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HARBOR TALES
DOWN NORTH

WORKS OF NORMAN DUNCAN

The Soul of the Street
The Way of the Sea
Doctor Luke of the Labrador
The Mother
Doctor Grenfell's Parish
The Adventures of Billy Topsail
The Cruise of the Shining Light
Every Man for Himself
The Suitable Child
Going Down from Jerusalem
Higgins: A Man's Christian
Billy Topsail and Company
The Measure of a Man
The Best of a Bad Job
Finding His Soul
The Bird Store Man
Australian By-Ways
Billy Topsail, M.D.
Battles Royal Down North
Harbor Tales Down North

HARBOR TALES
DOWN NORTH

BY

NORMAN DUNCAN

AUTHOR OF
"Doctor Luke of the Labrador," etc.

With an Appreciation by
WILFRED T. GRENFELL, M.D.

ILLUSTRATED

New York Chicago
Fleming H. Revell Company
London and Edinburgh

Copyright, 1918, by
FLEMING H. REVELL COMPANY

New York: 158 Fifth Avenue
Chicago: 17 North Wabash Ave.
London: 21 Paternoster Square
Edinburgh: 75 Princes Street

CONTENTS

ILLUSTRATIONS

NORMAN DUNCAN

An Appreciation by
Wilfred T. Grenfell, M.D.

As our thoughts fly back to the days when the writer of these stories was a guest aboard our little hospital vessel, we remember realizing how vast was the gulf which seemed to lie between him and the circumstances of our sea life in the Northland. Nowhere else in the world, perhaps, do the cold facts of life call for a more unrelieved material response. It is said of our people that they are born with a netting needle in their hand and an ax by the side of their cradle. Existence is a daily struggle with adamantine facts and conditions; and quick, practical response, which leaves little encouragement or opportunity for dreamers, is, often enough, the only dividing line between life and death. As I write these lines the greatest physical battle the world has ever seen is being fought. Yet here, as my eyes wander over the great ocean around me, nothing but absolute peace meets my view. But it too has its stormy times and its days when its strength and its mighty depths of possibilities are the most insistent points about it. And this spirit of the deep Norman Duncan seems to have understood as did no other of our visitors.

Our experience of the men from the hubs of existence had led us to regard them all as hardened by a keener struggle than ours, and critical, if not suspicious, of those who were satisfied to endure greater physical toil and discomfort than they for so much smaller material return. In the Labrador even a dog hates to be laughed at, and the merest suspicion of the supercilious makes a gap which it is almost impossible to bridge. But Norman Duncan created no such gap. He was, therefore, an anomaly to us—he was away below the surface—and few of us, during the few weeks he stayed, got to know him well enough to appreciate his real worth. Yet men who "go down to the sea in ships" have before now been known to sleep through a Grand Opera, or to see little to attract in the works of the Old Masters. And so we gather comfort for our inability to measure this man at his full stature.

All who love men of tender, responsive imagination loved Duncan. It was quite characteristic of the man that though he earned large sums of money by his pen, he was always so generous in helping those in need—more especially those who showed talents to which they were unable, through stress of circumstances, to give expression—that he died practically a poor man. He was a high-souled, generous idealist. All his work is purposeful, conveying to his readers a moral lesson. He had the keenest appreciation of the feelings of others and understood the immense significance of the little things of life—a fact evidenced by his vivid descriptions of the beauties of Nature, which he first appreciated and then, with his mastery of English, so ably described. His own experience of poverty and struggle after leaving the university opened to him channels for his sympathetic portrayal of humble life. Physically he was never a fighter or an athlete; but he proved himself possessed of singular personal courage. He fought his best fights, however, on fields to which gladiators have no entry and in battles which, unlike our physical contests, are not spasmodic, but increasing and eternal. Norman Duncan's love and affection for the people whom we also found joy in serving naturally endeared him to us. He was ever a true knight, entering the lists in behalf of those principles which make up man's real inner life; and we realize that his love for men who embody characteristics developed by constant contact with the sea—fortitude, simplicity, hardiness—died only with his own passing.

The stories here brought together are woven out of experiences gathered during his brief periods of contact with our life. But how real are his characters! Like other famous personalities in fiction—Mr. Pickwick, Ebenezer Scrooge, Colonel Newcome, Tom Jones, and a thousand others—who people a world we love, they teach us, possibly, more of high ideals, and of our capacities for service than do the actual lives of some saints, or the biographies of philosophers. And how vivid the action in which his characters take part! In the external circumstances of his life and in his literary art and preferences he was singularly like his elder brother in romance, Robert Louis Stevenson. Both were slight in physique but manly and vigorous in character and mission in life. Both were wanderers over the face of the globe. Both loved the sea passionately, and were at their best in telling of the adventures of those who spend their lives on the great waters. Both, finally, died at the height of power, literally with pen in hand, for both left recent and unfinished work. And the epitaph of either might well be the noble words of Stevenson from his brave essay on the greatness of the stout heart bound with triple brass:

"Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passes at a bound on the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land."

BIOGRAPHICAL NOTE

In the blood of Norman Duncan lived a spirit of romance and a love of adventure which make the chronicle of his short life a record of change and movement. He was born in Brantford, on the Grand River, in Western Ontario, July 2, 1871, and though he passed most of the years of his manhood in the United States, he never took out citizenship papers in the Republic. After a boyhood spent in various towns in Canada, he entered Toronto University, where in his four years of undergraduate life he participated eagerly in all forms of social and literary activity.

In 1895 he joined the reportorial staff of the Auburn (N.Y.) Bulletin, which position he held for two years. Then followed four years of congenial work on the staff of the New York Evening Post, where he served successively as reporter, copy editor on city desk, special writer for the city, and, finally, editor of the Saturday supplement. The editors of the Post were quick to recognize Duncan's ability in descriptive writing and character delineation, and under the spur of their encouragement he did his first important literary work, a series of short-stories of life in the Syrian quarter of New York City, published first in The Atlantic Monthly and McClure's Magazine and gathered subsequently into a book entitled The Soul of the Street. About the time of the appearance of this book the author's temperament reacted against the atmosphere which it embodied, and in the summer of 1900 by an arrangement with McClure's Magazine he went to Newfoundland to gather impressions and material for a series of sea-tales. Up to this time he had never spent a night on the ocean nor been at sea on a sailing vessel; in his boyhood he had rather feared the great gray ocean, and only later in life did he become so strongly attracted by its power and mystery and by the impression of its eternal struggle against those who must wrest a precarious living from its depths that it provided the background for his most striking and characteristic stories. Three summers in Newfoundland and one on the Labrador Coast resulted in The Way of the Sea, Doctor Luke of the Labrador, and other books and short-stories, including those of the present collection.

In 1901 Duncan was appointed assistant to the professor of English at Washington and Jefferson College, and one year later he was elected Wallace Professor of Rhetoric at the same institution, a post which he held until 1906. His duties were comparatively light so that he was able to devote much of his time to literary work. While occupying this position he enjoyed the companionship of his brother, Robert Kennedy Duncan, Professor of Chemistry at the college and later President of the Mellon Institute of the University of Pittsburgh, and the prominent author of a well-known series of text books in chemistry, who died in 1914.

In 1907 and 1908 Norman Duncan was special correspondent for Harper's Magazine in Palestine, Arabia, and Egypt, and in 1912 and 1913 he was sent by the same magazine to Australia, New Guinea, the Dutch East Indies, and the Malay States. Between these travel periods he acted for two years as adjunct professor of English at the University of Kansas. Not any of Duncan's foreign travel seems to have impressed him as did his visits to Newfoundland and the Labrador coast, and some of his best tales are those of the Northland—powerful stories of life reduced to its elements. Of these tales those of the present collection are a good representation.

The creator of these great stories was cut off at the height of his power; he died very suddenly of heart-disease while playing a golf-match in Fredonia, New York, on October 18, 1916. He lies buried in Brantford, Ontario, the town of his birth.

Few modern writers of tales and short-stories have drawn their materials from sources as scattered as those which attracted Norman Duncan. Among the immigrants of the East Side of New York, the rough lumber-jacks of the Northwest, and the trappers and deep-sea fishermen of Newfoundland and The Labrador he gathered his ideas and impressions. But though his characters and incidents are chosen from such diverse sources, the characteristics of his literary art remain constant in all his books, for the personality of the author did not change.

Norman Duncan was a realist in that he copied life. But his realism is that of Dickens and Bret Harte and Kipling rather than that of Mrs. Freeman and Arthur Morrison and the Russian story-tellers. He cared less for the accuracy of details than for the vividness of his general impressions and the force of his moral lessons. Like Bret Harte he idealized life. Like Harte, too, he was fond of dramatic situations and striking contrasts, of mixing the bitter and the sweet and the rough and the smooth of life; his introduction of the innocent baby into the drunkard-filled bar-room in The Measure of a Man is strikingly like Bret Harte's similar employment of this sentimental device in The Luck of Roaring Camp, and the presence of Patty Batch among the soiled women of Swamp's End in the same tale and of the tawdry Millie Slade face to face with the curate in The Mother is again reminiscent of Harte's technique. Like Dickens and like Bret Harte, Duncan was a frank moralist. His chief concern was in winnowing the souls of men and women bare of the chaff of petty circumstances which covered them. His stories all contain at least a minor chord of sentiment, but are usually free from the sentimentality which mars some of Harte's sketches. He is not ashamed to employ pathos, but his tragic situations are rarely overstrained and maudlin. He has all the tenderness of Dickens; his Christmas Eve at Topmast Tickle may well be compared with A Christmas Carol. Norman Duncan never married, but few Canadian or American authors have understood women as did the creator of high-spirited Bessie Roth and her noble mother in Doctor Luke of the Labrador, of naive little Patty Batch, and of Millie Slade, glorified by her love for her son. In the delicacy and sensibility of his delineation of women he undoubtedly surpasses Bret Harte, most of whose women are either exaggerated or colorless. Moreover, Norman Duncan possessed a very genuine understanding of children, particularly of young boys, of whom he was exceedingly fond. There are few more sympathetic pictures of children in American literature than those of David Roth and the Lovejoy twins in Doctor Luke of the Labrador, and of Donald, Pale Peter's lad, in The Measure of a Man; and in Billy Topsail Duncan has created a real boy, a youngster as red-blooded and manly and keen for excitement in his numerous thrilling adventures in the frozen North as are any of Stevenson's boy heroes.

Variety and color in characters and situations, vividness of descriptions—especially in those of the stormy sea—rapidity of movement and dramatic intensity in narratives, genuine sentiment and real tenderness, humor, and pathos, and, above all, a healthy, vigorous, Anglo-Saxon morality—all of these qualities make of Norman Duncan's books and short-stories literature that is distinctly worthy and permanent in character.

I

MADMAN'S LUCK

I[ToC]

MADMAN'S LUCK

It was one thing or the other. Yet it might be neither. There was a disquieting alternative. No doubt the message disposed of the delicate affair for good and all in ten terse words. The maid had made up her mind; she had disclosed it in haste: that was all. It might be, however, that the dispatch conveyed news of a more urgent content. It might be that the maid lay ill—that she called for help and comfort. In that event, nothing could excuse the reluctance of the man who should decline an instant passage of Scalawag Run with the pitiful appeal. True, it was not inviting—a passage of Scalawag Run in the wet, gray wind, with night flowing in from the sea.

No matter about that. Elizabeth Luke had departed from Scalawag Harbor in confusion, leaving no definite answer to the two grave suggestions, but only a melting appeal for delay, as maids will—for a space of absence, an interval for reflection, an opportunity to search her heart and be sure of its decision. If, then, she had communicated that decision to her mother, according to her promise to communicate it to somebody, and if the telegram contained news of no more consequence, a good man might command his patience, might indulge in a reasonable caution, might hesitate on the brink of Black Cliff with the sanction of his self-respect. But if Elizabeth Luke lay ill and in need, a passage of Scalawag Run might be challenged, whatever came of it. And both Tommy Lark and Sandy Rowl knew it well enough.

Tommy Lark and Sandy Rowl, on the return from Bottom Harbor to Scalawag Run, had come to Point-o'-Bay Cove, where they were to lie the night. They were accosted in haste by the telegraph operator.

"Are you men from Scalawag?" she inquired.

She was a brisk, trim young woman from St. John's, new to the occupation, whose administration of the telegraph office was determined and exact.

"We is, ma'am," Sandy Rowl replied.

"It's fortunate I caught you," said the young woman, glowing with satisfaction. "Indeed it is! Are you crossing at once?"

Sandy Rowl smiled.

"We hadn't thought of it, ma'am," said he. "I 'low you don't know much about Scalawag Run," he added.

The young woman tossed her red head.

"When you have thought of it, and made up both your minds," she replied tartly, "you might let me know. It is a matter of some importance."

"Ay, ma'am."

By this time Tommy Lark had connected the telegraph operator's concern with the rare emergency of a message.

"What you so eager t' know for?" he inquired.

"I've a dispatch to send across."

"Not a telegram!"

"It is."

"Somebody in trouble?"

"As to that," the young woman replied, "I'm not permitted to say. It's a secret of the office."

"Is you permitted t' tell who the telegram is from?"

The young woman opened her eyes. This was astonishing simplicity. Permitted to tell who the telegram was from!

"I should think not!" she declared.

"Is you permitted t' tell who 'tis for?"

The young woman debated the propriety of disclosing the name. Presently she decided that no regulation of the office would be violated by a frank answer. Obviously she could not send the message without announcing its destination.

"Are you acquainted with Mrs. Jacob Luke?" said she.

Tommy Lark turned to Sandy Rowl. Sandy Rowl turned to Tommy Lark. Their eyes met. Both were concerned. It was Tommy Lark that replied.

"We is," said he. "Is the telegram for she?"

"It is."

"From Grace Harbor?"

"I'm not permitted to tell you that."

"Well then, if the telegram is for Mrs. Jacob Luke," said Tommy Lark gravely, "Sandy Rowl an' me will take a look at the ice in Scalawag Run an' see what we makes of it. I 'low we'll jus' have to. Eh, Sandy?"

Sandy Rowl's face was twisted with doubt. For a moment he deliberated. In the end he spoke positively.

"We'll take a look at it," said he.

They went then to the crest of Black Cliff to survey the ice in the run. Not a word was spoken on the way. A momentous situation, by the dramatic quality of which both young men were moved, had been precipitated by the untimely receipt of the telegram for Elizabeth Luke's mother.

Point-o'-Bay, in the lee of which the cottages of Point-o'-Bay Cove were gathered, as in the crook of a finger, thrust itself into the open sea. Scalawag Island, of which Scalawag Harbor was a sheltered cove, lay against the open sea. Between Point-o'-Bay and Scalawag Island was the run called Scalawag, of the width of two miles, leading from the wide open into Whale Bay, where it was broken and lost in the mist of the islands. There had been wind at sea—a far-off gale, perhaps, then exhausted, or plunging away into the southern seas, leaving a turmoil of water behind it.

Directly into the run, rolling from the open, the sea was swelling in gigantic billows. There would have been no crossing at all had there not been ice in the run; but there was ice in the run—plenty of ice, fragments of the fields in the Labrador drift, blown in by a breeze of the day before, and wallowing there, the wind having fallen away to a wet, gray breeze which served but to hold the ice in the bay.

It seemed, from the crest of Black Cliff, where Tommy Lark and Sandy Rowl stood gazing, each debating with his own courage, that the ice was heavy enough for the passage—thick ice, of varying extent, from fragments, like cracked ice, to wide pans; and the whole, it seemed, floated in contact, pan touching pan all the way across from the feet of Black Cliff to the first rocks of Scalawag Harbor.

What was inimical was the lift and fall of the ice in the great swells running in from the open sea.

"Well?" said Tommy Lark.

"I don't know. What do you think?"

"It might be done. I don't know."

"Ay; it might be. No tellin' for sure, though. The ice is in a wonderful tumble out there."

"Seems t' be heavy ice on the edge o' the sea."

"'Tis in a terrible commotion. I'd not chance it out there. I've never seed the ice so tossed about in the sea afore."

Tommy Lark reflected.

"Ay," he determined at last; "the best course across is by way o' the heavy ice on the edge o' the sea. There mus' be a wonderful steep slant t' some o' them pans when the big seas slips beneath them. Yet a man could go warily an' maybe keep from slidin' off. If the worst comes t' the worst, he could dig his toes an' nails in an' crawl. 'Tis not plain from here if them pans is touchin' each other all the way across; but it looks that way—I 'low they is touchin', with maybe a few small gaps that a man could get round somehow. Anyhow, 'tis not quite certain that a man would cast hisself away t' no purpose out there; an' if there's evil news in that telegram I 'low a man could find excuse enough t' try his luck."

"There's news both good and evil in it."

"I don't know," said Tommy Lark uneasily. "Maybe there is. 'Tis awful t' contemplate. I'm wonderful nervous, Sandy. Isn't you?"

"I is."

"Think the wind will rise? It threatens."

"I don't know. It has a sort of a switch to it that bodes a night o' temper. 'Tis veerin' t' the east. 'Twill be a gale from the open if it blows at all."

Tommy Lark turned from a listless contemplation of the gray reaches of the open sea.

"News both good an' evil!" he mused.

"The one for me an' the other for you. An' God knows the issue! I can't fathom it."

"I wish 'twas over with."

"Me too. I'm eager t' make an end o' the matter. 'Twill be a sad conclusion for me."

"I can't think it, Sandy. I thinks the sadness will be mine."

"You rouse my hope, Tommy."

"If 'tis not I, 'twill be you."

"'Twill be you."

Tommy Lark shook his head dolefully. He sighed.

"Ah, no!" said he. "I'm not that deservin' an' fortunate."

"Anyhow, there's good news in that telegram for one of us," Sandy declared, "an' bad news for the other. An' whatever the news,—whether good for me an' bad for you, or good for you an' bad for me,—'tis of a sort that should keep for a safer time than this. If 'tis good news for you, you've no right t' risk a foot on the floe this night; if 'tis bad news for you, you might risk what you liked, an' no matter about it. 'Tis the same with me. Until we knows what's in that telegram, or until the fall of a better time than this for crossin' Scalawag Run, we've neither of us no right t' venture a yard from shore."

"You've the right of it, so far as you goes," Tommy Lark replied; "but the telegram may contain other news than the news you speaks of."

"No, Tommy."

"She said nothin' t' me about a telegram. She said she'd send a letter."

"She've telegraphed t' ease her mind."

"Why to her mother?"

"'Tis jus' a maid's way, t' do a thing like that."

"Think so, Sandy? It makes me wonderful nervous. Isn't you wonderful nervous, Sandy?"

"I am that."

"I'm wonderful curious, too. Isn't you?"

"I is. I'm impatient as well. Isn't you?"

"I'm havin' a tough struggle t' command my patience. What you think she telegraphed for?"

"Havin' made up her mind, she jus' couldn't wait t' speak it."

"I wonder what——"

"Me too, Sandy. God knows it! Still an' all, impatient as I is, I can wait for the answer. 'Twould be sin an' folly for a man t' take his life out on Scalawag Run this night for no better reason than t' satisfy his curiosity. I'm in favor o' waitin' with patience for a better time across."

"The maid might be ill," Tommy Lark objected.

"She's not ill. She's jus' positive an' restless. I knows her ways well enough t' know that much."

"She might be ill."

"True, she might; but she——"

"An' if——"

Sandy Rowl, who had been staring absently up the coast toward the sea, started and exclaimed.

"Ecod!" said he. "A bank o' fog's comin' round Point-o'-Bay!"

"Man!"

"That ends it."

"'Tis a pity!"

"'Twill be thick as mud on the floe in half an hour. We must lie the night here."

"I don't know, Sandy."

Sandy laughed.

"Tommy," said he, "'tis a wicked folly t' cling t' your notion any longer."

"I wants t' know what's in that telegram."

"So does I."

"I'm fair shiverin' with eagerness t' know. Isn't you?"

"I'm none too steady."

"Sandy, I jus' got t' know!"

"Well, then," Sandy Rowl proposed, "we'll go an' bait the telegraph lady into tellin' us."

It was an empty pursuit. The young woman from St. John's was obdurate. Not a hint escaped her in response to the baiting and awkward interrogation of Tommy Lark and Sandy Rowl; and the more they besought her, the more suspicious she grew. She was an obstinate young person—she was precise, she was scrupulous, she was of a secretive, untrustful turn of mind; and as she was ambitious for advancement from the dreary isolation of Point-o'-Bay Cove, she was not to be entrapped or entreated into what she had determined was a breach of discipline. Moreover, it appeared to her suspicious intelligence that these young men were too eager for information. Who were they? She had not been long in charge of the office at Point-o'-Bay Cove. She did not know them. And why should they demand to know the contents of the telegram before undertaking the responsibility of its delivery?

As for the degree of peril in a crossing of Scalawag Run, she was not aware of it; she was from St. John's, not out-port born. The ice in the swell of the sea, with fog creeping around Point-o'-Bay in a rising wind, meant nothing to her experience. At any rate, she would not permit herself to fall into a questionable situation in which she might be called severely to account. She was not of that sort. She had her own interests to serve. They would be best served by an exact execution of her duty.

"This telegram," said she, "is an office secret, as I have told you already. I have my orders not to betray office secrets."

Tommy Lark was abashed.

"Look you," he argued. "If the message is of no consequence an' could be delayed——"

"I haven't said that it is of no consequence."

"Then 'tis of consequence!"

"I don't say that it is of consequence. I don't say anything either way. I don't say anything at all."

"Well, now," Tommy complained, "t' carry that message across Scalawag Run would be a wonderful dangerous——"

"You don't have to carry it across."

"True. Yet 'tis a man's part t' serve——"

"My instructions," the young woman interrupted, "are to deliver messages as promptly as possible. If you are crossing to Scalawag Harbor to-night, I should be glad if you would take this telegram with you. If you are not—well, that's not my affair. I am not instructed to urge anybody to deliver my messages."

"Is the message from the maid?"

"What a question!" the young woman exclaimed indignantly. "I'll not tell you!"

"Is there anything about sickness in it?"

"I'll not tell you."

"If 'tis a case o' sickness," Tommy declared, "we'll take it across, an' glad t' be o' service. If 'tis the other matter——"

"What other matter?" the young woman flashed.

"Well," Tommy replied, flushed and awkward, "there was another little matter between Elizabeth Luke an'——"

The young woman started.

"Elizabeth Luke!" she cried. "Did you say Elizabeth Luke?"

"I did, ma'am."

"I said nothing about Elizabeth Luke."

"We knows 'tis from she."

"Ah-ha!" the young woman exclaimed. "You know far too much. I think you have more interest in this telegram than you ought to have."

"I confess it."

The young woman surveyed Tommy Lark with sparkling curiosity. Her eyes twinkled. She pursed her lips.

"What's your name?" she inquired.

"Thomas Lark."

The young woman turned to Sandy Rowl.

"What's your name?" she demanded.

"Alexander Rowl. Is there—is there anything in the telegram about me? Aw, come now!"

The young woman laughed pleasantly. There was a romance in the wind. Her interest was coy.

"Would you like to know?" she teased, her face dimpling.

Sandy Rowl responded readily to this dimpling, flashing banter. A conclusion suggested itself with thrilling conviction.

"I would!" he declared.

"And to think that I could tell you!"

"I'm sure you could, ma'am!"

The young woman turned to Tommy Lark.

"Your name's Lark?"

"Yes, ma'am. There's nothin'—there's nothin' in the telegram about a man called Thomas Lark, is there?"

"And yours is Rowl?"

"Yes, ma'am."

"I'm new to these parts," said the young woman, "and I'm trying to learn all the names I can master. Now, as for this telegram, you may take it or leave it, just as you will. What are you going to do? I want to close the office now and go home to tea."

"We'll take it," said Sandy Rowl. "Eh, Tommy?"

"Ay."

"An' we'll deliver it as soon as we're able. It may be the night. It may not be. What say t' that, Tommy?"

"We'll take it across."

With that the young woman handed the sealed envelope to Tommy Lark and bade them both goodnight.

Tommy Lark thrust the telegram in his waistcoat pocket and buttoned his jacket. Both men turned to the path to the crest of Black Cliff, whence a lesser foot-path led to the shore of the sea.

"One o' the two of us," said Sandy Rowl, "is named in that telegram. I'm sure of it."

Tommy Lark nodded.

"I knows it," Sandy proceeded, "because I seed a flicker in the woman's eye when she learned the two names of us. She's a sly one, that young woman!"

"Ay."

"You is chosen, Tommy."

"No, 'tis not I. 'Tis you. You is selected, Sandy. The woman twinkled when she named you. I marked it t' my sorrow."

"The maid would not choose me, Tommy," Sandy replied, his face awry with a triumphant smile, "when she might have you."

"She've done it."

In advance, on the path to the crest of Black Cliff, Tommy Lark was downcast and grim. Of a faithful, kindly nature in respect to his dealings with others, and hopeful for them all, and quick with an inspiring praise and encouragement, he could discover no virtue in himself, nor had he any compassion when he phrased the chapters of his own future; and though he was vigorous and decisive in action, not deterred by the gloom of any prospect, he was of a gray, hopeless mind in a crisis.

Rowl, however, was of a saucy, sanguine temperament; his faith in his own deserving was never diminished by discouragement; nor, whatever his lips might say, was he inclined to foresee in his future any unhappy turn of fortune. The telegraph operator, he was persuaded, had disclosed an understanding of the situation in a twinkle of her blue eyes and an amused twist of her thin lips; and the twinkle and the twist had indicated the presence of his name in Elizabeth Luke's telegram. Rowl was uplifted—triumphant.

In the wake of Tommy Lark he grinned, his teeth bare with delight and triumph. And as for Tommy Lark, he plodded on, striving grimly up the hill, his mind sure of its gloomy inference, his heart wrenched, his purpose resolved upon a worthy course of feeling and conduct. Let the dear maid have her way! She had chosen her happiness. And with that a good man must be content.

In the courtship of pretty Elizabeth Luke, Tommy Lark had acted directly, bluntly, impetuously, according to his nature. And he had been forehanded with his declaration. It was known to him that Sandy Rowl was pressing the same pursuit to a swift conclusion. Tommy Lark loved the maid. He had told her so with indiscreet precipitation; and into her confusion he had flung the momentous question.

"Maid," said he, "I loves you! Will you wed me?"

Sandy Rowl, being of a more subtle way in all things, had proceeded to the issue with delicate caution, creeping toward it by inches, as a man stalks a caribou. He too had been aware of rivalry; and, having surmised Tommy Lark's intention, he had sought the maid out unwittingly, not an hour after her passionate adventure with Tommy Lark, and had then cast the die of his own happiness.

In both cases the effect had been the same. Elizabeth Luke had wept and fled to her mother like a frightened child; and she had thereafter protested, with tears of indecision, torn this way and that until her heart ached beyond endurance, that she was not sure of her love for either, but felt that she loved both, nor could tell whom she loved the most, if either at all. In this agony of confusion, terrifying for a maid, she had fled beyond her mother's arms, to her grandmother's cottage at Grace Harbor, there to deliberate and decide, as she said; and she had promised to speed her conclusion with all the determination she could command, and to return a letter of decision.

In simple communities, such as Scalawag Harbor, a telegram is a shocking incident. Bad news must be sped; good news may await a convenient time. A telegram signifies the very desperation of haste and need—it conveys news only of the most momentous import; and upon every man into whose hands it falls it lays a grave obligation to expedite its delivery. Tommy Lark had never before touched a telegram; he had never before clapped eyes on one. He was vaguely aware of the telegram as a mystery of wire and a peculiar cunning of men. Telegrams had come to Scalawag Harbor in times of disaster in the course of Tommy Lark's nineteen years of life. Widow Mull, for example, when the White Wolf was cast away at the ice, with George Mull found frozen on the floe, had been told of it in a telegram.

All the while, thus, Tommy Lark's conception of the urgency of the matter mounted high and oppressed him. Elizabeth Luke would not lightly dispatch a telegram from Grace Harbor to her mother at Scalawag. All the way from Grace Harbor? Not so! After all, this could be no message having to do with the affairs of Tommy Lark and Sandy Rowl. Elizabeth would not have telegraphed such sentimental news. She would have written a letter. Something was gone awry with the maid. She was in trouble. She was in need. She was ill. She might be dying. And the more Tommy Lark reflected, as he climbed the dripping Black Cliff path, the more surely was his anxious conviction of Elizabeth Luke's need confirmed by his imagination.

When Tommy Lark and Sandy Rowl came to the crest of Black Cliff, a drizzle of rain was falling in advance of the fog. The wind was clipping past in soggy gusts that rose at intervals to the screaming pitch of a squall. A drab mist had crept around Point-o'-Bay and was spreading over the ice in Scalawag Run. Presently it would lie thick between Scalawag Island and the mainland of Point-o'-Bay Cove.

At the edge of the ice, where the free black water of the open met the huddled floe, the sea was breaking. There was a tossing line of white water—the crests of the breakers flying away in spindrift like long white manes in the wind. Even from the crest of Black Cliff, lifted high above the ice and water of the gray prospect below, it was plain that a stupendous sea was running in from the darkening open, slipping under the floe, swelling through the run, and subsiding in the farthest reaches of the bay.

From the broken rock of Black Cliff to the coast of Scalawag Run, two miles beyond, where Scalawag Harbor threatened to fade and vanish in the fog and falling dusk, the ice was in motion, great pans of the pack tossing like chips in the gigantic waves. Nowhere was the ice at rest. It was neither heavy enough nor yet sufficiently close packed to flatten the sea with its weight. And a survey of the creeping fog and the ominous approach of a windy night portended that no more than an hour of drab light was left for the passage.

"'Tis a perilous task t' try," said Tommy Lark. "I never faced such a task afore. I fears for my life."

"'Tis a madcap thing t' try!"

"Ay, a madcap thing. A man will need madman's luck t' come through with his life."

"Pans as steep as a roof out there!"

"Slippery as butter, Sandy. 'Twill be ticklish labor t' cling t' some o' them when the sea cants them high. I wish we had learned t' swim, Sandy, when we was idle lads t'gether. We'll sink like two jiggers if we slips into the water. Is you comin' along, Sandy? It takes but one man t' bear a message. I'll not need you."

"Tommy," Sandy besought, "will you not listen t' reason an' wisdom?"

"What wisdom, Sandy?"

"Lave us tear open the telegram an' read it."

"Hoosh!" Tommy ejaculated. "Such a naughty trick as that! I'll not do it. I jus' couldn't."

"'Tis a naughty trick that will save us a pother o' trouble."

"I'm not chary o' trouble in the maid's behalf."

"'Twill save us peril."

"I've no great objection t' peril in her service. I'll not open the telegram; I'll not intrude on the poor maid's secrets. Is you comin' along?"

Sandy Rowl put a hand on Tommy Lark's shoulder.

"What moves you," said he impatiently, "to a mad venture like this, with the day as far sped as it is?"

"I'm impelled."

"What drives you?"

"The maid's sick."

"Huh!" Sandy scoffed. "A lusty maid like that! She's not sick. As for me, I'm easy about her health. She's as hearty at this minute as ever she was in her life. An' if she isn't, we've no means o' bein' sure that she isn't. 'Tis mere guess-work. We've no certainty of her need. T' be drove out on the ice o' Scalawag Run by the guess-work o' fear an' fancy is a folly. 'Tis not demanded. We've every excuse for lyin' the night at Point-o'-Bay Cove."

"I'm not seekin' excuse."

"You've no need to seek it. It thrusts itself upon you."

"Maybe. Yet I'll have none of it. 'Tis a craven thing t' deal with."

"'Tis mere caution."

"Well, well! I'll have no barter with caution in a case like this. I crave service. Is you comin' along?"

Sandy Rowl laughed his disbelief.

"Service!" said he. "You heed the clamor o' your curiosity. That's all that stirs you."

"No," Tommy Lark replied. "My curiosity asks me no questions now. Comin' up the hill, with this here telegram in my pocket, I made up my mind. 'Tis not I that the maid loves. It couldn't be. I'm not worthy. Still an' all, I'll carry her message t' Scalawag Harbor. An' if I'm overcome I'll not care very much—save that 'twill sadden me t' know at the last that I've failed in her service. I've no need o' you, Sandy. You've no call to come. You may do what you likes an' be no less a man. As you will, then. Is you comin'?"

Sandy reflected.

"Tommy," said he then, reluctantly, "will you listen t' what I should tell you?"

"I'll listen."

"An' will you believe me an' heed me?"

"I'll believe you, Sandy."

"You've fathomed the truth o' this matter. Tis not you that the maid loves. 'Tis I. She've not told me. She've said not a word that you're not aware of. Yet I knows that she'll choose me. I've loved more maids than one. I'm acquainted with their ways. An' more maids than one have loved me. I've mastered the signs o' love. I've studied them; I reads them like print. It pleases me t' see them an' read them. At first, Tommy, a maid will not tell. She'll not tell even herself. An' then she's overcome; an', try as she may to conceal what she feels, she's not able at all t' do it. The signs, Tommy? Why, they're all as plain in speech as words themselves could be! Have you seed any signs, boy? No. She'll not wed you. 'Tis not in her heart t' do it, whatever her mind may say. She'll wed me. I knows it. An' so I'll tell you that you'll waste your labor if you puts out on Scalawag Run with the notion o' winnin' the love o' this maid with bold behavior in her service. If that's in your mind, put it away. Turn with me t' Point-o'-Bay Cove an' lie safe the night. I'm sorry, Tommy. You'll grieve, I knows, t' lose the maid. I could live without her. True. There's other maids as fair as she t' be found in the world. Yet I loves this maid more than any maid that ever I knowed; an' I'd be no man at all if I yielded her to you because I pitied your grief."

"I'm not askin' you t' yield her."

"Nor am I wrestin' her away. She've jus' chose for herself. Is she ever said she cared for you, Tommy?"

"No."

"Is there been any sign of it?"

"She've not misled me. She've said not a word that I could blame her for. She—she've been timid in my company. I've frightened her."

"She's merry with me."

"Ay."

"Her tongue jus' sounds like brisk music, an' her laughter's as free as a spring o' water."

"She've showed me no favor."

"Does she blush in your presence?"

"She trembles an' goes pale."

"Do her eyes twinkle with pleasure?"

"She casts them down."

"Does she take your arm an' snuggle close?"

"She shrinks from me."

"Does she tease you with pretty tricks?"

"She does not," poor Tommy replied. "She says, 'Yes, sir!' an' 'No, sir!' t' me."

"Ha!" Sandy exclaimed. "'Tis I that she'll wed!"

"I'm sure of it. I'm content t' have her follow her will in all things. I loves the maid. I'll not pester her with complaint. Is you comin' along?"

"Tis sheer madness!"

"Is you comin' along?"

Sandy Rowl swept his hand over the prospect of fog and spindrift and wind-swept ice.

"Man," he cried, "look at that!"

"The maid's sick," Tommy Lark replied doggedly. "I loves her. Is you comin' along?"

"You dunderhead!" Sandy Rowl stormed. "I got t' go! Can't you understand that? You leaves me no choice!"

When Tommy Lark and Sandy Rowl had leaped and crept through half the tossing distance to Scalawag Harbor, the fog had closed in, accompanied by the first shadows of dusk, and the coast and hills of Scalawag Island were a vague black hulk beyond, slowly merging with the color of the advancing night. The wind was up—blowing past with spindrift and a thin rain; but the wind had not yet packed the ice, which still floated in a loose, shifting floe, spotted and streaked with black lakes and lanes of open water. They had taken to the seaward edge of the pack for the advantage of heavier ice.

A line of pans, sluggish with weight, had lagged behind in the driving wind of the day before, and was now closing in upon the lighter fragments of the pack, which had fled in advance and crowded the bay. Whatever advantage the heavier ice offered in the solidity of its footing, and whatever in the speed with which it might be traversed by agile, daring men, was mitigated by another condition involved in its exposed situation. It lay against the open sea; and the sea was high, rolling directly into Scalawag Run, in black, lofty billows, crested with seething white in the free reaches of the open. The swells diminished as they ran the length of the run and spent themselves in the bay. Their maximum of power was at the edge of the ice.

In Scalawag Run, thus, the ice was like a strip of shaken carpet—it's length rolling in lessening waves from first to last, as when a man takes the corners of an end of the strip and snaps the whole to shake the dust out of it; and the spindrift, blown in from the sea and snatched from the lakes in the mist of the floe, may be likened to clouds of white dust, half realized in the dusk.

As the big seas slipped under the pack, the pans rose and fell; they were never at rest, never horizontal, except momentarily, perhaps, on the crest of a wave and in the lowest depths of a trough. They tipped—pitched and rolled like the deck of a schooner in a gale of wind. And as the height of the waves at the edge of the ice may fairly be estimated at thirty feet, the incline of the pans was steep and the surface slippery.

Much of the ice lying out from Point-o'-Bay was wide and heavy. It could be crossed without peril by a sure-footed man. Midway of the run, however, the pans began to diminish in size and to thin in quantity; and beyond, approaching the Scalawag coast, where the wind was interrupted by the Scalawag hills, the floe was loose and composed of a field of lesser fragments. There was still a general contact—pan lightly touching pan; but many of the pans were of an extent so precariously narrow that their pitching surface could be crossed only on hands and knees, and in imminent peril of being flung off into the gaps of open water.

It was a feat of lusty agility, of delicate, experienced skill, of steadfast courage, to cross the stretches of loose ice, heaving, as they were, in the swell of the sea. The foothold was sometimes impermanent—blocks of ice capable of sustaining the weight of a man through merely a momentary opportunity to leap again; and to the scanty chance was added the peril of the angle of the ice and the uncertainty of the path beyond.

Once Tommy Lark slipped when he landed on an inclined pan midway of a patch of water between two greater pans. His feet shot out and he began to slide feet foremost into the sea, with increasing momentum, as a man might fall from a steep, slimy roof. The pan righted in the trough, however, to check his descent over the edge of the ice. When it reached the horizontal in the depths of the trough, and there paused before responding to the lift of the next wave, Tommy Lark caught his feet; and he was set and balanced against the tip and fling of the pan in the other direction as the wave slipped beneath and ran on. When the ice was flat and stable on the crest of the sea, he leaped from the heavy pan beyond, and then threw himself down to rest and recover from the shudder and daze of the fate he had escaped. And the dusk was falling all the while, and the fog, closing in, thickened the dusk, threatening to turn it impenetrable to the beckoning lights in the cottages of Scalawag Harbor.

Having come, at last, to a doubtful lane, sparsely spread with ice, Tommy Lark and Sandy Rowl were halted. They were then not more than half a mile from the rocks of Scalawag. From the substantial ground of a commodious block, with feet spread to brace themselves against the pitch of the pan as a man stands on a heaving deck, they appraised the chances and were disheartened. The lane was like a narrow arm of the sea, extending, as nearly as could be determined in the dusk, far into the floe; and there was an opposite shore—another commodious pan. In the black water of the arm there floated white blocks of ice. Some were manifestly substantial: a leaping man could pause to rest; but many—necessary pans, these, to a crossing of the lane—were as manifestly incapable of bearing a man up.

As the pan upon which Tommy Lark and Sandy Rowl stood lay near the edge of the floe, the sea was running up the lane in almost undiminished swells—the long, slow waves of a great ground swell, not a choppy wind-lop, but agitated by the wind and occasionally breaking. It was a thirty-foot sea in the open. In the lane it was somewhat less—not much, however; and the ice in the lane and all round about was heaving in it—tumbled about, rising and falling, the surface all the while at a changing slant from the perpendicular.

Rowl was uneasy.

"What you think, Tommy?" said he. "I don't like t' try it. I 'low we better not."

"We can't turn back."

"No; not very well."

"There's a big pan out there in the middle. If a man could reach that he could choose the path beyond."

"'Tis not a big pan."

"Oh, 'tis a fairish sort o' pan."

"'Tis not big enough, Tommy."

Tommy Lark, staggering in the motion of the ice, almost off his balance, peered at the pan in the middle of the lane.

"'Twould easily bear a man," said he.

"'Twould never bear two men."

"Maybe not."

"Isn't no 'maybe' about it," Rowl declared. "I'm sure 'twouldn't bear two men."

"No," Tommy Lark agreed. "I 'low 'twouldn't."

"A man would cast hisself away tryin' t' cross on that small ice."

"I 'low he might."

"Well, then," Rowl demanded, "what we goin' t' do?"

"We're goin' t' cross, isn't we?"

"'Tis too parlous a footin' on them small cakes."

"Ay; 'twould be ticklish enough if the sea lay flat an' still all the way. An' as 'tis——"

"'Tis like leapin' along the side of a steep."

"Wonderful steep on the side o' the seas."

"Too slippery, Tommy. It can't be done. If a man didn't land jus' right he'd shoot off."

"That he would, Sandy!"

"Well?"

"I'll go first, Sandy. I'll start when we lies in the trough. I 'low I can make that big pan in the middle afore the next sea cants it. You watch me, Sandy, an' practice my tactics when you follow. I 'low a clever man can cross that lane alive."

"We're in a mess out here!" Sandy Rowl complained. "I wish we hadn't started."

"'Tisn't so bad as all that."

"A loud folly!" Rowl growled.

"Ah, well," Tommy Lark replied, "a telegram's a telegram; an' the need o' haste——"

"'Twould have kept well enough."

"'Tis not a letter, Sandy."

"Whatever it is, there's no call for two men t' come into peril o' their lives——"

"You never can tell."

"I'd not chance it again for——"

"We isn't drowned yet."

"Yet!" Rowl exclaimed. "No—not yet! We've a minute or so for prayers!"

Tommy Lark laughed.

"I'll get under way now," said he. "I'm not so very much afraid o' failin'."

There was no melodrama in the situation. It was a commonplace peril of the coast; it was a reasonable endeavor. It was thrilling, to be sure—the conjunction of a living peril with the emergency of the message. Yet the dusk and sweeping drizzle of rain, the vanishing lights of Scalawag Harbor, the interruption of the lane of water, the mounting seas, their declivities flecked with a path of treacherous ice, all were familiar realities to Tommy Lark and Sandy Rowl. Moreover, a telegram was not a letter. It was an urgent message. It imposed upon a man's conscience the obligation to speed it. It should be delivered with determined expedition. Elsewhere, in a rural community, for example, a good neighbor would not hesitate to harness his horse on a similar errand and travel a deep road of a dark night in the fall of the year; nor, with the snow falling thick, would he confront a midnight trudge to his neighbor's house with any louder complaint than a fretful growl.

It was in this spirit, after all, touched with an intimate solicitude which his love for Elizabeth Luke aroused, that Tommy Lark had undertaken the passage of Scalawag Run. The maid was ill—her message should be sped. As he paused on the brink of the lane, however, waiting for the ice to lie flat in the trough, poised for the spring to the first pan, a curious apprehension for the safety of Sandy Rowl took hold of him, and he delayed his start.

"Sandy," said he, "you be careful o' yourself."

"I will that!" Sandy declared. He grinned. "You've no need t' warn me, Tommy," he added.

"If aught should go amiss with you," Tommy explained, "'twould be wonderful hard—on Elizabeth."

Sandy Rowl caught the honest truth and unselfishness of the warning in Tommy Lark's voice.

"I thanks you, Tommy," said he. "'Twas well spoken."

"Oh, you owes me no thanks," Tommy replied simply. "I'd not have the maid grieved for all the world."

"I'll tell her that you said so."

Tommy was startled.

"You speak, Sandy," said he in gloomy foreboding, "as though I had come near t' my death."

"We've both come near t' death."

"Ay—maybe. Well—no matter."

"'Tis a despairful thing to say."

"I'm not carin' very much what happens t' my life," young Tommy declared. "You'll mind that I said so. An' I'm glad that I isn't carin' very much any more. Mark that, Sandy—an' remember."

Between the edge of Tommy Lark's commodious pan and the promising block in the middle of the lane lay five cakes of ice. They varied in size and weight; and they were swinging in the swell—climbing the steep sides of the big waves, riding the crests, slipping downhill, tipped to an angle, and lying flat in the trough of the seas. In respect to their distribution they were like stones in a brook: it was a zigzag course—the intervals varied. Leaping from stone to stone to cross a brook, using his arms to maintain a balance, a man can not pause; and his difficulty increases as he leaps—he grows more and more confused, and finds it all the while harder to keep upright. What he fears is a mossy stone and a rolling stone. The small cakes of ice were as slippery as a mossy stone in a brook, and as treacherously unstable as a rolling stone; and in two particulars they were vastly more difficult to deal with; they were all in motion, and not one of them would bear the weight of a man. There was more ice in the lane. It was a mere scattering of fragments and a gathered patch or two of slush.

Tommy Lark's path to the pan in the middle of the lane was definite: the five small cakes of ice—he must cover the distance in six leaps without pause; and, having come to the middle of the lane, he could rest and catch his breath while he chose out the course beyond. If there chanced to be no path beyond, discretion would compel an immediate return.

"Well," said he, crouching for the first leap, "I'm off, whatever comes of it!"

"Mind the slant o' the ice!"

"I'll take it in the trough."

"Not yet!"

Tommy Lark waited for the sea to roll on.

"You bother me," he complained. "I might have been half way across by this time."

"You'd have been cotched on the side of a swell. If you're cotched like that you'll slip off the ice. There isn't a man livin' can cross that ice on the slant of a sea."

"Be still!"

The pan was subsiding from the incline of a sea to the level of the trough.

"Now!" Sandy Rowl snapped.

When the ice floated in the trough, Tommy Lark leaped, designing to attain his objective as nearly as possible before the following wave lifted his path to an incline. He landed fairly in the middle of the first cake, and had left it for the second before it sank. The second leap was short. It was difficult, nevertheless, for two reasons. He had no time to gather himself for the impulse, and his flight was taken from sinking ground. Almost he fell short. Six inches less, and he would have landed on the edge of the cake and toppled back into the sea when it tipped to the sudden weight. But he struck near enough to the center to restrain the ice, in a few active steps, from sinking by the edge; and as the second cake was more substantial than the first, he was able to leap with confidence for the third, whence he danced lightly toward the fourth.

"Well, I'm off, whatever comes of it."[ToList]

The fourth cake, however, lay abruptly to the right. A sudden violent turn was required to reach it. It was comparatively substantial; but it was rugged rather than flat—there was a niggardly, treacherous surface for landing, and as ground for a flight the cake furnished a doubtful opportunity. There was no time for recovery. When Tommy Lark landed, the ice began to waver and sink. He had landed awkwardly, his feet in a tangle; and, as there was no time for placing his feet in a better way, he must leap awkwardly—leap instantly, leaving the event to chance. And leap he did. It was a supreme effort toward the fifth cake.

By this time the ice was fast climbing the side of a swelling wave. The crest of the sea was higher than Tommy Lark's head. Had the sea broken it would have fallen on him—it would have submerged and overwhelmed him. It did not break. The wind snatched a thin spindrift from the crest and flung it past like a squall of rain. That was all. Tommy Lark was midway of the sea, as a man might be on the side of a steep hill: there was the crest above and the trough below; and the fifth cake of ice was tipped to an increasingly perilous angle. Moreover, it was small; it was the least of all—a momentary foothold, to be touched lightly in passing on to the slant of the wide pan in the middle of the lane.

All this was clear to Tommy Lark when he took his awkward leap from the fourth cake. What he feared was less the meager proportions of the fifth cake—which would be sufficient, he fancied, to give him an impulse for the last leap—than the slant of the big pan to which he was bound, which was precisely as steep as the wave it was climbing. And this fear was justified by the event. Tommy Lark touched the little cake with the toe of his seal-hide boot, with the sea then nearing its climax, and alighted prostrate on the smooth slant of the big pan. He grasped for handhold: there was none; and, had not the surface of the pan been approaching a horizontal on the crest of the sea, he would have shot over the edge. Nothing else saved him.

Tommy Lark rose and established his balance with widespread feet and waving arms.

"'Tis not too bad," he called.

"What's beyond?"

"No trouble beyond."

There was more ice beyond. It was small. Tommy Lark danced across to the other side of the lane, however, without great difficulty. He could not have paused on the way. The ice, thick though it was, was too light.

"Safe over!" he shouted.

"I'm comin'."

"Mind the leap for the big pan. 'Tis a ticklish landin'. That's all you've t' fear."

Sandy Rowl was as agile as Tommy Lark. He was as competent—he was as practiced. Following the same course as Tommy Lark, he encountered the same difficulties and met them in the same way; and thus he proceeded from the first sinking cake through the short leap to the second more substantial one, whence he leaped with confidence to the third, landed on the rugged fourth, his feet ill placed for the next leap, and sprang awkwardly for the small fifth cake, meaning to touch it lightly on his course to the big pan.

But he had started an instant too soon. When, therefore, he came to the last leap, with the crest of the wave above him and the trough below, the pan was midway of the side of the sea, its inclination at the widest. He slipped—fell; and he rolled off into the water and sank. When he came to the surface, the ice was on the crest of the sea, beginning its descent. He grasped the edge of it and tried to draw himself aboard. In this he failed. The pan was too thick—too high in the water; and the weight of his boots and clothes was too great to overcome. In the trough of the sea, where his opportunity was best, he almost succeeded. He established one knee on the pan and strove desperately and with all his strength to lift himself over the edge. But the pan began to climb before he succeeded, leaving him helpless on the lower edge of the incline; and the best he could do to save himself was to cling to it with bare, striving fingers, waiting for his opportunity to renew itself.

To Tommy Lark it was plain that Sandy Rowl could not lift himself out of the water.

"Hang fast'" he shouted. "I'll help you!"

Timing his start, as best he was able, to land him on the pan in the middle of the lane when it lay in the trough, Tommy Lark set out to the rescue. It will be recalled that the pan would not support two men. Two men could not accurately adjust their weight. Both would strive for the center. They would grapple there; and, in the end, when the pan jumped on edge both would be thrown off.

Tommy Lark was aware of the capacity of the pan. Had that capacity been equal to the weight of two men, it would have been a simple matter for him to run out, grasp Sandy Rowl by the collar, and drag him from the water. In the circumstances, however, what help he could give Sandy Rowl must be applied in the moment through which he would remain on the ice before it sank; and enough of the brief interval must be saved wherein to escape either onward or back.

Rowl did not need much help. With one knee on the ice, lifting himself with all his might, a strong, quick pull would assist him over the edge. But Rowl was not ready. When Tommy Lark landed on the pan, Sandy was deep in the water, his hands gripping the ice, his face upturned, his shoulders submerged. Tommy did not even pause. He ran on to the other side of the lane. When he turned, Rowl had an elbow and foot on the pan and was waiting for help; but Tommy Lark hesitated, disheartened—the pan would support less weight than he had thought.

The second trial failed. Rowl was ready. It was not that. Tommy Lark landed awkwardly on the pan from the fifth cake of ice. He consumed the interval of his stay in regaining his feet. He did not dare remain. Before he could stretch a hand toward Rowl, the pan was submerged, and he must leap on in haste to the opposite shore of the lane; and the escape had been narrow—almost he had been caught.

Returning, then, to try for the third time, he caught Rowl by the collar, jerked him, felt him rise, dropped him, sure that he had contributed the needed impulse, and ran on. But when he turned, confident that he would find Rowl sprawling on the pan, Rowl had failed and dropped back in the water.

For the fourth time Tommy essayed the crossing, with Rowl waiting, as before, foot and elbow on the ice; and he was determined to leap more cautiously from the fifth cake of ice and to risk more on the pan that he might gain more—to land more circumspectly, opposing his weight to Rowl's weight, and to pause until the pan was flooded deep. The plan served his turn. He landed fairly, bent deliberately, caught Rowl's coat with both hands, dragged him on the pan, leaped away, springing out of six inches of water; and when, having crossed to the Scalawag shore of the lane, he turned, Rowl was still on the ice, flat on his back, resting. It was a rescue.

Presently Sandy Rowl joined Tommy Lark.

"All right?" Tommy inquired.

"I'm cold an' I'm drippin'," Sandy replied; "but otherwise I'm fair enough an' glad t' be breathin' the breath o' life. I won't thank you, Tommy."

"I don't want no thanks."

"I won't thank you. No, Tommy. I'll do better. I'll leave Elizabeth t' thank you. You've won a full measure o' thanks, Tommy, from Elizabeth."

"You thinks well o' yourself," Tommy declared. "I'm danged if you don't!"

An hour later Tommy Lark and the dripping Sandy Rowl entered the kitchen of Elizabeth Luke's home at Scalawag Harbor. Skipper James was off to prayer meeting. Elizabeth Luke's mother sat knitting alone by the kitchen fire. To her, then, Tommy Lark presented the telegram, having first warned her, to ease the shock, that a message had arrived, contents unknown, from the region of Grace Harbor. Having commanded her self-possession, Elizabeth Luke's mother received and read the telegram, Tommy Lark and Sandy Rowl standing by, eyes wide to catch the first indication of the contents in the expression of the slow old woman's countenance.

There was no indication, however—not that Tommy Lark and Sandy Rowl could read. Elizabeth Luke's mother stared at the telegram; that was all. She was neither downcast nor rejoiced. Her face was blank.

Having read the brief message once, she read it again; and having reflected, and having read it for the third time, and having reflected once more, without achieving any enlightenment whatsoever, she looked up, her wrinkled face screwed in an effort to solve the mystery. She pursed her lips, she tapped the floor with her toe, she tapped her nose with her forefinger, she pushed up her spectacles, she scratched her chin, even she scratched her head; and then she declared to Tommy Lark and Sandy Rowl that she could make nothing of it at all.

"Is the maid sick?" Tommy inquired.

"She is."

"I knowed it!" Tommy declared.

"She says she's homesick." Elizabeth's mother pulled down her spectacles and referred to the telegram. "'Homesick,' says she," she added.

"What else?"

"I can't fathom it. I knows what she means when she says she's homesick; I've been that myself. But what's this about Squid Cove? 'Tis the queerest thing ever I knowed!"

Tommy Lark flushed.

"Woman," he demanded, eager and tense, "what does the maid say about Squid Cove?"

"She says she's homesick for the cottage in Squid Cove. An' that's every last word that she says."

"There's no cottage in Squid Cove," said Sandy.

"No cottage there," Elizabeth's mother agreed, "t' be homesick for. 'Tis a very queer thing."

"There's no cottage in Squid Cove," said Tommy Lark; "but there's lumber for a cottage lyin' there on the rocks."

"What about that?"

"'Tis my lumber!" Tommy roared. "An' the maid knows it!"

II

THE SIREN OF SCALAWAG RUN

II[ToC]

THE SIREN OF SCALAWAG RUN

Scalawag Run suspected the sentimental entanglement into which Fate had mischievously cast Dickie Blue and pretty Peggie Lacey and there abandoned them; and Scalawag Run was inclined to be more scornful than sympathetic. What Dickie Blue should have done in the circumstances was transparent to every young blade in the harbor—an instant, bold behavior, issuing immediately in the festive popping of guns at a wedding and a hearty charivari thereafter; and those soft devices to which pretty Peggy Lacey should have resorted without scruple in her own relief, were not unknown, you may be sure, to the wise, whispering maids of the place. It was too complacently agreed that the situation, being left to the direction and mastery of Time, would proceed to a happy conclusion as a matter of course. There would be a conjunction of the light of the moon, for example, with the soft, love-lorn weather of June—the shadows of the alders on the winding road to Squid Cove and the sleepy tinkle of the goats' bells dropping down from the slopes of The Topmast into the murmur of the sea. There had been just such favorable auspices of late, however—June moonlight and the music of a languorous night, with Dickie Blue and pretty Peggy Lacey meandering the shadowy Squid Cove road together; and the experience of Scalawag Run was still defied—no blushes and laughter and shining news of a wedding at Scalawag Run.

Dickie Blue, returning from the Squid Cove road, found his father, Skipper John, waiting at the gate.

"Well?" Skipper John demanded.

"'Tis I, sir."

"I knows that. I been waitin' for you. How'd ye get along the night?"

"I got along well enough."

"How far did yer get along?"

"I—I proceeded."

"What did ye do?"

"Who, sir?" Dickie replied. "Me?"

"Ay, you! Who else?"

"I didn't do nothin' much," said Dickie.

"Ha!" Skipper John snorted. "Nothin' much, eh! Was you with the maid at all on the roads?"

"Well, yes, sir," Dickie replied. "I was with her."

Skipper John spoke in scorn. "You was with her!" said he. "An' you didn't do nothin' much! Well, well!" And then, explosively: "Did you do nothin' at all?"

"I didn't go t' no great lengths with her."

"What lengths?"

"Well," Dickie drawled, "I——"

Skipper John broke in impatiently. "What I wants t' know," said he, "is a very simple thing. Did you pop?"

"Me?"

Skipper John was disgusted.

"Ecod!" he ejaculated. "Then you didn't!"

"I didn't pop," said Dickie. "That is—not quite."

"Did you come into peril o' poppin'?"

"Well," Dickie admitted, "I brooded on it."

"Whew!" Skipper John ejaculated. "You brooded on it, did you? An' what happened then?"

"I—I hesitated."

"Well, well! Now that was cautious, wasn't it? An' why did you—hesitate?"

"Dang it!" Dickie complained, "t' hear you talk, a man might think that Peggy Lacey was the only maid in Scalawag Run. I'm willin' an' eager t' be wed. I jus' don't want t' make no mistake. That's all. Dang it, there's shoals o' maids hereabouts! An' I isn't goin' t' swallow the first hook that's cast my way. I'll take my time, sir, an' that's an end o' the matter."

"You're nigh twenty-one," Skipper John warned.

"I've time enough yet. I'm in no hurry."

"Pah!" Skipper John snorted. "'Tis a poor stick of a man that's as slow as you at courtin'! No hurry, eh? What ye made of, anyhow? When I was your age——"

"Have done with boastin', sir. I'll not be driven. I'll pick and choose an' satisfy my taste."

"Is Peggy Lacey a wasteful maid?" Skipper John inquired.

"No; she's not a wasteful maid."

"Is she good?"

"She's pious enough for me."

"Is she healthy?"

"Nothin' wrong with her health that anybody ever fetched t' my notice. She seems sound."

"Is she fair?"

"She'll pass."

"I'm not askin' if she pass. I'm askin' you if she isn't the fairest maid in Scalawag Run."

"'Tis a matter o' taste, father."

"An' what's your taste—if you have any?"

"If I was pickin' a fault," Dickie replied, "I'd say that she might have a touch more o' color in her cheeks t' match my notion o' beauty."

"A bit too pallid t' suit your delicate notion o' beauty!" Skipper John scoffed. "Well, well!"

"I knows rosier maids than she."

"I've no doubt of it. 'Tis a pity the good Lord's handiwork can't be remedied t' suit you. Mm-mm! Well, well! An' is there anything else out o' the way with God Almighty's idea o' what a fair maid looks like?"

"Dang me!" Dickie protested again. "I isn't denyin' that she's fair!"

"No; but——"

"Ah, well, isn't I got a right t' my notions? What's the harm in admirin' rosy cheeks? Isn't nothin' the matter with rosy cheeks, is there?"

"They fade, my son."

"I knows that well enough, sir," Dickie declared; "but they're pretty while they last. An' I'd never be the man t' complain, sir, when they faded. You'd not think so ill o' me as all that, would you?"

"You'd not—complain when they faded?"

"I'd not shame my honor so!"

"Ah, well, Dick," said Skipper John, having reflected a moment upon this fine, honest sentiment, "'tis not the pallid cheeks o' the maid that trouble you. I knows you well, an' I knows what the trouble is. The maid has been frank enough t' leave you see that she cares for you. She've no wiles to entangle you with; an' I 'low that she'd despise the use o' them anyhow. Did she cast her line with cunnin', she'd hook you soon enough; but that she'll never do, my son—she's too proud an' honest for that. Ay; that's it—too innocent t' conceal her feelin's an' too proud to ensnare you. You was always the lad, Dick, t' scorn what you could have an' crave that which was beyond your reach. Do you mind the time when you took over the little Robin's Wing from Trader Tom Jenkins for the Labrador fishin'? She was offered you on fair credit, an' you found fault with the craft an' the terms, an' dawdled an' complained, until Trader Tom offered her t' Long George Long o' Hide-an'-Seek Harbor; an' then you went flyin' t' Trader Tom's office, with your heart in your mouth, lest you lose the chance afore you got there. Had Trader Tom withheld the Robin's Wing, you would have clamored your voice hoarse t' get her. Speak me fair, now—is you sorry you took the Robin's Wing?"

"I isn't."

"Is you ever repented a minute?"

"No, sir. Why should I?"

"Then there's a hint for your stupidity in that matter. Take the maid an' be done with it. God be thanked I isn't a widower-man. If I was, I'd bring your chance into peril soon enough," said his father. "'Tis t' be a fair day for fishin' the Skiff-an'-Punt grounds the morrow. Go t' bed. I'll pray that wisdom may overcome your caution afore you're decrepit."

Skipper John thought his son a great dunderhead. And Dickie Blue was a dunderhead. No doubt about it. Yet the failing was largely the fault of his years. A strapping fellow, this young Dickie Blue, blue-eyed in the Newfoundland way, and merry and modest enough in the main, who had recently discovered a critical interest in the comparative charms of the maids of the harbor. There were so many maids in the world! Dang it, it was confusing! There was Peggy Lacey. She was adorable. Nobody could deny it. Had she worn roses in her cheeks she would have been irresistible altogether. And there was the new schoolmistress from Grace Harbor. That superior maid had her points, too. She did not lack attractions. They were more intellectual than anything else. Still, they had a positive appeal. There were snares for the heart in brilliant conversation and a traveled knowledge of the world. Dang it, anyhow, a man might number all the maids in the harbor and find charms enough in each! Only a fool would choose from such an abundance in haste. A wise man would deliberate—observe, compare, reflect; and a sure conviction would come of that course.

Well, now, pretty Peggy Lacey, pretty as she was, was not aggressively disposed. She was a passive, too sanguine little creature; and being limpid and tender as well, and more loyal than artful, she had failed to conceal her ardent attachment and its anxious expectancy. Had she loosed a wink of challenge from her gray eyes in another direction, the reluctance of Dickie Blue might have been reduced with astonishing rapidity, and she could have punished his stupidity at will, had she been maliciously inclined. Conceiving such practices to be both cheap and artful, however, and being, after all, of a pretty sturdy turn of character, she rejected the advantages of deceitful behavior, as she called it, and in consequence lived in a state of cruel uncertainty. Worse than that, she was no longer sought; and for this, too, she was wholly responsible. In a spirit of loyalty to Dickie Blue, who deserved nothing so devoted, she had repelled other advances; and when, once, in a wicked mood of pique, as she afterward determined, she had walked with Sandy Watt on the Squid Cove road, the disloyalty implied, mixed with fear of the consequences, made her too wretched to repeat that lapse from a faithful and consistent conduct. She was quite sure that Dickie Blue would be angered again if she did (he was savagely angry)—that he would be driven away for good and all.

"You must not do it again, Peggy," Dickie Blue had admonished. "Now, mind what I'm tellin' you!"

"I won't," the soft little Peggy promised in haste.

"Now, that's sensible," said Dickie Blue. He was in earnest. And his purpose was high.

"Still an' all," Peggy began, "there's no harm——"

"What does a maid know about that?" Dickie interrupted. "It takes a man t' know a man. The lad's not fit company for the likes o' you." It was true. "You must look upon me, Peggy, as an elder brother, an' be guided by my advice. I'll watch over you, Peggy, jus' as well as an elder brother can."

"I'm grateful," Peggy murmured, flushed with pleasure in this interest. "I thanks you."

"There's no call t' thank me," Dickie protested. "'Tis a pleasure t' serve you."

"Thank you," said Peggy.

Skipper John Blue was a hearty old codger. Pretty Peggy Lacey, whose father had been cast away in the Sink or Swim, long ago, on the reefs off Thumb-an'-Finger of the Labrador, loved and used him like a father and found him sufficient to her need. To pretty Peggy Lacey, then, Skipper John cautiously repeated the substance of his conversation with Dickie Blue, adding a whisper of artful advice and a chuckle of delight in it. Peggy Lacey was appalled by the deceitful practice disclosed by Skipper John, whose sophistication she suspected and deplored. She had no notion at all, said she, that such evil as he described could walk abroad and unshamed in the good world, and she wondered what old mischief of his youth had informed him; and she would die a maid, loveless and childless, she declared, rather than have the guilt of a deception of such magnitude on her soul. Moreover, where were the means to be procured for executing the enormity? There was nothing of the sort, she was sure, in Trader Tom Jenkins's shop at Scalawag Run. There was nothing of the sort to be had anywhere short of St. John's; and as for sanctioning a plan so bold as sending a letter and a post-office order to Skipper John's old friend in St. John's, the lively widow o' the late Cap'n Saul Nash, o' the Royal Bloodhound, pretty Peggy Lacey jus' pos'tively would not do no such thing.

Skipper John found his head convenient to assist the expression of his emotion. He scratched it.

"Well, I'm bewildered," said he, "an' I'm not able t' help you at all no more."

"I'll have nobody's help," Peggy Lacey retorted.

"Why not, Peggy?"

"I've my pride t' serve."

"My dear," said Skipper John gravely, "you've also your happiness t' gain."

"I'll gain it alone."

"Aw, now, Peggy," Skipper John coaxed, with a forefinger under Peggy's little chin, "you'd take my help in this an' in all things, wouldn't ye? You is jus' so used t' my help, maid," he added, "that you'd be wonderful lonesome without it."

That was true.

"In most things, Father John," Peggy replied, "I'd take your help an' be glad. Whatever an' all about that, I'll have nobody's help in the world t' win the mastery o' Dickie Blue. Mark that, now! I means it."

"I've showed you the way t' win it."

"Tis dishonest."

"Ay, but——"

"'Tis shameful."

"Still an' all——"

"I'll not do it."

Again Skipper John scratched his head. "'Tis an old sayin'," he protested, "that all's fair in love an' war."

"'Tis a false sayin'," Peggy declared. "Moreover," she argued, "an I took your advice, an' done the schemin' wickedness that you said, 'twould never win Dickie Blue."

"Jus' you try it, maid!"

"I scorn t' try it! I'll practice no wiles whatsoever t' win the likes o' Dickie Blue. An' what would I say when he discovered the deception thereafter?"

"He'd never find out at all."

"Sure, he've eyes t' see with, haven't he?"

"Ay, but he's too stupid t' notice. An' once you're wed——"

"No, no! 'Tis a thing too awful t' plot."

"An you cared enough for the lad," said Skipper John, "you'd stop at nothin' at all."

Peggy's great eyes clouded with tears.

"I cares more for he," said she, "than he cares for me. My heart's jus' sore with grief."

"Ah, no, now!"

"Ay, 'tis!" Peggy sobbed. She put her dark hair against Skipper John's shoulder then. "I'm jus' sick with the need of un!" she said.

Summer went her indifferent way, and Winter blustered into the past, too, without serving the emotions of Scalawag Run; and a new Spring was imminent—warm winds blowing out of the south, the ice breaking from the cliffs and drifting out to sea and back again. Still pretty Peggy Lacey was obdurately fixed in her attitude toward the sly suggestion of Skipper John Blue. Suffer she did—that deeply; but she sighed in secret and husbanded her patience with what stoicism she could command. There were times, twilight falling on the world of sea and rock beyond the kitchen window, with the last fire of the sun failing in the west like a bright hope—there were hours when her fear of the issue was so poignant that her decision trembled. The weather mellowed; the temptation gathered strength and renewed itself persistently—the temptation discreetly to accept the aid of artifice. After all, what matter? 'Twas surely a thing o' small consequence. An' who would ever hear the least whisper about it? For a long time Peggy Lacey rejected the eager promptings of her love—clenched her little red fists and called her pride to the rescue; and then, all at once, of a yellow day, having chanced to glance out of the window and down the harbor in the direction of Cottage Point, and having clapped eyes on a sight that pinched and shook the very heart of her, she was changed in a twinkling into the Siren of Scalawag Run.

Peggy Lacey sped forthwith to Skipper John, whom she found alone in his kitchen, oiling his sealing-gun.

"Father John," she demanded, "what's all this I sees goin' on on the tip o' Cottage Point?"

Skipper John glanced out of the wide kitchen window.

"Ah," said he, "that's on'y young Dickie at labor. He've selected that pretty spot an' is haulin' his lumber afore the snow's gone."

"Haulin' his lumber?" Peggy gasped.

"Mm-m."

"Haulin' l-l-lumber!"

"Mm-m. I sees he've ol' Tog in harness with the rest o' the dogs. Well, well! Tog's too old for that labor."

"Who's the maid?"

"Maid!"

"What's he haulin' lumber for?"

"I 'low he's haulin' lumber jus' for the same reason that any young fellow would haul lumber for in the Spring o' the year."

"'Tis a new house, isn't it?"

"Ay; 'tis a new house. He've been plannin' t' build his house this long time, as you knows very well, an' now he've gone at it in a forehanded way."

"Well, then," Peggy insisted, finding it hard to command breath for the question, "who's the maid?"

"No maid in particular that I knows of."

"Well, I knows!" Peggy flashed. "'Tis the new schoolmistress from Grace Harbor. That's who 'tis!"

"Ah-ha!" said Skipper John.

"Yes, 'tis! She've cotched his fancy with her eyeglasses an' grammar. The false, simperin', titterin' cat! Oh, poor Dickie Blue!"

"Whew!"

"She'd never do for un, Skipper John."

"No?"

"Never. They're not suited to each other at all. He'd be mis'able with her."

Skipper John grinned.

"Poor Dickie!" he sighed.

Peggy Lacey was in tears at last.

"Father John," she sobbed, "I'm jus' desperate with fear an' grief. I can't bear it no longer." She began to pace the floor in a tumult of emotion. "I can't breathe," said she. "I'm stifled. My heart's like t' burst with pain." She paused—she turned to Skipper John, swaying where she stood, her hands pitifully reaching toward the old man, her face gray and dull with the agony she could no longer endure; and her eyes closed, and her head dropped, and her voice fell to a broken whisper. "Oh, hold me!" she entreated. "I'm sick. I'll fall."

Skipper John took her in his arms.

"Ah, hush!" he crooned. "'Tis not so bad as all that. An' he's not worth it, the great dunderhead!"

Peggy Lacey pushed Skipper John away.

"I'll not yield t' nobody!" she stormed, her soft little face gone hard with a savage determination. Her red little lips curled and the nostrils of her saucy little nose contemptuously expanded. "I've neither eye-glasses nor grammar," said she, "but I'll ensnare Dickie Blue for all that."

"I would," said Skipper John.

"I will!"

"An' without scruple!"

"Not a twinge!"

"I'd have no mercy."

"Not I!"

"An' I'd encourage no delay."

"Skipper John, do you write that letter t' St. John's this very day," said Peggy, her soft, slender little body magnificently drawn up to the best of its alluring inches. She snapped, "We'll see what comes o' that!"

"Hoosh!" Skipper John gloated.

"Waste no time, sir. 'Tis a ticklish matter."

"The answer will be shipped straight t' you, Peggy. 'Twill be here in less 'n a fortnight." Skipper John broke into a wild guffaw of laughter. "An' Dickie himself will fetch the trap for his own feet, ecod!"

Peggy remained grave.

"I'm determined," she declared. "There's nothin' will stop me now. I'll do it, no matter what."

"Well, then," said Skipper John, "I 'low 'tis all over but the weddin'."

Skipper John privately thought, after all, that a good deal of fuss was being made over the likes o' Dickie Blue. And I think so too. However, the affair was Peggy Lacey's. And doubtless she knew her own business well enough to manage it without ignorant criticism.

In the Winter weather, when the coast was locked in with ice, and continuing until the first cruise of the mail-boat in May, to be precise, Dickie Blue carried his Majesty's mail, once a fortnight, by government contract, from the railroad at Bottom Harbor to Scalawag Run and all the harbors of Whale Bay. It was inevitable, therefore, that he should be aware of the communication addressed to Miss Peggy Lacey of Scalawag Run; and acutely aware of it he was—the communication and the little box that seemed to accompany it. From Bottom Harbor to All-in-the-Way Island, he reflected occasionally upon the singular circumstance. Who had sent a gift to Peggy Lacey from St. John's? Could it have been Charlie Rush? Charlie Rush was in St. John's to ship for the ice with the sealing fleet. Pausing on the crest of Black Cliff to survey the crossing to Scalawag Run, he came to a conclusion in relation to Peggy Lacey's letter that was not at all flattering to his self-esteem.

The letter mystified Dickie Blue—the author of the communication; but he had no difficulty in surmising the contents of the box to his own satisfaction.

"'Tis a ring," he determined.

By that time the day was near spent. Dusk would fall within the hour. Already the wide flare of light above the wilderness had failed to the dying ashes of its fire. Prudence urged a return to the cottage at Point-o'-Bay Cove for the night. True, it was not far from Black Cliff across the run to the first rocks of Scalawag. It was short of a mile, at any rate. Dickie could glimpse the lights of the Scalawag hills—the folk were lighting the lamps in the kitchens; and he fixed his eyes on Peggy Lacey's light, in the yellow glow of which, no doubt, pretty Peggy was daintily busied with making a supper of no dainty proportions; and he cocked his head and scowled in deliberation, and he stood irresolute on the brink of the cliff, playing with the temptation to descend and cross, as though a whiff from Peggy Lacey's kitchen stove had invited and challenged him over. It was not so much the visionary whiff of Peggy Lacey's supper, however, that challenged his courage: it was Peggy Lacey's letter in the pack on his back, and Peggy Lacey's suggestive packet, that tantalized him to reckless behavior. Ah-ha, he'd show Peggy Lacey what it was to carry the mail in a way that a man should carry it! He'd put the love-letter an' the ring in her hand forthwith. His Majesty's mail would go through that night.

"Ha!" he gloated. "I'll further her courtship. An' that'll settle her, ecod! I'll show her once an' for all that 'tis no matter t' me whom she weds."

There were stout reasons, however, against attempting to cross the run that night. The lane was filled from shore to shore with fragments of ice. Moreover, fog was blowing in from the east in the wake of the departing day, and rain threatened—a cold drizzle. All this being patent, the rain and peril of the passage in contrast with the dry, lighted kitchens of Point-o'-Bay Cove, Dickie Blue crossed Scalawag Run that night notwithstanding; and the mere circumstance of the crossing, where was no haste that he knew of, indicated at least the perturbation of his emotions. Well, Peggy Lacey might wed whom she pleased, an' he'd further her schemes, too, at the risk of his life. She should have her letter at once—her ring without delay; an' as for Dickie Blue, 'twas a closed book of romance—there were other maids at Scalawag Run, fairer maids, more intellectual maids, an' he'd love one o' them soon enough.

When Dickie Blue entered, Skipper John looked up, amazed.

"Did ye cross the run this night?" said he.

"I'll leave you, sir," Dickie answered curtly, "t' solve that deep riddle for yourself. You'll not be needing my help."

Skipper John reflected.

"Was there a letter for Peggy Lacey?" said he. "She've been eager for a message from St. John's."

"There was."

"Nothin' else, I 'low?"

"There was. There was a packet."

"Whew!" Skipper John ejaculated. "That's a pity. I been fearin' an outcome o' that sort. An I was you, Dick," he advised, "I'd lose no time in that direction."

"'Tis not my purpose to."

"Ye'll wed the maid?"

"I will not."

"Ye obstinate dunderhead!" Skipper John scolded. "I believes ye! Dang if I don't! Go to! Shift them wet clothes, sir, an' come t' supper. I hopes a shrew hooks ye. Dang if I don't!"

In gloomy perturbation, in ill humor with the daft dealings of the world he lived in, Dickie Blue left the soggy road and sad drizzle of the night for the warm, yellow light of Peggy Lacey's kitchen, where pretty Peggy, alone in the housewifely operation, was stowing the clean dishes away. Yet his course was shaped—his reflections were determined; and whatever Peggy Lacey might think to the contrary, as he was no better, after all, than a great, blundering, obstinate young male creature, swayed by vanity and pique, and captive of both in that crisis, Peggy Lacey's happiness was in a desperate situation. It was farther away at the moment of Dickie Blue's sullen entrance than ever it had been since first she flushed and shone with the vision of its glorious approach.

Ay—thought the perverse Dickie Blue when he clapped eyes on the fresh gingham in which Peggy Lacey was fluttering over the kitchen floor (he would not deign to look in her gray eyes), the maid might have her letter an' her ring an' wed whom she pleased; an' as for tears at the weddin', they'd not fall from the eyes o' Dickie Blue, who would by that time, ecod, perhaps have consummated an affair with a maid of consequence from Grace Harbor! Ha! There were indeed others! The charms of the intellect were not negligible. They were to be taken into account in the estimate. And Dickie Blue would consider the maid from Grace Harbor.

"She've dignity," thought he, "an' she've learn-in'. Moreover, she've high connections in St. John's an' a wonderful complexion."

Dickie meant it. Ay. And many a man, and many a poor maid, too, as everybody knows, has cast happiness to waste in a mood of that mad description. And so a tragedy impended.

"Is it you, Dick?" says Peggy Lacey.

Dickie nodded and scowled.

"'Tis I. Was you lookin' for somebody else t' call?"

"No, Dickie."

It was almost an interrogation. Peggy Lacey was puzzled. Dickie Blue's gloomy concern was out of the way.

"Well," said Dicky, "I'm sorry."

"An' why?"

"Well," Dickie declared, "if you was expectin' anybody else t' come t' see you, I'd be glad t' have un do so. 'Tis a dismal evenin' for you t' spend alone."

Almost, then, Peggy Lacey's resolution failed her. Almost she protested that she would have a welcome for no other man in the world. Instead she turned arch.

"Did you bring the mail?" she inquired.

"I did."

"Was there nothin' for me?"

"There was."

"A letter!"

"Ay."

Peggy Lacey trembled. Confronting, thus intimately, the enormity she proposed, she was shocked. She concealed her agitation, however, and laid strong hands upon her wicked resolution to restrain its flight.

"Nothin' else?" said she.

"Ay; there was more."

"Not a small packet!"

"Ay; there was a small packet. I 'low you been expectin' some such gift as that, isn't you?"

"A gift! Is it from St. John's?"

"Ay."

"Then I been expectin' it," Peggy eagerly admitted. "Where is it, Dickie? I'm in haste to pry into that packet."

The letter and the package were handed over.

"'Tis not hard," said Dickie, "t' guess the contents of a wee box like that. I could surmise them myself."

Peggy started.

"Wh-wh-what!" she ejaculated. "You know the contents! Oh, dear me!"

"No, I don't know the contents. I could guess them, though, an I had a mind to."

"You never could guess. 'Tis not in the mind of a man t' fathom such a thing as that. There's a woman's secret in this wee box."

"'Tis a ring."

"A ring!" Peggy challenged. "You'd not care, Dickie Blue, an 'twas a ring t' betroth me!"

Dickie Blue was sure that his surmise had gone cunningly to its mark. Pride flashed to the rescue of his self-esteem. His face flared. He rose in wrath.

"Betrothed, is you?" he flung out. "I'll weather it, maid! Ha! I'll weather it!"

"Weather it!" cried poor Peggy, in a flame of indignation.

"I'm not hurt!"

"Sit you down!"

"I'll not sit down. I'm goin'."

"Sit you down, oaf that you is!" Peggy Lacey commanded. "I'll read my letter an' open my packet an' return. Don't ye budge! Don't ye dare!"

Peggy Lacey swept out of the kitchen. Her head was high. There was no compassion in her heart. Nor was she restrained by any lingering fear of the consequences of that wicked deceit to the immediate practice of which she had committed herself. And as for Dickie Blue, he sat stock-still where she had bade him remain, his eyes wide with the surprise of the domination. He did not budge. He did not dare.

Precisely what Peggy Lacey did in the seclusion of her chamber it would be indelicate to disclose. Moreover, I am not minutely aware of all the intricacies of the employment of those mysterious means by which she accomplished the charming effect that she did in some intuitive way presently accomplish; and at any rate I decline the task of description. I confess, however, that the little packet contained a modest modicum of the necessary materials, whatever they were; and I have no hesitation in praising the generous interest, the discretion and exuberant experience of the gay widow of the late Cap'n Saul Nash o' the Royal Bloodhound, whose letter, dealing with the most satisfactory methods of application, as related to the materials aforesaid, whatever they were, and whose wisdom included a happy warning or two—I have no hesitation in admitting that the letter was completely sufficient to enlighten the ignorance of pretty Peggy Lacey, and to steel her resolution and to guide her unreluctant hand in its deceitful work. When at last she stood back from the mirror to survey and appraise the result, she dimpled with delight. It was ravishing, no doubt about that! It supplied the only lack of which the disclosure of sly old Skipper John had informed her. And she tossed her dark head in a proper saucy fashion, and she touched a strand of hair to deliberate disarray, and smoothed her apron; and then she tripped into the kitchen to exercise the wiles of the little siren that she had become.

"I've cast my everlastin' soul into the balance," poor Peggy accused herself, "an' I don't care a whit!"

All this while Dickie Blue had occupied himself with more reasonable reflection than he was accustomed to entertain. Doubt alarmed him. Betrothed, was she? Well, she might be betrothed an she wanted to! Who cared? Still an' all—well, she was young t' be wed, wasn't she? An' she had no discretion in choice. Poor wee thing, she had given herself t' some wastrel, no doubt! Charlie Rush! Ecod! Huh! 'Twas a poor match for a dear maid like she t' make. An' Dickie Blue would miss her sadly when she was wed away from his care an' affection. Affection? Ay; he was wonderful fond o' the pallid wee thing. 'Twas a pity she had no color—no blushes t' match an' assist the roguish loveliness o' the big eyes that was forever near trappin' the heart of a man. Dang it, she was fair anyhow! What was rosy cheeks, after all. They faded like roses. Ah, she was a wonderful dear wee thing! 'Twas a melancholy pity that she was t' be wed so young. Not yet seventeen! Mm-m—'twas far too young. Dang it, Charlie Rush would be home afore long with the means in his pocket for a weddin'! Dang it, they'd be wed when he come! An' then pretty Peggy Lacey would no longer be——

When Peggy Lacey tripped into the kitchen, Dickie Blue was melancholy with the fear that she was more dear than he had known.

"Peggy!" he gasped.

Then he succumbed utterly. She was radiant. Roses? They bloomed in her round cheeks! Dear Lord, what full-blown flowers they were! Dickie Blue went daft with love of Peggy Lacey. No caution now! A flame of love and devotion! Splendor clothed the boy.

"What ails you?" said Peggy defiantly. "You is starin' at me most rudely."

Dickie Blue's mounting love thrilled and troubled him with a protective concern.

"You isn't ill, is you?" he demanded.

"Ill!" she scoffed. "I never felt better in all my life. An' why d'ye ask me that?"

"You're flushed."

"I'm sorry," she replied demurely, "that you've a distaste for the color in my cheeks. I wish I might be able t' rub it off t' suit ye."

He smiled.

"I never seed ye so rosy afore," said he. "You're jus' bloomin' like a flower, Peggy."

"Ah, well," the mendacious little creature replied, with an indifferent shrug of her soft shoulders, "mostly I'm not rosy at all, but there's days when I is. I'm sorry you're offended by rosy cheeks like mine. I'll try not t' have it happen again when you're about."

"I'm not offended, Peggy."

There was that in Dickie Blue's voice to make Peggy Lacey's heart flutter.

"No?" says she.

"Far from it."

"I—I'm s'prised!"

"You—you is jus' beautiful the night, Peggy!"

"The night?"

"An' always was an' always will be!"

"I can't believe ye think it."

Dickie Blue went close to Peggy then. "Peggy," said he, "was there a ring in the wee box I fetched you the night?"

"No, sir."

"Is you betrothed, Peggy?"

Peggy dropped her head to hide the tears. She was more afraid than ever. Yet she must listen, she knew, and reply with courage and truth.

"I—I'm not," she faltered.

"God be thanked!" said Dickie Blue. "Ah, Peggy, Peggy," he whispered, "I loves you!"

"You mustn't say it, Dickie!"

"I can't help myself."

All at once Peggy Lacey's conscience submerged her spirit in a flood of reproaches. There was no maid more false in all the world, she knew, than her own wicked self.

"Dickie," she began, "I—I——"

"Has you no word o' love for me, Peggy? I—I jus' crave it, Peggy, with all my heart. Yes, I do!"

"Stay jus' where you is!" Peggy sobbed. "Don't you budge a inch, Dickie! I'll be back in a minute."

With that she fled. She vanished, indeed, in full flight, into that chamber whence she had issued radiantly rosy a few moments before, once more abandoning Dickie Blue to an interval of salutary reflection. To intrude in pursuit, of course—for the whole troop of us to intrude, curious and gaping, upon those swift measures which Peggy Lacey was impetuously executing in relief of the shafts of her accusing conscience—would be a breach of manners too gross even to contemplate; but something may be inferred from a significant confusion of sounds which the closed door failed altogether to conceal. There was clink of pitcher and basin; there was a great splash of water, as of water being poured with no caution to confine it to the receptacle provided to receive it; there was the thump of a pitcher on the floor; and there was more splashing, then a violent agitation, and the trickle and drip of water, and a second and a third violent agitation of the liquid contents of what appeared to be a porcelain bowl—the whole indicating that the occupant of the chamber was washing her face in haste with a contrite determination to make a thorough success of the ablution. And there was silence, broken by gasps and stifled sobs—doubtless a vigorous rubbing was in course; and then the door was flung open from within, and Peggy Lacey dashed resolutely in the direction of the kitchen.

A moment later Peggy Lacey confronted Dickie Blue. She was reckless; she was defiant. She was tense; she was piercing.

"Look at me!" she commanded.

Dickie Blue was mild and smiling. "I'm lookin'," said he. "I can look no other where."

"Is you lookin' close?"

"Ay. My look's hungry for the sight o' your dear face. I'm blind with admiration. I wants t' gaze forever."

"Where's my roses now?"

"They've fled. What matter?"

"Ay—fled! An' where?"

"They've retreated whence they came so prettily. 'Tis a lure o' that sweet color t' come an' go."

Peggy gasped.

"Whence they came!" she faltered. "Ah, where did they come from, Dickie? Don't ye know?"

"A while gone you was flushed with a pretty modesty," Dickie replied, smiling indulgent explanation, "an' now you is pale with a sad fright at my rough love-makin'."

"I'm not frightened at all. Look at my nose!"

"'Tis the sauciest little knob in the world!"

"Look with care. Count 'em!"

"Count what?"

"There's three freckles on it."

"Ay?"

"An' a half."

"Is it so?"

"There, now! I've told you the truth. I'm pallid. I'm freckled. What d'ye think o' me now?"

"I loves you."

"You don't love me at all. You're quite mistaken. You don't know what you're sayin'."

Dickie was bewildered.

"What's all this pother, Peggy?" he pleaded. "I don't know what you're drivin' at, at all."

"I'm pallid again, isn't I?"

"What matter?" said Dickie. "Ah, Peggy, dear," he protested softly, as he advanced, glowing, upon the trembling little maid before him, "all I knows is that I loves you! Will you wed me?"

Peggy Lacey yielded to his embrace. She subsided there in peace. It was safe harbor, she knew; and she longed never to leave its endearing shelter.

"Yes, sir," she whispered.

At that moment Dickie Blue was the happiest man in the world. And he ought to have been, too! Dang me if he shouldn't! And as for Peggy Lacey, she was the happiest maid in the world, which is somewhat surprising, I confess—never so happy as when, before she sought sleep to escape the sweet agony of her joy, she flung the widow Nash's wicked little box of rouge into the driving darkness and heard it splash in the harbor below her chamber window.

III

THE ART OF TERRY LUTE

III[ToC]

THE ART OF TERRY LUTE

When the Stand By went down in a northeasterly gale off Dusty Reef of the False Frenchman, the last example of the art of Terry Lute of Out-of-the-Way Tickle perished with her. It was a great picture. This is an amazing thing to say. It doubtless challenges a superior incredulity. Yet the last example of the art of Terry Lute was a very great picture. Incredible? Not at all. It is merely astonishing. Other masters, and of all sorts, have emerged from obscure places. It is not the less likely that Terry Lute was a master because he originated at Out-of-the-Way Tickle of the Newfoundland north coast. Rather more so, perhaps. At any rate, Terry Lute was a master.

James Cobden saw the picture. He, too, was astounded. But—"It is the work of a master," said he, instantly.

Of course the picture is gone; there is no other: Cobden's word for its quality must be taken. But why not? Cobden's judgments are not generally gainsaid; they prove themselves, and stand. And it is not anywhere contended that Cobden is given to the encouragement of anæmic aspiration. Cobden's errors, if any, have been of severity. It is maintained by those who do not love him that he has laughed many a promising youngster into a sour obscurity. And this may be true. A niggard in respect to praise, a skeptic in respect to promise, he is well known. But what he has commended has never failed of a good measure of critical recognition in the end. And he has uncovered no mares'-nests.

All this, however,—the matter of Cobden's authority,—is here a waste discussion. If Cobden's judgments are in the main detestable, the tale has no point for folk of the taste to hold against them; if they are true and agreeable, it must then be believed upon his word that when the Stand By went down off Dusty Reef of the False Frenchman a great picture perished with her—a great picture done in crayon on manila paper in Tom Lute's kitchen at Out-of-the-Way Tickle. Cobden is committed to this. And whether a masterpiece or not, and aside from the eminent critical opinion of it, the tale of Terry Lute's last example will at least prove the once engaging quality of Terry Lute's art.

Cobden first saw the picture in the cabin of the Stand By, being then bound from Twillingate Harbor to Out-of-the-Way, when in the exercise of an amiable hospitality Skipper Tom took him below to stow him away. Cobden had come sketching. He had gone north, having read some moving and tragical tale of those parts, to look upon a grim sea and a harsh coast. He had found both, and had been inspired to convey a consciousness of both to a gentler world, touched with his own philosophy, in Cobden's way. But here already, gravely confronting him, was a masterpiece greater than he had visioned. It was framed broadly in raw pine, covered with window-glass, and nailed to the bulkhead; but it was nevertheless there, declaring its own dignity, a work of sure, clean genius.

Cobden started. He was astounded, fairly dazed, he puts it, by the display of crude power. He went close, stared into the appalling depths of wind, mist, and the sea, backed off, cocked his astonished head, ran a lean hand in bewilderment through his gray curls, and then flashed about on Skipper Tom.

"Who did that?" he demanded.

"That?" the skipper chuckled. "Oh," he drawled, "jus' my young feller." He was apologetic; but he was yet, to be sure, cherishing a bashful pride.

"How young?" Cobden snapped.

"'Long about fourteen when he done that."

"A child!" Cobden gasped.

"Well, no, sir," the skipper declared, somewhat puzzled by Cobden's agitation; "he was fourteen, an' a lusty lad for his years."

Cobden turned again to the picture; he stood in a frowning study of it.

"What's up?" the skipper mildly asked.

"What's up, eh?" says Cobden, grimly. "That's a great picture, by heaven!" he cried. "That's what's up."

Skipper Tom laughed.

"She isn't so bad, is she?" he admitted, with interest. "She sort o' scares me by times. But she were meant t' do that. An' dang if I isn't fond of her, anyhow!"

"Show me another," says Cobden.

Skipper Tom sharply withdrew his interest from the picture.

"Isn't another," said he, curtly. "That was the last he done."

"Dead!" Cobden exclaimed, aghast.

"Dead?" the skipper marveled. "Sure, no. He've gone an' growed up." He was then bewildered by Cobden's relief.

Cobden faced the skipper squarely. He surveyed the genial fellow with curious interest.

"Skipper Tom," said he, then, slowly, "you have a wonderful son." He paused. "A—wonderful—son," he repeated. He smiled; the inscrutable wonder of the thing had all at once gently amused him—the wonder that a genius of rarely exampled quality should have entered the world in the neighborhood of Out-of-the-Way Tickle, there abandoned to chance discovery of the most precarious sort. And there was no doubt about the quality of the genius. The picture proclaimed it; and the picture was not promise, but a finished work, in itself an achievement, most marvelously accomplished, moreover, without the aid of any tradition.

Terry Lute's art was triumphant. Even the skeptical Cobden, who had damned so much in his day, could not question the lad's mastery. It did not occur to him to question it.

Skipper Tom blinked at the painter's wistful gravity. "What's the row?" he stammered.

Cobden laughed heartily.

"It is hard to speak in a measured way of all this," he went on, all at once grave again. "After all, perhaps, one guesses; and even the most cautious guesses go awry. I must not say too much. It is not the time, at any rate, to say much. Afterward, when I have spoken with this—this young master, then, perhaps. But I may surely say that the fame of Terry Lute will soon be very great." His voice rose; he spoke with intense emphasis. "It will continue, it will grow. Terry Lute's name will live"—he hesitated—"for generations." He paused now, still looking into the skipper's inquiring eyes, his own smiling wistfully. Dreams were already forming. "Skipper Tom," he added, turning away, "you have a wonderful son."

"Ay," said the skipper, brows drawn; "an' I knows it well enough." He added absently, with deep feeling, "He've been—jus' fair wonderful."

"He shall learn what I can teach him."

"In the way o' sketchin' off, sir?" There was quick alarm in this.

Cobden struck a little attitude. It seemed to him now to be a moment. He was profoundly moved. "Terry Lute," he replied, "shall be—a master!"

"Mr. Cobden, sir," Skipper Tom protested, his face in an anxious twist, "I'll thank you t' leave un alone."

"I'll make a man of him!" cried Cobden, grieved.

Skipper Tom smiled grimly. It was now his turn to venture a curious survey. He ran his eye over the painter's slight body with twinkling amusement. "Will you, now?" he mused. "Oh, well, now," he drawled, "I'd not trouble t' do it an I was you. You're not knowin', anyhow, that he've not made a man of hisself. 'Tis five year' since he done that there damned sketch." Then uneasily, and with a touch of sullen resentment: "I 'low you'd best leave un alone, sir. He've had trouble enough as it is."

"So?" Cobden flashed. "Already? That's good."

"It haven't done no harm," the skipper deliberated; "but—well, God knows I'd not like t' see another young one cast away in a mess like that."

Cobden was vaguely concerned. He did not, however, at the moment inquire. It crossed his mind, in a mere flash, that Skipper Tom had spoken with a deal of feeling. What could this trouble have been? Cobden forgot, then, that there had been any trouble at all.

"Well, well," Skipper Tom declared more heartily, "trouble's the foe o' folly."

Cobden laughed pleasantly and turned once more to the picture. He was presently absorbed in a critical ecstasy. Skipper Tom, too, was by this time staring out upon the pictured sea, as though it lay in fearsome truth before him. He was frowning heavily.

It was the picture of a breaker, a savage thing. In the foreground, lifted somewhat from the turmoil, was a black rock. It was a precarious foothold, a place to shrink from in terror. The sea reached for it; the greater waves boiled over and sucked it bare. It was wet, slimy, overhanging death. Beyond the brink was a swirl of broken water—a spent breaker, crashing in, streaked with irresistible current and flecked with hissing fragments.

Adjectives which connote noise are unavoidable. Cobden has said that the picture expressed a sounding confusion. It was true. "You could hear that water," says he, tritely. There was the illusion of noise—of the thud and swish of breaking water and of the gallop of the wind. So complete was the illusion, and so did the spirit of the scene transport the beholder, that Cobden once lifted his voice above the pictured tumult. Terry Lute's art was indeed triumphant!

A foreground, then, of slimy rock, an appalling nearness and an inspiration of terror in the swirling breaker below. But not yet the point of dreadful interest. That lay a little beyond. It was a black ledge and a wave. The ledge still dripped the froth of a deluge which had broken and swept on, and there was now poised above it, black, frothy-crested, mightily descending, another wave of the vast and inimical restlessness of the sea beyond.

There was a cliff in the mist above; it was a mere suggestion, a gray patch, but yet a towering wall, implacably there, its presence disclosed by a shadow where the mist had thinned. Fog had broken over the cliff and was streaming down with the wind. Obscurity was imminent; but light yet came from the west, escaping low and clean. And there was a weltering expanse of sea beyond the immediate turmoil; and far off, a streak of white, was the offshore ice.

It was not a picture done in gigantic terms. It was not a climax. Greater winds have blown; greater seas have come tumbling in on the black rocks of Out-of-the-Way. The point is this, Cobden says, that the wind was rising, the sea working up, the ice running in, the fog spreading, thickening, obscuring the way to harbor. The imagination of the beholder was subtly stimulated to conceive the ultimate worst of that which might impend, which is the climax of fear.

Cobden turned to Skipper Tom.

"What does Terry Lute call it?" he asked.

"Nothin'."

"H-m-m!" Cobden deliberated. "It must bear a name. A great picture done by a great hand. It must bear a name."

"Terry calls it jus' 'My Picture.'"

"Let it be called 'The Fang,'" said Cobden.

"A very good name, ecod!" cried Skipper Tom. "'Tis a picture meant t' scare the beholder."

Terry Lute was not quite shamelessly given to the practice of "wieldin' a pencil" until he discovered that he could make folk laugh. After that he was an abandoned soul, with a naughty strut on the roads. For folk laughed with flattering amazement, and they clapped Terry Lute on his broad little back, and much to his delight they called him a limb o' the devil, and they spread his fame and his sketches from Out-of-the-Way and Twillingate Long Point to Cape Norman and the harbors of the Labrador. Caricatures, of course, engaged him—the parson, the schoolmaster, Bloody Bill Bull, and the crusty old shopkeeper. And had a man an enemy, Terry Lute, at the price of a clap on the back and an admiring wink, would provide him with a sketch which was like an arrow in his hand. The wink of admiration must be above suspicion, however, else Terry's cleverness might take another direction.

By these saucy sketches, Terry Lute was at one period involved in gravest trouble; the schoolmaster, good doctor of the wayward, thrashed him for a rogue; and from a prophetic pulpit the parson, anxious shepherd, came as near to promising him a part in perdition as honest conviction could bring him to speak. Terry Lute was startled. In the weakness of contrition he was moved to promise that he would draw their faces no more, and thereafter he confined his shafts of humor to their backs; but as most men are vulnerable to ridicule from behind, and as the schoolmaster had bandy legs and the parson meek feet and pious shoulders, Terry Lute's pencil was more diligently, and far more successfully, employed than ever. The illicit exercise, the slyer art, and the larger triumph, filled him with chuckles and winks.

"Ecod!" he laughed to his own soul; "you is a sure-enough, clever little marvel, Terry Lute, me b'y!"

What gave Terry Lute's art a profound turn was the sheer indolence of his temperamental breed. He had no liking at all for labor; spreading fish on the flakes, keeping the head of his father's punt up to the sea on the grounds, splitting a turn of birch and drawing a bucket of water from the well by the Needle, discouraged the joy of life. He scolded, he begged, he protested that he was ailing, and so behaved in the cleverest fashion; but nothing availed him until after hours of toil he achieved a woeful picture of a little lad at work on the flake at the close of day. It was Terry Lute himself, no doubt of it at all, but a sad, worn child, with a lame back, eyes of woe, gigantic tears—a tender young spirit oppressed, and, that there might be no mistake about the delicacy of his general health, an angel waiting overhead.

"Thomas," wept Terry Lute's mother, "the wee lad's doomed."

"Hut!" Skipper Tom blurted.

"Shame t' you!" cried Terry's mother, bursting into a new flood of tears.

After that, for a season, Terry Lute ran foot-loose and joyous over the mossy hills of Out-of-the-Way.

"Clever b'y, Terry Lute!" thinks he, without a qualm.

It chanced by and by that Parson Down preached with peculiar power at the winter revival; and upon this preaching old Bill Bull, the atheist of Out-of-the-Way, attended with scoffing regularity, sitting in the seat of the scorner. It was observed presently—no eyes so keen for such weather as the eyes of Out-of-the-Way—that Bill Bull was coming under conviction of his conscience; and when this great news got abroad, Terry Lute, too, attended upon Parson Down's preaching with regularity, due wholly, however, to his interest in watching the tortured countenance of poor Bill Bull. It was his purpose when first he began to draw to caricature the vanquished wretch. In the end he attempted a moving portrayal of "The Atheist's Stricken State," a large conception.

It was a sacred project; it was pursued in religious humility, in a spirit proper to the subject in hand. And there was much opportunity for study. Bill Bull did not easily yield; night after night he continued to shift from heroic resistance to terror and back to heroic resistance again. All this time Terry Lute sat watching. He gave no heed whatsoever to the words of Parson Down, with which, indeed, he had no concern. He heard nothing; he kept watch—close watch to remember. He opened his heart to the terror of poor Bill Bull; he sought to feel, though the effort was not conscious, what the atheist endured in the presence of the wrath to come. He watched; he memorized every phrase of the torture, as it expressed itself in the changing lines of Bill Bull's countenance, that he might himself express it.

Afterward, in the kitchen, he drew pictures. He drew many; he succeeded in none. He worked in a fever, he destroyed in despair, he began anew with his teeth clenched. And then all at once, a windy night, he gave it all up and came wistfully to sit by the kitchen fire.

"Is you quit?" his mother inquired.

"Ay, Mother."

"H-m-m!" says Skipper Tom, puzzled. "I never knowed you t' quit for the night afore I made you."

Terry Lute shot his father a reproachful glance.

"I must take heed t' my soul," said he, darkly, "lest I be damned for my sins."

Next night Terry Lute knelt at the penitent bench with old Bill Bull. It will be recalled now that he had heard never a word of Parson Down's denunciations and appeals, that he had been otherwise and deeply engaged. His response had been altogether a reflection of Bill Bull's feeling, which he had observed, received, and memorized, and so possessed in the end that he had been overmastered by it, though he was ignorant of what had inspired it. And this, Cobden says, is a sufficient indication of that mastery of subject, of understanding and sympathy, which young Terry Lute later developed and commanded as a great master should, at least to the completion of his picture, in the last example of his work, "The Fang."

At any rate, it must be added that after his conversion Terry Lute was a very good boy for a time.

Terry Lute was in his fourteenth year when he worked on "The Fang." Skipper Tom did not observe the damnable disintegration that occurred, nor was Terry Lute himself at all aware of it. But the process went on, and the issue, a sudden disclosure when it came, was inevitable in the case of Terry Lute. When the northeasterly gales came down with fog, Terry Lute sat on the slimy, wave-lapped ledge overhanging the swirl of water, and watched the spent breaker, streaked with current and flecked with fragments; and he watched, too, the cowering ledge beyond, and the great wave from the sea's restlessness as it thundered into froth and swept on, and the cliff in the mist, and the approach of the offshore ice, and the woeful departure of the last light of day. But he took no pencil to the ledge; he memorized in his way. He kept watch; he brooded.

In this way he came to know in deeper truth the menace of the sea; not to perceive and grasp it fleetingly, not to hold it for the uses of the moment, but surely to possess it in his understanding.

His purpose, avowed with a chuckle, was to convey fear to the beholder of his work. It was an impish trick, and it brought him unwittingly into peril of his soul.

"I 'low," says he between his teeth to Skipper Tom, "that she'll scare the wits out o' you, father."

Skipper Tom laughed.

"She'll have trouble," he scoffed, "when the sea herself has failed."

"You jus' wait easy," Terry grimly promised him, "till I gets her off the stocks."

At first Terry Lute tentatively sketched. Bits of the whole were accomplished,—flecks of foam and the lines of a current,—and torn up. This was laborious. Here was toil, indeed, and Terry Lute bitterly complained of it. 'Twas bother; 'twas labor; there wasn't no sense to it. Terry Lute's temper went overboard. He sighed and shifted, pouted and whimpered while he worked; but he kept on, with courage equal to his impulse, toiling every evening of that summer until his impatient mother shooed him off to more laborious toil upon the task in his nightmares. The whole arrangement was not attempted for the first time until midsummer. It proceeded, it halted, it vanished. Seventeen efforts were destroyed, ruthlessly thrust into the kitchen stove with no other comment than a sigh, a sniff of disgust, and a shuddering little whimper.

It was a windy night in the early fall of the year, blowing high and wet, when Terry Lute dropped his crayon with the air of not wanting to take it up again.

He sighed, he yawned.

"I got her done," says he, "confound her!" He yawned again.

"Too much labor, lad," Skipper Tom complained.

"Pshaw!" says Terry, indignantly. "I didn't labor on her."

Skipper Tom stared aghast in the presence of this monstrously futile prevarication.

"Ecod!" he gasped.

"Why, father," says Terry, airily, "I jus'—sketched her. Do she scare you?"

From Terry Lute's picture Skipper Tom's glance ran to Terry Lute's anxious eyes.

"She do," said he, gravely; "but I'm fair unable t' fathom"—pulling his beard in bewilderment—"the use of it all."

Terry Lute grinned.

It did not appear until the fall gales were blowing in earnest that "The Fang" had made a coward of Terry Lute. There was a gray sea that day, and day was on the wing. There was reeling, noisy water roundabout, turning black in the failing light, and a roaring lee shore; and a gale in the making and a saucy wind were already jumping down from the northeast with a trail of disquieting fog. Terry Lute's spirit failed; he besought, he wept, to be taken ashore. "Oh, I'm woeful scared o' the sea!" he complained. Skipper Tom brought him in from the sea, a whimpering coward, cowering degraded and shamefaced in the stern-sheets of the punt. There were no reproaches. Skipper Tom pulled grimly into harbor. His world had been shaken to ruins; he was grave without hope, as many a man before him has fallen upon the disclosure of inadequacy in his own son.

It was late that night when Skipper Tom and the discredited boy were left alone by the kitchen fire. The gale was down then, a wet wind blowing wildly in from the sea. Tom Lute's cottage shook in its passing fingers, which seemed somehow not to linger long enough to clutch it well, but to grasp in driven haste and sweep on. The boy sat snuggled to the fire for its consolation; he was covered with shame, oppressed, sore, and hopeless. He was disgraced: he was outcast, and now forever, from a world of manly endeavor wherein good courage did the work of the day that every man must do. Skipper Tom, in his slow survey of this aching and pitiful degradation, had an overwhelming sense of fatherhood. He must be wise, he thought; he must be wise and very wary that fatherly helpfulness might work a cure.

The boy had failed, and his failure had not been a thing of unfortuitous chance, not an incident of catastrophe, but a significant expression of character. Terry Lute was a coward, deep down, through and through: he had not lapsed in a panic; he had disclosed an abiding fear of the sea. He was not a coward by any act; no mere wanton folly had disgraced him, but the fallen nature of his own heart. He had failed; but he was only a lad, after all, and he must be helped to overcome. And there he sat, snuggled close to the fire, sobbing now, his face in his hands. Terry Lute knew—that which Skipper Tom did not yet know—that he had nurtured fear of the sea for the scandalous delight of imposing it upon others in the exercise of a devilish impulse and facility.

And he was all the more ashamed. He had been overtaken in iniquity; he was foredone.

"Terry, lad," said Skipper Tom, gently, "you've done ill the day."

"Ay, sir."

"I 'low," Skipper Tom apologized, "that you isn't very well."

"I'm not ailin', sir," Terry whimpered.

"An I was you," Skipper Tom admonished, "I'd not spend time in weepin'."

"I'm woebegone, sir."

"You're a coward, God help you!" Skipper Tom groaned.

"Ay, sir."

Skipper Tom put a hand on the boy's knee. His voice was very gentle.

"There's no place in the world for a man that's afeard o' the sea," he said. "There's no work in the world for a coward t' do. What's fetched you to a pass like this, lad?"

"Broodin', sir."

"Broodin', Terry? What's that?"

"Jus' broodin'."

"Not that damned picture, Terry?"

"Ay, sir."

"How can that be, lad?" It was all incomprehensible to Skipper Tom. "'Tis but an unreal thing."

"'You're a coward, God help you!' Skipper Tom groaned."[ToList]

Terry looked up.

"'Tis real!" he blazed.

"'Tis but a thing o' fancy."

"Ay, fancy! A thing o' fancy! 'Tis fancy that makes it real."

"An' you—a coward?"

Terry sighed.

"Ay, sir," said he, ashamed.

"Terry Lute," said Skipper Tom, gravely, now perceiving, "is you been fosterin' any fear o' the sea?"

"Ay, sir."

Skipper Tom's eye flashed in horrified understanding. He rose in contempt and wrath.

"Practicin' fear o' the sea?" he demanded.

"Ay, sir."

"T' sketch a picture?"

Terry began to sob.

"There wasn't no other way," he wailed.

"God forgive you, wicked lad!"

"I'll overcome, sir."

"Ah, Terry, poor lad," cried Skipper Tom, anguished, "you've no place no more in a decent world."

"I'll overcome."

"'Tis past the time."

Terry Lute caught his father about the neck.

"I'll overcome, father," he sobbed. "I'll overcome."

And Tom Lute took the lad in his arms, as though he were just a little fellow.

And, well, in great faith and affection they made an end of it all that night—a chuckling end, accomplished in the kitchen stove, of everything that Terry Lute had done, saving only "The Fang," which must be kept ever-present, said Skipper Tom, to warn the soul of Terry Lute from the reefs of evil practices. And after that, and through the years since then, Terry Lute labored to fashion a man of himself after the standards of his world. Trouble? Ay, trouble—trouble enough at first, day by day, in fear, to confront the fabulous perils of his imagination. Trouble enough thereafter encountering the sea's real assault, to subdue the reasonable terrors of those parts. Trouble enough, too, by and by, to devise perils beyond the common, to find a madcap way, to disclose a chance worth daring for the sheer exercise of courage. But from all these perils, of the real and the fanciful, of the commonplace path and the way of reckless ingenuity, Terry Lute emerged at last with the reputation of having airily outdared every devil of the waters of Out-of-the-Way.

When James Cobden came wandering by, Terry Lute was a great, grave boy, upstanding, sure-eyed, unafraid, lean with the labor he had done upon his own soul.

When the Stand By, in from Twillingate Harbor, dropped anchor at Out-of-the-Way Tickle, James Cobden had for three days lived intimately with "The Fang." He was hardly to be moved from its company. He had sought cause of offense; he had found no reasonable grounds. Wonder had grown within him. Perhaps from this young work he had visioned the highest fruition of the years. The first warm flush of approbation, at any rate, had changed to the beginnings of reverence. That Terry Lute was a master—a master of magnitude, already, and of a promise so large that in generations the world had not known the like of it—James Cobden was gravely persuaded. And this meant much to James Cobden, clear, aspiring soul, a man in pure love with his art. And there was more: grown old now, a little, he dreamed new dreams of fatherly affection, indulged in a studio which had grown lonely of late; and he promised himself, beyond this, the fine delight of cherishing a young genius, himself the prophet of that power, with whose great fame his own name might bear company into the future. And Terry Lute, met in the flesh, turned out to be a man—even such a man, in his sure, wistful strength, as Cobden could respect.

There came presently the close of a day on the cliffs of Out-of-the-Way, a blue wind blowing over the sunlit moss, when Cobden, in fear of the issue, which must be challenged at last, turned from his work to the slope behind, where Terry Lute sat watching.

"Come!" said Cobden, smiling, "have a try."

Terry Lute shrank amused from the extended color-box and brushes.

"Ah, no, sir," said he, blushing. "I used t', though, when I were a child."

Cobden blinked.

"Eh?" he ejaculated.

"I isn't done nothin' at it since."

"'I put away childish things,'" flashed inevitably into Cobden's mind. He was somewhat alarmed. "Why not since then?" he asked.

"'Tis not a man's work, sir."

"Again, why not?"

"'Tis a sort o'—silly thing—t' do."

"Good God!" Cobden thought, appalled. "The lad has strangled his gift!"

Terry Lute laughed then.

"I'm sorry, sir," he said quickly, with a wistful smile, seeking forgiveness; "but I been watchin' you workin' away there like mad with all them little brushes. An' you looked so sort o' funny, sir, that I jus' couldn't help—laughin'." Again he threw back his head, and once more, beyond his will, and innocent of offense and blame, he laughed a great, free laugh.

It almost killed James Cobden.

IV

THE DOCTOR OF AFTERNOON ARM

IV[ToC]

THE DOCTOR OF AFTERNOON ARM

It was March weather. There was sunshine and thaw. Anxious Bight was caught over with rotten ice from Ragged Run Harbor to the heads of Afternoon Arm. A rumor of seals on the Arctic drift ice off shore had come in from the Spotted Horses. It inspired instant haste in all the cottages of Ragged Run—an eager, stumbling haste. In Bad-Weather Tom West's kitchen, somewhat after ten o'clock in the morning, in the midst of this hilarious scramble to be off to the floe, there was a flash and spit of fire, and the clap of an explosion, and the clatter of a sealing-gun on the bare floor; and in the breathless, dead little interval between the appalling detonation and a man's groan of dismay followed by a woman's choke and scream of terror, Dolly West, Bad-Weather Tom's small maid, stood swaying, wreathed in gray smoke, her little hands pressed tight to her eyes.

She was—or rather had been—a pretty little creature. There had been yellow curls—in the Newfoundland way—and rosy cheeks and grave blue eyes; but now of all this shy, fair loveliness——

"You've killed her!"

"No—no!"

Dolly dropped her hands. She reached out, then, for something to grasp. And she plainted: "I ithn't dead, mother. I juth—I juth can't thee." She extended her hands. They were discolored, and there was a slow, red drip. "They're all wet!" she complained.

By this time the mother had the little girl gathered close in her arms. She moaned: "The doctor!"

Terry West caught up his cap and mittens and sprang to the door.

"Not by the Bight!" Bad-Weather shouted.

"No, sir."

Dolly West whimpered: "It thmart-th, mother!"

"By Mad Harry an' Thank-the-Lord!"

"Ay, sir."

Dolly screamed—now: "It hurt-th! Oh, oh, it hurt-th!"

"An' haste, lad!"

"Ay, sir."

There was no doctor in Ragged Run Harbor; there was a doctor at Afternoon Arm, however—across Anxious Bight. Terry West avoided the rotten ice of the Bight and took the 'longshore trail by way of Mad Harry and Thank-the-Lord. At noon he was past Mad Harry, his little legs wearing well and his breath coming easily through his expanded nostrils. He had not paused; and at four o'clock—still on a dogtrot—he had hauled down the chimney smoke of Thank-the-Lord and was bearing up for Afternoon Arm.

Early dusk caught him shortcutting the doubtful ice of Thank-the-Lord Cove; and half an hour later, midway of the passage to Afternoon Arm, with two miles left to accomplish—dusk falling thick and cold, then, a frosty wind blowing—Creep Head of the Arm looming black and solid—he dropped through the ice and vanished.

Returning from a professional call at Tumble Tickle in clean, sunlit weather, with nothing more tedious than eighteen miles of wilderness trail and rough floe ice behind him, Doctor Rolfe was chagrined to discover himself fagged out. He had come heartily down the trail from Tumble Tickle, but on the ice in the shank of the day—there had been eleven miles of the floe—he had lagged and complained under what was indubitably the weight of his sixty-three years. He was slightly perturbed. He had been fagged out before, to be sure. A man cannot practice medicine out of a Newfoundland outport harbor for thirty-seven years and not know what it means to stomach a physical exhaustion. It was not that. What perturbed Doctor Rolfe was the singular coincidence of a touch of melancholy with the ominous complaint of his lean old legs.

And presently there was a more disquieting revelation. In the drear, frosty dusk, when he rounded Creep Head, opened the lights of Afternoon Arm, and caught the warm, yellow gleam of the lamp in the surgery window, his expectation ran all at once to his supper and his bed. He was hungry—that was true. Sleepy? No; he was not sleepy. Yet he wanted to go to bed. Why? He wanted to go to bed in the way that old men want to go to bed—less to sleep than just to sigh and stretch out and rest. And this anxious wish for bed—just to stretch out and rest—held its definite implication. It was more than symptomatic—it was shocking.

"That's age!"

It was.

"Hereafter, as an old man should," Doctor Rolfe resolved, "I go with caution and I take my ease."

And it was in this determination that Doctor Rolfe opened the surgery door and came gratefully into the warmth and light and familiar odors of the little room. Caution was the wisdom and privilege of age, wasn't it? he reflected after supper in the glow of the surgery fire. There was no shame in it, was there? Did duty require of a man that he should practice medicine out of Afternoon Arm for thirty-seven years—in all sorts of weather and along a hundred and thirty miles of the worst coast in the world—and go recklessly into a future of increasing inadequacy? It did not! He had stood his watch. What did he owe life? Nothing—nothing! He had paid in full. Well, then, what did life owe him? It owed him something, didn't it? Didn't life owe him at least an old age of reasonable ease and self-respecting independence? It did!

By this time the more he reflected, warming his lean, aching shanks the while, the more he dwelt upon the bitter incidents of that one hundred and thirty miles of harsh coast, through the thirty-seven years he had managed to survive the winds and seas and frosts of it; and the more he dwelt upon his straitened circumstances and increasing age the more petulant he grew.

It was in such moods as this that Doctor Rolfe was accustomed to recall the professional services he had rendered and to dispatch bills therefor; and now he fumbled through the litter of his old desk for pen and ink, drew a dusty, yellowing sheaf of statements of accounts from a dusty pigeonhole, and set himself to work, fuming and grumbling all the while. "I'll tilt the fee!" he determined. This was to be the new policy—to "tilt the fee," to demand payment, to go with caution; in this way to provide for an old age of reasonable ease and self-respecting independence. And Doctor Rolfe began to make out statements of accounts due for services rendered.

From this labor and petulant reflection Doctor Rolfe was withdrawn by a tap on the surgery door. He called "Come in!" with no heart for the event. It was no night to be abroad on the ice. Yet the tap could mean but one thing—somebody was in trouble; and as he called "Come in!" and looked up from the statement of account, and while he waited for the door to open, his pen poised and his face in a pucker of trouble, he considered the night and wondered what strength was left in his lean old legs.

A youngster—he had been dripping wet and was now sparkling all over with frost and ice—intruded.

"Thank-the-Lord Cove?"

"No, sir."

"Mad Harry?"

"Ragged Run, sir."

"Bad-Weather West's lad?"

"Yes, sir."

"Been in the water?"

The boy grinned. He was ashamed of himself. "Yes, sir. I falled through the ice, sir."

"Come across the Bight?"

The boy stared. "No, sir. A cat couldn't cross the Bight the night, sir. 'Tis all rotten. I come alongshore by Mad Harry an' Thank-the-Lord. I dropped through all of a sudden, sir, in Thank-the-Lord Cove."

"Who's sick?"

"Pop's gun went off, sir."

Doctor Rolfe rose. "'Pop's gun went off!' Who was in the way?"

"Dolly, sir."

"And Dolly in the way! And Dolly——"

"She've gone blind, sir. An' her cheek, sir—an' one ear, sir——"

"What's the night?"

"Blowin' up, sir. There's a scud. An' the moon——"

"You didn't cross the Bight? Why not?"

"'Tis rotten from shore t' shore. I'd not try the Bight, sir, the night."

"No?"

"No, sir." The boy was very grave.

"Mm-m."

All this while Doctor Rolfe had been moving about the surgery in sure haste—packing a waterproof case with little instruments and vials and what not. And now he got quickly into his boots and jacket, pulled down his coonskin cap, pulled up his sealskin gloves, handed Bad-Weather West's boy over to his housekeeper for supper and bed (he was a bachelor man), and closed the surgery door upon himself.

Doctor Rolfe took to the harbor ice and drove head down into the gale. There were ten miles to go. It was to be a night's work. He settled himself doggedly. It was heroic. In the circumstances, however, this aspect of the night's work was not stimulating to a tired old man. It was a mile and a half to Creek Head, where Afternoon Tickle led a narrow way from the shelter of Afternoon Arm to Anxious Bight and the open sea; and from the lee of Creep Head—a straightaway across Anxious Bight—it was nine miles to Blow-me-Down Dick of Ragged Run Harbor. And Doctor Rolfe had rested but three hours. And he was old.

Impatient to revive the accustomed comfort and glow of strength he began to run. When he came to Creep Head and there paused to survey Anxious Bight in a flash of the moon, he was tingling and warm and limber and eager. Yet he was dismayed by the prospect. No man could cross from Creep Head to Blow-me-Down Dick of Ragged Run Harbor in the dark. Doctor Rolfe considered the light. Communicating masses of ragged cloud were driving low across Anxious Bight. Offshore there was a sluggish bank of black cloud. The moon was risen and full. It was obscured. The intervals of light were less than the intervals of shadow. Sometimes a wide, impenetrable cloud, its edges alight, darkened the moon altogether. Still, there was light enough. All that was definitely ominous was the bank of black cloud lying sluggishly offshore. The longer Doctor Rolfe contemplated its potentiality for catastrophe the more he feared it.

"If I were to be overtaken by snow!"

It was blowing high. There was the bite and shiver of frost in the wind. Half a gale ran in from the open sea. Midway of Anxious Bight it would be a saucy, hampering, stinging head wind. And beyond Creep Head the ice was in doubtful condition. A man might conjecture; that was all. It was mid-spring. Freezing weather had of late alternated with periods of thaw and rain. There had been windy days. Anxious Bight had even once been clear of ice. A westerly wind had broken the ice and swept it out beyond the heads. In a gale from the northeast, however, these fragments had returned with accumulations of Arctic pans and hummocks from the Labrador current; and a frosty night had caught them together and sealed them to the cliffs of the coast. It was a most delicate attachment—one pan to the other and the whole to the rocks. It had yielded somewhat—it must have gone rotten—in the weather of that day. What the frost had accomplished since dusk could be determined only upon trial.

"Soft as cheese!" Doctor Rolfe concluded. "Rubber ice and air holes!"

There was another way to Ragged Run—the way by which Terry West had come. It skirted the shore of Anxious Bight—Mad Harry and Thank-the-Lord and Little Harbor Deep—and something more than multiplied the distance by one and a half. Doctor Rolfe was completely aware of the difficulties of Anxious Bight—the way from Afternoon Arm to Ragged Run; the treacherous reaches of young ice, bending under the weight of a man; the veiled black water; the labor, the crevices, the snow crust of the Arctic pans and hummocks; and the broken field and wash of the sea beyond the lesser island of the Spotted Horses. And he knew, too, the issue of the disappearance of the moon, the desperate plight into which the sluggish bank of black cloud might plunge a man. As a matter of unromantic fact he desired greatly to decline a passage of Anxious Bight that night.

Instead he moved out and shaped a course for the black bulk of the Spotted Horses. This was in the direction of Blow-me-Down Dick of Ragged Run, and the open sea.

He sighed. "If I had a son——" he reflected.

Well, now, Doctor Rolfe was a Newfoundlander. He was used to traveling all sorts of ice in all sorts of weather. The returning fragments of the ice of Anxious Bight had been close packed for two miles beyond the narrows of Afternoon Arm by the northeast gale which had driven them back from the open. This was rough ice. In the press of the wind the drifting floe had buckled. It had been a big gale. Under the whip of it the ice had come down with a rush. And when it encountered the coast the first great pans had been thrust out of the sea by the weight of the floe behind. A slow pressure had even driven them up the cliffs of Creep Head and heaped them in a tumble below. It was thus a folded, crumpled floe, a vast field of broken bergs and pans at angles.

No Newfoundlander would adventure on the ice without a gaff. A gaff is a lithe, ironshod pole, eight or ten feet in length. Doctor Rolfe was as cunning and sure with a gaff as any old hand of the sealing fleet. He employed it now to advantage. It was a vaulting pole. He walked less than he leaped. This was no work for the half light of an obscured moon. Sometimes he halted for light; but delay annoyed him. A pause of ten minutes—he squatted for rest meantime—threw him into a state of incautious irritability. At this rate it would be past dawn before he made the cottages of Ragged Run Harbor.

Impatient of precaution, he presently chanced a leap. It was error. As the meager light disclosed the path a chasm of fifteen feet intervened between the edge of the upturned pan upon which he stood and a flat-topped hummock of Arctic ice to which he was bound. There was footing for the tip of his gaff midway below. He felt for this footing to entertain himself while the moon delayed. It was there. He was tempted. The chasm was critically deep for the length of the gaff. Worse than that, the hummock was higher than the pan. Doctor Rolfe peered across. It was not much higher. It would merely be necessary to lift stoutly at the climax of the leap. And there was need of haste—a little maid in hard case at Ragged Run and a rising cloud threatening black weather.

A slow cloud covered the moon. It was aggravating. There would be no light for a long time. A man must take a chance——. And all at once the old man gave way to impatience; he gripped his gaff with angry determination and projected himself toward the hummock of Arctic ice. A flash later he had regretted the hazard. He perceived that he had misjudged the height of the hummock. Had the gaff been a foot longer he would have cleared the chasm. It occurred to him that he would break his back and merit the fate of his callow mistake. Then his toes caught the edge of the flat-topped hummock. His boots were of soft seal leather. He gripped the ice. And now he hung suspended and inert. The slender gaff bent under the prolonged strain of his weight and shook in response to a shiver of his arms. Courage failed a little. Doctor Rolfe was an old man. And he was tired. And he felt unequal——

Dolly West's mother—with Dolly in her arms, resting against her soft, ample bosom—sat by the kitchen fire. It was long after dark. The wind was up; the cottage shook in the squalls. She had long ago washed Dolly's eyes and temporarily stanched the terrifying flow of blood; and now she waited, rocking gently and sometimes crooning a plaintive song of the coast to the restless child.

Tom West came in.

"Hush!"

"Is she sleepin' still?"

"Off an' on. She's in a deal o' pain. She cries out, poor lamb!" Dolly stirred and whimpered. "Any sign of un, Tom?"

"If he comes by the bight he'll never get here at all."[ToList]

"Tis not time."

"He might——"

"'Twill be hours afore he comes. I'm jus' wonderin'——"

"Hush!" Dolly moaned. "Ay, Tom?"

"Terry's but a wee feller. I'm wonderin' if he——"

The woman was confident. "He'll make it," she whispered.

"Ay; but if he's delayed——"

"He was there afore dusk. An' the doctor got underway across the Bight——"

"He'll not come by the Bight!"

"He'll come by the Bight. I knows that man. He'll come by the Bight—an' he'll——"

"If he comes by the Bight he'll never get here at all. The Bight's breakin' up. There's rotten ice beyond the Spotted Horses. An' Tickle-my-Ribs is——"

"He'll come. He'll be here afore——"

"There's a gale o' snow comin' down. 'Twill cloud the moon. A man would lose hisself——"

"He'll come."

Bad-Weather Tom West went out again—to plod once more down the narrows to the base of Blow-me-Down Dick and search the vague light of the coast for the first sight of Doctor Rolfe. It was not time; he knew that. There would be hours of waiting. It would be dawn before a man could come by Thank-the-Lord and Mad Harry, if he left Afternoon Arm even so early as dusk. And as for crossing the Bight—no man could cross the Bight. It was blowing up too—clouds rising and a threat of snow abroad. Bad-weather Tom glanced apprehensively toward the northeast. It would snow before dawn. The moon was doomed. A dark night would fall. And the Bight—Doctor Rolfe would never attempt to cross the Bight——

Hanging between the hummock and the pan, the gaff shivering under his weight, Doctor Rolfe slowly subsided toward the hummock. A toe slipped. He paused. It was a grim business. The other foot held. The leg, too, was equal to the strain. He wriggled his toe back to its grip on the edge of the ice. It was an improved foothold. He turned then and began to lift and thrust himself backward. A last thrust on the gaff set him on his haunches on the Arctic hummock, and he thanked Providence and went on. And on—and on! There was a deal of slippery crawling to do, of slow, ticklish climbing. Doctor Rolfe rounded bergs, scaled perilous inclines, leaped crevices.

It was cold as death now. Was it ten below? The gale bit like twenty below.

When the big northeast wind drove the ice back into Anxious Bight and heaped it inshore, the pressure had decreased as the mass of the floe diminished in the direction of the sea. The outermost areas had not felt the impact. They had not folded—had not "raftered." When the wind failed they had subsided toward the open. As they say on the coast, the ice had "gone abroad." It was distributed. And after that the sea had fallen flat; and a vicious frost had caught the floe—widespread now—and frozen it fast. It was six miles from the edge of the raftered ice to the first island of the Spotted Horses. The flat pans were solid enough, safe and easy going; but this new, connecting ice—the lanes and reaches of it——

Doctor Rolfe's succinct characterization of the condition of Anxious Bight was also keen: "Soft as cheese!"

All that day the sun had fallen hot on the young ice in which the scattered pans of the floe were frozen. Some of the wider patches of green ice had been weakened to the breaking point. Here and there they must have been eaten clear through. Doctor Rolfe contemplated an advance with distaste. And by and by the first brief barrier of new ice confronted him. He must cross it. A black film—the color of water in that light—bridged the way from one pan to another. He would not touch it. He leaped it easily. A few fathoms forward a second space halted him. Must he put foot on it? With a running start he could——Well, he chose not to touch the second space, but to leap it.

Soon a third interval stopped him. No man could leap it. He cast about for another way. There was none. He must run across. He scowled. Disinclination increased. He snarled: "Green ice!" He crossed then like a cat—on tiptoe and swiftly; and he came to the other side with his heart in a flutter. "Whew!"

The ice had yielded without breaking. It had creaked, perhaps; nothing worse. It was what is called "rubber ice." There was more of it; there were miles of it. The nearer the open sea the more widespread was the floe. Beyond—hauling down the Spotted Horses, which lay in the open—the proportion of new ice would be vastly greater. At a trot for the time over the pans, which were flat, and in delicate, mincing little spurts across the bending ice, Doctor Rolfe proceeded. In a confidence that was somewhat flushed—he had rested—he went forward.

And presently, midway of a lane of green ice, he heard a gurgle as the ice bent under his weight. Water washed his boots. He had been on the lookout for holes. This hole he heard—the spurt and gurgle of it. He had not seen it. Safe across, Doctor Rolfe grinned. It was a reaction of relief. "Whew! Whew!" he whistled.

By and by he caught ear of the sea breaking under the wind beyond the Little Spotted Horse. He was nearing the limits of the ice. In full moonlight the whitecaps flashed news of a tumultuous open. A rumble and splash of breakers came down with the gale from the point of the island. It indicated that the sea was working in the passage between the Spotted Horses and Blow-me-down Dick of the Ragged Run coast. The waves would run under the ice, would lift it and break it. In this way the sea would eat its way through the passage. It would destroy the young ice. It would break the pans to pieces and rub them to slush.

Doctor Rolfe must make the Little Spotted Horse and cross the passage between the island and the Ragged Run coast. Whatever the issue of haste, he must carry on and make the best of a bad job. Otherwise he would come to Tickle-my-Ribs, between the Little Spotted Horse and Blow-me-Down Dick of Ragged Run, and be marooned from the main shore. And there was another reason: it was immediate and desperately urgent. As the sea was biting off the ice in Tickle-my-Ribs, so, too, it was encroaching upon the body of the ice in Anxious Bight. Anxious Bight was breaking up. Acres of ice were wrenched from the field at a time and then broken up by the sea. What was the direction of this swift melting? It might take any direction. And a survey of the sky troubled Doctor Rolfe. All this while the light had diminished. It was failing still. It was failing faster. There was less of the moon. By and by it would be wholly obscured.

A man would surely lose his life on the ice in thick weather—on one or other of the reaches of new ice. And thereabouts the areas of young ice were wider. To tiptoe across the yielding film of these dimly visible stretches was instantly and dreadfully dangerous. It was horrifying. A man took his life in his hand every time he left a pan. Doctor Rolfe was not insensitive. He began to sweat—not with labor but with fear. When the ice bent under him he gasped and held his breath; and he came each time to the solid refuge of a pan with his teeth set, his face contorted, his hands clenched—a shiver in the small of his back.

To achieve safety once, however, was not to win a final relief; it was merely to confront, in the same circumstances, a precisely similar peril. Doctor Rolfe was not physically exhausted; every muscle that he had was warm and alert. Yet he was weak; a repetition of suspense had unnerved him. A full hour of this, and sometimes he chattered and shook in a nervous chill. In the meantime he had approached the rocks of the Little Spotted Horse.

In the lee of the Little Spotted Horse the ice had gathered as in a back current. It was close packed alongshore to the point of the island. Between this solidly frozen press of pans and the dissolving field in Anxious Bight there had been a lane of ruffled open water before the frost fell. It measured perhaps fifty yards. It was now black and still, sheeted with new ice which had been delayed in forming by the ripple of that exposed situation. Doctor Rolfe had encountered nothing as doubtful. He paused on the brink. A long, thin line of solid pan ice, ghostly white in the dusk beyond, was attached to the rocks of the Little Spotted Horse. It led all the way to Tickle-my-Ribs. Doctor Rolfe must make that line of solid ice. He must cross the wide lane of black, delicately frozen new ice that lay between and barred his way.

He waited for the moon. When the light broke—a thin, transient gleam—he started. A few fathoms forth the ice began to yield. A moment later he stopped short and recoiled. There was a hole—gaping wide and almost under his feet. He stopped. The water overflowed and the ice cracked. He must not stand still. To avoid a second hole he twisted violently to the right and almost plunged into a third opening. It seemed the ice was rotten from shore to shore. And it was a long way across. Doctor Rolfe danced a zigzag toward the pan ice under the cliffs, spurting forward and retreating and swerving. He did not pause; had he paused he would have dropped through. When he was within two fathoms of the pan ice a foot broke through and tripped him flat on his face. With his weight thus distributed he was momentarily held up. Water squirted and gurgled out of the break—an inch of water, forming a pool. Doctor Rolfe lay still and expectant in this pool.

Dolly West's mother still sat by the kitchen fire. It was long past midnight now.

Once more Bad-Weather Tom tiptoed in from the frosty night. "Is she sleepin' still?" he whispered.

"Hush! She've jus' toppled off again. She's havin' a deal o' pain, Tom. An' she've been bleedin' again."

"Put her down on the bed, dear."

The woman shook her head. "I'm afeared 'twould start the wounds, Tom. Any sign of un yet, Tom?"

"Not yet."

"He'll come soon."

"No; 'tis not near time. 'Twill be dawn afore he——"

"Soon, Tom."

"He'll be delayed by snow. The moon's near gone. 'Twill be black dark in half an hour. I felt a flake o' snow as I come in. An' he'll maybe wait at Mad Harry——"

"He's comin' by the Bight, Tom."

Dolly stirred, cried out, awakened with a start, and lifted her bandaged head a little. She did not open her eyes. "Is that you, doctor, sir?"

"Hush!" the mother whispered. "'Tis not the doctor yet."

"When——"

"He's comin'."

"I'll take a look," said Tom. He went out again and stumbled down the path to Blow-me-Down Dick by Tickle-my-Ribs.

Doctor Rolfe lay still and expectant in the pool of water near the pan ice and rocks of the Little Spotted Horse. He waited. Nothing happened. Presently he ventured delicately to take off a mitten, to extend his hand, to sink his fingernails in the ice and try to draw himself forward. It was a failure. His fingernails were too short. He could merely scratch the ice. He reflected that if he did not concentrate his weight—that if he kept it distributed—he would not break through. And once more he tried to make use of his fingernails. It turned out that the nails of the other hand were longer. Doctor Rolfe managed to gain half an inch before they slipped. They slipped again—and again and again. It was hopeless. Doctor Rolfe lay still, pondering.

Presently he shot his gaff toward the pan ice, to be rid of the incumbrance of it, and lifted himself on his palms and toes. By this the distribution of his weight was not greatly disturbed. It was not concentrated upon one point. It was divided by four and laid upon four points. And there were no fearsome consequences. It was a hopeful experiment.

Doctor Rolfe stepped by inches on his hands toward the pan ice—dragging his toes. In this way he came to the line of solid ice under the cliffs of the Little Spotted Horse and had a clear path forward. Whereupon he picked up his gaff, and set out for the point of the Little Spotted Horse and the passage of Tickle-my-Ribs. He was heartened.

Tickle-my-Ribs was heaving. The sea had by this time eaten its way clear through the passage from the open to the first reaches of Anxious Bight and far and wide beyond. The channel was half a mile long; in width a quarter of a mile at the narrowest. Doctor Rolfe's path was determined. It must lead from the point of the island to the base of Blow-me-Down Dick and the adjoining fixed and solid ice of the narrows to Ragged Run Harbor. Ice choked the channel. It was continuously running in from the open. It was a thin sheet of fragments. There was only an occasional considerable pan. A high sea ran outside. Waves from the open slipped under this field of little pieces and lifted it in running swells. No single block of ice was at rest.

Precisely as a country doctor might petulantly regard a stretch of hub-deep crossroad, Doctor Rolfe, the outport physician, complained of the passage of Tickle-my-Ribs. Not many of the little pans would bear his weight. They would sustain it momentarily. Then they would tip or sink. There would be foothold through the instant required to choose another foothold and leap toward it. Always the leap would have to be taken from sinking ground. When he came, by good chance, to a pan that would bear him up for a moment, Doctor Rolfe would have instantly to discover another heavy block to which to shape his agitated course. There would be no rest, no certainty beyond the impending moment. But, leaping thus, alert and agile and daring, a man might——

Might? Mm-m, a man might! And he might not! There were contingencies: A man might leap short and find black water where he had depended upon a footing of ice; a man might land on the edge of a pan and fall slowly back for sheer lack of power to obtain a balance; a man might misjudge the strength of a pan to bear him up; a man might find no ice near enough for the next immediately imperative leap; a man might be unable either to go forward or retreat. And there was the light to consider. A man might be caught in the dark. He would be in hopeless case if caught in the dark.

Light was imperative. Doctor Rolfe glanced aloft. "Whew!" he whistled.

The moon and the ominous bank of black cloud were very close. There was snow in the air. A thickening flurry ran past.

Bad-Weather Tom West was not on the lookout when Doctor Rolfe opened the kitchen door at Ragged Run Harbor and strode in with the air of a man who had survived difficulties and was proud of it. Bad-weather Tom West was sitting by the fire, his face in his hands; and the mother of Dolly West—with Dolly still restlessly asleep in her arms—was rocking, rocking, as before.

And Doctor Rolfe set to work—in a way so gentle, with a voice so persuasive, with a hand so tender and sure, with a skill and wisdom so keen, that little Dolly West, who was brave enough in any case, as you know, yielded the additional patience and courage which the simple means at hand for her relief required; and Doctor Rolfe laved Dolly West's blue eyes until she could see again, and sewed up her wounds that night so that no scar remained; and in the broad light of the next day picked out grains of powder until not a single grain was left to disfigure the child.

Three months after that it again occurred to Doctor Rolfe, of Afternoon Arm, that the practice of medicine was amply provided with hardship and shockingly empty of pecuniary reward. Since the night of the passage of Anxious Bight he had not found time to send out any statements of accounts. It occurred to him that he had then determined, after a reasonable and sufficient consideration of the whole matter, to "tilt the fee." Very well; he would "tilt the fee." He would provide for himself an old age of reasonable ease and self-respecting independence.

Thereupon Doctor Rolfe prepared a statement of account for Bad-Weather West, of Ragged Run Harbor, and after he had written the amount of the bill—"$4"—he thoughtfully crossed it out and wrote "$1.75."