CONTENTS
The Bride of the Tomb; or, Lancelot Darling's Betrothed
[Chapter I.]
[Chapter II.]
[Chapter III.]
[Chapter IV.]
[Chapter V.]
[Chapter VI.]
[Chapter VII.]
[Chapter VIII.]
[Chapter IX.]
[Chapter X.]
[Chapter XI.]
[Chapter XII.]
[Chapter XIII.]
[Chapter XIV.]
[Chapter XV.]
[Chapter XVI.]
[Chapter XVII.]
[Chapter XVIII.]
[Chapter XIX.]
[Chapter XX.]
[Chapter XXI.]
[Chapter XXII.]
[Chapter XXIII.]
[Chapter XXIV.]
[Chapter XXV.]
[Chapter XXVI.]
[Chapter XXVII.]
[Chapter XXVIII.]
[Chapter XXIX.]
[Chapter XXX.]
[Chapter XXXI.]
[Chapter XXXII.]
[Chapter XXXIII.]
[Chapter XXXIV.]
[Chapter XXXV.]
[Chapter XXXVI.]
[Chapter XXXVII.]
[Chapter XXXVIII.]
[Chapter XXXIX.]
[Chapter XL.]
Queenie's Terrible Secret; or, A Young Girl's Strange Fate
[Chapter I.]
[Chapter II.]
[Chapter III.]
[Chapter IV.]
[Chapter V.]
[Chapter VI.]
[Chapter VII.]
[Chapter VIII.]
[Chapter IX.]
[Chapter X.]
[Chapter XI.]
[Chapter XII.]
[Chapter XIII.]
[Chapter XIV.]
[Chapter XV.]
[Chapter XVI.]
[Chapter XVII.]
[Chapter XVIII.]
[Chapter XIX.]
[Chapter XX.]
[Chapter XXI.]
[Chapter XXII.]
[Chapter XXIII.]
[Chapter XXIV.]
[Chapter XXV.]
[Chapter XXVI.]
[Chapter XXVII.]
[Chapter XXVIII.]
[Chapter XXIX.]
[Chapter XXX.]
[Chapter XXXI.]
[Chapter XXXII.]
[Chapter XXXIII.]
[Chapter XXXIV.]
[Chapter XXXV.]
[Chapter XXXVI.]
[Chapter XXXVII.]
[Chapter XXXVIII.]
[Chapter XXXIX.]
[Chapter XL.]
[Chapter XLI.]
[Chapter XLII.]
[Chapter XLIII.]
No. 426
EAGLE SERIES
THE BRIDE OF THE TOMB
AND
QUEENIE'S TERRIBLE SECRET
BY
MRS. ALEX. McVEIGH MILLER
STREET & SMITH × PUBLISHERS × NEW YORK
[The Eagle Series]
OF POPULAR FICTION
Elegant Colored Covers
Principally Copyrights.
This is the pioneer line of copyright novels. Its popularity has increased with every number, until, at the present time, it stands unrivaled as regards sales and contents.
It is composed, mainly, of popular copyrighted titles which cannot be had in any other lines at any price. The authors, as far as literary ability and reputation are concerned, represent the foremost men and women of their time. The books, without exception, are of entrancing interest, and manifestly those most desired by the American reading public. A purchase of two or three of these books at random, will make you a firm believer that there is no line of novels which can compare favorably with the Eagle Series.
PUBLISHED EVERY WEEK
| To be Published During May | |
| 466—Love, the Victor | By a Popular Southern Author |
| To be Published During April | |
| 465—Outside Her Eden | By Mrs. Harriet Lewis |
| 464—The Old Life's Shadows | By Mrs. Harriet Lewis |
| 463—A Wife's Triumph | By Effie Adelaide Rowlands |
| 462—A Stormy Wedding | By Mary E. Bryan |
| To be Published During March | |
| 461—Above All Things | By Adelaide Stirling |
| 460—Dr. Jack's Talisman | By St. George Rathborne |
| 459—A Golden Mask | By Charlotte M. Stanley |
| 458—When Love Meets Love | By Charles Garvice |
| To be Published During February | |
| 457—Adrift in the World | By Mrs. Harriet Lewis |
| 456—A Vixen's Treachery | By Mrs. Harriet Lewis |
| 455—Love's Greatest Gift | By Effie Adelaide Rowlands |
| 454—Love's Probation | By Elizabeth Olmis |
| To be Published During January | |
| 453—A Poor Girl's Passion | By Gertrude Warden |
| 452—The Last of the Van Slacks | By Edward S. Van Zile |
| 451—Helen's Triumph | By Mrs. Georgie Sheldon |
| 450—Rosamond's Love | By Mrs. Harriet Lewis |
| 449—The Bailiff's Scheme | By Mrs. Harriet Lewis |
| 448—When Love Dawns | By Adelaide Stirling |
| 447—A Favorite of Fortune | By St. George Rathborne |
| 446—Bound with Love's Fetters | By Mary Grace Halpine |
| 445—An Angel of Evil | By Effie Adelaide Rowlands |
| 444—Love's Trials | By Alfred R. Calhoun |
| 443—In Spite of Proof | By Gertrude Warden |
| 442—Love Before Duty | By Mrs. L. T. Meade |
| 441—A Princess of the Stage | By Nataly von Eschstruth |
| 440—Edna's Secret Marriage | By Charles Garvice |
| 439—Little Nan | By Mary A. Denison |
| 438—So Like a Man | By Effie Adelaide Rowlands |
| 437—The Breach of Custom | By Mrs. D. M. Lowrey |
| 436—The Rival Toreadors | By St. George Rathborne |
| 435—Under Oath | By Jean Kate Ludlum |
| 434—The Guardian's Trust | By Mary A. Denison |
| 433—Winifred's Sacrifice | By Mrs. Georgie Sheldon |
| 432—Breta's Double | By Helen V. Greyson |
| 431—Her Husband and Her Love, | By Effie Adelaide Rowlands |
| 430—The Honor of a Heart | By Mary J. Safford |
| 429—A Fair Fraud | By Emily Lovett Cameron |
| 428—A Tramp's Daughter | By Hazel Wood |
| 427—A Wizard of the Moors | By St. George Rathborne |
| 426—The Bride of the Tomb and Queenie's Terrible Secret, | By Mrs. Alex. McVeigh Miller |
| 425—A College Widow | By Frank H. Howe |
| 424—A Splendid Man | By Effie Adelaide Rowlands |
| 423—A Woman's Way | By Capt. Frederick Whittaker |
| 422—Lady Kildare | By Mrs. Harriet Lewis |
| 421—Her Sweet Reward | By Barbara Kent |
| 420—A Sweet Little Lady | By Gertrude Warden |
| 419—The Other Woman | By Charles Garvice |
| 418—An Insignificant Woman | By W. Heimburg |
| 417—Brave Barbara | By Effie Adelaide Rowlands |
| 416—Down in Dixie | By St. George Rathborne |
| 415—Trixy | By Mrs. Georgie Sheldon |
| 414—A Girl's First Love | By Elizabeth C. Winter |
| 413—Were They Married? | By Hazel Wood |
| 412—The Love That Lives | By Capt. Fred'k Whittaker |
| 411—Fettered and Freed | By Eugene Charvette |
| 410—Miss Mischief | By W. Heimburg |
| 409—A Girl's Kingdom | By Effie Adelaide Rowlands |
| 408—On a False Charge | By Seward W. Hopkins |
| 407—Esther, the Fright | By Mrs. Georgie Sheldon |
| 406—Felipe's Pretty Sister | By St. George Rathborne |
| 405—The Haunted Husband | By Mrs. Harriet Lewis |
| 404—The Captive Bride | By Capt. Fred'k Whittaker |
| 403—The Rival Suitors | By J. H. Connelly |
| 402—A Silent Heroine | By Mrs. D. M. Lowrey |
| 401—The Woman Who Came Between | Effie Adelaide Rowlands |
| 400—For Another's Wrong | By W. Heimburg |
| 399—Betsey's Transformation | By Mrs. Georgie Sheldon |
| 398—Cupid's Disguise | By Fanny Lewald |
| 397—A Gilded Promise | By Walter Bloomfield |
| 396—Back to Old Kentucky | By St. George Rathborne |
| 395—Wooing a Widow | By E. A. King |
| 394—A Drama of a Life | By Jean Kate Ludlum |
| 393—On the Wings of Fate | By Effie Adelaide Rowlands |
| 392—A Resurrected Love | By Seward W. Hopkins |
| 391—Marguerite's Heritage | By Mrs. Georgie Sheldon |
| 390—A Mutual Vow | By Harold Payne |
| 389—Sundered Hearts | By Mrs. Harriet Lewis |
| 388—Two Wives | By Hazel Wood |
| 387—A Heroine's Plot | By Katherine S. MacQuoid |
| 386—Teddy's Enchantress | By St. George Rathborne |
| 385—A Woman Against Her | By Effie Adelaide Rowlands |
| 384—Yet She Loved Him | By Mrs. Kate Vaughn |
| 383—A Lover From Across the Sea | By Mary J. Safford |
| 382—Mona | By Mrs. Georgie Sheldon |
| 381—The Sunshine of Love | By Mrs. Harriet Lewis |
| 380—Her Double Life | By Mrs. Harriet Lewis |
| 379—Blinded by Love | By Nataly Von Eschstruth |
| 378—John Winthrop's Defeat | By Jean Kate Ludlum |
| 377—Forever True | By Effie Adelaide Rowlands |
| 376—The Red Slipper | By St. George Rathborne |
| 375—Transgressing the Law | By Capt. Fred'k Whittaker |
| 374—True Daughter of Hartenstein | By Mary J. Safford |
| 373—A Thorn Among Roses | By Mrs. Georgie Sheldon |
| 372—A Girl in a Thousand | By Mrs. Georgie Sheldon |
| 371—Cecil Rosse | By Mrs. Harriet Lewis |
| 370—Edith Trevor's Secret | By Mrs. Harriet Lewis |
| 369—At a Great Cost | By Effie Adelaide Rowlands |
| 368—The Pride of Her Life | By Charles Garvice |
| 367—Hearts and Coronets | By Jane G. Fuller |
| 366—Comrades In Exile | By St. George Rathborne |
| 365—Under a Cloud | By Jean Kate Ludlum |
| 364—A Fool's Paradise | By Mary Grace Halpine |
| 363—The Opposite House | By Nataly Von Eschstruth |
| 362—Stella Rosevelt | By Mrs. Georgie Sheldon |
| 361—The Ashes of Love | By Charles Garvice |
| 360—An Only Daughter | By Hazel Wood |
| 359—The Spectre's Secret | By Sylvanus Cobb, Jr. |
| 358—Beryl's Husband | By Mrs. Harriet Lewis |
| 357—Montezuma's Mines | By St. George Rathborne |
| 356—Little Kit | By Effie Adelaide Rowlands |
| 355—Wife and Woman | By Mary J. Safford |
| 354—A Love Comedy | By Charles Garvice |
| 353—Family Pride, Vol. II. | By Mary J. Holmes |
| 352—Family Pride, Vol. I. | By Mary J. Holmes |
| 351—The Churchyard Betrothal | By Mrs. G. Sheldon |
| 350—A Wronged Wife | By Mary Grace Halpine |
| 349—Marion Grey | By Mary J. Holmes |
| 348—My Florida Sweetheart | By St. George Rathborne |
| 347—The Eyes of Love | By Charles Garvice |
| 346—Guy Tresillian's Fate | By Mrs. Harriet Lewis |
| 345—Tresillian Court | By Mrs. Harriet Lewis |
| 344—Leah's Mistake | By Mrs. H. C. Hoffman |
| 343—Little Sunshine | By Adah M. Howard |
| 342—Her Little Highness | By Nataly von Eschstruth |
| 341—Bad Hugh, Vol. II. | By Mrs. Mary J. Holmes |
| 340—Bad Hugh, Vol. I. | By Mrs. Mary J. Holmes |
| 339—His Heart's Queen | By Mrs. Georgie Sheldon |
| 338—A Daughter of Russia | By St. George Rathborne |
| 337—Dear Elsie | By Mary J. Safford |
| 336—Rose Mather | By Mrs. Mary J. Holmes |
| 335—We Parted at the Altar | By Laura Jean Libbey |
| 334—Miss McDonald | By Mrs. Mary J. Holmes |
| 333—Stella's Fortune | By Charles Garvice |
| (The Sculptor's Wooing) | |
| 332—Darkness and Daylight | By Mrs. Mary J. Holmes |
| 331—Christine | By Adeline Sergeant |
| 330—Aikenside | By Mrs. Mary J. Holmes |
| 329—My Hildegarde | By St. George Rathborne |
| 328—He Loves Me, He Loves Me Not | By Charles Garvice |
| (Valeria) | |
| 327—Was She Wife or Widow? | By Malcolm Bell |
| 326—Parted by Fate | By Laura Jean Libbey |
| 325—The Leighton Homestead | By Mrs. Mary J. Holmes |
| 324—A Love Match | By Sylvanus Cobb, Jr. |
| 323—The Little Countess | By S. E. Boggs |
| 322—Mildred | By Mrs. Mary J. Holmes |
| 321—Neva's Three Lovers | By Mrs. Harriet Lewis |
| 320—Mynheer Joe | By St. George Rathborne |
| 319—Millbank | By Mrs. Mary J. Holmes |
| 318—Staunch of Heart | By Charles Garvice |
| (Adrien Le Roy) | |
| 317—Ione | By Laura Jean Libbey |
| 316—Edith Lyle's Secret | By Mrs. Mary J. Holmes |
| 315—The Dark Secret | By May Agnes Fleming |
| 314—A Maid's Fatal Love | By Helen Corwin Pierce |
| 313—A Kinsman's Sin | By Effie Adelaide Rowlands |
| 312—Woven on Fate's Loom | By Charles Garvice |
| (And Farmer Holt's Daughter) | |
| 311—Wedded by Fate | By Mrs. Georgie Sheldon |
| 310—A Late Repentance | By Mary A. Denison. |
| 309—The Heiress of Castle Cliffe | By May Agnes Fleming. |
| 308—Lady Ryhope's Lover | By Emma Garrison Jones. |
| 307—The Winning of Isolde | By St. George Rathborne |
| 306—Love's Golden Rule | By Geraldine Fleming. |
| 305—Led by Love | By Charles Garvice |
| 304—Staunch as a Woman | By Charles Garvice |
| (A Maiden's Sacrifice) | |
| 303—The Queen of the Isle | By May Agnes Fleming. |
| 302—When Man's Love Fades | By Hazel Wood. |
| 301—The False and the True | By Effie Adelaide Rowlands. |
| 300—The Spider and the Fly | By Charles Garvice |
| (Violet) | |
| 299—Little Miss Whirlwind | By Mrs. Georgie Sheldon |
| 298—Should She Have Left Him? | By William C. Hudson. |
| 297—That Girl from Texas | By Mrs. J. H. Walworth. |
| 296—The Heir of Vering | By Charles Garvice |
| 295—A Terrible Secret | By Geraldine Fleming. |
| 294—A Warrior Bold | By St. George Rathborne |
| 293—For Love of Anne Lambart | By Effie Adelaide Rowlands. |
| 292—For Her Only | By Charles Garvice |
| (Diana) | |
| 291—A Mysterious Wedding Ring, | By Mrs. Georgie Sheldon |
| 290—A Change of Heart | By Effie Adelaide Rowlands. |
| 289—Married in Mask | By Mansfield T. Walworth. |
| 288—Sibyl's Influence | By Mrs. Georgie Sheldon |
| 287—The Lady of Darracourt | By Charles Garvice |
| 286—A Debt of Vengeance | By Mrs. E. Burke Collins. |
| 285—Born to Betray | By Mrs. M. V. Victor. |
| 284—Dr. Jack's Widow | By St. George Rathborne |
| 283—My Lady Pride | By Charles Garvice |
| (Floris) | |
| 282—The Forsaken Bride | By Mrs. Georgie Sheldon |
| 281—For Love Alone | By Wenona Gilman. |
| 280—Love's Dilemma | By Charles Garvice |
| (For an Earldom) | |
| 279—Nina's Peril | By Mrs. Alex. McVeigh Miller. |
| 278—Laura Brayton | By Julia Edwards. |
| 277—Brownie's Triumph | By Mrs. Georgie Sheldon |
| 276—So Nearly Lost | By Charles Garvice |
| (The Springtime of Love) | |
| 275—Love's Cruel Whim | By Effie Adelaide Rowlands. |
| 274—A Romantic Girl | By Evelyn E. Green. |
| 273—At Swords Points | By St. George Rathborne |
| 272—So Fair, So False | By Charles Garvice |
| (The Beauty of the Season) | |
| 271—With Love's Laurel Crowned | By W. C. Stiles. |
| 270—Had She Foreseen | By Dora Delmar. |
| 269—Brunette and Blonde | By Mrs. Alex. McVeigh Miller. |
| 268—Olivia; or, It Was for Her Sake | By Charles Garvice |
| 267—Jeanne | By Charles Garvice |
| (Barriers Between) | |
| 266—The Welfleet Mystery | By Mrs. Georgie Sheldon. |
| 265—First Love is Best | By S. K. Hocking. |
| 264—For Gold or Soul | By Lurana W. Sheldon. |
| 263—An American Nabob | By St. George Rathborne |
| 262—A Woman's Faith | By Henry Wallace. |
| 261—A Siren's Heart | By Effie Adelaide Rowlands. |
| 260—At a Girl's Mercy | By Jean Kate Ludlum. |
| 259—By a Golden Cord | By Dora Delmar. |
| 258—An Amazing Marriage | By Mrs. Sumner Hayden. |
| 257—A Martyred Love | By Charles Garvice |
| (Iris; or, Under the Shadow) | |
| 256—Thy Name is Woman | By F. H. Howe. |
| 255—The Little Marplot | By Mrs. Georgie Sheldon |
| 254—Little Miss Millions | By St. George Rathborne |
| 253—A Fashionable Marriage | By Mrs. Alex. Frazer. |
| 252—A Handsome Sinner | By Dora Delmar. |
| 251—When Love is True | By Mabel Collins. |
| 250—A Woman's Soul | By Charles Garvice |
| (Doris; or, Behind the Footlights) | |
| 249—What Love Will Do | By Geraldine Fleming. |
| 248—Jeanne, Countess Du Barry | By H. L. Williams. |
| 247—Within Love's Portals | By Frank Barrett. |
| 246—True to Herself | By Mrs. J. H. Walworth. |
| 245—A Modern Marriage | By Clara Lanza. |
| 244—A Hoiden's Conquest | By Mrs. Georgie Sheldon |
| 243—His Double Self | By Scott Campbell. |
| 242—A Wounded Heart | By Charles Garvice |
| (Sweet As a Rose) | |
| 241—Her Love and Trust | By Adeline Sergeant. |
| 240—Saved by the Sword | By St. George Rathborne |
| 239—Don Cæsar De Bazan | By Victor Hugo. |
| 238—That Other Woman | By Annie Thomas. |
| 237—Woman or Witch? | By Dora Delmar. |
| 236—Her Humble Lover | By Charles Garvice |
| (The Usurper; or, The Gipsy Peer) | |
| 235—Gratia's Trials | By Lucy Randall Comfort. |
| 234—His Mother's Sin | By Adeline Sergeant. |
| 233—Nora | By Mrs. Georgie Sheldon |
| 232—A Debt of Honor | By Mabel Collins. |
| 231—The Earl's Heir | By Charles Garvice |
| (Lady Norah) | |
| 230—A Woman's Atonement, and A Mother's Mistake, | By Adah M. Howard. |
| 229—For the Sake of the Family | By May Crommelin. |
| 228—His Brother's Widow | By Mary Grace Halpine. |
| 227—For Love and Honor | By Effie Adelaide Rowlands. |
| 226—The Roll of Honor | By Annie Thomas. |
| 225—A Miserable Woman | By Mrs. H. C. Hoffman. |
| 224—A Sister's Sacrifice | By Geraldine Fleming. |
| 223—Leola Dale's Fortune | By Charles Garvice |
| 222—The Lily of Mordaunt | By Mrs. Georgie Sheldon |
| 221—The Honorable Jane | By Annie Thomas. |
| 220—A Fatal Past | By Dora Russell. |
| 219—Lost, A Pearle | By Mrs. Georgie Sheldon. |
| 218—A Life for a Love | By Mrs. L. T. Meade. |
| 217—His Noble Wife | By George Manville Fenn. |
| 216—The Lost Bride | By Clara Augusta. |
| 215—Only a Girl's Love | By Charles Garvice |
| 214—Olga's Crime | By Frank Barrett. |
| 213—The Heiress of Egremont | By Mrs. Harriet Lewis. |
| 212—Doubly Wronged | By Adah M. Howard. |
| 211—As We Forgive | By Lurana W. Sheldon. |
| 210—Wild Oats | By Mrs. Georgie Sheldon |
| 209—She Loved but Left Him | By Julia Edwards. |
| 208--A Chase for a Bride | By St. George Rathborne |
| 207—Little Golden's Daughter | By Mrs. Alex. McVeigh Miller. |
| 206—A Daughter of Maryland | By G. Waldo Browne. |
| 205—If Love Be Love | By D. Cecil Gibbs. |
| 204--With Heart So True | By Effie Adelaide Rowlands. |
| 203—Only One Love | By Charles Garvice |
| 202—Marjorie | By Katharine S. MacQuoid. |
| 201—Blind Elsie's Crime | By Mary Grace Halpine. |
| 200—In God's Country | By D. Higbee. |
| 199—Geoffrey's Victory | By Mrs. Georgie Sheldon |
| 198—Guy Kenmore's Wife, and The Rose and the Lily, | By Mrs. Alex. McVeigh Miller. |
| 197—A Woman Scorned | By Effie Adelaide Rowlands. |
| 196—A Sailor's Sweetheart | By the author of Dr. Jack |
| 195—Her Faithful Knight | By Gertrude Warden. |
| 194—A Sinless Crime | By Geraldine Fleming. |
| 193—A Vagabond's Honor | By Ernest De Lancey Pierson. |
| 192—An Old Man's Darling and Jacquelina, | By Mrs. Alex. McVeigh Miller. |
| 191—A Harvest of Thorns | By Mrs. H. C. Hoffman. |
| 190—A Captain of the Kaiser | By St. George Rathborne. |
| 189—Berris | By Katharine S. MacQuoid. |
| 188—Dorothy Arnold's Escape | By Mrs. Georgie Sheldon |
| 187—The Black Ball | By Ernest De Lancey Pierson. |
| 186—Beneath a Spell | By Effie Adelaide Rowlands. |
| 185—The Adventures of Miss Volney | By Ella Wheeler Wilcox. |
| 184—Sunlight and Gloom | By Geraldine Fleming. |
| 183—Quo Vadis | By Henryk Sienkiewicz. |
| 182—A Legal Wreck | By William Gillette. |
| 181—The Baronet's Bride | By May Agnes Fleming. |
| 180—A Lazy Man's Work | By Frances Campbell Sparhawk. |
| 179—One Man's Evil | By Effie Adelaide Rowlands. |
| 178—A Slave of Circumstances | By Ernest De Lancey Pierson. |
| 177—A True Aristocrat | By Mrs. Georgie Sheldon |
| 176—Jack Gordon, Knight Errant | By William C. Hudson. |
| (Barclay North) | |
| 175—For Honor's Sake | By Laura C. Ford. |
| 174—His Guardian Angel | By Charles Garvice |
| 173—A Bar Sinister | By the author of Dr. Jack |
| 172—A King and a Coward | By Effie Adelaide Rowlands. |
| 171—That Dakota Girl | By Stella Gilman. |
| 170—A Little Radical | By Mrs. J. H. Walworth. |
| 169—The Trials of an Actress | By Wenona Gilman. |
| 168—Thrice Lost, Thrice Won | By May Agnes Fleming. |
| 167—The Manhattaners | By Edward S. Van Zile. |
| 166—The Masked Bridal | By Mrs. Georgie Sheldon |
| 165—The Road of the Rough | By Maurice M. Minton. |
| 164—Couldn't Say No | By the author of Helen's Babies. |
| 163—A Splendid Egotist | By Mrs. J. H. Walworth. |
| 162—A Man of the Name of John | By Florence King. |
| 161—Miss Fairfax of Virginia | By the author of Dr. Jack |
| 160—His Way and Her Will | By Frances Aymar Mathews. |
| 159—A Fair Maid of Marblehead | By Kate Tannatt Woods. |
| 158—Stella the Star | By Wenona Gilman. |
| 157—Who Wins? | By May Agnes Fleming. |
| 156—A Soldier Lover | By Edward S. Brooks. |
| 155—Nameless Dell | By Mrs. Georgie Sheldon |
| 154—Husband and Foe | By Effie Adelaide Rowlands. |
| 153—Her Son's Wife | By Hazel Wood. |
| 152—A Mute Confessor | By Will N. Harben. |
| 151—The Heiress of Glen Gower | By May Agnes Fleming. |
| 150—Sunset Pass | By General Charles King. |
| 149—The Man She Loved | By Effie Adelaide Rowlands. |
| 148—Will She Win? | By Emma Garrison Jones. |
| 147—Under Egyptian Skies | By the author of Dr. Jack |
| 146—Magdalen's Vow | By May Agnes Fleming. |
| 145—Country Lanes and City Pavements | By Maurice M. Minton. |
| 144—Dorothy's Jewels | By Mrs. Georgie Sheldon |
| 143—A Charity Girl | By Effie Adelaide Rowlands. |
| 142—Her Rescue from the Turks, | By the author of Dr. Jack |
| 141—Lady Evelyn | By May Agnes Fleming. |
| 140—That Girl of Johnson's | By Jean Kate Ludlum. |
| 139—Little Lady Charles | By Effie Adelaide Rowlands. |
| 138—A Fatal Wooing | By Laura Jean Libbey. |
| 137—A Wedded Widow | By T. W. Hanshew. |
| 136—The Unseen Bridegroom | By May Agnes Fleming. |
| 135—Cast Up by the Tide | By Dora Delmar. |
| 134—Squire John | By the author of Dr. Jack |
| 133—Max | By Mrs. Georgie Sheldon |
| 132—Whose Was the Crime? | By Gertrude Warden. |
| 131—Nerine's Second Choice | By Adelaide Stirling. |
| 130—A Passion Flower | By Charles Garvice |
| (Madge) | |
| 129—In Sight of St. Paul's | By Sutton Vane. |
| 128—The Scent of the Roses | By Dora Delmar. |
| 127—Nobody's Daughter | By Clara Augusta. |
| 126—The Girl from Hong-Kong | By the author of Dr. Jack |
| 125—Devil's Island | By A. D. Hall. |
| 124—Prettiest of All | By Julia Edwards. |
| 123—Northern Lights | By A. D. Hall. |
| 122—Grazia's Mistake | By Mrs. Georgie Sheldon |
| 121—Cecile's Marriage | By Lucy Randall Comfort. |
| 120—The White Squadron | By T. C. Harbaugh. |
| 119—'Twixt Smile and Tear | By Charles Garvice |
| (Dulcie) | |
| 118—Saved from the Sea | By Richard Duffy. |
| 117—She Loved Him | By Charles Garvice |
| 116—The Daughter of the Regiment | By Mary A. Denison. |
| 115—A Fair Revolutionist | By the author of Dr. Jack |
| 114—Half a Truth | By Dora Delmar. |
| 113—A Crushed Lily | By Mrs. Alex. McVeigh Miller. |
| 112—The Cattle King | By A. D. Hall. |
| 111—Faithful Shirley | By Mrs. Georgie Sheldon |
| 110—Whose Wife Is She? | By Annie Lisle. |
| 109—Signa's Sweetheart | By Charles Garvice |
| (Lord Delamere's Bride) | |
| 108—A Son of Mars | By the author of Dr. Jack |
| 107—Carla: or, Married at Sight | By Effie Adelaide Rowlands. |
| 106—Lillian, My Lillian | By Mrs. Alex. McVeigh Miller. |
| 105—When London Sleeps | By Chas. Darrell. |
| 104—A Proud Dishonor | By Genie Holzmeyer. |
| 103—The Span of Life | By Sutton Vane. |
| 102—Sweet Cymbeline | By Charles Garvice |
| (Bellmaire) | |
| 101—A Goddess of Africa | By the author of Dr. Jack |
| 100—Alice Blake | By Francis S. Smith. |
| 99—Audrey's Recompense | By Mrs. Georgie Sheldon |
| 98—Claire | By Charles Garvice |
| (The Mistress of Court Regna) | |
| 97—The War Reporter | By Warren Edwards. |
| 96—The Little Minister | By J. M. Barrie. |
| 95—A Wilful Maid | By Charles Garvice |
| (Philippa) | |
| 94—Darkest Russia | By H. Gratton Donnelly. |
| 93—A Queen of Treachery | By T. W. Hanshew. |
| 92—Humanity | By Sutton Vane. |
| 91—Sweet Violet | By Mrs. Alex. McVeigh Miller. |
| 90—For Fair Virginia | By Russ Whytal. |
| 89—A Gentleman from Gascony | By Bicknell Dudley. |
| 88—Virgie's Inheritance | By Mrs. Georgie Sheldon |
| 87—Shenandoah | By J. Perkins Tracy. |
| 86—A Widowed Bride | By Lucy Randall Comfort. |
| 85—Lorrie: or, Hollow Gold | By Charles Garvice |
| 84—Imogene | By Charles Garvice |
| (Dumaresq's Temptation) | |
| 83—The Locksmith of Lyons | By Prof. Wm. Henry Peck. |
| 82—Captain Impudence | By Edwin Milton Royle. |
| 81—Wedded for an Hour | By Emma Garrison Jones. |
| 80—The Fair Maid of Fez | By the author of Dr. Jack |
| 79—Out of the Past | By Charles Garvice |
| (Marjorie) | |
| 78—The Yankee Champion | By Sylvanus Cobb, Jr. |
| 77—Tina | By Mrs. Georgie Sheldon |
| 76—Mavourneen | From the celebrated play. |
| 75—Under Fire | By T. P. James. |
| 74—The Cotton King | By Sutton Vane. |
| 73—The Marquis | By Charles Garvice |
| 72—Wilful Winnie | By Harriet Sherburne |
| 71—The Spider's Web | By the author of Dr. Jack |
| 70—Sydney | By Charles Garvice |
| (A Wilful Young Woman) | |
| 69—His Perfect Trust | By a popular author. |
| 68—The Little Cuban Rebel | By Edna Winfield. |
| 67—Gismonda | By Victorien Sardou. |
| 66—Witch Hazel | By Mrs. Georgie Sheldon |
| 65—Won by the Sword | By J. Perkins Tracy. |
| 64—Dora Tenney | By Mrs. Alex. McVeigh Miller. |
| 63—Lawyer Bell from Boston | By Robert Lee Tyler. |
| 62—Stella Stirling | By Julia Edwards. |
| 61—La Tosca | By Victorien Sardou. |
| 60—The County Fair | From the celebrated play |
| 59—Gladys Greye | By Bertha M. Clay. |
| 58—Major Matterson of Kentucky | By the author of Dr. Jack |
| 57—Rosamond | By Mrs. Alex. McVeigh Miller. |
| 56—The Dispatch Bearer | By Warren Edwards. |
| 55—Thrice Wedded | By Mrs. Georgie Sheldon |
| 54—Cleopatra | By Victorien Sardou. |
| 53—The Old Homestead | By Denman Thompson. |
| 52—Woman Against Woman | By Effie Adelaide Rowlands. |
| 51—The Price He Paid | By E. Werner. |
| 50—Her Ransom | By Charles Garvice |
| (Paid For) | |
| 49—None But the Brave | By Robert Lee Tyler. |
| 48—Another Man's Wife | By Bertha M. Clay. |
| 47—The Colonel by Brevet | By the author of Dr. Jack |
| 46—Off with the Old Love | By Mrs. M. V. Victor. |
| 45—A Yale Man | By Robert Lee Tyler. |
| 44—That Dowdy | By Mrs. Georgie Sheldon |
| 43—Little Coquette Bonnie | By Mrs. Alex. McVeigh Miller. |
| 42—Another Woman's Husband | By Bertha M. Clay. |
| 41—Her Heart's Desire | By Charles Garvice |
| (An Innocent Girl) | |
| 40—Monsieur Bob | By the author of Dr. Jack |
| 39—The Colonel's Wife | By Warren Edwards. |
| 38—The Nabob of Singapore | By the author of Dr. Jack |
| 37—The Heart of Virginia | By J. Perkins Tracy. |
| 36—Fedora | By Victorien Sardou. |
| 35—The Great Mogul | By the author of Dr. Jack |
| 34—Pretty Geraldine | By Mrs. Alex. McVeigh Miller. |
| 33—Mrs. Bob | By the author of Dr. Jack |
| 32—The Blockade Runner | By J. Perkins Tracy. |
| 31—A Siren's Love | By Robert Lee Tyler. |
| 30—Baron Sam | By the author of Dr. Jack |
| 29—Theodora | By Victorien Sardou. |
| 28—Miss Caprice | By the author of Dr. Jack |
| 27—Estelle's Millionaire Lover | By Julia Edwards. |
| 26—Captain Tom | By the author of Dr. Jack |
| 25—Little Southern Beauty | By Mrs. Alex. McVeigh Miller. |
| 24—A Wasted Love | By Charles Garvice |
| (On Love's Altar) | |
| 23—Miss Pauline of New York | By the author of Dr. Jack |
| 22—Elaine | By Charles Garvice |
| 21—A Heart's Idol | By Bertha M. Clay. |
| 20—The Senator's Bride | By Mrs. Alex. McVeigh Miller. |
| 19—Mr. Lake of Chicago | By Harry DuBois Milman. |
| 18—Dr. Jack's Wife | By the author of Dr. Jack |
| 17—Leslie's Loyalty | By Charles Garvice |
| (His Love So True) | |
| 16—The Fatal Card | By Haddon Chambers and B. C. Stephenson. |
| 15—Dr. Jack | By St. George Rathborne |
| 14—Violet Lisle | By Bertha M. Clay. |
| 13—The Little Widow | By Julia Edwards. |
| 12—Edrie's Legacy | By Mrs. Georgie Sheldon |
| 11—The Gypsy's Daughter | By Bertha M. Clay. |
| 10—Little Sunshine | By Francis S. Smith. |
| 9—The Virginia Heiress | By May Agnes Fleming. |
| 8—Beautiful But Poor | By Julia Edwards. |
| 7—Two Keys | By Mrs. Georgie Sheldon |
| 6—The Midnight Marriage | By A. M. Douglas. |
| 5—The Senator's Favorite | By Mrs. Alex. McVeigh Miller. |
| 4—For a Woman's Honor | By Bertha M. Clay. |
| 3—He Loves Me, He Loves Me Not | By Julia Edwards. |
| 2—Ruby's Reward | By Mrs. Georgie Sheldon |
| 1—Queen Bess | By Mrs. Georgie Sheldon |
The Bride of the Tomb
AND
Queenie's Terrible Secret
BY
MRS. ALEX. McVEIGH MILLER
AUTHOR OF
"A Crushed Lily," "Brunette and Blonde," "Nina's Peril," etc.
NEW YORK
STREET & SMITH, Publishers,
79-89 Seventh Avenue
Copyright, 1883
By Norman L. Munro
The Bride of the Tomb
Queenie's Terrible Secret
THE BRIDE OF THE TOMB;
OR,
Lancelot Darling's Betrothed.
By MRS. ALEX. McVEIGH MILLER.
[CHAPTER I.]
Sweet Lily Lawrence had committed suicide!
Oh! impossible! A girl so young, so gifted, so lovely, the darling of her father's heart, the idol of her brilliant lover, the heiress of a splendid fortune—what had she to do with the grim king of terrors? Death to her was an enemy to be shunned and dreaded rather than a lover to be courted.
And to-morrow was her bridal day!
Yet there she lay prone on the velvet carpet, with its delicate pattern of myosotis, and the soft light of the June morning shining through the open window on the still form, robed in creamy white satin and priceless lace, the fair hair streaming across the floor, the turquoise blue eyes wide-open with a look of unutterable horror frozen in their upward stare, the small and dimpled white hand clinching tightly a tiny jeweled dagger whose murderous thrust had left a ghastly, gory, crimson stain on the snowy satin lace above her heart. By that crimson stain death claimed her for his own—the fairest bride the grim monarch ever took to his icy arms.
A thrill of universal horror ran through the great city where she had been known and loved, not more for her beauty and wealth than for her sweet and gentle character. Friends came and went through the portals of Banker Lawrence's splendid brown stone mansion on Fifth avenue for a sight of the beautiful suicide who had been expected to appear so soon as a happy bride. Mr. Lawrence, the bereaved and sorely stricken father, appeared like one dazed with grief and horror. Ada, his younger and only remaining daughter, was confined to her room in strong hysterics, attended by the maids. Mrs. Vance, the beautiful widow of a second cousin of Mrs. Lawrence, a lady who made her home at the banker's, was the only one in the house who retained sufficient calmness to attend to anything at all. It was she who kept back the curious throng of the news-seekers who would fain have invaded the mansion. It was she who talked with sympathizing friends, breaking now and then into a heart-wrung sob, and hiding her eyes in her damp lace handkerchief.
"Oh, doctor," she cried, as the physician who had been hastily summoned after the shocking discovery, bent over the pale form trying to see if any spark of life remained—"oh, doctor, she is not really dead, is she? Surely our darling Lily is not gone from us forever!"
The physician looked up curiously at the dark, beautiful face of the speaker now convulsed with grief and horror. He bent again over the recumbent form, closely examining the beautiful white features of the girl, touched her wide-open eye-lids, felt her tightly clenched hands carefully, and laid his ear over the still breast whose crimson blood had stiffened the bridal robe above the tender heart so lately bounding with the joyous pulses of youth and hope and perfect happiness.
"I am sorry to say," he answered, rising and looking down with a pale face and trembling hands, "that Miss Lawrence is, indeed, no more. Life has been extinct for hours."
A few hours later a coroner's inquest was held over the remains. Mrs. Vance, Miss Ada Lawrence, and the deceased girl's waiting-maid were the three who had seen Lily Lawrence last in life. Their testimony was accordingly taken.
The maid deposed that on the night on which the fatal event had transpired her mistress had kept her in her room until about eleven o'clock, for the purpose of making some trifling alterations in the fit of the elegant white satin bridal robe.
While thus engaged Miss Ada Lawrence and Mrs. Vance had come in for a chat with Miss Lawrence. Miss Ada, a young school-girl, and fond of finery, had persuaded her sister to don the beautiful dress and veil.
After staying awhile and admiring the loveliness of Miss Lawrence, the maid had been dismissed, her young mistress saying that she would herself remove the dress, having already laid aside the veil and wreath of orange blossoms.
She (the maid) had accordingly bidden the ladies good-night. The next morning, as usual, she had gone at eight o'clock to call her young mistress. She had found the door locked on the inside.
In response to repeated knocks and calls no answer had been elicited, and becoming frightened she had repeated the fact to the family, who were just assembling at breakfast. Mr. Lawrence had caused the door to be forced immediately. On entering they had found Miss Lawrence lying dead upon the floor, arrayed in her bridal dress, and clutching in her right hand a small, jeweled dagger.
She was asked here by the coroner if the dagger had belonged to Miss Lawrence. She answered in the affirmative, saying that Mrs. Vance had presented it to her a few days before as a bridal present, and that it had lain on the dressing-table ever since as an ornament.
Being asked why they had supposed it to be suicide instead of murder, the affectionate girl burst into tears, and replied that her sweet young mistress had not an enemy on earth, so that no one could have murdered her for malice; and that none of her splendid jewelry or bridal presents had been touched, so that no one could have murdered her for gain; and that the natural inference was that Miss Lawrence had taken her own life with her own weapon.
The young lady had seemed much as usual in her manner when she last saw her, had betrayed no undue agitation of mind and was only anxious about the fit of the bridal robe in which she was to appear on the morrow. The maid was suffered to leave the stand, on which Miss Ada Lawrence, dreadfully nervous and agitated, was led in and took her place.
Her testimony was merely a corroboration of the maid's. She had left the room in Mrs. Vance's company shortly after the maid's dismissal. Both had kissed her good-night and left her standing at the mirror smiling at her lovely reflection. Lily had seemed in good health and spirits. She did not know of any reason for her sister's committing suicide; but as she had no enemies, and nothing had been touched in the room, it was the natural inference. She had not seen her sister again until the next morning, when she lay cold and dead in the middle of her room.
Mrs. Vance gave substantially the same testimony, with the addition that she had heard Miss Lawrence lock her room door after their departure. She knew of no cause that could have driven the young girl to take her own life. For a few months past she had noticed that Lily had strange fits of depression and abstraction. She had thought then that some secret sorrow preyed on the mind of her cousin, but she did not know of what nature. She was suffered to retire, her agitation growing uncontrollable, while many admiring glances followed her graceful form as she swept from the room.
Dr. Pratt was next called to the stand. He was a tall, dark, sinister-looking man, with restless black eyes and nervous manner. He gave his testimony briefly and to the point.
He was not Mr. Lawrence's family physician. He was riding past the house on his way to visit a patient when he had been suddenly called in by the summons of a domestic who rushed frantically into the street after him. He had gone into Miss Lawrence's room, where he found the family assembled and indulging in the wildest grief. The young bride-elect lay dead upon the floor, grasping a small dagger in her right hand. Upon examination he found that life had been extinct for eight or nine hours. He thought that death must have been instantaneous with the dagger-thrust. From the pose of the body and the position of the right arm and hand, together with the direction of the deadly weapon, all the probabilities pointed to an act of self-destruction.
A few more witnesses were examined, but nothing new was elicited, and the jury retired to consult.
The verdict was given to the effect that "Miss Lawrence came to her death by a dagger-thrust inflicted by her own hand—probably under a temporary aberration of mind."
[CHAPTER II.]
Doctor Pratt attended the funeral of Miss Lawrence, looking grave and sad, and dignified as the mournful occasion demanded. His restless eyes took in every detail, noted the grief of the mourners and friends, peered beneath the heavy crape veil of handsome Mrs. Vance, noted the absence of the bereaved bridegroom-elect; he even entered the gloomy vault and stood by the open coffin among the friends who were taking their last look at the pallid features of the beautiful suicide whose golden hair strayed over the white satin pillow, mingling with fragrant rosebuds and lilies.
After the funeral was over he drove to a fashionable street, and stopping at a fine hotel, sent up his card to a person whom he designated as Mr. Colville.
After a brief delay he was shown up to that gentleman's room.
Mr. Colville was a rather handsome but dissipated-looking man, of perhaps forty years. He was dressed in the extreme of fashion, and the elegance of his apparel, his costly diamonds, as well as the luxuriousness of the furniture about him, betokened a man of wealth and ease.
He removed his cigar from his dark mustached lips, and said, with a light laugh:
"Ah, Pratt, what deviltry are you up to now?"
"I have just come from attending a funeral," Doctor Pratt answered sedately, as he seated himself in a satin-cushioned arm-chair.
"A funeral!" Mr. Colville started and grew pale. "Was it that of—of Miss Lawrence?"
"The same," was the calm reply.
"Ah! beautiful Lily—so you are gone to be the bride of death—to be clasped to her icy heart! Well, better so," said Colville, bitterly.
"I wonder at your coldness," said Doctor Pratt, eying him keenly. "I thought you loved her to desperation."
"Man, man—I did, I did!" cried out Colville, starting up and pacing the floor wildly, "but what of that? She would not have my love. She laughed it to scorn, and was about to give herself to my haughty rival. Great Heaven! I was nearly crazed by the knowledge. It was a happy madness that armed her hand against her own life! I am glad she is dead. I would rather she were the prey of the worm than given to the arms of another."
"Sit down, sit down," said the physician, shortly. "Calm yourself, or you will fall in a fit as did your horror-struck rival on hearing the dreadful news of her death."
"Fell in a fit, did he?" said Colville, stopping short in his hurried walk. "I wish he had died. But, no! he might have rejoined her then in some better land than this."
"If there be a better land, which I doubt," said Pratt, with a cold sneer.
Colville threw himself down into an arm-chair and looked moodily across at the physician.
"Well, what have you come after?" he asked, abruptly and testily. "You have put me up to so many devilish schemes that I always expect some villany when I see your satanic countenance."
"I have put my freedom in jeopardy this week for the sake of your happiness," Doctor Pratt answered with assumed indifference, "but if you take such a high tone I can leave with my secret untold."
"A secret!" said Colville, looking up with some interest; "your secrets are always worth hearing, doctor. Let me have it, I beg you."
"This one is worth hearing, any way," said Doctor Pratt grimly, and, rising, he turned the door-key in the lock, after looking out suspiciously into the wide hall. Returning, he drew his chair close to Colville's and continued, calmly: "I cannot afford to give you this secret, Colville, I will sell it to you for the pretty little sum of ten thousand dollars—a mere bagatelle, that, to a man of your wealth."
"Ten thousand dollars! is the man mad?" muttered Colville. "Why, man alive, there is not a secret under the sun I would pay that much for!"
"Is there not?" smiled the other, and bending a little nearer he whispered in low, impressive accents: "What would you give me, Harold Colville, if I could take Lily Lawrence from her coffin to-night, cheat the grave-worm of its prey, and give her to your arms, warm, living, beautiful—dead to all the world, alive only to you?"
"Great Heaven! the half of my fortune were not too great a price for such a miracle," breathed Colville, excitedly. "But, Pratt, you are raving! Even your skill, great though I own it to be, could not accomplish that, unless you are leagued with the devil, as I have often suspected you are."
"Thanks," said the grim physician, curtly, then interrogated calmly: "So ten thousand dollars would not weigh much in the scale against Lily Lawrence living?"
"Not a feather's weight! I would give it to you freely, gladly, but, Pratt, you cannot do it!"
"I can do it! Listen to me, Colville," he whispered breathlessly. "Lily Lawrence lies in her coffin to-night, to all the world dead: but to me she is a living woman, and as such may be resurrected."
"But how—why——"
"Be calm, I will explain all. When her lifeless form was discovered I was hastily called in. I went; I carefully examined the body, which lay, to all appearance, cold and dead. I found an almost imperceptible warmth about her heart, a tinge of color in the palms of her hands, and a vacant stare in the eyes resembling death, but which might be only produced by that rare and strange disease known to medical men as 'catalepsy.' There was a slight flesh-wound about the heart; but the blow had been struck by such a trembling hand that it had failed to penetrate a vital part, and the dreadful shock of the attempted murder (for I do not believe in the sapient jury's verdict of suicide) threw the poor girl into a state of syncope, or catalepsy, so closely resembling death that it deceived all but my professional eyes."
"Yet you suffered them to entomb a living woman?"
"For your sake, remember, Colville; for as I knelt by the beautiful creature, half stunned by my startling discovery, the thought of you darted into my head like an inspiration. I remembered what you must suffer if she lived to bless your rival with her love. I said to myself—It will be several days, most likely, before she rouses from this trance of death. Let them bury her, and make to themselves other idols. In the meantime I will resurrect her, give her to Colville's eager arms, and earn his eternal gratitude as well as a more substantial fee for myself."
"Pratt, you are a demon!"
"Is that the way you thank me for my friendship?"
"No, oh, no; you have done well—you have done right, and you shall have your reward. But, Heavens! to think of her lying there in her living beauty among the skeletons and the worms—perhaps even now she is waking amid those gloomy shades! Ugh!" he shuddered, and started from the chair.
"No danger, I think," said the dark physician, smiling contemptuously; "I observed her closely this evening, and there were no signs of reviving. Patience, my friend, I bribed the old sexton, I have the key to the vault. In a few hours it will be night, and then we will bear away your drooping Lily to revive beneath the sunshine of your love."
"But where can we take her? If the theft is discovered there will be a hue and cry raised about the body."
"I know of a safe place. You remember the old couple in the suburbs? the same who kept poor Fanny till her ravings ended in her death?"
"Oh, God! do not remind me of such horrible things—let the dead past lie! Yes, I remember!"
"We will take her there. I have been to see them, and prepared them for our coming. You will have to pay heavily, of course, but you will not mind that in such a cause. Now, then, will you go with me to the graveyard to-night?"
"I will, and may the devil, who certainly helps you in your evil deeds, doctor, aid us both in this precarious scheme, and restore my living love to my devoted arms!"
"Amen!" breathed Doctor Pratt piously.
[CHAPTER III.]
It was the day following the funeral of sweet Lily Lawrence—a sunny day, fragrant and bloomy with the wealth of summer. Outside of Mr. Lawrence's stately mansion in the handsome grounds enclosing it, flowers blossomed, the fountain threw up its diamond spray, and birds twittered and chirped.
But within the house all was silence and gloom. Mr. Lawrence was shut up in the library alone with his grief; Ada Lawrence lay ill of a low, nervous fever, induced by her poignant sorrow, and Mrs. Vance sat in the drawing-room alone, nervous and ill, and starting at every trivial sound.
The stately-looking widow was very handsome this morning. She wore a dress of thin black grenadine, relieved by creamy old lace at throat and wrists, and delicate ribbons of heliotrope color. Her wavy black hair was braided about her small head like a coronet, and a cluster of heliotrope blossoms nestled in its silken darkness.
A faint roseate bloom tinted her lips and cheeks, and hightened by contrast the restless brightness of her full, dark eyes, and the whiteness of her low brow. She was fully thirty-five years old, but nature and art had combined so gracefully in her make-up that she did not appear twenty-five.
A sudden peal of the door-bell made her spring up suddenly in nervous terror of she scarce knew what. She had hardly reseated herself when an obsequious servant ushered in a tall, exceedingly distinguished-looking young man. It was Lancelot Darling, the betrothed lover of the dead girl.
He was a splendidly handsome and imposing gentleman, but his elegant dress was disordered, his face was pale, almost to the verge of ghastliness, his large, brilliant dark eyes were so wild in their expression of grief that they almost seemed to glare upon the lady who advanced toward him with extended hands.
"Mr. Darling," she murmured in a low tone of surprise and pleasure. "You are better, you are able to be out."
He pressed her hand speechlessly, and tottered to a sofa, falling heavily upon it while his eyes closed for a minute. In a fright at the look of exhaustion on his white face, Mrs. Vance darted from the room, soon returning with a glass of cordial.
She lifted his head on her arm and pressed the goblet to his lips, trembling excessively the while. In a moment he revived, and rising on his elbow looked up while a faint flush mounted to his white forehead.
"Pardon me," he said, in a broken voice. "This is unmanly, I know, but I have been very ill, Mrs. Vance, and I am weak still—and it is hard, oh! so hard to come here like this!" He sat up, pushing the dark locks back from his brow, while a shudder ran through his strong frame.
"Believe me, I sympathize with you, I grieve with you," murmured the lady in silvery tones. "Our poor, lost Lily!" and her face was hidden in her handkerchief while a sob seemed to shake her graceful form.
"They say she died by her own hand," he cried, excitedly. "My God! what mystery is here, Mrs. Vance? What hidden cause drove the girl who was almost my wife to that fearful deed?"
"Did you suspect no cause?" asked she, looking at him sadly.
"None—there could be none. Young, beautiful, loving and beloved, she had no cause for sorrow."
"So it seemed to you," she answered, in low, soft tones, looking down as if she could not bear the anguish written on his features; "but strange as it may seem, Lily had some trouble unknown to us all, but which I suspected months ago. She had strange moods of deep depression and abstraction, followed by a feverish, unnatural gaiety. My suspicion of some mysterious trouble weighing on her heart was only confirmed by her sad and tragic death."
"Of what nature did you suspect her mysterious trouble to be?" asked the young man, looking at her in surprise and anxiety.
"I had nothing but conjecture to build on," said she, reluctantly. "It would be cruelty to harrow your soul with suspicions that may be baseless."
"But I insist on your telling me," said he, with unconscious imperiousness of tone and look.
"I fancied—mind, I only fancied," said she, deprecatingly, "that Lily, though betrothed to you, had conceived an unrequited attachment for another, or that perhaps she was the victim of some boarding-school entanglement which threatened to mar her happiness."
"Oh, impossible!" he answered, decisively. "Lily had no silly school-girl entanglements. She told me so. And she loved me alone—loved me as devotedly as I loved her—I am perfectly certain of that. No, Mrs. Vance, you are mistaken. The theory of the jury is the only one I can accept. The fatal deed must have been committed under a temporary aberration of mind."
The sudden entrance of Mr. Lawrence checked the mournful expression that rose to her lips.
As the two men shook hands in silence, each noted the ravages grief had made in the other.
Mr. Lawrence's portly form was bowed feebly, his genial face was seamed with lines of grief and care, while premature silver threads shone amid his chestnut-brown hair.
The ghastly pallor of Lancelot Darling, his wild eyes, his trembling hands, attested how maddening and soul-harrowing was his despair.
"Lance, my poor boy, you have been ill," said the banker, in a gentle tone of sympathy.
"Yes, I have been ill," said Lancelot, brokenly; then almost crushing the banker's hand in his strong, unconscious grasp, he broke out wildly: "Mr. Lawrence, I have come here to beg a favor of you."
"Name it," said Mr. Lawrence, kindly.
"I want the key of your vault. I want to see my Lily's face once more," he answered, in an imploring tone.
"Would it be well? Would it be wise?" asked the other in a tone of surprise and pain.
"I do not know, I do not ask," said Lancelot, impetuously. "I only know that my soul hungers for a sight of my darling's face. Do not refuse me, my friend. Let me see her once more before death has obliterated all her beauty!"
"Better think of her, Lance, as when you last saw her in life and health," said the banker uneasily. "She is already changed. You are too weak to bear the agitation that would ensue if I granted your request."
"You refuse me, then," said the young man in a voice of passionate grief. "She was to have been my wife ere now, yet you will not suffer me to press one last, long kiss on the cold lips of my darling."
"Oh, do not refuse him," cried Mrs. Vance, gliding forward and laying a persuasive little hand on the banker's arm. "Think of his bleeding heart and blighted hopes. Remember how fondly he loved her. Go with him to the vault, and show him our broken Lily lying asleep in the deep rest she coveted."
Lancelot's heavy, dark eyes flashed a look of gratitude upon the beautiful pleader as she ceased to speak.
The banker paused irresolutely.
"If I thought he could bear it," he murmured.
"I can bear it, I will!" said Lancelot, firmly. "Only grant my request."
"The sexton has the key of the vault," said Mr. Lawrence, yielding reluctantly. "I will go with you, Lance."
"Let it be at once then. My carriage is at the gate," said the half frenzied young lover, moving off after a slight bow to Mrs. Vance.
Mr. Lawrence followed him, the door was closed, and the handsome widow stood alone in the center of the splendid drawing-room. She took one or two turns up and down the room, her black dress trailing its gloomy folds over the rich carpet.
"Let him go," she said at last, pausing and clenching her delicate hands together. "Let him go! That marble mask of his beautiful love can but disenchant him. I have already dropped a suspicion of her love into his heart. He does not heed it yet, but no matter, it shall take root, it shall grow, it shall bear fruit an hundredfold! He shall turn to me yet. I love him with a love passing everything, and I will stop at nothing till I call him mine!"
She laughed aloud as the thought of her future triumph swept through her heart. It was a strange, eerie laugh—It sounded as if a beautiful fiend had laughed in Hades.
The elegant carriage, with its high stepping, spirited gray horses, bowled rapidly along the busy streets of New York, and at length paused before the beautiful cemetery in which Mr. Lawrence's vault was situated. The banker then stepped into the sexton's house where he called for the key of the vault. The sexton gave it to him with some surprise at the request, and the gentleman returned to Lancelot Darling who was impatiently pacing a graveled path in the "fair Necropolis of the dead."
The banker paused and laid his hand on the young man's arm.
"I have the key, Lance," he said, "but even now I wish I could persuade you not to enter the vault; I dread the effect on your already weak nerves. Remember what a difference there must be between the blooming Lily you last looked upon and the poor, faded flower in yon gloomy stone vault."
"Mr. Lawrence, you do but torture me," said the young man, with a gesture of wild despair. "However she may be changed let me see her. Yet I cannot believe that that beautiful face can be altered so soon. Cruel death would stay his defacing hand when he looked on such loveliness."
With a sigh of regret the elder man turned and walked on down the shady path. Lancelot followed him, taking no note of the beautiful day and the song of the birds and the fragrance of the rare flowers all around him. Over the low mounds everywhere gentle hands of affection had planted lovely flowers and shrubs, trying to make grim death beautiful. But he heeded them not as he stopped in front of the marble vault, guarded by a marble angel, and followed Mr. Lawrence into its dim recesses.
They walked down the echoing aisle, between rows of moldy, decaying coffins, and paused with beating hearts and labored breath beside a new casket, loaded with wreaths and crosses of fragrant white hot-house flowers.
The murky air of the charnel house was heavy with the scent of tube-roses, violets and pale white roses. With trembling hands they removed these tokens of affection, until the lid of the coffin was disclosed. With a shudder Lancelot read the inscription on the silver plate:
"Lily Lawrence.
"Aged eighteen."
Mr. Lawrence drew out the silver screws and removed the lid.
"My God!" he cried, as he gazed within.
The costly casket was empty. The white satin cushioning that love had devised to make the bed of death a soft one, held the impress of her form, the pillow was lightly dented where her golden head had lain, but the cold form that rested there yesterday with white hands folded over the quiet heart, with pale lips shut over the woful secret of her death, that loved form was gone from their gaze.
[CHAPTER IV.]
Go with me, kind reader, to the outskirts of the great city; enter with me an humble house; we pass invisibly inside the locked door, we glide unseen up the staircase, and into a plainly furnished, low-ceiled room. Our acquaintance, Doctor Pratt, is there—also his co-conspirator, Harold Colville, is there. Both are bending anxiously over a low, white bed where a girlish, recumbent form lies extended.
At the foot of the bed stands an old crone with gray elf-locks floating under a tawdry black lace cap. Wrinkled, and bent, and witch-like, with beady black eyes and parchment-like skin, she is frightful to look at as she peers curiously into the beautiful white face lying on the pillow.
"Pratt, you have deceived me," Colville breaks out sternly; "all your restoratives have failed, all your potent art is at fault. Look at that marble face, those breathless lips. It is death, not life, we look upon."
"Bah!" said Doctor Pratt. Rising and going to the young lady's head, he gently turned it on one side: at the same time he changed the position of one arm. Both retained for a short time their new position then slowly resumed their former place. He raised her eyelids and they remained open a brief interval, then gently closed again. The beautiful blue eyes they disclosed were neither glassy nor corpse-like, though fixed in a vacant, unnatural stare. The physician resumed his seat and said, calmly:
"You see, Colville, it is life, not death. I tell you it is that rare, mysterious affection we call catalepsy—a state fearfully blending the conditions of life and death—a seeming life in death, or death in life. It is true that all my remedies have failed: but it is equally true that life is not extinct, though the spark may perish from exhaustion if she does not soon revive. It is now four days since the cold steel entered her side and this mysterious unconsciousness fell upon her. But the horrid spell must soon be broken, or death will ensue as a consequence of loss of blood and vitality."
They withdrew a little further from the bed, Pratt still keeping a watchful eye upon the patient, while Colville tried to keep his roving glance away from the death-like face that sent a shudder of fear now and then along his frame. It seemed fearfully like death despite the learned theory of the case which Doctor Pratt was patiently explaining to him.
"You said the first time we talked of this that you believed Miss Lawrence had been murdered," said Colville, suddenly. "Why did you form that opinion despite the contrary evidence?"
"There was no evidence to the contrary," said the dark physician, complacently. "I formed it on the evidence of my own eyes. True, Miss Lawrence's door was locked on the inside; but"—he paused a moment to give effect to his words—"but a heavy, luxuriant honeysuckle vine was trained from the ground up to her window in the second story. The murderer, or murderess, entered her room by the door, turned the key, perpetrated the dreadful deed, and escaped by sliding down the thickly-twisted vine to the ground."
"That is only your theory, doctor, I suppose."
"It is a fact, not theory, monsieur. I furtively examined the vine myself. It was broken in places, bruised in its tender parts, and quantities of leaves and flowers were strewn upon the ground. It plainly showed that a heavy body had slid down upon it and injured it. I wonder that it escaped the dull eyes of the jury."
"You are an astute man, doctor. Who, then, was the assassin of one so young and fair?"
"I do not know, but I half suspected the beautiful woman who lives at Lawrence's—a sort of cousin, I think—a Mrs. Vance by name. Her evidence went a little further than the rest. She asserted that she heard the young lady lock her door that night—she seemed to favor the idea of suicide also by pressing a theory of her own, that Miss Lawrence had a secret trouble—was subject to fits of abstraction and depression. Yes, decidedly, I suspect the beautiful widow."
"What motive could she have had?"
"That I do not know. I could find out though if I set my wits to work. But I have no interest in knowing."
"I have it," said Colville, suddenly; "I am acquainted with Mrs. Vance. When I used to visit the Lawrences I found out—no matter how—that Mrs. Vance was in love with Lancelot Darling. If she did the deed it was jealousy that goaded her to its commission."
"Very probably," said the doctor.
They had talked on, forgetful or regardless of the old woman who sat at the foot of the bed. She was listening eagerly, with twitching fingers, and muttered inaudibly, "Gold, gold."
"What are you muttering about, old hag?" said Pratt, overhearing her. "None of your jargon now. And don't repeat what we have been saying to your old man. If you do I will send your black soul to its doom sooner than it would go of its own accord! Do you hear me, old witch?"
"Yes, I hear; I will never repeat it, never," whined the old wretch, grinning horribly.
"See that you don't, then," said Colville.
The evening hours wore on to midnight, and the three watchers in the quiet room kept their places, undisturbed by even a breath from the pale form on the bed. The old crone sat wide awake and on the alert: Doctor Pratt leaned back and watched the patient through half-closed lids; Colville dozed in a large arm-chair. Surely there never was a patient who gave so little trouble to the nurses. No querulous complaint came from the pale lips, no restless hands tossed aside the bed-clothes, no fever-parched tongue cried out for the cooling draught of ice-water. Still and pale she lay through the panting summer night, taking no note of time or aught earthly.
Hark! the midnight hour tolled solemnly and sharply. Mysterious hour when crime stalks abroad under shelter of darkness, when disembodied spirits re-visit the haunts of men! Colville started from his uneasy dozing, then settled himself again as the last loud stroke died away in hollow echoes. But he did not sleep again, for a simultaneous cry from the physician and the old woman turned his glance toward the bed. Ah! what was that?
The awful spell of death was broken. The patient presented a ghastly appearance. Her large, blue eyes were wide open, and staring an indescribable look of horror at the witch-like face of the old woman. Her lips were slightly apart, and a thin stream of blood was trickling from her mouth and nostrils.
"Begone," said the physician, sharply. "Bring warm water and sponges."
She quickly returned with the necessary articles. Doctor Pratt gently sponged away the blood with warm water so as not to entirely check the bleeding. A long, deep sigh quivered over the patient's lips, and turning her head she looked languidly about her. Doctor Pratt made a sign to Colville and he hastily drew aside out of range of her vision.
"Drink this wine, Lily," said the physician, putting a wine-glass to her lips. She feebly swallowed the contents, then closing her eyes with a languid sigh fell into a deep, refreshing sleep, breathing softly and audibly. He turned to Colville with a triumphant smile.
"What about my theory now?" said he.
Colville was trembling with excitement. He came forward, and looked at the face sleeping calmly on the pillow, its rigid lines softening into natural repose.
"Surely, Pratt, you are in league with the devil," said he, half-fearfully. "An hour ago I could have sworn that it was grim death we looked upon, but now——"
"But now," said Doctor Pratt, "she is doing well—she will soon recover. And then you can set about your wooing."
"Ah!" said Colville, doubtfully. "I wish that your potent art could insure me her love as skillfully as you insured me her life!"
The patient's deep slumber lasted till the rosy dawn of the summer morn began to break over the earth. Then the blue eyes opened with a look of bewilderment in their beautiful depths.
"Where am I?" she languidly interrogated, sweeping her small white hand across her brow.
Colville had gone, but the unwearied physician sitting by the bedside answered, calmly:
"You are in good hands, Miss Lawrence. I am your physician. You have been very ill, and must not agitate yourself by asking questions yet."
[CHAPTER V.]
"You say I have been very ill?" said Lily, looking up into the dark face bending over her.
"Yes, you have been near to death's door; but indeed you must not talk; you will exhaust yourself."
"But I must talk," said the patient, willfully. "Why am I here? This is not my home," glancing round the poor, ill-furnished room. "Where are my father, my sister, my maid? Oh, God!" and a piercing shriek burst from her lips. "I remember everything—the murderous dagger-thrust, the horrid spell that bound me hand and foot and tongue. I could not speak, I could not move; but I heard them weeping round me; I heard——"
"For Heaven's sake, cease! You will kill yourself indeed, Miss Lawrence!" cried the physician in alarm.
But she waved him off, and sitting upright in bed continued wildly:
"I heard your voice telling them that I was dead. I heard the horrid inquest held over me. I heard the funeral service while I lay in the open coffin, unable to stir, unable to comfort my weeping loved ones. They bore me away. They locked me—me, a living, agonized human creature—into the dreadful vault with the horrible dead for companions. Ah! then, indeed, I became unconscious. I knew no more. Oh! oh! what torture, what agonies I have endured!" cried the girl, waving her white hands over her head and screaming aloud in her terrified recollection of the dreadful agonies she had borne while in her cataleptic state.
"She will kill herself indeed," muttered Pratt, hastily forcing a composing draught between her writhing lips.
She continued to rave wildly until the potent drug took effect on her overwrought system and produced a deep, unnatural slumber.
He went away and left her to the care of the witchlike old woman. She awoke toward evening and found the old woman knitting away by her bedside. The beautiful girl looked at her in wonder and fright.
"Are you a vision from another world or only a fevered phantom of my brain?" she inquired in a weak voice.
The creature only scowled at her in reply, but she rose and brought a bowl of fresh arrowroot and fed the patient, who found it very refreshing after her protracted fasting.
Old Haidee, as she was called, left the room with the empty bowl, and Lily lay still, looking about her with a vague dread creeping into her heart. Had she indeed died in that horrible vault, and was she now in another world inhabited by such hideous beings as the one who had just left her? She shuddered and closed her eyes. The sound of a footstep aroused her. A man was entering the room. It was Harold Colville. He came and stood by the bed-side, looking down at her pale face with passionate tenderness shining in his eyes.
Her white cheeks turned crimson.
"Mr. Colville!" she cried, angrily, "what means this unwarrantable intrusion?"
"Oh, Lily! this from you!" he cried in sorrowful reproach. "Lily, I have saved your life, my darling, and this is my reward; when all others deserted you and left you in your coffin my love could not rest without one more look at your dear face. Yes, the love you spurned in happier days clung to you then and sought you amid the horrors of the dreadful charnel-house. I entered the vault; I opened the coffin; I kissed the lips that were dearer to me dead than those of any living woman. And then I discovered faint signs of life! In my rapture at the discovery I bore you away in my carriage and placed you under the care of a splendid physician. You revived; you lived—yes, dead to all the world beside, you live alone for me, my fair, my peerless Lily!"
He smiled triumphantly, while a look of horror dawned in her eyes.
"You—you will restore me to my friends?" she gasped in breathless agitation.
"Lily, can you ask it? Can I bear to give you up, long and truly as I have loved you? When death, in compassion for my sorrow, has given you up from the very tomb itself to my loving arms could I give you back to your less devoted lover and live my life without you, my peerless darling? Lily, do not ask me for such a sacrifice."
"I am never to see father, sister, friends, again?" asked she, with whitening lips.
"Yes, yes, Lily. Only consent to reward my fidelity with your dear hand, and you shall see them all again."
"I cannot," she moaned, faintly; "I am betrothed to another."
"Death has broken the bond," said he; "your lover has torn you from his heart ere this in angry resentment at your supposed suicide. He believes that you loved another and chose death in preference to a loveless marriage with him. Give yourself to me, Lily, and that will confirm his belief."
"Oh, never, never! I do not love you," she cried, vehemently.
"Love would come in time, darling. Gratitude to the savior of your life would create love. I could make you happy, Lily; I have wealth, position, influence—all the things that woman values most."
"I can never love anyone but Lancelot Darling," she said, while a blush tinged her cheek at the sweet confession.
His brow grew dark as night.
"Speak not the name of my hated rival," he cried, angrily. "I saved your life, not he! Yet this is your gratitude!"
"Oh, indeed I am grateful if indeed you saved my life," she cried. "But ask me for some other reward. Take my eternal gratitude, my undying friendship, take the last penny of my fortune, but spare me my happiness!"
"You rave, Lily," he answered, coldly. "Nothing you have offered me has any value in my eyes except yourself. I will never, never resign you. You are in my power here. To all the world you are dead. You shall remain so until you marry me!"
"I will never, never marry you!" she cried, with passionate defiance.
"We shall see," he answered, angrily; but his words fell on deaf ears. She had fallen back in a deep swoon. He went out and sent Haidee to assist her while he hurriedly left the house.
The swoon was a deep one. Lily lay quite exhausted after she revived, and was still and speechless for some hours. Doctor Pratt came that night and gave her another sleeping potion. She took it quietly without remark, and slept heavily all night. The sun was high in the heavens next day when old Haidee, sitting by her pillow, started to find those large blue eyes fixed thoughtfully upon her. She ran and brought a nourishing breakfast up-stairs to her patient.
"You are better," said she, in her cracked voice, seeing that Lily ate with an appetite.
"I am stronger," said she, as Haidee removed the tray.
She was quiet a while after the old crone had taken her seat and resumed her knitting. Presently she asked, abruptly:
"What is your name?"
"They call me Haidee," said the old woman, shortly.
"Do you live here alone, Haidee?"
"My old man lives with me," said she.
"You are very poor, I suppose," said Lily, letting her eyes rove over the poorly furnished bedroom.
"Miserably poor, honey," said old Haidee, while an avaricious light gleamed in her small black eyes.
"Is this place in New York?" asked the patient.
"Thereabouts," answered old Haidee.
"Would you like to earn some money—heaps of shining gold?" asked the girl, timidly.
The old woman's beady eyes sparkled. "Aye, that I would," said she.
"If you will carry a little note to my father for me, I'll give you plenty of money," said Lily, tremblingly.
"Where is your money?" asked Haidee, cautiously.
"I have no money with me," said Lily, "but my father will give you some when you take him this note."
"The pay must be in advance," said Haidee, provokingly, "I can't trust your promise."
Lily looked about her despairingly. There was nothing valuable about her except a diamond ring on her finger. Her eyes fell upon that.
"I will give you my diamond ring if you will carry the note to my father."
"Aye, aye, but your captors would miss it from your finger," said Haidee, watching the sparkling jewel with greedy eyes. "They would suspect you had bribed me, and they would kill old Haidee."
"That is true," murmured the patient, sadly. She lay a little while lost in thought, then her face grew bright.
"I will tell you what I will do," said she. "See, there are five diamonds in my ring. Each one is worth a hundred dollars. I will loosen one of the stones and give it to you if you will help me to escape from here. They will not miss one single stone from the ring, or if they do they will think it had become loosened from the setting and lost. Come, what do you say?"
"It is a risky undertaking, and the reward is small," muttered the old creature.
"My father shall give much more if you help me. Haidee, will you do it?" asked Lily, imploringly.
"Yes, I will," said the old woman, greedily.
"Now?" asked Lily.
"Yes, now, before the doctor or Mr. Colville comes back. My old man can take care of you until I return."
Lily shuddered at the mention of the old man, but hastily begged for writing materials.
There were none to be had except the stub of an old pencil and some light brown wrapping-paper. The old crone brought her these with a muttered apology for her poverty, and sitting up in bed, Lily wrote a few feeble, incoherent lines to her father.
"Dear papa," she wrote, "I am not dead, though you put me in a coffin and locked me in the vault with all the dead and gone Lawrences. I was stolen from the vault, and a doctor brought me to life again. I am kept a prisoner here by Harold Colville, who swears he will not release me until I marry him. I have hired the old woman who takes care of me to take you this letter. You must give her money, papa dear, for her kindness. She will conduct you here where I am. Oh! hasten, papa, and release me from this horrible prison.
"Your loving daughter,
"Lily."
Taking the old woman's knitting needle she carefully pryed out one of the diamonds from her ring, and putting it with the note into Haidee's hand bade her hasten.
"It is a long way from here. It will take me several hours to go," was the answer.
"I shall count the minutes till you return," said Lily. "God bless you, Haidee, for your goodness to me at this trying time."
The old woman chuckled as she went out, and locked the door after her. At the foot of the stairs she paused and carefully reread the superscription of the letter.
"Number 1800 Fifth avenue," said she, gloatingly. "Ah! the outside of this letter is all I want to see."
She hobbled into her room, set her old man on guard to watch her prisoner, and blithely wended her way cityward.
[CHAPTER VI.]
"Mrs. Vance, there is an old woman down-stairs says she has brought the laces you wished to see," said a trim little serving maid at Mrs. Vance's door.
Mrs. Vance looked up impatiently from her book.
"I have not ordered any laces at all," said the lady, sharply. "Send the lying old creature away, Agnes."
The trim maid hesitated.
"You ought to look at them, Mrs. Vance," said she, timidly; "such lovely laces I never saw. They are as delicate as sea-foam and very cheap. I expect they are smuggled goods."
"Well, well, let her come up then, but I do not need any of her wares."
Agnes went away and presently reappeared a moment at the door, and ushered in old Haidee with a basket on her arm. The maid then left them together.
"Now, then," said the lady, sharply, "what did you mean by saying I had ordered your laces?"
"Oh! pretty lady, forgive an old woman's lie to the maids for the sake of getting in. I have bargains, lady—lovely laces smuggled through the Custom House without any duty—I can sell them to you much cheaper than the merchants can afford to do."
"Let me see them, then," said the lady, with apparent indifference.
Old Haidee unpacked her wares and exhibited a small but fine assortment of real laces. Her prices were extremely low, and Mrs. Vance, though she pretended indifference, was charmed with their elegance, and the small sum asked by the vender. After a good deal of haggling she selected several yards, and paid for them in gold pieces taken from a silken netted purse through whose interstices gleamed many more pieces of the same kind. Old Haidee's eyes gleamed greedily at the sight.
"Gold-gold!" she muttered, working her claw-like fingers. "Give me the purse, pretty lady."
Mrs. Vance withdrew a step in amazement.
"Old woman, you are crazy. Go, leave the room this very instant!"
"Give me the gold," still pleaded the miserly old hag.
"I will have you turned out of the house this minute, miserable old beggar!" cried Mrs. Vance, moving toward the bell.
"Stop one moment, lady, I have something to say to you—a secret to tell you. You would not have me tell it before the servants, would you?" said the old woman, in such a meaning tone that Mrs. Vance actually hesitated, with her hand on the bell-rope.
"Say on," said she, haughtily, and thinking to herself that the old lace-vender was insane.
"Bend closer, lady, the walls have ears sometimes. This is a terrible secret," said Haidee, with a solemn air.
Mrs. Vance moved a step nearer, impressed in spite of herself by the eerie, witch-like gestures and sepulchral air of the speaker.
"Lady, a few nights ago a fair young girl was murdered within these stately walls. Ah! you tremble; she trembled too when the jealous woman stole into her room, turned the key in the lock, and struck her down as she stood looking at her sweet reflection in her bridal dress—yes, struck her down with a brutal dagger-thrust in her heart. The wicked murderess stooped to see if her guilty work was done, then escaped down the ladder of vines that climbed up to the window. The jury said that the poor girl committed suicide; but we know better—do we not, beautiful lady?"
"You are a fiend," cried Mrs. Vance, from the chair where she had sunk down, still clutching the heavy purse of gold coins in her cold hand. "You lie! no one murdered her—she died by her own hand."
"Lady, I shall not tell my secret to any one but you," said Haidee, with a low and fiend-like laugh. "Now, will you give me the gold?"
"Never! You have come here to blackmail me! you wish to frighten me by trumped up suspicion; I will not buy your silence!" cried Mrs. Vance, passionately.
"Very well, lady, I will go to Mr. Lawrence, I will go to Mr. Darling, I will tell them what I have told you," said the lace-vender, rising to leave.
"Stay—who knows this lying tale besides yourself?"
"No one, lady. I, Haidee Leveret, am the only witness of your crime, and you can buy my silence with that purse of gold," said the old crone, sepulchrally.
"Take it, then," said Mrs. Vance, flinging it down at her feet "and keep the secret till your dying day! you need not return to blackmail me again. That is all the gold I have. I am a poor woman. I can get no more to give you!"
The old woman gathered up the purse of coins, hid it in her bosom, and trotted out, mouthing and mumbling to herself. Mrs. Vance fell down upon the floor writhing in terror. "My sin has found me out," she cried, wringing her white hands helplessly. "Oh, Lancelot, Lancelot, it was all for you!"
"A lucky day," said old Haidee to herself as she trotted down the street. "A fine piece of work, and well paid for! A purse of gold and a diamond! Well, well!"
She stopped and took poor Lily's note from her pocket where it had lain concealed, and tearing it into minute fragments threw it into the street. A gentleman passing by observed the action curiously. It was Mr. Lawrence. Ah! if he had but known whose hand had written the note whose coarse, brown fragments lay under his feet, if he had but turned and followed that hideous old witch, what months of sorrow might have been spared him. But he did not know, and he went on to his home, bowed and heart-broken, while old Haidee trotted quickly past, crooning a low tune in the pride of her gratified avarice and cunning.