THE THREE BROTHERS.

BY
MRS. OLIPHANT,
AUTHOR OF
‘CHRONICLES OF CARLINGFORD,’
‘SALEM CHAPEL,’ ‘THE MINISTER’S WIFE,’
ETC. ETC.
IN THREE VOLUMES.
VOL. II.
LONDON:
HURST AND BLACKETT, PUBLISHERS,
13 GREAT MARLBOROUGH STREET.
1870.
The Right of Translation is Reserved.

LONDON:
Strangeways and Walden, Printers, Castle St., Leicester Sq.

CONTENTS
OF
THE SECOND VOLUME.

THE THREE BROTHERS.

CHAPTER I.
PLAY.

It must be admitted that the counsel thus bestowed upon Laurie in respect to his work had rather a discouraging than a stimulating effect upon him. It disgusted him, no doubt, with Edith and his big canvas, but it did not fill him, as it was intended to do, with enthusiasm for Clipstone Street, and his other opportunities of legitimate work. He made it an excuse for doing nothing, which was unfortunate, after so much trouble had been taken about him. Perhaps, on the whole, it would have been better to have let him have his way. The padrona herself thought so, though she had not been able to refrain from interfering when she had the opportunity. The Square, and the adjacent regions, had pronounced almost unanimously that the sketch was a very clever sketch; but, notwithstanding, deprecated with one voice the big canvas, and the ambitious work. ‘I did it, and you see I have not made much of it,’ said Suffolk. ‘If I thought I could make as much of it as you have done, I should go in for it to-morrow,’ cried Laurie, with an enthusiasm for which the painter’s wife could have hugged him. ‘But, dear Mr. Renton, if you would but advise him to take simpler subjects!’ Mrs. Suffolk said, with her pathetic voice. Suffolk was a man of genius, as even old Welby admitted, and slowly, by degrees, the profession itself was beginning to be awake to his merits; but as for the British public, it knew nothing of the painter, except that up to this moment he had been hung down on the floor, or up at the roof, in the Academy’s exhibition, and sneered at in the ‘Sword.’ This was what came of high art.

Mr. Welby paid Laurie a visit in his rooms, to enforce the lesson upon him. ‘If we had room and space for that sort of thing, it would be all very well, sir,’ said the R.A., ‘but in a private collection what can you do with it? The best thing Suffolk could hope for would be to have his picture hung in some Manchester man’s dining-room;—best patrons we have now-a-days. But it would fill up the whole wall, and naturally the Manchester man would rather have two or three Maclises, and a Mulready, and a Webster, and even a Welby, my dear fellow,—not to speak of Millais, and the young ones. There’s how it is. A dozen pictures are better than one in our patrons’ eyes,—more use, and more variety, and by far more valuable if anything should happen to the mills. Though it’s a work of genius, Renton,—I don’t deny it’s a work of genius,—whereas this——’

‘Is nothing but a beginner’s attempt, I know,’ said poor Laurie. ‘That is all settled and understood. Let us talk of something else.’

Mr. Welby, without heeding the young man, got up, and gazed upon the white canvas, which still stood on the easel like a ghost, with the white outlines growing fainter. Laurie had not had the heart to touch it since that evening in the Square. ‘I don’t understand how you young men can be so rash,’ he said; ‘for my part, I think there is no picture that ever was painted equal to the sublimity of that blank canvas. Why, sir, it might be anything! Buonarotti or Leonardo never equalled what it might be. It is a thing that strikes me with awe; I feel like a wretch when I put the first daub of vulgar colour on it. Colour brings it down to reality,—to our feeble efforts after expression,—but in itself it is the inexpressible. I don’t mind your chalk so much. It’s a desecration, but not sacrilege,—a white shadow on the white blank,—and it might turn out anything, sir! Whereas, if you put another touch on it, you would bring it down to your own level. The wonder to me always is how a man who is a true painter ever paints a line!’

‘It is well for the world that you have not always been of that opinion,’ said Laurie, forcing out a little compliment in spite of himself.

‘But I have always been of that opinion,’ said Mr. Welby. ‘Unfortunately, man is a complex being, my dear fellow, and whatever your convictions and higher sentiments may be, the other part of you will force itself into expression. But the thing is to keep it down as long as possible, and subdue and train it like any other slave. That is always my advice to you young men. Never draw two lines when you can do with one. Don’t spoil an inch more of that lovely white canvas than your idea will fill. Keep within your idea, my dear Laurie. You should no more tell it all out than a woman should tell out how fond she is of you. Art is coy, and loves a secret,’ said the old man, warming into a kind of enthusiasm.

These were the kind of addresses which were made to Laurie in this his first attempt to stumble out of his pleasant amateur ways into professional work and its habits. He could not but ask himself, with a tragi-comic wonder, whether it was anxiety for his good alone which wound up his friends into eloquence, or whether there had ever been a novice so overwhelmed by good advice before. He had done what he liked in the old days, when what he liked was of little consequence; but it was clear that he was not to be permitted to do what he liked now. He was affronted, disgusted, amused, and discouraged, all in a breath. Work in cold blood for work’s sake, to lead to no immediate end, was something of which Laurie was incapable. It seemed to him that the way to become a painter was by painting pictures, and he did not give the weight they deserved to his friends’ counsels when they adjured him to work at smaller matters, and to postpone the great. ‘I shall never satisfy them,’ he said to himself; and accordingly the spur being thus removed, his natural habit of mind returned upon him. He had no tendency to extravagance, being simple in all his tastes, and it seemed to him that he could get on very well on his two hundred a-year. ‘I shall never marry,’ Laurie said to himself, with a sigh, ‘nor think of marrying. That sort of thing is all over; and there is enough to keep me alive, I suppose. And why should I go worrying everybody about pictures which I don’t suppose I am fit to paint? But I may be of use to my friends,’ he added in his self-communion. So he took to play instead of work, which he found to be more congenial to his ancient habits, and he fell back into it as naturally as possible. It would have been better for him, so far as his profession was concerned, had they let him have his own way.

But if he could not be a great painter himself, it was possible enough that he might be of use to those who were so. Though he had been momentarily absorbed by his abortive project, and momentarily thrown off his balance by all the opposition it met, yet he had not forgotten his promise to Mrs. Suffolk. If there was anything he could do to open the eyes of the British public, and show it what a blunder it was making, that would always be so much rescued from the blank of existence. Laurie’s Edith, even had she come to the first development which he once hoped for her, could never be,—or at least it was not probable that she would ever be,—equal to that scene in the Forum, which hung neglected on the wall of Suffolk’s studio. To bring the one into the light of day was perhaps a better work than to paint the other. It was the first thought that roused Laurie out of his own mortification. He bore no malice. He was too sweet-hearted, too easy and forgiving, for that. Indeed, on the contrary, he was very grateful to one at least of his hardest critics. The padrona had uncovered her heart to him by way of pointing her objection. He had seen into her mind and spirit as perhaps no one else had ever done. He was sorry for the pain it must have given her to speak to him,—even more sorry than for himself; but Laurie could not, though Mrs. Severn would have wondered, speak what people call ‘a good word’ on her behalf when he got Slasher in his power. The words would have choked him. Ask any man in ordinary Art-jargon and common print to applaud the woman to whom his own heart began to give a kind of wordless, half-unconscious worship! Ask for praise, public praise, for his padrona. He would as soon have thought of leading her upon the stage to have garlands thrown at her feet like a prima donna. Here was a disability of woman which nobody had ever thought of before. It did not matter much, from Laurie’s point of view, whether they blamed her or praised her. To name her at all was a presumption unpardonable, the mere thought of which made his cheek burn. And yet it would have done Mrs. Severn a great deal of good had the ‘Sword’ taken an enthusiasm for her. And Laurie had no objection to her work. He knew that he could not have done it for her had he tried his hardest. Her independence, and her labours, and her artist life, were all part of herself. He could not realise her otherwise. But to have her talked of in the papers! Laurie’s private feeling was, that instead of influencing Slasher in her favour, he would like to knock down the fellow who should dare to have the presumption to think that she could be the better for his praise!

But Suffolk was a totally different matter. And Laurie, having turned his back upon the studio, and turned himself loose, so to speak, upon the world again, set to work at the club and elsewhere, to cultivate Slasher with devotion. Slasher was understood to be the special art-critic of the ‘Sword;’ and he had qualified himself for such a post, as most men do, by an unsuccessful beginning as a painter, which had, however, happened so long ago that some people had forgotten, and some even were not aware of the fact. Though he was not ill-natured, it must be admitted that Laurie commended himself to the critic by the want of success which the young fellow did not attempt to disguise. ‘My friends are a great deal too good to me,’ Laurie said, with comic simpleness; ‘they have all fallen upon my picture so, that I have given it up. What is the use of trying to paint with every man’s opinion against you? I have not stuff enough in me for that!’

‘Poor Laurie!’ Slasher said, with a laugh which was not unkind. ‘If you had persevered, probably I, too, should have been compelled, in the interests of art, to let loose my opinion. So it is as well for me you stopped in time.’

‘But I want you to let loose your opinion, and do a service to the nation,’ said Laurie. ‘I want you to come to my place and meet a friend of mine,—the cleverest fellow I know. All he wants is, that you should speak a good word for him in the “Sword.”’

‘Ah!’ said the critic, with a groan of disgust; ‘I am tired of speaking good words. I don’t mind walking into anybody to do you a favour, my dear fellow. There’s always some justice in anything you like to say against a picture,—or a man either. But if you knew the sickening stuff one has to pour forth for one’s own friends, or one’s editor’s friends! I am never asked to give a good notice in the ‘Sword’ but I feel that it’s for an ass. Instinct, Laurie! I dare say your friend is everything that’s delightful, but if his pictures were worth twopence you would never come to me for a good word.’

‘I should not ask you to praise him, certainly, if I did not think he deserved it,’ said Laurie, with a little offence.

‘Ah! if you were as well used to that sort of thing as I am,’ said Slasher, with a sigh. ‘I don’t mind cutting ’em all up in little pieces to please the public. A slashing article is the easiest writing going. You have only to seize upon a man’s weak point,—and every man has a weak point,—and go at it without fear or favour; but when Crowther comes and lays his hand on my shoulder in his confounded condescending way, “My dear fellow,” he says, “here’s a poor devil who is always pestering me. He is a cousin of my wife’s;” or, “He’s a friend of my brother-in-law’s;” or, “He was at school with my boy,” as the case may be. “I suppose his picture’s as weak as water; but, hang it! say a good word for him. It may do him good, and it can’t do us any harm.” That’s what I’ve got to do, till it makes me sick, I tell you. I’ll pitch into your aversions, my dear Laurie, and welcome; but don’t ask me to say good words for your friends.’

‘But my friend is a man of genius,’ said Laurie. ‘I don’t want you to speak up for him because he is my friend; but because his pictures are as fine as anything you ever saw.’

Slasher shook his head mournfully. ‘I don’t know anything about his pictures,’ he said; ‘but that’s how criticism gets done now-a-days. A man speaks well of his friend, and ill of the fellows he don’t like. And, as for justice, you know, and appreciation of merit, and so forth,—except, perhaps, once in a way, in the case of a new name, that nobody knows,—you might as well look for snow in July. And it’s just the same in literature. I said to Crowther the other day: “That’s a nice book, I suppose, as you praised it so.” “No,” he says, “it’s not a very nice book; but the man that wrote it is a nice fellow, which comes to the same thing.” No, Laurie, my boy, I’m sick of praising people that don’t deserve it. That’s why I go in for cynicism and abuse, and all that. It may be hard upon a poor fellow now and then, but at all events, it isn’t d——d lies.’

‘I don’t want you to tell lies,’ said Laurie, half-affronted, half laughing. ‘Come with me on Thursday to the Hydrographic. It’s Suffolk’s night for exhibition, and you shall see him, and see his work——’

‘Suffolk!’ said Slasher. ‘That fellow! By Jove! I like your modesty, Laurie Renton, to come here calmly and ask me to praise a man’s pictures whom I have cut up a score of times at least.’

‘But I don’t suppose you ever saw them’, said Laurie, standing his ground.

‘I’ve seen them as well as anybody could see them’, said Slasher. ‘I remember there was one in the North Room down on the floor one year, and one over the doorway. My dear fellow, I’ve seen the kind of thing,—that’s enough. Heroic figures, with big bones, and queer garments—red hair, that never was combed in its life—and big blue saucer eyes, glaring out of the canvas. I know;—there are two or three fellows that do that sort of thing. But it will never take, you may be sure. The British public likes respectable young women with their clothes put properly on them; in nice velvet and satin, that they can guess at how much it cost a yard.’

‘The British public ought to be ashamed of itself,’ said Laurie; ‘but you may come with me on Thursday all the same.’

‘I don’t mind if I do for once,’ said the critic. And so the matter was settled. Laurie was a very busy man until Thursday came. He was as busy as he had been when his mind was full of Edith, but, on the whole, in a more agreeable way. After all, to shut yourself up all day long in a first floor in Charlotte Street, with a terrible litter about you,—for when there is nobody to keep you neat but a maid-of-all-work, and you have no time for ‘tidying’ yourself, litter is the inevitable consequence,—your windows shut up, and the light coming in over your head, as in a prison, is not a seductive occupation. Now that Edith was pushed aside out of the way and the windows were open, the room was more bearable. And why a man should make himself wretched by pursuing high art in direct opposition to all his friends? But Laurie betook himself, without entering into any explanations, to Suffolk’s house, and devoted himself to the task of collecting together his friend’s loose drawings. They had grown intimate by their frequent meetings in the Square. And Suffolk, who was in danger, as his wife feared, of getting ‘soured,’ and who was busy, and did not care to exhibit himself at the Hydrographic, gave in to Laurie with a half-sullen acquiescence. ‘What’s the good?’ he said. ‘But, Reginald dear, it may be a great deal of good,’ his wife said, turning wistful eyes upon him. And Laurie went and came, bringing his spick-and-span new portfolios to receive the drawings, which were huddled up in all sorts of dusty, battered, travel-worn receptacles. In such matters amateurs are safe to have the advantage over the brethren in the profession. He mounted, and trimmed, and arranged all day long, with his mouth full of dust, and his heart full of hope; and confided his anticipations to the padrona in the evening, having established a right to the entrée at that moment of moments which she spent with her children over the fire. It came to look natural that Laurie should take his place on the hearth, in the firelight, along with little Frank and Harry. ‘A curious taste,’ the padrona said, and laughed; but not without a little wonder rising in her mind as to how this fancy was to be accounted for. ‘The boy likes to feel as if he were one of the family, I suppose,’ she said to Miss Hadley, who looked on sometimes, with her knitting, and did not approve;—‘for he is only a boy.’

‘He is boy enough to be fond of women a dozen years older than himself,’ said Miss Hadley, with a significant nod. To which Mrs. Severn, with her eyes fixed on the fire, made no immediate reply.

‘After all, it is quite natural,’ the padrona continued, after a pause; ‘he is separated from his own family by this strange business;—and such an affectionate, soft-hearted fellow!’

‘Well, I think it is chiefly affectionateness,’ Miss Hadley admitted: and she added after a moment: ‘It cannot be for Alice, as I thought!’

‘The child!’ cried Mrs. Severn, in alarm. ‘She is but a child. Don’t talk as if it were possible any one should dream of stealing her from me. What should we do without Alice?’ cried the mother, with a sudden pang. ‘Jane, I hope you will not do anything to put such ideas in any one’s mind.’

‘Such ideas come of themselves,’ said Miss Hadley. ‘She will be sixteen in summer. She is of more use than many a woman of six-and-twenty. She must marry some time or other. Why, what else could you look for when you refused to bring her up to do anything? A girl who has no fortune in this world must either marry, or work, or starve; and I don’t know,’ said the strong-minded woman, with energy, ‘which is the worst.’

‘Hush,’ said the padrona, with a smile, ‘infidel! and here is the child going to her music. Alice, come and look me in the face.’

‘Have I been naughty, mamma?’ said Alice, bending over her mother. For a moment the two looked into each other’s eyes, with the perfect love, and trust, and understanding which belongs to that dearest of relationships. If it gave a pang to the heart of the woman looking on, who had no child, I cannot tell. The mother lifted her face, still warm with all the vigour, and softness, and beauty of life, and kissed the lovely, soft cheek, in its perfection of youth. ‘It would be no wonder if any one loved her,’ she said softly, when the child had disappeared into the soft darkness in the next room, her heart wrung with a premonitory pang of tender anguish. That was the night on which Laurie brought his brother Frank,—splendid young Guardsman, who had run up to town to endeavour to arrange the exchange he wanted into a regiment going to India,—to introduce him to his friends in the Square.

But on the Thursday he rushed in breathless for five minutes only in the gloaming, to keep the padrona au courant of affairs. ‘We have placed the picture, and it shows splendidly!’ he cried. ‘The only thing I fear is that Suffolk will be sulky, and not show as well as the picture. Could not you send for him before he goes, and put him in a good humour? If he were out of temper it might spoil all.’

‘I will send for them,’ said the padrona, ‘and keep his wife with me till you come back. It is very good of you to take all this trouble. I wish you had a picture to show splendidly too.’

‘How inconsistent some people are,’ said Laurie. ‘After making an end of my poor picture! No, padrona, that is all over. Let us now be of some use to our friends.’

‘But it is not all over,’ said Mrs. Severn. And then she paused, seeing, perhaps, some signs of impatience in him. ‘Heaps of people can paint pictures,’ she said; ‘but it is not everybody who can serve their friends,—like this.’

‘If it but succeed it will be something gained,’ said Laurie, with a sigh of anxiety; ‘and you will think me, after all, not useless in the world?’ he went on, holding out his hand. Miss Hadley was looking on, with very sharp eyes; and she saw that the young man stood holding the padrona’s hand much longer than was necessary for the formality of leave-taking. ‘Slasher is to dine with me at the club,’ he continued. ‘He will be in good humour at least. And you will think of us, and wish us good speed.’

‘Surely,’ the padrona said, withdrawing her hand; and Miss Hadley sat glancing out of the darkness with her keen eyes; knitting for ever, and looking on. When the young man was gone a certain embarrassment stole over Mrs. Severn,—she could not tell why. ‘He is as eager and excited as if his own fate were to be decided to-night,’ she said. ‘What a good fellow he is!’ Miss Hadley made no reply. No sound but that of the knitting-needles clicking against each other with a certain fierceness came out of the twilight in the corner. In this silence there was a certain disapproval, which made the padrona uncomfortable in spite of herself. ‘I am afraid you have changed your opinion of poor Laurie,’ she said, after a pause. ‘I thought you used to like him?’ The children had not yet come down from their game of romps in the nursery up-stairs, and the two were alone.

‘I like him very well,’ said Miss Hadley. ‘I like him so well that I can’t bear to see him making a fool of himself.’

‘How is he making a fool of himself?’ said Mrs. Severn, quickly.

‘Or to see other people making a fool of him,’ said Miss Hadley. ‘There, I have said my say! I don’t know if it be his fault or yours; but the young fellow is losing his head, my dear, and you must see it as well as I do.’

‘I see nothing of the kind,’ said the padrona, with dignity. ‘I am surely old enough to be safe from such nonsense; and you are too old to talk like a school-girl. You are as jealous as a man,’ she added, after a pause, relapsing into easier tones. ‘Would you like me to forbid the poor boy the house?’

‘It might be best,’ said Miss Hadley, stiffly;—‘certainly for him. I don’t know about you.’

‘What folly!’ cried the padrona, with momentary anger; but the children rushed in at the moment, sweeping away all other thoughts. Mrs. Severn, however, was more silent than usual as she sat in the firelight with Edie’s soft arms clasped round her neck. She told but one story all the evening, and that an old one. Her mind was pre-occupied. The governess sitting in the corner grew bitter as she gazed at her. ‘A woman with every blessing of life,—a woman with all those children,’ Miss Hadley said to herself; ‘yet a young man’s silly love is enough to draw her mind away from them,—at her age! What fools we are!’ Thus another little drama sprang into life in a corner, with actors, and accessories, and spectators, all complete. There was Alice in the great dim drawing-room, as usual, playing softly, till the very air seemed to dream and murmur with the wistfulness of her music. ‘This romance should have come to the child,’ Miss Hadley mused, with anger; ‘with the child it would have been natural. With the mother——’ She could not trust herself to realise what she thought about the mother. She had held so different an opinion of her at all former times; the padrona had shown herself so entirely unmoved by such vanities! And now, good heavens, at her age! Such were Miss Hadley’s thoughts as she sat in the twilight, while her friend played with her children. She forgot her sister, who was waiting for her, and all the comforts of the little parlour in Charlotte Street. She would have liked to stay there all night, to keep at her post without intermission, to save the padrona from herself. ‘She cannot realise what she is doing,’ Miss Hadley said in her self-communion. And probably Mrs. Severn was aware of her friend’s inquisition. She had a little flush on her cheeks when she received the Suffolks, for whom she had sent. She went into all the arrangements of the Hydrographic for that evening with an interest which was a little nervous and overstrained. ‘I trust some illustrious stranger may be there to be of use to you,’ she said, with a smile; and took no notice of Miss Hadley, who kept immovably in the background. And when Suffolk, in his best humour and his evening coat, went out to the Hydrographic, where his pictures were being exhibited, the two women, whom he left behind, talked a great deal about Laurie. Poor Laurie! He was very happy, and excited, and in earnest at that moment, believing himself in the fair way of serving his friend. And they both liked him with tenderness, such as women feel for such men. But yet they said ‘Poor Laurie!’ even in their commendation and gratitude; and did not well know why.

CHAPTER II.
WHAT CAME OF IT.

When Laurie left the Hydrographic in company with his friend Slasher, he had still a hope of being able to present himself for a few moments in the Square to report how he had sped. But his companion, as it turned out, had no such idea. The Hydrographic held its meetings in the artists’ quarter,—in that region which, but for art, no man of fashion would think of visiting. But being in it, for once in a way, Slasher, who considered himself a man of fashion, had made up his mind to make the best of it. He went with Laurie to his rooms, talking all the way of Suffolk’s pictures. That the critic had been shaken by the sight of them, there could be no doubt. He had been moved by the admiration of so many men who knew better than he did. The mere fact that the painter had been invited to make such an exhibition showed that he was becoming known to his own profession, and had been owned by it. There was light, and space, and leisure to look at the pictures. There was the comfortable sensation,—in Slasher’s case,—of a good dinner and pleasant company, and just such an amount of deference to himself as soothed and glorified his self-esteem. He insisted on going with Laurie to finish the evening, letting his tongue loose as they walked along. ‘There is something in it, I don’t deny,’ he said. ‘The contrast between that fair group of children and the dark Romans is very well done, and the monk’s figure is full of expression. Let us see what you have yourself, Laurie. I, for one, am more interested in that. Welby is such a friend of yours, he might have found a place for something of your own to-night. It is not a bad room for showing a picture,—and all sorts of men go to the Hydrographic. It would be as good a thing as you could do to make Welby exhibit you there next time he has a chance. Yes, I don’t deny there’s a good deal that’s fine about that picture. The light is very well managed. It sets one thinking of Rome, you know, and how the air all smiles and glows about you on a spring morning. It’s not a bad picture. Is this where you live? It is not so nice as Kensington Gore.’

‘No,’ said Laurie, ‘it’s not so nice; but it’s better for work;’ and he ushered his companion into his room, where the contents of his portfolios, which he had carried off for Suffolk’s sketches, lay about, all mingled with books and studies in oil and a great deal of litter. The big canvas, thrust back into a corner, a pale shadow of what might have been, presided over the confusion. It was not so nice as Kensington Gore; but to Slasher, who liked to feel himself a man of fashion and superior to professional persons, the disorder of the place was not disagreeable. Laurie Renton had once been ‘a cut above him,’ and it was not unpleasant to feel that Laurie Renton was now in circumstances to appeal to his patronage. They sat down together over the fire, and lighted their cigars; and what with the smoke, and what with the liquids that accompanied it, and the witching hour of night which makes men confidential, and the old associations, Slasher’s lips were opened, and he unfolded to Laurie many particulars of his life. ‘You would not think it, but I began the world in much such a place as this,’ said the critic. Laurie, of course, knew all about the manner in which his companion had begun the world; for everybody does know all about everybody else, especially in respect to those circumstances of which everybody else is the least proud. The listener in this case had the embarrassing privilege of contrasting autobiography with history, which is always a curious process. But, notwithstanding this difficulty, Laurie was, as always, a good listener,—not from policy, which seldom deceives any one, but because he preserved that tender politeness of the heart and regard for other people’s feelings which make it impossible for a man to contradict, or doubt, or sneer at his neighbour. ‘I suppose he thinks it all happened so,’ Laurie said to himself; and Slasher was grateful to him for the good faith,—a little puzzled certainly, but genuine,—with which he listened. In the breaks of his story he would get up and saunter about the room, turning over Laurie’s sketches, and now and then he would interject some remark upon the special subject of the evening.

‘Some of those studies of your friend’s were fine,’ he said, suddenly. ‘I hope they’ll do him justice next year at the Academy. I’ll speak to Sir Peter, if you like; and if the picture he is doing now is as good as the one we saw to-night——’

‘One bird in the hand is worth two in the bush,’ said Laurie, oracularly. ‘And half a loaf is better than no bread.’

‘Hang it, what can a fellow do?’ cried Slasher. ‘You are the most pertinacious little beggar I ever came across. Do you think a man can go and eat his own words and stultify himself? Look here, I’ll tell you what I’ll do. You shall write a notice of the Hydrographic for the “Sword.” Blow the fellow’s trumpet up to the skies, if you like; say there’s never been anything like him since Titian. And I’ll take it to Crowther. Now I don’t see what more a man can do.’

‘I write the notice for the “Sword!”’ cried Laurie, laughing,—‘that is a little too strong. I never put a sentence together in my life.’

‘As if that had anything to do with it!’ said the critic. ‘Why that’s the only good thing I can see in this blessed trade of literature. You can go at it off-hand. Put a sentence together! Why I’ve heard you put twenty. It’s nothing but talking, my dear fellow. A practical writer like myself, you know, goes off at the nail, and talks of fifty other subjects before he touches the right one; but I can fancy that the public, by way of a change, might prefer to hear what you wanted to say at once. Of course you can do it; and I’ll take it to Crowther. A man cannot make a fairer offer than that.’

‘It is awfully good of you,’ said Laurie, in a ferment. The proposal went tingling through his veins like wine. It had seemed supremely ridiculous to him when old Welby had suggested that he should take to writing, just as he might have suggested shoe-making or carpentry. But from Slasher, to whom the doors of the ‘Sword’ were open,—and in Suffolk’s interest,—the idea changed its aspect. Though there are no labourers of any description who so systematically underrate their trade as do professors of literature, yet it is astonishing how pleased every outsider is who is invited to enter that magic circle. Laurie felt that Slasher in his turn had paid him the most delicate compliment. Though he might have laughed at the ‘Sword’ and the critic, and at newspapers and critics in general, at another moment, no sooner was he asked to strike in, in the mêlée, than the craft and all its adjuncts became splendid to Laurie. What a power it was! How a word in the ‘Sword’ thrilled through and through those regions where artists congregated, filling some with boundless satisfaction and others with despair! When he cried out, in modest delight and surprise, ‘I write a notice for the “Sword!”’ thinking it too grand to be true, he already felt himself ever so much more important, so much cleverer and greater a person than he had been five minutes before. Perhaps, it is true, the smoke and the beverage that accompanied it, and the fact that it was two o’clock in the morning, had something to do with Laurie’s pleasure in the proposal, as it had with Mr. Slasher’s liberality in making it;—but still there it was. Laurie Renton, whom everybody had snubbed, down to Forrester,—whom everybody had interfered with and advised and ordered about ‘for his good,’—might now become, all at once, an authority before whom they would tremble in their turn,—who would dispense justice, or favour, or vengeance, from his high-placed seat. It was when he looked at it from this point of view, and not out of any disinterested love of literature, that he jumped at the idea. Laurie leaned over the fire with his eyes glowing, and revelled in the wonderful thought. He was a little particular about his drawings in most cases, preferring to show them himself, and give what elucidation he saw necessary; but this time he permitted Slasher to make his own investigations undisturbed. All he had hoped for in his most sanguine moments had been to extract from the critic some grudging word of praise which should rouse public curiosity about Suffolk’s picture. But to have the organ in his own hands, to say what he would,—to secure in his own person that art should be spoken of with understanding, commended without fear or favour, condemned with impartiality,—this was something beyond his highest hopes. Such a critic as he himself would be was the thing of all others wanted in the world of art. How often had the painters round him,—how often had he himself,—asked each other if such a thing were possible? And here was the possibility placed within his reach,—thrust, as it were, into his own hands!

Suffolk had gone home hours before, calling at the Square for his wife. He gave the ladies the very scantiest account of what had happened, but suffered the particulars to be drawn out of him, bit by bit, as he walked home through the dimly-lighted streets. Though he was too proud to make any demonstration of satisfaction before Mrs. Severn, yet his wife read in the eyes, whose expression she knew so well, that for once in his life the sense of general approbation had warmed him. ‘It is all Laurie Renton’s doing,’ she said, in the candour of delight, with a generosity which was not so easy to her husband. Suffolk himself had never made any appeal to Laurie, and did not see it in the same light.

‘I don’t think Laurie Renton has so much in his power,’ he said, ‘though he has taken a great deal of trouble. It was Welby’s affair chiefly, of course; and then, after all, a man who has been labouring a dozen years surely does not need to be grateful to anybody if he gets a bit of recognition on his own merits at last.’

‘Of course it is on your own merits, Reginald,’ said his wife; but the woman was more grateful than the man. She knew very well that it was not her husband’s merits,—which, indeed, had met with but little recognition hitherto,—but that wistful word she had once spoken to Laurie, and his soft heart which had not forgotten it. Suffolk went on, quite unconscious of her thoughts and of her interference, to set down poor Laurie at his just value.

‘Renton was there with a friend of his,’ he continued;—‘Slasher, Helen,—that confounded snob who has the impudence to give us all our deserts in the “Sword,”—as shallow an ape as you ever saw. Laurie’s a very good fellow, but he’s too general in his friendships. After feeling really obliged to him for his handiness, to see him arm in arm with a conceited ass like that——’

‘Did you speak to him?’ cried Mrs. Suffolk. ‘What did he look like? Reginald, of course it is natural that you should be affronted; but if you consider how much influence the “Sword” has——’

‘Oh, I was civil; don’t be frightened,’ said Suffolk. ‘Deadly civil we both were; and he had something complimentary to say, like the rest. Trust those fellows to see which way the wind’s blowing. But what disgusts one is to find Laurie Renton,—a fellow one likes,—hand in glove with a snob like that.’

‘He does not mean it, Reginald, I am sure,’ said Mrs. Suffolk, driven to her wits’ end, and feeling at once disposed to assault her husband for his stupidity, and to cry over poor Laurie, thus cruelly belied.

‘Oh, no, he doesn’t mean it,’ said the painter; ‘it’s only that confounded friendliness of his that likes to please everybody. If he had more stamina and less good nature——’ said his critic, severely.

But he never knew how near his wife was to shaking him as she clung to his arm. And Mrs. Suffolk said no more on the subject,—reflecting, first, that when a man takes a ridiculous idea into his head, it is of no use reasoning with him; and, secondly, that Laurie should never know how little gratitude had attended his efforts. That at least she would take into her own hands. If Reginald did not know what his friend had done for him, she at least did. And so did the padrona; and the chances were that their thanks would be more congenial to Laurie than any gruff acknowledgments that might be made from another quarter. Thus the pair walked on, excited by the faint prospect of better days, through the glimmering, silent streets, when most people were in bed—the husband making his report in snatches, the wife drawing it forth bit after bit, and piecing the fragments together with an art familiar to women. She knew about as well what had passed as he did by the time they reached their own narrow, dingy door. And after one peep at the children, sleeping up on the fourth floor at the top of the house, Mrs. Suffolk joined her husband in his studio,—where he had gone to smoke his final pipe,—and drew forth further his bits from him, and added her words of assent or advice to the deliberations he fell into, standing with a candle in his hand before his half-finished picture. ‘Please God, you shall have your comforts like the rest, if this comes to anything, my good little wife,’ he said at last. ‘Oh, Reginald, it is for you I wish it most,’ she cried, with tears in her pretty eyes. That gleam of a possible brightening in their lot went to their hearts. Ah, hard, happy, chequered life!—so hard to bear while it is present, so sweet to look back upon when it is past!

But everything was hushed and asleep in the house of the Suffolks when Laurie shook hands with the critic, and stood at his door in the raw, chilly air of the winter morning to see him go. Laurie had not been keeping late hours for some time past, and the excitement had roused him out of all inclination for sleep. He went back to his fire and pushed away the impedimenta from his table, and with his nerves all thrilling, and his brain in a feverish commotion, began to write. Perhaps the soda-water had affected him slightly too—and the hours of talk, and the novelty of what he had in hand, had undoubtedly affected him. He sat till his fire burned out and his lamp ran down, making his first essay at composition. It seemed to him very easy in his excitement. ‘If this is all they make so much fuss about!’ he said, feeling himself not only capable of the ‘Sword,’ but of greater things. The street was beginning to wake to the first sounds of the morning when he threw himself on his bed, chilled and exhausted, yet full of content. Surely, after all, this rapid art, which could be caught up without any study, and the effect of which was immediate, was more to the purpose than the labour of months upon one piece of canvas, which might affect nobody, not even the Hanging Committee. New prospects seemed opening before him also,—prospects more vast and boundless than those which flickered before the eyes of Suffolk and his wife. What if this were now that tide in the affairs of men, which it behoved him to take in its flow! He left his sketches lying about,—paper, and chalk, and canvas, all muddled together,—to be dealt with, in the absence of the portfolios, by the maid-of-all work; but he took his little writing-desk, with his new production in it, to his bedroom with him, where it might be in safety; and fell asleep when the milkman was going his rounds, feeling himself, as it were, on the edge of an altogether new career.

His composition, however, did not look so hopeful when he got up a few hours later, and read it over in the calm of noon as he ate his breakfast. Miss Hadley over the way had seen that his room was vacant all this time, the windows open, and papers fluttering about in the chilly air. She could not understand why he lost so many hours on such a bright morning, or what had become of him. It was nearly one o’clock before he had done dawdling over his tea, reading and re-reading his criticism. After all, it was not quite so easy. He made a great many emendations, and then took to doubting whether they were emendations; and grew querulous over it, and sadly disturbed in his confidence. Then he folded it up and put it in his pocket, and, snatching up his hat, rushed down-stairs. ‘He is going to the Square,’ Miss Hadley said, as she saw him dart round the corner; and she stood for a long time at her window pondering whether Jane could be right about that matter. ‘She will never be so silly, and he will never be such a fool,’ said the old lady; and sat down again, with her mind quite excited, to watch when he should come back.

The padrona, for her part, was standing at her easel, troubled with many uncomfortable thoughts. She had looked at herself in the glass that morning longer than usual, and had decided that there were a great many lines in her face which she had not thought of noticing. ‘I am getting old,’ the padrona said to herself, and laughed; and then, perhaps, sighed a little. She laughed because she felt as young as ever, and age seemed a joke as it entered her thoughts; and she sighed because—— who can follow those subtle shades of fancy? And then she began to think. Laurie Renton was but a boy,—not more than four-and-twenty at the outside, she calculated, reckoning as mothers do. ‘Harry was beginning to walk when I saw him first, and Harry will be eight in March,’ said the padrona; ‘and Laurie was but a schoolboy then, not more than seventeen.’ Four-and-twenty! He could not be more,—nothing but a boy. And Jane Hadley is an old fool;—that was the easiest solution of the difficulty. Mrs. Severn liked Laurie, she said frankly to herself. It was pleasant to have him running in and out, with all his difficulties and all his wants. He was such a good fellow,—so frank, so natural, so willing to help everybody, so transparent about his own affairs, so——affectionate. Yes, that was the word;—he was affectionate. Half banished as it were from his own family, he had linked himself on to hers, and she was pleased it should be so. And as for any folly that might enter any one’s head! ‘These old maids!’ Mrs. Severn said to herself,—though it was not like her to say it; and thus she tried to dismiss the subject. If he came too often, she might perhaps suggest to him that it would do him a great deal of good to go and study in Italy for the winter. ‘And I should miss the boy,’ the padrona said to herself with candour. But in the meantime there was nothing she could say or do. It was simply ridiculous to think of taking any other step. At her age! and such a boy!

She was still working at the picture which Mr. Welby had commended. It was a commission from her patrons, the Riches of Richmont, and was to be hung in a spot chosen by herself in the bright country-house, full of light, and air, and flowers, and everything sweet, to which they sometimes invited her. Edith’s little ‘wooden sister’ was standing to her at the moment, draped in great folds of white. She was working hard at the folds of the dress, and studying with puzzled anxiety the position of the limbs, which, Mr. Welby had declared, had no joints in them. And she was anything but grateful to Jane Hadley for throwing, just at this moment, an additional embarrassment into her mind. It was while she was thus occupied that Laurie rushed in breathless with his tale of last night’s proceedings and his paper to read to her. Any prudential thoughts that might have entered her mind as to the propriety of keeping him at a distance vanished at the sight of him. It was all so perfectly natural. Whom else should he go to, poor fellow, to tell his doings, to communicate all his difficulties and his hopes? Mrs. Severn blushed to think that she could have allowed herself for one moment to be swayed from her natural course by such absurdity. Jane Hadley must have lost her senses. Should the boy go to old Welby and tell him? Should he confide in his landlady? Who was there that he could come to in his difficulties but herself?

‘I have brought it to read to you,’ said Laurie, ‘if you can take the trouble to listen. I am afraid it is dreadful trash. The truth is, I was a little excited about it last night; and now, this morning——’ He was abashed, poor fellow, and explanatory, and very anxious to impress upon her all the excuses there were for its imperfection. Somehow, everything had a different aspect in the morning! He went on, playing with the paper; and then, making a dash at it, began to read. It was not very good, to tell the truth. There was an attempt to be funny in it, which was not very successful, and there was an effort after that airy style which so many young writers attempt unsuccessfully; and then there was a rather grand conclusion, full of big words, which Laurie had risen into just as he heard the first cry of the milkman, and felt that it was necessary to come to an effective close. The padrona went on painting very steadily at her easel. She had the notion, which women so often entertain, that a young man, with all those advantages which a man has over her own sex, could do anything he chose to do,—and especially Laurie, her own protégé; and yet here, it was evident, was something he could not do. The writing in the ‘Sword,’ though it was said to be nothing remarkable, was not like Laurie’s writing. Poor Laurie’s narrative, instead of the sober little history it ought to have been, read like a bad joke. He might have been sneering at Suffolk for anything the reader could have made out, and patronising him oppressively at the same moment. Never woman was in a more uncomfortable position than was Mrs. Severn standing at her easel. Laurie himself was so conscious of its weakness and flatness that he attempted, by dramatic tricks with his voice, to give it effect. ‘Good heavens! Suffolk will go mad,’ the padrona said to herself; and then there was a word or two about Mr. Welby. And the author sat breathless, trembling, yet with a smile of complacency on his face, to hear her opinion. Poor Laurie! whom she had already driven to the utmost bounds of patience in respect to his picture! She shivered as she stopped to arrange the drapery on the little lay figure. Certainly, to be Laurie’s adviser-in-chief was a post which had its difficulties as well as its pleasures.

‘Is that all?’ she said, when an awful pause of a minute in duration warned her that the moment to deliver her judgment had come.

‘All!’ said Laurie, flattered by the question, and beginning to take courage. ‘I should have thought you had found it quite long enough.’

‘Well, perhaps it is long enough,’ said the trembling critic; ‘but still I think there might be another paragraph. You have not said anything about the German sketches, for instance, which were so clever; and you know, if I am to be a critic, you must let me find fault. There are one or two turns of expression. What is that you say about Mr. Suffolk having lived out of the world?’

‘“This young artist has little acquaintance with the ways of the world,”’ read Laurie. ‘“He loves nature, which is open to high and low. Instead of conciliating the critics and picture-dealers, he has satisfied himself with the models on the steps at the Trinita di Monte. Perhaps we ought to warn him that this is not the best way to please the British public.”’

‘Mr. Suffolk will not like that,’ said the padrona. ‘It looks as if you meant something against his character. It looks like a sort of accusation——’

‘Why, it is a joke!’ cried Laurie; ‘every one must see that at a glance.’

‘But people are stupid,’ said his critic, taking courage. ‘I think you should change it. And then about Mr. Welby. Don’t you say he has almost given up painting? There is nothing he hates to hear said like that.’

‘“Our veteran master in the art,”’ read Laurie, ‘“feeling his own strength decay, has called upon a younger brother to fill his place,—a substitution at which artists will rejoice.” I mean, of course, that everybody will be pleased to find he is spared the trouble.’

‘But he will not like it,’ said the padrona. ‘I think I would say, instead of that about the Trinita di Monte, that he has spent a great deal of his time in Rome, and has caught the warmth of the atmosphere and brilliancy of the colour, and so on; and Mr. Welby,—I would say how graceful it was on his part to lend his aid to a younger man, and how ready he is to appreciate excellence. You told me to say what I think. And don’t you think if you were to begin just plainly by saying Mr. Suffolk’s works were exhibited at the Hydrographic, instead of that about the gem that is born to blush unseen——?’

‘In short,’ said Laurie, with a flush on his face, ‘you don’t like any part of it,—beginning, or middle, or end.’

‘Yes, indeed I do,’ said the treacherous woman. ‘I think it is very nice; but I am sure you could improve it. Don’t be offended. You could not expect to turn out a Thackeray all at once.’

‘Nor a Michael Angelo,’ said Laurie, desponding; ‘nor anything. I shall always be a poor pretender, good for little;—and this attempt is more ridiculous than all the rest. Well, never mind. If it were not for poor Suffolk’s sake——’

‘For Suffolk’s sake you are bound to do it,—and do it well,’ said Mrs. Severn; ‘and for mine,—I mean for everybody’s who cares for you. To begin at three o’clock in the morning, after a night of talk and smoke, and then to be melancholy because you are not pleased with your work! There are pens and paper on that table, Laurie, and I will not so much as look at you. Go and try again.’

‘Do you mean to say you care?’ said Laurie; and he went and stood by her, while she continued to work.

He thought it was a little hard that she never turned, never looked at him, but went on painting faster than usual, making false lines in her haste. He had no thought that she was afraid of him, and of any foolish word or look which might change their position to each other. He stood wistfully with his heart full of unspeakable things, yearning for he knew not what, longing for a little more of her, if it were but a glance from her eye, a touch of her hand. She had wounded and mortified him, and then she had bidden him try again; but would not spare him a glance to show that she cared,—would not stop painting, and going wrong. He stood and looked on, watching her in a kind of fascination. She had been hard upon him, and he had felt the sting, and forgiven her; and now he might make reprisals if he would. He put out his hand suddenly and took the brush from her hand. ‘I am not going to be trodden on for ever,’ he said; ‘I am the worm that turns at last. I am going to put in that elbow; you are doing it all wrong.’

The padrona never said a word. She gave the brush up to him, and stood looking on while he carried out his threat,—looking at the canvas, not at him. He did it, and then his heart failed him. He had not an idea how much alarmed she was, and terrified for the next word. He had not made any investigations like Miss Hadley’s into the state of his own feelings. He did not want anything,—except to be near her, to have her attention, her sympathy, and do whatever she wanted. Now he became alarmed, in his turn, at his own boldness, and humbly laid the brush out of his rash hand.

‘Padrona mia, I am a wretch, and you are angry with me!’ he said. Then Mrs. Severn laughed, and broke the spell.

‘We are quits,’ she cried, with a nervousness in her voice which Laurie could not account for. ‘You have given me the upper hand of you, Laurie. Now go and sit down yonder, and write your paper all over again from the beginning. I accept your elbow. You are bound to do what I tell you now.’

‘As if I did not always do what you tell me!’ said Laurie, and he went and sat down at the writing-table, eager to please her. As for the padrona, she took up her brush with a little shudder, feeling she had escaped for this time, but that it might not be safe to trust to chance again. The foolish boy! And yet with all his folly there was so much to like in him! Perhaps even the folly itself was not so despicable in Mrs. Severn’s eyes as it was in those of Jane Hadley, who had never been fluttered by alarms of this description, the good soul! But this sort of thing, it was clear, must not be allowed to happen again.

The paper, however, was written, and much improved, and at last, toned down by repeated corrections, was declared ready for the ‘Sword,’ and worthy of that illustrious journal. By that time it was dusk, and there was no choice but to let him stay to tea. The padrona sent her attendant from her to listen to something new Alice was playing, with a genuine horror of Jane Hadley’s comments, and annoyed consciousness of which she could not divest herself. But the young man stayed only ten minutes by Alice, fair though the child was, and sweet as was her music in the soft wintry gloaming, and came straying back again to the little group on the hearth-rug, to share Frank’s foot-stool. ‘He says he is to go to the pantomime, mamma,’ said Frank, whose whole being was pervaded by the sense that Christmas was coming. ‘And I say he is to go to the pantomime. Mamma, I love Laurie,’ said little Edith. ‘But my pet, I am not Laurie’s mamma to take him to the pantomime,’ cried the padrona loud, so that Miss Hadley could hear. Alas! Miss Hadley did not take the trouble to listen. She looked, and saw Laurie half on the stool, half-kneeling, with the fire-light shining on his face, and that turned upwards to Mrs. Severn who sat back in the shadow, with an expression, as the governess thought, which nobody could mistake. Was it the padrona’s fault?

CHAPTER III.
A PATRON OF ART.

Nothing could be more satisfactory in every way than the notice in the ‘Sword.’ It was not eloquent, nor too long, and Slasher was pleased. ‘By Jove, Laurie, I was afraid you’d go in for fine writing, or for chaff, which is as bad,’ he said, with an air of relief. And it was very clear and distinct as to Suffolk’s merits. It made such a commotion through the whole district round Fitzroy Square as has seldom been equalled, except just at the opening of the Academy. The paper was lent about almost from house to house. ‘Have you seen what the “Sword” says of Suffolk’s picture?’ one would say to another. ‘I hear it was all through Laurie Renton.’ It almost seemed to Laurie as if people looked at him more respectfully in the streets. At all events, the fellows at Clipstone Street showed a difference in their manner; and yet there were some even there who shook their heads. ‘He would never have made much by art,’ said Spyer, who went now and then, and drew for an hour or two, by way of keeping himself up, ‘or I should have been sorry; the pen and the pencil don’t agree. But it’s a good thing for Suffolk. The dealers are beginning to look after him. It’s enough to make a man sick, by Jove! years of work go for nothing, when a paltry half-dozen words in a newspaper——! If I was a young fellow like the most of you, I’d do something to put a stop to that.’

‘What can any one do put a stop to it?’ said one of the young men. ‘We have no private patrons now-a-days. We have only got the public and the press, to do our best with them. Laurie Renton draws very well for an amateur; I hope he will not end in the “Sword.”’

‘Laurie Renton was born an amateur,’ said Spyer; ‘he never was anything better, and couldn’t be. Let him take to writing. That’s what heaps of people do after coquetting with art. He may make something of that; but he never will paint a picture that has any chance to live.’

‘He draws very well, all the same,’ said Laurie’s defender. But on the whole, though it gained him an amount of respect and importance among them, his little attempt at literature did not raise Laurie’s reputation. It looked like a defection to the painters round him. Though it was but for once, and took up but two columns in the ‘Sword,’ he was given up as having gone over to literature, which, in the opinion of the Clipstone Street fellows, was a very easy and well-rewarded trade. Suffolk himself did not quite know what to think. He lost not a moment in going to see his critic, and thanking him for the good word he had said for him. But yet he was a little unwilling to acknowledge that it was Laurie’s paper which brought that picture-dealer to see him. The very next week after, the ‘Looker-on’ had a notice of the Hydrographic, and followed Laurie’s lead, praising the picture with still greater effusion than he had allowed himself; and even Mrs. Suffolk, when she saw this, was moved in her heart by a momentary feeling that Laurie had been very measured and even cold, in his approbation. She was grateful, and so was her husband,—but——. There was a degree of pleasure in their satisfaction with the ‘Looker-on,’ which was wanting in their gratitude to Laurie. Gratitude is a cumbrous thing to move about with. And Laurie felt that even the padrona expected him, now he had begun, to go on writing articles. One morsel of print implied to all these innocent people an engagement on the ‘Sword’ at least, and ready entry into literature in general. If he had gone on writing, and stood up like a man for his friends, the society which surrounded him would have felt that he had done his duty. But there seemed to all his comrades a certain cowardice in contenting himself with one effort. That he should have exerted himself on Suffolk’s account was quite comprehensible; but to stop there, and do nothing further, and say no good word for anybody else! It was that he did not choose to take the trouble, people thought,—not even for the padrona;—for nobody suspected that Laurie would have been torn by wild horses rather than have put her sacred name into profane print. This was a refinement of sentiment which no man could be expected to enter into. Mrs. Severn herself was perhaps a little disappointed too. It would have been but natural that she, his closest friend, to whom he came with all his troubles, should reap the benefit of the pains she had taken in getting him to write; but never a word in celebration of the padrona’s pictures came into the ‘Sword.’ ‘He does not care for them, I suppose,’ she said to herself with a little sigh, not taking it unkindly, but with a doubt which clouded her sunny sky sometimes,—a secret suggestion in her mind that her pictures did not deserve admiration. She sighed, poor soul, because she could not make them better, not because it was not in her heart to conceive of higher things. But then she could not afford to wait and think, and collect her full strength, and do her very best. Sometimes she pulled at the tether that bound her, with that impulse towards excellence which is in every sensitive nature. But she could not stop long enough in her ordinary work to achieve anything beyond it. She thought Laurie did not consider her pictures worth talking about, and contented herself without any bitterness. He was not doing what in the merest commonplace way he might have done for her; but the padrona, who was fond of Laurie, did for him what few painters are disposed to do for one another,—she offered him a share in the one special piece of goods which no artist likes to share;—she had the magnanimity to send him a note to Charlotte Street, in the end of March, on one of those coldest of spring mornings, to come and meet her patrons, the Riches of Richmont, at lunch.

The padrona was not given to the writing of notes, nor indeed had she much occasion so far as Laurie was concerned, who seldom was absent from the Square for an entire day. But he had felt, without knowing how, a certain difference in his reception since the day on which he wrote his paper at Mrs. Severn’s writing-table. Not that she was less kind or less interested in him;—perhaps it was, though the young man did not think of that, that there was always somebody there, and that the third person, instead of keeping in the background, was brought into the conversation, and spoiled it. Perhaps Mrs. Severn, too, thought the interloper spoiled it. Talk is pleasant, a quattr’ occhi; but then the interloper was needful. This depressed Laurie’s spirits in spite of himself. There was not much that was exhilarating in his prospects generally. Nothing more had come of his literary ambition after that one paper, and his work as an artist went on by fits and starts, with no particular aim in it to spur him on; and his friends, who were all in the heat and fervour of their work for the exhibition, naturally felt that a man who was not preparing for the Academy, who had no share in their white heat of excitement as to the decision of the Hanging Committee, was still something of an outsider. And a cloud had risen on his intercourse with the Square. Laurie was low, and felt despondent about affairs in general. And the chilly spring and the east winds affected his—temper, he said. Probably it was something else besides his temper that was affected. He had begun to say to himself that he was a useless wretch, and not good for much, and that it was ridiculous to hope that he could ever make any mark in the world; and would come home from seeing his friends of nights, who were all so busy, with a certain sensation of misery. The padrona’s pictures had been put into their frames, though she was still working at that one for Mr. Rich, and her studio was beginning to get freshened up and decorated in preparation for the private view, which every painter affords to his or her friends and patrons. Even old Welby had taken down the white canvas and the Angelichino, and placed two of his own pictures to have the final touches given to them and to be exhibited before they went to the Academy. As for Suffolk, he was working with a kind of passion at the big picture which had been so unsparingly criticised; the canvas was as big as that one of Laurie’s, on which the chalk outlines still lingered,—and there were but two figures in it. The maid in the low arched doorway, in her white kirtle, was dismissing her lover with an inexorable sweetness and sadness; the young man was resisting, and refusing to be dismissed, his dark face glowing with love, and trouble, and angry protest against fate. They were the representatives of two races, hostile, yet fated to mingle; and there was in the picture, moreover, a deeper issue,—that struggle of love and duty which it is sometimes best for the world should not be decided on duty’s side. Laurie would stand and look at it, and wonder why he could not have done it as well. Sometimes a vision of the Edith of his imagination, with a still deeper force of expression in her face, would flit across this canvas; but he had discrimination enough to know that Suffolk, in his place, would have painted that Edith had all the world been against him. After all, it was his own fault, but that was no particular consolation; and he felt himself left outside, out of their calculations, almost out of their sympathy, at this particular crisis of fate, when everybody was too much excited about his own luck, and his neighbour’s, to have leisure to think of the rest of the world. The moment for sending in to the Academy was like the eve of a great battle in Fitzroy Square and its environs; and Laurie, who was not even a volunteer to come in the mêlée, could not but find himself sometimes out of place among those excited groups, with their one subject. He was interested in their fate; but he was not himself putting his own to the touch—and he was a little low in consequence, and heartily wished the crisis over, and things going on again in their usual way. Let who would object, Laurie said to himself, with a kind of desperate resolution, he would have something to send next year.

It was while he was full of these melancholy thoughts that the padrona’s little note came to him. He had been there the night before, and Miss Hadley had been present,—even in the studio, to which, in former times, she never dreamt of penetrating. To be sure, there was a kind of a reason for that now in the renovation that everything was undergoing; but still it was rather hard never to be able to say a word to one’s friend, never to receive an expression of her opinion or of her kindness, without Miss Hadley’s keen eyes upon one’s face. And Laurie had grown almost angry at this perpetual intrusion. He was idling over one of his school studies when Mrs. Severn’s note was brought to him. It was the briefest little note,—but at least Miss Hadley had not interfered with that.

‘Come,’ it said, ‘and lunch with us at two, and meet the Riches. They have just sent me word they are coming to see my pictures. They are my great patrons, and they may be of use to you. I will tell them who you are,—a Grand Seigneur turned painter,—and they will be immensely interested. Don’t laugh at them; they are such good souls.

‘You were a little cross, do you know, the other day? and I cannot have you cross. We are all so busy there is no time for talk.

‘M. S.’

This was the note, and there was not much in it. It was the padrona’s soft heart which had made her add that last little coaxing, half-apologetic sentence, and perhaps it was foolish of her. But then, though it was certainly necessary that Laurie should be cured,—and that without mercy,—of any foolish notions that might have stolen into his foolish young head, still for one moment, once in a way, it was a comfort to be free of Miss Hadley; and she had said nothing that his mother might not have said. But perhaps Mrs. Severn would not have been so sure of the perfect judiciousness of her words had she seen how Laurie lighted up under them, and expanded into content. It was eleven then, and his invitation was for two; but yet he decided it was best to send a note in return. It is a species of communication which is very attractive sometimes. Laurie jumped at it with an exhilaration for which he did not attempt to account. It was a different thing altogether from those other little notes conveying mamma’s messages, which he still preserved somewhere; but not, it must be confessed, with such lively feeling as he once did. Quite a different matter! It was his friend who had written to him now,—only a dozen words, and yet herself was in them,—herself, always full of kind thought, of that gracious interest in him, wanting to help him on though he was so unsatisfactory, finding fault with him in that soft, caressing way, which was sweeter than praise. Laurie,—foolish fellow,—put away his work, and spent half-an-hour of the short time that was to elapse before he should see her in writing the following note. It could have been written in five minutes; but there was, it cannot be denied, a certain pleasure in lingering over it, and a certain skill was required to put a great deal of meaning into few words. He did not think he had succeeded, after all, when it was written. But here it is:—

‘I will never be cross any more, padrona mia. I have been thinking you meant to cast me off. But you don’t? I will go and meet the Riches or the Poors, or anybody else you like, and thank them for the chance. You I never could thank,—not half or quarter enough. So silence shall speak for me.

‘Yr—— ‘L. R.’

It is not to be supposed that Laurie wrote ‘your’ in plain letters. He made a hieroglyphic of it. It might have been only ‘&c.;’ in short, it was as like that as anything else. He was beguiled into the use of the pronoun, he did not quite know how, as he hung over it with his pen in his hand like a pencil, anxious to add just a touch somewhere, as might have been done in the line of the lip or the droop of an eyelid, to express what he was feeling. It was of purpose and intention that he made it undecipherable. Perhaps she would find it out; and if not, still at least he had expressed himself, which was always something. He was not thinking of any result, or anything that might come of it, as Miss Hadley did. At the present stage such an idea would have been simple profanity. He did not think of it at all. He was her disciple, her servant, her subject. That she should reverse the position and be his, and subject to him, was an idea which had never entered Laurie’s mind. It would indeed, as we have said, have appeared sheer profanity to him. Such delicacies of feeling do not come within the range of the Miss Hadleys of life. And so Laurie made his hieroglyphic, expressive of the deepest devotion, and felt his heart and his face expand with a delicious softness, and put on his hat, and himself gave the note to the maid-servant in the Square. It was but a few steps round the corner; and when he was out, he went a few steps farther and got himself a lily of the valley to put in his coat. It was still early, and the flower cost him as much as a meal; but when a young man’s heart gives a sudden jump in his bosom, reasonably or unreasonably, it would be hard if he could not give utterance to his satisfaction with himself and the universe in general by so simple an expedient as a flower in his coat. And at the same time he ordered some pots of the same lilies to be sent to the Square, not for that day, but for to-morrow, on which Mrs. Severn was to exhibit her pictures to her friends before sending them to the Academy. This little matter occupied the morning until it was time to present himself at the Square. A very fine carriage stood before No. 375 when he reached the door, with a gorgeous coat-of-arms on the panel, and liveries and hammer-cloth, which looked like a duke’s at least. The big footman stared superciliously at Laurie as he went up the steps. He was but ‘a poor hartis’ it was evident to that splendid apparition. The patron had arrived with all the pomp which ought to attend such a celestial visitor, and naturally the house from top to bottom bore evidence of a certain excitement. Forrester, in his best coat, opened the door to Laurie, his face beaming with cordiality and smiles. ‘I can’t say as he knows much, Mr. Renton,’ said Forrester, ‘but he’s a stunning one to buy; and I wouldn’t take no notice, sir, if I was you, of his little ways,—nor the lady’s neither, sir,’ said the old man. Laurie laughed and nodded in answer to this advice, without any distinct idea what Mr. Rich’s little ways might be; and so walked into the great drawing-room, which it was strange to see by daylight, full of the grey spring atmosphere, out of which an east wind had taken all the colour. The white curtains hung over the long windows; the fire burned with a little cheerful noise; and the padrona, in her black dress, sat on a sofa beside a rich, rustling, luxurious woman, fifteen or twenty years older than herself. Mrs. Severn’s figure had filled out into the gracious fulness of matronhood. She was not a sylph, like her child; but she looked something like a sylph beside the vast form on the sofa. And in front of her stood a little man, very plump and rosy, with a double-eyeglass in his hand. The padrona looked a little flushed and a little excited. Perhaps it is not in human nature to receive unmoved a visit from a patron.

‘This is Mr. Renton,’ she said, as Laurie came in. ‘Mr. Laurence Renton, Mrs. Rich;’ and, to Laurie’s great surprise, the large lady got up from the sofa to shake hands with him, which was a great deal more than the padrona did. Mrs. Rich was very large and very wealthy, and looked as if she might be rather oppressive; but, nevertheless, she had been smiling very benignly on the padrona, and Laurie consequently saw some good in her face.

‘Mr. Renton, I ought to know you, for we are almost neighbours in the country,’ said Mrs. Rich. ‘Don’t you know Richmont? Ah, I daresay you have been a great deal from home, like so many young men. Mr. Rich, Mr. Renton has not seen Richmont. It is only six months since we took possession. Mr. Rich bought it for the situation, and gave I am ashamed to say how much money for it; and then the house wanted everything done to it,—new rooms built, and I can’t tell you all what. I believe your mamma does not visit anywhere, Mr. Renton. She is a great invalid, I hear; and of course, unless she was so kind as to signify a wish, I could not call first. But I am sure if you are at Renton when we are there, it will give us the greatest pleasure to see you at Richmont.’

‘Thanks,’ said Laurie, feeling rather aghast. He did not know what more to say till a half-comic, appealing glance reached him from the padrona’s eyes. Then he bestirred himself. ‘I have been a long time from home,’ he said, ‘and at present my mother goes nowhere; but I don’t know,—pardon me,—where Richmont is. I am so stupid about localities,—I never know anything that is not close to my eye.’

‘It was called Beecham once,’ said the rich woman; ‘but we are not the old family;—we are the new family, Mr. Renton; and Mr. Rich thinks it only right, when he has bought it, to give it his own name. We are not ashamed of being new people. I have just been talking to our friend here about painting one of the rooms for us,—in panels, you know. She is so clever. I never knew a woman so clever; but that is between you and me,’ said the patroness, patting the painter patronisingly on the arm. ‘She does not hear a word we are saying. I never would tell her she was anything out of the ordinary to her face.’ Such were the astounding manners and customs of the new species of humanity to which Laurie had been unexpectedly presented. It took him half-an-hour at least to realise the unfamiliar being. No doubt there are patrons in England of the type known in old days, when one monarch leaned on his painter’s shoulder, and another picked up his painting-brush. But these are chiefly patrons of the old masters, not of the new; and Mr. Rich and his wife were the specimens best known in Fitzroy Square. When they went in to luncheon the padrona looked more and more flushed, though Forrester was present to wait, looking as solemn as any family butler, and listening with a sore heart,—but no outward token,—to Mr. Rich’s views about art. He had his views, too, as well as his wife, though he was not so immediately audible. It was when he had swallowed some wine that he found his tongue, and then Mrs. Rich was silenced by the more influential stream.

‘Glad to make your acquaintance, Mr. Renton,’ he said. ‘We’d have been very glad if your mother had come to see us. It would have done her no harm, and it might have done Mrs. Rich a little good. We don’t pretend to be above that sort of thing. But of course all this fuss about the will must have been hard upon you. I’m told you’re one of the rising young men of the time. Stick to that. You may buy houses and lands, but you can’t buy talent. I’ll be very glad to go and see anything you may have to show. If our friend Mrs. Severn is to be trusted,—and I’ve always found her to be trusted, sir,—her eye is so true,—you’ve got something that will suit me very well; and I hope we shall know each other better before we part.’

‘I did not mean that Mr. Renton had anything to show this year,’ said the padrona. Laurie had never seen her so embarrassed. Was it that the people were overpowering?—or was it——? But there was no time to cogitate possibilities in the midst of this stream of talk.

‘Mr. Renton must come and see us at Richmont?’ said Mrs. Rich. ‘He must come with you, some day, Mrs. Severn. I have got some of her sweet pictures hung in my morning room; and she has been so kind in her suggestions about the furniture. It is such a thing to have an artist’s eye; and such pretty eyes too,’ added the stout lady, in an audible aside to Laurie, who was seated next to her. ‘Don’t you think so? To me she is prettier than ever she was. She is like Alice’s sister. She looks young,—and she is young,—and to think of all she has done!’

Laurie sat by her, and never said a word. He could not pay compliments to the padrona as a mere indifferent spectator might have done, entering into the fun of the situation. And Mrs. Severn sat at the head of the table, with a flush of embarrassment on her cheek. But perhaps even she was not so sensitive as Laurie; and they were patrons, and brought her commissions,—and they were bread! These are mean recommendations, no doubt, but they have a wonderful effect.

‘What I like is a picture I can understand,’ said Mr. Rich. ‘What I say to a painter is;—“Tell your story. Choose what subject you like, old, or new, or middle-aged; but, whatever your incident is, stick to it, and tell it, without need of any description in a book.” That’s my principle, sir. And I like a good, warm wholesome colour; none of your cadaverous-looking things. There are plenty of sad things and nasty things in life without putting them in pictures. Like as I prefer a good ending in a story. I have some pretty pictures to show you, sir, when you come to see me. Crowquill painted that last series out of the “Vicar of Wakefield” for me. I could have got twice the price I gave for them from a gentleman I know in Manchester; but nothing but necessity would make me part with these pictures. When a thing’s painted for you, it has a value it would not have had otherwise. And I have as fine a little Millais as you ever saw. I hope to have a picture from you in my collection before all is done.’

‘You have not a Welby, I think,’ said the padrona, who worked rather hard at her part of the conversation. ‘You should make haste to secure that; for he paints very little now.’

‘I don’t care very much for Welby,’ said Mr. Rich, indifferent to the awful countenance of Forrester behind his chair. ‘He’s a deal too classical for me. I had not a classical education myself; and I am not ashamed to say I don’t appreciate that sort of thing. Nature is what I like. I don’t pretend to go in for the old masters. They’re very fine, I daresay; but give me a nice modern picture with colours, sir, like what you see in life. I hope you are of the real school, Mr. Renton,—not to carry it to excess, you know. The thing for modern collections,—and I know a great many collectors of my way of thinking,—is modern life; the sort of thing one understands. How am I to know about your Greeks and your Romans? I like pretty English girls, and nice young fellows making love to them. Why shouldn’t they make love to ’em, Mrs. Severn? I did it in my day. And as for your pictures, could anything be sweeter? It’s the next step in life. We’ve all gone through that phase,’ said Mr. Rich, waving his hands; ‘and that’s the sort of thing we want in our collections. I say this to you, Mr. Renton, as a young man beginning life.’

‘Mr. Renton will prefer the pretty girls, of course,’ said the patron’s wife, with a good-humoured laugh. And Laurie sat by, not knowing what reply to make, while the padrona, with that flush on her face, sat at the head of the table, and let them talk. What was the use of arguing the question? The finest reasoning in the world does not convince people whose minds are incapable of receiving it. And they bought the pictures they commended, which is what better critics seldom do.

‘There must be a variety of tastes,’ Mrs. Severn said, with a meekness that was not natural to her. ‘I am not so pleased with my tame little groups that you are so good-natured about. There are many things I would rather do if I could.’

Then Mr. Rich laughed, and told the story of Listen, whose dream it was that tragedy was his forte,—not a novel story certainly, but not inappropriate at the moment. ‘I should like to see Welby’s pictures all the same,’ he said, cheerfully. ‘We could not come to-morrow, so I should like to make a round to-day. I’m going to Crowquill, and Baxter, and some more,—as long as the light holds out;—and if you can tell me of any others——’

‘There is Suffolk,’ said Laurie, looking at the head of the table; and then he paused surprised. The padrona was but human. To let her own live patron go out of her hands to the studios of celebrated painters whom everybody knew was a thing inevitable, against which she could never dream of struggling; but to send him, in cold blood,—her own precious property,—to Suffolk,—a new name, a rising painter,—one of the men whom it would be a credit to patronise! Mrs. Severn had a struggle with herself. Generosity was easy where Laurie Renton was concerned; and she would have shared her purse with the Suffolks, with all the unthinking open-heartedness of her kind. But send him her patron! That was a trial. Laurie looked at her surprised. He knew her face so well that he saw the struggle in it, though without knowing what it meant; and he was startled by the pause she made before she answered him. A flood of thoughts rushed through the padrona’s mind at that moment. She thought of herself and the children, and the need she had of patronage; and then, on the other hand, she thought of Suffolk’s wife, with an unmanageable man, who would not paint popular subjects, with no power to help herself, with children too,—babies always coming,—and all sorts of troubles. It was not of the artist she thought, and his long unrewarded labours. She was only a woman, after all; and it was the woman who came to her mind, anxious and powerless, and overwhelmed with anxiety. All at once the face, obscured by some cloud which Laurie could not penetrate,—to his supreme annoyance,—cleared up with a sudden light, which he did not understand. ‘Yes,’ she said, ‘I should like Mr. Rich to see that picture. It is not quite the kind of subject he likes; but we all think it one of the finest things; Mr. Renton will tell you about it. It was spoken very highly of the other day in the “Sword.”’

‘Ah; then it must be fine,’ said Mrs. Rich. ‘Perhaps Mr. Renton will take a seat in the carriage with us, and introduce us. I like to see everything I can see; and we have not much time for the light. And you will not forget, dear, that you are engaged to us for Easter week. It will be so nice to have you; and you shall plan out your pictures for the east room. She is going to do the fairy tales for us, Mr. Renton,—it will be charming. If the carriage is up, Mr. Rich, I am afraid we ought to go.’

The padrona called Laurie to her as he was about to follow them down-stairs. ‘They have given me a beautiful commission,’ she said, with a little excitement,—‘a year’s work! And I was so mean that I hesitated to send them to Suffolk after that. Try and make them buy the picture, Laurie. They will, if you are clever, and talk to them a little of Renton, and draw them on. I trust you to do it.’ It was only for a moment at the drawing-room door. Was it the year’s work, and the contest with herself about Suffolk’s picture, which gave her that look of agitation and excitement? Or was it the time of year, the eve of the Academy, and all the crowd that would come to-morrow? Laurie could not give himself any answer as he rushed down-stairs to guide the Riches on their beneficent course; but his eyes shone, too, and his heart beat loud. As if he could have had anything to do with it,—a mere boy!

CHAPTER IV.
SUCCESS.

When Laurie Renton drove from the padrona’s door in Mr. Rich’s carriage, opposite to that patron of art, it was his sense of the comicality of the situation which came uppermost. Art student, art critic, artist, he had been with a certain satisfaction in each office. But to be showman and salesman too was a new branch. These are the vicissitudes to which a man is subject who puts himself under the dominion of a woman, in the absolute and unconditional way which Laurie had done. But that was not how he regarded the matter. He was pleased to do it even for Suffolk’s sake; though he could not but laugh within himself when he took his seat on the luxurious cushions, with the couple opposite to him who breathed wealth, and filled the very atmosphere with its exhalations. One of the exhalations was not so pleasant as could be wished; for Mrs. Rich’s favourite perfume was of a character too distinct and decided for the narrow enclosure of a carriage; but the rustle of her silk, and the soft warmth of her velvet and her furs, and the wealthy look about her altogether,—wealthy and liberal and self-important and kindly,—was not without a certain human interest. She had been a pretty woman. Laurie, whose eyes were open to such particulars, was at once aware of that; and she was a good-looking woman of her age still. Her husband had less apparent character about him; but there was in both a consciousness of being able to give pleasure and scatter benefit around them, which was not unprepossessing. No doubt they were vulgar, perhaps purse-proud,—horribly ostentatiously rich. But they meant to benefit other people with their wealth, which was always something in their favour. Laurie glided with natural skill into the part allotted to him. He talked of Renton; of his mother’s invalid condition, which made it impossible for her to call; and of his young brother Frank the Guardsman,—for he had not yet negotiated his exchange,—whose battalion was stationed at Royalborough, and who, he was sure, would be glad to make their acquaintance. And then he went on to Suffolk’s story with the most natural sequence;—a man so full of talent, so laborious, so devoted to art, with such a pretty little wife!

‘Ah, there we have you, Mr. Renton!’ said jolly Mrs. Rich; ‘but it is naughty to talk so of a married lady. You ought to have eyes only for the pretty girls.’

‘A pretty young woman is a pretty young woman, whether she’s married or single,’ said her husband; ‘but I don’t like a man who goes on painting pictures that don’t sell. What is the good of it? No man in business would think of such a thing. It’s a sinful waste of capital as well as a waste of time. He ought to have changed his style. I’ll tell him so. You do a many foolish things, Mr. Renton, you artists, for want of a plain common-sense man of business to give you a little advice.’

‘That is very possible,’ said Laurie, with candour; ‘but even in business a man may go on with a speculation for a long time, though it is not immediately successful, if he is sure it will succeed in the end;—so long as he can afford to wait.’

‘Ah, yes, that is the whole question,’ said Mr. Rich,—‘as long as he can afford to wait; but a man should think of his wife and children. If I had a little family dependent on me, and had to paint for a living, I’d make them comfortable, Mr. Renton, if I had to change my style every other day.’

‘But that is not so easy as you think,’ said Laurie; ‘and the wife and children do not complain. Mrs. Suffolk is as proud of those boys in the Forum as she is of her own babies.’

‘Are there boys in the picture?’ said Mrs. Rich. ‘Then I shall like it for one. And she must be a nice little woman; but you young men, you should not go paying attention to a married lady. It is not because it is wrong,—for I never was so strait-laced as some, and never objected to a bit of fun,—but it keeps you from marrying and settling, which is dreadful. You are all so selfish, you gentlemen. As long as you have a woman to go and tell your little tales to, and get her sympathy and so forth, and no danger of going any further, you are quite satisfied;—and the girls are left, and nobody pays any attention to them. That is what I don’t approve of. We matrons have had our day, Mr. Renton, and we should be content with it. When I see married women dancing and going on, and young girls sitting without partners, I could beat them, though, perhaps, it is vulgar of me to say so. I like a young man when he falls in love honestly, as people did in my days, with a nice young girl.’

‘We can’t all afford to fall in love,’ said Laurie, laughing, yet with a faint, distant recollection of the possibility he had himself given up. Curious it was how far off that looked now! But, like most sinners, he was utterly unconscious that there was any moral which he could apply to his own case in this little sermon. His mind glanced off to somebody else whom, perhaps, it might have touched. ‘And as for Mrs. Suffolk,’ he added, ‘she does not think there is a man in the world who comes within a hundred miles of her Reginald; and, as I said, she is as proud of those boys in the Forum——’

‘What’s the Forum? Tell me the story; I like to know the story of every picture,’ said Mr. Rich. And Laurie told, to ears which received it with all the interest of ignorance, that well-known tale. Mr. Rich thought he had read something about it in a book; and shook his head over an incident so remote in antiquity. ‘I like English subjects,’ said the patron. ‘I don’t care for your Italian things. I never was in Italy myself, and how should I know if they are true or not? English pictures are the things for me.’

Then Mrs. Rich reminded the millionnaire that he had promised to take her to Italy next winter, and that it would be well in the meantime to make a little acquaintance with that country. And Laurie fell back on the ‘Sword,’ giving his companions the benefit of his own article, which, being a solitary effort, he had kept in his memory. It was a scene of genteel comedy, in which he was at once actor and audience,—and perhaps no other description of audience had such an exquisite sense of the points of the drama. He went through his part with a fluency which amazed himself, and chuckled and clapped his hands in secret with an infinite sense of his own humour. Mr. Rich’s grand coachman was too fine to know the locality, and made a great many turns and rounds before he reached Suffolk’s door, which left time for the little play to play itself out. It was curious to see the vast woman of wealth in her vast seal-skin cloak, in her rustling silken train, with plumes nodding on her bonnet, and lace streaming, get in at the narrow door. The house looked as if it could not possibly contain her. Laurie gave a comical glance to the upper window, with a momentary idea that he must see her head looking out there while still her train was on the steps at the door. And when she shook hands with the painter’s little wife, who got up from her work to receive them in a nervous flutter of agitation, not knowing what to expect, it seemed to Laurie as if he had brought a good-humoured ogress into this little fairy palace.

‘And a very pretty little woman she is,’ the patroness said in a whisper, nodding to him aside. ‘I like your taste, Mr. Renton.’ Thus it will be seen that Laurie’s hands were full.

‘We did not expect anybody till to-morrow; and I don’t know if Reginald is ready. If you would but go up and tell him, Mr. Renton?’ Mrs. Suffolk said, appealing to him also in an aside.

Suffolk was not the least ready to receive visitors. It was an east wind, which had impaired his light and affected his temper. ‘I’ve no time to go and change my coat,’ he said, like a savage. ‘What’s the good? Laurie, you’re the best fellow in the world; but Thursday is the last day, and you know what I’ve got to do. Look at that sky! By Jove! stop a man in the middle of a sky like that, and ask him to be civil to strangers! You might as well tell me to put this confounded east wind out of my eyes!’

‘Only for ten minutes,’ said Laurie, ‘there’s a good fellow! You are doing too much to that sky. Leave it for an hour, and you’ll see what’s wanting twice as well as you do now. And I do believe there’s a chance of selling the Angles! Think of Mrs. Suffolk and the children. Surely they’re worth half-an-hour and the trouble of changing your coat.’

Suffolk paused in his painting, and grew pale, and stared at his friend. ‘Selling the Angles!’ he said; and then he put down his brush, and turned away with an impatient exclamation. While Laurie stood looking anxiously on, the painter went to the nearest window and began to open the shutters, but stopped in the midst and turned back upon him. ‘It’s all rubbish,’ he said; ‘I don’t believe in selling the Angles. Why do you come here and mock a fellow even in the midst of his work? I say, Laurie, tell me one thing,—who is it?—quick!’

‘It’s old Rich, the City man,—the padrona’s friend. It was she who sent him,’ said Laurie, breathless with suspense.

Then the painter broke down; he gave a sudden sob all at once. ‘God bless that woman!’ he said, and rushed at his shutters. As for Laurie, he made himself housemaid, studio-boy, with his usual facility. It was he who dragged out the spare easel to the best light, and took down the picture from the wall where it hung somewhat in the shade. He took the dust off it lovingly with his handkerchief, while Suffolk changed his coat. His hands were rather black, and there was a cobweb on his breast close to the lily in his button-hole when he went down-stairs; and it would be hard to say which was the fairer ornament. Then he turned himself into a groom of the chambers, and ushered the patron and patroness up-stairs, Mrs. Suffolk following. The little woman trembled all over, though she did her best to hide it; and Laurie’s heart went jumping like a thing independent of him, in his breast. Suffolk was the most self-possessed of the three, but he purchased his composure by putting on a morose and forbidding aspect. Not that he meant to be morose; on the contrary, his brain was in a greater whirl than that of either of the others. If it might indeed come to pass,—if he too should really possess a patron, giving commissions, making life secure beforehand for his wife and the children! And then it occurred to him that this was the padrona’s patron. The thought nearly overcame the painter. If she had taken her children’s bread from her table and sent it to his, he would not have felt it so much. ‘God bless that woman!’ he said again in his heart. If the attempt failed or succeeded he was equally bound to her for his life. But he did not think of Laurie’s good offices with the same effusion, though Laurie by this time had come forward equal to the emergency, and resumed the showman’s part.

‘When you are in Italy, Mrs. Rich,’ said Laurie, ‘I know what you will say to yourself some spring morning. You will say, “Now I feel Mr. Suffolk’s picture!” Look at that golden air; you can see the motes dancing in it; and I can smell the orange-blossom out of the convent gardens. I have seen English children look like that,—like little roses,—with the dark Romans all round, admiring them.’

‘Have you now, Mr. Renton?’ cried Mrs. Rich; ‘I should like to see that. Dear little angels! Though my own are all grown up, I adore little children. And you never saw such a skin and such hair as my Nelly had when she was a little thing. They are lovely, Mrs. Suffolk—I think they are quite lovely. Mr. Rich, don’t you think that group is just like our Charlie and Alf? I mean what they used to look. And that woman with the white thing on her head,—that is a beauty! I am sure your husband must have painted you scores of times,’ she went on, graciously laying her hand upon little Mrs. Suffolk’s shoulders. ‘Now come and show me this other one, and let the gentlemen talk. I hope Mr. Rich will buy that picture. I think he will buy it. And they tell me there was something very nice about it in the “Sword.”’

‘Yes,’ said the painter’s wife, all confused and breathless with anxiety, straining her ears to hear what the gentlemen were saying; ‘and the “Looker-on” had an article too. They were all very complimentary; they said it was quite a work of genius——’

‘But it has not begun to pay just yet,’ said Mrs. Rich, with a little wave of her hand. There was a melting, liberal grandeur about her patroness. She looked like a conferrer of favours,—a rich, mellow, embodied Fortune. ‘I think Mr. Rich will buy it,’ she repeated, looking round upon her husband.

This was not a speech calculated to still Mrs. Suffolk’s agitation. Could it be possible? Oh, if Reginald would only be civil! If he would but condescend to talk and show it off to the best advantage! But it was Laurie who was talking. It was he who was pointing out all its great qualities. And then there was a pause, awful as the pause,—not before a thunderstorm,—that is nothing,—a mere accident of nature,—awful almost as the pause you make when you have opened the letter which is to bring you news of life or death!

And then, once more, it was Laurie Renton’s voice that broke the silence. If he had been pleading with a woman whom he loved, his tones could scarcely have been more insinuating. ‘If I remember Beecham rightly,’ he said, ‘there was a space left for a picture just opposite the little organ in what used to be the music-room. Have you changed that? or perhaps you have placed some picture there?’

‘That is just the thing,’ said Mr. Rich; ‘I knew there was a place. You have got an eye, Mr. Renton, and a memory too. Fancy, my dear,’ he said, calling to his wife, ‘he remembers the rooms at Richmont better than I do myself,—calls it Beecham though; but of course that is quite natural. Yes. And he is quite right too. I should not wonder if it was the exact size. The music-room is Nelly’s particular room, Mr. Renton;—my daughter Nelly, the only one I have at home. I think that is just the sort of thing she would like. Girls are full of fancies. She would not have my last Crowquill, though it is a lovely specimen, and that one of Mrs. Severn’s that she fancied was not big enough. I should think this was just about the size. Mr. Suffolk, a word with you, sir,’ said the patron, with all the confidence of a man whose cheque-book was in his pocket. Laurie stood with his back to them, measuring the picture with his handkerchief, and Mrs. Suffolk, before the new picture on the easel, stood trembling, trying to show it to the patron’s wife. What a moment it was! Mr. Rich was very audible; but Suffolk, in his agitation, spoke low, and looked more nervous than ever. His wife thought, oh, if Reginald should be disagreeable!—oh, if the rich man should be affronted, driven away by his bad manners! And it was only manner all the time. She stood in a fever of suspense, not knowing what Mrs. Rich said, who chattered on, drowning even her husband’s voice. She gave Laurie one look of appeal. Oh, if it were only ordained in Parliament, or by nature, that artists’ wives and friends should do their business for them;—at least when they were men like Suffolk! If it had lasted long, Mrs. Suffolk must have fallen fainting at her patroness’s feet.

But just when the strain had reached its highest point, Mrs. Rich fell silent by some chance, and took to examining one particular corner of the picture, and the voice of the millionnaire became distinctly audible. ‘If that’s all, I’ll give you a cheque at once,’ he said. ‘I’d like to have the picture as soon as you can send it; for you see Nelly is from home, and I’d like to give her a surprise. Perhaps Mr. Renton and you would run down and see it hung? A day in the country would do you good after all your hard work. Have you pen and ink? What, not pen and ink in your place!—every man of business should be supplied with that. I couldn’t put in my signature in paint, you know,’ the man of wealth said, with his large laugh of ease and careless liberality. He joked over it as if it were sixpence! as if it was a thing that happened every day! while to two of the people who listened to him it was something like coming back from the dead.

Suffolk, with his voice choked, made some feeble response. He tried to laugh too; he tried to say it did not matter,—there was no hurry,—any time would do. A poor little piece of hypocrisy, at which his wife quailed, trembling lest he should be taken at his word.

‘No, no; I like to settle such matters off-hand,’ said the patron;—‘there’s Renton, like a sensible fellow, off for the ink. I like that young man; never saw him in my life till this morning; but he feels like an old friend, and his people are our neighbours in the country. You and he must make a run down by the one o’clock train,—I don’t know a better train,—brings you down twenty-five miles in thirty minutes,—not bad, that. And I’ll send over a trap for you. What day will you come? Thank you, Renton; that’s practical; that’s the sort of thing I like. I want you both to come down and have some luncheon, and see the picture hung. Let it be a day in the end of the week; a day in the country never harms any man. Settle it with my wife. My dear, come here and look at the picture. It’s ours; or rather, it’s Nelly’s. Don’t you think she’ll like it? And I want to have them down to see it hung.’

Thus was this extraordinary piece of business accomplished, in a moment,—as it were in the twinkling of an eye. Neither Suffolk nor his wife knew what their visitors said and did, or where they were, or what had happened to them, till Mr. Rich suddenly recollected that there was no time to lose, and so many other studios to visit in daylight. It was all settled about that visit to Richmont, which Laurie, disagreeable though it was to him, had not the heart to refuse. And I suppose Suffolk talked and assented and behaved himself like any ordinary mortal, though he knew no more of what had passed than a man in a dream. Laurie put these blessed rich people into their carriage afterwards, and took as much care of the vast woman as if she had been the queen. ‘I will ask your brother over to meet you, Mr. Renton,’ she said, as she took leave of him; and Mr. Rich followed her, rubbing his hands. ‘I have done a good morning’s work,’ said that happy man. ‘Two hundred and fifty! I don’t doubt I could sell it for six to-morrow,—that’s what it is to go to the fountain-head.’ Laurie himself felt a little giddy as the carriage drove away. And when he returned to the studio, he found that Mrs. Suffolk was crying, and her husband not much more steady. The painter had forgotten all about his sky. He had his cheque in his hand, and was looking, first at that, and then at his Angles. ‘By Jove, Laurie, you have done it at last!’ he said, bursting into a loud laugh, and crushing Laurie’s hand as in a vice,—and then he went to the inner room, and put on his old painting-coat, which was a good excuse.

But whether it was Laurie who was to be commended this time, or the padrona, who,—let it be confessed,—with a moment’s hesitation and reluctance, had sent the patron to her friend, was a doubtful matter. They had both a hand in it. It was ‘our little business,’ as Laurie said, pleasing himself, in his foolishness, with the thought of this partnership. And he went, of course, to the Square, not by roundabout ways, like the fine coachman, but as fast as his feet could carry him, to report how everything had happened. Duty and courtesy both demanded that not a moment should be lost till the report was made.

CHAPTER V.
A DISCOVERY.

When Laurie reached No. 375 with his budget of news, the padrona was out! It was nothing very dreadful to be sure. She did go out sometimes, like everybody else; and in all likelihood no very long time would elapse before she returned. But, all the same, Laurie was intensely contrarié, and felt as if this were a special spite of fortune. She must have known he would come to make his report of what had happened at Suffolk’s, and to inquire into the news she had given him as he left the house. A beautiful commission,—work for a year! That was what she had said. And then, without any regard for his curiosity, his interest in everything that concerned her, she had gone out! He went up to the studio to wait for her, passing the door of the dining-room very quietly that Miss Hadley might not hear him, and rush in with her usual officiousness to make one of the party. At this moment, after all his excitement, he did not feel equal to general talk with three or four people. It was the intimate conversation à deux for which Laurie longed. Never had he seen the studio in such preternatural good order before. The pictures that were going to the Academy were placed all ready for exhibition, each on its separate easel; a few touches were still wanting to one of them, but that it was evident the padrona had calculated upon doing with the morning light, before her visitors began to arrive. The Louis Quinze fauteuil was placed in front of the principal picture; a great Turkish curtain of many colours, one of poor Severn’s acquisitions in the days when he was rich enough to buy things that pleased his eye, had been put up across the farther window, to be drawn as might be needful for the light. A great many sketches were placed about the room,—poor Severn’s last drawing, unfinished, but always holding the chief place among his wife’s treasures, hanging in the best light. And everything was cleared away that impaired the appearance of the studio, a proceeding which gave positive delight to the housemaid, and even filled the padrona’s soul with a sense of comfort. ‘If I could only keep it tidy like this!’ Mrs. Severn had said, with a sigh. Whereas Laurie, with the untidiness natural to man, was disgusted with it, and hated the place in its unusual decorum. He walked about with his hands in his pockets, and stared blankly at everything. What did she mean by going away? What did she mean by putting herself, as it were, out of her studio, and filling it up with knickknacks that did not belong to it? As for poor Severn’s last sketch, it was not a drawing for a woman to be proud of. She might have known that at least by this time. It might be valuable to her for the sake of association, of course,—anything, a table, or a chair, might be dear for association’s sake,—but she must have known better than to prize it as a drawing. And then Laurie went and looked at the picture, which smiled sweetly at him out of its frame, full of sweet nature and expression, but undeniably wanting a few finishing touches still. How could she go out roaming about in that strange way, and leave the picture unfinished? Laurie in his heart was angry with his padrona. It was not like her to go out and stay out like this,—doing shopping perhaps!—which any woman without an ounce of brains could have done just as well;—which Miss Hadley might have been sent to do: getting her out of the way at the same time! Laurie in his impatience hunted up his friend’s brushes, and mixed her colours, and went at the unfinished picture himself to fill up those tedious moments. There was a pleasure, too, in thinking he would have a hand in it; not that there was anything of the least importance to do;—a touch of light upon the floor, a bit of perspective which was not quite complete. When he had put in a few lines caressingly, with a half sense that it was her hand, or her dress, or something belonging to her that he was touching, another fit of impatience came upon him. Where could she have gone? What could she be doing? It was of no use waiting here, making himself angry in her absence. He might as well go and see old Welby, and leave her to the surprise of finding that some one had been doing her work while she was out. Of course if she came in, Miss Hadley would be with her, or Alice, or somebody. Laurie accordingly put down the brushes again, restoring the room to something of its ordinary aspect, and took up his hat and went down-stairs. ‘She will think of the lubber-fiend,’ said Laurie to himself; ‘and I wonder if she will put me a bowl of cream for my hire.’ Would the bowl of cream answer the purpose? or was there any other hire of which Laurie thought? There came a little gleam over his face, and the shadow of a smile; but I do not think it was in anticipation of anything in particular, only a certain pleasant sentiment, half tenderness, half amusement. Laurie was the kind of man whose eye softens and whose lip smiles under any circumstances at the thought of a reward from a woman. It was as he went down-stairs that he noticed for the first time the film of cobweb on his coat beside the flower,—and he left it there, though he was very dainty in point of personal appearance. Perhaps he thought it was a mark of the work he had been doing, which the padrona would smile to see; or, perhaps, that her hand was the hand which should brush it off.

With these ideas in his mind he went down-stairs, possessed by a kind of sweet love-in-idleness; not the passion of a young man for a girl; a tenderness made up of many things,—of that soft reverence just touched with pity, which a man of generous temper has for a woman in such a position; and yet pity is not the word,—or else it was a kind of pity in which there was all the softness and none of the superiority which usually mingles with that sentiment; and of admiration for the brave creature who had gradually grown the central figure in his landscape; and of a longing to help her; and of pride in the regard she gave him and the sympathy between them. There was perfect sympathy between them, though he had never, Laurie thought, seen any woman worthy to stand by her side. This was part of his delusion, for there were women as good, and with far greater gifts than the padrona, to be met with in the world. But still it was not wonderful if the young man was proud of her friendship. Friendship,—that was the word; with no result to come, no thickening of the plot towards a climax; but only a delicious accompaniment to life, an interchange of every thought and sentiment, a soft but strong support in every chance that might befall a man. This was all that was in Laurie’s mind. It was something more akin to worship than the passion which appropriates can ever be. It had not occurred to him to seize, to take possession of, to secure her as his own; the idea itself would have been a profanity; only to be nearer to her than any one else, to be her subject and yet her counsellor; an indescribable perfect relationship such as exists only in imagination. Laurie himself had never gone any deeper. The padrona’s life and condition were to him as settled and everlasting as the skies, the ordinary constitution of the world. And all would go on as it was going on. And at the present moment he would not have exchanged that visionary tie for anything actual in life.

Mr. Welby was standing before his picture when Laurie went in, looking at it with that intense inspection of the cultivated eye, which no uneducated critic can give. He held out his hand to his visitor, but did not change his attitude. Welby, R.A., had his anxieties about the Academy’s Exhibition as well as another. True, his picture was sure of a place on ‘the line,’ and every advantage a benign Hanging Committee could give it; but there were other dangers before the face of the Academician from which the younger men were safe. Mr. Welby knew that if there was a faltering line in his canvas, or one neglected detail, even the critics who were his friends would say he was growing old. ‘It would ill become us, who are indebted to Mr. Welby for so many noble pictures, to be eager to mark the indications of approaching decadence; but, alas! no man can remain of primitive strength for ever,’ would be the philosophical comment of the ‘Looker-on.’ And the ‘Sword’ would be still sharper in its judgment. Such words as these were echoing in the old painter’s ear as he looked at his picture. He was aware he was old, and life had no such charm to him that he should cling to it unduly,—but such criticisms were hard to bear. He was going over the picture himself, criticising its every detail, and he held up his hand with an unspoken warning to Laurie, who understood, as he had a faculty of doing, and waited behind till the inspection was over.

‘I think that will do,’ said Mr. Welby at last, with a long and deeply-drawn sigh. ‘Come here, Renton, and give me your opinion.’ Laurie was full of the natural instinct of admiring and believing in the work of the old man,—who was leader and patriarch, as it were, of his own special party;—and, besides, it was a fine picture, and he thought it so, though very different no doubt from Suffolk’s ‘Saxon Maiden,’ or from the lovely children in the padrona’s pictures upstairs. Art, to be the everlasting thing it is, is as yet as much bound by fashion as any silly woman. The fashion of the day had changed; but yet old Welby’s picture was a fine picture still.

‘I don’t want those fellows to be picking holes in my coat,’ said the R.A., ‘though of course they will do it all the same.’

‘I don’t see what holes there are to pick,’ said Laurie, strong in his esprit de corps, and ready to swear to the excellence of his master in contradiction of all the critics in the world. ‘We have just sold Suffolk’s picture,’ he added suddenly, glad to deliver himself of the wonderful news, which had been burning holes, as it were, for want of utterance, in his heart.

‘Sold Suffolk’s picture!’ the Academician said with a start. It was the most wonderful piece of news that had been heard in the artists’ quarter for many a year. For no man had gone so consistently in the face of popular opinion as Suffolk, or held so obstinately by his own style. Laurie, nothing loth, told the whole story, with excitement and a natural satisfaction; and how it was old Rich, the City man, who was well known to be the padrona’s special property. And as he told it he looked down upon the bit of cobweb, by this time gone to the merest speck,—the sign in that particular matter, of his close partnership with the padrona,—which was still on his coat.

‘So she sent him her own patron?’ said Mr. Welby; ‘that was good of her, Renton,—that was very good of her. To be sure, he had just given her a commission. I suppose you heard of that. A private patron is a great institution, my dear fellow,—there is more satisfaction in it than in dealers. He has given her a commission to fill one room with pictures. There are to be twelve of them I think, and the subjects from the fairy tales. She’ll do it very well. She has wonderful invention, you know, in her way, and Cinderella and little Red Riding Hood, and all the rest will just suit her; and there is a year’s living secured at once. I am sorry for that woman, Renton. I am more sorry for her than I can tell,’ cried the R.A., with unquestionable emotion in his voice.

‘Sorry for—the padrona?’ cried Laurie, half laughing, half angry. He would have liked to have knocked down the man who presumed,—and yet to be sorry for that hopeful, dauntless woman, so full of life, and strength, and energy, seemed too good a joke.

‘Yes, sorry for her,’ said Mr. Welby, severely, ‘though you don’t know what I mean, of course. She is at her best now, and I suppose she is making a good deal of money; but look at her principles, sir. Her principles are,—you need not contradict me, I know her better than you do,—never to shut her heart nor her purse against anybody she can help. What kind of an idea is that, I ask you, for this world? Of course, she can’t lay by a penny; and when the fellows in the newspapers begin to say of her as they say already of me——’

‘But you!’ cried Laurie, ‘you——’ and then he stopped, not knowing how to end his sentence.

‘I am old, that is what you were going to say,’ said Mr. Welby. ‘I am two-and-twenty years older than she is,—just two-and-twenty years. It’s almost as long as you have been in the world, my dear fellow, and you think it’s centuries; but two-and-twenty years pass very quickly after thirty-five. And she’ll age sooner than I did,—never having been, you know, so thoroughly trained a painter. Her quick eye will fail her, and her fine touch, and she will not have knowledge and experience to fall back upon; and the public will tire of those pretty pictures. Her genius will pall, and then her courage will fail, though she has pluck at present for anything. Do you think I’ve never seen such things happen? If she has ten years more of success it will be all she can hope for; and the boys will scarcely be doing for themselves by that time; and she will have to reduce her living, which will go sadly against the grain, and struggle with all sorts of anxieties. When I look at that woman, sir, my heart bleeds. It’s all very pleasant just now,—plenty of work and plenty of strength, and a light heart, and her friends round her, and her children; and she feels she is up to her work,—knows she is up to her work. But when they come to say of her what they are beginning to say of me——’

Laurie raised his hand with a speechless protest and denial of the possibility, but the words he would have spoken died in his throat. What could he say against this prophet of evil?—only that every pulse in him and every nerve thrilled fiercely at the suggestion;—and that was no answer, heaven knows.

‘Even if she did keep on long enough to get the boys launched in the world,’ said Mr. Welby, who seemed, Laurie thought, to take a certain pleasure in the torture he was inflicting,—‘what is to become of her afterwards, unless she were to die off-hand, which is not likely? People don’t die at the convenient moment. Most likely she’ll linger for years, poor, and old, and unable to work, on some pittance or other,—lucky if she has that. It’s hard upon such a woman, Renton. I tell you, when I look at that fine creature and think what’s before her, it makes my heart bleed.’

‘But, good heavens! why should you imagine such things?’ cried Laurie, when he could speak. ‘Of course we may all go mad, or get ruined, or perish miserably,—one as well as another;—but to forebode such a fate for her——’

‘I said nothing about getting ruined or going mad,’ said Mr. Welby, pettishly. ‘I said Mrs. Severn would outlive her market,—ay, and outlive her powers,—and that my heart ached for her, poor thing! I declare to you, Laurie, my heart so aches for her, that if I thought she could make up her mind to it, I would marry her to-morrow,—though it would break in upon all my habits,’ said the R.A., sinking his voice, ‘in a most annoying way.’

‘Marry—her—to-morrow!’ cried Laurie, and he made a step towards the old painter with a savage impulse which he could scarcely restrain. He was wild with sudden passion. ‘Marry her!’ It was hard to tell what kept him from raising the hand which he had clenched in spite of himself. But he did not, though it was a courageous thing of old Welby to keep facing the young fellow with that sudden transport of fury in his eye.

‘Yes,’ he said, calmly. ‘I am getting old, and I have saved a little money, and I have no near relations. If I thought she could make up her mind to it, I would ask her to marry me to-morrow. I have thought of it often. For her sake, that is what I would do.’

Laurie made no answer; he walked away from the old man to the very end of the studio, and stood there staring at the Angelichino which stood against the wall. His blood seemed to be boiling in all his veins, and his heart throbbing as if it would burst. Why should he be angry? Why should he object to old Welby for his desire to shield the padrona from even a possible evil? But Laurie’s mind was in too great a ferment to permit him to think articulately. He did not understand what was the meaning of the sudden tumult within him,—the sharp shock which his nature seemed to have sustained. To get away and be alone was the immediate necessity upon him. If he could have gone through the wall, or leaped out of the window, probably he would have done it. But that being impossible, he composed himself as well as he could, and returned to where old Welby stood calmly, taking no notice of him, looking once more at his picture. At the sight of the old man’s tranquillity Laurie felt ashamed of himself.

‘I suppose my nerves are more easily affected than most people’s,’ he said, with an attempt at a laugh. ‘I can’t think of all those dreadful things happening,—to—the padrona,—and take it calmly. Good-night! I must go now.’

‘If such a thing as I said should ever happen,’ said Welby, shaking hands with him,—‘I may as well warn you,—I’d have no more padronas. How poor Severn put up with it is more than I can say.’

This parting speech sent Laurie forth in a renewed tempest of rage and indignation. He had meant to return up-stairs after his visit to old Welby, but that was now impossible. He had let himself out, and closed the door sharply behind him, before old Forrester could make his appearance. Daylight by this time was beginning to fail, and the lamps were being lit along the street, twinkling across the Square through the smoky trees, which were swelling with the fulness of spring. The look of the outside world as he came thus suddenly into it,—the tall, glimmering houses,—the lamps like candies in the pale, waning daylight,—the trees all bristling with half-opened leaves, and the sky, leaden yet light, with its remoteness, and colourless serenity, looking down upon all, never went out of Laurie’s mind. He forgot all his displeasure at her absence, all his wondering where she was. He did not even look if she might be coming, or remember that he might meet her suddenly face to face so near her own door. His mind was too full of her idea to remember herself, if we may say so. He went round and round the Square without any particular sense of where he was going, and then took the first street, any street,—what did it matter?—and got out into a crowded thoroughfare, where lights were gleaming, and men hurrying, and every sound and stir of life. It was a long time before he could even make out his own thoughts, what they were. All was dimness and chaos and commotion, like the scene around at first; lights gleaming, cries coming out of the obscurity,—a tumult he could not comprehend. Then by degrees the clouds rolled off, each to its own corner; the foreground cleared, the central figure reappeared. What was it? Laurie stood still for a moment, and looked himself, as it were, in the face, aghast. He had not so much as suspected it till now. She had been his friend; nothing so tender, nothing so near, had ever been in his life; yet he had not dreamed what the truth was until old Welby, with his detestable suggestion, had thrust it thus unveiled in his face.

And Laurie stood aghast. It may injure him in some people’s eyes, yet I cannot but avow that when the young man found that he loved a woman much older than himself,—a woman with children, and a separate, independent past, with twice his experience, and,—metaphorically at least,—twice his age,—he was appalled by the discovery. He had known her another man’s wife; he had himself been as a child beside her in the first days of their acquaintance. There was less difference in point of age between himself and her daughter than between himself and her; and yet he loved her. No, it was not friendship. Friendship would not have resented hotly and wildly, with a half-murderous passion, old Welby’s suggestion. Friendship would not have moved any man’s heart into such a mad commotion. He loved her. That it never had occurred to himself to change the relationship between them, or seek a closer one, was nothing. Another man had but to talk of marrying her, and lo! the whole world was lit into conflagration. There was a sweetness in the discovery too. His heart warmed and glowed in that fire; words which he but half understood went whispering through the air about him,—‘There is none like her; none.’ No girl, no young heroine of romance, could be such a creature as was this woman, tried, and proved, and developed, with all the sweetness in her still, and yet all the strength of life. If he had been proud of her regard, proud of her sympathy, how much more proud would he be of her love! If that were possible! Could it be possible? Going on in this distracted range of thoughts, the fact gleamed upon Laurie that no girl could make such sacrifice of pride and natural position in loving him as this woman should,—if she would; and was it likely? It would be as vain to attempt to follow him in the maze of passion that possessed him, as in the streets he wound his way through, while the night darkened round him, and the lights shone brighter. A storm of thunder and lightning might have been going on, and he would never have known it. Such a thing had befallen as he had never dreamt of. The soft love which he had put aside with a pang of tender regret as a thing impossible,—too sweet for him and too costly,—had come back at unawares, and come in and taken possession, no longer soft and easy to be vanquished, but twined in with every thread of life. It was so easy to come away from Kensington Gore,—from the world he had lived in for years,—from the pensive-pleasant hopes of his youth; but to leave this place, which had not an attraction but one, would be tearing up his life by the roots. This was the fact, though he had not known it. Wonder, and terror, and delight, and a vague overwhelming dismay, filled Laurie’s mind as he found himself standing thus after the earthquake, with the solid ground rent under his very feet. There were flowers growing still, so sweet that he was intoxicated with their breath; but yet there had been an earthquake, and the sober soil was torn with that convulsion. He walked and walked, charged with those thoughts, till he got to the very skirts of far-reaching London, and came to himself in a gloomy, suburban road. It was the rain falling in his face out of the almost invisible skies that roused him first, and then he had to grope his way back to a thoroughfare and get a cab, and go home. When he reached his room and looked at himself in the little glass over the mantel-piece he saw a pale apparition, with gleaming eyes and a visionary smile; appalled, shaken to the very depths of his being, and yet with a subtle happiness at his heart. He was happier, and more bewildered and utterly astray in all his reckonings, than he had ever been in his life.

CHAPTER VI.
LAURIE’S FATE.

Next day was the day of the private exhibition made in the artists’ houses of their pictures before they were sent off to the Academy; not a day in which a man could make his appearance with any passionate or sentimental errand in the studio of a painter. All day long a stream of carriages were flocking about Fitzroy Square, and driving into the adjacent street, where carriages were not frequent visitors. There was a suppressed excitement about the district generally. It was, as we have said, like the eve of a battle, and every new spectator who appeared to judge of the pretensions of the combatants increased the commotion. Perhaps at another moment Laurie would have felt a certain oppression in a day which was so exciting for all his friends and so indifferent to himself; but now he had a shield against any such sentiment. He got up that morning with something of the lassitude of a man exhausted by great exertions. The sun was shining, which had been a rarity of late, and the consternation of the previous night had somehow died out of his mind. To-day he should see her, that was certain. To-day the sweetness of the presence of the woman whom he loved would smooth away all perversity of circumstances, and make rough places seem straight. He had a longing to see her, to make sure that she at least was the same, notwithstanding the wonderful change that had taken place in himself, or rather the wonderful unsuspected revelation he had had of his own sentiments. Somehow, with such a sympathy as there was between them, she must have divined, must have been affected by the extraordinary convulsion he had passed through. The daily impulse to seek her, and lay bare his thoughts to her, which had become a second nature to him, was mingled now with the curiosity a young man might have felt to see the person to whom he had been betrothed in his cradle, but had never seen. In a manner, Laurie had never seen this lady of his affections. When he parted with her yesterday she had been his friend; now she was his love,—the first and only woman in the world to him. It was impossible that she could be the same, look the same, in the face of this amazing change. He hurried to get one glimpse of her while the morning lasted,—to make acquaintance with her,—to familiarise himself with her looks and her ways.

But when Laurie reached the Square he found, alas! that he was not the only one who had been moved to visit the padrona in the early sunshine. Miss Hadley was there putting the finishing touches to the room; and so was Mrs. Suffolk, leaning back in the Louis Quinze chair, laughing and crying and chattering to the children in the picture as if they had been real babies. ‘Oh, you darlings!’ the little woman was saying, ‘I wonder how many people will go on their knees to you when you are out in the world. But though you are little angels, you are not so nice as your mother. You are sweet, but not so sweet as our padrona.’ This was the chatter Laurie heard as he went in. And it gave him a shock which it would be impossible to describe, when the padrona herself turned round upon him, palette in hand, smiling and placid and gracious, the very same woman from whom he had parted yesterday. All the heat and agitation of suppressed passion might be in his eyes, but in hers there was only the brightness of every day,—the composure of her usual, ordinary looks. Nay, as if to emphasize more and more the perfect unity, so far as she was concerned, of to-day and yesterday, she turned to him with the very words which, when he left that room last, before heaven and earth had changed for him, he had fancied her using. ‘Here comes the lob of spirits,’ said the padrona, ‘and his bowl of cream has not been placed for him as it ought to have been. Here is Robin Goodfellow, who does his friends’ work, and never asks even to be praised for it. Where were you that you never came near us all the night?’

‘Where was I?’ said Laurie. He was too much agitated to tune himself immediately to the key of his present companions. Fortunately Miss Hadley was busy arranging his lilies of the valley, and Mrs. Suffolk, who had sprung up to take him by both his hands, was not sharp-sighted. He looked over the little woman’s shoulder with dilated eyes, which looked to the padrona as if he had been up all night, or in some trouble. ‘I will tell you another time where I was,’ Laurie said, with a voice full of tender meaning. The padrona gazed at him with wonder unfeigned. ‘The boy has got into some scrape,’ she said to herself. And then both the women plunged without drawing breath into the story of the Angles and Mr. Rich, and Suffolk’s sudden and unhopedfor success.

‘We had given up thinking of it even,’ Mrs. Suffolk cried. ‘I did hope if the Saxon Maiden got a good place at the Academy——but I never even hoped for the Angles. Call him the lubber-fiend! when he rushed up to poor Reginald yesterday, and made him put on his good coat, and did everything for him, he was more like our guardian angel.’

What was it all about? Laurie had to stop and ask himself, glancing at them in a kind of consternation. Suffolk’s picture! why that was months and months ago! What did they mean by bringing that up again? And before he had recovered himself, the visitors began to arrive. He stood by her a little, watching, as in a dream, while the padrona shook hands with her friends, and explained her pictures to them, and received their plaudits. Yesterday he would have been proud of their universal admiration; but to-day it made him sick to see her receive such vulgar homage. He would have liked to take her hand publicly before them all, and draw it within his arm, and lead her away from such a scene. ‘Do you think your praise is anything to her?’ he felt himself saying; and then he took his hat abruptly and disappeared. So far, at least, the revelation to himself of the nature of his own feelings had not increased his happiness. And I cannot tell what old Welby meant by lifting the curtain so rudely from the poor young fellow’s dream; whether it was done in spite or kindness, or whether it was entirely unintentional,—a simple expression of his sentiments without any reference to Laurie,—is what I cannot tell.

The next day was again a day of exhibition, and the day after that was the one on which Laurie had engaged to go down with Suffolk to Richmont. He had been very reluctant to go at the time, and it may be supposed how much more reluctant he was now. It was his own country,—the very journey in the railway would bring a hundred recollections before him. His mother and his home would be within reach; but how could he go near that peaceful place with this agitation in his heart? Two days before he could have done it, and spoken of the padrona with that tender fervour which knew no need of concealing itself. Now,—his mother would find him out in a moment, and so would Mary Westbury. Indeed, it was wonderful to him that Suffolk did not find him out. So that it would be Saturday before he could actually see her with any chance of knowing her mind.

I will not enter into the visit to Richmont, which belongs to another portion of this history and had nothing to do, so to speak, with Laurie’s life. He got it over, and he got over those three days, but from Wednesday to Saturday he never entered the house at which he had hitherto been a daily visitor. He could not go now while she was surrounded with people, and talk ordinary talk to her as if she was anybody else. When he saw her, he must see her alone; and accordingly Laurie denied himself, and passed by her door, and saw others admitted, and watched the light come into the windows of the great drawing-room, and shadows appear on the blinds. This curious experience he went through as well as the rest, and gradually came to forget what was unusual in the story of his love; though not even now, after three days’ brooding over it, could he see how it was to be, or how she was to answer what he would have to say.

It was on Saturday morning that at last he made his way to the Square. It was a holiday, thank heaven, and the children were out in the Park with their maid, and Alice was at her music when he went in. To-day, at least, there could be no Miss Hadley. To-day there was no excuse for the presence of strangers. Somehow the sound of Alice’s piano struck him with an unpleasant sensation as he went up the stairs almost stealthily, fearing that a third person might start out from behind some door at the sound of his step, to mar the interview he sought. Alice was no common musician, even at her early age; and yet was her daughter. It may be understood how this consciousness, and the sound of the music the girl was playing, came in like one of the discords in his strange story. Had Alice been a child like her little sister, the effect would have been much lessened; but to love a woman whose daughter sat playing Mozart and Beethoven! The thought which passed through Laurie’s mind was not articulate, but yet the sound jarred upon him. Softly he went past the door. If his love-tale had been for Alice there would have been no incongruity in it. He went past the room where the young girl in her meditations sat alone, and knocked softly at the door of the other, in which her mother was pursuing her occupation. The padrona was not painting on that particular afternoon. She was standing by the table, with a portfolio of drawings open before her, searching for something. She called him to come in, and looked up with a bright look of pleasure when she saw who it was.

‘You have come at last,’ she said, holding out her hand to him. ‘What has been wrong? I thought you had forsaken us;’ and looked at him full in the face with candid, unembarrassed eyes.

‘Nothing has been wrong,’ said Laurie, holding her hand fast. His heart began to beat, but what could a man say in cold blood with a pair of frank, steady eyes looking at him, restraining him with their friendliness? The padrona withdrew her hand without even any appearance of wonder at his clinging clasp. She was glad to see him. She had wanted to see him; and new events had come in, effacing from her mind for the moment her temporary alarm on his account; and she could understand that he was glad to come back, though his absence had lasted only three days.

‘I was looking over some old sketches,’ she said. ‘I told you of the commission Mr. Rich had given me; I was looking for a drawing my dear Harry made some years ago,—you may have seen it,—for Cinderella. It would be a pleasure to me to go upon that; but I can’t find it in all those great portfolios,’ she said, with a sigh. Why she should have brought poor Severn in at that special moment it would have been hard to say; perhaps it was chance alone; perhaps there was in her some unconscious warning of nature as to what was coming. Laurie withdrew a step or two with sudden discomfiture. He hated poor Severn for the moment as he had never hated any man before.

‘You will do it much better yourself,’ he said, and his tone was such that the padrona turned and looked at him with wonder in her eyes.

‘How strangely you speak!’ she said; ‘and now I look at you, how strangely you look, Laurie! What is the matter? I have scarcely seen you since you were so good to the Suffolks. Something has happened. I heard from them last night that you had been in the country. Is it anything about home?’

‘No,’ said Laurie, in a kind of despair, ‘it is nothing about home.’

‘Perhaps it is something you cannot tell me,’ said the padrona, ‘and in that case never mind my questions; you may be sure of my sympathy anyhow, even without explanation. If you are vexed, I am sorry; you know that.’

‘How should I know it?’ said Laurie. ‘Yes, perhaps if I did not tell you,—if I left it to your imagination,—you are so kind to everybody,—you would be kind to me. If I did not tell you,—that might be my safeguard!’ For by this time it had begun to appear to him that madness itself could not be more mad than his dream.

‘It is strange to hear you speak so to me,’ said Mrs. Severn. ‘I never thought of being kind to you, as I am kind to everybody. What is it, Laurie,—tell me?’ And she laid her hand softly on his arm.

Then the young man’s composure and his boldness both abandoned him. He took her hand and kissed it wildly. ‘Perhaps it would be best to go and leave you,’ he cried, ‘never to come near you more!’ And then he left her, and paced up and down the room, trying to master the strange tumult of his thoughts. Nothing in the world could have disarmed him as her kindness did, and sympathy. But as he turned away, the padrona came to herself, or rather came to a recollection of the warning she had received. In a moment she saw how it was; and, as was natural, in a moment her anxiety to know what ailed him suddenly came to an end. Mr. Rich’s commission, which was a great event to Mrs. Severn, had startled her out of thought of Laurie. His little hieroglyph at the end of his note had gone almost unnoticed in the excitement of the moment, and every hour had been occupied since then. But now it all rushed back upon her, and the error she had been guilty of in asking any questions. If she had not made this discovery, most likely her sympathetic, kind unconsciousness would have staved off what was coming. But the moment she found it out, a thrill of tremulous knowledge came into her voice.

‘Well, never mind,’ she said, hastily; ‘you must not think that I want to pry into your secrets. Come, I am not working now; let us go to Alice and hear what she is about. You are pre-occupied,’ said the padrona, closing her portfolio and talking against time, ‘and I am désœuvrée. Let us go and listen to the child. Come, I will lead the way.’

‘Not yet,’ said Laurie. As soon as she knew the truth she lost her power, and he recovered a portion at least of his courage. He came and took her hand and brought her back. ‘Perhaps I may never ask it again,’ he said, ‘but you must listen to me now.’

‘Of course I will listen,’ said Mrs. Severn, much alarmed; ‘but just as well beside the child as anywhere else. If you have anything to tell me, she will be too much engaged with her music to hear. Come,—I was going to her when you came in.’

‘But now you will stay with me,’ said Laurie, leading her back. She was so much afraid of betraying any signs of trouble, that this time she did not even withdraw her hand. She sat down in the great chair, growing pale, but preserving with a great effort her composure, at least in appearance.

‘This looks very solemn,’ she said, with an attempt at a laugh. ‘What dreadful tale of misdemeanours has your mother-confessor to hear? Have you been robbing an orchard, or running away with a lady? I will put the Suffolks’ story against it, whatever it may be, and grant you absolution. You never did an hour’s work that will give you more pleasure than that. I suspect they had been badly off, much more than they permitted any one to know.’

‘Do you think I care for Suffolk,’ said Laurie, ‘or anybody else? Padrona! you know what I am going to say before I speak. You have found it out as well as I. Don’t you know for months back,—since ever I came here,—there has been but one person in the world for me,—but one! Whatever I have done, it has been to please you;—whatever I have given up, it has been for your sake. Night and day I have been thinking of you,—contriving to get a word from you or a smile. And I tried to make myself believe I could be content with what you give to your friends;—but that delusion is over. Padrona mia, what will you do with me?’ he cried, kneeling down by the arm of her chair.

It never occurred to him that he was kneeling, nor did he intend to kneel. It was but the most practicable way of getting close to her, and seeing into her face. There was something of the pleading look of a child in Laurie’s eyes. He did not make any passionate claim on her, nor appeal; he only put his fate into her hands, with a humility more like the diffidence of age than the equality of love.

Then there was a pause. The padrona was too much overwhelmed, too agitated, to speak. She said—‘For heaven’s sake, Laurie, rise, and do not break my heart!’ and took away her hand which he was still holding; but that was no answer,—rather the reverse.

‘Break your heart!’ he said. ‘I would heal every wound it ever had, if I had the power. I don’t seem to care for anything else in the world. Give me a right to stand by you, to take care of you. Padrona mia, you cannot always do all things, as you are doing, for yourself. Let me be the man to guard you, to labour for you. I don’t know what I am saying, and you don’t answer me one word,—not one word!’

‘To labour for her, to take care of her!’ Such words to her who was far better able to protect and care for another than he was. But that was not the thought that entered her mind. Her eyes filled with tears. To see this young man at her feet pleading with such passionate folly, woke all the tenderness in her heart. She was fond of him at all times. She put her hand caressingly on his head; her voice softened and broke as she spoke to him.

‘Laurie, I am old enough to be your mother,’ she said.

‘It is not true!’ he cried, with sudden fierceness; ‘and if it were, what matter? All the happiness I desire in life is in your hands.’

And then the woman, quite melted and overcome, was so weak as to cry, leaving him to think for the moment that he had won his wild suit. This love was so strange to her, so new, so old, such a sudden dash of the sweetness of youth into her sober cup! She was roused by the words that he began to pour into her ears, and with a little cry of pain drew back from her lover,—her lover! What a word for such as she to speak! She put him back with her outstretched hands.

‘Laurie,’ she said, ‘are we mad, both you and I? Do you know what you are doing? For some moments you have made me as foolish as yourself. But I am ashamed. Do you know who I am? Harry Severn’s wife,—Alice Severn’s mother! Yes,—that, and nothing else, so long as this life lasts! Can a woman make herself into two people? Laurie, let all this be as if it had never been.’

‘It can never be as if it had not been!’ he cried. ‘For a punctilio, for a form, for your pride,—you would cast aside a man’s love and life for that! Padrona! that is no answer. The past has nothing to do between us. To-day is to-day.’

Mrs. Severn turned upon him, and took his hand in hers. ‘Laurie,’ she said, ‘let me speak.’ Her eyes were full of tears; her face lighted up with a tremulous smile. ‘To-day is to-day, as you say. I am very fond of you. I will say I love you, if you like. Patience, and hear me to an end. If you go away, I shall miss you every hour; but if my child’s finger were to ache I should forget your existence, Laurie. A single hair on their heads is more to me than all the world beside. Do you understand? My poor Harry is past, if you will. God forgive me for saying so!—but to-day is so full there is no room in it for any other. Laurie, I want my friend. I want nothing else;—nothing else that any man can give.’

The young man stumbled up to his feet with the strongest passion he had ever known in his life maddening him, as it seemed. His heart was wounded, and so was his pride, bitterly,—beyond reach of healing. It was he who drew away from her the hand she had retained in hers, with kindness which felt to him like an insult.

‘Mrs. Severn, I have made an ass of myself!’ he said. ‘Don’t think of me any more,—it is not worth your while. As for your friend——’

He went to the table and took up his hat, and made as though he would go away. He was half blind, and did not see where he was going,—the room and the house swimming round him in his agitation. His last word had been said in a tone of contempt,—contempt to her, after all this passion! The padrona had not moved; she sat looking after him with her eyes full of tears and her hands clasped. Was it all to end and be over like this,—like a bad dream? But poor Laurie had not hardness enough in him to make such a conclusion. He faltered on his way to the door; he turned round, only half conscious of what he was doing, to look once more at the woman who had become the life of his life. And she, on her part, made a half-conscious movement of her hands towards him. He went back to her, and threw himself again at her feet. I don’t suppose anything was said,—at least, anything that either recollected. They kissed each other with that strange refinement of anguish which belongs to those movements of human affection which are beyond the simplicity of nature. The two beings met and clung together for a moment, and parted. He was speeding along the streets, half wild, wrapt in a mist of excitement and misery, not caring,—as he thought,—what became of him, before the steady hand of the clock had moved two minutes farther on. And she, in the great chair where her visitors used to sit and criticise her work, lay back, trembling, with her face hidden in her hands.

Alice, meanwhile, had played through Beethoven’s Moonlight Sonata, the pure, young soul carried away by it into a celestial dream; nothing articulate in her mind,—soft breathings of blessedness present, of joy to come, making an atmosphere around her,—a sacred creature, without a single discord in her, or jar of pain or trouble. And old Welby in his studio in the leisure of the moment,—his pictures gone to the Academy, and his year’s work completed,—mounted, classified, and made a catalogue of his Titians, with the truest satisfaction and content, thinking no more of what he had said three days before to Laurie Renton than of last year’s snow. The old painter and the young girl pursued their serene occupations under the same roof while this scene was going on, and knew no more than that the door had opened and closed abruptly, when poor Laurie, with all his wounds fresh and bleeding, rushed out into the outer world.

CHAPTER VII.
A FULL STOP.

The padrona was not a woman given to little ailments,—headaches, or the other visionary sufferings which are conventional names for those aches of the heart or temper to which we are all liable; but yet on the evening of this day she found herself unable for once to face her little world. It was not so much that her eyes were red, for eyes that have had to weep the bitterest of tears, and which have watched and toiled through most of life’s serious experiences, soon recover their outward serenity; but her heart was sore. It has been said so often, that most people by this time must be sick of hearing it, that love is the grand occupation of a woman’s life; and that, while in man it is subordinate to a hundred other matters, in her existence it is the chief interest. Whether this is or is not the case with the great majority of women, is a question which must be decided according to the experience of the observer; but we doubt much whether in any case it applies to women over thirty,—and it certainly did not apply to the padrona. There were many interests in her life; and love, as ordinarily so called, had no more to do with it than if she had been a stockbroker. Nothing more annoying, more out of place and harmony with her existence, could have happened than this curious interpolation of misplaced passion. Being a woman, her heart had melted over the foolish boy. She was fond of him, as she had avowed. His soft, devoted, tender ways,—the deference and subdued enthusiasm which women love,—had made his society a very pleasant feature in her life, and perhaps she had not seen as she ought to have done the dangers that might attend it. And now this sudden awakening all at once,—the force and reality of his feelings,—the doubt lest she had been to blame,—the compunctions over his pain, and even her sorrow at the loss of him, which was not the least poignant part of it all,—overwhelmed her. She went to her room as soon as the little ones had gone to bed. These little ones should of themselves have been a safeguard to her. A certain shame came over her when she looked at her own daughter, who was almost old enough to be herself the chief figure in some episode of the universal drama, and remembered what words had been said, what wild ovations made to Alice’s mother. The padrona’s friends were aghast when they were told that she was not well enough to receive them. Miss Hadley, who had come round to the Square with a mixture of jealousy and alarm on finding out that no sign of life had that day been seen at Laurie’s windows, was driven almost out of her senses with curiosity to know what it could have been that had given the padrona a headache. ‘Gone to bed with a headache!’ Miss Hadley did not believe it. She was angry not to be admitted,—not to judge with her own eyes what it was. But Alice, who suspected nothing, watched her mother’s rest like a young lioness. ‘I cannot let you go up; she will be better to-morrow,’ said Alice; and Miss Hadley could not for shame ask the child, as she longed to do it, if this mysterious headache had come on after a visit from Laurie. ‘She has been working too hard,’ people who were more charitable concluded without question, and congratulated themselves that the pictures had been sent in, and that now, if ever, a painter might draw breath for a moment. But the padrona had not gone to bed. She heard them come and go away as she sat up in her room; and she heard Jane Hadley’s voice, and trembled lest that enterprising woman should seek her out even in her retirement. She could not have borne any keen eye upon her that night. Alice was different, to whom her mother was as far lifted above such vanities or such suspicions as if she had been a saint in heaven. ‘I think it would kill Alice!’ the mother said to herself with a shudder. And I believe she would rather have died herself than betray to her woman-child what had happened;—although nothing had happened, except that a foolish young man had mistaken himself and her, and put love in the place of friendship. But her thoughts were very soft towards poor Laurie,—poor, foolish fellow!—to throw away all his love and fresh heart and feelings upon a woman old enough to be his mother! Anybody else might have laughed at him for it, or despised him; but Mrs. Severn did not despise him. It went to her heart to think of that gift being thrown at her feet. And she was fond of the boy,—poor Laurie!—and if all the world scorned him for his mad, boyish fancy, at all events it was not her place to scorn.

At the same time, after the edge of her compunction and regret and soft yearning over the poor boy that loved her had become a little blunted, the padrona had reason enough to be put out and vexed by the disturbing influence of this unlucky event. Love,—vulgarly so called,—was, as we have said, as much out of her way as if she had been an elderly stockbroker. Love,—of another kind,—was, it is true, her whole life and strength; but yet no man, however steeled by the world, could have been less disposed to any sentimental play of emotion than was this woman. Before Laurie came that morning her mind had been full of a hundred fancies, all pleasant of their kind. They were not thoughts of the highest elevation, perhaps. One of them was the rude, material reflection that she had her work secured and clear before her for a year certain; her living secured; no doubt about the sale of a picture; no sharp reminder of the precariousness of her profession to keep her uneasy;—but her work safe and sure for twelve months. And then it was pleasant work, and such as her soul loved. She had been commended by her visitors,—some of whom were people whose praise was worth having,—as she had never been before. Things were going well with her. The children were well, and developing their characteristics every day. She could look the world in the face and know that she was doing her best for them. When all at once,—in a moment,—the bitter-sweet of this boy’s love was thrown into the crystal fountain, and the surface that had been so clear, reflecting the heavens, was in a moment troubled and turbid. With a certain impatient pang she said to herself, as so many have said, that there was always something to lessen one’s satisfaction, always some twist in the web of life to obscure its colours at its best. And poor foolish Laurie, who had thrown away the best he had for nothing! Poor boy! how her heart ached for him! how it hurt her to think of his pain! and there was little, very little comfort in the thought that he was lost to her. His friendly talk, his ready heart-service, his difficulties and errors, and even his weakness, which it had been so pleasant to minister to, to reprove, and exhort, and accept,—that was all over now. A gap and dreary void was suddenly made in her closest surroundings,—a gap which was hard on him and hard on her, and yet inevitable,—to be made at all hazards. The padrona was very much downcast about the business altogether, and shed a few tears over it in her solitude. Nothing could have prevented, nothing could mend it,—except, perhaps, Time; and Time is a slow healer, whom it is hard to trust when one’s wound is of to-day.

If such was the effect this incident had on the padrona, it may be imagined what sort of a tempest it was which swept through Laurie’s mind and spirit when he left her. He disappeared under the bitter waves. Not only was there no sign of life in his windows, but, so far as he was himself conscious, there was no sign left in life to represent what he had done with that distracted, incoherent day. The chances are that he did most of the ordinary things he was in the habit of doing,—was seen at his club, and talked to his friends somewhat in his usual strain. Indeed, I have heard a mot attributed to Laurie, which could have been spoken but on that special evening, if it was spoken at all. I do not suppose he made any exhibition of himself to the outer world; but I can only take up the tale at the moment when, worn out and weary, he got back to his room in Charlotte Street, and came to the surface, as it were, and looked himself in the face once more. The agitation of the past three days had told upon him. He had been shaken by the strange sweet shock of his discovery that he loved her; and now upon that came the other discovery, involved in the first, that he had spent his strength for naught, and wasted all his wealth of emotion on a dream. Of course he had known all along it must be a dream; so he said to himself. He had poured out his heart as a libation in her honour. What more had he ever hoped it could be? And now he was empty and drained of both strength and joy. His pain was even mingled with shame,—that shame of the sensitive mind when it discovers that its hopes have been beyond what ought to be hoped for. His cheeks burned when he remembered that he had dreamed it was possible for this woman, so much higher placed than himself in the dignity of life, so far before him in the road, to turn and stoop from her natural position, and love him in her turn. He would have dragged her down, taken her from her secure eminence, placed her in a false position, exposed her to the jeers and laughter of the world,—all for the satisfaction of his selfish craving! He would have gone in the face of nature, ignored all the sobering and maturing processes which had made her what she was, and drawn her back to that rudimentary place in the world which her own daughter was ready to fill. Was not this what he would have done had he had his will? A hot flush of shame came over Laurie’s face in his solitude. He felt humiliated at the thought of his own vanity, his own folly. When she had held out her hands to him, when she had given him that kiss of everlasting dismissal, nature had asserted itself. Youth is sweet; it has the best of everything; it is the cream of existence; but yet when the grave soul of maturity drops back to youth, and gives up its own place, and ignores all its painful advantages, is there not a certain shame in it? Had the padrona been able to make that sudden descent,—could she have done what on his knees he would have prayed her to do,—then she would no longer have been herself. This consciousness, unexpressed, flashed across his mind in heat and shame, aggravating all his sufferings. That it could not be was bad enough; but to be compelled to allow that it was best that it should not be,—to feel that success for him would have been humiliation and downfall for her,—was not that the hardest of all?

It would be vain to follow Laurie through that long, distracted monologue, confused ‘In memoriam’ of the past, with jars and broken tones of the future stealing into it, through which every soul struggles, after one of those shocks and convulsions which are the landmarks of life. To be stopped every moment while forming forlorn plans of practicable life by mocking gleams of what might have been, by bitter-sweet recollections of what has been,—does not everybody know how it feels? Laurie’s life was snapped in two, or so, at least, it seemed to him. What was he to do with it? Where was he to fasten the torn end of the thread? Could he stay here and turn his back upon the past, and work, and see her at intervals with eyes calmed out of all his old passion? But when he came to think of it, it had been for her he had come here. At the first, perhaps, when he had dreamed of that gigantic Edith and of fame, had he been permitted to go on, he might have found for himself a certain existence belonging to this place which could have been carried on in it after the other ties were broken. But he had not been allowed to go on; and Charlotte Street had become to him only a kind of lodge to the Square, a place where he could retire to sleep and muse in the intervals of the real life which was passed in her service or presence. He exaggerated, poor fellow! as was natural. It seemed to him at this moment as if in all his exertions, even for Suffolk, who was his friend, it had been her work he was doing. One thing at least was certain,—it would never have been done without her. She was mixed up with every action, every thought, even fancy, that had ever come into his mind. He had done nothing but at her bidding, or by her means, or with her co-operation. His work had languished for months past. If he had pretended to study, it was to please her. And how could life go on here, when it had but one motive, and that motive was taken away from it? There are moments in a man’s life when everything that is painful surges up around him at once, rising, one billow after another, over his devoted head. That very morning, moved by some premonition of fate, he had been collecting his papers together, and putting his affairs in order; and though so vulgar a fact had made little impression on him in his state of excitement, still Laurie had been aware that his accounts were not in his favour, and that it might be necessary one day to look them full in the face, and put order in his life. He had gone on all the same, without pausing to think, in his mad love. That was perfectly true, though he was the same Laurie Renton who, six months ago, had put away the girl’s little notes whom he had begun to think might have been his wife. He had given up that hope then without a moment’s doubt or thought of resistance; and yet now, in a still worse position, he had rushed on blindly to make confession of his love and throw himself at another woman’s feet. I cannot account for the inconsistency.

But now,—whatever shock he may sustain, howsoever his hopes may perish, a man must go on living all the same. His life may be torn up by the roots; he may be thrown, like a transplanted seedling, into any corner; but yet the quivering tendrils must catch at the earth again, and existence go on, however broken. Laurie was a man easily turned from his ambitions, as has been seen; a man not too much given to thought, easily satisfied, of a facile temper,—and with more power to work for others than for himself; but still he had to live. Something had to be done to reconcile natural difficulties, something decided upon for the future tenor of existence. Nor was he even the sort of man who could come to an abrupt stop, and stand upon it. His thoughts were discursive, and rushed forward. Even in the bitterest chords of that knell of the past there was the impatient whisper of the future. I think there can be no doubt, on the whole, that what would have been best for him would have been that government office, to which he would have been tied by the blind hand of routine, and which would still have left him leisure for his amateur tendencies. Had he been so fortunate as to possess such a prop of actual occupation, Laurie would probably have removed from Charlotte Street,—to which, indeed, he never need have come,—and gone on steadily with his work, composing his quivering nerves and healing his wounds. He would have gone on doing kindnesses to his neighbours, pleasing himself with little pensive sketches, reading more than usual perhaps; subdued, like a man who had gone through a bad illness; and by degrees he would have come back, calmed and healed, and able to take up his old friendship. But that was impossible now. A change of some kind or other he must have been compelled to make, even had there been no personal cause for change. He must work; he must spare; he must recall himself to a sense of the probation on which he had entered six months before with a light heart. And the natural thing to do was at the same time the wisest thing. Rightly or wrongly, the artist, whoever he may be, trusts in Italy as the country of renovation, the fountain of strength. Laurie scarcely hesitated as to his alternative. He could stay no longer where he was; his experiment had failed, his position had become untenable. The readiest suggestion of all was that one in which there still lay a certain consolation,—he would go to Rome.

He resolved upon this step before he went to bed, and on the next morning he began to pack up. Miss Hadley, from the other side, watched his open windows with a curiosity much quickened by her sister’s surmises and doubts, and saw, to her amazement, the great canvas moved from its position in the corner,—a step which she found it difficult to understand. ‘I suppose he is going to take to his painting again,’ she said to Jane, when she came home. Jane shook her head, with dubious looks. The truth was she did not understand it. The most strange of all possible orders had proceeded that morning from Mrs. Severn’s studio. It was that she was extremely busy, and that no one was to be admitted. No one! Miss Jane Hadley had her doubts that, though this was the audible command, an exception had been made in Laurie’s favour, and that so unusual a step was taken by the padrona in order to secure to herself, without interruption, the society of her lover. Though Miss Hadley loved her friend truly in her way, and had a respect for her, and even believed in her, this was the evil thought which had crossed her mind; and consequently she was disposed to scoff at her sister’s suggestions. But there were soon other facts to report of a still more bewildering character. A van came to Laurie’s door, and carried off the big canvas; and a workman in a paper cap became visible to the elder sister’s curious eyes in the centre of Laurie’s room, packing in a vast packing-case the young man’s belongings. ‘He is going away!’ Miss Hadley said, with dismay, when her sister came home. She could have cried as she said it. He was as good as a play to the invalid who never stirred out of her parlour. Laurie, with his kindly ways, had made himself a place in her heart. He had taken off his hat as he came out every day to the shadow of her cap between the curtains; he had waved his hand to her from his balcony; he had never found fault with her investigations; and when he bought the flowers for his window he had sent her some pots of the earliest spring blossoms to cheer her. She, too, had grown fond of Laurie. ‘He is going away!’ she said, with the corners of her mouth drooping. ‘And the very best thing he could do,’ said Miss Jane decidedly; upon which, though she was a very model of decorum, old Miss Hadley felt for the minute as if she would have liked to fling her tea-cup at her sister’s head.

It did not take long to make Laurie’s preparations for this sudden change. He pushed them on with a certain feverish haste, glad to occupy himself, and eager to put himself at a distance from the house he could no longer go to as a privileged and perpetual guest. Somehow Charlotte Street, though it had two ends like other streets, seemed to converge from both upon the Square. It suggested the Square every time he looked out upon it; indeed, all roads led to that door which was shut upon him, which he knew must be shut. But he had not gone back to hear of the extraordinary barricade raised by the padrona against the world in general. Laurie had nobody to consult,—nothing to detain him now. He did not even see one of the ‘set’ for more than a week, during which all his preparations were made. The day on which by chance he met Suffolk in the street was ten days later, when everything was settled. Suffolk stopped eagerly, and turned with him, and took his arm.

‘What has become of you?’ he said; ‘and what did you mean by sending me that canvas? After all, I wish you had gone on with it. We waited, thinking you were coming to explain; and I have called twice, but you were always out; and you look like a ghost,—what does it mean?’

‘It don’t mean anything,’ said Laurie, with as gay a look as he could muster, ‘but that I’m off to Rome to-morrow; where, you’ll allow, a man cannot carry canvases with him measuring ten feet by six. I meant to have come to bid you good-bye to-night.’

‘Off to Rome!’ cried Suffolk, amazed, ‘without a word of warning? Why, nobody knows of it, eh? not the padrona, nor any of us? What do you mean, stealing a march upon your friends like this?’

‘My friends won’t mind it much,’ said Laurie. ‘No; I didn’t mean that. I should like you to miss me. I rather grudge going, indeed, till I know how they’ve hung the Saxon Maiden——’

‘Oh, confound the Saxon Maiden!’ said Suffolk; ‘it is you I want to know about, running off like this without a word. It is not anything that has happened, Laurie?’

‘What could happen?’ said Laurie, with a forced smile. ‘The fact is I am doing nothing here. You all set upon me, you know, about that picture; and I must do something. It is no use ignoring the fact. I am going in for our old work in the Via Felice. And I shall be in time for the Holy Week,—it is so late this year;’ he said, with a half laugh, at his own vain attempt at deception,—quite vain, as he could see, in Suffolk’s eyes.

‘But you don’t care for the Holy Week,’ said the painter. ‘I don’t understand you, Laurie. What does the padrona say?’

‘The padrona approves,’ said Laurie. He got out the words without faltering, but he could not bear any more allusion to her. ‘Paint something on my poor canvas. I have got fond of it,’ he said. ‘I’d like to see something on it worth looking at.’

‘I won’t touch it!’ cried Suffolk. ‘By George, I won’t! I’ll beat Helen if she rubs out a line, whisking out and in. Laurie, think better of it. I don’t know the set at the Felice now; they are not equal to our old set. Stay, there’s a good fellow, and paint at home.’

‘I can’t,’ said Laurie; ‘I must not. I will not. And the worst is, you must take me at my word, and not ask why.’

‘I will never say another syllable on the subject,’ said Suffolk, humbly, and they walked half a mile, arm in arm, without uttering a word. This was the first notice Laurie’s friends had of his new resolution. When he had parted from Suffolk, he went straight, without pause or hesitation, to Mrs. Severn’s door. It was Forrester who opened it to him; and Forrester, being a privileged person, paused to look at Laurie as soon as he had closed the door.

‘You’ve been ill, sir,’ said Forrester; ‘the whites is all green, and the flesh tints yellow in your face, Mr. Renton. Master was asking about you just yesterday. Don’t you say a word, sir. I can see as you’ve been ill.’

‘I can’t answer for my complexion,’ said Laurie; ‘but I’m not ill now, Forrester. I am going away, and I’ve been awfully busy. I want to see Mrs. Severn. I won’t disturb your master to-day.’

‘Master’s out, sir,’ said the man, ‘unfortunately; he’s at that blessed gallery, a hanging or a deciding on the poor gentlemen’s pictures. And a nice temper he do come home in, to be sure! And Mrs. Severn’s—— engaged, sir,’ said Forrester, making a stand in front of the stair.

‘Engaged!’ said Laurie, aghast.

‘Them’s the words, Mr. Renton,’ said the old man. ‘She’s a designing them twelve pictures, as far as I can hear. She’s busy, and can’t see nobody. It’s more than a week since them orders was give. And folks is astonished. It ain’t her way. But I can’t say but what I approve, Mr. Renton,’ said Forrester, stoutly; ‘designing of a series is hard work. They’ve all to hang together, and there’s harmony to be studied as well as composition. And she ain’t going to repeat herself if she can help it and, on the whole, I approve——’

‘That will do,’ said Laurie, putting him aside; ‘I will make my own way; and I will tell Mrs. Severn you did your duty, and stopped me. This could not include me.’

‘But, Mr. Renton!’ cried Forrester, making a step after him.

‘That is enough,—quite enough,’—said Laurie. ‘It could not include me.’

But his heart beat heavily as he went up the familiar stair. She had shut out all the world that she might make sure of shutting him out,—‘Though she might have known I would not molest her!’ poor Laurie said to himself, with a swelling heart. It was unkind of the padrona. Had he not been going away it would have wounded him deeply. He went up heavily, not with the half-stealthy eagerness of his last visit. It would not have troubled him had he encountered a dozen Miss Hadleys. ‘I must see Mrs. Severn alone;’ was what he would have said without flinching had he met her; but, as it happened, there was no one at all apprehensive or curious now. The order had been given, and the stream of callers had stopped, and there was an end of it. He went up without any haste, his foot sounding dully,—he thought,—through all the silent house. She would hear him coming, and she would know.

‘Come in,’ said the padrona.

She was standing at her easel, drawing, with a little sketch before her, putting in the outlines of her future picture. Somehow she looked lonely, deserted, melancholy; as if the stream of life that had flowed so warmly about her had met with some interruption. In fact, she had felt the withdrawal of that daily current more than she could have told; and she had missed Laurie; and her mind had been full of wondering. Where was the poor boy? What was he doing? How was he bearing it? This was the thought that was uppermost in her mind as she put in the Sleeping Beauty. Somehow the picture was appropriate. Life seemed to have ebbed from her too, though it was her own doing. She did not feel quite sure sometimes that it was not a dream; and lo, all in a moment, without any warning, he appeared standing at the door!

The chalk dropped out of the padrona’s fingers. She trembled in spite of herself. It took her such an effort to master herself, and receive him with the tranquillity which was indispensable, that for some moments she did not say a word. Then she recovered herself, and let the chalk lie where she had dropped it, and made a step or two forward to meet him. ‘I am glad you have come,’ she said, holding out her hand. And it was quite true, notwithstanding that she had given orders to exclude the world for the sole purpose of excluding him, if he should come.

And thus they met, shaking hands with each other in the same room, under circumstances quite unchanged, except——

‘I am going away,’ said Laurie. ‘I would not have come,—you know I would not have annoyed you. You need not have told the servants to keep everybody out. You might have trusted me.’

‘You know I do trust you, with all my heart,’ she said, ‘and that is why I tell you I am glad you are come; I am very glad;’ and then she sat down feeling somewhat breathless and giddy, and pointed him to a chair. He sat down, too, not knowing very well what he was about; and again there was a pause.

‘I am going away,’ he said, abruptly. ‘Looking over everything, I found it would be better on the whole to go away——’

The padrona bowed her head, feeling her guilt;—it was her fault;—how could she say she was sorry, or appeal against his decision as any other friend would have done? It was she who was the cause.

CHAPTER VIII.
YOUNG FRANK.

I have already mentioned that Frank Renton, being up in town on the business of negotiating the change he desired into a regiment of the line, was taken one evening by his brother Laurie to No. 375, Fitzroy Square.

It was a thing very lightly done, as so many things are that affect our lives. ‘Come with me and see the padrona,’ Laurie had said, as the evening darkened, before they went out to dinner. ‘You’ve heard me talk of her. She has such charming children.’ This was the first thing it came into his head to say; for being foolish he could not launch into praise of herself. And Frank had gone very carelessly, looking with open eyes of amused wonder at all the artists’ houses, and at the dinginess of the Square. Alice was playing when they went in, and Frank, sitting down in the shade before the lamp was lighted, and observing, still with a half-amused surprise, how familiar his brother was in the house, was softly penetrated by those unknown strains coming from he could not tell where, and made by he knew not whom. The door of the great drawing-room was open, and there came from it the usual gleam of red firelight, the usual ghostly appearance behind of the curtained windows. When he had listened for a long time in silence, not feeling himself quite able to join in the conversation which was going on, Frank at last took heart to ask who was the musician. The lamp was brought into the room at this moment, and the padrona turned to him, with a smile as soft and tender as the music, just dawning about her lips. ‘It is my child,’ she answered, in that full tone of love and pride which comes only out of the heart of a woman who has a daughter. There was such softness in the tone, such love and profound complacency and content, that it touched the young soldier. Somehow it occurred to him for the moment that there must be some painful defect about the creature whose name came thus from her mother’s lips—blind, perhaps, or sick, or somehow not just an ordinary child. Then with a curious impulse, which she could not have explained, the padrona lifted her voice and called ‘Alice!’ Frank turned to the open door as the music stopped, with unusual curiosity, expecting some pale vision, with signs of decay in its countenance, or sightless eyes at the least; when all at once there looked out upon him, ‘Alice with her curls,’ like a rose between the falling folds of the vague, dim-coloured curtains, with eyes like stars, half dazzled, confused with the sudden light, and those sweet tints for which, as I have said, the beholder was grateful to her. He looked and looked, and the young man’s eyes were touched as by Ithuriel’s spear. No man had yet seen in her what, all at once, Frank Renton saw. She was to him no child, but a woman. He got up off his chair stumbling, confused. And Laurie was sitting calmly there talking to the mother with this fairy princess coming to them! It seemed incredible. And, in fact, Laurie scarcely looked at Alice even as he shook hands with her. He gave her a kind, half-paternal smile, and went on talking, which was to Frank such a mystery as no explanation could clear away. Then she sat down and took her work with the quiet of a child, totally unaware of young Frank’s reverential admiration. Fortunately he knew a little about music. ‘Was that so-and-so that you were playing?’ he said, when he had sat for some minutes looking at her work and listening to Laurie’s interminable talk with the padrona. The young soldier had a certain contempt for them as they sat and chattered—talking nonsense about any stupid subject that came into their heads, when they might have been talking to Alice, or listening to her music. ‘You must practise a great deal,’ then said the young man, in the safe obscurity into which his silence had thrown him—for, though the padrona had received him very graciously as Laurie’s brother, what was she to find that could be said to a speechless young Guardsman who probably had not an idea in his head? Frank, however, had several ideas; but he was discomposed, as most people are when brought suddenly into the company of familiar friends who know all each other’s ways of thinking and habits of mind. He could not strike into the full stream of their conversation, and it was natural that he should draw towards Alice, who was also left out of it. ‘You must practise a great deal or you could not play so well,’ he repeated, taking a little courage. And nobody paid any great heed to the two sitting apart, as it were, in the shade.

‘I am very fond of music,’ said Alice; ‘I like it better than anything;’ and then there was a long pause, and the conversation on the other side of the table thrust itself into prominence again, and became offensively audible. There was talk chiefly about pictures of which Frank did not know very much, and about people of whom he knew nothing—not the kind of people talked of in society whom he would have known. Laurie had always had strange friends; but how odd it was to find him in the midst of a new world like this, and a world so entirely apart and separate from the known hemisphere! But yet Frank did not find it disagreeable to sit silent against the wall now that Alice was at the table with her work. After ten minutes more he made another attempt at conversation. ‘Have you heard Madame Schumann play that?’ he said; and Alice glanced up at him and softly shook her curls.

‘I have not heard much music,’ she said. ‘We never go out. It bores mamma going out in the evening. I shall when I am older, perhaps; but not now.’

‘But if you never go out in the evening, what do you do with yourself?’ said Frank, with some consternation. Upon which Alice startled him completely by answering, in the softest matter-of-course voice, ‘We have mostly people with us at home.’

Here Frank came to a dead standstill. He glanced round upon the room, which, though pleasant, and cheerful, and homelike, bore no appearance of being adapted for such perpetual hospitality. ‘We have mostly people with us at home.’ Did they give dinners or dances, or what did they give in this curious, grey-green, picture-hung, half-lighted place? As if in answer to this question Mary at that moment came in with the tea, carrying a vast tray before her, with heaps of cups and saucers, substantial bread and butter, steaming urn, and all the paraphernalia of that modern meal. The young Guardsman looked on bewildered to see Alice rise, in the same calm, matter-of-course way, and rinse the teapot and make the tea. Was it the tea-party of humble life which he was in for? Would the guests come in presently and take their seats round the table and munch their bread and butter? And what if there might be muffins, perhaps, or buttered toast? Frank would have been amused had not Alice been there in the midst of it. He would have concluded that his brother had brought him to make acquaintance with the habits of the aborigines in these dingy regions out of the world. But then how came this creature there? He was relieved when he saw little Edith clamber up to her high chair, and became aware that it was only to be a family party after all. Frank was not sufficiently philanthropical, being a Guardsman, to interest himself much in the children and the bread and butter; but by degrees Alice surmounted all the obstacles of her surroundings, and began to cast a lovely haze upon the whole scene. He did not say much; he sat, if the truth must be told, in rather an embarrassed, sheepish way in his chair against the wall, with very little of the assurance natural to his profession. But then it must be taken into account that this was an undiscovered country,—such an America, as Columbus discovered, full of strange new beings, new customs,—a foreign world to Frank. He was out of his depth. When the padrona now and then turned to address him, with a vain attempt to make him comfortable, he felt himself drawl and yaw-haw as does the ordinary young swell of romance. And it was evident to him that his brother’s friend gave him up as quite impracticable. Little Edith, however, was less fastidious. She got down out of her high chair and placed it close to the stranger, and took him under her little wing.

‘Sit next to me,’ said Edith, ‘and you shall have some cake. Are you Laurie’s little brother? You are bigger than he is. Didn’t he say it was his little brother, Alice? But I always say Harry is my little brother, and he is a great deal,—such a great deal,—about six feet taller than me.’

‘And older too,’ said Harry. ‘I am eight and you are six. You’re not six till your birthday, and Alice is sixteen, and me and Frank——’

‘Nurse says girls are quite different,’ said little Edie. ‘You are only boys, you two. Are you Mr. Renton, as well as Laurie, Mr. Laurie’s brother?—how funny it would be to call you that!—or have you another name all to yourself?’

‘I am Frank,’ said the Guardsman, laughing; and then the boys drew near him, and Alice looked up smiling from her tea-making, and a certain acquaintance sprang up. To know that Alice was sixteen on the one side,—and to know that this young fellow, who gazed and addressed her in a tone so different from Laurie’s tone, for instance, was Frank, seemed somehow to give each of them a certain hold on the other. Frank put down his hat, and drew his chair to the table; and by-and-by they were all sitting round it, drinking tea and talking.

‘Laurie’s brother is not so stupid as I thought he was,’ the padrona said afterwards, as she made her resumé of the whole proceedings; and with that slight remark Mrs. Severn dismissed the matter from her thoughts. Laurie himself was trouble enough, the foolish fellow; but that any further complication should arise through Laurie’s brother was a thing which never entered into her mind.

When the two brothers left the house there was silence between them for some time. Indeed, little was said till they had got as far as Harley Street. Then, all at once, Laurie spoke.

‘You were out of your element in the Square,’ he said, with a little forced laugh. ‘You don’t understand the kind of thing; but I can tell you it is no small matter to me to have such a house to go to.’ This was uttered abruptly, and was not at all what he meant to say. To seem to apologise for the padrona and her house was as far as possible from his intention, and yet it sounded like an apology in his brother’s ears.

‘I daresay,’ said Frank; and then he too added hastily, with a shade of embarrassment,—‘She is quite lovely, I think.’

‘No;—do you though?’ cried Laurie, with a mixture of amaze, and delight, and indignation. ‘I never saw you look at her even, all the time we were there.’

‘And she plays wonderfully,’ said Frank. ‘Music goes to one’s heart, you know, coming like that, out of the dark, one can’t tell how. I thought she must be blind, or consumptive, or something; and then to see a face like a little rose!’

‘Oh, you mean Alice,’ said Laurie, drawing a long breath of relief, and amusement, and kindly contempt. Alice was a very nice little thing; but how it should occur to any one to put her in the first place! To be sure, the boy was only twenty. Laurie, who was twenty-four, felt the difference strongly.

‘Who else could I mean?’ said Frank, calmly;—‘there was no other girl there. But, Laurie, really you ought to mind what you are about. We may have come down in the world, you know, and seen better days, and all that; but we need not fall quite out of the habits of gentlemen all the same.’

‘Am I falling out of the habits, &c.?’ said Laurie, laughing. ‘I am only a poor painter, my dear fellow. I am not a swell and a Guardsman like you.’

‘I shan’t be a Guardsman a minute longer than I can help it, and you know that,’ said Frank, with a little indignation; ‘but I hope I shall never see a girl like that come into a room without treating her with proper respect.’

‘Proper respect!’ cried Laurie, much mystified; and then he laughed. ‘Alice is only a child,’ he said. ‘I have known her since she was that height. She thinks me a kind of old uncle, or godfather, or something. Yes, of course, she plays charmingly,—but she is only a child all the same.’

‘A child! she is sixteen,’ said Frank; ‘and lovely, I think. I don’t know the family, of course; they are your friends; but a young lady like Miss Severn is generally considered entitled to a little ceremony. I don’t want to be didactic,’ said the Guardsman, ‘but——’

This remonstrance furnished Laurie with laughter for the rest of the evening; but Frank did not see the joke. Of course the young lady was nothing to him. This he explained fully. But it vexed him to think that his brother was falling into the free and easy habits which, he supposed, were current among the people who lived in those dingy streets, where every house boasted a long, central window, and the very atmosphere was redolent of paint;—beings who lived all their lives in shooting-coats and wide-awakes,—wild, untrimmed, hairy men, not fit to come into a lady’s society at any time. People on that level might be utterly indifferent and irreverent, and treat a woman as they treated their comrades; but that Laurie should fall into such ways vexed Frank. This was the chief subject of his thoughts as he bowled down through the darkness in the twelve o’clock train to Royalborough, where his battalion was quartered. It was another of the results of his father’s unfortunate will. Frank had been, as Mr. Renton foresaw, the one who felt it least. His nominal allowance had always been just what it now was, and his mother was as ready now as ever to supply him with those odd five-pound notes which drop in so pleasantly to a youthful pocket. It made no more difference than his father’s death must have made under any circumstances. There was no longer a bright and pleasant house to take his friends to, but that had nothing to do with the will, and was at the present moment a necessity of nature. And then he had his profession, and liked it, and might hope for advancement in it. And in the meantime he had made up his mind to go to India, a proceeding which had its pleasant as well as unpleasant aspects. He had sold his pet horse, to be sure, which cost him a pang; but still a man may get over that. And he was noway banished from the society he had been used to, or from the kind of life. Nothing was changed with him to speak of, but everything was changed with Laurie; and as for Ben, he had disappeared under the waters altogether,—disgusted, or indignant, or furious with fate. Frank’s heart was heavy as he went back in the dreary ‘last train,’ dropping people at all the stations,—coming every now and then to a jarring, tedious stoppage in the blackness of the night. It is not a cheerful mode of locomotion when a man is alone, and has thoughts which are the reverse of agreeable. Laurie’s intimacy in the painter’s house, the accustomed, familiar way in which he sat down amongst all those children and took his tea, the homely table, the talk in which his brother was so absorbed as to forget everything,—even common politeness,—how fatal was all this! Had he gone there, indeed, kindly as a chance visitor,—as any potentate from Belgravia might look in now and then, it might have been well; but to become an habitué of such a house, to give up for it,—as he seemed to be doing,—all the charms of society, could that be well? ‘Why should it be so?’ Frank asked himself. No doubt Lady Grandmaison would have invited Laurie all the same,—as, indeed, she had invited himself, Frank,—notwithstanding the temporary cloud under which they all were living. No doubt the Barnards and the Courtenays would have been just as kind as ever. He might have kept up all his friends, Frank concluded to himself, with the premature prudence of a young man of society; why shouldn’t he? Nothing but the absence of a coat or a pair of gloves could have absolutely shut out Laurie Renton from society; and his coat, Frank felt, was quite presentable, and had even a flower in it, the extravagant wretch; and yet his world had become Fitzroy Square!

Frank Renton dwelt so much on this thought that the apparition of Alice Severn went out of his head,—and yet not, perhaps, quite out of his head. He had not been such a fool, he would have said, as to fall in love with a girl whom he had only seen once,—a girl belonging to the objectionable locality in which Laurie had lost himself; yet the little picture she made as she stood for a moment answering her mother’s call in the doorway, with the dim curtains falling round her like a frame, and herself so bright in colouring, so sweet in all her rose-tints, lasted in his mind as such impressions seldom did. Perhaps it was the quite unexpected character of the appearance that made him dwell upon it. In a ball-room, or at a picnic, or, in short, at any party, or in a country-house where there are a number of people assembled, a man knows he is likely to meet some pretty girl or other, and is prepared for the vision; but when you are making a humdrum call, in a house quite out of the world, on people quite unacquainted with anybody you know,—in short, very respectable people, but moving in a different sphere,—and are, all at once, confronted by a creature like a rose, playing Beethoven in the dark, standing looking at you from the doorway with dazzling, lovely, half-seeing eyes,—of course you had not been looking for anything of the kind, and it makes a certain impression on you. Frank was not in any way addicted to art. He did not understand it much, nor care for it. Now and then something struck him as being ‘a pretty picture;’ but it might be one of Laurie’s drawings, or it might be a Raffael, and the difference was not very evident to the Guardsman. Perhaps it was the first time that he had of his own accord, or rather involuntarily, in spite of himself, by impulsion of nature, hung up as it were a picture of his own making on the walls of his mind. ‘By Jove, if Laurie were to paint something like that,’ he said to himself, altogether unaware in his simplicity that neither Laurie nor any of his fellows could have done justice to the evening darkness, and the soft lamplight, and the dark, undefined curtains draping themselves about the bright young face. Frank made it for himself, which was much more satisfactory, and left it there, hanging in his private closet of recollections, though, so far as he was aware, he thought but little of Alice Severn, and was much too sensible a fellow to fall in love at first sight.

Besides, he was busy, and had no time just then for nonsense of any kind. It was not quite so easy to manage the exchange he wanted as he had believed it would be; and Mrs. Renton, though she interfered so little in her son’s proceedings, did what she could to put a stop to this movement on his part. ‘I never even hear from Ben,’ she said, pathetically. ‘I do not know where he has gone or what has become of him; and Laurie, though he writes punctually, has not been to see me for ever so long; what shall I do if you go too?’

‘But, mother, I must go,’ Frank would say; ‘I can’t get on where I am now. No, mamma,—thanks; I ought not to take it. What my father meant was that we should go and seek our fortune. And beside, if Ben and Laurie don’t have money from you, I ought not to have it. That is as clear as daylight.’

‘If Ben and Laurie were here they would have everything I could give them,’ said Mrs. Renton; ‘they ought to know that; but you are the only one of my boys that stands by me, Frank. Put it in your pocket, dear, and never mind. Ah! if your poor dear papa could but have seen the harm it has done!’ and she cried, poor soul, longing for her other children, though she had not energy enough to seek them out; ‘but we must not blame your dear papa,’ she added, hastily, drying her eyes.

‘No,’ said Frank. ‘But it has done harm. Laurie was not like himself last time I saw him. He has got among a queer sort of people,—artists and that sort of thing. I don’t feel quite easy about him, to tell the truth.’

‘Among low people, do you mean?’ cried his mother, with the tears ready to flow from her eyes.

‘N—no; not exactly low people,’ said Frank; and somehow a hot flush of colour covered his own face. All at once that picture rose up before him, and Alice out of the doorway looked at him with reproachful eyes. ‘I heard that favourite thing of yours so beautifully played the other day,’ he added, hastily; and then he hummed a few bars to identify the melody; ‘charmingly played. I don’t think any one could have done it better.’

‘Mary plays it very nicely,’ said his mother, who was easily led away from one subject to another.

‘Oh, Mary!’ said Frank. ‘Yes, she does very well, of course; but this was almost genius, you know. She played it as if she were making it up herself. Quite a young girl, fifteen or so,’ Frank went on; ‘and sitting in a dark room, so she must have played from memory. I wish you could have heard her.’

‘Was it any one I know?’ said Mrs. Renton.

‘It was somebody Laurie knows,’ said Frank shortly. ‘I suppose he’ll stick there for ever and ever, and never do anything. I wish he were not such a lazy beggar. In one way he is the cleverest of us all.’

‘My poor Laurie! so you all say,’ said the mother; ‘but this I know,—Laurie is never lazy when he can serve other people, Frank; and he is not so clever as Ben is,’ she added. ‘Your dear papa always said so. Ben was the clever one, he always said. I would not mind about cleverness if I but knew where he was and what he was doing. That breaks my heart.’

‘Oh, he will turn up,’ said Frank, whose heart was not in any danger of breaking. And he put his mother’s gift in his pocket, though not without compunction. ‘It seems like stealing a march upon them,’ he said to himself as he went away. This was just about a month before the time when Ben suddenly appeared at Renton Manor to bid them all good-bye, and when Laurie was near the climax of his little drama. Frank, whom no necessity had urged on, was but beginning to make his arrangements for setting out in the world, when they voluntarily or involuntarily had completed theirs, and were about to take their plunge. As he went down the walk to the river, under the budded trees, his own idea was that he was the only one of the three who would really go off, as his father wished, to seek his fortune. Ben had hidden himself somewhere in a fit of disgust, but would repent and become reasonable, and return to Renton to manage his mother’s affairs, which needed some one to look after them. After all, Renton was his mother’s for the time being, and it was the natural home of her eldest son; and as for Laurie, he would stick fast where he was, and would not have pluck enough to make any change. So that it was utterly out of the question that he, Frank, should relinquish his plans and prospects in order that one of his mother’s children might be near her. Mrs. Renton, indeed, was not a woman to exercise such an influence on her sons. They were fond of her; but either they were not fond enough to make a sacrifice for her, or she was not the kind of woman to require it. She kept in the background, wailing softly, but was not energetic enough to demand a response from any one. Frank marched down to his boat, which lay waiting for him, with a feeling that if he was not the clever one, he was at least the energetic one, of the family, and probably would be the only one to make his fortune. The first step, to be sure, was a little slow and troublesome, but, once in India, everything became possible. He resolved within himself that he would scorn delight and live laborious days, as soon as he had got himself made into a real soldier instead of an ornamental Guardsman. He would go in for his profession with all his heart. No doubt it was a resolve which might call for a good deal of self-denial, but for that young Frank was prepared. Parties, and pleasure, and music, and even love affairs, were things he meant to be out of his way. As for falling into a lower sphere contentedly, as Laurie seemed to have done, Frank hoped that such a descent was impossible to him. He pulled down the stream to Cookesley, though it was cold; for the river was at once the best and most expeditious way of passing between the manor and Royalborough. Frank pulled down the stream, and felt his heart glow and tingle as he thought of all he was going to do. He had some ‘pluck’ he admitted to himself, if not so much cleverness as Laurie or Ben. So it will be seen he had quite forgotten that momentary peep at Alice Severn, and the equally temporary impression which her young beauty had made upon his imagination or his heart.

CHAPTER IX.
NELLY RICH.

It was not very long after this that Frank Renton was accosted by one of his friends in the regiment with what seemed to him a very odd sort of request. ‘Look here, Frank,’ said young Edgbaston, who was a son,—it is unnecessary to add,—of Lord Brummagem, and a very popular, good-natured young fellow, ‘I’ve promised to produce you at the Riches’, where I am going to lunch. Don’t struggle, my boy. They are going to have your brother Laurie, and you must come.’

‘My brother Laurie!’ cried Frank in amazement. ‘And who are the Riches; and what do they want me for? I never heard of the people that I know of. I suppose it is one of your jokes?’

‘It’s very witty to be sure,’ said Edgbaston, ‘but it is not one of my jokes. Papa Rich is something in the City. He was a cheesemonger once upon a time, I believe; but that’s all left behind long ago. Alf Rich, of the Buffs, is one of his sons. You know Alf. He gives capital dinners and eke luncheons. And they’re all intensely jolly, from the pater down to little Nelly. Come along. I promised to bring you. And you’ll meet your brother, if that’s any inducement. Old Rich told me he was to be there.’

‘Laurie to be there! I don’t understand it,’ said Frank.

‘Old Rich buys pictures to no end,’ said Edgbaston; ‘perhaps that’s why your brother’s going; or perhaps he’s after little Nelly. And not a bad speculation either, I can tell you. She’s a nice little girl;—and heaps, cartloads, mountains of tin. If Laurie don’t go in for that style of thing, I’d recommend it to your own consideration.’

‘If it’s so desirable, why do you let it go among your friends in this liberal way?’ said Frank. ‘It’s not in Laurie’s line, I fear,’ he added with a sigh. To tell the truth, the conditions and prospects of his elder brothers lay much on Frank’s mind. He felt easy about himself; but he disapproved of the others, especially Laurie, whom everybody had disapproved of from his cradle,—and felt that he was in a bad way.

‘Then come along, and try your luck, my boy,’ said his friend. And the consequence was that by noon Frank and half-a-dozen more were flying over the green, balmy, awakening country on Edgbaston’s drag. They were all in high spirits, with that delightful sense of fulfilling every duty that can be looked for from a Guardsman which is the soul of pleasure. And Frank Renton, puritanical as he had been in respect to his brother Laurie and Alice Severn, was soon chatting about ‘little Nell,’ whom he had never seen, as familiarly as any of them. So that it is evident stern principle alone was not involved in his displeasure with his brother. The young men were not at all contemptuous of the good things to be had at Richmont; but the family who were to receive them there did not count for much. Old Rich spent his money freely to give them pleasure, and got laughed at for his pains; Mamma Rich, or Rich mère, as they call her, was not much more respectfully treated; and as for Nelly Rich, her name was bandied about from mouth to mouth with the most unscrupulous ease. ‘If I were you, So-and-so, I’d certainly go in for little Nell,’ one and another of those lively youths would say from time to time. She had ‘heaps of tin’—that was her grand characteristic,—and was evidently ready to drop into anybody’s arms who should do her the honour to hold them out to her. But the talk was a matter of course, not meaning half that it seemed to mean. And half at least of her critics were dumb before Nelly, and had an unfeigned dread of her keen little bright eyes and sharp speeches. Richmont itself was a big house in a big park, conveying to the ordinary spectator no sense of present incongruity with its past. The old part of the mansion was in the east wing, and not visible from the front, and all that could be seen by the party in the drag was the vast white modern façade, very fresh and clean as yet, with great plate-glass windows, and a wide hospitable door, opening into a hall with scagliola pillars. At this door old Rich stood, waving his hand in sign of welcome. The flower-beds on the lawn were already full of every bright thing which could be had at the season, and the whole place was alit and alive with wealth, and warmth, and movement. ‘To think that a fine old place like this should drop into the greasy hands of an old cheesemonger!’ said one of the men as they drove through the leafy avenue. But they were all quite willing to be the cheesemonger’s guests, and to drink his wine, and enjoy the good things his greasy gold had provided.