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POEMS

Robert Southey

1797

GODDESS of the LYRE! with thee comes
Majestic TRUTH; and where TRUTH deigns to come,
Her sister LIBERTY will not be far.

Akenside.

SONNET.

With wayworn feet a Pilgrim woe-begone
Life's upward road I journeyed many a day,
And hymning many a sad yet soothing lay
Beguil'd my wandering with the charms of song.
Lonely my heart and rugged was my way,
Yet often pluck'd I as I past along
The wild and simple flowers of Poesy,
And as beseem'd the wayward Fancy's child
Entwin'd each random weed that pleas'd mine eye.
Accept the wreath, BELOVED! it is wild
And rudely garlanded; yet scorn not thou
The humble offering, where the sad rue weaves
'Mid gayer flowers its intermingled leaves,
And I have twin'd the myrtle for thy brow.

I have collected in this Volume the productions of very distant periods. The lyric pieces were written in earlier youth; I now think the Ode the most worthless species of composition as well as the most difficult, and should never again attempt it, even if my future pursuits were such as allowed leisure for poetry. The poems addressed to the heart and the understanding are those of my maturer judgment. The Inscriptions will be found to differ from the Greek simplicity of Akenside's in the point that generally concludes them. The Sonnets were written first, or I would have adopted a different title, and avoided the shackle of rhyme and the confinement to fourteen lines.

To Mary Wollstonecraft …………. 3
The Triumph of Woman …………… 7
Poems on the Slave-Trade ………. 29
Sonnet 1 …………………….. 33
2 …………………….. 34
3 …………………….. 35
4 …………………….. 36
5 …………………….. 37
6 …………………….. 38
To the Genius of Africa ……….. 39
To my own Miniature Picture ……. 44
The Pauper's Funeral ………….. 47
Ode written on 1st of January ….. 49
Inscription 1 ………………… 55
2 ………………… 56
3 ………………… 57
4 ………………… 59
5 ………………… 61
6 ………………… 62
7 ………………… 63
8 ………………… 64
Birth-Day Ode ………………… 67
Birth-Day Ode ………………… 71
Botany-bay Eclogues …………… 75
Elinor ………………………. 77
Humphrey and William ………….. 83
John, Samuel, and Richard ……… 92
Frederic …………………….. 99
Sonnet 1 ……………………. 107
2 ……………………. 108
3 ……………………. 109
4 ……………………. 110
5 ……………………. 111
6 ……………………. 112
7 ……………………. 113
8 ……………………. 114
9 ……………………. 115
10 ……………………. 116
Sappho ……………………… 121
Ode written on 1st. Dece. …….. 126
Written on Sunday Morning …….. 129
On the death of a favorite
old Spaniel ……………….. 132
To Contemplation …………….. 135
To Horror …………………… 140
The Soldier's Wife …………… 145
The Widow …………………… 147
The Chapel Bell ……………… 149
The Race of Banquo …………… 152
Musings on a landscape of
Caspar Poussin …………….. 154
Mary ……………………….. 163
Donica ……………………… 175
Rudiger …………………….. 187
Hymn to the Penates ………….. 203

ERRORS

p.151 - in the last line but one, for nosal, read nasal. p.192 - line 8, for wild, read mild. p. 203 - in the note, for Complicces, read Complices.

THE TRIUMPH OF WOMAN

[Greek (transliterated):
Ou gar thaeluierais demas opasen aemiielesion
Morphaen, ophra xai allaperi chroi technaesainio.

NATMACHIOS.]

TO MARY WOLLSTONECRAFT.

The lilly cheek, the "purple light of love,"
The liquid lustre of the melting eye,—
Mary! of these the Poet sung, for these
Did Woman triumph! with no angry frown
View this degrading conquest. At that age
No MAID OF ARC had snatch'd from coward man
The heaven-blest sword of Liberty; thy sex
Could boast no female ROLAND'S martyrdom;
No CORDE'S angel and avenging arm
Had sanctified again the Murderer's name
As erst when Caesar perish'd: yet some strains
May even adorn this theme, befitting me
To offer, nor unworthy thy regard.

ROBERT SOUTHEY.

The Subject of the following Poem may be found in the Third and Fourth
Chapters of the first Book of Esdras.

THE TRIUMPH of WOMAN.

Glad as the weary traveller tempest-tost
To reach secure at length his native coast,
Who wandering long o'er distant lands has sped,
The night-blast wildly howling round his head,
Known all the woes of want, and felt the storm
Of the bleak winter parch his shivering form;
The journey o'er and every peril past
Beholds his little cottage-home at last,
And as he sees afar the smoke curl slow,
Feels his full eyes with transport overflow:
So from the scene where Death and Anguish reign,
And Vice and Folly drench with blood the plain,
Joyful I turn, to sing how Woman's praise
Avail'd again Jerusalem to raise,
Call'd forth the sanction of the Despot's nod,
And freed the nation best-belov'd of God.

Darius gives the feast: to Persia's court,
Awed by his will, the obedient throng resort,
Attending Satraps swell the Prince's pride,
And vanquish'd Monarchs grace their Conqueror's side.
No more the Warrior wears the garb of war,
Sharps the strong steel, or mounts the scythed car;
No more Judaea's sons dejected go,
And hang the head and heave the sigh of woe.
From Persia's rugged hills descend the train.
From where Orontes foams along the plain,
From where Choaspes rolls his royal waves,
And India sends her sons, submissive slaves.
Thy daughters Babylon to grace the feast
Weave the loose robe, and paint the flowery vest,
With roseate wreaths they braid the glossy hair.
They tinge the cheek which Nature form'd so fair,
Learn the soft step, the soul-subduing glance,
Melt in the song, and swim adown the dance.
Exalted on the Monarch's golden throne
In royal state the fair Apame shone;

Her form of majesty, her eyes of fire
Chill with respect, or kindle with desire.
The admiring multitude her charms adore,
And own her worthy of the crown she wore.

Now on his couch reclin'd Darius lay,
Tir'd with the toilsome pleasures of the day;
Without Judaea's watchful sons await
To guard the sleeping pageant of the state.
Three youths were these of Judah's royal race,
Three youths whom Nature dower'd with every grace,
To each the form of symmetry she gave,
And haughty Genius curs'd each favorite slave;
These fill'd the cup, around the Monarch kept,
Serv'd as he spake, and guarded whilst he slept.

Yet oft for Salem's hallowed towers laid low
The sigh would heave, the unbidden tear would flow;
And when the dull and wearying round of Power
Allowed Zorobabel one vacant hour,
He lov'd on Babylon's high wall to roam,
And stretch the gaze towards his distant home,
Or on Euphrates' willowy banks reclin'd
Hear the sad harp moan fitful to the wind.

As now the perfum'd lamps stream wide their light,
And social converse chears the livelong night,
Thus spake Zorobabel, "too long in vain
"For Sion desolate her sons complain;
"In anguish worn the joyless years lag slow,
"And these proud conquerors mock their captive's woe.
"Whilst Cyrus triumph'd here in victor state
"A brighter prospect chear'd our exil'd fate,
"Our sacred walls again he bade us raise,
"And to Jehovah rear the pile of praise.
"Quickly these fond hopes faded from our eyes,
"As the frail sun that gilds the wintry skies,
"And spreads a moment's radiance o'er the plain,
"Soon hid by clouds that dim the scene again.

"Opprest by Artaxerxes' jealous reign
"We vainly pleaded here, and wept in vain.
"Now when Darius, chief of mild command,
"Bids joy and pleasure fill the festive land,
"Still shall we droop the head in sullen grief,
"And sternly silent shun to seek relief?
"What if amid the Monarch's mirthful throng
"Our harps should echo to the chearful song?

"Fair is the occasion," thus the one replied,
"And now let all our tuneful skill be tried.
"Whilst the gay courtiers quaff the smiling bowl,
"And wine's strong fumes inspire the madden'd soul,
"Where all around is merriment, be mine
"To strike the lute, and praise the power of Wine.

"And whilst" his friend replied in state alone
"Lord of the earth Darius fills the throne,
"Be yours the mighty power of Wine to sing,
"My lute shall sound the praise of Persia's King."

To them Zorobabel, on themes like these
"Seek ye the Monarch of Mankind to please;
"To Wine superior or to Power's strong arms,
"Be mine to sing resistless Woman's charms.
"To him victorious in the rival lays
"Shall just Darius give the meed of praise;
"The purple robe his honor'd frame shall fold,
"The beverage sparkle in his cup of gold;
"A golden couch support his bed of rest,
"The chain of honor grace his favor'd breast;
"His the soft turban, his the car's array
"O'er Babylon's high wall to wheel its way;
"And for his wisdom seated on the throne,
"For the KING'S COUSIN shall the Bard be known."

Intent they meditate the future lay,
And watch impatient for the dawn of day.
The morn rose clear, and shrill were heard the flute,
The cornet, sackbut, dulcimer, and lute;
To Babylon's gay streets the throng resort,
Swarm thro' the gates, and fill the festive court.
High on his throne Darius tower'd in pride,
The fair Apame grac'd the Sovereign's side;
And now she smil'd, and now with mimic frown
Placed on her brow the Monarch's sacred crown.
In transport o'er her faultless form he bends,
Loves every look, and every act commends.

And now Darius bids the herald call
Judaea's Bard to grace the thronging hall.
Hush'd is each sound—the attending crowd are mute,
The Hebrew lightly strikes the chearful lute:

When the Traveller on his way,
Who has toil'd the livelong day,
Feels around on every side
The chilly mists of eventide,
Fatigued and faint his wearied mind
Recurs to all he leaves behind;
He thinks upon the well-trimm'd hearth,
The evening hour of social mirth,
And her who at departing day
Weeps for her husband far away.
Oh give to him the flowing bowl,
Bid it renovate his soul;
Then shall sorrow sink to sleep,
And he who wept, no more shall weep;
For his care-clouded brow shall clear,
And his glad eye shall sparkle thro' the tear.

When the poor man heart-opprest
Betakes him to his evening rest,
And worn with labour thinks in sorrow
Of the labor of to-morrow;
When sadly musing on his lot
He hies him to his joyless cot,
And loathes to meet his children there,
The rivals for his scanty fare:
Oh give to him the flowing bowl,
Bid it renovate his soul;
The generous juice with magic power
Shall cheat with happiness the hour,
And with each warm affection fill
The heart by want and wretchedness made chill.

When, at the dim close of day,
The Captive loves alone to stray
Along the haunts recluse and rude
Of sorrow and of solitude;
When he sits with moveless eye
To mark the lingering radiance die,
And lets distemper'd Fancy roam
Amid the ruins of his home,—
Oh give to him the flowing bowl,
Bid it renovate his soul;
The bowl shall better thoughts bestow,
And lull to rest his wakeful woe,
And Joy shall bless the evening hour,
And make the Captive Fortune's conqueror.

When the wearying cares of state
Oppress the Monarch with their weight,
When from his pomp retir'd alone
He feels the duties of the throne,
Feels that the multitude below
Depend on him for weal or woe;
When his powerful will may bless
A realm with peace and happiness,
Or with desolating breath
Breathe ruin round, and woe, and death:
Oh give to him the flowing bowl,
Bid it humanize his soul;
He shall not feel the empire's weight,
He shall not feel the cares of state,
The bowl shall each dark thought beguile,
And Nations live and prosper from his smile.

Husht was the lute, the Hebrew ceas'd the song;
Long peals of plaudits echoed from the throng;
Each tongue the liberal words of praise repaid,
On every cheek a smile applauding play'd;
The rival Bard advanced, he struck the string,
And pour'd the loftier song to Persia's King.

Why should the wearying cares of state
Oppress the Monarch with their weight?
Alike to him if Peace shall bless
The multitude with happiness;
Alike to him if frenzied War
Careers triumphant on the embattled plain,
And rolling on o'er myriads slain,
With gore and wounds shall clog his scythed car.
What tho' the tempest rage! no sound
Of the deep thunder shakes his distant throne,
And the red flash that spreads destruction round,
Reflects a glorious splendour on the Crown.

Where is the Man who with ennobling pride
Beholds not his own nature? where is he
Who but with deep amazement awe allied
Must muse the mysteries of the human mind,
The miniature of Deity.
For Man the vernal clouds descending
Shower down their fertilizing rain,
For Man the ripen'd harvest bending
Waves with soft murmur o'er the plenteous plain.
He spreads the sail on high,
The rude gale wafts him o'er the main;
For him the winds of Heaven subservient blow,
Earth teems for him, for him the waters flow,
He thinks, and wills, and acts, a Deity below!

Where is the King who with elating pride
Sees not this Man—this godlike Man his Slave?
Mean are the mighty by the Monarch's side,
Alike the wife, alike the brave
With timid step and pale, advance,
And tremble at the royal glance;
Suspended millions watch his breath
Whose smile is happiness, whose frown is death.

Why goes the Peasant from that little cot,
Where PEACE and LOVE have blest his humble life?
In vain his agonizing wife
With tears bedews her husband's face,
And clasps him in a long and last embrace;
In vain his children round his bosom creep,
And weep to see their mother weep,
Fettering their father with their little arms;
What are to him the wars alarms?
What are to him the distant foes?
He at the earliest dawn of day
To daily labor went his way;
And when he saw the sun decline,
He sat in peace beneath his vine:—
The king commands, the peasant goes,
From all he lov'd on earth he flies,
And for his monarch toils, and fights, and bleeds, and dies.

What tho' yon City's castled wall
Casts o'er the darken'd plain its crested shade?
What tho' their Priests in earnest terror call
On all their host of Gods to aid?
Vain is the bulwark, vain the tower;
In vain her gallant youths expose
Their breasts, a bulwark, to the foes.
In vain at that tremendous hour,
Clasp'd in the savage soldier's reeking arms,
Shrieks to tame Heaven the violated Maid.
By the rude hand of Ruin scatter'd round
Their moss-grown towers shall spread the desart ground.
Low shall the mouldering palace lie,
Amid the princely halls the grass wave high,
And thro' the shatter'd roof descend the inclement sky.

Gay o'er the embattled plain
Moves yonder warrior train,
Their banners wanton on the morning gale!
Full on their bucklers beams the rising ray,
Their glittering helmets flash a brighter day,
The shout of war rings echoing o'er the vale:
Far reaches as the aching eye can strain
The splendid horror of their wide array.
Ah! not in vain expectant, o'er
Their glorious pomp the Vultures soar!
Amid the Conqueror's palace high
Shall sound the song of victory:
Long after journeying o'er the plain
The Traveller shall with startled eye
See their white bones then blanched by many a winter sky.

Lord of the Earth! we will not raise
The Temple to thy bounded praise.
For thee no victim need expire,
For thee no altar blaze with hallowed fire!
The burning city flames for thee—
Thine altar is the field of victory!
Thy sacred Majesty to bless
Man a self-offer'd victim freely flies;
To thee he sacrifices Happiness,
And Peace, and Love's endearing ties,
To thee a Slave he lives, to thee a Slave he dies.

Husht was the lute, the Hebrew ceas'd to sing;
The shout rush'd forth—for ever live the King!
Loud was the uproar, as when Rome's decree
Pronounc'd Achaia once again was free;
Assembled Greece enrapt with fond belief
Heard the false boon, and bless'd the villain Chief;
Each breast with Freedom's holy ardor glows,
From every voice the cry of rapture rose;
Their thundering clamors burst the astonish'd sky,
And birds o'erpassing hear, and drop, and die.
Thus o'er the Persian dome their plaudits ring,
And the high hall re-echoed—live the King!
The Mutes bow'd reverent down before their Lord,
The assembled Satraps envied and ador'd,
Joy sparkled in the Monarch's conscious eyes,
And his pleas'd pride already doom'd the prize.

Silent they saw Zorobabel advance:
Quick on Apame shot his timid glance,
With downward eye he paus'd a moment mute,
And with light finger touch'd the softer lute.
Apame knew the Hebrew's grateful cause,
And bent her head and sweetly smil'd applause.

Why is the Warrior's cheek so red?
Why downward droops his musing head?
Why that slow step, that faint advance,
That keen yet quick-retreating glance?
That crested head in war tower'd high,
No backward glance disgrac'd that eye,
No flushing fear that cheek o'erspread
When stern he strode o'er heaps of dead;
Strange tumult now his bosom moves—
The Warrior fears because he loves.

Why does the Youth delight to rove
Amid the dark and lonely grove?
Why in the throng where all are gay,
His wandering eye with meaning fraught,
Sits he alone in silent thought?
Silent he sits; for far away
His passion'd soul delights to stray;
Recluse he roves and strives to shun
All human-kind because he loves but One!

Yes, King of Persia, thou art blest;
But not because the sparkling bowl
To rapture lifts thy waken'd soul [1]
But not because of Power possest,
Not that the Nations dread thy nod,
And Princes reverence thee their earthly God,
Even on a Monarch's solitude
Care the black Spectre will intrude,
The bowl brief pleasure can bestow,
The Purple cannot shield from Woe.
But King of Persia thou art blest,
For Heaven who rais'd thee thus the world above
Has made thee happy in Apame's love!

Oh! I have seen his fond looks trace
Each angel feature of her face,
Rove o'er her form with eager eye,
And sigh and gaze, and gaze and sigh.
Lo! from his brow with mimic frown,
Apame takes the sacred crown;
Her faultless form, her lovely face
Add to the diadem new grace
And subject to a Woman's laws
Darius sees and smiles applause!

He ceas'd, and silent still remain'd the throng
Whilst rapt attention own'd the power of song.
Then loud as when the wintry whirlwinds blow
From ev'ry voice the thundering plaudits flow;
Darius smil'd, Apame's sparkling eyes
Glanc'd on the King, and Woman won the prize.

Now silent sat the expectant crowd, alone
The victor Hebrew gaz'd not on the throne;
With deeper hue his cheek distemper'd glows,
With statelier stature, loftier now he rose;
Heavenward he gaz'd, regardless of the throng,
And pour'd with awful voice sublimer song.

Ancient of Days! Eternal Truth! one hymn
One holier strain the Bard shall raise to thee,
Thee Powerful! Thee Benevolent! Thee Just!
Friend! Father! All in All! the Vines rich blood,
The Monarch's might, and Woman's conquering charms,—
These shall we praise alone? Oh ye who sit
Beneath your vine, and quaff at evening hour
The healthful bowl, remember him whose dews,
Whose rains, whose sun, matur'd the growing fruit,
Creator and Preserver! Reverence Him,
O thou who from thy throne dispensest life
And death, for He has delegated power.
And thou shalt one day at the throne of God
Render most strict account! O ye who gaze
Enrapt on Beauty's fascinating form,
Gaze on with love, and loving Beauty, learn
To shun abhorrent all the mental eye
Beholds deform'd and foul; for so shall Love
Climb to the Source of Virtue. God of Truth!
All-Just! All-Mighty! I should ill deserve
Thy noblest gift, the gift divine of song,
If, so content with ear-deep melodies [2]
To please all profitless, I did not pour
Severer strains; of Truth—eternal Truth,
Unchanging Justice, universal Love.
Such strains awake the soul to loftiest thoughts,
Such strains the Blessed Spirits of the Good
Waft, grateful incense, to the Halls of Heaven.

The dying notes still murmur'd on the string,
When from his throne arose the raptur'd King.
About to speak he stood, and wav'd his hand,
And all expectant sat the obedient band.

Then just and gen'rous, thus the Monarch cries,
"Be thine Zorobabel the well earned prize.
"The purple robe of state thy form shall fold,
"The beverage sparkle in thy cup of gold;
"The golden couch, the car, and honor'd chain,
"Requite the merits of thy favor'd strain,
"And rais'd supreme the ennobled race among
"Be call'd MY COUSIN for the victor song.
"Nor these alone the victor song shall bless,
"Ask what thou wilt, and what thou wilt, possess."
"Fall'n is Jerusalem!" the Hebrew cries.
And patriot anguish fills his streaming eyes,
"Hurl'd to the earth by Rapine's vengeful rod,
"Polluted lies the temple of our God,
"Far in a foreign land her sons remain,
"Hear the keen taunt, and drag the captive chain:
"In fruitless woe they wear the wearying years,
"And steep the bread of bitterness in tears.
"O Monarch, greatest, mildest, best of men,
"Restore us to those ruin'd walls again!
"Allow our race to rear that sacred dome,
"To live in liberty, and die at Home."

So spake Zorobabel—thus Woman's praise
Avail'd again Jerusalem to raise,
Call'd forth the sanction of the Despot's nod,
And freed the Nation best belov'd of God.

[Footnote 1: text showed "foul" which we think was a long s transferred to the modern edition by mistake. Gutenberg Proofreading.]

[Footnote 2: This expression is from OWEN FELLTHAM.]

POEMS

on the

SLAVE TRADE.

I am Innocent of this Blood, SEE YE TO IT!

PREFACE.

When first the Abolition of the SLAVE-TRADE was agitated in England, the friends of humanity endeavoured by two means to accomplish it.—To destroy the Trade immediately by the interference of Government or by the disuse of West-Indian productions: a slow but certain method. For a while Government held the language of justice, and individuals with enthusiasm banished sugar from their tables. This enthusiasm soon cooled; the majority of those who had made this sacrifice (I prostitute the word, but they thought it a sacrifice) persuaded themselves that Parliament would do all, and that individual efforts were no longer necessary. Thus ended the one attempt; and the duplicity with which Mr. Wilberforce has been amused, and the Slave-Merchants satisfied, has now effectually destroyed the other.

There are yet two other methods remaining, by which this traffic will probably be abolished. By the introduction of East-Indian or Maple Sugar, or by the just and general rebellion of the Negroes: by the vindictive justice of the Africans, or by the civilized Christians finding it their interest to be humane.

To these past and present prospects the following Poems occasionally allude: to the English custom of exciting wars upon the Slave Coast that they may purchase prisoners, and to the punishment sometimes inflicted upon a Negro for murder, of which Hector St. John was an eye-witness.

SONNET I

Hold your mad hands! for ever on your plain
Must the gorged vulture clog his beak with blood?
For ever must your Nigers tainted flood
Roll to the ravenous shark his banquet slain?
Hold your mad hands! what daemon prompts to rear
The arm of Slaughter? on your savage shore
Can hell-sprung Glory claim the feast of gore,
With laurels water'd by the widow's tear
Wreathing his helmet crown? lift high the spear!
And like the desolating whirlwinds sweep,
Plunge ye yon bark of anguish in the deep;
For the pale fiend, cold-hearted Commerce there
Breathes his gold-gender'd pestilence afar,
And calls to share the prey his kindred Daemon War.

SONNET II

Why dost thou beat thy breast and rend thine hair,
And to the deaf sea pour thy frantic cries?
Before the gale the laden vessel flies;
The Heavens all-favoring smile, the breeze is fair;
Hark to the clamors of the exulting crew!
Hark how their thunders mock the patient skies!
Why dost thou shriek and strain thy red-swoln eyes
As the white sail dim lessens from thy view?
Go pine in want and anguish and despair,
There is no mercy found in human-kind—
Go Widow to thy grave and rest thee there!
But may the God of Justice bid the wind
Whelm that curst bark beneath the mountain wave,
And bless with Liberty and Death the Slave!

SONNET III

Oh he is worn with toil! the big drops run
Down his dark cheek; hold—hold thy merciless hand,
Pale tyrant! for beneath thy hard command
O'erwearied Nature sinks. The scorching Sun,
As pityless as proud Prosperity,
Darts on him his full beams; gasping he lies
Arraigning with his looks the patient skies,
While that inhuman trader lifts on high
The mangling scourge. Oh ye who at your ease
Sip the blood-sweeten'd beverage! thoughts like these
Haply ye scorn: I thank thee Gracious God!
That I do feel upon my cheek the glow
Of indignation, when beneath the rod
A sable brother writhes in silent woe.

SONNET IV

'Tis night; the mercenary tyrants sleep
As undisturb'd as Justice! but no more
The wretched Slave, as on his native shore,
Rests on his reedy couch: he wakes to weep!
Tho' thro' the toil and anguish of the day
No tear escap'd him, not one suffering groan
Beneath the twisted thong, he weeps alone
In bitterness; thinking that far away
Tho' the gay negroes join the midnight song,
Tho' merriment resounds on Niger's shore,
She whom he loves far from the chearful throng
Stands sad, and gazes from her lowly door
With dim grown eye, silent and woe-begone,
And weeps for him who will return no more.

SONNET V

Did then the bold Slave rear at last the Sword
Of Vengeance? drench'd he deep its thirsty blade
In the cold bosom of his tyrant lord?
Oh! who shall blame him? thro' the midnight shade
Still o'er his tortur'd memory rush'd the thought
Of every past delight; his native grove,
Friendship's best joys, and Liberty and Love,
All lost for ever! then Remembrance wrought
His soul to madness; round his restless bed
Freedom's pale spectre stalk'd, with a stern smile
Pointing the wounds of slavery, the while
She shook her chains and hung her sullen head:
No more on Heaven he calls with fruitless breath,
But sweetens with revenge, the draught of death.

SONNET VI

High in the air expos'd the Slave is hung
To all the birds of Heaven, their living food!
He groans not, tho' awaked by that fierce Sun
New torturers live to drink their parent blood!
He groans not, tho' the gorging Vulture tear
The quivering fibre! hither gaze O ye
Who tore this Man from Peace and Liberty!
Gaze hither ye who weigh with scrupulous care
The right and prudent; for beyond the grave
There is another world! and call to mind,
Ere your decrees proclaim to all mankind
Murder is legalized, that there the Slave
Before the Eternal, "thunder-tongued shall plead
"Against the deep damnation of your deed."

TO THE GENIUS OF AFRICA

O thou who from the mountain's height
Roll'st down thy clouds with all their weight
Of waters to old Niles majestic tide;
Or o'er the dark sepulchral plain
Recallest thy Palmyra's ancient pride,
Amid whose desolated domes
Secure the savage chacal roams,
Where from the fragments of the hallow'd fane
The Arabs rear their miserable homes!

Hear Genius hear thy children's cry!
Not always should'st thou love to brood
Stern o'er the desert solitude
Where seas of sand toss their hot surges high;
Nor Genius should the midnight song
Detain thee in some milder mood
The palmy plains among
Where Gambia to the torches light
Flows radiant thro' the awaken'd night.

Ah, linger not to hear the song!
Genius avenge thy children's wrong!
The Daemon COMMERCE on your shore
Pours all the horrors of his train,
And hark! where from the field of gore
Howls the hyena o'er the slain!
Lo! where the flaming village fires the skies!
Avenging Power awake—arise!

Arise thy children's wrong redress!
Ah heed the mother's wretchedness
When in the hot infectious air
O'er her sick babe she bows opprest—
Ah hear her when the Christians tear
The drooping infant from her breast!
Whelm'd in the waters he shall rest!
Hear thou the wretched mother's cries,
Avenging Power awake! arise!

By the rank infected air
That taints those dungeons of despair,
By those who there imprison'd die
Where the black herd promiscuous lie,
By the scourges blacken'd o'er
And stiff and hard with human gore,
By every groan of deep distress
By every curse of wretchedness,
By all the train of Crimes that flow
From the hopelessness of Woe,
By every drop of blood bespilt,
By Afric's wrongs and Europe's guilt,
Awake! arise! avenge!

And thou hast heard! and o'er their blood-fed plains
Swept thine avenging hurricanes;
And bade thy storms with whirlwind roar
Dash their proud navies on the shore;
And where their armies claim'd the fight
Wither'd the warrior's might;
And o'er the unholy host with baneful breath
There Genius thou hast breath'd the gales of Death.

So perish still the robbers of mankind!
What tho' from Justice bound and blind
Inhuman Power has snatch'd the sword!
What tho' thro' many an ignominious age
That Fiend with desolating rage
The tide of carnage pour'd!
Justice shall yet unclose her eyes,
Terrific yet in wrath arise,
And trample on the tyrant's breast,
And make Oppresion groan opprest.

To my own
MINIATURE PICTURE
taken at two years of age.

And I was once like this! that glowing cheek
Was mine, those pleasure-sparkling eyes, that brow
Smooth as the level lake, when not a breeze
Dies o'er the sleeping surface! twenty years
Have wrought strange alteration! Of the friends
Who once so dearly prized this miniature,
And loved it for its likeness, some are gone
To their last home; and some, estranged in heart,
Beholding me with quick-averted glance
Pass on the other side! But still these hues
Remain unalter'd, and these features wear
The look of Infancy and Innocence.
I search myself in vain, and find no trace
Of what I was: those lightly-arching lines
Dark and o'erhanging now; and that mild face
Settled in these strong lineaments!—There were
Who form'd high hopes and flattering ones of thee
Young Robert! for thine eye was quick to speak
Each opening feeling: should they not have known
When the rich rainbow on the morning cloud
Reflects its radiant dies, the husbandman
Beholds the ominous glory sad, and fears
Impending storms? they augur'd happily,
For thou didst love each wild and wonderous tale
Of faery fiction, and thine infant tongue
Lisp'd with delight the godlike deeds of Greece
And rising Rome; therefore they deem'd forsooth
That thou shouldst tread PREFERMENT'S pleasant path.
Ill-judging ones! they let thy little feet
Stray in the pleasant paths of POESY,
And when thou shouldst have prest amid the crowd
There didst thou love to linger out the day
Loitering beneath the laurels barren shade.
SPIRIT of SPENSER! was the wanderer wrong?
This little picture was for ornament
Design'd, to shine amid the motley mob
Of Fashion and of Folly,—is it not
More honour'd by this solitary song?

THE PAUPER'S FUNERAL

What! and not one to heave the pious sigh!
Not one whose sorrow-swoln and aching eye
For social scenes, for life's endearments fled,
Shall drop a tear and dwell upon the dead!
Poor wretched Outcast! I will weep for thee,
And sorrow for forlorn humanity.
Yes I will weep, but not that thou art come
To the stern Sabbath of the silent tomb:
For squalid Want, and the black scorpion Care,
Heart-withering fiends! shall never enter there.
I sorrow for the ills thy life has known
As thro' the world's long pilgrimage, alone,
Haunted by Poverty and woe-begone,
Unloved, unfriended, thou didst journey on:
Thy youth in ignorance and labour past,
And thine old age all barrenness and blast!
Hard was thy Fate, which, while it doom'd to woe,
Denied thee wisdom to support the blow;
And robb'd of all its energy thy mind,
Ere yet it cast thee on thy fellow-kind,
Abject of thought, the victim of distress,
To wander in the world's wide wilderness.

Poor Outcast sleep in peace! the wintry storm
Blows bleak no more on thine unshelter'd form;
Thy woes are past; thou restest in the tomb;—
I pause—and ponder on the days to come.

ODE

written on the first of January, 1794

Come melancholy Moralizer—come!
Gather with me the dark and wintry wreath;
With me engarland now
The SEPULCHRE OF TIME!

Come Moralizer to the funeral song!
I pour the dirge of the Departed Days,
For well the funeral song
Befits this solemn hour.

But hark! even now the merry bells ring round
With clamorous joy to welcome in this day,
This consecrated day,
To Mirth and Indolence.

Mortal! whilst Fortune with benignant hand
Fills to the brim thy cup of happiness,
Whilst her unclouded sun
Illumes thy summer day,

Canst thou rejoice—rejoice that Time flies fast?
That Night shall shadow soon thy summer sun?
That swift the stream of Years
Rolls to Eternity?

If thou hast wealth to gratify each wish,
If Power be thine, remember what thou art—
Remember thou art Man,
And Death thine heritage!

Hast thou known Love? does Beauty's better sun
Cheer thy fond heart with no capricious smile,
Her eye all eloquence,
Her voice all harmony?

Oh state of happiness! hark how the gale
Moans deep and hollow o'er the leafless grove!
Winter is dark and cold—
Where now the charms of Spring?

Sayst thou that Fancy paints the future scene
In hues too sombrous? that the dark-stol'd Maid
With stern and frowning front
Appals the shuddering soul?

And would'st thou bid me court her faery form
When, as she sports her in some happier mood,
Her many-colour'd robes
Dance varying to the Sun?

Ah vainly does the Pilgrim, whose long road
Leads o'er the barren mountain's storm-vext height,
With anxious gaze survey
The fruitful far-off vale.

Oh there are those who love the pensive song
To whom all sounds of Mirth are dissonant!
There are who at this hour
Will love to contemplate!

For hopeless Sorrow hails the lapse of Time,
Rejoicing when the fading orb of day
Is sunk again in night,
That one day more is gone.

And he who bears Affliction's heavy load
With patient piety, well pleas'd he knows
The World a pilgrimage,
The Grave the inn of rest.

Inscriptions

The three Utilitise of Poetry: the praise of Virtue and Goodness, the
Memory of things remarkable, and to invigorate the affections.

Welsh Triad.

INSCRIPTION I.

For a TABLET at GODSTOW NUNNERY.

Here Stranger rest thee! from the neighbouring towers
Of Oxford, haply thou hast forced thy bark
Up this strong stream, whose broken waters here
Send pleasant murmurs to the listening sense:
Rest thee beneath this hazel; its green boughs
Afford a grateful shade, and to the eye
Fair is its fruit: Stranger! the seemly fruit
Is worthless, all[1] is hollowness within,
For on the grave of ROSAMUND it grows!
Young lovely and beloved she fell seduced,
And here retir'd to wear her wretched age
In earnest prayer and bitter penitence,
Despis'd and self-despising: think of her
Young Man! and learn to reverence Womankind!

[Footnote 1: I have often seen this hazel: its nuts are apparently very fine, but always without a kernel.]

INSCRIPTION II.

For a COLUMN at NEWBURY.

Art thou a Patriot Traveller? on this field
Did FALKLAND fall the blameless and the brave
Beneath a Tyrant's banners: dost thou boast
Of loyal ardor? HAMBDEN perish'd here,
The rebel HAMBDEN, at whose glorious name
The heart of every honest Englishman
Beats high with conscious pride. Both uncorrupt,
Friends to their common country both, they fought,
They died in adverse armies. Traveller!
If with thy neighbour thou should'st not accord,
In charity remember these good men,
And quell each angry and injurious thought.

INSCRIPTION III.

For a CAVERN that overlooks the River AVON.

Enter this cavern Stranger! the ascent
Is long and steep and toilsome; here awhile
Thou mayest repose thee, from the noontide heat
O'ercanopied by this arch'd rock that strikes
A grateful coolness: clasping its rough arms
Round the rude portal, the old ivy hangs
Its dark green branches down, and the wild Bees,
O'er its grey blossoms murmuring ceaseless, make
Most pleasant melody. No common spot
Receives thee, for the Power who prompts the song,
Loves this secluded haunt. The tide below
Scarce sends the sound of waters to thine ear;
And this high-hanging forest to the wind
Varies its many hues. Gaze Stranger here!
And let thy soften'd heart intensely feel
How good, how lovely, Nature! When from hence
Departing to the City's crouded streets,
Thy sickening eye at every step revolts
From scenes of vice and wretchedness; reflect
That Man creates the evil he endures.

INSCRIPTION IV.

For the Apartment in CHEPSTOW-CASTLE where HENRY MARTEN the Regicide was imprisoned Thirty Years.

For thirty years secluded from mankind,
Here Marten linger'd. Often have these walls
Echoed his footsteps, as with even tread
He paced around his prison: not to him
Did Nature's fair varieties exist;
He never saw the Sun's delightful beams,
Save when thro' yon high bars it pour'd a sad
And broken splendor. Dost thou ask his crime?
He had rebell'd against the King, and sat
In judgment on him; for his ardent mind
Shaped goodliest plans of happiness on earth,
And peace and liberty. Wild dreams! But such
As PLATO lov'd; such as with holy zeal
Our MILTON worshipp'd. Blessed hopes! awhile
From man withheld, even to the latter days,
When CHRIST shall come and all things be fulfill'd.

INSCRIPTION V.

For a MONUMENT at SILBURY-HILL.

This mound in some remote and dateless day
Rear'd o'er a Chieftain of the Age [1] of Hills,
May here detain thee Traveller! from thy road
Not idly lingering. In his narrow house
Some Warrior sleeps below: his gallant deeds
Haply at many a solemn festival
The Bard has harp'd, but perish'd is the song
Of praise, as o'er these bleak and barren downs
The wind that passes and is heard no more.
Go Traveller on thy way, and contemplate
Glory's brief pageant, and remember then
That one good deed was never wrought in vain.

[Footnote 1: The Northern Nations distinguished the two periods when the bodies of the dead were consumed by fire, and when they were buried beneath the tumuli so common in this country, by the Age of Fire and the Age of Hills.]

INSCRIPTION VI.

For a MONUMENT in the NEW FOREST.

This is the place where William's kingly power
Did from their poor and peaceful homes expel,
Unfriended, desolate, and shelterless,
The habitants of all the fertile track
Far as these wilds extend. He levell'd down
Their little cottages, he bade their fields
Lie barren, so that o'er the forest waste
He might most royally pursue his sports!
If that thine heart be human, Passenger!
Sure it will swell within thee, and thy lips
Will mutter curses on him. Think thou then
What cities flame, what hosts unsepulchred
Pollute the passing wind, when raging Power
Drives on his blood-hounds to the chase of Man;
And as thy thoughts anticipate that day
When God shall judge aright, in charity
Pray for the wicked rulers of mankind.

INSCRIPTION VII.

For a TABLET on the Banks of a Stream.

Stranger! awhile upon this mossy bank
Recline thee. If the Sun rides high, the breeze,
That loves to ripple o'er the rivulet,
Will play around thy brow, and the cool sound
Of running waters soothe thee. Mark how clear
It sparkles o'er the shallows, and behold
Where o'er its surface wheels with restless speed
Yon glossy insect, on the sand below
How the swift shadow flies. The stream is pure
In solitude, and many a healthful herb
Bends o'er its course and drinks the vital wave:
But passing on amid the haunts of man,
It finds pollution there, and rolls from thence
A tainted tide. Seek'st thou for HAPPINESS?
Go Stranger, sojourn in the woodland cot
Of INNOCENCE, and thou shalt find her there.

INSCRIPTION VIII.

For the CENOTAPH at ERMENONVILLE.

STRANGER! the MAN OF NATURE lies not here:
Enshrin'd far distant by his [1] rival's side
His relics rest, there by the giddy throng
With blind idolatry alike revered!
Wiselier directed have thy pilgrim feet
Explor'd the scenes of Ermenonville. ROUSSEAU
Loved these calm haunts of Solitude and Peace;
Here he has heard the murmurs of the stream,
And the soft rustling of the poplar grove,
When o'er their bending boughs the passing wind
Swept a grey shade. Here if thy breast be full,
If in thine eye the tear devout should gush,
His SPIRIT shall behold thee, to thine home
From hence returning, purified of heart.

[Footnote 1: Voltaire.]

Birth-Day Odes.

O my faithful Friend!
O early chosen, ever found the same,
And trusted and beloved! once more the verse
Long destin'd, always obvious to thine ear,
Attend indulgent.

AKENSIDE.

BIRTH-DAY ODE,
1793.

Small is the new-born plant scarce seen
Amid the soft encircling green,
Where yonder budding acorn rears,
Just o'er the waving grass, its tender head:
Slow pass along the train of years,
And on the growing plant, their dews and showers they shed.
Anon it rears aloft its giant form,
And spreads its broad-brown arms to meet the storm.
Beneath its boughs far shadowing o'er the plain,
From summer suns, repair the grateful village train.

Nor BEDFORD will my friend survey
The book of Nature with unheeding eye;
For never beams the rising orb of day,
For never dimly dies the refluent ray,
But as the moralizer marks the sky,
He broods with strange delight upon futurity.

And we must muse my friend! maturer years
Arise, and other Hopes and other Fears,
For we have past the pleasant plains of Youth.
Oh pleasant plains! that we might stray
For ever o'er your faery ground—
For ever roam your vales around,
Nor onward tempt the dangerous way—
For oh—what numerous foes assail
The Traveller, from that chearful vale!

With toil and heaviness opprest
Seek not the flowery bank for rest,
Tho' there the bowering woodbine spread
Its fragrant shelter o'er thy head,
Tho' Zephyr there should linger long
To hear the sky-lark's wildly-warbled song,
There heedless Youth shalt thou awake
The vengeance of the coiling snake!

Tho' fairly smiles the vernal mead
To tempt thy pilgrim feet, proceed
Hold on thy steady course aright,
Else shalt thou wandering o'er the pathless plain,
When damp and dark descends the night
Shivering and shelterless, repent in vain.

And yet—tho' Dangers lurk on every side
Receive not WORLDLY WISDOM for thy guide!
Beneath his care thou wilt not know
The throb of unavailing woe,
No tear shall tremble in thine eye
Thy breast shall struggle with no sigh,
He will security impart,
But he will apathize thy heart!

Ah no!
Fly Fly that fatal foe,
Virtue shall shrink from his torpedo grasp—
For not more fatal thro' the Wretches veins
Benumb'd in Death's cold pains
Creeps the chill poison of the deadly asp.

Serener joys my friend await
Maturer manhood's steady state.
The wild brook bursting from its source
Meanders on its early course,
Delighting there with winding way
Amid the vernal vale to stray,
Emerging thence more widely spread
It foams along its craggy bed,
And shatter'd with the mighty shock
Rushes from the giddy rock—
Hurl'd headlong o'er the dangerous steep
On runs the current to the deep,
And gathering waters as it goes
Serene and calm the river flows,
Diffuses plenty o'er the smiling coast,
Rolls on its stately waves and is in ocean lost.

BIRTH-DAY ODE,
1796.

And wouldst thou seek the low abode
Where PEACE delights to dwell?
Pause Traveller on thy way of life!
With many a snare and peril rife
Is that long labyrinth of road:
Dark is the vale of years before
Pause Traveller on thy way!
Nor dare the dangerous path explore
Till old EXPERIENCE comes to lend his leading ray.

Not he who comes with lanthorn light
Shall guide thy groping pace aright
With faltering feet and slow;
No! let him rear the torch on high
And every maze shall meet thine eye,
And every snare and every foe;
Then with steady step and strong,
Traveller, shalt thou march along.

Tho' POWER invite thee to her hall,
Regard not thou her tempting call
Her splendors meteor glare;
Tho' courteous Flattery there await
And Wealth adorn the dome of State,
There stalks the midnight spectre CARE;
PEACE, Traveller! does not sojourn there.

If FAME allure thee, climb not thou
To that steep mountain's craggy brow
Where stands her stately pile;
For far from thence does PEACE abide,
And thou shall find FAME'S favouring smile
Cold as the feeble Sun on Heclas snow-clad side,

And Traveller! as thou hopest to find
That low and loved abode,
Retire thee from the thronging road
And shun the mob of human kind.
Ah I hear how old EXPERIENCE schools,
"Fly fly the crowd of Knaves and Fools
"And thou shalt fly from woe;
"The one thy heedless heart will greet
"With Judas smile, and thou wilt meet
"In every Fool a Foe!"

So safely mayest thou pass from these,
And reach secure the home of PEACE,
And FRIENDSHIP find thee there.
No happier state can mortal know,
No happier lot can Earth bestow
If LOVE thy lot shall share.
Yet still CONTENT with him may dwell
Whom HYMEN will not bless,
And VIRTUE sojourn in the cell
Of HERMIT HAPPINESS.

BOTANY BAY

Eclogues

Where a sight shall shuddering Sorrow find.
Sad as the ruins of the human mind!

BOWLES.

ELINOR.

(Time, Morning. Scene, the Shore.[1])

Once more to daily toil—once more to wear
The weeds of infamy—from every joy
The heart can feel excluded, I arise
Worn out and faint with unremitting woe;
And once again with wearied steps I trace
The hollow-sounding shore. The swelling waves
Gleam to the morning sun, and dazzle o'er
With many a splendid hue the breezy strand.
Oh there was once a time when ELINOR
Gazed on thy opening beam with joyous eye
Undimm'd by guilt and grief! when her full soul
Felt thy mild radiance, and the rising day
Waked but to pleasure! on thy sea-girt verge
Oft England! have my evening steps stole on,
Oft have mine eyes surveyed the blue expanse,
And mark'd the wild wind swell the ruffled surge,
And seen the upheaved billows bosomed rage
Rush on the rock; and then my timid soul
Shrunk at the perils of the boundless deep,
And heaved a sigh for suffering mariners.
Ah! little deeming I myself was doom'd.
To tempt the perils of the boundless deep,
An Outcast—unbeloved and unbewail'd.

Why stern Remembrance! must thine iron hand
Harrow my soul? why calls thy cruel power
The fields of England to my exil'd eyes,
The joys which once were mine? even now I see
The lowly lovely dwelling! even now
Behold the woodbine clasping its white walls
And hear the fearless red-breasts chirp around
To ask their morning meal:—for I was wont
With friendly band to give their morning meal,
Was wont to love their song, when lingering morn
Streak'd o'er the chilly landskip the dim light,
And thro' the open'd lattice hung my head
To view the snow-drop's bud: and thence at eve
When mildly fading sunk the summer sun,
Oft have I loved to mark the rook's slow course
And hear his hollow croak, what time he sought
The church-yard elm, whose wide-embowering boughs
Full foliaged, half conceal'd the house of God.
There, my dead father! often have I heard
Thy hallowed voice explain the wonderous works
Of Heaven to sinful man. Ah! little deem'd
Thy virtuous bosom, that thy shameless child
So soon should spurn the lesson! sink the slave
Of Vice and Infamy! the hireling prey
Of brutal appetite! at length worn out
With famine, and the avenging scourge of guilt,
Should dare dishonesty—yet dread to die!

Welcome ye savage lands, ye barbarous climes,
Where angry England sends her outcast sons—
I hail your joyless shores! my weary bark
Long tempest-tost on Life's inclement sea,
Here hails her haven! welcomes the drear scene,
The marshy plain, the briar-entangled wood,
And all the perils of a world unknown.
For Elinor has nothing new to fear
From fickle Fortune! all her rankling shafts
Barb'd with disgrace, and venom'd with disease.
Have pierced my bosom, and the dart of death
Has lost its terrors to a wretch like me.

Welcome ye marshy heaths! ye pathless woods,
Where the rude native rests his wearied frame
Beneath the sheltering shade; where, when the storm,
As rough and bleak it rolls along the sky,
Benumbs his naked limbs, he flies to seek
The dripping shelter. Welcome ye wild plains
Unbroken by the plough, undelv'd by hand
Of patient rustic; where for lowing herds,
And for the music of the bleating flocks,
Alone is heard the kangaroo's sad note
Deepening in distance. Welcome ye rude climes,
The realm of Nature! for as yet unknown
The crimes and comforts of luxurious life,
Nature benignly gives to all enough,
Denies to all a superfluity,
What tho' the garb of infamy I wear,
Tho' day by day along the echoing beach
I cull the wave-worn shells, yet day by day
I earn in honesty my frugal food,
And lay me down at night to calm repose.
No more condemn'd the mercenary tool
Of brutal lust, while heaves the indignant heart
With Virtue's stiffled sigh, to fold my arms
Round the rank felon, and for daily bread
To hug contagion to my poison'd breast;
On these wild shores Repentance' saviour hand
Shall probe my secret soul, shall cleanse its wounds
And fit the faithful penitent for Heaven.

(Time Night. Scene the woods.)

Where shall I turn me? whither shall I bend
My weary way? thus worn with toil and faint
How thro' the thorny mazes of this wood
Attain my distant dwelling? that deep cry
That rings along the forest seems to sound
My parting knell: it is the midnight howl
Of hungry monsters prowling for their prey!
Again! oh save me—save me gracious Heaven!
I am not fit to die!
Thou coward wretch
Why heaves thy trembling heart? why shake thy limbs
Beneath their palsied burden? is there ought
So lovely in existence? would'st thou drain
Even to its dregs the bitter draught of life?
Dash down the loathly bowl! poor outcast slave
Stamp'd with the brand of Vice and Infamy
Why should the villain Frederic shrink from Death?

Death! where the magic in that empty name
That chills my inmost heart? why at the thought
Starts the cold dew of fear on every limb?
There are no terrors to surround the Grave,
When the calm Mind collected in itself
Surveys that narrow house: the ghastly train
That haunt the midnight of delirious Guilt
Then vanish; in that home of endless rest
All sorrows cease.—Would I might slumber there!

Why then this panting of the fearful heart?
This miser love of Life that dreads to lose
Its cherish'd torment? shall the diseased man
Yield up his members to the surgeon's knife,
Doubtful of succour, but to ease his frame
Of fleshly anguish, and the coward wretch,
Whose ulcered soul can know no human help
Shrink from the best Physician's certain aid?
Oh it were better far to lay me down
Here on this cold damp earth, till some wild beast
Seize on his willing victim!

If to die
Were all, it were most sweet to rest my head
On the cold clod, and sleep the sleep of Death.
But if the Archangel's trump at the last hour
Startle the ear of Death and wake the soul
To frenzy!—dreams of infancy! fit tales
For garrulous beldames to affrighten babes!
I have been guilty, yet my mind can bear
The retrospect of guilt, yet in the hour
Of deep contrition to THE ETERNAL look
For mercy! for the child of Poverty,
And "disinherited of happiness,"

What if I warr'd upon the world? the world
Had wrong'd me first: I had endur'd the ills
Of hard injustice; all this goodly earth
Was but to me one wild waste wilderness;
I had no share in Nature's patrimony,
Blasted were all my morning hopes of Youth,
Dark DISAPPOINTMENT follow'd on my ways,
CARE was my bosom inmate, and keen WANT
Gnaw'd at my heart. ETERNAL ONE thou know'st
How that poor heart even in the bitter hour
Of lewdest revelry has inly yearn'd
For peace!

My FATHER! I will call on thee,
Pour to thy mercy seat my earnest prayer,
And wait thy peace in bowedness of soul.
Oh thoughts of comfort! how the afflicted heart,
Tired with the tempest of its passions, rests
On you with holy hope! the hollow howl
Of yonder harmless tenant of the woods
Bursts not with terror on the sober'd sense.
If I have sinn'd against mankind, on them
Be that past sin; they made me what I was.
In these extremest climes can Want no more
Urge to the deeds of darkness, and at length
Here shall I rest. What tho' my hut be poor—
The rains descend not thro' its humble roof:
Would I were there again! the night is cold;
And what if in my wanderings I should rouse
The savage from his thicket!

Hark! the gun!
And lo—the fire of safety! I shall reach
My little hut again! again by toil
Force from the stubborn earth my sustenance,
And quick-ear'd guilt will never start alarm'd
Amid the well-earn'd meal. This felon's garb—
Will it not shield me from the winds of Heaven?
And what could purple more? Oh strengthen me
Eternal One in this serener state!
Cleanse thou mine heart, so PENITENCE and FAITH
Shall heal my soul and my last days be peace.

Sonnets

SONNET I.

Go Valentine and tell that lovely maid
Whom Fancy still will pourtray to my sight,
How her Bard lingers in this sullen shade,
This dreary gloom of dull monastic night.
Say that from every joy of life remote
At evening's closing hour he quits the throng,
Listening alone the ring-dove's plaintive note
Who pours like him her solitary song.
Say that her absence calls the sorrowing sigh,
Say that of all her charms he loves to speak,
In fancy feels the magic of her eye,
In fancy views the smile illume her cheek,
Courts the lone hour when Silence stills the grove
And heaves the sigh of Memory and of Love.

SONNET II.

Think Valentine, as speeding on thy way
Homeward thou hastest light of heart along,
If heavily creep on one little day
The medley crew of travellers among,
Think on thine absent friend: reflect that here
On Life's sad journey comfortless he roves,
Remote from every scene his heart holds dear,
From him he values, and from her he loves.
And when disgusted with the vain and dull
Whom chance companions of thy way may doom,
Thy mind, of each domestic comfort full,
Turns to itself and meditates on home,
Ah think what Cares must ache within his breast
Who loaths the lingering road, yet has no home of rest!

SONNET III.

Not to thee Bedford mournful is the tale
Of days departed. Time in his career
Arraigns not thee that the neglected year
Has past unheeded onward. To the vale
Of years thou journeyest. May the future road
Be pleasant as the past! and on my friend
Friendship and Love, best blessings! still attend,
'Till full of days he reach the calm abode
Where Nature slumbers. Lovely is the age
Of Virtue. With such reverence we behold
The silver hairs, as some grey oak grown old
That whilome mock'd the rushing tempest's rage
Now like the monument of strength decayed
With rarely-sprinkled leaves casting a trembling shade.

SONNET IV.

What tho' no sculptur'd monument proclaim
Thy fate-yet Albert in my breast I bear
Inshrin'd the sad remembrance; yet thy name
Will fill my throbbing bosom. When DESPAIR
The child of murdered HOPE, fed on thy heart,
Loved honored friend, I saw thee sink forlorn
Pierced to the soul by cold Neglect's keen dart,
And Penury's hard ills, and pitying Scorn,
And the dark spectre of departed JOY
Inhuman MEMORY. Often on thy grave
Love I the solitary hour to employ
Thinking on other days; and heave the sigh
Responsive, when I mark the high grass wave
Sad sounding as the cold breeze rustles by.

SONNET V.

Hard by the road, where on that little mound
The high grass rustles to the passing breeze,
The child of Misery rests her head in peace.
Pause there in sadness. That unhallowed ground
Inshrines what once was Isabel. Sleep on
Sleep on, poor Outcast! lovely was thy cheek,
And thy mild eye was eloquent to speak
The soul of Pity. Pale and woe-begone
Soon did thy fair cheek fade, and thine eye weep
The tear of anguish for the babe unborn,
The helpless heir of Poverty and Scorn.
She drank the draught that chill'd her soul to sleep.
I pause and wipe the big drop from mine eye,
Whilst the proud Levite scowls and passes by.

SONNET VI
to a brook near the village of Corston.

As thus I bend me o'er thy babbling stream
And watch thy current, Memory's hand pourtrays
The faint form'd scenes of the departed days,
Like the far forest by the moon's pale beam
Dimly descried yet lovely. I have worn
Upon thy banks the live-long hour away,
When sportive Childhood wantoned thro' the day,
Joy'd at the opening splendour of the morn,
Or as the twilight darken'd, heaved the sigh
Thinking of distant home; as down my cheek
At the fond thought slow stealing on, would speak
The silent eloquence of the full eye.
Dim are the long past days, yet still they please
As thy soft sounds half heard, borne on the inconstant breeze.

SONNET VII
to the evening rainbow.

Mild arch of promise! on the evening sky
Thou shinest fair with many a lovely ray
Each in the other melting. Much mine eye
Delights to linger on thee; for the day,
Changeful and many-weather'd, seem'd to smile
Flashing brief splendor thro' its clouds awhile,
That deepen'd dark anon and fell in rain:
But pleasant is it now to pause, and view
Thy various tints of frail and watery hue,
And think the storm shall not return again.
Such is the smile that Piety bestows
On the good man's pale cheek, when he in peace
Departing gently from a world of woes,
Anticipates the realm where sorrows cease.

SONNET VIII.

With many a weary step, at length I gain
Thy summit, Lansdown; and the cool breeze plays,
Gratefully round my brow, as hence the gaze
Returns to dwell upon the journeyed plain.
'Twas a long way and tedious! to the eye
Tho fair the extended vale, and fair to view
The falling leaves of many a faded hue,
That eddy in the wild gust moaning by.
Even so it fared with Life! in discontent
Restless thro' Fortune's mingled scenes I went,
Yet wept to think they would return no more!
But cease fond heart in such sad thoughts to roam,
For surely thou ere long shall reach thy home,
And pleasant is the way that lies before.

SONNET IX.

Fair is the rising morn when o'er the sky
The orient sun expands his roseate ray,
And lovely to the Bard's enthusiast eye
Fades the meek radiance of departing day;
But fairer is the smile of one we love,
Than all the scenes in Nature's ample sway.
And sweeter than the music of the grove,
The voice that bids us welcome. Such delight
EDITH! is mine, escaping to thy sight
From the hard durance of the empty throng.
Too swiftly then towards the silent night
Ye Hours of happiness! ye speed along,
Whilst I, from all the World's cold cares apart,
Pour out the feelings of my burthen'd heart.

SONNET X.

How darkly o'er yon far-off mountain frowns
The gather'd tempest! from that lurid cloud
The deep-voiced thunders roll, aweful and loud
Tho' distant; while upon the misty downs
Fast falls in shadowy streaks the pelting rain.
I never saw so terrible a storm!
Perhaps some way-worn traveller in vain
Wraps his torn raiment round his shivering form
Cold even as Hope within him! I the while
Pause me in sadness tho' the sunbeams smile
Cheerily round me. Ah that thus my lot
Might be with Peace and Solitude assign'd,
Where I might from some little quiet cot,
Sigh for the crimes and miseries of mankind!

Sappho.

A MONODRAMA.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be a remedy for hopeless love, if the self-devoted victim escaped with life. Artemisia lost her life in the dangerous experiment: and Sappho is said thus to have perished, in attempting to cure her passion for Phaon.

SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:—'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice—'tis death to fall!

Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,—to be at rest—oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon—yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim—he may melt
Too late in pity, obstinate to love.

Oh haunt his midnight dreams, black NEMESIS!
Whom,[1] self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.

How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on—
By Man despis'd, forsaken by the Gods,
I supplicate no more.

How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.

Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one—
Thought worse than death!

(She throws herself from the precipice.)

[Footnote A: [Greek (transliterated)]:
Ou tini choimaetheisa thea teche NUTH erezennae. HESIOD]

ODE

(Written on the FIRST of DECEMBER, 1793.)

Tho' now no more the musing ear
Delights to listen to the breeze
That lingers o'er the green wood shade,
I love thee Winter! well.

Sweet are the harmonies of Spring,
Sweet is the summer's evening gale,
Pleasant the autumnal winds that shake
The many-colour'd grove.

And pleasant to the sober'd soul
The silence of the wintry scene,
When Nature shrouds her in her trance

Not undelightful now to roam
The wild heath sparkling on the sight;
Not undelightful now to pace
The forest's ample rounds;

And see the spangled branches shine,
And mark the moss of many a hue
That varies the old tree's brown bark,
Or o'er the grey stone spreads.

The cluster'd berries claim the eye
O'er the bright hollies gay green leaves,
The ivy round the leafless oak
Clasps its full foliage close.

So VIRTUE diffident of strength
Clings to RELIGION'S firmer aid,
And by RELIGION'S aid upheld
Endures calamity.

Nor void of beauties now the spring,
Whose waters hid from summer sun
Have sooth'd the thirsty pilgrim's ear
With more than melody.

The green moss shines with icey glare,
The long grass bends its spear-like form,
And lovely is the silvery scene
When faint the sunbeams smile.

Reflection too may love the hour
When Nature, hid in Winter's grave,
No more expands the bursting bud
Or bids the flowret bloom.

For Nature soon in Spring's best charms
Shall rise reviv'd from Winter's grave.
Again expand the bursting bud,
And bid the flowret bloom.

Written on SUNDAY MORNING.

Go thou and seek the House of Prayer!
I to the Woodlands wend, and there
In lovely Nature see the GOD OF LOVE.
The swelling organ's peal
Wakes not my soul to zeal,
Like the wild music of the wind-swept grove.
The gorgeous altar and the mystic vest
Rouse not such ardor in my breast,
As where the noon-tide beam
Flash'd from the broken stream,
Quick vibrates on the dazzled sight;
Or where the cloud-suspended rain
Sweeps in shadows o'er the plain;
Or when reclining on the clift's huge height
I mark the billows burst in silver light.

Go thou and seek the House of Prayer!
I to the Woodlands shall repair,
Feed with all Natures charms mine eyes,
And hear all Natures melodies.
The primrose bank shall there dispense
Faint fragrance to the awaken'd sense,
The morning beams that life and joy impart
Shall with their influence warm my heart.
And the full tear that down my cheek will steal,
Shall speak the prayer of praise I feel!

Go thou and seek the House of Prayer!
I to the woodlands bend my way
And meet RELIGION there.
She needs not haunt the high-arch'd dome to pray
Where storied windows dim the doubtful day:
With LIBERTY she loves to rove.
Wide o'er the heathy hill or cowslip'd dale;
Or seek the shelter of the embowering grove,
Sweet are these scenes to her, and when the night
Pours in the north her silver streams of light,
She woos Reflexion in the silent gloom,
And ponders on the world to come.

ON THE DEATH
Of a Favourite Old SPANIEL.

And they have drown'd thee then at last! poor Phillis!
The burthen of old age was heavy on thee.
And yet thou should'st have lived! what tho' thine eye
Was dim, and watch'd no more with eager joy
The wonted call that on thy dull sense sunk
With fruitless repetition, the warm Sun
Would still have cheer'd thy slumber, thou didst love
To lick the hand that fed thee, and tho' past
Youth's active season, even Life itself
Was comfort. Poor old friend! most earnestly
Would I have pleaded for thee: thou hadst been
Still the companion of my childish sports,
And, as I roam'd o'er Avon's woody clifts,
From many a day-dream has thy short quick bark
Recall'd my wandering soul. I have beguil'd
Often the melancholy hours at school,
Sour'd by some little tyrant, with the thought
Of distant home, and I remember'd then
Thy faithful fondness: for not mean the joy,
Returning at the pleasant holydays,
I felt from thy dumb welcome. Pensively
Sometimes have I remark'd thy slow decay,
Feeling myself changed too, and musing much
On many a sad vicissitude of Life!
Ah poor companion! when thou followedst last
Thy master's parting footsteps to the gate
That clos'd for ever on him, thou didst lose
Thy truest friend, and none was left to plead
For the old age of brute fidelity!
But fare thee well! mine is no narrow creed,
And HE who gave thee being did not frame
The mystery of life to be the sport
Of merciless man! there is another world
For all that live and move—a better one!
Where the proud bipeds, who would fain confine
INFINITE GOODNESS to the little bounds
Of their own charity, may envy thee!

To CONTEMPLATION.

[Greek (transliterated):
Kai pagas fileoimi ton enguthen aechon achthein,
A terpei psopheoisa ton agrikon, thchi tarassei.

MOSCHOS.]

Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.

Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.

Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.

When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.

Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.

Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.

Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.

But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.

Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.

O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.

Poems

POEMS

SONNET.

CONTENTS

ERRORS

THE TRIUMPH OF WOMAN

NATMACHIOS.]

TO MARY WOLLSTONECRAFT.

ROBERT SOUTHEY.

POEMS

SLAVE TRADE.

PREFACE.

SONNET I

SONNET II

SONNET III

SONNET IV

SONNET V

SONNET VI

TO THE GENIUS OF AFRICA

THE PAUPER'S FUNERAL

ODE

INSCRIPTION I.

INSCRIPTION II.

INSCRIPTION III.

INSCRIPTION IV.

INSCRIPTION V.

INSCRIPTION VI.

INSCRIPTION VII.

INSCRIPTION VIII.

AKENSIDE.

BOTANY BAY

BOWLES.

ELINOR.

HUMPHREY:

WILLIAM:

HUMPHREY:

WILLIAM:

HUMPHREY:

WILLIAM:

HUMPHREY:

JOHN.

RICHARD.

JOHN.

JOHN:

SAMUEL:

JOHN:

SAMUEL:

JOHN:

SAMUEL:

JOHN:

SAMUEL:

JOHN:

SAMUEL:

JOHN:

SAMUEL:

JOHN:

SAMUEL:

RICHARD:

FREDERIC.

SONNET I.

SONNET II.

SONNET III.

SONNET IV.

SONNET V.

SONNET VIII.

SONNET IX.

SONNET X.

A MONODRAMA.

SAPPHO

ODE

MOSCHOS.]