Felicia Dorothea Browne, born at Liverpool, Sept 25.
1800, (æt. 7.)
Removes with family from Liverpool to Gwrych, near Abergele, Denbighshire.—Shortly afterwards composes Lines on her Mother’s Birthday.
1804, (11.)
Spends winter in London.—Writes thence letter in rhyme to brother and sister in Wales.
1808, (15.)
Collection of poems printed in 4to.—England and Spain written.—Becomes acquainted with Captain Hemans.
1809, (16.)
Family remove to Bronwylfa in Flintshire.—Pursues her studies in French, Italian, Spanish, and Portuguese.—Acquires the elements of German; and shows a taste for drawing and music.
1812, (19.)
Domestic Affections and other poems published.—Marries Captain Hemans.—Takes up residence at Daventry, Northamptonshire.
1813, (20.)
Son Arthur born.—Returns to Bronwylfa.
1816, (23.)
Publishes Restoration of the Works of Art to Italy; also Modern Greece.
1818, (25.)
Makes Translations from Camoens and others.—Publishes Stanzas on the Death of Princess Charlotte, (Blackwood’s Magazine, April.)
1819, (26.)
Tales and Historic Scenes published.—Gains prize for best poem on the Meeting of Wallace and Bruce.—Captain Hemans takes up residence in Italy.—Family consists of five sons.
1820, (27.)
Publishes poem of Sceptic.—Becomes acquainted with Bishop Heber and his brother Richard.—Corresponds with Mr Gifford.—Contributes papers on Foreign Literature to Edinburgh Magazine.—Publishes Stanzas to the Memory of George the Third.—Visits Wavertree Lodge, near Liverpool, (October.)
1821, (28.)
Poem of Dartmoor obtains prize offered by Royal Society of Literature.—Corresponds with Rev. Mr Milman, and Dr Croly.—Writes Vespers of Palermo.—Extends her German studies. Writes Welsh Melodies.
1822, (29.)
Siege of Valencia, and Songs of the Cid written;—also dramatic fragment of Don Sebastian.
1823, (30.)
Contributes to Thomas Campbell’s New Monthly Magazine.—Voice of Spring written, (March.)—Siege of Valencia published, along with Last Constantine and Belshazzar’s Feast.—Vespers of Palermo performed at Covent Garden, (Dec. 12.)
1824, (31.)
Composes De Chatillon, revised MS. of which unfortunately lost.—Writes Lays of Many Lands.—Removes with family from Bronwylfa to Rhyllon.
1825, (32.)
Treasures of the Deep, The Hebrew Mother, The Hour of Death, Graves of a Household, The Cross in the Wilderness, and many other of her best lyrics written.
1826, (33.)
The Forest Sanctuary published, together with Lays of Many Lands.—Commences correspondence with Professor Norton of Boston, U.S., who republishes her works there.
1827, (34.)
Mrs Hemans loses her mother (11th January.)—Writes Hymns for Childhood, which are first published in America.—Corresponds with Joanna Baillie, Anne Grant, Mary Mitford, Caroline Bowles, Mary Howitt, and M. J. Jewsbury.—Writes Körner to his Sister, Homes of England, An Hour of Romance, The Palm-Tree, and many other lyrics.—Health becomes impaired.
1828, (35.)
Publishes with Mr Blackwood Records of Woman, and collected Miscellanies, (May.)—Contributes regularly to Blackwood’s Magazine.—Visits Wavertree Lodge early in summer.—Removes to village of Wavertree with family in September.
1829, (36.)
Writes Lady of Provence, To a Wandering Female Singer, The Child’s First Grief, The Better Land, and Miscellanies.—Voyages to Scotland, (June,) and visits Mr Henry M’Kenzie, Rev. Mr Alison, Lord Jeffrey, Sir Walter Scott, Captain Hamilton, Captain Basil Hall, and other distinguished literati.—Returns to England, (Sept.)—A Spirit’s Return composed.
1830, (37.)
Songs of the Affections published.—Visits the Lakes and Mr Wordsworth.—Domiciles during part of summer at Dove’s Nest, near Ambleside.—Revisits Scotland, (Aug.)—Returns by Dublin and Holyhead to Wales.
1831, (38.)
State of health delicate.—Quits England for last time, (April,) and proceeds to Dublin.—Visits the Hermitage, near Kilkenny, and Woodstock.—Returns to Dublin, (Aug.)—Writes various lyrics.
1832, (39.)
Health continues greatly impaired.—Writes Miscellaneous Lyrics, Songs of Spain, and Songs of a Guardian Spirit.
1833, (40.)
Feels recruited during spring.—Writes Songs of Captivity, Songs for Summer Hours, and many of Scenes and Hymns of Life.—Composes Sonnets Devotional and Memorial.—Commences translation of Scenes and Passages from German Authors, (December.)
1834, (41.)
Hymns for Childhood published (March;) also National Lyrics and Songs for Music.—Paper on Tasso, published in New Monthly Magazine, (May.)—Writes Fragment of Paper on Iphigenia.—Records of Spring 1834 written, (April, May, June.)—Is seized with fever; during convalescence retires into county of Wicklow.—Returns to Dublin in autumn, and has attack of ague.—Composes Records of Autumn 1834.—Writes Despondency and Aspiration, (Oct. and Nov.)—The Huguenot’s Farewell and Antique Greek Lament, (Nov.)—Thoughts during Sickness written, (Nov. and Dec.)—Retires during convalescence to Redesdale, a country-seat of the Archbishop of Dublin.
1835, (42.)
Returns to Dublin, (March.)—Debility gradually increases.—Corresponds regarding Sir Robert Peel’s appointment of her son Henry.—Dictates Sabbath Sonnet, (April 26.)—Departs this life, (16th May.)—Remains interred in vault beneath St Anne’s Church, Dublin.
[One of her earliest tastes was a passion for Shakspeare, which she read, as her choicest recreation, at six years old; and in later days she would often refer to the hours of romance she had passed in a secret haunt of her own—a seat amongst the branches of an old apple-tree—where, revelling in the treasures of the cherished volume, she would become completely absorbed in the imaginative world it revealed to her. The following lines, written at eleven years old, may be adduced as a proof of her juvenile enthusiasm.—Memoir of Mrs Hemans by her Sister, p. 6, 7.]
I love to rove o’er history’s page,
Recall the hero and the sage;
Revive the actions of the dead,
And memory of ages fled:
Yet it yields me greater pleasure,
To read the poet’s pleasing measure.
Led by Shakspeare, bard inspired,
The bosom’s energies are fired;
We learn to shed the generous tear,
O’er poor Ophelia’s sacred bier;
To love the merry moonlit scene,
With fairy elves in valleys green;
Or, borne on fancy’s heavenly wings,
To listen while sweet Ariel sings.
How sweet the “native woodnotes wild”
Of him, the Muse’s favourite child!
Of him whose magic lays impart
Each various feeling to the heart!
TO MY BROTHER AND SISTER IN THE COUNTRY.
WRITTEN AT THE AGE OF ELEVEN.
[At about the age of eleven, she passed a winter in London with her father and mother; and a similar sojourn was repeated in the following year, after which she never visited the metropolis. The contrast between the confinement of a town life, and the happy freedom of her own mountain home, was even then so distasteful to her, that the indulgences of plays and sights soon ceased to be cared for, and she longed to rejoin her younger brother and sister in their favourite rural haunts and amusements—the nuttery wood, the beloved apple-tree, the old arbour, with its swing, the post-office tree, in whose trunk a daily interchange of family letters was established, the pool where fairy ships were launched (generally painted and decorated by herself,) and, dearer still, the fresh free ramble on the seashore, or the mountain expedition to the Signal Station, or the Roman Encampment. In one of her letters, the pleasure with which she looked forward to her return home was thus expressed in rhyme.—Mem. p. 8, 9.]
Happy soon we’ll meet again,
Free from sorrow, care, and pain;
Soon again we’ll rise with dawn,
To roam the verdant dewy lawn;
Soon the budding leaves we’ll hail,
Or wander through the well-known vale;
Or weave the smiling wreath of flowers;
And sport away the light-wing’d hours.
Soon we’ll run the agile race;
Soon, dear playmates, we’ll embrace;—
Through the wheat-field or the grove,
We’ll hand in hand delighted rove;
Or, beneath some spreading oak,
Ponder the instructive book;
Or view the ships that swiftly glide,
Floating on the peaceful tide;
Or raise again the caroll’d lay;
Or join again in mirthful play;
Or listen to the humming bees,
As their murmurs swell the breeze;
Or seek the primrose where it springs;
Or chase the fly with painted wings;
Or talk beneath the arbour’s shade;
Or mark the tender shooting blade:
Or stray beside the babbling stream,
When Luna sheds her placid beam;
Or gaze upon the glassy sea——
Happy, happy shall we be!
SONNET TO MY MOTHER.
WRITTEN AT THE AGE OF TWELVE.
To thee, maternal guardian of my youth,
I pour the genuine numbers free from art—
The lays inspired by gratitude and truth;
For thou wilt prize the effusion of the heart.
Oh! be it mine, with sweet and pious care,
To calm thy bosom in the hour of grief;
With soothing tenderness to chase the tear,
With fond endearments to impart relief:
Be mine thy warm affection to repay
With duteous love in thy declining hours;
My filial hand shall strew unfading flowers,
Perennial roses, to adorn thy way:
Still may thy grateful children round thee smile—
Their pleasing care affliction shall beguile.
SONNET.
WRITTEN AT THE AGE OF THIRTEEN.
’Tis sweet to think the spirits of the blest
May hover round the virtuous man’s repose;
And oft in visions animate his breast,
And scenes of bright beatitude disclose.
The ministers of Heaven, with pure control,
May bid his sorrow and emotion cease,
Inspire the pious fervour of his soul,
And whisper to his bosom hallow’d peace.
Ah, tender thought! that oft with sweet relief
May charm the bosom of a weeping friend,
Beguile with magic power the tear of grief,
And pensive pleasure with devotion blend;
While oft he fancies music, sweetly faint,
The airy lay of some departed saint.
RURAL WALKS.
WRITTEN AT THE AGE OF THIRTEEN.
Oh! may I ever pass my happy hours
In Cambrian valleys and romantic bowers;
For every spot in sylvan beauty drest,
And every landscape, charms my youthful breast.
And much I love to hail the vernal morn,
When flowers of spring the mossy seat adorn;
And sometimes through the lonely wood I stray,
To cull the tender rosebuds in my way;
And seek in every wild secluded dell,
The weeping cowslip and the azure bell;
With all the blossoms, fairer in the dew,
To form the gay festoon of varied hue.
And oft I seek the cultivated green,
The fertile meadow, and the village scene;
Where rosy children sport around the cot,
Or gather woodbine from the garden spot.
And there I wander by the cheerful rill,
That murmurs near the osiers and the mill;
To view the smiling peasants turn the hay,
And listen to their pleasing festive lay.
I love to loiter in the spreading grove,
Or in the mountain scenery to rove;
Where summits rise in awful grace around,
With hoary moss and tufted verdure crown’d;
Where cliffs in solemn majesty are piled,
“And frown upon the vale” with grandeur wild:
And there I view the mouldering tower sublime,
Array’d in all the blending shades of Time.
The airy upland and the woodland green,
The valley, and romantic mountain scene;
The lowly hermitage, or fair domain,
The dell retired, or willow-shaded lane;
“And every spot in sylvan beauty drest,
And every landscape, charms my youthful breast.”
SONNET.
WRITTEN AT THE AGE OF THIRTEEN.
[In 1808, a collection of her poems, which had long been regarded amongst her friends with a degree of admiration perhaps more partial than judicious, was submitted to the world, in the form (certainly an ill-advised one) of a quarto volume. Its appearance drew down the animadversions of some self-constituted arbiter of public taste,[2] and the young poetess was thus early initiated into the pains and perils attendant upon the career of an author;—though it may here be observed, that, as far as criticism was concerned, this was at once the first and last time she was destined to meet with any thing like harshness or mortification. Though this unexpected severity was felt bitterly for a few days, her buoyant spirit soon rose above it, and her effusions continued to be poured forth as spontaneously as the song of the skylark.]
I love to hail the mild and balmy hour
When evening spreads around her twilight veil.
When dews descend on every languid flower,
And sweet and tranquil is the summer gale.
Then let me wander by the peaceful tide,
While o’er the wave the breezes lightly play;
To hear the waters murmur as they glide,
To mark the fading smile of closing day.
There let me linger, blest in visions dear,
Till the soft moonbeams tremble on the seas;
While melting sounds decay on fancy’s ear,
Of airy music floating on the breeze.
For still when evening sheds the genial dews,
That pensive hour is sacred to the muse.
[2] The criticism referred to, and which, considering the circumstances under which the volume appeared, was certainly somewhat ungenerous, and quite uncalled for, ran as follows:
—“We hear that these poems are the ‘genuine productions of a young lady, written between the ages of eight and thirteen years,’ and we do not feel inclined to question the intelligence; but although the fact may insure them an indulgent reception from all those who have ‘children dear,’ yet, when a little girl publishes a large quarto, we are disposed to examine before we admit her claims to public attention. Many of Miss Browne’s compositions are extremely jejune. However, though Miss Browne’s poems contain some erroneous and some pitiable lines, we must praise the ‘Reflections in a ruined Castle,’ and the poetic strain in which they are delivered. The lines to ‘Patriotism’ contain good thoughts and forcible images; and if the youthful author were to content herself for some years with reading instead of writing, we should open any future work from her pen with an expectation of pleasure, founded on our recollection of this publication; though we must, at the same time, observe, that premature talents are not always to be considered as signs of future excellence. The honeysuckle attains maturity before the oak.”—Monthly Review, 1809.
ENGLAND AND SPAIN; OR, VALOUR AND PATRIOTISM.
WRITTEN AT THE AGE OF FOURTEEN.
——“His sword the brave man draws,
And asks no omen but his country’s cause.”—Pope.
[New sources of inspiration were now opening to her view. Birthday addresses, songs by the seashore, and invocations to fairies, were henceforth to be diversified with warlike themes; and trumpets and banners now floated through the dreams in which birds and flowers had once reigned paramount. Her two elder brothers had entered the army at an early age, and were both serving in the 23d Royal Welsh Fusiliers. One of them was now engaged in the Spanish campaign under Sir John Moore; and a vivid imagination and enthusiastic affections being alike enlisted in the cause, her young mind was filled with glorious visions of British valour and Spanish patriotism. In her ardent view, the days of chivalry seemed to be restored, and the very names which were of daily occurrence in the despatches, were involuntarily associated with the deeds of Roland and his Paladins, or of her own especial hero, “The Cid Ruy Diaz,” the Campeador. Under the inspiration of these feelings, she composed a poem entitled “England and Spain,” which was published and afterwards translated into Spanish. This cannot but be considered as a very remarkable production for a girl of fourteen; lofty sentiments, correctness of language, and historical knowledge, being all strikingly displayed in it.—Memoir, p. 10, 11.]
Too long have Tyranny and Power combined
To sway, with iron sceptre, o’er mankind;
Long has Oppression worn th’ imperial robe,
And Rapine’s sword has wasted half the globe!
O’er Europe’s cultured realms, and climes afar,
Triumphant Gaul has pour’d the tide of war:
To her fair Austria veil’d the standard bright;
Ausonia’s lovely plains have own’d her might;
While Prussia’s eagle, never taught to yield,
Forsook her towering height on Jena’s field!
O gallant Frederic! could thy parted shade
Have seen thy country vanquish’d and betray’d,
How had thy soul indignant mourn’d her shame,
Her sullied trophies, and her tarnish’d fame!
When Valour wept lamented Brunswick’s doom,
And nursed with tears the laurels on his tomb;
When Prussia, drooping o’er her hero’s grave,
Invoked his spirit to descend and save;
Then set her glories—then expired her sun,
And fraud achieved e’en more than conquest won!
O’er peaceful realms, that smiled with plenty gay,
Has desolation spread her ample sway;
Thy blast, O Ruin! on tremendous wings,
Has proudly swept o’er empires, nations, kings.
Thus the wild hurricane’s impetuous force
With dark destruction marks its whelming course,
Despoils the woodland’s pomp, the blooming plain,
Death on its pinion, vengeance in its train!
—Rise, Freedom, rise! and, breaking from thy trance,
Wave the dread banner, seize the glittering lance!
