CONTENTS
[CHAPTER I. A WEB OF FATE.]
[CHAPTER II. AT PIRATE BEACH.]
[CHAPTER III. "IT IS BETTER THAT YOU DIE."]
[CHAPTER IV. LIZETTE SAVES HER MISTRESS.]
[CHAPTER V. A PLOT TO WIN A LOVER.]
[CHAPTER VI. UNDER THE ROOF OF GRAY GABLES.]
[CHAPTER VII. FORGOT SHE WAS A WIFE.]
[CHAPTER VIII. IN DEADLY PERIL.]
[CHAPTER IX. THE SERPENT RING.]
[CHAPTER X. "WILL YOU NEVER FORGIVE?"]
[CHAPTER XI. "IT IS THE RING."]
[CHAPTER XII. ALL FOR A WOMAN'S SAKE.]
[CHAPTER XIII. SECRET PLANS.]
[CHAPTER XIV. TWO PISTOL SHOTS.]
[CHAPTER XV. A DUEL ON THE BEACH.]
[CHAPTER XVI. "WITH THIS RING I THEE WED."]
[CHAPTER XVII. "SHALL I NEVER SEE YOU AGAIN?"]
[CHAPTER XVIII. "HE WILL KILL MY HUSBAND."]
[CHAPTER XIX. TREACHERY.]
[CHAPTER XX. A GHOST ON BOARD SHIP.]
[CHAPTER XXI. DONALD KAYNE'S RETURN.]
[CHAPTER XXII. PEPITA!]
[CHAPTER XXIII. NITA AT GRAY GABLES AGAIN.]
[CHAPTER XXIV. THE MISER SENDS FOR HIS BRIDE.]
[CHAPTER XXV. "LET US DIE TOGETHER."]
[CHAPTER XXVI. "YOU SHALL KNOW THE SECRET."]
[CHAPTER XXVII. THE TENTH OF JUNE.]
[CHAPTER XXVIII. THE OTHER CLAIMANT.]
[CHAPTER XXIX. HER FATHER'S NAME AND GOLD.]
[CHAPTER XXX. DONALD KAYNE'S STORY.]
[CHAPTER XXXI. LIZETTE A PRISONER.]
[CHAPTER XXXII. ON TRIAL FOR HER LIFE.]
[CHAPTER XXXIII. THE PARRICIDE'S FATE.]
NEW EAGLE SERIES No. 1198
THEY LOOKED AND LOVED
BY
Mrs. Alex. McVeigh Miller
New Eagle Series
Price, Fifteen Cents Carefully Selected Love Stories
There is such a profusion of good books in this list, that it is an impossibility to urge you to select any particular title or author's work. All that we can say is that any line that contains the complete works of Mrs. Georgie Sheldon, Charles Garvice, Mrs. Harriet Lewis, May Agnes Fleming, Wenona Gilman, Mrs. Alex. McVeigh Miller, and other writers of the same type, is worthy of your attention, especially when the price has been set at 15 cents the volume.
ALL TITLES ALWAYS IN PRINT
| 1— | Queen Bess | By Mrs. Georgie Sheldon |
| 2— | Ruby's Reward | By Mrs. Georgie Sheldon |
| 7— | Two Keys | By Mrs. Georgie Sheldon |
| 9— | The Virginia Heiress | By May Agnes Fleming |
| 12— | Edrie's Legacy | By Mrs. Georgie Sheldon |
| 17— | Leslie's Loyalty | By Charles Garvice |
| 22— | Elaine | By Charles Garvice |
| 24— | A Wasted Love | By Charles Garvice |
| 41— | Her Heart's Desire | By Charles Garvice |
| 44— | That Dowdy | By Mrs. Georgie Sheldon |
| 50— | Her Ransom | By Charles Garvice |
| 55— | Thrice Wedded | By Mrs. Georgie Sheldon |
| 66— | Witch Hazel | By Mrs. Georgie Sheldon |
| 70— | Sydney | By Charles Garvice |
| 73— | The Marquis | By Charles Garvice |
| 77— | Tina | By Mrs. Georgie Sheldon |
| 79— | Out of the Past | By Charles Garvice |
| 84— | Imogene | By Charles Garvice |
| 85— | Lorrie; or, Hollow Gold | By Charles Garvice |
| 88— | Virgie's Inheritance | By Mrs. Georgie Sheldon |
| 95— | A Wilful Maid | By Charles Garvice |
| 98— | Claire | By Charles Garvice |
| 99— | Audrey's Recompense | By Mrs. Georgie Sheldon |
| 102— | Sweet Cymbeline | By Charles Garvice |
| 109— | Signa's Sweetheart | By Charles Garvice |
| 111— | Faithful Shirley | By Mrs. Georgie Sheldon |
| 117— | She Loved Him | By Charles Garvice |
| 119— | 'Twixt Smile and Tear | By Charles Garvice |
| 122— | Grazia's Mistake | By Mrs. Georgie Sheldon |
| 130— | A Passion Flower | By Charles Garvice |
| 133— | Max | By Mrs. Georgie Sheldon |
| 136— | The Unseen Bridegroom | By May Agnes Fleming |
| 138— | A Fatal Wooing | By Laura Jean Libbey |
| 141— | Lady Evelyn | By May Agnes Fleming |
| 144— | Dorothy's Jewels | By Mrs. Georgie Sheldon |
| 146— | Magdalen's Vow | By May Agnes Fleming |
| 151— | The Heiress of Glen Gower | By May Agnes Fleming |
| 155— | Nameless Dell | By Mrs. Georgie Sheldon |
| 157— | Who Wins | By May Agnes Fleming |
| 166— | The Masked Bridal | By Mrs. Georgie Sheldon |
| 168— | Thrice Lost, Thrice Won | By May Agnes Fleming |
| 174— | His Guardian Angel | By Charles Garvice |
| 177— | A True Aristocrat | By Mrs. Georgie Sheldon |
| 181— | The Baronet's Bride | By May Agnes Fleming |
| 188— | Dorothy Arnold's Escape | By Mrs. Georgie Sheldon |
| 199— | Geoffrey's Victory | By Mrs. Georgie Sheldon |
| 203— | Only One Love | By Charles Garvice |
| 210— | Wild Oats | By Mrs. Georgie Sheldon |
| 213— | The Heiress of Egremont | By Mrs. Harriet Lewis |
| 215— | Only a Girl's Love | By Charles Garvice |
| 219— | Lost: A Pearle | By Mrs. Georgie Sheldon |
| 222— | The Lily of Mordaunt | By Mrs. Georgie Sheldon |
| 223— | Leola Dale's Fortune | By Charles Garvice |
| 231— | The Earl's Heir | By Charles Garvice |
| 233— | Nora | By Mrs. Georgie Sheldon |
| 236— | Her Humble Lover | By Charles Garvice |
| 242— | A Wounded Heart | By Charles Garvice |
| 244— | A Hoiden's Conquest | By Mrs. Georgie Sheldon |
| 250— | A Woman's Soul | By Charles Garvice |
| 255— | The Little Marplot | By Mrs. Georgie Sheldon |
| 257— | A Martyred Love | By Charles Garvice |
| 266— | The Welfleet Mystery | By Mrs. Georgie Sheldon |
| 267— | Jeanne | By Charles Garvice |
| 268— | Olivia; or, It Was for Her Sake | By Charles Garvice |
| 272— | So Fair, So False | By Charles Garvice |
| 276— | So Nearly Lost | By Charles Garvice |
| 277— | Brownie's Triumph | By Mrs. Georgie Sheldon |
| 280— | Love's Dilemma | By Charles Garvice |
| 282— | The Forsaken Bride | By Mrs. Georgie Sheldon |
| 283— | My Lady Pride | By Charles Garvice |
| 287— | The Lady of Darracourt | By Charles Garvice |
| 288— | Sibyl's Influence | By Mrs. Georgie Sheldon |
| 291— | A Mysterious Wedding King | By Mrs. Georgie Sheldon |
| 292— | For Her Only | By Charles Garvice |
| 296— | The Heir of Vering | By Charles Garvice |
| 299— | Little Miss Whirlwind | By Mrs. Georgie Sheldon |
| 300— | The Spider and the Fly | By Charles Garvice |
| 303— | The Queen of the Isle | By May Agnes Fleming |
| 304— | Stanch as a Woman | By Charles Garvice |
| 305— | Led by Love | By Charles Garvice |
| 309— | The Heiress of Castle Cliffs | By May Agnes Fleming |
| 312— | Woven on Fate's Loom, and The Snowdrift | By Charles Garvice |
| 315— | The Dark Secret | By May Agnes Fleming |
| 317— | Ione | By Laura Jean Libbey |
| 318— | Stanch of Heart | By Charles Garvice |
| 322— | Mildred | By Mrs. Mary J. Holmes |
| 326— | Parted by Fate | By Laura Jean Libbey |
| 327— | He Loves Me | By Charles Garvice |
| 328— | He Loves Me Not | By Charles Garvice |
| 330— | Aikenside | By Mrs. Mary J. Holmes |
| 333— | Stella's Fortune | By Charles Garvice |
| 334— | Miss McDonald | By Mrs. Mary J. Holmes |
| 339— | His Heart's Queen | By Mrs. Georgie Sheldon |
| 340— | Bad Hugh. Vol. I. | By Mrs. Mary J. Holmes |
| 341— | Bad Hugh. Vol. II. | By Mrs. Mary J. Holmes |
| 344— | Tresillian Court | By Mrs. Harriet Lewis |
| 345— | The Scorned Wife | By Mrs. Harriet Lewis |
| 346— | Guy Tresillian's Fate | By Mrs. Harriet Lewis |
| 347— | The Eyes of Love | By Charles Garvice |
| 348— | The Hearts of Youth | By Charles Garvice |
| 351— | The Churchyard Betrothal | By Mrs. Georgie Sheldon |
| 352— | Family Pride. Vol. I. | By Mary J. Holmes |
| 353— | Family Pride. Vol. II. | By Mary J. Holmes |
| 354— | A Love Comedy | By Charles Garvice |
| 360— | The Ashes of Love | By Charles Garvice |
| 361— | A Heart Triumphant | By Charles Garvice |
| 362— | Stella Rosevelt | By Mrs. Georgie Sheldon |
| 367— | The Pride of Her Life | By Charles Garvice |
| 368— | Won By Love's Valor | By Charles Garvice |
| 372— | A Girl in a Thousand | By Mrs. Georgie Sheldon |
| 373— | A Thorn Among Roses. | |
| Sequel to "A Girl in a Thousand" | By Mrs. Georgie Sheldon | |
| 380— | Her Double Life | By Mrs. Harriet Lewis |
| 381— | The Sunshine of Love. | |
| Sequel to "Her Double Life" | By Mrs. Harriet Lewis | |
| 382— | Mona | By Mrs. Georgie Sheldon |
| 391— | Marguerite's Heritage | By Mrs. Georgie Sheldon |
| 399— | Betsey's Transformation | By Mrs. Georgie Sheldon |
| 407— | Esther, the Fright | By Mrs. Georgie Sheldon |
| 415— | Trixy | By Mrs. Georgie Sheldon |
| 440— | Edna's Secret Marriage | By Charles Garvice |
| 449— | The Bailiff's Scheme | By Mrs. Harriet Lewis |
| 450— | Rosamond's Love. | |
| Sequel to "The Bailiff's Scheme" | By Mrs. Harriet Lewis | |
| 451— | Helen's Victory | By Mrs. Georgie Sheldon |
| 456— | A Vixen's Treachery | By Mrs. Harriet Lewis |
| 457— | Adrift in the World. | |
| Sequel to "A Vixen's Treachery" | By Mrs. Harriet Lewis | |
| 458— | When Love Meets Love | By Charles Garvice |
| 464— | The Old Life's Shadows | By Mrs. Harriet Lewis |
| 465— | Outside Her Eden. | |
| Sequel to "The Old Life's Shadows" | By Mrs. Harriet Lewis | |
| 474— | The Belle of the Season | By Mrs. Harriet Lewis |
| 475— | Love Before Pride. | |
| Sequel to "The Belle of the Season" | By Mrs. Harriet Lewis | |
| 481— | Wedded, Yet No Wife | By May Agnes Fleming |
| 489— | Lucy Harding | By Mrs. Mary J. Holmes |
| 495— | Norine's Revenge | By May Agnes Fleming |
| 511— | The Golden Key | By Mrs. Georgie Sheldon |
| 512— | A Heritage of Love. | |
| Sequel to "The Golden Key" | By Mrs. Georgie Sheldon | |
| 519— | The Magic Cameo | By Mrs. Georgie Sheldon |
| 520— | The Heatherford Fortune. | |
| Sequel to "The Magic Cameo" | By Mrs. Georgie Sheldon | |
| 531— | Better Than Life | By Charles Garvice |
| 542— | Once in a Life | By Charles Garvice |
| 548— | 'Twas Love's Fault | By Charles Garvice |
| 553— | Queen Kate | By Charles Garvice |
| 554— | Step by Step | By Mrs. Georgie Sheldon |
| 557— | In Cupid's Chains | By Charles Garvice |
| 630— | The Verdict of the Heart | By Charles Garvice |
| 635— | A Coronet of Shame | By Charles Garvice |
| 640— | A Girl of Spirit | By Charles Garvice |
| 645— | A Jest of Fate | By Charles Garvice |
| 648— | Gertrude Elliott's Crucible | By Mrs. Georgie Sheldon |
| 650— | Diana's Destiny | By Charles Garvice |
| 655— | Linked by Fate | By Charles Garvice |
| 663— | Creatures of Destiny | By Charles Garvice |
| 671— | When Love Is Young | By Charles Garvice |
| 676— | My Lady Beth | By Mrs. Georgie Sheldon |
| 679— | Gold in the Gutter | By Charles Garvice |
| 712— | Love and a Lie | By Charles Garvice |
| 721— | A Girl from the South | By Charles Garvice |
| 730— | John Hungerford's Redemption | By Mrs. Georgie Sheldon |
| 741— | The Fatal Ruby | By Charles Garvice |
| 749— | The Heart of a Maid | By Charles Garvice |
| 758— | The Woman in It | By Charles Garvice |
| 774— | Love in a Snare | By Charles Garvice |
| 775— | My Love Kitty | By Charles Garvice |
| 776— | That Strange Girl | By Charles Garvice |
| 777— | Nellie | By Charles Garvice |
| 778— | Miss Estcourt; or Olive | By Charles Garvice |
| 818— | The Girl Who Was True | By Charles Garvice |
| 826— | The Irony of Love | By Charles Garvice |
| 896— | A Terrible Secret | By May Agnes Fleming |
| 897— | When To-morrow Came | By May Agnes Fleming |
| 904— | A Mad Marriage | By May Agnes Fleming |
| 905— | A Woman Without Mercy | By May Agnes Fleming |
| 912— | One Night's Mystery | By May Agnes Fleming |
| 913— | The Cost of A Lie | By May Agnes Fleming |
| 920— | Silent and True | By May Agnes Fleming |
| 921— | A Treasure Lost | By May Agnes Fleming |
| 925— | Forrest House | By Mary J. Holmes |
| 926— | He Loved Her Once | By Mary J. Holmes |
| 930— | Kate Danton | By May Agnes Fleming |
| 931— | Proud as a Queen | By May Agnes Fleming |
| 935— | Queenie Hetherton | By Mary J. Holmes |
| 936— | Mightier Than Pride | By Mary J. Holmes |
| 940— | The Heir of Charlton | By May Agnes Fleming |
| 941— | While Love Stood Waiting | By May Agnes Fleming |
| 945— | Gretchen | By Mary J. Holmes |
| 946— | Beauty That Faded | By Mary J. Holmes |
| 950— | Carried by Storm | By May Agnes Fleming |
| 951— | Love's Dazzling Glitter | By May Agnes Fleming |
| 954— | Marguerite | By Mary J. Holmes |
| 955— | When Love Spurs Onward | By Mary J. Holmes |
| 960— | Lost for a Woman | By May Agnes Fleming |
| 961— | His to Love or Hate | By May Agnes Fleming |
| 964— | Paul Ralston's First Love | By Mary J. Holmes |
| 965— | Where Love's Shadows Lie Deep | By Mary J. Holmes |
| 968— | The Tracy Diamonds | By Mary J. Holmes |
| 969— | She Loved Another | By Mary J. Holmes |
| 972— | The Cromptons | By Mary J. Holmes |
| 973— | Her Husband Was a Scamp | By Mary J. Holmes |
| 975— | The Merivale Banks | By Mary J. Holmes |
| 978— | The One Girl in the World | By Charles Garvice |
| 979— | His Priceless Jewel | By Charles Garvice |
| 982— | The Millionaire's Daughter and Other Stories. | By Chas. Garvice |
| 983— | Doctor Hathern's Daughters | By Mary J. Holmes |
| 984— | The Colonel's Bride | By Mary J. Holmes |
| 988— | Her Ladyship's Diamonds, and Other Stories. | By Chas. Garvice |
| 998— | Sharing Her Crime | By May Agnes Fleming |
| 999— | The Heiress of Sunset Hall | By May Agnes Fleming |
| 1004— | Maude Percy's Secret | By May Agnes Fleming |
| 1005— | The Adopted Daughter | By May Agnes Fleming |
| 1010— | The Sisters of Torwood | By May Agnes Fleming |
| 1015— | A Changed Heart | By May Agnes Fleming |
| 1016— | Enchanted | By May Agnes Fleming |
| 1025— | A Wife's Tragedy | By May Agnes Fleming |
| 1026— | Brought to Reckoning | By May Agnes Fleming |
| 1027— | A Madcap Sweetheart | By Emma Garrison Jones |
| 1028— | An Unhappy Bargain | By Effie Adelaide Rowlands |
| 1029— | Only a Working Girl | By Geraldine Fleming |
| 1030— | The Unbidden Guest | By Mrs. Alex McVeigh Miller |
| 1031— | The Man and His Millions | By Ida Reade Allen |
| 1032— | Mabel's Sacrifice | By Charlotte M. Stanley |
| 1033— | Was He Worth It? | By Geraldine Fleming |
| 1034— | Her Two Suitors | By Wenona Gilman |
| 1035— | Edith Percival | By May Agnes Fleming |
| 1036— | Caught in the Snare | By May Agnes Fleming |
| 1037— | A Love Concealed | By Emma Garrison Jones |
| 1038— | The Price of Happiness | By Mrs. Alex McVeigh Miller |
| 1039— | The Lucky Man | By Geraldine Fleming |
| 1040— | A Forced Promise | By Ida Reade Allen |
| 1041— | The Crime of Love | By Barbara Howard |
| 1042— | The Bride's Opals | By Emma Garrison Jones |
| 1043— | Love That Was Cursed | By Geraldine Fleming |
| 1044— | Thorns of Regret | By Mrs. Alex McVeigh Miller |
| 1045— | Love Will Find the Way | By Wenona Gilman |
| 1046— | Bitterly Atoned | By Mrs E. Burke Collins |
| 1047— | Told in the Twilight | By Ida Reade Allen |
| 1048— | A Little Barbarian | By Charlotte Kingsley |
| 1049— | Love's Golden Spell | By Geraldine Fleming |
| 1050— | Married in Error | By Mrs. Alex McVeigh Miller |
| 1051— | If It Were True | By Wenona Gilman |
| 1052— | Vivian's Love Story | By Mrs. E. Burke Collins |
| 1053— | From Tears to Smiles | By Ida Reade Allen |
| 1054— | When Love Dawns | By Adelaide Stirling |
| 1055— | Love's Earnest Prayer | By Geraldine Fleming |
| 1056— | The Strength of Love | By Mrs. Alex McVeigh Miller |
| 1057— | A Lost Love | By Wenona Gilman |
| 1058— | The Stronger Passion | By Lillian R. Drayton |
| 1059— | What Love Can Cost | By Evelyn Malcolm |
| 1060— | At Another's Bidding | By Ida Reade Allen |
| 1061— | Above All Things | By Adelaide Stirling |
| 1062— | The Curse of Beauty | By Geraldine Fleming |
| 1063— | Her Sister's Secret | By Mrs. Alex McVeigh Miller |
| 1064— | Married in Haste | By Wenona Gilman |
| 1065— | Fair Maid Marian | By Emma Garrison Jones |
| 1066— | No Man's Wife | By Ida Reade Allen |
| 1067— | A Sacrifice to Love | By Adelaide Stirling |
| 1068— | Her Fatal Gift | By Geraldine Fleming |
| 1069— | Her Life's Burden | By Mrs. Alex McVeigh Miller |
| 1070— | Evelyn, the Actress | By Wenona Gilman |
| 1071— | Married for Money | By Lucy Randall Comfort |
| 1072— | A Lost Sweetheart | By Ida Reade Allen |
| 1073— | A Golden Sorrow | By Charlotte M. Stanley |
| 1074— | Her Heart's Challenge | By Barbara Howard |
| 1075— | His Willing Slave | By Lillian R. Drayton |
| 1076— | A Freak of Fate | By Emma Garrison Jones |
| 1077— | Her Punishment | By Laura Jean Libbey |
| 1078— | The Shadow Between Them | By Mrs. Alex. McVeigh Miller |
| 1079— | No Time for Penitence | By Wenona Gilman |
| 1080— | Norma's Black Fortune | By Ida Reade Allen |
| 1081— | A Wilful Girl | By Lucy Randall Comfort |
| 1082— | Love's First Kiss | By Emma Garrison Jones |
| 1083— | Lola Dunbar's Crime | By Barbara Howard |
| 1084— | Ethel's Secret | By Charlotte M. Stanley |
| 1085— | Lynette's Wedding | By Mrs. Alex McVeigh Miller |
| 1086— | A Fair Enchantress | By Ida Reade Allen |
| 1087— | The Tide of Fate | By Wenona Gilman |
| 1088— | Her Husband's Other Wife | By Emma Garrison Jones |
| 1089— | Hearts of Stone | By Geraldine Fleming |
| 1090— | In Love's Springtime | By Laura Jean Libbey |
| 1091— | Love at the Loom | By Geraldine Fleming |
| 1092— | What Was She to Him? | By Mrs. Alex McVeigh Miller |
| 1093— | For Another's Fault | By Charlotte M. Stanley |
| 1094— | Hearts and Dollars | By Ida Reade Allen |
| 1095— | A Wife's Triumph | By Effie Adelaide Rowlands |
| 1096— | A Bachelor Girl | By Lucy May Russell |
| 1097— | Love and Spite | By Adelaide Stirling |
| 1098— | Leola's Heart | By Charlotte M. Stanley |
| 1099— | The Power of Love | By Geraldine Fleming |
| 1100— | An Angel of Evil | By Effie Adelaide Rowlands |
| 1101— | True to His Bride | By Emma Garrison Jones |
| 1102— | The Lady of Beaufort Park | By Wenona Gilman |
| 1103— | A Daughter of Darkness | By Ida Reade Allen |
| 1104— | My Pretty Maid | By Mrs. Alex McVeigh Miller |
| 1105— | Master of Her Fate | By Geraldine Fleming |
| 1106— | A Shadowed Happiness | By Effie Adelaide Rowlands |
| 1107— | John Elliott's Flirtation | By Lucy May Russell |
| 1108— | A Forgotten Love | By Adelaide Stirling |
| 1109— | Sylvia, The Forsaken | By Charlotte M. Stanley |
| 1110— | Her Dearest Love | By Geraldine Fleming |
| 1111— | Love's Greatest Gift | By Effie Adelaide Rowlands |
| 1112— | Mischievous Maid Faynie | By Laura Jean Libbey |
| 1113— | In Love's Name | By Emma Garrison Jones |
| 1114— | Love's Clouded Dawn | By Wenona Gilman |
| 1115— | A Blue Grass Heroine | By Ida Reade Allen |
| 1116— | Only a Kiss | By Mrs. Alex McVeigh Miller |
| 1117— | Virgie Talcott's Mission | By Lucy May Russell |
| 1118— | Her Evil Genius | By Adelaide Stirling |
| 1119— | In Love's Paradise | By Charlotte M. Stanley |
| 1120— | Sold for Gold | By Geraldine Fleming |
| 1121— | Andrew Leicester's Love | By Effie Adelaide Rowlands |
| 1122— | Taken by Storm | By Emma Garrison Jones |
| 1123— | The Mills of the Gods | By Wenona Gilman |
| 1124— | The Breath of Slander | By Ida Reade Allen |
| 1125— | Loyal Unto Death | By Mrs. Alex McVeigh Miller |
| 1126— | A Spurned Proposal | By Effie Adelaide Rowlands |
| 1127— | Daredevil Betty | By Evelyn Malcolm |
| 1128— | Her Life's Dark Cloud | By Lillian R. Drayton |
| 1129— | True Love Endures | By Ida Reade Allen |
| 1130— | The Battle of Hearts | By Geraldine Fleming |
| 1131— | Better Than Riches | By Wenona Gilman |
| 1132— | Tempted By Love | By Effie Adelaide Rowlands |
| 1133— | Between Good and Evil | By Charlotte M. Stanley |
| 1134— | A Southern Princess | By Emma Garrison Jones |
| 1135— | The Thorns of Love | By Evelyn Malcolm |
| 1136— | A Married Flirt | By Mrs. Alex McVeigh Miller |
| 1137— | Her Priceless Love | By Geraldine Fleming |
| 1138— | My Own Sweetheart | By Wenona Gilman |
| 1139— | Love's Harvest | By Adelaide Fox Robinson |
| 1140— | His Two Loves | By Ida Reade Allen |
| 1141— | The Love He Sought | By Lillian R. Drayton |
| 1142— | A Fateful Promise | By Effie Adelaide Rowlands |
| 1143— | Love Surely Triumphs | By Charlotte May Kingsley |
| 1144— | The Haunting Past | By Evelyn Malcolm |
| 1145— | Sorely Tried | By Emma Garrison Jones |
| 1146— | Falsely Accused | By Geraldine Fleming |
| 1147— | Love Given in Vain | By Adelaide Fox Robinson |
| 1148— | No One to Help Her | By Ida Reade Allen |
| 1149— | Her Golden Secret | By Effie Adelaide Rowlands |
| 1150— | Saved From Herself | By Adelaide Stirling |
| 1151— | The Gypsy's Warning | By Emma Garrison Jones |
| 1152— | Caught in Love's Net | By Ida Reade Allen |
| 1153— | The Pride of My Heart | By Laura Jean Libbey |
| 1154— | A Vagabond Heiress | By Charlotte May Kingsley |
| 1155— | That Terrible Tomboy | By Geraldine Fleming |
They Looked and Loved
OR,
WON BY FAITH
BY
MRS. ALEX McVEIGH MILLER
Author of "When We Two Parted," "All for Love," "Love Conquers Pride," "The Man She Hated," etc.
STREET & SMITH CORPORATION
PUBLISHERS
79-89 Seventh Avenue, New York
|
Copyright, 1892 By NORMAN L. MUNRO Renewal Granted to Mrs. Alex McVeigh Miller, 1920 They Looked and Loved |
(Printed in the United States of America)
[THEY LOOKED AND LOVED.]
[CHAPTER I.]
A WEB OF FATE.
"I would sell my soul to Satan for a chest of gold!" cried a despairing voice.
It was a young girl who uttered the words. She was standing under a tree in Central Park, watching the equipages that rolled past in a constant stream. A handsome victoria, in which sat a golden-haired beauty, one of the famed Four Hundred of New York, had just whirled past, and the dust from the wheels had blown into the speaker's face, drawing those reckless words from her lips:
"I would sell my soul to Satan for a chest of gold!"
Of a truth, the girl was fair enough to have exchanged places with the regal woman in the carriage, for her face and form had been shaped in beauty's fairest mold, though the cheek was wan and pale from the pangs of grief and hunger, and the peerless form was draped in worn and shabby garments.
But the fires of pride and ambition burned brightly in the large Spanish-looking dark eyes, as the girl clasped her small ungloved hands together.
"Would you marry me?" asked a low, sneering voice in her ear.
She turned with a start of terror, and it appeared to her as if her reckless words had summoned the arch-fiend himself to her side.
The person who had addressed her was a horribly ugly and grotesque-looking old man.
He was at least sixty-five years of age, bent and stoop-shouldered, with features that were homely to the point of grotesqueness. His nose was large, his mouth wide, his small malevolent gray eyes peered beneath bushy red eyebrows supplemented by grizzled hair and whiskers of the same lurid color. His clothing was scrupulously neat, but well-worn and of cheap material.
"Would you marry me?" repeated this old man, and the beautiful girl gave a start of surprise not unmixed with fear.
"You—you—why, you are as poor as I am!" she gasped, her eyes roving over his shabby attire.
"Appearances are often deceitful, young lady. I look like a beggar, I know, and, truth to tell, I live like one, but I am rich enough to give you your heart's desire—a chest of gold. Did you ever hear of Charles Farnham, the miser?"
"Yes."
"I am Farnham, the miser, young lady, and for once I have a generous impulse. You are young, beautiful, and poor. I am old, ugly, and rich. In the world of fashion such marriages are not uncommon. Will you marry me?"
She gazed into his repulsive features, and shuddered.
"No, no, no!"
"You are very independent," he sneered. "What is your name? Where do you live?"
"My name is no concern of yours. My home will soon be—in—the—river!"
"What mean you, girl?"
"What I have just told you, sir. I am a poor and honest girl, out of work, penniless, and friendless, turned into the streets to-day to starve. Before nightfall I shall end my sorrows in the river."
"A girl with that beautiful face and form need never starve," returned the old miser, with a significant leer.
The pale, young face flushed to a burning crimson, and the large, dark eyes flashed angrily.
"I have been told that many times, sir, but I am an honest girl. I can die, but I cannot do wrong."
"It is too beautiful a day to die," returned the old miser, looking around him at the green grass and flowers and golden sunshine.
The park was crowded. There were throngs on foot, throngs in carriages. Beautiful women were plenty, but none of them could compare with the young girl standing there in the dust of their carriage-wheels talking to the old miser.
"Look at those handsome creatures in their magnificent carriages with liveried servants—look at their silks and jewels. Do you not envy them?" demanded Farnham. "You are more beautiful than they are. It is very foolish of you to drown yourself for lack of bread when I offer you wealth and splendor as my wife."
"But I could not love you. You are old—hideous—and I could not marry any one I did not love; I would rather die."
A fierce gleam came into the old man's eyes.
"You are the proudest pauper I ever saw, yet your very scorn makes you seem more desirable in my eyes," he exclaimed. "Come, give your consent to marry me, and you shall have one of the finest homes in New York—carriages, jewels, Paris dresses, opera-boxes, and an adoring husband. Would you not like all this?"
"All but the husband!" answered the girl frankly and sadly. "Oh, forgive me, sir, but your wealth would not make me happy if I had to live by your side."
"Yet you said just now that you would sell your soul to Satan for a chest of gold."
She shrugged her shoulders.
"I—I spoke thoughtlessly, sir. I did not think that Satan would hear me," she murmured in an undertone.
The miser saw in her eyes a girlish scorn that maddened him; yet, strange to say, it made him more eager to possess this luring though scornful beauty. He stood gazing covetously at her, and suddenly she added archly:
"I have read stories about people who sold themselves to the devil; but you see they had a little respite first, and rather enjoyed life before he claimed them, but if I married you I should be signed, sealed, and delivered over at once to the enemy," and she laughed, a mocking, mirthless laugh, for, in truth, she was desperate with despair and misery.
"You are very complimentary," said her strange suitor, with a contortion of the lip that was a cross between a grin and a sneer. He had an angry longing to strike the beautiful face that looked at him with such defiant scorn, for the girl was as proud as she was poor, and she had her treasured love-dreams like all other young girls—dreams of a rich and handsome lover who might some day woo her for his bride.
Miser Farnham, with a frightful grimace, withdrew from her side, but remained close by, watching the lonely, desolate creature with keen, calculating gray eyes.
Something more than an hour went by, and as the brilliant pageant of wealth and fashion began to fade, the girl drew a long, shuddering sigh, and turned to leave the park. A jibing voice sounded in her ear:
"Are you going to the river now?"
The dark eyes, heavy now with despair, turned upon the face of the old man.
"Yes; I am going to the river," she replied, in a dull, dreary tone.
"Will you wait one moment, please?"
She stopped and looked at him in dull wonder, her face so pallid, her eyes so despairing, that he shuddered to meet them.
"You said just now that Satan always gave a respite to those whose souls he bought; I have pondered deeply over those words, and here is the result: I will give you a respite, if you will marry me. No, don't turn away so recklessly. I mean it, young lady. Marry me to-day, and I will not see you again for a whole year. In the meantime you shall reign a queen in a palace; your life shall be a dream of delight. In my hand is the wand of the magician—gold—yellow gold—and I can accomplish all that I promise, and more! Think! A whole year of luxury, of pleasure, and in that time not one sight of my face. Can you turn from this to the dark, cold river? Surely, then, you must be mad!"
The girl stood like one rooted to the spot, her eyes dark, burning, eager. What was it he was offering? Wealth, ease, happiness—and she was homeless and starving. Her brain reeled; she trembled with excitement.
"A year," repeated old Farnham temptingly, "and in all that time I will not come near you. Only speak the word, and we will go now to a lawyer, I will have a marriage contract drawn, waiving all rights for one year from the date of marriage. Then we will be married. I will secure a chaperon and maid for you, and, leaving you in a home of luxury, take my departure until the months of your respite are over. Perhaps by then your gratitude to me will lead you to look on me with favor—if not, there is still the river"—leering wickedly.
Surely a stranger offer had never been made to a fair and homeless girl. It was romantic in some of its aspects, and it was tempting to the forlorn young creature. A gleam of piteous hope came into the large, sad eyes. A year or more of life, of ease, of comfort.
"No poor girl ever had such a chance before. Surely, you consent," continued the wily tempter.
"Yes, I consent," answered the girl, with stiff lips and unsmiling eyes.
"Good," uttered the miser, with a chuckle of satisfaction. He caught her small ungloved hand and pressed it with awkward gallantry. It was cold as a lump of ice, and fell stiffly from his clasp. Then she looked at him and spoke again, briefly and coldly:
"I am trusting fully in your promises," she said. "Remember, you must not play me false, or weak girl as I am, I shall know how to punish you."
"You can trust me, for I love you," he answered, in wheedling tones. "Come now, let us go at once to a lawyer. We can get a cab at the park gates."
She followed him away from the park, and when seated in the cab on their way to the lawyer's, he said:
"When the contract is drawn up, and we are married, the first thing will be to get you some clothing and jewels suitable for a beautiful young heiress. The next thing will be a chaperon. Well, I know an aristocratic woman, widowed and reduced to poverty, who will gladly take charge of you for the splendid salary and privileges she will get. She has one daughter, who will be a fitting companion for you. These two will make it possible for you to enter at once into the best society. You will be introduced to them as my ward, not as my wife. Then, with your chest of gold, you will enter upon a dazzling career. Your wealth and your beauty, and the prestige your chaperon will confer upon you, will enable you to dazzle the world of society and fashion. Does the picture please you?"
"I must be dreaming," answered the girl, passing her hand across her eyes in a bewildered fashion.
But the rest of the day seemed but a continuation of her dream. They went at once to a lawyer, who drew up the strange marriage-contract; then to a minister, who united them in matrimonial bonds. Next the old miser took his bride to a large store, where he gave orders that she should be supplied with an outfit of clothing suitable to her needs as a young heiress. Obsequious clerks flew to do his bidding; then, drawing her aside, he said:
"I shall leave you here several hours while I go to see the lady who will be your chaperon during the one year that you will pass as my rich ward instead of my wife."
He paused a moment, then added, with an air of hesitancy:
"I have decided that your home shall be for the first few weeks at a seaside residence I own in New Jersey. I will arrange for you to go this evening, as it is but a short distance from New York. Be all ready in your traveling-dress when I call for you with the lady and your maid at six o'clock."
[CHAPTER II.]
AT PIRATE BEACH.
It was midnight, and the moon rode high in the star-spangled sky, and mirrored itself in the ocean as it rolled its long and heavy swells in upon the silvery sands of the shell-strewn shore.
Far up the beach stood an old, graystone mansion, many-gabled and picturesque, surrounded by handsome and spacious grounds dotted with trees and shrubberies. Up in the second story a dim light gleamed from an open casement, and from it leaned a girl watching the beauty of the summer night with dark, solemn eyes—Nita Farnham, the miser's bride.
Charles Farnham, Mrs. Courtney, the chaperon; a maid, and several servants had accompanied Nita here. The old man had stayed only one hour, at the end of which he had accompanied his bride to her chamber and showed her upon the hearth-rug a small iron-bound box containing the promised gold.
"The little chest is yours, all yours," he said, with a strange emphasis. "There are many thousands of dollars in it, but they are nothing to my great wealth. I am many times a millionaire. Ah, Farnham, the miser, eking out his wretched life by selling cigars on the elevated railroad, but they little dream of his stores of hidden wealth. Wait one year more, and they will stare in envy at my Fifth Avenue palace and my peerless bride!"
She shuddered uncontrollably, and, dropping the cold hand he had taken in farewell, he turned away with a grin.
"Good-by, for a year, my beauty!"
She bowed in horror; then locked the door, and stood alone in the luxurious chamber, with the shadow of a fateful tragedy looming over her unconscious head and the price for which she had sold herself—the chest of gold—lying open at her feet.
The maid tapped presently upon the door, but Nita sent her away.
"I shall not need you to-night. You may retire."
But sleep was far from Nita's eyes. Midnight found her leaning from her window, watching the moonlight on the sea and the gray mist creeping up the shore, and murmuring over and over:
"Pirate's Beach! Pirate's Beach! How strange that he should have brought me here! Here of all places in the wide, wide world!"
A strange, beguiling melancholy crept over her as she listened to the voice of the sea as the surf broke continuously upon the beach. The very beauty of the summer night oppressed her.
"I am married, married," she murmured sadly. "I should not mind it if my husband were young and handsome, and we loved each other; but, alas, I am forever cut off from love's sweetness—I am bound by golden chains to that hideous old miser."
Nita was passionate, wilful, and undisciplined. A strange life had been hers, and it had left her like some beautiful, untamed, wild bird—untrammeled by conventionalities. The great, inrolling waves down on the beach seemed crying out to her yearningly:
"Come, come, come. We love you, we understand you!"
She flung a thick woolen shawl over her dark head, and stole down to the beach, and stood there dreamily, her gray-clad form blending softly with the creeping gray mist.
"How familiar it all looks, yet that old man did not dream I had ever been here before. I wonder if old Meg, the fortune-teller, lives here still? What if we meet? What if she recognizes me?"
She ran with a light, quick step along the beach for about half a mile, then paused pantingly close to a tumble-down old shanty that had evidently been constructed out of the black hull of an ancient wreck. From a tiny, smoke-begrimed window a dim light pierced through the murky sea fog, and Nita murmured:
"So she is here still, the old harpy!"
She bent her head, and peered through the dim little panes into the shanty. A smothered cry escaped her lips.
"Good heavens! what is that old man doing here?"
Seated by a table, ornamented with bottles and pipes, Nita had seen an ugly, witchlike old crone in close converse with—Farnham, the miser. It flashed into her mind that he was seeking from old Meg some knowledge of the future which she pretended to foretell, and she smiled in ironical amusement.
"An old man like that ought to know that Meg's pretentions are all humbug," she thought impatiently, and bent her ear to listen to their words. Old Meg was muttering with fierce gesticulations:
"I don't understand your plans nor approve them. Beware how you trifle with me, Farnham, or I will tear her from that stately home. I will make her my slave as in the old days before she ran away from my boy's love, the proud jade!"
Miser Farnham put out a lean hand and gripped the virago's wrist so tightly that she screamed with pain.
"Behave yourself then, you she-devil, and do not presume to question my actions. You will leave the girl alone, remember. She belongs to me now, for I found her after you had let her escape your clutches. No wonder she fled from you. The bare idea of that ruffianly son of yours aspiring to the hand of the proud Juan de Castro's daughter—faugh!"
"You know what he wanted," Meg growled significantly.
"Yes, what he will never get," was the harsh reply, and Farnham only laughed at her incoherent ravings. To Nita it seemed plain that the fiendish pair shared some dark secret between them, and that the man held the balance of power.
"They are plotting against me. They both know the secret of my parentage, although old Meg has told me a hundred times that I was cast up by the sea. What if I go in there and tax them with their villainy, and demand the truth?"
With flashing dark eyes she moved toward the door, and her hand touched the knob to throw it open. A moment's indecision, then her brave heart failed her. She recoiled, shuddering with a sudden fear.
"No, no, I dare not. They might murder me," and she hurried from the spot, with terror-winged feet.
When the old black hulk and its glimmering light were swallowed up in the gloom, Nita stopped a moment to take breath, and turned her exquisite white face toward the sea.
"Oh, ocean, how I love you, you great murmuring mystery!" she cried, stretching out her white hands lovingly, as the surf rolled in.
Hark, what was that blending with the hollow voice of the waves? A human voice, a deep groan as of one dying! Nita uttered a cry of superstitious terror, and ran wildly a few paces farther along the shore. A broken shell pierced the sole of her thin shoe, but she limped painfully on, half-blinded by the salt spray and her own startling tears, when suddenly she stumbled over a body lying directly in her path, and fell prostrate.
[CHAPTER III.]
"IT IS BETTER THAT YOU DIE."
Nita believed for a moment that she had stumbled over a body cast up by the cruel sea. That strange awe of death overcame her at first, and, struggling painfully to her feet, she was about to hurry from the spot when she was suddenly arrested by a low moan similar to the one that had so startled her when she was several paces away.
She realized that it was not a corpse, it was a living being, lying unconscious at her feet—a living being, wet already with the surf, that went over him each time it rolled in on the shore. The tide was coming in strongly, and presently the fatal undertow would sweep him out to sea.
"It must not be!" she cried.
Sinking down on her knees, she gazed into the white, upturned face for some sign of life.
"Oh, pitiful Heaven, he is dead!" cried Nita wildly, and she laid her white hand with an involuntary, tender caress on the broad, white brow, from which the wet masses of brown curls fell carelessly back.
Did her touch recall him to life? The broad breast heaved suddenly, the eyelids fluttered open, and the young girl met the wondering gaze of a pair of eyes that seemed to pierce her heart.
The next moment a giant wave rolled in and flung her prostrate against his breast. Drenched and shivering, Nita struggled to her knees again.
"You are alive, thank Heaven," she exclaimed gladly. "Oh, speak to me, sir; let me help you to rise, for if we remain here, the sea will sweep us both away."
She had to bend her ear close to his lips to catch the faint reply:
"I am—wounded—and have no—strength—to rise. Go—save yourself—leave me—to—my—fate!"
It must have cost him a severe effort to utter the disjointed words, for with the last one his eyes closed and he became unconscious.
And out upon the ocean Nita saw the white-caps rolling in to the shore, as if eager to seize and carry off their helpless victim. From her pallid lips came a cry of despair, and, seizing his shoulders, she tried to drag him further up the beach.
"God help me to save him," she prayed aloud, for the heavy body resisted her efforts, and she was distinctly conscious of as strong a yearning to save this man's life as though he had been a beloved friend of long, long years.
A happy thought came to her, and, dragging the strong woolen shawl from her head, she passed it with difficulty under his body, knotting the long ends on his breast. Just then another strong wave engulfed them. Clinging to the end of the shawl, she bent down and let it rush and roar above them, with its thunder of sound, and almost resistless fury of force.
With her whole heart uplifted in prayer, Nita grasped the ends of the shawl, and slowly, wearily, but determinedly, dragged the heavy form of her companion far up the beach; and within the gates of her home, where she sank down, exhausted, and gazed anxiously into his unconscious face, her heart convulsed by an agonizing yearning that he might live.
But the features remained still and lifeless, the broad breast did not heave with the faintest sign of life. She noted even then with the eyes of an artist his wonderful beauty.
"Oh, the pity of it that one so beautiful should die like this," she sobbed, and laid her hand caressingly upon his brow. Then she started as from a trance, and withdrew her hand from his brow, sobbing under her breath: "It is better that you died, for if you had lived you would have lured my heart away!"
She shivered as the keen breeze swept over her drenched form, bearing with it the intoxicating scent of June flowers blooming riotously in the neglected gardens, and rising wearily, she toiled up to the house and aroused the servants.
They gazed at her in amazement when she briefly explained the situation, and commanded them to bring the unconscious man into the house, and send for a doctor.
When the man-servant and the housekeeper had brought the dripping form and laid it on a bed, the woman cried out in wonder:
"What a strange thing! Why, I know this young man, Miss Farnham! He is Mr. Dorian Mountcastle."
And the pale young creature, leaning over the pillow, looked at her with dark, eager eyes, and murmured:
"Is he dead? Do you think that he is dead?"
"The Lord knows, honey; he looks like it, that's certain. But we can tell better when the doctor comes. Now do you go right up to your room, please, and get some dry clothes on before you catch your death of cold, while we tend to the young man," pushing her gently toward the door.
Nita threw one long look of mute despair upon Dorian Mountcastle's still and beautiful face, with the long, dark lashes lying so heavily upon the death-white cheeks, and moved silently out of the room, dragging herself wearily up the stairs, encumbered by her dripping wet garments, that left little rills of salt-water wherever she moved.
As she went along the dim corridor to her room her lips moved ever so slightly. She was whispering:
"Dorian! Dorian! What a soft, sweet name!"
When Nita had left her room, obeying the strange impulse that had tempted her out to the shore in the dead hour of the night, she had forgotten the open chest of gold upon the floor; she had even left the door standing slightly ajar with a dim light burning on the dainty dressing-table.
It was just the same now as she stepped across the threshold, little pools of salt-water sinking into the rich carpet. She stopped then, staring before her in wild-eyed horror.
Upon the rug crouched the haglike woman she had seen but a little while ago, cursing Miser Farnham in the old shanty. Her back was turned to Nita, her clawlike, skinny hands were diving into the chest of gold. She was filling her apron with the glittering coins. She had not heard the light footstep behind her, but suddenly a sharp voice rang in her ear:
"Put back that gold, you vile thief! What are you doing here?"
The old woman started so violently that the corners of her apron fell, and the gold pieces rolled in every direction. Springing wildly to her feet, she confronted Nita with the horrible, burning eyes of a murderess.
"I came here to kill you, Juanita de Castro, and to avenge my son!" she hissed, springing on her victim like a tigress.
Ere Nita could cry for help, she was borne down by her enemy's fierce onslaught, her white throat gripped in a clutch of death.
[CHAPTER IV.]
LIZETTE SAVES HER MISTRESS.
When Nita had left the room the housekeeper stood gazing with deep commiseration at the deathlike face of Dorian Mountcastle as it lay among the pillows.
"Not much use to send for a doctor, for he is certainly dead, poor fellow," she said aloud.
"Oh, what a pity!" exclaimed a voice at her side, and, turning abruptly, she saw a pretty young woman—Nita's maid, Lizette.
"Oh, Mrs. Hill, I hope he's not dead! Can I do anything to help you, please?"
"Why, Lizette, I did not know you were out of your bed, but I'm glad some one awoke you, for your mistress needs you very badly. Go up-stairs and attend to her while I wait here for the doctor."
Lizette went away obediently, and ascended the stairs to Nita's room, full of surprise at the strange happenings of this summer night at Pirate Beach.
Finding Nita's door ajar, she stepped over the threshold. Then she recoiled with a cry of surprise and terror.
A startling sight was before her eyes. Prostrate upon the floor lay her young mistress, and across her body was stretched the lean, lithe frame of an old witchlike woman, whose skinny claws gripped Nita's throat in a murderous clasp. The victim's face was purple and distorted.
The dim light that shone upon the scene showed also to the wondering maid the open chest of gold and the glittering coins scattered over the floor in reckless profusion, where the hag had dropped them in her spring upon Nita.
One moment's recoil of amazement and horror, then Lizette comprehended the full meaning of the scene—robbery and murder.
"Lord help me!" she exclaimed, and sprang upon the murderess, grasping her arms in a viselike hold, and tearing them apart from Nita's throat, although the hag struggled and snarled like a wild beast baffled of its prey.
Finding herself unable to regain her grip on the girl, she turned with a fierce howl upon her assailant. There was murder in Meg's heart, and she was determined to silence forever the witness to her attempt upon Nita's life.
But although she was strong and wiry, her lean frame soon weakened under the vigorous onslaught of her young and agile foe, and the struggle soon ended, for Lizette adroitly tripped her up, and she fell heavily, her head striking the corner of the iron-bound chest with a loud thud.
Then the maid turned to kneel down by her unconscious mistress. Nita lay motionless, but when Lizette put her ear against the girl's heart she was rejoiced to find that it was still throbbing faintly.
"Poor darling, that old fiend didn't quite kill her!" she cried joyfully, and set to work to revive her hapless mistress.
But Nita came back to life very slowly, and it was not until her wet garments were all removed and she was laid in her bed, that she opened a pair of languid dark eyes and met the affectionate gaze of the anxious maid.
"What has happened?" she breathed faintly, and Lizette explained, softening the whole affair as much as she could, not to excite the patient.
"You saved my life, Lizette," cried Nita gratefully. Then she shuddered at perceiving the unconscious form of the old fortune-teller.
"I'll see how much she's hurt now; I have been tending to you all this time," said the maid. "I don't suppose she's dead, but there's an awful cut on the side of her head. She will go to prison for this if she lives—oh, Lordy!" as the apparently dead woman suddenly opened her dazed eyes and lifted up her grizzled head. Lizette sprang to the door, and locked it.
"You don't get out of here except to go to prison, old woman," she observed, then brought water and sponges and bathed and bandaged the wounded head. Then she gave Meg a drink of cordial, and said:
"You're all right now. The cut ain't as bad as I thought at first. Well, now I'm going to send for an officer and hand you over on a charge of attempted robbery and murder."
The hag sprang to her feet, her sullen face ghastly in the dim light, her eyes lurid with hate.
"You shall not send me to prison," she hissed savagely.
"You will see!" cried the maid, stretching out her hand to the bell.
Meg's skinny, upraised arm arrested the movement.
"Wait. See what your mistress will say," she snarled, and, moving to the side of the bed, she bent down and whispered sharply for several minutes in Nita's ear.
A low cry of horror came from the bed, and the old harpy moved aside, muttering significantly:
"I knew when I told you that, you would let me go free. Indeed, I did not mean to touch you if I could get the gold without—but you took me by surprise."
Lizette looked at her mistress for orders.
"Miss Nita, you surely won't let the old hag escape?" she cried.
"Yes, open the door," Nita cried faintly, shudderingly.
"But, Miss Nita——"
"Let the woman go!" Nita repeated, and the maid reluctantly obeyed. Then Nita said faintly:
"Lizette, I am already your debtor for my life, and indeed you will find me grateful. Do me one more kindness. Keep the secret of this terrible adventure locked forever in your breast unless I give you leave to speak."
"Oh, Miss Nita, is it best to shield that old wretch from justice? She may come back again and carry off all your gold, and kill you, too."
"No, Lizette, she has sworn never to attempt it again, and you must keep it a secret. Gather up the gold, put it back in the chest, and lock it carefully away. But first take some for yourself."
"Oh, Miss Nita, I don't want any reward for saving your life."
"But I insist," murmured Nita sweetly. "Take five hundred dollars."
She saw the young woman's eyes grow suddenly eager.
"God bless you, Miss Nita. It means so much to me—oh, you can't think the good I can do with just two hundred dollars. I will take that much, no more, if you please, and, dear Miss Nita, I'll love you with every drop of my heart's blood to the end of my life for this. Oh, I will tell you all some day, my lady," and Lizette, sobbing like a little child, kissed Nita's white hand. Then she locked and carefully put away the chest of gold.
"For no one else must find out that you have such a treasure in this room," she said cautiously.
Then Nita sighed wearily:
"Oh, Lizette, I feel so tired and ill. My arms ache with pain, my whole body is stiff and sore. I should like to go to sleep, but first you must go down-stairs and bring me news of Dorian Mountcastle—if he is dead or alive, for surely the doctor must have come by this time."
[CHAPTER V.]
A PLOT TO WIN A LOVER.
Mrs. Courtney, sitting at a desk in her own room the morning after the arrival at Pirate Beach, was busy writing a letter to her daughter, who had been absent from New York when Miser Farnham had called at her lodgings and electrified her with the welcome offer to become the chaperon of his beautiful ward.
After acquainting her daughter with these facts and the later ones of the night's happenings, Mrs. Courtney added:
"Now, prepare for a joyful surprise, my dear Azalea. A happy fate has thrown Dorian Mountcastle across your path again. It is he whom Miss Farnham so romantically saved, and although he has a mysterious wound in the side which will cause several weeks of confinement, the doctor thinks he can pull him safely through. Of course, I shall nurse him assiduously, and I want you to drop everything and come home. That girl is quite ill to-day, feverish and delirious from her exposure last night. Before she is well enough to come down and see Dorian Mountcastle, you will have a chance to cut her out with him. Our former acquaintance will be to your advantage, too, for there is some secrecy about Miss Farnham's antecedents that I don't at all approve. Well, if you can only secure the prize, we can soon drop this other affair; so come quickly, my dear daughter, for I know your heart seconds my wishes in this matter."
It was barely twenty-four hours later that Nita's maid said to her mistress, who was still too ill to leave her bed:
"Mrs. Courtney's daughter, Miss Azalea, came to-day."
"Is she pretty?" asked Nita—always a girl's first question about another one.
"She is a little thing with blue eyes, rosy cheeks, and golden hair. The housekeeper was just telling me that these Courtneys used to be grand rich people, and that they are old friends of this Mr. Dorian Mountcastle."
"Old friends," murmured the invalid, and her heart gave an inexplicable throb of pain.
"And," continued Lizette, "Mrs. Hill says Mrs. Courtney is perfectly devoted to the young man, and just takes the nursing right out of her hands."
Nita smiled a little contemptuously, for Mrs. Courtney had made her but two formal visits, into both of which she had infused a sarcastic disapproval of the girl's nocturnal wandering.
"Oh, Mrs. Courtney, it was an irresistible impulse stronger than myself that led me out. Indeed, I think God sent me to save Mr. Mountcastle's life," the girl had cried reverently.
Mrs. Courtney had smiled in a sort of cold derision.
"Never go out alone like that again. I would never forgive my daughter, Azalea, for doing anything so highly improper," she had replied stiffly.
And now Azalea had arrived upon the scene, and the housekeeper had bluntly told Lizette that the lady was preparing to throw her pretty daughter at the young man's head.
"But it won't work, for he's always talking about Miss Farnham, and begging to see her to thank her for her bravery. He told me he took her for a real angel when he first opened his eyes down there by the water and saw her face!" cried Mrs. Hill, and Lizette returned:
"And when Miss Nita was delirious last night, she kept calling his name: 'Dorian, Dorian, Dorian,' like they were old acquaintances. I think myself, it's a case of love at first sight on both sides."
"And so do I, Lizette."
And, kindly, romantic souls that they were, they took a keen, womanly delight in this incipient love-affair. Miss Farnham had saved Mr. Mountcastle's life, and in novel-lore this romantic incident always led up to love and marriage.
It was noon the next day before Nita saw Azalea. A bewitching golden-haired vision in a white morning-gown, with floating blue ribbons, that matched the color of her large, turquoise-blue eyes, and brought out clearly the rose-pink tinting of her soft skin—this was the fairy that floated into Nita's room alone, and murmured gushingly:
"How do you do, Miss Farnham? Mama has been trying to keep me out, saying that you were too ill to be disturbed. But you must not mind me, will you? I am only Azalea! May I call you Nita?" Dropping suddenly on her knees, she kissed Nita's feverish cheek. "I love you, you brave heroine!" she cried.
Nita could only smile, for Azalea gave her no chance to speak. She went on cooingly:
"I want to whisper a sweet secret to you, dear. I love you already, because—well, because you saved Dorian's life. When I came yesterday and found him here, I almost fainted with surprise and joy. Do you understand, Nita? Dorian and I were—lovers—once—but afterward we were cruelly parted. But now, we have made it up, and are happy. But only think, dearest, if you had not saved his life that night I should have gone mourning him all my days. God bless you, Nita."
Strange that those words of blessing almost sounded like a curse in Nita's ears. She shrank from the red lips that again caressed her cheek, and murmured coldly:
"Pray, take a seat, Miss Courtney."
"Do I weary you, poor dear?" sinking gracefully into an arm-chair. "Oh, how dreadfully ill you look; I suppose you will be in bed for weeks."
"I am going to sit up to-morrow."
"Surely not so soon, dear. I don't think mama will permit you."
"I beg your pardon, I shall not ask her leave, Lizette is my nurse"—quietly.
"But I thought mama ought to be consulted. She is your chaperon, you know"—wheedingly.
"I am very wilful, Miss Courtney, and intend to have my own way. I am better, and there is no need of my remaining in bed longer than to-morrow. Then, too, I have a guest, you should remember, and courtesy demands that I should greet him as soon as possible."
"Although a perfect stranger to you. But, perhaps, mama will not consider it correct form for you to visit the invalid," almost sneered Azalea.
"You have called on him, I presume"—pointedly.
"Why, of course"—flushing slightly—"but that is very different. I have known Dorian a long time."
"Ah, and I saved his life," replied Nita quietly.
Their glances met, the artful blue ones, the defiant black ones—in their hearts they knew themselves sworn foes. Nita saw through the girl before her, her artfulness, her assumptions, and despised her already.
"Can it be true that Dorian Mountcastle loves this pretty, shallow girl?" she wondered, with inexplicable anger and bitterness. She thought him a thousand times too good and noble for Azalea, and felt a sudden passionate longing to be free of the hated fetters that held her in thrall that she might measure lances with her for the prize of his heart.
[CHAPTER VI.]
UNDER THE ROOF OF GRAY GABLES.
Dorian Mountcastle belonged to that gay, careless, half-Bohemian class of rich young men, who, without seriously offending the proprieties, manage to set at naught many of the petty conventionalities that obtain in their set, and enjoy themselves after their own fashion in a sort of come-and-go-as-you-please style.
He was five-and-twenty. His parents had both died before he was sixteen, and he had traveled extensively, five years with a tutor, and latterly alone. Many men envied him, and many women sighed for him—or for his fortune, he was not certain which.
Chance had brought the young man to Pirate Beach the night of Nita's arrival there. Two days before he had joined a yachting-party, but caprice, or disgust, at the machinations of a husband-hunting young lady on board, had inspired him with so keen a longing for escape, that he had prevailed on his friend to set him ashore, at an hour when plain people are just seeking their beds.
"I'll seek shelter presently at that imposing old mansion up there," he thought indifferently, and walked musingly along the shore, thinking in weary disdain of the woman who had persecuted him on his friend's yacht.
"And all for the Mountcastle gold, not at all for the owner," he muttered cynically. "How beautiful and heartless women are! Shall I never be loved for myself alone? No, I have proved that," and he turned his face to the sea with a short, angry laugh.
There glided toward him across the noiseless sands, like a spirit of evil, the bent and crouching form of an old woman, with a hideous, scarred face, and bright, furtive eyes. A catlike bound brought her within hearing of his last words, and she echoed his laugh with one more cynical and hard than his own.
Turning with a start of surprise, Dorian Mountcastle beheld the witch, and exclaimed, in a tone of comic despair:
"Ye gods, another female! Can I not escape them either on land or sea?"
"No, for a woman is destined to work you bitter woe, young sir," replied a cracked and gibing voice.
"A safe prophecy, madam. Woman has worked woe to man ever since Adam's day, and will no doubt continue it to the end of the chapter," laughed the young man, in a tone of careless raillery.
The scarred, hideous old hag was watching so greedily the flashing diamond on his hand that she forgot to answer him, until he touched her lightly, and asked mockingly:
"Are you so overcome with admiration that you cannot speak? Who lives up there in the great house?"
"They are new tenants—just arrived to-night. I know nothing about them, but the house is called Gray Gables, and belongs to an old man in New York. You must be a stranger, sir, not to know Gray Gables?"—with a glance of furtive inquiry.
"Yes, I am a stranger. I landed here from a yacht to-night," Dorian answered, with careless confidence. "I'll tell you the truth, old lady. Some women badgered me so that I was fain to jump overboard into the sea to avoid them, so my friend, the owner of the yacht, kindly consented to set me off here, where I'm as lonesome as Robinson Crusoe on his desert-island."
"You don't know anybody at Pirate Beach?" she suggested.
"Not a living soul but you, my friend—no, not even the name of the place until now. Pirate Beach! Jove, an unpleasantly suggestive name."
"There's nothing in the name, though there might have been many years ago. There's no danger now, young sir"—wheedingly.
"Glad to hear it, I'm sure. Well, is there any hotel hereabout?"
"A matter of five miles or so on a lonely road."
"Too long a tramp for a lazy man. Maybe they will give me a bed up yonder."
A hoarse cry issued from the woman's lips, and, recoiling from him, she suddenly lifted her skinny right arm on high, and almost shrieked, so loud and uneven was her voice:
"Young man, venture not now or ever beneath the roof of Gray Gables. It is written in the stars that Fate threatens thee there!"
Dorian Mountcastle stared, then laughed at her tragic turn.