK IN SOKODE | |
| Bassari to Malfakasa—Crossing the Kamaa River—A fearful climb—Mountain scenery—Uro-Ganede-Bo—A royal sanctuary—The last of our provisions—The outlaw of the "Long Gun" mountain—On the road from Malfakasa to Sokode—The Tim plains—Arrival in Sokode—In touch with civilisation once more—A telegraphic orgie—We say good-bye to our horses—Sending them down through the tsetse-fly belt—Precautions—Sleeping sickness—The Mallam of Dedaure—A splendid native—The native Government school at Sokode—Mr. Kuepers, the schoolmaster—Native scholars—Good manners of the children—Native children apter to learn than white up to a certain age—Herr von Parpart gives a farewell dinner—We meet Mr. and Mrs. Dehn—The choir invisible—By motor car to Atakpame—A breakdown on the road—Arrival at Atakpame—Kamina | 280–295 |
| [CHAPTER XX] | |
| KAMINA—LOME—HOME | |
| Warm welcome to Kamina—I am introduced to the Baroness Codelli von Fahnenfeld—Good news—A faithful black "boy"—The great wireless station at Kamina—Feminine vanity—Camping out v. living in—A tornado—Good-bye to Kamina—By rail to the coast—At Lome—Filming the first scene of our principal drama—We want a white baby—Difficulties of the quest—Shall we paint a black baby white?—A compromise—Social life in Lome—Herr Vollbehr paints my portrait in the gardens of the Duke of Mecklenburg's palace—The great pier at Lome—Coast natives—We part with our "boys"—Good-bye to Africa—Vain regrets—Las Palmas—I try a mild gamble—And win £7—We are nearly sunk when nearing Southampton | 296–311 |
| [INDEX] | 313–316 |
[ILLUSTRATIONS]
| Konkombwa Warrior in full Gala Dress | [Frontispiece] |
| To face page | |
| Portrait of the Author | [32] |
| Rehearsing for the Cinema | [36] |
| Playing an "Interior" Scene in a Native Drama | [36] |
| Cinema Acting in the Wilds | [42] |
| Authoress and Bodyguard of Tschaudjo Horsemen | [46] |
| Major Hans Schomburgk | [50] |
| European Rest-House at Tschopowa | [52] |
| Cinema Films:—(1) A Konkombwa Giant; (2) Paying Carriers in Salt; (3) The Old Uro Djabo of Paratau; (4) A Live Alarum Clock; (5) Boy Scouts | [62] |
| Market Scene in Paratau | [72] |
| Native Boys at Paratau | [74] |
| Cinema Films:—(1) Women Hairdressing; (2), (3) Baby's Bath; (4) Better than the Tango; (5), (6) Scenes from "The White Goddess" | [88] |
| Cinema Films: Bead-making | [94] |
| A Hausa Woman | [104] |
| Tschaudjo Girl from Bafilo | [104] |
| Konkombwa Warrior | [112] |
| Camping Out in the Bush | [112] |
| Konkombwa Dandy | [116] |
| Young Konkombwa Warrior | [116] |
| Cinema Films: A Woman's Work | [120] |
| Tamberma Fort | [128] |
| Canoeing on the Oti River | [134] |
| Chiefs' Compound | [138] |
| Native Pig Iron | [138] |
| Unfortified Tschokossi Village | [144] |
| Natives Gambling | [154] |
| Sketch of a Fortified Tschokossi Village | [166] |
| Plan of the Same Village | [167] |
| Basket-making | [170] |
| Authoress and Dead "Hippo" | [188] |
| A Fine Head of Hair | [208] |
| Native Hairdressing | [208] |
| Young Konkombwa Warrior | [214] |
| A Huge Communal Corn-Bin | [224] |
| "Roman" Fort at Ibubu | [232] |
| Banjeli the Centre of the Native Iron Industry | [240] |
| Section of Old Native Iron Furnace | [244] |
| A Couple of Young Supers | [260] |
| A Study in White and Black | [260] |
| Native Village in Northern Togo | [280] |
| Cinema Films: Konkombwa at Archery Practice | [290] |
[A CAMERA ACTRESS IN THE
WILDS OF TOGOLAND]
[CHAPTER I]
LONDON TO LOME
Actresses who, like myself, specialise in cinema productions, frequently find themselves "up against" all sorts of queer propositions of a business character; and we are not, therefore, easily surprised out of that orthodox professional calm, which we all try, more or less successfully, to cultivate.
When, however, it was suggested to me, early last summer, that I should take a trip into the far interior of Africa, in a district where no white woman had ever been before, in order to play "leading lady" in a series of dramas of native life, I confess to having been for once completely taken aback.
Nor did even the fact that the proposed expedition was being financed and personally conducted by Major Hans Schomburgk, F.R.G.S., the well-known African explorer and hunter, completely reassure me. I hesitated long. But eventually the prospect of shaking the dust of cities from my feet for awhile, and living the (very much) simple life amongst unspoilt children of nature in altogether novel surroundings, tempted me into acquiescence; and—greatly against the advice of my relatives and friends—I "took on" the job.
Largely I was influenced in my decision by the fact of my having known Major Schomburgk for some time previously, for we are both natives of Hamburg.
Although not perhaps so well known in England—outside of scientific circles—as he is in Germany, he can nevertheless, if he wishes to, truthfully lay claim to be one of the most successful African explorers and big-game hunters now living; and as his name will figure pretty prominently in the pages of this book, a brief description of him and his work may not be out of place.
Thirty-three years of age, of medium stature and somewhat slim build, he is nevertheless endowed with great physical strength. The last sixteen years of his life—since he was a lad of seventeen, that is to say—have been spent almost entirely in Africa, hunting, fighting, and exploring.
Speaking English like a native, he served in the Natal Mounted Police, and in the last Boer War, for which he has the medal, with four clasps. As a hunter, it is no exaggeration to say that his prowess is famed throughout Africa. No fewer than sixty-three full-grown elephants have fallen to his rifle, and he once bagged four big tuskers in four shots—two rights and two lefts.
Twice he has crossed Africa. His most adventurous trip—one of five years' duration—was from the Victoria Falls to Angola, Portuguese West Africa, thence back through the Congo Free State, Northern Rhodesia, and German East Africa, coming out eventually at Dar es Salam, near Zanzibar. During the whole of that time he never saw a railway, or slept in a stone house. For an entire year he was exploring the source of the Zambesi, in the Walunde country, which had not been previously visited by white people; and it was during this expedition that he trapped, and brought to Europe alive, a specimen of the East African elephant, a feat that had been frequently attempted before, but never successfully performed.
He was, too, the first white man to secure alive specimens of the rare pygmy hippopotamus, an animal that in its native state is so exceedingly scarce and shy that its very existence even was denied up till comparatively recently by most African hunters and explorers.
Major Schomburgk knew better, however, for he had actually seen one of the miniature creatures during an early trip into the West African hinterland; and in 1911, after infinite difficulty, and some danger, he succeeded in trapping no fewer than five living specimens, and, what is more to the point, conveying them from the interior down to the sea-coast, whence they were safely shipped to Europe.
Two of these are now in the London "Zoo"—one specimen having been presented by the Duke of Bedford, who bought it from Mr. Carl Hagenbeck, for whom Major Schomburgk was acting; the other three are in the New York Zoological Gardens. All five "pygmys," I may mention, were shown to the Kaiser, who was greatly interested in the curious little beasts, and warmly congratulated their captor on his success.
In addition to those mentioned above, Major Schomburgk has also discovered and named many hitherto unknown species of African fauna, including a rare new buffalo, the Bubalus Schomburgki.
Nor was this the first cinema expedition that he had organised and led into the West African hinterland. Scarcely three weeks prior to the date when he first approached me with an offer to go out to Togo as leading (and only) lady, he had returned home from conducting a similar enterprise into the hinterlands of Liberia and Togo. But that one was not a success; one reason being, he informed me, that the negative stock he took out was not the right kind for the tropics. Then, too, his camera man proved a failure.
The net result was that the money invested in financing the expedition was practically all lost. This time he hoped, profiting by experience, to attain to far better results, and, after I had signed my contract, he infected me with his enthusiasm, so that I grew quite learned—in theory—about celluloid ribbon, reels, and so forth.
I may say at once that we succeeded even beyond our expectations. In fact, it has been admitted since by experts, that the collection of films we brought back, dramatic, ethnographic, and anthropologic, were the finest that ever came out of the tropics. I can say this without egotism, and even without appearing unduly to flatter Major Schomburgk, since the pictures were not taken by either of us, but by his camera man, Mr. James Hodgson. Of course, we both of us acted in the dramatic films, but that is another matter.
It was on August 26th, following the necessary preliminary preparations in London, that we sailed from Dover in the "good ship"—I believe that is the accepted nautical term—Henny Woermamm, bound for Lome, which is the capital and port of Togo, a tiny German protectorate wedged in between the Gold Coast Colony on the west and Dahomey on the east.
The coast-line is only thirty-two miles long, but inland the country widens out a lot, and it was for this "hinterland"—largely unknown and uncharted—that we were bound.
I must confess to a certain feeling of pleasurable excitement—what girl would not experience such?—on the occasion of this first start on what will in all probability always stand out in memory's record as the longest and most adventurous journey of my life.
Our prime business was, of course, to film pictures, and we set to work promptly. Directly we got on board the tender, we commenced photographing the first scene in a drama entitled Odd Man Out, the scenario of which had already been put together in London, and concerning the plot of which I shall have more to say presently.
Naturally our business excited the curiosity of the other passengers, and as the tug drew near to the great liner, I could see that the rails of the decks nearest to us were lined with row on row of the passengers who had joined the vessel at Hamburg, all eagerly intent on watching us and our doings; and as we stepped on board, all eyes were directed at us, and many smiled a kindly greeting. As for me, however, during those first few hours my one wish was to be alone, to arrange my cabin, unpack my belongings, and generally make my surroundings as comfortable and homelike as possible.
It is the fashion of old West African travellers to protest that the pleasures and amenities of the voyage do not really begin until Madeira is passed, but as far as I was concerned I had quite settled down to life on board after our first day at sea. We played the usual ship's games, sang, talked, and I am afraid that most of us, old as well as young, married and single, flirted a little bit. I soon gathered round me quite a small circle of friends. They were mostly men friends, but this was not exactly my fault. An actress is an actress. Que voulez-vous?
And here I feel that I must say how greatly I appreciated the kindness and attention I received during the voyage from the ship's officers. The captain, a most fatherly old gentleman, the oldest officer and the commodore of the fleet of mail steamers to which the Henny Woermamm belongs, was unceasing in his efforts to do all he could for my comfort and convenience. The food, too, was excellent, and the whole surroundings most comfortable, not to say luxurious; equal, in fact, to those of any first-class hotel.
Curious how one gets used to the throbbing of the engines on board ship, and the vibration of the propeller. When they suddenly ceased, very early one morning, I was wide awake immediately. For a few moments I lay quite still, wondering lazily what was the matter. Then it suddenly flashed upon my mind that we must be at Madeira, and all desire for further sleep promptly vanished. I jumped up, peeped out of my port-hole, saw at once that it was even as I had surmised, and at once I proceeded to dress and hurry on deck.
It was Sunday morning. Before my eyes lay Madeira. Never in all my life had I seen anything one-half so beautiful. I was quite taken aback by the ethereal loveliness of the picture, and could only stand still and gaze at it in speechless admiration.
I was almost the first on deck, and so I had it all to myself for a while, and I could drink in the beauty of it, and enjoy it at my leisure. But soon the other passengers came pouring up from below in ever increasing numbers, and all became bustle, noise, and animation. Native boys swam out and round the ship in shoals, shouting, jabbering, and gesticulating, and diving for pennies which were thrown to them by the passengers.
After breakfast we went ashore, hired a motor-car, and drove up the mountain side to a spot whence a magnificent view is obtained of the whole of the bay, harbour, and town. The road up is exceedingly steep, and it was, take it altogether, the most exciting motor ride I ever experienced. I was, in fact, afraid at times that the car would slip backwards.
But if the ride up was exciting, it was nothing by comparison with the ride down. This return journey is made by means of queer-looking native sleighs over a smooth cobble-paved, but exceedingly steep road. Each of these sleighs will accommodate two passengers, and is manipulated by a couple of natives, who stand bolt upright on the elongated runners that project behind, and guide its course with their feet.
It is very like tobogganing, minus the snow and ice, and most of the passengers made light of it, but to my mind it was a rather terrifying and not altogether pleasant experience; for the road is inclined in places at an angle of something like ninety degrees, there are many sharp curves, and the crazy little vehicles fly downwards with the rapidity of lightning. Nevertheless, so skilful are the natives that I was assured that accidents are practically unknown.
After our ride our party went together into the town, and I found it very interesting to watch the passengers busily engaged in buying curios, and specimens of native work, to take home to their friends. Everybody haggled to get the price as low as possible; and yet afterwards, when they got back on board ship, everybody came to the conclusion that they had been "had."
We utilised, too, our short stay on shore to film yet another scene in the Odd Man Out drama, this being taken in the gardens amidst beautiful tropical vegetation; and one of the curious island sledges, drawn by oxen, was also introduced. In fact, I may say here that we hardly ever missed a suitable opportunity throughout the voyage to get local colour for this our first cinema play, the early scenes in which are concerned with a young white woman going out to join her husband in the wilds of Central Africa. When later on, for instance, we passed a mail steamer in mid-ocean, the camera was got ready, and I was set to pose and act on deck, with the big ship flitting past in the background as a setting. We had some gorgeous sunsets, too, and these also we pressed into our service, so to speak.
The "Blue Peter" flying from the masthead is the signal for everybody to hurry on board, and soon the anchor is up, the screw starts to revolve, and we resume our journey. Between Madeira and Las Palmas we enjoyed two of the lovely sunsets mentioned above. I never saw anything to equal them, and certainly I could never have imagined anything half so beautiful. If a painter could have painted them exactly true to nature, I am quite sure that he would have been laughed at as a futurist, or something artistically as dreadful; because no one, who had not seen the original, would have believed in the reality of his vivid colour effects.
On the morning of September 1st we passed Teneriffe, but only stopped there for quite a short while to put off a few passengers. At noon we anchored at Las Palmas, where we had a long wait. A party of us went ashore, and visited the cathedral and the few other "sights" that the place boasts of.
Then we hired a motor-car for a drive up to the Hotel Monte. At least, the chauffeur who drove us called his conveyance a motor-car, but it was the awfullest type of its kind I ever came across. The bumping was terrific, but looking over and under to try to ascertain the reason I discovered to my amazement that one of the wheels was practically destitute of any vestige of a tyre. About every ten minutes, too, we had to stop dead, because the motor got hot, and there was no water available to cool it.
At last, after a thorough shaking-up, the worst I think I ever had in my life, we arrived at the hotel, and had our tea. The view from the summit made amends in part for the disagreeableness of the drive. It was superb. It struck me as being very strange, however, that the one side of the mountain is quite bleak and bare, whilst the other is beautifully green and wooded.
In Las Palmas I saw for the first time women washing the family linen at the sides of the roads in the streams that flow downwards through pebble and shingle. The Las Palmas roads, by the way, are atrocious; but the strongly built mail-coaches, each drawn by six mules, make light of their unevennesses.
At five o'clock we paid a visit to S.M.S. Bremen, which lay in the harbour near the Henny Woermamm. Three officers belonging to her had accompanied us as far as Las Palmas, and we had been great friends with them, and now they invited us to come on board their vessel for a farewell visit. Champagne was produced, and I took a couple of glasses and found they did me good, the heat being very great, and the ride up to the Hotel Monte and back dreadfully dry and dusty.
Our captain had fixed six o'clock as the hour of departure, but we did not actually start until eleven. The ship seemed almost unnaturally quiet now that the naval officers had left her, for they were always bright and jolly, and I must confess that I had got to like "my little boys in blue," as I had christened them, very much indeed. However, I am naturally light-hearted, so I quickly banished sadness, consoling myself with the reflection that there are, after all, heaps of nice men in the world.
At length Lome hove in sight, and while I was being lowered, together with three other passengers, into the boat that was to take us ashore, the band struck up a song that was pretty popular amongst the passengers on board, "Do you think that I love you because I have danced with you?" and on deck stood an army lieutenant who was going to join his regiment in Kamerun, and with whom I had often danced. I was convulsed with laughter, because I knew that it was all his work. After this ditty came "The Girl I Left Behind Me," and looking back from the boat I saw my dear old captain, and an elderly civilian gentleman who had paid me a good deal of attention, standing on deck with a huge bath towel between them, on which they were pretending to dry their tears. It was exceedingly comical.
Landing at Lome is not at all a simple matter. First one has to be lowered into the boat from the deck of the steamer in what is called a "mammy chair"—mammy being a coast term for woman. It is a sort of wooden skip, something like one of the old-fashioned swing-boats one sees at village fairs.
The passage from ship to shore is exciting, and in bad weather it is even considered dangerous, and there is considerable surf; but the sea happened fortunately to be calm when we got there. Otherwise our arrival was inopportune. On the day before a member of the tiny European colony there had died of yellow fever, and all the flags were at half-mast.
This rather cast a damper over our spirits, although nothing could exceed the kindness and courtesy shown us by the Togo officials, from the highest to the lowest. The custom-house officers hurried over the necessary formalities as quickly as possible; and although the governor, H.H. the Duke of Mecklenburg, was unable to receive us, being engaged with Sir Hugh Clifford, Governor of the Gold Coast Colony, who had come to pay him an official visit, he had kindly arranged quarters for us, and done everything in his power to welcome us and make us comfortable.
His adjutant, Lieutenant von Rentzel, who was in hospital at the time, put his house and servants at the disposal of our party, and we had a jolly dinner party there that night, at which I played the part of hostess. He also lent me personally a rickshaw, and a boy to draw it, so that I might be able to see what there was to see in and about the town with the minimum of fatigue and inconvenience.
However, I had not much time to devote to sight-seeing, for very early on the morning after our arrival we set out to journey up country to a place called Atakpame, distant about 110 miles from Lome. A railway runs so far; and at the rail-head civilisation may be said to come abruptly to an end.
[CHAPTER II]
HOW WE FILMED "THE WHITE GODDESS OF THE WANGORA"
Oh that railway journey! Shall I ever forget it? The dust and heat were awful, and owing to some unaccountable oversight, nobody had thought to lay in any provisions for the trip, which lasted from six o'clock in the morning till four in the afternoon. The only food we were able to obtain en route consisted of monkey nuts. Our thirst, however, we quenched quite satisfactorily with luscious, juicy pine-apples, of which the natives brought us unlimited supplies at every stopping-place, offering them clamorously for sale at the uniform rate of one penny each.
Arrived at Atakpame, we were given a right royal welcome by Baron Codelli von Fahnenfeld, who is building for the German Government, at Kamina near by, an immense wireless station, intended to communicate direct with the wireless station at Nauen, just outside Berlin.
The baron first introduced to me my "house," a straw hut, like all the dwellings hereabouts, but, as he proudly pointed out, it was, unlike them, possessed of a cement floor. I duly thanked him, and tried to smile my gratitude. But my heart misgave me, for to my mind it seemed to lack pretty well all the essentials that a dwelling-place should by rights possess.
To begin with, it most certainly was not weather-proof, for I could see, through the interstices of the loosely-thatched roof, the stars twinkling far above. The wind blew in the front and out at the back, and I was conscious, all the time I was dressing for dinner, that I was the cynosure of several hundred pairs of eyes, belonging to as many natives, men and women, who, "clad in the climate," as the saying is out there, crowded in serried ranks all round the wattle walls, anxious for a glimpse through the all too numerous chinks at the wonderful white woman timidly robing and disrobing within.
But dinner made amends for everything. We were the baron's guests for that evening. It was a glorious, gorgeous meal, beautifully prepared and perfectly served under conditions which seemed ideal to me, partly no doubt because they were so altogether novel. The warm African night was absolutely still, save for the continual monotonous humming of myriads of insects. All around was the silent mysterious bush, from which came no sound, either of man, or of beast, or of bird.
And we—we were in a little gastronomic world of our own; a tiny bit of London, or Paris, or Berlin, planted out in the wild. There was the same sheen of damask napery, the same glitter of crystal and silver, the same faint, almost imperceptible perfume of exotics, as one associates mentally with, say, the Ritz or the Savoy. Only the servitors here, instead of wearing black clothes and having white faces, were ebon black in colour, and their liveries were white, all white, from head to foot, save for the silver blazonry of the baron's crest.
Oh, how I enjoyed this my first real meal in the real heart of Africa! The memory of the taste of it lingers on my palate yet, even as I write. Nothing was lacking, nothing was de trop. The caviare was as good as the consommé, and both were perfect. The partridge en casserol was hot, juicy, and tender. The spring lamb with asparagus shoots was a dream. The peach Melba melted in one's mouth. The coffee was as good as any I have tasted in Vienna, which is only another way of saying that it was the very best possible. The wines, like the liqueurs, were just "it." When my host informed me, over our cigarettes, that all the comestibles came out of cans, I simply could not believe it. But it was the truth, of course, nevertheless. Only canned provisions are available in the Togo hinterland, if one excepts chickens and eggs, and an occasional joint of very tough and very insipid beef.
After dinner, however, came my first real African ordeal. Wishful to do honour to our genial host, I had donned one of my prettiest low-necked frocks, and the mosquitoes took a mean and dastardly advantage of my innocent inexperience. The baron and Major Schomburgk swathed me from head to foot in blankets and tablecloths, so that I looked like an Egyptian mummy. Nevertheless, ere bedtime, I grew unbeautifully speckled, and very, very lumpy.
I had almost forgotten to record that the dinner was served in an open thatched house, like my own, but somewhat larger, so that the insects had free access everywhere. The light came from one of Baron Codelli's acetylene motor-bike lamps, placed at some distance from the table. A lamp placed anywhere on, or near the table, attracts insects in such countless myriads as to render eating and drinking almost out of the question.
I slept fairly well through my first night in the African bush, having previously learnt to lie perfectly straight and still on the narrow camp bedsteads that are everywhere in vogue in Togo. If one wriggles about under one's mosquito-net, or throws one's arms about, the bloodthirsty little brutes are sure to get at one, and then woe betide the sleeper. He, or she, becomes the sleeper awakened with a vengeance.
On rising at sunrise, I asked quite innocently for my bath. My native boy grinned; and pointed to a bucket hanging from the top of a tall pole in the open compound fronting my hut. At the same time he explained by gestures that by pulling out, by means of a cord that was attached to it, the bung in the bottom, I could manage to obtain a very good imitation of a genuine shower-bath.
Nobody seemed to think that there was anything amiss in the publicity that must of necessity have attached to the proposed performance, but I was of a different opinion. I shirked my bath for that one morning, and during the afternoon my boy, acting on my instructions, built a wattle screen round the compound.
I was looking forward to start rehearsing that day on the first of our native plays, which we had entitled tentatively, The White Goddess of the Wangora; but then I knew nothing at the time of the delays incidental to any kind of work in which natives play a part.
Portrait of the Author
Painted in Togoland, by Ernst Vollbehr of München. The native is a Konkombwa.
Time is of no value whatever to these wild and woolly savages, and as we had of necessity to get together a small army of several hundred "supers," literally weeks elapsed before we were ready. I chafed dreadfully at the delay, but there was no help for it. The requisite number of natives had to be laboriously collected from a score or more of villages scattered over a wide area of country, and then, when we had got them together, everything had to be explained to them over and over again through the medium of three or four different interpreters. In fact, it was nothing but talk, talk, talk, palaver, palaver, palaver, from morning till night.
There was considerable difficulty, too, in getting them to face the camera. Like most savages, these Togo natives have an inherent rooted aversion to being photographed. Luckily, however, Major Schomburgk had taken moving pictures of some of their villages during a previous expedition he had led into these parts, and some of the very natives we had engaged figured in them.
So, as we had brought a projecting machine with us, we made shift to rig up a screen, and showed them themselves, their wives and their little ones, going about their ordinary avocations in their own homes. The effect was instantaneous. They had, of course, seen ordinary photographs before, but none of them had ever beheld any moving pictures. Now they all wanted to come into one; and whereas before the most of them hung back, they were now only too anxious to push themselves in the forefront of every scene.
Only one act they shirked. This was a battle scene in which several of the warriors were supposed to be slain. We had the greatest difficulty in persuading even one native to "act dead." Their objection, they explained, was due to the fact that they believed that if they played at being dead before the white man's mysterious machine, they would most likely be dead in reality before morning.
At length, by the promise of a liberal bonus, one warrior, greatly daring, consented to play the part. The next morning the head interpreter knocked at the door of my hut to inform me that there were "eight dead natives lying in the compound outside."
"What!" I screamed, in great alarm. And, hastily donning my dressing-gown, I ran out.
But I need not have got scared. The eight were not really defunct. They were merely shamming death, and wanted me to see how well they could do it, with a view to being taken on for the part in the forthcoming day's rehearsal.
The one who had played dead the day before had not of course died during the night, as they more than half expected he would have done, and they were consequently now only too willing and anxious to follow the lead he had set them.
At length the long, wearisome series of preliminary rehearsals came to an end. Everybody was supposed to be part perfect, and we made ready to film the play.
Up to this I had, of course, rehearsed in ordinary attire. Now I had to don native dress; and as I am a stickler for realism I insisted—against Major Schomburgk's advice—in playing in bare feet and legs, bare shoulders and arms, and with no head covering.
As the principal scenes were laid out of doors in the middle of the bush, and under a blazing tropical sun, this, as was pointed out to me, was a pretty "big order." Nevertheless, I thought I could "stick it"; and, as a matter of fact, I did, though I suffered for it afterwards.
My part was, of course, that of the "White Goddess." I was supposed to have been cast ashore as a babe on the coast of Togo, and taken up-country by the savages who found me, and who afterwards placed me in charge of their principal ju-ju shrine, paying me, in the course of time, almost divine honours.
I had grown to womanhood without ever having seen one of my own colour and race, and when a white hunter (Major Schomburgk) was taken prisoner by the tribe whose high priestess I was, I was naturally attracted to him. Bound hand and foot, he was cast into a hut, preparatory to being put to death. I had to free him from his bonds, and guide him in a wild flight for freedom over rocks and bushes, through foaming streams, and up hill and down dale.
All this I did. It is the great scene of the play, and to film it took one whole day. Major Schomburgk had given strict orders for all our eight hundred or so of supers to muster at 6 A.M. sharp, but with the irritating perverseness of natives they did not put in an appearance until 10 A.M., when, of course, the sun was already high in the heavens.
This added tremendously to my trials and tribulations, and was, in fact, to a great extent the cause of my subsequent breakdown. By noon, when the sun was directly overhead, it was so hot that the operator was unable to bear to touch with his ungloved hand the brass work of his machine.
How I got through the afternoon's work I don't know to this day. I managed it somehow. There is a marvellous sustaining power in the mere nervous tension of acting, and the click, click, click of the camera helps to keep one tuned up as it were. But directly it was all over I fell fainting on my camp bed in my hut, and the doctor had to be called in. My feet were all cut and scarred, and full of thorns and jiggers.[1] My legs, too, were pretty badly scratched and torn. And, to crown all, I had got a "touch of the sun."
[1] Also known as the chigoes and the sand-flea.
The next day I was in a high fever, and the day after that in a higher one. Malaria had gripped me, and I really thought at one time that my first African photo-play rehearsal was going to be my last one. Even the doctor looked grave after the first week or so. "You have got malarial fever," he explained, "and you have got it pretty badly. Your spleen is about four times larger than it ought to be, and if you cough it will probably burst."
As at that time I was troubled with an almost incessant cough, this was not consoling. However, liberal doses of quinine, repeated at frequent intervals, cured me at last, and in order to celebrate my convalescence, as soon as I felt well enough I prepared a little dinner with my own hands, and invited Baron Codelli and Major Schomburgk to my hut to partake of it.
By permission of
Maj. H. Schomburgk, F.R.G.S.
Rehearsing for the Cinema
Another scene from the moving picture play "The White Goddess of the Wangora." Note the intent look on the little black girl's face, and the pleased expression on that of the authoress. The black lady on the left is the head "super" amongst the native women at Kamina.
By permission of
Maj. H. Schomburgk, F.R.G.S.
Playing an "Interior" Scene in a Native Drama
The authoress is reclining on a leopard-skin rug, and is supposed to be sleeping, while a "slave-girl"—really a native "super"—fans her with a feather fan. Taken at Kamina.
I rather fancy myself as a cook, and I had prepared, as the pièce de résistance, a couple of nice plump fowls. When the dish was uncovered my guests glanced sharply at one another, turned very red, and looked quite uncomfortable.
I could not make out what was the matter, and in my usual impetuous way, I blurted out, plump and plain, the question that was uppermost in my mind.
"Is there anything wrong with the chickens?"
This was too much for their gravity. Both the baron and Schomburgk burst into fits of uncontrollable laughter, and the former ran to fetch his diary.
"Look here," he said, pointing to one of the last entries, "I have already, during the years I have spent in this benighted country, eaten 9863 chickens. Schomburgk has probably eaten pro rata at least as many"—the major nodded—"and now you give us two more as a treat! O Lord!"
I joined in their laughter then. I had to. And, after all, my little dinner passed off excellently well, for of course there were other dishes. Meanwhile I had learnt one more African lesson. Never, never, NEVER offer your guests chicken if there is anything else under the sun obtainable by hook or by crook. Cheese and crackers, if you like; or tinned salmon, or sardines, or even "bully" beef. But the domestic fowl, regarded as more or less of a luxury in Europe, is in Africa absolutely tabu. It is the one article of flesh diet that is all-pervading everywhere out there, and which everybody consequently soon heartily sickens of. As well might one offer a dish of salmon to an Alaskan fisherman; or a ragout of mutton to an Australian boundary rider.
Another lesson I learnt during my long and wearisome illness was never to kill a lizard, the reason being that lizards eat insects, and insects of innumerable and most diverse kinds constitute the principal pests of equatorial Africa. The houses out there swarm with lizards, and they are big ones too, fully eighteen inches or more in length. Nobody dreams of interfering with them. On the contrary, they are everywhere petted and made much of. One old fellow I got quite attached to, and he to me. I always knew him from the others because he had only three legs, having lost the other, probably in an encounter with one of his kind. He was as good as a watch. I used to call him my tea-time lizard, because he always put in an appearance precisely at four o'clock every afternoon.
Schomburgk used to tell me that every lizard was responsible for killing and eating I don't know how many hundreds—or was it thousands?—of white ants daily. Very likely. But all the same the ants did not seem to me to diminish perceptibly. The venomous and vicious little pests swarmed everywhere in incredible numbers. Nothing seemed to come amiss to them. Our operator declared that he once found a lot of them trying to make a meal off a sixteen-pound cannon-ball that he used as a make-weight to the tripod of his machine to prevent it being blown or knocked over, but this I altogether decline to believe. He must have been—well, mistaken. But I can vouch from bitter personal experience that they will devour, in the course of a single night, photographs hung on the walls, and boots left standing on the floor; and once a detachment of them riddled so badly a strong wooden box in which I kept my letters and papers that it fell to pieces in my hands.
Another troublesome insect pest was a kind of big wood-boring beetle, that made its home chiefly in the beams of the roof. These he would riddle so completely that sooner or later the thatch was practically certain to come tumbling about one's ears. While in between whiles he peppered the interior with sawdust from his carpentering operations to such an extent that I was kept continually busy dusting and sweeping it out.
Later, however, when we trekked further up-country right into the real heart of the unexplored hinterland, I learnt that Africa held other even worse insect pests than white ants and wood-boring beetles. But of these more anon.
[CHAPTER III]
LIFE AT KAMINA
There seems to be no end to trouble when filming cinema plays in equatorial Africa. No sooner had I recovered from my bout of malarial fever than our leader and producer, Major Schomburgk, was stricken down with it, and everything was at sixes and sevens once more.
However, I employed my interval of enforced leisure in making my temporary home as comfortable as possible, and in getting acquainted with the natives, and so managed to pass the time pleasantly and profitably enough.
My nicest hours were those spent before my hut between four o'clock and dark, after the day's work was done. Then I took my tea, and passed the time of day with the women and girls who came with huge calabashes on their heads to get water.
At first they used to hurry by shyly, with eyes downcast, and without speaking. But I laughed and smiled at them, and by degrees, after the first day or two, we became quite friendly. They were chiefly interested in my needlework and my hair. Then one day a thunderstorm broke suddenly while they were near, and I invited them into my hut for shelter and set my gramophone playing. This delighted them immensely, although for a long while they seemed to be more or less frightened of it.
There are some sweet girls amongst them, and many of them are quite modest in their demeanour, and well-behaved, although in the matter of clothes, of course, they have not much to boast of. The young unmarried girls are some of them quite pretty, with lithe graceful figures, beautifully proportioned busts, and well-shaped arms and shoulders.
All of them have to work hard, however, and the existence of the married women especially seemed to me to be one continuous round of drudgery. In fact, the daily life of a native wife out here might well serve the advanced suffragettes at home as a typical, "terrible example" of what my sex has to put up with from "tyrant man."
She has to rise at dawn, sweep out the homestead, fetch water from the river, often far away, do the scanty family washing, tread out the corn, grind it to flour and make it into porridge, gather and prepare for food various wild roots, herbs, and vegetables, cook the family meals, wash and tend the children, and perform a hundred and one other similar duties, while her lord and master is, for the most part, quietly resting "in the shade of the sheltering palm."
Nevertheless, I am bound to say that the women do not appear to mind it, but seem, on the contrary, to be quite happy and contented. And indeed their lives compare very favourably on the whole with the lives led by many married women of the lower classes in the great cities of England, Germany, and elsewhere.
The native husband is, as a rule, of a good-natured and kindly disposition, tolerant to a fault almost, and passionately fond of his children. Domestic quarrels are rare, and "nagging" on the part of the wife—that great source of strife amongst the lower classes in Europe—is practically unknown in Africa. Then, again, if there are no palaces in Togoland, there are likewise no slums. Everybody is well housed, according to native standards, and they have plenty to eat. The children especially are well looked after in this latter respect. There is no "under feeding" of them, at all events, and a Togo mother would probably regard as an insult any offer on the part of the State to provide "free meals" for her offspring.
The worst class of natives to get along with are those who have been brought continually into association with Europeans, and have acquired thereby an exaggerated notion of their own importance. Our chief interpreter, for instance, required at first a good deal of keeping in his place, although his views on life and things in general used to afford me considerable amusement.
By permission of
Maj. H. Schomburgk, F.R.G.S.
Cinema Acting in the Wilds
The authoress is here shown playing a part in a cinema drama, "The White Goddess of the Wangora." The big trunk in the background is that of a very large "cotton tree," regarded as sacred by the natives. The small tree in the foreground, against which she is leaning, is a pawpaw, valued for its refreshing fruit.
One day, for instance, seeing me rather downcast—it was when I was recovering from my illness—he surprised me by offering to sing to me. I thanked him, and told him to get on with it, expecting to hear some ordinary tuneless native ditty. Instead, he greatly astonished me by singing, in a fairly passable voice, some very nice songs in German.
I complimented him, and asked him where he had learnt them. He said, "At the Catholic Mission." Then he went on to inquire whether I had a mother still living, and on my answering him in the affirmative, he remarked: "I, too, have a mother, a dear good woman, and twenty-five brothers and sisters."
I suppose I looked the astonishment I felt, for he hastened to add that his father had five wives. "My father," he remarked, "is a fine big man, with a good figure, and in Togo, if a man has a good figure, he can get plenty of wives."
As my interpreter possessed what he called "a good figure," I asked him if he had many wives. "Oh no," he replied, in quite an offended tone, "I am a scientist, and I only have one wife."
"How scientist?" was my next question, spoken quite gravely.
"Well," he replied, "I understand German."
"And does your wife understand German too?" I inquired.
"Oh dear, no," he answered, "that is forbidden amongst us, because we hold that it is not good for a woman to be educated."
"And why, pray?" I asked.
"Well," he said, "supposing I return home to-night and issue some instructions to my wife, she would probably, assuming her to have been educated, reply: 'Talk to yourself, my husband, not to me; you cannot teach me anything; I am as clever as you are.' As it is, however, she just obeys my instructions, and says nothing. It is better so."
I was inclined to laugh just at first at this example of negro philosophy, when it suddenly struck me that I had listened to very similar sentiments expressed by men in far more civilised communities. "The girl I shall choose for my wife," I once overheard an eminent lawyer remark, "will not be one of your new-fangled sort, all fads and fancies, but one of the good old-fashioned kind, who will faithfully minister to the comfort of my home and willingly share my bed."
London lawyer and Togo interpreter—there was scarcely a pin to choose between them as regards their outlook on marital life and its duties and obligations. Both cherished at bottom precisely the same sentiments, and neither's ideal of femininity was one whit higher than the other's.
I also had some differences with my cook. He demanded a lot of money for "extras," and so forth, and the results were, as a rule, distinctly disappointing. I was especially struck with the toughness and tastelessness of the meat served at table, until I discovered, quite by accident, that he was in the habit of making soup out of it for his family and relations, we getting the solid—very much solid—residuum. After that I insisted, much against his wish, in superintending his culinary operations, with the result that we got good palatable food at about one-half the cost.
My best servant, or at all events the one I liked best, was a young girl of about fourteen or fifteen, who acted in our dramas, and was my personal attendant between whiles. She was a really nice little lassie, with no nonsense about her, and an excellent taste as regards the most suitable native attire for me to wear in our various plays, and the best way to drape and arrange it. She, too, was a bit of a philosopher in her way, some of her remarks being exceedingly quaint, and yet sensible.
Once, for instance, when I was attired in evening dress for a certain social function I was attending, she started admiring my costume, and on the spur of the moment I said to her: "How would you like to wear clothes such as I am wearing?" Quick as a flash came the answer: "Ma'am, what one can never own, one must not permit one's self to like." There is a world of meaning in that little sentence—especially for our sex—if one stops to weigh it carefully. Nor does it necessarily apply only to dress, but to—well, other things.
Another use I made of my enforced leisure at this time was to learn to cycle, this being by far the easiest way of getting about in southern Togo, where the roads are fairly good. I had several spills, for it must not be imagined that the Togoland roads, good though they are judged by African standards, are in any way comparable with the macadamised highways one cycles over at home. Still, I persevered, and after a while I became a fairly proficient rider.
One advantage I had, and that was not being hampered in any way as regards dress. One returns to nature in equatorial Africa. No tight skirts, but riding-breeches, in which one can move about easily. No high heels or wafer soles, but good strong boots that are alike serviceable and comfortable. No waved hair, because the waves would not remain in for even half an hour in this hot, damp atmosphere.
Of course we were all the while on the look-out for suitable subjects and settings for our pictures. I rigged up a studio out of half a hut, and we filmed many scenes of native life and customs. Amongst other pictures we took was one showing the daily life and work of a native woman, as set forth above. This was entirely my own idea, and when the films came to be developed, and shown in London later on, this one attracted a very great deal of attention indeed.
I found, however, that the native women and girls made far worse subjects for the camera, taking them altogether, than did the men. It was more difficult to get them to pose, or rather, to be strictly accurate, they were always posing whenever the camera started clicking, instead of going about their natural avocations in the ordinary way, which was what I wanted them to do. Their silly giggling, too, used to get on my nerves, and at times made me quite angry.
By permission of
Maj. H. Schomburgk, F.R.G.S.
The Authoress and "Bodyguard" of Tschaudjo Horsemen
Miss Gehrts is in the foreground, mounted on her favourite horse, "Nucki." She is really playing in a native drama for the cinema, and her "bodyguard" consists of "supers" drawn from the tribe mentioned above, who are noted for their fearless and splendid riding.
There were other difficulties also as regards the mechanical part of the business. Occasionally the heat was so great that it almost sufficed to melt the films, or even to set fire to them; and they had to be kept stored, therefore, in a special sort of cooling case, built on the principal of the vacuum flask. Later on, when marching in the far north through the Togoland Sudan, the cases containing the films had themselves to be protected from the heat by being swathed in green banana leaves.
On October 10th I saw wild monkeys for the first time. Near my hut is a mealie field, and they came there at noon every day to eat their dinners. They are queer little creatures, very cunning and amusing, but very shy, so that it is difficult to get near them and study their antics.
Once or twice I went to a native dance, but I must confess that I was not greatly impressed. It amused me for ten minutes or so, but as the movements are always the same I soon grew tired of watching them. And the noise of the native drums is simply deafening, so much so that it generally brought on a more or less severe attack of headache.
On the night of October the 15th I had quite a little adventure. It was bright moonlight; I could not sleep, and at eleven o'clock, when the whole place was hushed in slumber, I was seized with the desire to climb to the top of one of the great steel towers that have been erected here by Baron Codelli von Fahnenfeld in connection with the Government wireless telegraphy station, mention of which has been made in a previous chapter.
There are no fewer than nine of these towers, varying in height from about 250 feet, up to about 400 feet, and with an enterprise born of ignorance and inexperience I chose the tallest of them all for my experiment. I thought how beautiful the African landscape would look seen from the top under the light of the tropical moon, and started on my long climb full of hope and enthusiasm. By the time I had reached about a third of the way up, however, all my ambition had evaporated, and I was glad to go slowly back again. I found the climb down even more nerve-trying than the climb up—for one thing the stimulus had departed—and I reached the ground in a state bordering on collapse.
[CHAPTER IV]
STARTING "ON TREK"
The first few days of November were spent in packing up our belongings and making ready to start up-country away from the rail-head, and into "the back of beyond," as Schomburgk put it.
The packing process interested me greatly; partly, I suppose, because it gave my housewifely instincts full play. It was like making preparations for a glorified picnic on a gigantic scale. Piles of provender, pyramids of stores of all kinds, cumbered the camp, and it fell to my lot to bring order out of chaos.
Necessaries and provisions for a five months' trip had to be packed, and all the "chop boxes," as they are called out there, had to be carefully marked and their contents scheduled. It was also necessary to see that each box weighed precisely 60 lb., neither more nor less, this being what each porter contracts to carry in Togo.
This was my work, and the motto given me for my guidance was "in every box a little of everything." This obviated the bother of opening a separate box for each article wanted on the march, one or two days' supplies being carried in each box, and used as required, after which the empty box could be discarded, and another one opened.
The most important single article amongst the host of stores was the quinine. Over and over again I was urged to look carefully after this. One can do without food in the bush, I was told; one can even do, for a while at all events, without water; but to be without quinine spells death.
Everybody takes it regularly out there, and quite as a matter of course, the usual dose being thirty-five grains or thereabouts each week. I took my little lot in two separate doses on Saturday and Sunday, and I don't mind confessing that, in the words of the popular ditty of the day, "I didn't want to do it." Only I had to. There was no escape. Schomburgk and Hodgson, our operator, who were the only other white people in the party at this stage of the journey, took theirs on the instalment principle, five grains each evening. But I preferred the other way.
At last everything was ready. Our one hundred carriers, collected and sorted with elaborate care from a dozen or more different villages, made a brave show. Altogether, with our personal staff, interpreters, and so forth, we had a retinue of exactly 120 followers; a greater, I reflected, than any I was ever likely to travel with in future, and certainly far in excess of any that I had been honoured with in the past.
On the evening of the 4th of November we entertained to dinner the good Fathers of the Catholic Mission from Atakpame, who had shown us many kindly courtesies during the time we had spent in their neighbourhood, and on the 5th we said good-bye to Kamina, and started on our journey.
Photo by
A. Mocsigay, Hamburg
Major Hans Schomburgk
The leader and organiser of the expedition. During the last sixteen years he has only spent about two years outside Africa.
Our object was to film scenes and plays of native life amongst absolutely virgin and unspoiled surroundings, and to this end we intended to penetrate to the extremest northern confines of Togo, as far at least as the borders of the French Sudan. As I have already intimated, no white woman had ever travelled so far afield in this part of Africa before, but we anticipated little difficulty or danger on this account, the natives being reported as quite friendly everywhere along our proposed line of route. Then, too, His Highness the Duke of Mecklenburg, the governor of the colony, had very kindly instructed all district commissioners and other Government officials to render the expedition every assistance in their power; so that altogether we looked forward to a pleasant, if possibly a somewhat strenuous trip.
The first stage of our journey was to a place called Sokode, seven days' march, and up to this point there is a very fair road. Consequently we had arranged to cycle so far, the major explaining that we should have all the horseback riding we wanted later on.
Our first day's trek was to have been a very short one, only seven miles, and so we did not start until four o'clock in the afternoon, having sent on our carriers and instructed them where to wait for us. But once again we had experience of the curious perversity of the African native. Instead of covering a short seven-mile stage, as ordered, they travelled a good fifteen before they condescended to call a halt.
As a result darkness overtook us long before we overtook them, and I had one or two rather nasty spills, reaching camp at last sore, shaken, and bruised. Schomburgk was furious, but was obliged to dissemble a good deal, as at this stage of the journey, with the carriers comparatively close to their homes, any undue show of harshness or temper might easily have resulted in stampeding the whole lot of them.
That night I spent on a camp bed in an old deserted straw hut. It was not altogether uncomfortable, but I got little sleep. The carriers were all round me in groups of messes, each with its own little fire, and they were all the time mumbling and talking to one another.
The next day we made a short march, as the rest-house was only about eight miles ahead. These rest-houses are strung out all along the Kamina-Sokode road at distances about twenty miles apart, and each marks the end of a stage. Our operator, Hodgson, should have picked us up here. He had left Kamina the day after our departure, intending to overtake us, but he passed us somehow, and cycled on to the next rest-house.
Naturally we wondered what on earth had become of him, and were beginning to get rather anxious when, about four o'clock in the afternoon, a messenger arrived with news of his whereabouts, and bearing a letter asking urgently for a supply of provisions to be sent on to him, as he had nothing to eat where he was, and had tasted no food all that day.
European Rest House at Tschopowa
The enormous baobab tree on the right was the roosting-place of innumerable bats, which were greedily eaten, after being killed and spitted over a fire, by the native "boys" attached to the caravan.
By degrees things began to settle down. I had charge of the commissariat and cooking arrangements. The natives I found tractable enough, but woefully deficient in their notions of cleanliness. Most of them entertained the idea that the proper way to wash a plate or a dish was to lick it all over thoroughly. In this way, they explained, they not only cleansed it, but at the same time were able to get at least a taste of the white man's "chop."
Water, they contended, was for drinking, not for washing things in. Even to rub over a kitchen utensil with a wisp of dried grass seemed to them a work of supererogation. Eventually I used to boil the water myself in which the dishes were washed up—a necessary precaution against dysentery—and superintend the washing-up operations from start to finish. It was, I found, the only way.
I also had charge of the petty cash book, and used to make small advances to the boys as occasion demanded. They had christened me "The Puss," and applications for money became more frequent and insistent than Schomburgk deemed consistent with good order and discipline. It was, "Please, Puss, give me some pennies," "Me want one shilling, please. Puss," and so on from morning till night.
The climax came on the evening of the second day, when we were about twenty-five miles out from Kamina. Just as I was retiring for the night, a letter was handed to me which purported to come from Messa, our cook, and Alfred, our chief interpreter, but which was really, I found out afterwards, inspired by the first-named individual, although drawn up and signed by them both.
"Dear Puss," it ran, "cook and myself want advance. One pound please. Or more. If not more, less would be good. Farther up in the bush presently we no want one penny. This the last. So please not tell master, because perhaps he make palaver. Good evening, dear Puss. We salute you. Alfred and Messa."
Well, I made a bit of a palaver myself about it, for a sovereign seemed a good round sum for a couple of natives to want all of a hurry, but eventually, yielding to their urgent entreaties, I let them have it. We broke camp next morning at three o'clock, so as to avoid marching in the heat of the day. To my amazement and disgust the cook had disappeared. So, too, had one of our bicycles. The chief interpreter, on being interrogated, disclaimed all knowledge of the whereabouts of the absent man. He had, he asserted, merely written the letter to oblige Messa, and had no idea that he intended deserting, as he apparently had done.
Here was a pretty go and no mistake. The major swore fluently; I cried—profusely. Then we both got angry. He said it was all my fault. "The idea of giving a nigger a whole sovereign advance!" I retorted that he ought to have impressed upon me more carefully what mean, underhand skunks niggers were.
Gloomily we marched to the next camp, and I could hear Schomburgk grumbling to himself at intervals whenever I got near enough to him, which was not often. "No cook! Whatever shall we do? And Messa was a good cook. A better one I never had. And good cooks cannot be picked up in the bush like paw-paws." And so on, and so on.
We marched eighteen miles that morning, the longest stage we had done so far, then halted for breakfast.
"Sardines and crackers!" sneered Schomburgk.
"For gracious sake go away somewhere for half an hour," I retorted hotly. "I'm going to run this chop."
He picked up his gun, and strolled off into the bush—grumbling. I set to work to prepare breakfast. It was hard work to bring my self-imposed task to a successful issue, for I had only the most rudimentary cooking utensils, and an open fire.
By dint of much labour and perseverance, however, I managed in the end to prepare a very decent dish of eggs and bacon, with hot rolls, and strong steaming coffee. Schomburgk grunted approval when he came to partake of it, and afterwards was quite genial, despite the affair of the missing Messa. "Feed the brute!" I forget the name of the tactful woman who first gave our sex that very excellent piece of advice, but she knew what she was talking about. She had studied men, and to some purpose.
An hour later our truant cook turned up. He explained that just prior to starting on trek with us he had married a young wife, and having regard to her attractiveness and inexperience he had, on mature reflection, deemed it inadvisable to leave her behind. He had therefore gone back to fetch her, borrowing the bicycle and the sovereign for that purpose.
By dint of cross-examination I elicited that he had not left our previous camp until midnight. He had therefore cycled twenty-five miles to Kamina, and the same distance back again, plus the eighteen miles we had marched that morning, or nearly seventy miles in all in rather less than nine hours, a wonderful performance for a native, and on a native road.
I asked him about his wife. "Oh," he replied, "she come presently. She walking."
Sure enough she turned up that afternoon, having trudged the whole distance from Kamina, forty-three miles. When I saw her I did not blame Messa for not caring to leave her behind. She was as pretty a girl, for a native, as I ever wish to see. Fourteen or fifteen years old, probably, but quite fully developed and beautifully proportioned, with a pair of roguish alluring eyes, and a face all smiles. She accompanied us throughout the trip, and proved herself quite an acquisition.
As for Messa, we ought of course to have chided him severely. But, as a matter of fact, we were so exceedingly glad to get him back again that but little was said to him at the time. Later on, however, he was taken pretty sternly to task, and warned that any similar breach of discipline would in future be very seriously dealt with.
[CHAPTER V]
ATAKPAME TO SOKODE
I forgot to say that shortly after leaving Kamina, at a village called Anâ, we were overtaken by another caravan convoying a European, a certain Dr. Berger, who was travelling up-country as far as Sokode, with a view to vaccinating the natives there.
The meeting came about in this wise. On arriving at Anâ, we discovered that the rest-house there was already occupied by a Mr. Lange, an engineer, who was building a bridge across the Anâ river.
He was away at work when we got there, and Schomburgk sent his (Lange's) boy to tell him of our arrival. Presently Lange turned up, looking rather perplexed, and not a little worried. The statement made to him by his boy, it appeared, had been couched in the following terms: "Master, two white men have arrived, and one of them looks like a woman."
Lange had guessed from this the identity of our party, for he had known Schomburgk during his previous trip, and had heard of his re-arrival in the colony, and of my presence there with him. His worried appearance, we found out, was due to the fact that he had practically run out of provisions just then, and so was unable to show us the hospitality he would have desired; and he was greatly relieved when we asked him to be our guest during our stay at Anâ. I may add that this was Schomburgk's invariable practice, and I have often heard him inveigh against the thoughtlessness sometimes shown by a certain type of globe-trotting European travellers in Africa in planting themselves upon other Europeans, sometimes for days together, and eating up food which is perhaps badly needed, and may be very difficult to replace. Of course hospitality under such circumstances is never refused. It is the unwritten law of the bush that white man shares with white man. But all the same there are times when it works hardly on the individual who does the sharing.
Well, luncheon was served and eaten, and we were enjoying our coffee and cigarettes, when a new lot of carriers hove in sight.
"Hullo!" remarked Lange to Schomburgk, "this looks like a white man's caravan"; and the two fell to discussing the foolishness of the individual, whoever he might be, in travelling thus during the heat of the day.
Presently the owner of the caravan, the Dr. Berger mentioned above, turned up, looking very hot and tired. Of course we made him welcome—it is wonderful how bush life makes one relish the advent of a white stranger—and we spent a very pleasant time together during the rest of the day.
He was the most even-tempered man as regards his dealings with the natives that I have ever come across. Nothing that they did or said seemed to disturb him in the least.
Curiously enough, although he was a Government official, he was travelling unprovided with an interpreter; and he himself, of course, understood no word of any of the native dialects.
When he wanted anything he simply asked his boy for it, addressing him at considerable length and with much circumlocution in German. Now this boy, whose name by the way was Joa, had been specially engaged by the worthy doctor because he had represented himself to be a fluent German scholar.
As a matter of fact, beyond a few phrases that he had learned to repeat parrot-like, he knew nothing whatever of the language, and the result of their joint efforts to make themselves understood was laughable in the extreme, and was not rendered the less amusing owing to the fact that the doctor would not allow our interpreter to intervene to straighten out the verbal tangle. He wanted, he said, to train his boy to understand German sufficiently well to minister to his wants.
As a result we nearly laughed ourselves into fits over scenes like the following, repeated at intervals, and with variations, all through the day.
"Joa," the doctor would say, "my friends would like a whisky and soda, and I myself could do with a drop. A small modicum of alcohol, Joa, after the day's march, certainly does no harm to a white man, and may conceivably do him good. Therefore, Joa, you may bring us a syphon of soda, please, together with a bottle of whisky"; and the doctor would imitate in dumb show the process of drawing a cork out of a bottle.
"Yah!" Joa would say, his face all one broad grin; and off he would go to his master's tent, to return presently with—a telescope.
"Now, Joa," the doctor would remark genially, "a telescope is a very good thing in its way, but one cannot drink telescopes, Joa. What we now want, Joa, is a whisky and soda, especially the soda." And he would start to imitate the pressing down of the lever of a soda-water syphon.
A new light would then break on Joa's face. "Ah! Yah!" he would cry, and trot off again, to reappear a minute or so later carrying with due care and circumspection his master's double-barrelled rifle, loaded, and at full-cock.
And so the pantomime would proceed, master and man both in the best of tempers, until at last, perhaps at the fourth or fifth attempt, perchance at the tenth or twelfth, the native would hit upon the right article, either by accident, or by the slower process of elimination.
Whereupon the doctor would smile gravely yet pleasantly at us, as if in mild reproof of our unseemly mirth, and remark: "There you are; with time and patience one can achieve anything, even in Africa and with African natives."
On the morning after this little episode we rose at three o'clock in order to cover the next stage, as far as a place called Njamassila, before the worst heat of the day began. This, I may say, was our usual practice henceforward; as it is, indeed, that of all old seasoned travellers in this part of the world.
The distance from Anâ to Njamassila is roughly about twenty miles, and the road in places is not particularly smooth. It was too, of course, quite dark when we started, so that altogether I was not particularly sorry when Schomburgk decreed that I was to do the first part of the journey in my hammock.
In this way I was carried about two-thirds of the stage. Then, when it got light, I climbed out, mounted my bicycle, and rode the remainder of the distance. It was rough going, and very cold at first, but I persevered, rather reproaching myself for my earlier laziness. When, however, I discovered on arriving at Njamassila that our doctor friend had elected to be carried the whole of the way, I went to the other extreme, shook hands with myself, metaphorically speaking, and plumed myself mightily on my "wonderful" exhibition of hardihood and endurance. "I intend to cycle the whole of the next stage," I told Schomburgk.
Alas, my pride in this respect, and on this occasion, was of the kind that goes before a fall. Whether or no it was due to my unwonted exertions of the previous day—I had done a lot of running about on foot besides the cycling—I cannot say, but the fact remains that when we struck camp at 2.30 next morning I felt so weak and dizzy, as well as stiff and sore, that I could hardly stand.
Under the circumstances there was nothing to do but to seek refuge in my hammock once more, where, snuggled beneath many rugs and wraps designed to keep out the cold night air, and lulled by the rhythmic swaying of the conveyance, I promptly fell sound asleep.
It seemed to me that I had hardly closed my eyes more than a very few minutes, when I was awakened by hearing Schomburgk angrily inquiring of the hammock boys why they were standing idle, and whereabouts was I. "Master," they replied, "she is inside asleep, and we feared you would be angry did we wake her."
All this I heard dimly as in a dream between sleeping and waking. Lazily I lay back, too comfortable even to raise myself on my elbow and peer out; but I was beginning to wonder what was the reason for the long delay, and how soon we were going to resume our journey, when the sound of Schomburgk's voice, once more raised in protest, roused me into instant and complete wakefulness.
It was me he addressed this time, and his words were as follows:
"Come, little lady; are you not going to get up?"
"But why should I get up?" I replied. "What time is it? Where are we?"
"It's eight o'clock," he answered, "and we are at Agbandi."
"What!" I screamed; and, pulling the curtains aside, I bounced out on to the ground.
What I saw made me rub my eyes with amazement. Before me was a new rest-house, and a village that I had never seen before, and preparations for breakfast were, I could see, well under way. Only then did I realise that I had slept right through the entire twenty-mile stage from Njamassila to Agbandi.
Reproduced from Cinematograph Films
1. A Konkombwa Giant
2. Paying Carriers in Salt
3. The Old King of Paratau dancing before the Camera
4. A live alarum clock. A cock which accompanied the expedition, and roused them every morning
5. Boy Scouts
In the afternoon, after the worst heat of the day was over, we strolled down to the village. There was very little to see, however, and we were on the point of returning to our camp, when there suddenly confronted us from out of one of the huts the tallest and biggest man I have ever seen, either in Africa or out of it. He stood over eight feet high, and was very broad and immensely powerful, the muscles bulging out under his skin like bosses of beaten bronze.
We would have liked to have filmed him, but unfortunately we did not have our camera with us. Later on, however, we unearthed another giant, of scarcely inferior size, and him we did succeed in photographing, Schomburgk meanwhile standing beside him to show the contrast in size and height, and lifting and displaying at intervals the big man's various personal paraphernalia—his bow and arrows, his spear, and the curious iron rattle which all the Togo natives carry, and concerning which I shall have more to say presently.
Our next stage was from Agbandi to Blita, and at this latter place we were met by a fresh lot of carriers, men of the Kabure tribe, who had been sent down from Sokode to meet us. Our other carriers were sent back to Atakpame.
The Kabures inhabit the Trans-Kara country, and are, as a rule, fine strong men, but the lot we got were rather poor by comparison with the Atakpame people. However, they carried our belongings to Sokode all right, which was all we wanted of them.
They were absolutely the wildest-looking lot of natives I had yet come in contact with. There were ninety of them altogether, and they were all quite nude—not even a loin-cloth amongst the lot of them. Their dialect, too, was quite different from anything I had heard up till now. It sounded to my ears more uncouth and uncivilised, a mere succession of grunts and gurgles.
Here, too, I realised for the first time that my personal appearance might possibly inspire fear, or even disgust and aversion, for when I went into the market-place in the afternoon to have a look round as usual, the children fled screaming with terror, and even their mothers looked askance at me. I did not mind the latter so much, for I had already discovered that the women dwelling in these remote bush villages were not always very pleasant companions to have in too close proximity to one. They are apt to be—well, smelly. But I felt really hurt at the attitude of their offspring, for I am very fond of children, and they of me, as a rule, and in Kamina we had been great chums together. But then in Kamina there were always white people about, whereas I was the first white woman, at all events, that these nude little ebony imps had ever set eyes on. Consequently, I suppose, they regarded me as a sort of pale-faced bogey, to be avoided promptly, and at all hazards.
I slept again in my hammock during our march from Blita to our next halting-place at Djabotaure. This sounds a bit lazy, I must admit; but then it has got to be borne in mind that this moist, hot West African climate is exceedingly enervating, especially to a European woman, and to an unacclimatised European woman at that. Spend an hour or so in the Palm House at Kew Gardens, and you will get a faint idea of what it is like. The least exertion during the daytime causes one to break out into a profuse perspiration. Worse still, it seems to sap all one's energy and vitality, so that one feels like a wet rag from morning till night. To fight against it is well-nigh impossible. I used to go to bed tired, and wake up more tired. After a while, however, these symptoms entirely wore off, and I became quite strong and well, despite the heat and the constant travelling. Truly the human machine is marvellously adaptable.
It was at Djabotaure that I had quite a little adventure. I was taking my usual afternoon stroll through the village, the men being out in the bush shooting for the pot, when suddenly, from just outside, and in the opposite direction from where I had entered it, there arose a most terrific noise of tom-tomming, mingled with much shouting, the clattering of rattles, and the trampling of horses.
I stood stock still in the middle of the village, not quite knowing what else to do, and in a few minutes a group of five horsemen, looking very fierce and wild, galloped up and halted before me, and these were followed by others, who took up positions to right and left. Meanwhile, our interpreter, who had put in an appearance for once just when he was really wanted, had mutually introduced us, so to speak, and the foremost horseman dismounted and greeted me with stately courtesy. I was, he remarked, the first white woman he had ever seen; and having seen me, he trusted that he would live to see many more. Not a bad compliment for a nearly naked savage to pay one off-hand in the heart of the African bush!