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THE VORTEX

THE VORTEX

A Play in Three Acts

By
NOEL COWARD

PUBLISHERS

HARPER & BROTHERS

NEW YORK AND LONDON

THE VORTEX


Copyright, 1924
By Noel Coward
Printed in the U.S.A.


D-A

All rights reserved.

Applications regarding performing rights
should be addressed to the author
care of the publishers

To
G. CALTHROP
WITH A GOOD DEAL OF GRATITUDE

DRAMATIS PERSONÆ

  • Preston
  • Helen Saville
  • Pauncefort Quentin
  • Clara Hibbert
  • Florence Lancaster
  • Tom Veryan
  • Nicky Lancaster
  • David Lancaster
  • Bunty Mainwaring
  • Bruce Fairlight

THE VORTEX

ACT I

THE VORTEX

ACT I

The scene is the drawing-room of Mrs. Lancaster’s flat in London. The colors and decoration are on the verge of being original. The furniture is simple but distinctly expensive.

Persons shown are Helen Saville and Pauncefort Quentin. Helen Saville and Pauncefort Quentin are shown in by Preston. Helen is a smartly dressed woman of about thirty. “Pawnie” is an elderly maiden gentleman.

Preston

I’m expecting Mrs. Lancaster in at any moment now, ma’am.

Helen

Thank you, Preston, we’ll wait a little.

Preston

Shall I get you some tea?

Helen

No, thanks, we’ve already had some—give me a cigarette, Pawnie; they’re in that box on the table.

[Pawnie hands her cigarette box. Preston goes out.]

Pawnie

It may be tiresome of me, but I think all this coloring is oppressive.

Helen

You make such a “fetish” of house decoration, Pawnie.

Pawnie

[Wandering round the room]

Not at all, but I do like things to be good and right.

Helen

Well, I don’t consider the new frieze in your bathroom either good or right.

Pawnie

How can you, Helen! It’s too marvelous for words. Parelli designed it specially for me.

Helen

Personally, it would make me self-conscious to sit in a bath surrounded by frisky gods and goddesses all with such better figures than mine.

Pawnie

I find it encouraging. This whole room is so typical of Florence.

Helen

In what way?

Pawnie

Every way. Look at the furniture.

Helen

A little artificial perhaps, but quite harmless.

Pawnie

Dear Helen, you’re such a loyal friend.

Helen

I’m very fond of Florence.

Pawnie

We all are. Oh, my God, look at that lampshade!

Helen

I gave it to her last Christmas.

Pawnie

Wasn’t that a little naughty of you?

Helen

I don’t see why; it’s extremely pretty.

Pawnie

Too unrestrained. Such a bad example for the servants. [He takes up frame from desk.] Who’s this boy?

Helen

Tom Veryan. You must have seen him.

Pawnie

Florence’s past, present, or future?

Helen

Present.

Pawnie

He has that innocent look that never fails to attract elderly women.

Helen

Don’t be a cat.

Pawnie

I wasn’t meaning Florence; she’s too divine to be in any marked category.

Helen

I wonder.

Pawnie

Oh, yes, Helen, deathless sort of magnetism, you know.

Helen

I often wonder what will happen to Florence eventually.

Pawnie

My dear, I’m far too occupied in wondering what’s going to happen to me to worry about other people.

Helen

I’ve always thought your course was quite clear, Pawnie.

Pawnie

However offensive that remark was intended to be, Helen, I shall take it in the most complimentary spirit.

Helen

I’m sure you will.

Pawnie

I expect Florence will just go on and on, then suddenly become quite beautifully old, and go on and on still more.

Helen

It’s too late now for her to become beautifully old, I’m afraid. She’ll have to be young indefinitely.

Pawnie

I don’t suppose she’ll mind that, but it’s trying for David.

Helen

And fiendish for Nicky.

Pawnie

Oh, no, my dear; you’re quite wrong there. I’m sure Nicky doesn’t care a damn.

Helen

It’s difficult to tell with Nicky.

Pawnie

He’s divinely selfish; all amusing people are.

Helen

Did you hear him play in Paris?

Pawnie

Yes.

Helen

Well?

Pawnie

Erratic—one or two things perfect, but he’s slovenly.

Helen

He only takes things seriously in spurts, but still he’s very young.

Pawnie

Do you really think that’s a good excuse.

Helen

No, I’m afraid not, especially when so much depends on it.

Pawnie

What does depend on it?

Helen

Everything—his life’s happiness.

Pawnie

Don’t be so terribly intense, dear.

Helen

It’s true.

Pawnie

I’m quite sure Nicky will be perfectly happy as long as he goes on attracting people; he loves being attractive.

Helen

Naturally, he’s Florence’s son.

Pawnie

Such an exciting thing to be.

Helen

You don’t believe Nicky’s got anything in him at all, do you?

Pawnie (lightly)

I don’t think it matters, anyway.

Helen

I do.

Pawnie

But you’ve got a loving nature, Helen. I always know it.

Helen

Nicky hasn’t had a chance.

Pawnie

Nonsense—he’s had everything he wanted ever since the day he was born, and he’ll go on wasting his opportunities until he dies.

Helen

Quite possibly.

Pawnie

Well, there you are then.

Helen

He may have had everything he wanted, but he’s had none of the things he really needs.

Pawnie

Are you talking socially or spiritually?

Helen

You’re quite right, Pawnie, you wouldn’t be so beautifully preserved if you’d wasted any of your valuable time or sincerity.

Pawnie

I forgive you for that, Helen, freely.

Helen

Thank you so much.

Pawnie

You must realize one thing, everyone is sacrificed to Florence—it’s as it should be—of course, she’s a couple of hundred years too late—she ought to have been a flaunting, intriguing King’s mistress, with black page boys and jade baths and things too divine——

[Enter Preston.]

Preston

[Announcing]

Miss Hibbert.

[Enter Clara Hibbert—she is affected, but quite well-dressed. Preston goes out.]

Clara

My dears. Isn’t Florence back yet?

Helen

No, we’re waiting for her.

Pawnie

You look harassed, Clara.

Clara

I am harassed.

Helen

Why?

Clara

I’m singing to-night for Laura Tennant—she’s giving a dreadful reception at her dreadful house for some dreadful Ambassador——

Pawnie

How dreadful!

Clara

No one will listen to me, of course—they’ll all be far too busy avoiding the Cup and searching for the Champagne.

Helen

What are you singing?

Clara

One Gabriel Faure, two Reynaldo Hahn’s and an Aria.

Pawnie

Which Aria?

Clara

I can’t think, but my accompanist will know—I’ve got a frightful headache.

Helen

Why don’t you take off your hat?

Clara

My dear, I daren’t—I’ve just had my hair done—I suppose you haven’t got a “Cachet Faivre,” either of you?

Helen

No, but Florence has, I expect—Preston will know where they are—ring the bell, Pawnie.

Pawnie

[Ringing bell]

My poor Clara—I do hope your singing to-night will justify the fuss you’re making this afternoon.

Clara

Don’t be so brutal, Pawnie.

Helen

Is Gregory going with you?

Clara

Of course—I never sing unless he’s there—he gives me such marvelous moral support.

Pawnie

“Moral” is hardly the word I should have chosen, dear.

[Enter Preston.]

Helen

Do you know if Mrs. Lancaster has any “Cachet Faivre” anywhere?

Preston

Yes, ma’am—I think so.

Clara

Do get me one, Preston, I’m suffering tortures.

Preston

Very well, miss.

[She goes out.]

Pawnie

Preston has such wonderful poise, hasn’t she?

Helen

She needs it in this house.

Clara

I do wish Florence would hurry up. I want to borrow her green fan. I’ve got a new Patou frock that positively demands it.

Helen

She can’t be long now.

Clara

I suppose I daren’t ask Preston for the fan and creep away with it?

Helen

I shouldn’t, if I were you—Florence is very touchy over that sort of thing.

Clara

She promised it to me ages ago.

Pawnie

Surely there isn’t such a desperate hurry? You won’t be singing until about half-past eleven.

Clara

[Petulantly]

My dear, I’ve got to rehearse—I don’t know a word——

[Re-enter Preston with a “Cachet Faivre” and a glass of water.]

Clara

You’re a saint, Preston—thank you a thousand times——

Pawnie

Soak it a little first, dear, or you’ll choke, and I should detest that.

[Clara soaks “Cachet” and then swallows it. Preston goes out.]

Clara

Now I must lie down flat—get out of the way, Helen.

Pawnie

Perhaps you’d like us both to go right out of the room and sit in the hall?

Clara

No, Pawnie, I should never expect the least consideration from you.

[She lies down flat on the divan, Helen arranges cushions for her.]

Clara

Thank you, Helen darling—I shall always come to you whenever I’m ill.

Helen

That will be nice.

[Enter Florence Lancaster followed by Tom Veryan. Florence is brilliantly dressed almost to the point of being “outré.” Her face still retains the remnants of great beauty. Tom is athletic and good-looking. One feels he is good at games and extremely bad at everything else.]

Florence

Helen—Pawnie, have you been here long?

Pawnie

No, only a few hours.

Florence

My dear. I’m so frightfully sorry—we’ve been held up for ages in the traffic. Davis is a congenital idiot. Always manages to get to a turning just as the policeman puts out his hand. No initiative whatever. What’s happened to Clara? Has she been run over?

Clara

No, dear, I’ve got a frightful head.

Florence

Pawnie, you know Tom, don’t you?—Tom Veryan, Mr. Quentin, I’m sure you’ll adore each other.

Tom

[Shaking hands]

How are you?

Pawnie

Very well, thank you—how sweet of you to ask me?

Florence

Is there anything I can do, Clara?

Clara

Yes, dear, lend me your green fan for to-night.

Florence

All right—but you won’t get too carried away with it, will you, dear? I should hate the feathers to come out. Does anyone want any tea?

Helen

No thanks, dear.

Florence