NON-COMBATANTS AND OTHERS

BY ROSE MACAULAY

AUTHOR OF 'THE LEE SHORE,' 'THE MAKING OF A BIGOT,' ETC.

HODDER AND STOUGHTON
LONDON NEW YORK TORONTO

Printed in 1916

TO
MY BROTHER
AND OTHER COMBATANTS

'Let the foul scene proceed:
There's laughter in the wings:
'Tis sawdust that they bleed,
But a box Death brings.

Gigantic dins uprise!
Even the gods must feel
A smarting of the eyes
As these fumes upsweal.

Strange, such a Piece is free,
While we Spectators sit
Aghast at its agony,
Yet absorbed in it.

Dark is the outer air,
Cold the night draughts blow,
Mutely we stare, and stare
At the frenzied show.

Yet heaven has its quiet shroud
Of deep and starry blue—
We cry "An end!" we are bowed
By the dread "'Tis true!"

While the Shape who hoofs applause
Behind our deafened ear
Hoots—angel-wise—"the Cause!"
And affrights even fear.'

Walter de la Mare, The Marionettes.

'War is just the killing of things and the smashing of things. And when it is all over, then literature and civilisation will have to begin all over again. They will have to begin lower down and against a heavier load.... The Wild Asses of the Devil are loose, and there is no restraining them. What is the good, Wilkins, of pretending that the Wild Asses are the instruments of Providence, kicking better than we know? It is all evil.'

Reginald Bliss, Boon.

---

'There is work for all who find themselves outside the battle.'

Romain Rolland, Above the Battle.

CONTENTS

[PART I. WOOD END]
[CHAPTER I. JOHN COMES HOME]
[CHAPTER II. JOHN TALKS]
[CHAPTER III. ALIX GOES]
[PART II. VIOLETTE]
[CHAPTER IV. SATURDAY MORNING AT VIOLETTE]
[CHAPTER V. AFTERNOON OUT]
[CHAPTER VI. EVENING AT VIOLETTE]
[CHAPTER VII. HOSPITAL]
[CHAPTER VIII. BASIL AT VIOLETTE]
[CHAPTER IX. SUNDAY IN THE COUNTRY]
[CHAPTER X. EVENING IN CHURCH]
[CHAPTER XI. ALIX AND EVIE]
[CHAPTER XII. ALIX AND BASIL]
[CHAPTER XIII. ALIX, NICHOLAS, AND WEST]
[PART III. DAPHNE]
[CHAPTER XIV. DAPHNE AT VIOLETTE]
[CHAPTER XV. ALIX AT A MEETING]
[CHAPTER XVI. ON PEACE]
[CHAPTER XVII. NEW YEAR'S EVE]

PART I

WOOD END

CHAPTER I

JOHN COMES HOME

1

In a green late April evening, among the dusky pine shadows, Alix drew Percival Briggs. Percival stood with his small cleft chin lifted truculently, small blue eyes deep under fair, frowning brows, one scratched brown leg bare to the knee, dirty hands thrust into torn pockets. He was the worst little boy in the wood, and had been till six months ago the worst little boy in the Sunday-school class of Alix's cousin Dorothy. He had not been converted six months ago, but Dorothy, like so many, had renounced Sunday-school to work in a V.A.D. hospital.

Alix, who was drawing Percival, worked neither in a Sunday-school nor in a hospital. She only drew. She drew till the green light became green gloom, lit by a golden star that peered down between the pines. She had a pale, narrow, delicate, irregular sort of face, broad-browed, with a queer, cynical, ironic touch to it, and purple-blue eyes that sometimes opened very wide and sometimes narrowed into slits. When they narrowed she looked as from behind a visor, critical, defensive, or amused; when they opened wide she looked singularly unguarded, as if the bars were up and she, unprotected, might receive the enemy's point straight and clean. Behind her, on the wood path, was a small donkey between the shafts of a small cart. A rough yellow dog scratched and sniffed and explored among the roots of the trees.

Alix said to Percival, 'That will do, thank you. Here you are,' and fished out sixpence in coppers from her pocket, and he clutched and gripped them in a small retentive fist.

Alix, who was rather lame, put her stool and easel and charcoal into the cart, got in herself, beat the donkey, and ambled on along the path, followed by the yellow dog.

The evening was dim and green, and smelt of pines. The donkey trotted past cottage gardens, and they were sweet with wallflowers. More stars came out and peered down through the tree-tops. Alix whistled softly, a queer little Polish tune, indeterminate, sad and gay.

2

Two miles up the path a side-track led off from it, and this the donkey-cart took, till it fetched up in a little yard. Alix climbed out, unharnessed the donkey, put him to bed in a shed, collected her belongings, and limped out of the yard, leaning a little on the ivory-topped stick she carried. She had had a diseased hip-joint as a child, which had left her right leg slightly contracted.

She came round into a garden. It smelt of wallflowers and the other things which flower at the end of April; and, underneath all these, of pines. The pine-woods came close up to the garden's edge, crowding and humming like bees. Pine-needles strewed the lawn. The tennis-lawn, it was most summers; but this summer one didn't play tennis, one was too busy. So the lawn was set with croquet hoops, a wretched game, but one which wounded soldiers can play. Dorothy used to bring them over from the hospital to spend the afternoon.

An oblong of light lay across the lawn. It came from the drawing-room window, which ought, of course, to have been blinded against hostile aircraft. Alix, standing in the garden, saw inside. She saw Dorothy, just in from the hospital, still in her V.A.D. dress. The light shone on her fair wavy hair and fair pretty face. Not even a stiff linen collar could make Dorothy plain. Margot was there too, in the khaki uniform of the Women's Volunteer Reserve; she had just come in from drilling. She usually worked at the Woolwich canteen in the evenings, but had this evening off, because of John. She was making sand-bags. Their mother, Alix's aunt Eleanor, was pinning tickets on clothes for Belgians. She was tall and handsome, and like Alix's mother, only so different, and she was secretary of the local Belgian Committee (as of many other committees, local and otherwise). She often wore a little worried frown, and was growing rather thin, on account of the habits of this unfortunate and scattered people. One of them had been their guest since November; she was in the drawing-room now, a plump, dark-eyed girl, knitting placidly and with the immense rapidity noticeable on the Continent, and not to be emulated by islanders without exhaustion.

Alix's uncle Gerald (a special constable, which was why he need not bother about his blinds much) stood by the small fire (they were wholesome people, and not frowsty) with an evening paper, but he was not reading it, he was talking to John.

For among them, the centre of the family, was John; John wounded and just out of hospital and home on a month's sick-leave; John with a red scar from his square jaw to his square forehead, stammering as he talked because the nerves of his tongue had been damaged. Alix, watching from the garden, saw the queer way his throat worked, struggling with some word.

They were asking John questions, of course. Sensible questions, too; they were sensible people. They knew that the conduct of this campaign was not in John's hands, and that he did not know so much more about it than they did.

The room, with its group of busy, attractive, efficient people, seemed to the watcher in the dark piny garden full of intelligence and war and softly shaded electric light. Alix narrowed her eyes against it and thought it would be paintable.

3

The dark round eyes of the Belgian girl, looking out through the window, met hers. She laughed and waved her knitting. She took Alix always as a huge joke. Alix had from the first taken care that she should, since the moment when Mademoiselle Verstigel had arrived, fluent with tales from Antwerp. It is a safe axiom that those who play the clown do not get confidences.

The others looked out at her too when Mademoiselle Verstigel waved. They called out 'Hullo, Alix! How late you are. John's been here two hours. Come along.'

Alix limped up the steps and in at the French window, where she stood and blinked, the light on her pale, pointed face and narrowed eyes. John rose to meet her, and she gave him her hand and her crooked smile.

'You're all right now, aren't you?' she said, and John, an accurate person, said, 'Very nearly,' while his mother returned, 'I'm afraid he's a long way from all right yet.'

'Isn't it funny, it makes him stammer,' said Dorothy, who was professionally interested in wounds. 'But he's getting quite nice and fat again.'

'N-not so fat as I was when I got hit,' said John. 'The trenches are the best flesh-producing ground known; high living and plain thinking and no exercise. The only people who are getting thin out there are the stretcher-bearers, who have to carry burdens, the Commander-in-chief, who has to think, the newspaper men, who have to write when there's nothing to say, and the chaplains, who have to chaplain. I met old Lennard of Cats, walking about Armentières in February, and I thought he was the Bishop of Zanzibar, he'd gone so lean. When last I'd seen him he was rolling down King's Parade arm-in-arm with Chesterton, and I couldn't get by. It was an awfully sad change.... By the way, you all look thinner.'

'Well, we're not in the trenches,' said Margot. 'We're leading busy and useful lives, full of war activities. Besides, our food costs us more. But Dorothy and I are fairly hefty still. It's mother who's dwining; and Alix, though she's such a lazy little beggar. Alix is hopeless; she does nothing but draw and paint. She could earn something on the stage as the Special Star Turn, the Girl who isn't doing her bit. She doesn't so much as knit a body-belt or draw the window-curtains against Zepps.'

Alix looked round from the window to stick out the tip of her tongue at Margot.

'Mais elle est boiteuse, la pauvre petite,' put in the Belgian girl, with the literalness that makes this people a little difficile in home life. 'What can she do?'

Alix giggled in her corner. Margot said, 'All right, Mademoiselle, we were only ragging. There's the post.' She went out to fetch it. Margot was a good girl, but, like so many others, tired of Belgians, though this Belgian was a nice one, as strangers in a foreign land go. Alix hated and feared her whole nation; they had been through altogether too much.

Margot came back with the letters.

'Betty and Terry,' she said, with satisfaction. 'Betty's is for me and Terry's for you, mother.' (Terry was in France, Betty driving an ambulance car in Flanders.) 'Two for you, Alix.'

Alix took hers, which were both marked 'On Active Service,' and put them in her pocket. Simultaneously her aunt Eleanor began to read Terry's aloud (it was about flies, and bread and jam, and birds, and some music he had made and was sending home to be kept safe) and Margot began to read extracts from Betty's (about nails, and bad roads, and different kinds of shells, and people) and Uncle Gerald read bits out of the paper (about Hill 60, and Hartmannsweilerkopf, and Sedd el Bahr, and the Leon Gambetta, and liquor, and Mr. Lloyd George).

4

Alix slipped out at the window and limped round to the side door and into the house and upstairs to the schoolroom, which she was allowed to use as a studio. It was littered with things of hers: easels, chalks, paints, piles of finished and unfinished drawings and paintings. Some hung on the walls: some of hers and some by the writer of the letter she took out to read. He painted better than she did, but drew worse—or had, in the long-ago days when persons of his age and sex were drawing and painting at all.

Alix read the letter. It was headed obscurely with an R, some little figures of men, and two weeping eyes, which was where the writer was for the moment stationed. Every now and then a phrase or sentence was erased. The writer, apparently a man of honour, had censored it himself. His honour had not carried him so quixotically far as to erase the hieroglyphics at the head of the paper.

It said:—

'Dear Alix,—Since I last wrote we've been moved some miles; I mustn't, of course, indicate where to. It is nice country—less flat than the other place, and jolly distant ridges, transparent blue and lavender coloured. I'll do a sketch when we get into billets at the end of the week. My company is in the trenches now; commodious trenches they are, the best in the line, but rather too near the people opposite for comfort—they're such noisy lunatics. It's eight o'clock now, and they've begun their evening hate; they do a bit every evening. The only creature they've strafed to-night yet is a brown rat, whom we none of us grudge them. It's interesting the different noises the shells make coming; you can nearly always tell what kind they are. If I was musical I'd make a symphony out of them. I should think your cousin Terry Orme could. Some of them scream, thin and peevishly, like a baby fretting; some howl like a hyena, some mew like a kitten. Then there's Lloyd George's Special, which says "Lloyd-Lloyd-Lloyd-Lloyd," and then all the men shout "George."' (A page of further discursion on shells, too technical for reproduction here. Then, resumed next morning,) 'I'm fairly sleepy this morning; we had to stand to from two to six A.M., expecting an attack which never came off. I wish it had, it would have been a way to get warm. We've had poor luck to-night; the Tommy who was sent over the top to look at the wire was made into a French landlord, and our sergeant-major stopped one with his head, silly ass, he was simply asking for it. It's my belief he was trying to get back to Blighty, but I hope they won't send him further than the base. You would like to see the dawn coming over this queer country, grey and cold and misty. I watched it through my peri for an hour. The Boches lay perdu in their trenches mostly, but sometimes you'd see one looming over his parapet through the mist. I want some tea now more than most things. You might write soon. You never answered my last, so it's generous of me to be writing again. How's every one at the School, and how's life and work? Your enemies the Ruski seem to be in a tight place, don't they?—Yours,

'Basil Doye.'

Alix read this letter rather quickly. It bored her. It concerned the things she least preferred to hear about. That was, of course, the worst of letters from the front. Life at Wood End, as at other homes, was full of letters from the front. They seemed to Alix like bullets and bits of shrapnel crashing into her world, with their various tunes. She might, from her nervous frown, have been afraid of 'stopping one.' She twisted up the letter into a hard ball with her thin, double-jointed fingers, as she stared, frowning, at a painting on the wall. The painting was of a grey-green pond, floored with a thin, weedy scum. A hole-riddled, battered old tin rode in the middle of it; reeds stood very quietly round; a broken boot was half sunk in the mud among them. Over it all brooded and slept a heavy June noon. It was well painted; Alix thought it the best thing Basil Doye had ever done. They had spent an afternoon by the pond in June 1914; Alix remembered it vividly—the sleepy, brooding silence, the heavy fragrance of the hawthorn, the scum-green pond, the tin and the boot, the suggestion of haunting that they had talked of at the time and that Basil had got rather successfully into his picture afterwards. Those were curious days, those old days before August 1914; or rather it was the days ever since that were curious and like a nightmare. Before that life was of a reality, a sanity, an enduringness, a beauty. It still was, only it was choked and confused by the unspeakable things that every one thought mattered so much, but which were really evil dreams, to be thrown off impatiently. Underneath them all the time the real things, the enduring things—green ponds, music, moonlight, loveliness—ran like a choked stream....

Alix read her other letter, which was from her young brother Paul, and also written in a trench. The chief thing she thought about this was that Paul's handwriting was even worse than usual. He wrote in pencil on a very small piece of paper, and scrawled up and down wildly. He might have been twelve instead of eighteen and a half. Paul was rather a brilliant boy. When the war broke out he had been a distinguished head of his school, and had just obtained a particularly satisfactory Oxford scholarship. His letters, since he went to the front in March, had been increasingly poor in quality and quantity. It made Alix angry that he should be out there. She thought it no place for children, and, as Paul's elder by nearly seven years, she knew all about his nerves.

CHAPTER II

JOHN TALKS

1

'Alix, you'll be late for dinner,' Dorothy's voice called across the landing. Alix went to the big bedroom she shared with Dorothy and Margot. Margot was hooking up her frock; Dorothy was washing with vigour and as much completeness as her basin would allow, and complaining that John was occupying the bathroom.

'I hate not having a bath after hospital. But one can't grudge it to the dear lamb. How do you think he looks, Alix? Rather nervy, he is still. That's the worst of a head wound. You know Mahoney, Margot, that Munster Fusiliers man with a bit of shrapnel in his forehead? The other men in ward 5 say he still keeps jumping out of bed in his sleep and standing to. The only way they can get him back is to say 'Jack Johnson overhead,' and then he scuttles into bed and puts his head under the pillow; only sometimes he scuttles under the bed instead, and then the only way they can get him out is to say 'Minnie's coming,' and he nips out quick for fear of being buried alive. I believe he frightened one of the young ladies he walks out with into fits one day by thinking he saw snipers in the trees. Of course one never knows how much of it he's putting on for a joke, he's so silly, but he is badly wrecked too.'

Margot said, 'Isn't Mahoney having massage now? Nan Goddard said she thought she was going to have him to do. She has four every morning now. She likes Mahoney; she thinks he looks such an innocent little dear.'

Dorothy said, 'Innocent, did she? Mahoney! Oh well, she'll get to know him better if she has him for massage. Did you hear Mahoney and Macpherson's latest exploit?' This need not be here retailed. It is well known that a convalescent hospital containing forty soldiers is not without its episodes, and provides many fruitful topics of conversation.

They dressed meanwhile. Dorothy, in white muslin, was fair-skinned and fresh, with shining light brown hair and honest grey eyes. Margot, in yellow tussore, had hair a shade darker and curlier, and her eyes were hazel. They were both very nice to look at, and had pleasant, clear, loud voices, with which they talked about soldiers. Alix put on an old green shantung frock and a string of amber beads; she looked thin, childish, elf-like; her eyes were rather narrowed under brooding brows.

2

They were at dinner. Alix sat opposite John, who wore a dinner jacket again, as if there were no war. He looked brown and square and cheerful. Between the daffodils Alix saw his eyes, nervous and watchful, with the look in them that was in so many young men's eyes in these days. Next him was Mademoiselle Verstigel, stolid, placid, eating largely, saying little.

Mr. Orme spoke of the big advance that they all believed was coming directly.

'Not yet,' said John. 'N-not enough shells.'

'Wish I could go and help make some,' said Margot.

They all discussed the munitions question. John had strong views on it, differing in some particulars from his father's. John related the inner history of several recent episodes of war, to support his view. He was very interesting. John was not naturally an anecdotal person, but his mind had been of late stored and fed with experiences. Some officers are reduced by trench life to an extreme reticence; the conversational faculty of others is stimulated. Nervous strain works in both of these ways, often in the same person. Anyhow John had to talk about the war to-night, because at Wood End they all did. He answered his father's questions about barbed wire, his mother's about dug-outs, his sisters' about things to eat. They asked him all the things they hadn't liked to ask him while he was in hospital for fear of setting his brain working and retarding his recovery. Dorothy wanted to know if it was true what the men said, that their bully beef often climbed out of its tin and walked down the trench. John said it was not, and that it was one of the erroneous statements he had most frequently to censor in the men's letters. Margot wanted to know what sort of meals he had in the trenches. John said mess in the dug-out usually consisted of six courses (preceded by vermuth), three drinks, and coffee. He proceeded to describe the courses in detail.

His mother wanted to know about the nights, whether he got any sleep. John said yes, quite a lot, when it didn't happen to be his watch. What about the noise? his mother asked. Had he got at all used to it yet? John said it wasn't nearly so noisy as the Royal Free Hospital, where he had spent the last month. His father asked what he thought of the German soldiers as clean fighters. John said they seemed much like anybody else, as far as he'd noticed. Mademoiselle Verstigel, understanding this, shook her head in protest. His mother asked, did he think it was true that our Tommies were learning to pray, or was the contrary statement truer, that they were losing such faith as they had? John said he had not himself noticed either of these phenomena in his platoon, but he might, of course, ask them. His father, who was interested, both as a person of intelligence and as a man of business, in the Balkans, got there, and they discussed the exhausting and exhaustive topic of those wild and erratic states, the relations of each to other, to the Central Powers, to the Allies, and to the war, at some length. It was the period when people were saying that Greece would come in for us, that Rumania might, and that it was essential to collar Bulgaria. So they said these things duly.

3

In a pause John said to Alix across the table, 'What's Aunt Daphne doing now?'

There was a slight sense of jar. Margot, who was sympathetic, was ashamed for Alix, because of what her mother, Daphne Sandomir, was doing. For this always unusual lady, instead of being engaged in working for the Red Cross, Belgian refugees, or soldiers' and sailors' families, was attending a peace conference in New York. She had gone there from France, which she had been helping the Friends to reconstruct. She was not a Friend herself, not holding with institutional religion, but she admired their ready obedience to the constructive impulse. She was called by some a Pacificist, by more a Pacifist, by others a Pro-German, by most a member of the Union of Democratic Control, which she was not, for reasons which she was ready to explain, but which need not be here detailed.

Alix told John, in her clear, indifferent, rather melancholy little voice, about the peace conference. In common with many children of two intensely enthusiastic parents (her father had been a Polish liberationist, who had died in a Russian prison) she had a certain half-cynical detachment from and indifference to ardours and causes. Her mother was always up to some stirring enterprise, always pursuing some vividly seen star. She had been at Newnham in the days when girls went to college ardently, full of aims and ideals and self-realisations and great purposes (instead of as now, because it seems the natural thing to do after school for those with any leanings towards learning) and she had lived her life at the same high pitch ever since. Alix found her admirable, but discomposing. She found Alix engaging, even intriguing, but narrow-hearted, selfish and indolent; she accused her of shrinking from the world's griefs in a way unworthy of her revolutionary father, whom she closely resembled in face and brain.

John was rather interested in the peace conference. He had read something about it the other day in one of the periodicals which flourished in the University to which he belonged, and which wholly approved of the enterprise. Not that John, for his part, wholly approved of the periodical; he found it a trifle unbalanced, heady, partisan. John was a very fair-minded and level-headed young man, of conservative traditions. But independent, too. When the temporary second lieutenant with both legs blown off, who had occupied the next bed to his in the Royal Free, had said, perusing the comments on the peace conference in the periodical in question (under the heading 'A Triumph of Pacifism'), 'What sickening piffle, isn't it?' John had said, after a little cogitation, 'Well, I don't know. They mean well.' The legless lieutenant (Trinity Hall) had snorted, 'They mean well to the Boche.... After all our trouble ... all the legs we've lost ... to cave in now.... Besides, what do they think they can do? A lot of people gassing.... I wonder who they are?'

John had said he believed one of his aunts was keen on it.

'Sort of thing aunts would be keen on,' the other youth had vaguely, and, indeed, quite inaccurately commented.

On the whole John didn't much hold by such movements, but he took a more lenient view of them than the rest of his family did.

His father said, 'A little premature, discussing peace terms before we know we're going to be in a position to dictate them.'

His mother murmured, 'Peace, peace, where there is no peace,' and smiled kindly at Alix to comfort her for her mother.

Dorothy said, answering her father, 'Well, of course we know we are. But I don't see any use in discussing things beforehand, anyhow: we shall be able to think when the time comes.'

Mademoiselle looked with her round black eyes from one to another, like a robin. She might have been reflecting in her mind that Dorothy was very English, Mr. Orme very depressing, Mrs. Orme very kind, John very impartial, and Alix very indifferent. What she said, turning to John, was (and she would seem to have been preparing the remark for some time: she was very keen on improving her English), 'The war is trulee devileesh, yes? The Boches are not as humans, no? More, is it not, Monsieur, as the devils from below?'

John grinned. Dorothy said, 'True for you, Mademoiselle.' Margot said, 'You're really coming on. Only you must say "like," not "as." "As" only comes in books; it's too elegant. And devilish isn't elegant enough.'

'El-ee-gant,' Mademoiselle repeated the word softly. She was perhaps wondering whether it was necessary to be elegant at all in one's references to the Boches.

4

After dinner they got out a map of the western front and spread it on a table and made John say, so far as he knew, in which parts of the line the various battalions at the moment were, and Dorothy wrote their names, very small, all down the line. Alix slipped away while they were doing this, to smell the garden. Soon they began to sing in the drawing-room. Margot sang, 'When we wind up the watch on the Rhine,' a song popular among soldiers just then. She was no doubt practising for canteen concerts. John joined in the chorus, in a baritone voice somewhat marred by trench life.

Alix went indoors and up to bed. She was shivering, as if she was cold, or very tired, or frightened....

She undressed hastily, whistling shrilly, and got into bed and pulled the bedclothes up round her neck and read Mr. Give Bell's last book, with much of which she differed violently, so violently that she made marginal and unsympathetic notes on it in pencil as she lay.

'I'll send it to Basil and see what he thinks,' she thought.

Then Dorothy and Margot came up, merry and talking.

'You are a lazy little unsociable slacker,' Margot told her. 'John was telling us such ripping stories, too. Make him tell you to-morrow about the sergeant-major and the pheasant and the barbed wire. It was awfully funny.'

Dorothy yawned. 'Oh, I'm sleepy. Thank goodness it's Sunday to-morrow, so we can lie in. Margot, you've pinched my slippers.... Oh no, all right.'

Alix lay and read. Her cousins undressed and said their prayers and got into bed.

'Ready, Alix?' asked Margot, her finger on the switch.

'Right,' said Alix, putting Mr. Clive Bell under her pillow, where, deeply as she differed from him, he seemed to lie as a protection against something.

The switch clicked, and the room was in darkness.

Margot and Dorothy murmured on drowsily, dropping remarks about the hospital, the canteen, things John had said.... The remarks trailed away into sleep.

5

Alix lay awake. Her forehead was hot and her feet were cold. She was tense, and on the brink of shivering. Staring into the dark she saw things happening across the seas: dreadful things, ugly, jarring, horrifying things. War—war—war. It pressed round her; there was no escape from it. Every one talked it, breathed it, lived in it. Aunt Eleanor, with her committees, and her terrible refugees; Mademoiselle Verstigel, with her round robin's eyes that had looked horror in the face so near; Uncle Gerald, with his paper and his intelligent city rumours; Dorothy and Margot with their soldiers, who kept coming to tea, cheerful, charming, and maimed; John, damaged and stammering, with his nervous eyes and his quiet, humorous trench talk; Basil, writing from his dug-out of Boche and shells ... little Paul out there in the dark ... they were all up against the monster, being strangled ... it was like that beastly Laocoon....

There was a balcony running along outside the bedrooms at the front of the house. The moonlight lay palely on it; Alix watched it through the long open window. Through the window came a sound of quiet crying; gasping, choked sobbing, as if a child were in despair. Alix sat up in bed and listened. Margot and Dorothy breathed softly, each a peace-drugged column of bedclothes.

Alix, pale and frowning, scrambled out of bed, shuddered, and pattered on thin, naked feet to the window and out on to the moon-bathed stone balcony floor.

Outside his own window, John, barefooted, in pink pyjamas, stood, gripping with both hands on to the iron balustrade, his face turned up to the moon, crying, sobbing, moaning, like a little child, like a man on the rack. He was saying things from time to time ... muttering them ... Alix heard. Things quite different from the things he had said at dinner. Only his eyes, as Alix had met them between the daffodils, had spoken at all like this; and even that had not been like this. His eyes were now wide and wet, and full of a horror beyond speech. They turned towards Alix and looked through her, beyond her, unseeing. John was fast asleep.

Alix, to hear no more, put her hands over her ears and turned and ran into the bedroom. She flung herself upon Dorothy and shook her by the shoulders, shook her till she sat up startled and awake.

Alix stammered, 'John—John. He's walking in his sleep ... out there.... He's crying—he's talking ... go and stop him.'

Dorothy, efficient and professional in a moment, sprang out of bed into her two waiting slippers, and ran into the balcony. Alix heard her, gentle, quiet, firm, soothing John, leading him back to bed.

Alix was most suddenly and violently sick.

When Dorothy came back, twenty minutes later, she was huddled under the bedclothes, exhausted, shuddering and cold.

'He's quiet now,' said Dorothy, taking off her slippers. 'Poor old boy. They often do it, you know. It's the nervous shock. I must listen at nights.... I say, don't tell him, Alix; he wouldn't like it. Specially to know he was crying. Poor old Johnny. Just the thing he'd never do, awake, however far gone he was. Nor talking like that; he was saying awful things.... Did you hear?'

'Yes,' said Alix, in a small, faint voice.

Dorothy looked at her curiously, and saw her grey pallor and shut eyes.

'Why, you're ill too: I believe Johnny's upset you.' She spoke with a kindly pity and contempt. 'Is that it, kiddie?'

'Don't know,' said Alix. 'No. Should think it was too many walnuts at dinner. Let's go to sleep now.'

Dorothy, before she did this, turned her head on the pillow towards Alix's corner and said kindly, 'You'll never be any use if you don't forget yourself, Alix. You couldn't possibly nurse if you were always giving in to your own nerves. After all, what they can bear to go through, we ought to be able to bear to hear about. But of course you're not used to it, I know. You should come to the hospital sometimes. Good-night. If you feel rotten in the morning, don't get up.'

Dorothy went to sleep.

Alix lay and watched the shadows shifting slowly round on the balcony, and listened for sobbing, but heard only the quiet murmur of the pines.

'What they can bear to go through.... But they can't, they can't, they can't ... we can bear to hear about ... but we can't, we can't, we can't....'

It was like the intolerable ticking of a clock, and beat itself away at last into a sick dream.

On the other side of the wall, John started and sat bolt upright in bed, with wide staring eyes.... John, like many thousand others, would perhaps never sleep quietly through a night again. Yet John had been a composed sleeper once.

CHAPTER III

ALIX GOES

1

It was Sunday next day. Dorothy and Margot conducted a party of wounded soldiers to matins. Mrs. Orme, who thought it time Mademoiselle Verstigel went to Mass again, sent her over to Wonford, where there was a church of her persuasion. She herself had to go up to town to the Sunday club where soldiers' and sailors' families were kept out of the streets and given coffee, news, friendship, music, and the chance to read good books, a chance of which Mrs. Orme, a sanguine person, hoped undiscouraged that they would one day avail themselves. (Hope, faith, and love were in her family. Her sister, Daphne Sandomir, when in England, held study circles of working women to instruct them in the principles which make for permanent peace, and hoped with the same fervour that they would read the books and pamphlets she gave them.)

Mr. Orme and John walked over to the links to play golf. Alix, not having either the church, club, or golf habit, and being unfitted for much walking, sat in the wood, tried to paint, and failed. She felt peevish, tired, cross and selfish, and her head ached, as one's head nearly always does after being sick in the night. The pines were no good: stupid trees, the wrong shape. What sort of pictures would one be painting out there? Mud-coloured levels, mud-coloured men, splashes of green here and there ... and red.... And blue sky, or mud-coloured, with shells winging through it like birds, singing, 'Lloyd-Lloyd-Lloyd-Lloyd.'... The sort of picture Basil would be painting and the way he would be painting it she knew exactly. Only probably he wasn't painting at all to-day. It was Sunday-hate day. Whizz-bangs, pom-poms, trench-mortars spinning along and bouncing off the wire trench roof.... Minnie coming along to blow the whole trench inside out ... legs and arms and bits of men flying in the air ... the rest of them buried deep in choking earth ... perhaps to be dug out alive, perhaps dead.... What was it John had said on the balcony—something about a leg ... the leg of a friend ... pulling it out of the chaos of earth and mud and stones which had been a trench ... thinking it led on to the entire friend, finding it didn't, was a detached bit.... Had John cried at the time? Been sick? Probably not; John was a self-contained young man. He had waited till afterwards, when he was asleep.

Alix, seeing her friends in scattered bits, seeing worse than that, seeing what John had seen and mentioned with tears, turned the greenish pallor of pale, ageing cheese, and dropped her head in her hands. Painting was off for that morning. Painting and war don't go together.

2

Mrs. Orme came home in the afternoon, tired but still energetic. Mr. Orme and John came in to tea too, with Sunday papers and having seen telegrams about the German offensive being stopped at Ypres. Callers dropped in to tea. They worried John by their questions. They kindly drew out Mademoiselle Verstigel, in French worse than her English.

Directly after tea Margot had to hurry away up to town to the canteen. The callers dropped out again, one by one. John and his father went out to smoke in the garden, and to look at young trees. Dorothy went to make a cake for the hospital.

Mrs. Orme sorted, filed, and pigeon-holed case-papers about Belgians.

Alix, sitting in the window seat, said, 'Aunt Eleanor, I think I'm too far away from the School. I think I'd better go and stay in London, to be nearer.'

Mrs. Orme abstracted part of her attention from the Belgians, paused, paper in hand, and looked at her niece with her fine dark kind eyes, that were like her sister's, only different.

'Very well, child. You may be right. I'm sorry, though....' She jabbed a paper on the file, and gave more of her attention still. 'Go and stay in London.... But with whom, dear? And what does your mother think?'

'Oh, mother,' said Alix, and gave her small, crooked smile. 'Mother won't mind. She never does. I'll write to her about it, any time.... Well, I might be in rooms—alone or with some one else.'

'Not alone,' Mrs. Orme said promptly. 'You're not old enough. Twenty-five, is it? You look less. Oh yes, I know girls do it, but I don't like it. I wouldn't let Dorothy or Margot. Who could you share them with? You've not thought of any one especial? It would have to be some one sensible, who'd look after you, or you'd get ill.... Nicholas lives with another man, doesn't he?... Wait: I've just thought of something....' She began rummaging in her desk. 'I've a letter somewhere; I kept it, I know. She looked for it. Alix thought how like she was, as she searched, to her sister Daphne; both were so often looking for papers which they knew they had kept; and both had the same short-sighted frown and graceful bend of the neck.

'Here,' said Mrs. Orme, and held up an envelope addressed in a flowing hand—the sort of hand once used by most ladies, but now chiefly by elderly and middle-aged persons of an unliterary habit.

'Emily Frampton,' said Mrs. Orme. 'No, you wouldn't know her, but she's a cousin. That is, not a cousin, but married to one. She's the widow of your cousin Laurence, who died fifteen years ago. None of us could think why ... well.' She checked herself. 'She's very nice and kind, Emily Frampton.' But so different, she meant, from their cousin Laurence. This was so. Laurence Frampton had been scholarly, humorous, keen-witted, dry-tongued, and a professor of Greek. Emily Frampton was not; which is sufficient description of her for the moment.

'She and her two girls (her own, you know; she was a widow even before she married Laurence) live at Clapton. Violette, Spring Hill, Upper Clapton, N. They're poor; they want some nice person to board with them. She's very kind; you'd be taken care of.' Mrs. Orme puckered her wide, white forehead and looked at Alix as if she were a Belgian with a case-paper. 'Really, till your mother comes back and takes the responsibility, I can't let you go just anywhere.'

'Well—' Alix drawled a little, uncertainly. 'I don't like being taken care of, Aunt Eleanor. And they sound dull.'

'Well, dear, you must settle. I own I couldn't personally live at—what's the name of the house—Geranium—Pansy—no, Violet—Violette, I mean. Those sort of people are so dreadfully out of the currents; probably know nothing about the war, except that there is one, and....'

'Well,' said Alix, more quickly, 'perhaps I'll go there, Aunt Eleanor. I think I will.'

'You'll be doing them a kindness,' said Mrs. Orme. 'And of course it will be much more convenient for you than going up to town from here every day. If you like I'll write to Mrs. Frampton to-day. We shall miss you, dear.' She screwed up her eyes affectionately at Alix, and added, 'You don't look well, child. I wish your mother would come home. You miss her.'

'It's fun when mother's home,' said Alix. 'But it's quieter when she isn't. Mother's so—so stimulating.'

'Oh, very,' said Mrs. Orme, who thought of Mrs. Sandomir as a spoilt, clever, fascinating but wrong-headed younger sister. She couldn't tell Alix how wrong-headed she found her mother, but she added kindly, 'You know, my dear, that I think she is mistaken in her present enterprise, and would be much better at home.'

'Most enterprises are mistaken. All, very likely,' said Alix, and her aunt was shocked, thinking she should not be cynical so young.

'The child's a funny outcome of Paul Sandomir and Daphne,' she reflected, and returned to her case-papers.

3

John came in. Alix noticed how cheerful and placid he looked, and how his hand, holding his pipe, shook. He sat down and began to talk about the advantages of not digging up one of the lawns for potatoes, which Margot wanted to do. His memories lay behind his watchful eyes, safely guarded. But Alix knew.

'I must write to mother,' she said, and left the room.

As she went upstairs she met Mademoiselle Verstigel coming down. Her Sunday dress was bright scarlet, with canary-coloured ribbons. She had saved it out of the wreck at home, when all seemed lost, and fled in it, like so many Belgians. She looked at Alix with her round eyes, and they too held memories. Alix stumbled at a stair. Mademoiselle caught her thin arm in her own plump one and saved her from falling. Alix hated the touch; she said, 'Oh, merci,' and gripped her stick tight and hurried on upstairs with her uneven, limping steps. She got into the schoolroom and shut the door.

'I must get away,' she said, breathing hard. 'I will go to Violette.'

PART II

VIOLETTE

CHAPTER IV

SATURDAY MORNING AT VIOLETTE

1

Alix rode from South Kensington to Clapton in the warm mid-June night on the last bus. She had been at a birthday party in Margaretta Terrace, S.W. Bus 2 took her to the Strand end of Chancery Lane. Here she left her companion, who had rooms in Clifford's Inn, and walked up Chancery Lane to Holborn, and got the last Stamford Hill bus and rushed up Gray's Inn Road and then into the ugly, clamorous squalor of Theobald's Road, Clerkenwell and Old Street. The darkness hid the squalor and the dull sordidness of the long straight stretch of Kingsland Road. Through the night came only the flare of the street booths and the screaming of the very poor, who never seem too tired to scream.

At Stamford Hill Alix got off, and walked down Upper Clapton Road, which was quiet and dark, with lime-trees. Alix softly whistled a tune that some one had played on a violin to-night at Audrey Hillier's party. The party, and the music, and the students' talk of art-school shop, and the childish, absurd jokes, and the chocolates and cigarettes (she had eaten eighteen and smoked five) were like a stimulating, soothing drug.

A policeman at the corner of Spring Hill flashed his light over her and lit her up for a moment, hatless, cloaked, whistling softly, limping on a stick, with her queer, narrow eyes and white face.

She turned down Spring Hill, which is an inclined road running along the northern end of Springfield Park down to the river Lea. It is a civilised and polite road, though its dwellings have not the dignified opulence of the houses round the common.

Alix stopped at Violette, and let herself softly in with her latchkey. Violette was silent and warm; the gas in the tiny hall was turned low. The door ajar on the right showed a room also dimly lit, with a saucepan of milk ready to heat on the gas-ring, and a plate of Albert biscuits and a sense of recent occupation. It is very clear in an empty room by night what sort of people have sat and talked and occupied themselves in it by day. Their thoughts and words lie about, with their books and sewing.

There were also in this room crochet doylies on the chairs and tables, a large photograph of a stout and heavily-moustached gentleman above the piano (Mr. Tucker), a small photograph of a thin and shaven and scholarly gentleman over the writing-table (Professor Frampton), some Marcus Stones, Landseers, and other reproductions round the walls, two bright blue vases on the chimney-piece, containing some yellow flowers of the kind that age cannot wither, dry, rustling, and immortal, 'Thou seest me' illuminated in pink and gold letters, circling the picture of a monstrous eye (an indubitably true remark, for no inhabitant of the room could fail to see it), and the Evening Thrill and The Lovers' Heritage (Mrs. Blankley's latest novel) lying on the table.

Alix sat on the table and smoked another cigarette. She always smoked far too many. She was pale, with heavy, sleep-shadowed eyes. She had talked and smoked and been funny all the evening.

One o'clock struck. Alix turned out the gas and went up to bed, quietly, lest she should disturb the family. She crept into the bedroom she shared with Evie, and undressed by the light that came in through the half-curtained window from the darkened lamps in the street.

The faint light showed Evie, asleep in her lovely grace, the grace as of some lithe young wild animal. Alix never tired of absorbing the various aspects of this lovely grace.

She got into bed and curled herself up. Between the half-drawn window curtains she could see the tops of the Park trees, waving and fluttering their boughs in a dark sky, where clouds drove across the waning moon. Footsteps beat in the road outside, came near, passed, and died. The policeman trod and retrod his allotted sphere, guarding Violette while it drifted drowsily into the summer dawn, which broke through light, whispering rain. Alix dreamed....

In Flanders, the rain sloped down on to men standing to in slippery trenches, yawning, shivering, listening....

2

Evie pulled back the curtain, and the yellow day broke into Alix's dreams and opened her sleepy eyes. She yawned, her thin arms, like a child's arms, stretched above her head.

'Oh, Evie,' said Alix. 'Can't be morning, is it?'

'Not half,' said Evie, collecting her sponges and towels for her bath. 'It's last night still.... Whatever time did you get back, child?' (Evie was a year younger than Alix, but more experienced. In her pink kimono dressing-gown, with her long brown plait down her back, and her face softly flushed from the pillow, she looked like the blossom a hazel-nut might have had, had it been so arranged.)

'Twelve—one—two—don't know,' Alix yawned, and pulled the bedclothes tight under her chin. 'Think I was too tipsy to notice.'

Evie, coming back from the bathroom, woke her again. She lay and watched, between sleepy lids, Evie dressing. Drowsily she thought how awfully, awfully pretty Evie was. Evie was lithe and long-limbed, with sudden, swift grace of movement like a kitten's or a young panther's. She had a face pink and brown, fine in contour, and prettily squared at the jaw, eyes wide and dark and set far apart under level brows, and dimples. Of the Violette household, Evie alone had charm. Except on Saturdays and Sundays she trimmed hats at a very superior and artistic establishment in Bond Street. There was a certain adequacy about Evie; she did but little here below, but did that little well.

Alix sat up in bed, one dark plait hanging on either side of her small pale face, her sharp chin resting on her knees.

'I must do it sometime, mustn't I?' she said, and did it forthwith, tumbling out of bed and staggering across to the washstand for her sponge and towel. She dropped and drowned her dreams in her cold bath, and came back cool and indifferent. Through the open window the summer morning blew upon her merrily; it was windy, careless, friendly, full of light and laughter.

3

In the dining-room, when Alix came down, were Mrs. Frampton, who was small, trim, fifty-three, and reading a four-page letter; Kate, who was inconspicuous, neat, twenty-nine, and making tea; and Evie, who has already been described and was perusing two apparently amusing letters.

Mrs. Frampton looked up from her letter to say, 'Good-morning, dear. You came home with the milk this morning, I can see by those dark saucers. You ought to have stayed in bed and had some breakfast there.'

Mrs. Frampton was very kind. She also was very early in going to bed: anything after midnight was to her with the milk.

Kate said, having made the tea and turned out the gas-ring, 'We're all late this morning. If we don't commence breakfast quick I shall never get through my day.'

They stood round the table; Mrs. Frampton said, 'For what we are about to receive,' and Kate said, 'Some bacon, mother?'

'A small helping only, love.... Such a nice long letter from Aunt Nellie. Fred and Maudie have been staying with her for the week-end, and the baby's tooth begins to get through. Aunt Nellie's rheumatism is no better, though, and she thinks of Harrogate next month. Do you hear that, Kate?'

Kate was critically examining a plate.

'Egg left on it again. If I've spoken to Florence once I've done so fifty times, about egg on plates. I'd better ring for her and speak at once, hadn't I, mother? She'll never learn otherwise.'

'Do, love.'

Kate rang. Florence came and Kate said, 'Florence, there's egg on this plate again. Take it away and bring another, and recollect what I told you about soda.'

'Oh dear me, dear me,' said Mrs. Frampton, who had opened the paper. 'Just listen to this. One of those Zeppelins came again last night and dropped bombs on the East Coast, killing sixteen and injuring forty. Now, isn't that wicked! Babies in the cradle formed a large proportion of the fatalities, as usual. Poor little loves. You'd think those men would be ashamed, with all the civilised world calling them baby-killers last time.'

'They're just inhuman murderers,' said Kate absently. 'I expect they're dead to shame by now.... This bacon is somewhat less streaky than the last. We must speak to Edwards about it again. I shall tell him we shall really have to deal with Perkins if he can't do better for us. Another slice, Evie?'

'Some more toast, love,' Mrs. Frampton suggested to Alix. 'And a little preserve. You don't eat properly, Alix. You'll never grow strong and big and rosy.... Kate, this tea isn't so nice as the last. A touch raspier, it seems. What do you think?'

'I prefer it, mother. It has somewhat more taste. But if you think it's too strong....'

'No, love, I expect you're right. Is it the one-and-ninepenny?'

'One-and-eight.'

Evie giggled over her correspondence.

'And who have you heard from, Evie?' asked her mother, looking indulgently at her pretty younger daughter.

'Floss Vinney, for one. She's got some more blouse patterns, and wants me to go round again and help her choose. There's one a perfect treat she was thinking of last week; she thinks it'll make up to suit her, but it won't a bit; it's fussy, and she's too fussy already, with that frizzy hair. It would suit me nicely, or you, Alix, but it'll smother Floss. I told her so, but she wouldn't believe me. She thinks Vin will like her in it, but I bet he doesn't. Though, of course, you never can say what a man will like, they're so funny. Oh dear, they are comic!' Evie gurgled over some private experiences of her own: she did not lack them.

'Floss usually looks very nice in her clothes,' said Kate with deliberate heroism, because, for reasons, she disliked to think so. Alix, hearing her, passed her the jam (preserve, Violette called it) impulsively, without being asked; and as a matter of fact, Kate, eating bacon, did not want it. Mrs. Frampton, moved doubtless by some sequence of thought known to herself, said, 'They say those Belgians in the corner house eat ten pounds of cheese each week. Edwards' boy told Florence. Just fancy that. Not that one grudges them anything, poor things.'

Kate said, 'Mr. Alison' (the vicar of the church she attended) 'says those corner Belgians have been very troublesome indeed lately. They've all quarrelled among themselves, and all but the wounded young man and his mother think the wounded young man is well enough to go to the front now, and he will slam the doors so, and two new ones have come, so they're packed as tight as herrings (but they say Belgians always will overcrowd), and the one that lost her baby on the journey has found it again, and the others aren't pleased because it cries at nights, and they all say they don't get enough to eat. The vicar's had no end of bother with them. And now two of them say they won't stay here, they'll go off to Hull, where Belgians aren't allowed. The vicar reasoned with them ever so long, but they will go. They say they have uncles there. I'm sure it's very wrong if they have. It does seem sad, doesn't it?' The lack of discipline among this unhappy people, she meant, rather than the uncles at Hull.

Mrs. Frampton said, 'To think of them behaving like that, after all they've been through!' She scanned the paper again, having finished her small breakfast.

'Here's a German in Tottenham Court Road strangled himself with his window cord. Ashamed of his country. Well, who can blame him? We must leave that to his Maker. Now listen to this: Lord Harewood says Harrogate is a nest of spies. Quite full of German wives, it is. Fancy, and Aunt Nellie going to take the baths there next month. Lowestoft too, and Clacton-on-Sea. I'm sure I shall never want to visit any of those East Coast places again; you'd never know whom to trust; not to mention all these airships coming, and being put into gaol if you forget to pull the blinds, and having your dog confiscated if he runs out by night.... Girl robbed her grandmother; she spent it all on dress, too. Fancy, with all the distress there is just now. Home Hints: Don't throw away a favourite hat because you think its day is over. Wash it in a solution of water and gum and lay it flat on the kitchen dresser. Stuff the crown with soft paper and stand four flat-irons on the brim. But clean the irons well first with brick-dust and ammonia. The hat will then be a very nice new shape.... Here's a recipe for apple shortcake, Kate: I shall cut that out for Florence.... Dear me, how late it gets! We must all get to our day's work.... Have you heard news from your mother, Alix dear?'

'Yes.' Alix had two letters before her. 'Mother writes from Athens. She's been interviewing Tino (don't know how she managed it); trying to get him to sit on a council for Continuous Mediation without Armistice. I gather Tino thinks it a jolly sound plan in theory, but isn't having any in practice. That's the position of most of the neutral governments, apparently.'

As none of the family knew what Continuous Mediation without Armistice meant, the only comment forthcoming was, from Mrs. Frampton, 'Your mother is a very wonderful person. I only hope she isn't getting over-tired, going about as much as she does.... You've had some news from the front too, haven't you?'

'Yes,' said Alix. 'A friend of mine has just got wounded. He's being sent home.'

'Oh, my dear, how unfortunate! Not seriously, I trust?'

'No, I shouldn't think so. A nice blighty one in the hand, he says. He seems quite cheery about it. He tried to return a bomb to the senders, and it went off just before its proper time. It happens often, he says. It must be difficult to calculate about these time-bombs.'

'A dreadful risk to take, indeed! It's his left, I suppose, as he writes?'

'He dictated it. No, not his left.'

'The right? Dear me, now, how sad that is. It so hampers a man. What used he to work at, love?'

'He paints.'

'Well now, isn't that a pity! He must learn to paint left-handed when the war's over, mustn't he? But I hope his hand will be quite well again long before then. It's given you quite a shock, dearie, I can see. You've gone quite pale. Would you like a little sal-volatile?'

'No thank you, Cousin Emily. It's not given me a shock a bit.... Do you want me to do the lamps, Kate?'

'Well—I don't know why you should. Evie's nothing to do this morning....' Kate looked doubtfully at her sister, who said promptly, 'Oh, hasn't she? That's all you know. I'm for a cutting-out morning. Thanks muchly, Alix; I'll do the dusting if you'll do the lamps.'

4

Kate retired to domestic duties in the back regions.

Evie, before doing the dusting, took up the Daily Message and glanced through the feuilleton. It had been the same feuilleton for many weeks. It was always headed by a synopsis and a list of characters: 'John Hargreave, a strong, quiet man of deep feeling, to whom anything underhand is abhorrent. Valerie Lascelles, a beautiful girl of nineteen, who loves John. Sylvia, her sister, exactly like Valerie in face, but not in character, for she is shallow and hard and lives abroad, the widow of a foreign count. Cyril Arbuthnot, a smart man about town, unscrupulous in his methods, who sticks at nothing.' No wonder Evie found it interesting.

Then she flicked competently round the drawing-room with a duster, calling to Florence to clear away quick, because she wanted the table for cutting out.

Alix did the lamps in the pantry.

Mrs. Frampton did accounts and wrote to Aunt Nellie, in the dining-room.

Florence cleared away, also in the dining-room.

Kate looked in in her hat and coat, with the little red books that come from shops on a Saturday morning.

'I'd better get in a new tongue, I suppose, mother. The one we have will scarcely be sufficient for Sunday.'

'Yes, dear. Get one of the large ones.'

Kate went bill-paying.

Evie extracted incomprehensively-shaped pieces of brown paper from the pages of Home Chat, a weekly periodical which she took in, and began her cutting-out morning.

Alix returned from the lamps and said, 'I'm going out for the day with some people. I may go on to Nicholas in the evening, very likely.' (It may or may not have been before mentioned that Alix had a brother of that name.)

'Very well, dear. Bring your brother or some of your friends back with you afterwards, if you like. I'm sure it would be very nice if they stopped to supper. Our supper's simple, but there's always plenty for all. And the Vinneys are coming round afterwards, so we shall be a nice party. I asked them because they've got that cousin, Miss Simon, staying with them, and I thought they'd be glad of an evening's change for her.'

'That fatty in a sailor blouse,' Evie, who observed clothes, commented. 'I should think they'd be glad of a change from her. She's a suffragette, and talks the weirdest stuff; she's as good as a play to listen to.... I shouldn't think your brother'd get on with the Vinneys a bit, Alix.'

'Probably not,' said Alix. 'He doesn't with most people.'

Evie looked as if she shouldn't think he did.

'What's the name of that new floor-polish, to tell Aunt Nellie?' said Mrs. Frampton, pausing in her letter.

But, as Kate was out, and as it was neither Ronuk nor Cherry Blossom (suggestions of unequal levels of intelligence from Evie and Alix), she had to leave a space for it.

CHAPTER V

AFTERNOON OUT

1

Alix sat on the bus and rushed through the shining summer morning down Upper Clapton Road, Lower Clapton Road, Mare Street, Hackney Road, Shoreditch, Bishopsgate, and so into the city. The noon war news leaped from placards, in black and red and green. A mile of trenches taken near Festubert—a mile of trenches lost again. Alix did not care and would not look. Anyhow it wasn't Paul's part of the line. London was damp and shining under a windy blue sky. They had cleared away the bodies of those struck down last night by motor buses in the dark. What a sacrifice of life! Was it worth while?

The traffic was held up every now and then by companies of recruits swinging along, in khaki and mufti, jolly, absorbed, resolute, self-conscious, or amused. There went down Threadneedle Street the Artists' Rifles. Some looked like studio artists, pale, intelligent, sometimes spectacled, others more like pavement artists, others again suggested sign-painters. But this last was probably an illusion, as sign-painters since last August had been mostly too busy painting out and repainting names on signs to have time for soldiering. Many classes have lost heavily by this war, such as publicans, milliners, writers, Belgians, domestic servants, university lecturers, publishers, artists, actors, and newspapers. But some have gained; among these are sheep-growers, house-agents, sugar-merchants, munition-makers, colliers, coal-owners, and sign-painters. An unequal world.

The bus waited, held up opposite a recruiting station. Alix, looking down, met the hypnotic stare of the Great Man pictured on the walls, and turned away, checking a startled giggle. Anyhow she was lame, and not the sex which goes either, worse luck. (On that desperate root of bitterness she never dwelt: that way madness lay.) Her swerving eyes fell next on one of the pictures of domestic life designed and executed (so common report had it) by the same Great Man; the picture in which an innocent and reproachful infant inquires of a desperately embarrassed but apparently not irate parent, 'Daddy, what did you do to help when Britain fought for freedom in 1915?' Alix giggled again, and looked up at the white clouds racing across the summer sky, where was no war nor rumours of war.

2

At Bond Street she left the bus and went to Grafton Street, where there was a small exhibition of pictures by two young artists known to Alix. Here she met by appointment three friends, her fellow-students at the art school. Their names were Nonie Maclure, Oliver Banister, and Thomas Ashe. Miss Maclure and Mr. Banister were there before her. They greeted her with 'What cheer, Joanna?'—Joanna, because in a play composed and produced recently by their combined talent, Alix had taken this part. Alix went to speak to the exhibitors, who were standing about and failing to look detached, and began to look round, murmuring to her friends, 'What's the show like?... Oh, she's got that yellow thing in...' and so forth. Presently Mr. Thomas Ashe joined them. (It may here be mentioned, lest readers should be unfairly prejudiced against Mr. Ashe and Mr. Banister, that one of them had a frozen lung and the other a distended aorta. They were quite good young men really, and would have preferred to go.)

They criticised and appreciated the pictures for an hour, with the interested criticism and over-appreciation usually poured forth by young persons on the works of their fellow-students and contemporaries, often at the expense of the older and staler and less in the only movement that really matters.

'That's like some of Doye's things,' said one of the young men, and the other said, 'Doye's wounded, isn't he? I saw it in the paper to-day. I hope it's not much.'

Alix said it wasn't.

'He's on his way home. I hope they send him to a hospital in town, so we can all go and see him.'

Nonie Maclure shot her a curious glance. She had never known quite how deep the intimacy between these two had gone. She sometimes wondered. She had thought just before the war that it went very deep indeed. But in these present days Alix seemed prepared to play round at large with so many young men, and to flirt, when that was the game, with a light-handed recklessness only exceeded by Nonie herself; and Nonie, of course, was notorious.

3

They went out to lunch. The world is divided into those who have lunch in their own homes, those who have lunch in some one else's, those who have lunch in hotel restaurants, those who have lunch in nice eating-shops, those who have lunch in less nice eating-shops, such as A.B.C.'s, those who have lunch in eating-shops very far from nice, those who have lunch in handkerchiefs, and those who do not have lunch at all. The classes are, of course, not rigid; many people alternate from day to day between one and another of them. Alix and her friends were, most days, either in class four or class five. To-day they were in class four, being out for a happy day, and they had lunch in a little place in Soho, full of orange-trees in green tubs, and sunshine, and maccaroni. They found one another interesting, entertaining, and attractive. Nonie Maclure was dark and good-looking, a fitfully brilliant worker, and a consistently lively companion. Oliver Banister was gentle and fair and delicate, and indifferent to most things, only not to art or to Nonie Maclure. He had tried to get passed for the army, but, as he was rejected, he settled down tranquilly and without the bitterness that eats the souls of so many of the medically and sexually unfit. He recognised the compensations of his lot. Tommy Ashe, on the other hand, was bitter and angry like Alix; like her he would have hated the war anyhow, even if he had been fighting, being a sensitive and intelligent youth, but as it was he loathed it so much that he would never mention it unless he had to, and then only with a sneer. It was partly this that drew him to Alix and her to him. They were in the same case. So they found they could trust one another not to talk of the indecent monster. Also he admired her unusual, delicate, ironic type. Anyhow it was the fashion to have some special friend among the girls at the school, and it helped one to forget. So he and Alix plunged into a flirtation not normally natural to either.

The four of them flirted and ragged and joked and were funny all the afternoon, which they spent in Richmond Park. Alix and Tommy Ashe went off together and lost the other two, and lay on the grass, and became rather more intimate than they had ever been before. When soldiers strolled by they looked the other way and pretended not to see, and talked very fast about anything that came into their heads. Sometimes the soldiers were wounded; once a party of them, in hospital blues, sat down quite near them, with two girls in V.A.D. uniform, who called the soldiers by their surnames and chaffed them. They were all being merry and funny and having a good time. One was a boy of eighteen, pink-cheeked and hilarious, with his right leg cut short just below the thigh.

'Look here, it's time we found those two people,' said Alix, sitting up. 'We must really set about it in earnest.'

So they went away, but presently they felt more like tea than finding the others, so they had some. When finally the party joined itself together, it went to Earl's Court and had a hilarious hour flip-flapping, wiggle-woggling, and joy-wheeling. It desisted at half-past six, dishevelled, battered and bruised, and separated to fulfil its respective evening engagements.

4

Alix went to see her brother Nicholas. Nicholas was a journalist, on the staff of a weekly paper which cost sixpence and with whose politics he was not in agreement. As there was no paper, weekly, sixpenny or otherwise, with whose politics he was in agreement, this was not strange. It may further be premised of Nicholas that he was twenty-seven years old, of good abilities, thought war too ridiculous a business for him to take part or lot in, was probably medically unfit to do so but would not for the world have had it proved, was completely lacking in any sense of veneration for anything, negligently put aside as absurd all forms of supernatural religion, shared rooms with a curate friend in Clifford's Inn, and had from an infant reacted so violently against the hereditary enthusiasm which nevertheless looked irrepressibly out of his eyes that he had landed himself in an unintelligent degree of cynicism in all matters.

Hither Alix went, when the evening sunshine lay mellow on Chancery Lane. Alix had a curious and quite unaccountable feeling for Chancery Lane. It seemed to her romantic beyond all reason. Just now it was as some wild lane on the battle front, or like a trench which has been shelled, for the most recent airship raid had ploughed it up. A week ago it had been the scene of that wild terror and shrieking confusion which is characterised by a euphemistic press as 'no panic.'

Alix limped past the chaos quickly. An old man tried to sell her a paper. 'Star, lady? Globe, Pall Mall, Evening News? British fail to hold conquered trenches....' Alix hurried by; the newsvendor turned his attention to some one else. Evening papers, of course, are interesting, and should not really be missed; they often contain so much news that is ephemeral and fades away before the morning into the light of common day; they are as perishable and never-to-be-repeated as some frail and lovely flower.

But Alix, ignoring them, reached Clifford's Inn, and climbed the narrow oak stairway to the rooms inscribed:

Mr. N. I. Sandomir,
Rev. C. M. V. West.

Both these gentlemen were in their sitting-room. The Rev. C. M. V. West reposed on a wicker couch, reading alternately two weekly church papers and the Cambridge Magazine. One of these papers was High Church, another Broad Church, the third did not hold with churches. The Rev. C. M. V. West was a refined-looking young man, very neatly cassocked, with a nice face and a sense of humour. In justice to him we must say that he worked very hard as a rule, but had been enjoying a deserved rest before evensong. To Alix he stood for a queer force that was at work in the world and which she had been brought up to consider retrograde.

Nicholas Sandomir lay in an easy-chair, surrounded by review copies of books. He was too broad-shouldered for his height; he was pale and prominent-jawed, with something of the Slav cast of feature; his mouth, like Alix's, was the mouth of a cynic; his eyes, small, overhung, and deep blue, were the eyes of an idealist. This paradox of his face was only one among many paradoxes in him; he was unreliable; he disbelieved in all churches, and lived, unaccountably, with a High Church curate (this, probably, was because he liked him personally and also liked to have an intelligent person constantly at hand to disagree with; also he came, on his father's side, of a race of devout and mystic Catholics). He despised war, and looked with contempt on peace societies (this was perhaps because, so far as he worshipped anything, he worshipped efficiency, and found both peace societies and war singularly lacking in this quality). He detested Germany as a power, and loathed Russia who was combating her (this, doubtless, was because he was half a Pole).

Anyhow, this evening, when Alix came in, he was sulkily, even viciously, turning the pages of a little book he had to review, called (it was one of a series) The Effects of the War on Literature. He waved his disengaged hand at Alix, and left it to West, who had much better manners, to get up and put a chair for her and pass and light her a cigarette.

'Did you meet Belgians on the stairs?' inquired West. 'They've put some in the rooms above us—the rooms that used to be Hans Bauer's. Five of them, isn't it, Sandomir?'

'Five to rise,' Nicholas replied. 'A baby due next week, I'm told.' (Unarrived babies were among the things not alluded to at Violette in mixed company: no wonder Violette found Nicholas peculiar.)

'It's awkward,' West added, lowering his voice and glancing at one of the shut bedroom doors, 'because we keep a German, and they can't meet.'

'What do you do that for?' asked Alix unsympathetically.

'Awkward, isn't it?' said West. 'Because they keep coming to see us—the Belgians, I mean (they like us rather), and he'—he nodded at the bedroom—'has to scoot in there till they're gone. It's like dogs and cats; they simply can't be let to meet.'

'Well, I don't know what you want with a German, anyhow.'

'He's a friend of ours,' explained Nicholas. 'He was living in the Golders Green Garden City, and it became so disagreeable for him (they're all so exposed there, you know—nothing hid) that we asked him here instead. If they find him he's afraid they may put him in a concentration camp, and of course if the Belgians sighted him they'd complain. He means no harm, but unfortunately he had a concrete lawn in his garden, about ten feet square, where he used to bounce a ball for exercise. Also he had made a level place on his roof, among Mr. Raymond Unwin's sloping tiles, where he used to sit and admire the distant view through a spyglass. It's all very black against him, but he's a studious and innocent little person really, and he'd hate to be concentrated.' ('It would make one feel so like essence of beef, wouldn't it?' West murmured absently.) 'He's not a true patriot,' went on Nicholas. 'He wants the Hohenzollerns to be guillotined and a disruptive country of small waning states to be re-established. He writes articles on German internal reform for the monthly reviews. He calls them "Kill or Cure," or, "A short way with Imperialism," or some such bloody title. I don't care for his English literary style, but his intentions are excellent.... Well, and how's life?' Nicholas turned his small keen blue eyes on his sister. 'You look as if you'd been out for a joy-day. You want some more hairpins, but we don't keep any here.'

'I've been wiggle-woggling,' Alix admitted, and added frankly, 'I feel jolly sick after it.'

'Our family constitution,' said her brother, 'is quite unfit for the strains we habitually subject it to. Mine is. I feel jolly sick too. But my indisposition is incurred in the path of duty. I've got to review the things, so I have to read them—a little here and there, anyhow. And then, just as one feels one has reached one's limit, one gets a handbook of wisdom like this, to finish one off.'

He read a page at random from The Effects of the War on Literature. 'The war is putting an end to sordidness and littleness, in literature as in other spheres of human life. The second-rate, the unheroic, the earthy, the petty, the trivial—how does it look now, seen in the light of the guns that blaze over Flanders? The guns, shattering so much, have at least shattered falsity in art. We were degenerate, a little, in our literature and in our lives: we have been made great. We are come, surely, to the heroic, the epic pitch of living; if we cannot express it with a voice worthy of it, then indeed it has failed in its deepest lesson to us. We may expect a renascence of beauty worthy to rank with the Romantic Revival born of the French wars....'

'Who is the liar?' asked Alix.

Nicholas named him. 'I am thinking,' he added, 'of starting an Effects of the War series of my own. I shall call it Some Further Effects. It will be designed to damp the spirits of the sanguine. I shall do the one on Literature myself. I shall take revenge in it for all the mush I've had to review lately. It's extraordinary, the stream of—of the heroic and the epic, isn't that it—that pours forth daily. The war seems to have given an unhealthy stimulus to hundreds of minds and thousands of pens. One knew it would, of course. No doubt it was the same during the siege of Troy, and all the great wars. Though, thank heaven, we shall never know, as that sort of froth is blown away pretty quick and lost to posterity. It's only the unhappy contemporaries who get it splashed all over them. And this war is beastlier than any other, so the rubbish is less counteracted by the decent writers. The first-rate people, both the combatants and non-combatants, are too much disgusted, too upset, to do first-rate work. The war's going on, and means to go on, too long. Wells or some one said months ago that people don't so much think about it as get mentally scarred. It's quite true. Lots of people have got to the stage when they can only feel, not think. And the best people hate the whole business much too much to get any 'renascence of beauty' out of it. Who was it who said the other day that the writers to whom war is glamorous aren't as a rule the ones who produce anything fit to call literature. War's an insanity; and insane things, purely destructive, wasteful, hideous, brutal, ridiculous things, aren't what makes art. The war's produced a little fine poetry, among a sea of tosh—a thing here and there; but mostly—oh, good Lord! The flood of cheap heroics and commonplace patriotic claptrap—it's swept slobbering all over us; there seems no stemming it. Literary revival be hanged. All we had before—and precious little it was—of decent work, clear and alive and sane and close to reality, is being trampled to bits by this—this imbecile brute. And when the time comes to collect the bits and try to begin again, we shan't be able to; there'll be no more spirit in us; we shall be too battered and beaten....' Nicholas, wound up to excitement, was talking too long at a stretch. He often did, being an egoist, and having in his veins the blood of many eloquent and excited revolutionary Poles, who had stood in market-places and talked and talked, gesticulating, pouring forth blood and fire. Nicholas, reacting against this fervour, repudiating gesticulation, blood and fire, still talked.... But on 'battered and beaten' he paused, in disgusted emphasis, and West came in, half absently, still turning the pages of the Challenge, talking in his high, clear voice, monotonous and fast (Nicholas was guttural and harsh). 'You underrate the power of human recovery. You always do. It's immense, as a matter of fact. Give us fifty years—twenty—ten.... Besides, look at the compensations. If the good are battered and beaten, the bad are too. It's a well-known fact that many of the futurist poets, in all the nations, have gone mad, through trying to get too many battle noises into their heads at once. So they, at least, are silenced. I suppose they still write, in their asylums—in fact I've heard they do (my uncle is an asylum doctor)—but it gets no further....' He subsided into the Cambridge Magazine.

'Well, I'd rather have the futurists than the slops poured out by the people who unfortunately haven't brain enough even to go mad,' Nicholas grumbled. ('And anyhow, I don't believe in any of your uncles—you've too many.) The futurists at least were trying to keep close to facts, even if they couldn't digest them but brought them up with strident noises. But these imbeciles—the war seems to be a sort of tonic to their syrupy little souls; it's filled them up with vim and banal joy. Not that the rot that has always been rot particularly matters; it merely means that the people who used to express themselves in one inane way now choose another, no worse; but it's the silencing or the unmanning of the good people that matters. Here's Cathcart's new book. I've just read it. It's the work of a shaken, broken man. It's weak, irrational, drifting, with no constructive purpose, no coherence. You can almost hear the guns crashing into it as he tried to write, and the atrocity reports shrieking in his ears, and the poison gas stifling him, and the militarists and pacificists raving round him. His whole world's run off its rails and upset and broken to bits, and he can't put it right side up again; he's lost his faith in it. He can only fumble and stammer at it helplessly, weak and maundering and incoherent. He ought to be helping to build it up again, but he 's lost his constructive power. Hundreds of people have. Constructive force will be the one thing needed when the war is over; any one with a programme, and the brain and will to carry it out; but where's it to come from? Those who aren't killed or cut to bits will be too adrift and demoralised and dazed to do anything intelligent. We're fast losing even such mental coherence and concentration as we had. Look, for instance, at you two, while I'm talking (quite interestingly, too); are you listening? Certainly not. West is reading a Church newspaper, and Alix drawing cats on the margins of my proofs.... I'm not blaming you; you can't help it; you are mentally, and probably morally, shattered. I am too. People are more than ever like segregated imbeciles, each absorbed in his or her own ploy. Effects of the War on Human Intelligence: that shall be one of my series. I've spent an idiotic day. So have both of you, I should guess. Yet we all three have natural glimmerings of intelligence.'

'I've not spent an idiotic day,' said West placidly.

Nicholas looked at him sardonically. 'Well, let's hear about it.'

'By all means.' West drew a long breath and began, even faster than usual. 'I'll skip my before-breakfast proceedings, which you wouldn't understand. But they weren't in the least idiotic. After breakfast I spent an hour talking to a friend of mine on leave from France. The conversation was very interesting and instructive; for me, anyhow. We talked about how rotten the grub in the trenches is, how shameless the A.S.C. are, how unreliable time-fuse bombs, and so on. Then, since I am a parson, he kindly talked my shop for a change, and naturally very soon Jonah pushed his head in, and Noah, and a few more of the gentlemen who seem to keep the church doors shut against the British working-man. I kicked them outside the Church on to the dust-heap and left them there, I hope to his satisfaction, and came home and wrote a sermon advocating the disuse of the custom of perusing early Hebrew history or reading it in churches. It's quite a good sermon, as my sermons go. (By the way, that may, I'm hoping, be one of the Effects of the War on the Church. We've all of us become so anxious to bring the working-man into it—and it's very certain he won't come in with the Old Testament legends barring the way. I'll write that one of your series for you, if I may.) Well, then I had lunch with a lady who's interested in factory-girls' trade unions, and we discussed the ways and means of them. That was jolly useful.'

'He's one of the clergymen, you know,' Nicholas explained aside to Alix, 'who have been said by an eminent Dean to be tumbling over one another in their anxiety to become court chaplains to King Demos. He's hopelessly behind the times, of course, because Demos is in fetters now. West's an Edwardian churchman, though he fancies he is Neo-Post-Georgian.'

'Oh, I'm as early as you like,' West said amiably. 'Pre-Edwardian—Victorian—or even Pauline; I don't mind.... Well, then I attended a meeting of my parish branch of the U.D.C. The meeting was broken up by rioters. So I addressed them from a window on freedom of speech. My vicar came along as I was doing so, and came in and lectured me on taking part in political movements. So I stopped, and did some parish visiting instead, and had a good deal of interesting conversation, and incidentally was given very strong tea at three different houses. Then I came home and read the Church Times, the Challenge, and the Cambridge Magazine. All interesting in their way, and quite different. No, I know you don't like any of them. People write to the Challenge every week asking 'Are Christianity and War compatible?' and come to the conclusion that they are not, but that Christians may often have to fight. People write to the Church Times saying that they have found a clergyman who won't wear a chasuble, and what shall they do to him? People write to the Cambridge Magazine saying that every one over forty should be disenfranchised and interned, if not shot. Jolly good papers, all the same. How can they help being written to? None of us can. I get written to myself.... Well, next I'm going to church to read evensong, and for an hour after evensong—but you wouldn't understand about that. Anyhow, eventually I have supper with the vicar.' He ran down with a jerk, and turned to Alix, who had been following him with some interest. 'That's not an idiotic day; not from my point of view,' he informed her.

'Sounds all right,' she said. 'But it's not the sort of day Nicholas and I were brought up to understand, you know. We know nothing about the Church. From not going, I suppose.'

'You should go,' he assured her. 'You'd find it interesting.... Of course it's been largely a failure so far, and dull in lots of ways, because we've not yet fulfilled its original intention; it hasn't so far succeeded in preventing (though it's fought them and largely lessened them) any of the things it's out to prevent—commercialism and cant and cruelty and classes and lies and hate and war. It's got to break the world to bits and put it together again, and before it can do that it's got to break itself to bits and put itself together. It's got to become like dynamite, and blow up the rubbish—its own rubbish first, then the world's....' He consulted his wrist-watch, said, 'I must go,' shook hands with Alix, and went quickly, trim and alert and neat, to blow up the world.

'He talks too much,' said Nicholas, in his hearing. 'Who doesn't, in these days? I do myself. It's better than to talk too little. If we say a great deal, we may say a word of sense sometimes. If we say very little, the odds are that all we do say is rubbish, from lack of practice.' He yawned. 'You'd better stay to dinner. I've got Andreiovitch Romevsky coming, to meet Adolf Kopfer, our German friend, so talk on the European situation will be hampered and constrained.'

'Funny things he stands for,' Alix commented, still thinking of Mr. West. 'The Church.... I suppose it really is out to stop war.'

'Presumably. But, as its representatives say, its endeavours so far have been a frost. It's been as unsuccessful as the peace conferences mother attends. But apparently the members of both are obliged, by their faith, to be incurable optimists. West's always full of life and hope; nothing daunts him.'

'Funny,' Alix mused still. The thought glanced through her, 'Clergymen can't fight either, they're like me. Perhaps religion helps them to forget; takes their minds off. Like painting. Like Richmond Park and Tommy Ashe. Like wiggle-woggling. I wonder.'

On that wonder she left the Church, and said, 'Cousin Emily asked me to bring you back to supper with me. You'd meet the Vinneys, from the Nutshell, who are coming in afterwards, so we should be a nice party, she says. But Evie says you and the Vinneys wouldn't get on. I don't think Evie thinks you're fit for respectable society at all. So you'd better not come.'

'Shouldn't dream of it,' Nicholas grunted. 'Even if I hadn't got Russians and Germans coming here. You and your Violettes and your Nutshells! It beats me what you think you're up to there.'

Alix gave her faint, enigmatic smile. 'It's nice and peaceful,' she said. 'Like cotton-wool.... Well, good-night, Nicky. No, I won't stay to dinner, thanks. You can tackle your own awkward social situations for yourself. I'm for Violette.'

5

She limped down the wooden stairs, and the court was golden in the evening light, a haven beyond which the wild river of Fleet Street surged.

'Special. War Extra. British driven back....' The cries, the placards, were like lost ships tossed lightly on the top of wild waters. They would soon sink, if one did not listen or look....

CHAPTER VI

EVENING AT VIOLETTE

1

After supper Kate got out the good coffee cups, and they waited for the Vinneys. Kate was rather pink, and wore a severe blouse, in which she looked plain; it was a mortification she thought she ought to practise when the Vinneys came. Evie was skilfully altering a hat. Alix made a pen-and-ink sketch of her as she bent over it.

Mrs. Frampton knitted a sock. The Evening Thrill came in, and Kate opened it, for Mrs. Frampton liked to hear tit-bits of news while she worked.

'Stories impossible to doubt,' read Kate, in her prim, precise voice, 'reach us continually of atrocities practised by the enemy....' She read several, unsuitable for these pages. Mrs. Frampton clicked horror with her tongue. The papers she took in were rich in such stories. As it was impossible to doubt them, she did not try. Possibly they gave life a certain dreadful savour.

'To think of the march of civilisation, and this still going on,' Mrs. Frampton commented. 'I'm sure any one would think they'd be ashamed.'

Kate said, with playful acidity (Kate had reached what with many is a playful age), 'Thank you, Alix. Thank you ever so much, Alix, for getting between me and the lamp.'

Alix moved, her attempt foiled.

Kate read next the letter of a private soldier at the front. 'The Boches are all cowards. They can't stand against our boys. They fly like rabbits when we charge with the bayonet. You should hear them squeal, like so many pigs. There's not a German private in the army that wants to fight. The officers have to keep flogging them on the whole time.'

'Poor things, I'm sure one can't but be sorry for them,' said Mrs. Frampton. 'Knit two and make one, purl two, slip one, pass the slipped one over, drop four and knit six.' (Or anyhow, something of that sort, for she had got to the heel, as one unfortunately at last must.)

'It's wonderful how long the war goes on, since all the Germans are like that,' said Kate, without conscious irony, as she took up her own knitting. Hers was a body-belt. 'I believe this new wool is different from the last. Somewhat stringier, it seems. Brown will have to take it back, if it is.'

'I say, just fancy,' said Evie, 'those sequin tunics at B. & H.'s have come down to seven and eleven three. I think I could rise to that, even in war time.'

The war mainly affected Evie by reducing the demand for hats, and consequently lowering the salary she received at the exclusive and ladylike milliner's where she worked.

As she spoke she caught sight of her three-quarter likeness as etched by Alix.

'Goodness gracious,' she commented. 'You've made me look anything on earth! I mayn't be much, but I hope I'm not that sort of freak.'

'It's very good,' said Alix complacently. 'Rather particularly good. I shall take it to the School on Monday and show it to Mr. Bendish.'

'It may be good,' said Evie, 'since you say so. All I say is, it isn't me. It's more like some wild woman out of a caravan. Don't you go telling people it's me, or they'll be coming to shut me up. There's the bell; that's them.'

The Vinney party arrived. It consisted of Mr. Vincent Vinney, a bright young solicitor of twenty-eight; his lately acquired wife, a pretty girl who laughed when he was witty, which was often; his young brother Sidney, a stout, merry youth of nineteen, a bank clerk; and their cousin Miss Simon, the fat girl in the sailor blouse, which was, it seemed, her evening toilette also. (In case some should blame the Vinney brothers for not taking an active part in the war, it may be remarked that the elder supported a wife and the younger a mother, that they represented a class which, for several good reasons, produces fewer soldiers than any other, and that they both belonged to the Clerks' Drill Corps, and wore several flags on their bicycles. And young Mrs. Vinney belonged to a Voluntary Aid Detachment, not at present in working.)

They came in with the latest news. The British had been driven back out of a thousand yards of trench they had taken. They hadn't enough ammunition.

'Well,' said Mrs. Frampton, knitting, and really more interested in her heel than in the fortunes of war, 'it's all very dreadful to think of. But I suppose we must leave it in the hands of the Almighty, who always moves in a mysterious way.'

(Mrs. Frampton had been brought up evangelically, and so mentioned the Almighty more casually than Kate, who was High, thought fit.)

'Well, what I say is,' said young Mrs. Vinney, who was of a cheerful habit, 'it's not a bit of use being depressed by the news, because no one can ever tell if it's true or not. It's all from that Bureau, and we all know what they are. Why, they said there weren't any Russians in England, when every one knew there were crowds, and they always say the Zepp. raids don't do any damage to factories and arsenals, and every one knows they do. They don't seem to mind what they say.'

'Well, for my part,' Evie said, 'I don't see why we shouldn't all be as chirpy as we can. We can't help by being glum, can we?'

'That's just it,' said Mrs. Vinney. 'Now, there's the theatre. Of course, you know, Vin and I wouldn't go to anything really festive just now, like the Girl on the Garden Wall, but I'm not ashamed to say we did go to the Man Who Stayed Behind.'

'Why wouldn't you go to anything really festive?' Alix asked, curious as to the psychology of this position.

Mrs. Vinney looked round for sympathy.

'Why, what a question! It's not the moment, of course. One wouldn't like to. You wouldn't, would you?'

'Oh, me. I'd go to anything I thought would amuse me.'

'Well,' Mrs. Vinney decided, 'I suppose you and I aren't a bit alike. I just couldn't, and there it is. I dare say it's all my silliness. But with the men out there in such danger, and laying down their lives the way they're doing ... well, I couldn't sit and look at the Girl on the Garden Wall, not if I had a stall free. The way I see it is, the men are fighting for us women, and where should we be but for them, and the least we can do is not to forget all about them, seeing gay musical plays. The way I'm made, I suppose, and I don't pretend to judge for others.'

'It's all a question of taste and feeling,' Kate pronounced absently, more interested in a new stitch she was introducing into her body-belt.

The fat dark girl, Miss Simon, came in on the mention of women. It was her subject.

'Women's work in war time is every bit as important as men's, that's what I say; only they don't get the glory.'

Mrs. Vinney giggled and looked at the others.

'Now Rachel's off again. She's a caution when she gets on the woman question. She spent most of her time in Holloway in the old days, didn't you, dear?'

'She thinks she ought to have the vote,' Sid Vinney explained to Alix in a whisper. Alix, who had hitherto moved in circles where every one thought, as a matter of course, that they ought to have the vote, disappointed him by her lack of spontaneous mirth.

Miss Simon was inquiring, undeterred by these comments, 'Who keeps the country at home going while the men are at the war? Who brings up the families? Who nurses the soldiers? What do women get out of a war, ever?'

'The salvation of their country, Miss Simon,' said Mrs. Frampton, 'won for them by brave men.'

'After all,' said Sid, 'the women can't fight, you know. They can't fight for their country.'

Miss Simon regarded him with scorn.

'How much are you fighting for your country, I'd like to know?'

'One for you, Sid,' said Evie cheerily, ignoring Sid's aggrieved, 'Well, you know I can't leave mother.'

'And fighting isn't everything,' Miss Simon went on, 'and war time isn't everything. There's women's work in peace time. What about Octavia Wills that did so much for housing? Wasn't she helping her country? And, for war work, what price Florence Nightingale? What would the country have done without her, and what did she get out of all she did?'

Mrs. Frampton, who had not read the life of that strong-minded person, but cherished a mid-Victorian vision of a lady with a lamp, sounder in the heart than in the head, said, 'She kept her place as a woman, Miss Simon.'

Evie, who was not listening much, finding the subject tedious, put in vaguely, 'After all, when it comes to fighting, we are left in the lurch, aren't we?'

Sid said, 'Oh dear no, Miss Evie. What price Christabel and Co.? They ought to have had the iron cross all round, the militants ought. They did more to earn it than the Huns ever did.'

'Cheap sarcasm,' said Miss Simon, 'is no argument. And I don't blame any woman for using what means she's got. There are times when a woman's got to forget herself.'

Kate said, 'I don't think a woman's ever got to forget herself,' and there was a murmur of applause. Alix giggled. She wondered if social evenings at Violette were often like this.

'You don't understand,' said the round-faced girl helplessly. 'You may be all right, in your station of life, but you've got to look at other women's—the poor. We've got to do something about the poor. The vote would help us.'

'There have always,' said Mrs. Frampton, 'been the poor, and there always will be.'

'That's just why,' suggested Alix, momentarily joining in, 'it might be worth while to do something about them.' Miss Simon looked at her in sudden gratitude; she had a misplaced and soon-quenched hope that this seemingly indifferent and amused girl might prove an ally.

Kate said, placidly, 'Well, they say that if you were to take a lot of men and women and give them all the same money, they'd all be quite different again to-morrow....'

Mrs. Frampton added that she went by the Bible. 'The poor ye shall have always with you.'

'Mrs. Frampton, it doesn't say that. And even if it did—well, it's as Miss Sandomir says, it's all the more reason for thinking about them. Anyhow, you can't take the Bible that way; it's nothing to do with it.'

'It's the plain word of God, and that's sufficient for me,' said Mrs. Frampton repressively.

Vincent Vinney, tired of the poor, who are indeed exhausting, regarded in the mass as a subject for contemplation, brought the discussion back to women.

'What I'd like to know is, where is a woman to get her knowledge from, if she's to help in public affairs? A man can pick up things at his work and his club, but a woman working in the house all day has no time even to read the papers. And if she did, her husband wouldn't like her to start having opinions, perhaps different to his. There are far too many divorces and separations already because husbands and wives go different ways, and it would be worse than ever. Eh, Flossie?'

Mrs. Frampton said, 'We heard of a woman only last month who went out to a public meeting—something about foreign politics, I think it was—and her baby fell on to the fire and was burnt to a cinder, poor little love.'

'Well, she might just as likely have been going out shopping.'

'But she wasn't,' said Kate conclusively.

'I don't think,' said Mrs. Frampton, 'that a woman desires any more than her home and her husband and children, if she's a proper woman.'

Evie's contribution was, 'Well, I must say I do prefer men to girls, and I don't mind saying so.'

Sid's was, 'I heard of a man whose wife took to talking about politics, and he hung his coat to one peg in her wardrobe and his trousers to another, and he said, 'Now, Eliza, which will you wear?'

It was apparently the combination of this anecdote and Evie's remark before it that broke Miss Simon down. She suddenly collapsed into indignant tears. Every one was uncomfortable. Mrs. Frampton said kindly, 'Come, come, my dear, it's only talk. It isn't worth crying about, I'm sure, with so many real troubles in the world just now.'

'You won't see,' sobbed Miss Simon, who looked particularly plain when crying. 'You none of you see. Except her'—she indicated Alix—'and she won't talk; she only smiles to herself at all of us. You tell silly tales, and you say silly things, and you think you've scored—but you haven't. It isn't argument, that you like men more than women or women more than men. And that man married to Eliza was an idiot, and not a bit funny or clever, and you all think he scored over her.'

'Well, really,' said Sid, and grinned sheepishly at the others.

Kate had fetched a glass of water. 'Drink some,' she said kindly. 'It'll make you feel better.' But Miss Simon pushed it aside and mopped her eyes and blew her nose and pulled herself together.

2

'Fancy crying before every one,' thought Evie. 'And just from being in a passion about getting the worst of it in talk. She is a specimen.'

'The boys shouldn't draw Rachel on to make such a silly of herself,' thought young Mrs. Vinney.

'Poor girl, she must have been working too hard, she's quite hysterical,' thought Mrs. Frampton.

'Having her staying with them must draw Vin and Floss very close together,' thought Kate, who had loved Vin long before Floss met him.

'We shan't have any more fun out of this evening; we'll go home,' thought Vincent, and glanced at his wife.

'What a difference between one girl and another,' thought Sid, and gazed at Evie.

'I wonder if many people are like these,' thought Alix, speculating. Were discussions at Violette, discussions in all the thousands of Violettes, always like this? Not argument, not ideas, not facts. Merely statements, quotations rather, of hackneyed and outworn sentiments, prejudices second-hand, yet indomitable, unassailable, undying, and the relation of stories, without relevance or force, and (but this much more rarely, surely) a burst of bitterness and emotion to wind it all up. Curious. Rachel Simon, like the rest, was stupid and ignorant, her brain a chaos of half-assimilated, inaccurate facts (she said Wills when she meant Hill) and crude sentiments. She seemed to belong, oddly, to an outworn age (the late eighties, was it? Alix wasn't old enough to know). But Alix was sorry for her, remembering the look in her face when they had each in turn dealt her a finishing blow. Alix rather wished Evie hadn't made that idiotic remark about men and girls; wished Mrs. Frampton hadn't talked of proper women; wished Kate hadn't said 'But she wasn't'; even wished she herself had joined in a little. Only it was all too inane....

3

To change the subject Vincent Vinney said they had collared another German baker spy down in Camberwell.

'These bakers,' said Mrs. Frampton, 'do seem to be dreadful people. We've left off taking our Hovis loaf, since they found that wireless in Camberwell the other day.'

'You can't be too careful, can you?' said Mrs. Vinney. 'For my part I'd like to see every German in England shut up in gaol for a life-sentence. But we must be trotting, Mrs. Frampton, or we shall miss our beauty-sleep. Good-night; we've enjoyed the evening awfully. Oh, Evie, I've got those blouse patterns from Harrod's; can you come round to-morrow afternoon and help me choose? Come early and stay to tea. You too, Kate, won't you? You are a girl; you never come when I ask you.'

Kate looked uncomfortable, and helped Miss Simon (now composed, but looking plainer than ever with her red eyes and nose) into her coat. To see the Vinneys together by their own fire-side was rather more than Kate could bear, though she had a good deal of stolid outward endurance. Her hands shook as she handled the ugly green coat. She wanted to avoid shaking hands with the Vinneys, but she could not. The familiar physical thrill ran through her at Vincent's hearty clasp, and left her limp.

'I'm afraid it's commencing to rain,' said Kate.

'Good-night all,' said Mrs. Frampton. 'We've had quite a little discussion, haven't we? I'm sure one ought to talk things out sometimes, it improves the mind. Now I do hope you won't all get wet. You must take our umbrellas.'

CHAPTER VII

HOSPITAL

1

About a week later, Alix and Nonie Maclure went to see Basil Doye in hospital.

'Hate hospitals, don't you?' Nonie remarked, as they entered its precincts. 'I've a sister V.A.D.ing here—Peggy, you know her, she's having a three-months' course—but I've not been to see her yet. I can't remember her ward; it's a men's surgical, I think. We'll go and find her afterwards. I don't think she'll be able to stick her three months, because of her feet. They swell up so; they make the nurses stand all the time, you know, even when they're doing needlework and things. She says half the nurses in the hospital have foot and leg diseases. Silly, isn't it? The V.A.D.'s could sit down sometimes, but they don't like to when the regulars mayn't. They're unpopular enough as it is. Peggy asked the staff-nurse in her ward why all the nurses didn't combine and ask to have the standing-rule altered, but she only said you can't get hospital rules altered, they are like that. Nurses must be idiots....'

They crossed the court that led to the wing with the officers' wards. It was dotted with medical students.

'Rabbits,' Nonie considered them. 'All that are left of them, I suppose. Peggy says they're mostly rather rotters. They have a great time with the nurses. One of them tried to have a great time with Peggy the other day, but she wasn't having any.... The Royal Family wing we want, don't we? Darwin, Lister.... No, that must be men of science. I suppose that's ours, up those stairs.'

It was one of those hospitals in which the wards are named after persons socially or intellectually eminent. In the wing Nonie and Alix wanted the wards were entitled Victoria, Albert Edward, Alexandra, Princess Mary, George, and so forth. One, named doubtless in happier international times, was even called Wilhelm. Out of Wilhelm, as they passed its glass door, came four figures, white-clad from head to foot, wheeling a stretcher on which lay a round-faced little girl of sixteen, trying to smile.

'Going down to the theatre,' Nonie whispered. 'Rather shuddery, isn't it?'

2

They entered Albert Edward, which was a small ward of twelve beds, used just now for officers. It smelt of iodoform. Several of the beds had visitors round them. Some of the patients were in wheeled chairs, smoking. One, in bed, was singing, unintelligibly, in a high, shrill voice. At the table by the centre window two nurses stood, a probationer and a V.A.D., making swabs and talking. They looked tired, and were very young. The other two nurses, the staff-nurse and the super, were talking to two of the patients. They had learnt not to look so tired. Also perhaps the pleasant excitement of being in Albert Edward bore them up.

The staff-nurse said, 'Mr. Doye? That's his bed over there—nine. He's up in a chair this afternoon. He's in pretty bad pain most of the time. They may have to amputate, but the doctor hopes to manage without.'

Alix and Nonie went across the ward to nine, where Mr. Doye, in a brown dressing-gown, sat in a wheeled chair, smoking a cigarette and talking to the super, who was rather nice-looking and had auburn hair. In the next bed lay the singer, with fixed blue eyes and flushed cheeks and a capeline bandage round his head, carolling German songs in a high, monotonous voice.

'Quite delirious, poor thing,' the super explained to the visitors. 'His nerves are all to bits. He was a prisoner, till he got exchanged. And would you believe it, they'd never taken the shrapnel out of his head; he went under operation for it here last week.' She moved away, whispering first to Nonie behind the patient's back, 'He has to be kept pretty quiet, please; the pain gets bad on and off.'

'Hullo,' said Basil Doye, smiling at them. 'This is great.'

He had a soft, rather quick way of speaking; to-day he was huskier than usual, perhaps because he was ill. He was long and slim; he had used, in pre-war days, to lounge and slouch, but possibly did that no more. Anyhow to-day he merely lay limply in a chair, so they could not judge. His long pale face and flexible mouth and dark eyebrows were always moving and changing; so were his rather bright eyes, that kept shading and glinting from green to hazel. His forehead and rumpled hair were damp just now, either from the heat or from some other cause. His bandaged right hand was raised in a sling.

'You do look an old wreck,' said Nonie frankly. 'What did you go and do it for? A silly way of getting wounded, I call it, playing ball with bombs.'

'Rotten, wasn't it? But it would have played ball with me if I hadn't. It was bound to go off in a moment, you see, and I naturally tried to house it with the foe first; one often can. My mistake, I know. These little things will happen.... I say, you're the first people I've seen from the shop. How's it going? Who are the good people this year?'

They began to tell him. He listened, fidgeting, with restless eyes.

'Have a smoke?' he broke in. 'No, I suppose you mustn't here. Sorry; didn't mean to interrupt....'

They were talking about the exhibition in Grafton Street.

'I must get round there,' he said, 'when I'm not so tied by the leg.'

'How long will they keep you here, d'you imagine?'

'Haven't an earthly. They may be depriving me of a finger or two in a few days. Or not. They don't seem to know their own minds about it.'

'Good Lord!' murmured Nonie, taken aback. 'I say, don't let them. You—you'd miss them so.'

'Halli, hallo, halli, hallo!
Bei uns geht's immer so!'

shrilled number eight.

Doye moved impatiently. 'He ought to be taken away, poor beggar.... I loathe hospitals. People who are ill oughtn't to be with other people in the same miserable condition; it's too depressing. One wants the undamaged, as an antidote. That's why visitors are so jolly.' His restless eyes glanced at Nonie's dark, glowing brilliance in her yellow frock, and at Alix, pale and cool and thin in green.

'Above all,' he added, 'one wants sanity and normalness and cheeriness, not people with their nerves in rags, like that poor chap.'

Eight broke out again, half singing, half humming some students' chorus—

'Tra la la, in die Nacht Quartier!'

The auburn-haired nurse came and stood by him for a moment, quieting him.

'Come now, come now, you must be quiet, you know.'

'Rather a pleasant person, that nurse,' said Doye when she had gone. 'Jolly hair, hasn't she?... Alix,' he added, 'do you know, you don't look up to much. Is it overwork, or merely the air of London in June?'

'It's the air of hospitals, I expect,' Nonie answered for her. 'She turned white directly we got into the ward.'

'Beastly places,' Basil agreed.

Alix began to talk, rather fast. She told stories of the other people at the art school; Nonie joined in, and they made Basil laugh. He talked too, also fast. His unhurt hand drummed on the arm of his chair; his forehead grew damper, his eyes shifted about under his black brows. He talked nonsense, absurdly; they all did. They all laughed, but Basil laughed most; he laughed too much. He said it was a horrible bore out there; funny, of course, in parts, but for the most part irredeemably tedious. And no reason to think it would ever end, except by both sides just getting too tired of it to go on.... Idiotic business, chucking bombs over into trenches full of chaps you had no grudge against and who wished you no ill ... and they chucking bombs at you, much more idiotic still. The whole thing hopelessly silly....

'Heil'ge Nacht, Heil'ge Nacht,' trilled Eight, with a nightmare of Christmas on him.

'Oh, damn,' muttered Basil, and got scarlet and then white.

The staff-nurse came to them. She was not auburn-haired, but efficient and good-looking and dark, with a clear, sharp voice.

'I think your visitors had better go now, Mr. Doye.'

She made signs to them that he was in pain, which they knew before. They went; he joked as he said good-bye, and they joked back. As they left the ward, Eight's wild voice rose, in a sad air they knew:

'Mein Bi-er und Wei-ein ist fri-isch und klar;
Mein Töchterlein liegt auf der To-otenbahr....'

'Come now, come now,' admonished Staff.

3

On the stairs they met a tall woman with a long pale face and black hair, and eyes full of green light. She stopped and said to Alix, 'How do you do? Basil told me you were going to see him to-day, so I left you a little time. He mustn't have too many at once. He has a lot of pain, for so slight a thing.... I shall be glad when I can get him away for a change.'

Her eyes, looking at Alix's pale face, were kind and friendly. She liked Alix, who was Basil's friend and had stayed with them last summer in the country. She thought her clever and attractive, if selfish. She hurried on through the glass door into Albert Edward.

'Mrs. Doye, isn't it?' said Nonie. 'Must have been just like him twenty years ago.... I say, how sickening, isn't it, people getting smashed up like that. Poor old Basil. All on edge, I thought, didn't you? What rot he talked.... I say, if he loses those fingers it will be all U. P. with his career.... I don't expect he will.' She shot a glance at Alix, whom she suspected of feeling faint. 'Let's come and find Peggy. I haven't an earthly where her ward is. It's called after some man of science.' But there are so many of these, and all so much alike.

'If it was painters,' said Nonie presently, 'I might have remembered. Who are the men of science?'

'Darwin,' suggested Alix intelligently. 'Galileo. Sir Isaac Newton. Sir Oliver Lodge. Lots more.'

'Well, let's try this passage.'

They tried it. It led them on and on. It looked wrong, but might be right, in such a strange world as a hospital, where anything may be right or wrong and you never know till you try.

They saw at last ahead of them a closed door—not a glass door but a baize one. From behind it screaming came, wild, shrill, desperate, as if some one was being hurt to death.

'O Lord!' said Nonie, 'it's the theatre. Look, it's written on the door. Come away quick. There must be an operation on.'

Beyond the door there was a shuffling and scuffling; it was pushed open, and two figures muffled in white, like the stretcher-women, dragged out a Red Cross girl in a faint.

'Fetch her some water,' said one. 'Idiot, why didn't she come out before she went off? These Red Cross girls—All right, she 's coming round.... I say, you know, you mustn't do that again. People are supposed to come out of the theatre before they faint, not after. It's an awful crime.... Is it your first operation? Well, it was silly of them to send you down to such a bad one. I expect the screaming upset you. She didn't feel anything, you know.... Here, drink this. You're all right now, aren't you? I must get back. You'd better go up to your ward and ask your Sister if you can lie down for a bit.'

Alix and Nonie had retreated down the passage.

'What a place,' Alix was muttering savagely. 'Oh, what a place.'

They came out on a different staircase; fleeing down it they were in a corridor, long and unhappy and full of hurrying housesurgeons and nurses and patients' friends (for it was visiting-hour).

4

'Huxley,' said Nonie suddenly. 'That's the creature's name.... I say,' she accosted a fat little nurse with strings, 'where's Huxley, please?'

Huxley was far away. They reached it through many labyrinthine and sad ways. Through the glass door they saw a keen-faced doctor going from bed to bed with an attendant group of satellites—medical students, who laughed at intervals because he was witty, either about the case in hand or about some other amusing cases this one recalled to his memory, or at the foolish answers elicited from some student in response to questions. They were a cheery set, and this doctor was a wit. Every few minutes he washed his hands. The wardsister companioned him round, and by the window stood four nurses at attention—the staff-nurse, the probationer, and two V.A.D.'s with red crosses on their aprons. It was a men's surgical ward. It was long and light, and had twenty-one beds, and Cot. Cot was in the middle of the ward. He was three, and had peritonitis of the stomach, and he sat up on his pillow and wept, and wailed at intervals, 'Want to do 'ome. Want to do 'ome.'

'You're not the only one, sonny,' number three told him bitterly. 'We all want that.'

Twenty-one sad faces apathetically testified to his truthfulness. Twenty-one weary sick men, whose rest had been broken at dawn because the night-nurses had to wash them all before they went off duty, and that meant beginning at 3.30 or 4, stared with sad, hollow eyes, and wanted to go 'ome.

The doctor washed his hands for the last time and went, his satellites after him. The probationer respectfully opened the door for them. Nonie and Alix stood back out of the way as they passed, then Nonie's Peggy, who had seen them long since, came and fetched them in.

'I am glad to see you,' she said.

Nonie said, 'You look dead, my child,' and she returned, 'Oh, it's only the standing. We're all in the same box. She,' she indicated the probationer, 'fainted this morning. And the staff-nurse has the most awful varicose veins. I believe most nurses get them sooner or later. They ought to be let to sit down when they get a chance, for sewing and things, but hospital rules are made of wood and iron. The other Red Crosser and I do sometimes sit, when Sister's out of the ward, but it's rather bad form really, when the regulars mayn't. Funny places, hospitals.... I've been getting into rows this morning for not polishing the brights bright enough. Staff told me they had quite upset Sister. Sister's very easily upset, unfortunately. Staff's a jolly good sort, though.... But look here, you must go. It's time for tea-trays; I shall have to be busy. I'll come round to-night after I'm off, Nonie—if I can get so far. You've got to go now; Staff's looking at us.'

They went. Staff called wearily to Peggy, 'Go and help Nurse Baker with trays, will you, dear. And you might take Daddy Thirteen's basin away. He's done being sick for now, I dare say, and he's going to drop it on to the floor in a moment.'

Peggy hurried, but was too late. These things will happen sometimes....

5

'Hate hospitals, don't you?' said Nonie, as she had said when they entered. They were going out at the gates now. 'I suppose they have to be, though.'

'Suppose so,' Alix agreed listlessly.

Then with an effort she threw the hospital off.

'That's over, anyhow. I shan't go again. Let's come and do something awfully different now.'

They did.

6

When Alix got back to Violette, she was met in the little linoleumed hall by distress and pity, and Mrs. Frampton preparing to break something to her, with a kind, timid arm round her shoulders.

'Dearie, there was a telegram.... You were out, so we opened it.... Now you must be ever so brave.'

'No,' said Alix, rigid and leaning on her stick and whitely staring from narrowed eyes. 'No....'

'Oh, darling child, it's sad news.... I don't know how to tell you.... Dear, you must be brave....'

'Oh, do get on,' muttered Alix, rude and sick.

'Dearie,' Mrs. Frampton was crying into her handkerchief. 'Poor Paul ... your dear little brother ... dreadfully, badly wounded....'

'Dead,' Alix stated flatly, pulling away and leaning against the wall.

Violette was hot and smelt of food. Florence stumbled up the kitchen stairs with supper. From a long way off Mrs. Frampton sobbed, 'The Lord gave, and the Lord hath taken away.... It's the Almighty's will.... The poor dear boy has died doing his duty and serving his country ... a noble end, dearie ... not a wasted life....'

'Not a wasted....' Alix said it after her mechanically, as if it was a foreign language.

'He died a noble death,' said Mrs. Frampton, 'serving his country in her need.'

Alix was staring at her with blue eyes suddenly dark and distended. The horror rose and loomed over her, like a great wave towering, just going to break.

'But—but—but—' she stammered, and put out her hands, keeping it off—'But he hadn't lived yet....'

Then the wave broke, like a storm crashing on a ship at sea.

'It's a lie,' she screamed. 'Give me the telegram.... It's made up; it's a damnable lie. The War Office always tells them: every one knows it does....'

They gave it her, pitifully. She read it three times, and it always said the same thing. She looked up for some way of escape from it, but found none, only Violette, hot and smelling of supper, and Mrs. Frampton crying, and Kate with working face, and Evie sympathetic and moved in the background, and Florence compassionate with the supper tray, and a stuffed squirrel in a glass case on the hall table.

Alix shivered and shook as she stood, with passion and sickness and loss.

'But—but—' she began to stammer again, helplessly, like a bewildered child—'But he hadn't lived yet....'

Kate said gently, 'He has begun to live now, dear, for ever and ever.'

'World without end, amen,' added Mrs. Frampton, mopping her eyes.

Alix looked past them, at the stuffed squirrel.

'It's just some silly lie of course,' she said, indifferent and quiet, but still shaking. 'It will be taken back to-morrow.... I shall go to bed now.'

When Kate brought her up some supper on a tray, she found her lying on the floor, having abandoned the lie theory, having abandoned all theories and all words, except only, again and again, 'Paul ... Paul ... Paul....'

CHAPTER VIII

BASIL AT VIOLETTE

1

June went by, and the war went on, and the Russians were driven back in Galicia, and the Germans took Lemberg, and trenches were lost and won in France, and there was fighting round Ypres, and Basil Doye had the middle finger of his right hand cut off, and there was some glorious weather, and Zeppelin raids in the eastern counties, and it was warm and stuffy in London, and Mrs. Sandomir wrote to Alix from the United States that more than ever now, since their darling Paul was added to the toll of wasted lives, war must not occur again.

July went by, and the war went on, and trenches were lost and won, and there was fighting round Ypres, and a German success at Hooge, and the Russians were driven back in Galicia, and Basil Doye left hospital and went with his mother to Devonshire, and there were Zeppelin raids in the eastern counties, and the summer term at the art school ended, and Alix went away from Clapton to Wood End, and her mother wrote that American women were splendid to work with, and that it was supremely important that the States should remain neutral, and that there were many hitches in the way of arbitration, but some hope.

August went by, and the war went on, and Warsaw was taken, and the National Register, and trenches were lost and won, and there was fighting round Ypres, and a British success at Hooge and in Gallipoli, and Zeppelin raids on the eastern counties, and Nicholas and Alix went away together for a holiday to a village in Munster where the only newspaper which appeared with regularity was the Ballydehob Weekly Despatch, and Violette was shut up, and Mrs. Frampton stayed with Aunt Nellie and Kate and Evie with friends, and Mrs. Sandomir wrote from Sweden that the Swedes were promising but apathetic, and their government shy.

September went by, and the war went on, and the Russians rallied and retreated and rallied in Galicia, and a great allied advance in France began and ended, and the hospitals filled up, and there were Zeppelin raids on the eastern counties, and Mrs. Frampton and Kate and Evie came back to Violette, and the art school opened, and Alix came back to Violette, and the Doyes came back to town, and Mrs. Sandomir wrote from Sermaize-le-Bains, where she was staying a little while again with the Friends and helping to reconstruct, that it was striking how amenable to reason neutral and even belligerent governments were, if one talked to them reasonably. Even Ferdinand, though he had his faults....

October began, and the war went on, and Bulgaria massed on the Serbian frontier, and Russia sent her an ultimatum, and the Germans retook the Hohenzollern Redoubt, and the hospitals got fuller, and the curious affair of Salonika began, and Terry Orme came home on leave, and Basil Doye interviewed the Medical board, was told he could not rejoin yet, visited Cox's, and, coming out of it, met Alix going up to the Strand.

2

Alix saw him first; he looked listless and pale and bored and rather cross, as he had done last time she saw him, a week ago. Basil was finding life something of a bore just now, and small things jarred. It was a nuisance, since he was on this ridiculous fighting business, not to be allowed to go and fight. There might be something doing any moment out there, and he not in it. His hand was really nearly all right now. And anyhow, it wasn't much fun in town, as he couldn't paint, and nearly every one was away.

His eyes followed a girl who passed with her officer brother. He would have liked a healthy, pretty, jolly sort of girl like that to go about with ... some girl with poise, and tone, and sanity, and no nerves, who never bothered about the war or anything. A placid, indifferent, healthy sort of girl, with all her fingers on and nothing the matter anywhere. He was sick of hurt and damaged bodies and minds; his artistic instinct and his natural vitality craved, in reaction, for the beautiful and the whole and the healthy....

Looking up, he saw Alix standing at the corner of the Strand, leaning on her ivory-topped stick and looking at him. She looked pale and thin and frail and pretty in her blue coat and skirt and white collar. (The Sandomirs never wore mourning.) He went up to her, a smile lifting his brows.

'Good. I was just feeling bored. Let's come and have tea.'

Alix wasn't really altogether what he wanted. She was too nervy. Some nerve in him which had been badly jarred by the long ugliness of those months in France winced from contact with nervous people. Besides, he suspected her of feeling the same shrinking from him: she so hated the war and all its products. However, they had always amused each other; she was clever, and nice to look at; he remembered vaguely that he had been a little in love with her once, before the war. If the war hadn't come just then, he might have become a great deal in love with her. Before the war one had wanted a rather different sort of person, of course, from now; more of a companion, to discuss things with; more of a stimulant, perhaps, and less of a rest. He remembered that they had discussed painting a great deal; he didn't want to discuss painting now, since he had lost his finger. He didn't particularly want cleverness either, since trench life, with its battery on the brain of sounds and sights, had made him stupid....

However, he said, 'Let's come and have tea,' and she answered, 'Very well, let's,' and they turned into something in the Strand called the Petrograd Tea Rooms.

'I suppose one mustn't take milk in it here,' said Alix vaguely. She looked him over critically as they sat down, and said, 'You don't look much use yet.'

'So I am told. They say I shall probably have at least a month's more leave.... Well, I don't much care.... There's a rumour my battalion may be sent to Serbia soon. I met a man on leave to-day, and he says that's the latest canard. I rather hope it's true. It will be a change, anyhow, and there'll be something doing out there. Besides, we may as well see the world thoroughly on this show, while we are about it. We shall never have such a chance again, I suppose. It's like a Cook's tour gratis. France, Flanders, Egypt, Gallipoli, Serbia, Greece.... I may see them all yet. This war has its humours, I'll say that for it. A bizarre war indeed, as some titled lunatic woman driving a motor ambulance round Ypres kept remarking to us all. 'Dear me, what a very bizarre war!' It sounded as if she had experienced so many, and as if they were mostly so normal and conventional and flat.'

'Bizarre.' Alix turned the word over. 'Yes, I suppose that is really what it is.... It's the wrong shape; it fits in with nothing; it's mad.... My cousin Emily says it's a righteous war, though of course war is very wicked. Righteous of us and wicked of the Germans, I suppose she means. And Kate says it was sent us, for getting drunk and not going to church enough. I don't know how she knows. Do you meet people who talk like that?'

'I chiefly meet people who ask me why I'm not taking part in it. There was one to-day, in Trafalgar Square. She told me I ought to be in khaki. I said I supposed I ought, properly speaking, but that I was waiting to be fetched. She said it was young fellows like me who disgraced Britain before the eyes of Europe, and that I wouldn't like being fetched, because then I should have to wear C for Coward on my tunic. I said I should rather enjoy that, and we parted pleasantly.'

'The wide ones are two and eleven three, and the narrow ones one and nine. I like B. & H.'s better than Evans', myself.'

The voice was Evie's; she was entering the Petrograd Tea Rooms with young Mrs. Vinney. She saw Alix, nodded, and said 'Hullo.' It was Basil who made room for them at the table with him and Alix (the tea shop was crowded). He had met Evie once before.

'Oh, thanks muchly. Don't you mind?' Evie was apologetic, thinking two was company. Mrs. Vinney was introduced to Basil, settled herself in her dainty fluffiness, emphasised by her feather boa, and ordered crumpets for herself and Evie.

'Quite a nice little place, don't you think so, Miss Sandomir? More recherché than an A.B.C. or one of those. I often come here.... What's that boy shouting? The Germans take something or other redoubt.... Fancy! How it does go on, doesn't it?'

Alix said it did.

'Quite makes one feel,' said Mrs. Vinney, 'that one oughtn't to be sitting snug and comfortable having crumpets, doesn't it? You know what I mean; it's just a feeling one has, no sense in it. One oughtn't to give in to it, I don't think; Vin says so too. What's the use, he says, of brooding, when it helps nobody, and what we've got to do is to keep cheery at home and keep things going. I must say I quite agree with him.'

'Rather, so do I,' said Basil.

'But of course it all makes one think, doesn't it?' she resumed. 'Makes life seem more solemn—do you know what I mean? And all the poor young fellows who never come home again. I'm thankful none of my people or close friends are gone. Mother simply wouldn't let my brother go; she says we've always been a peace-loving family and she's not going to renounce her principles now. Percy doesn't really want to; it was only a passing fancy because some friends of his went. Vin says, leave war to those that want war; he doesn't, and he's not going to mix up in it, and I must say I think he's right.'

'Quite,' agreed Basil.

'All this waste of life and money just because the Germans want a war! Why should we pander to them, that's what he says. Let them want. He's no Prussian Junker, shouting out for blood. There's too many of them in this country, he says, and that's what makes war possible. He's all for disarmament, you know, and I must say I think he's right. If no one had any guns or ships, no one could fight, could they?'

Evie agreed that they couldn't, forgetting knives and fists and printed words and naked savages and all the gunless hosts of the ancient world. Violette thought always gaped with these large omissions; it was like a loose piece of knitting, stretched to cover spaces too large for it and yawning into holes.

'Mr. Doye's been fighting, you know,' Evie explained, since Mrs. Vinney was obviously taking him for one who left war to those that wanted war. 'He's wounded.'

'Oh, is that so?' Mrs. Vinney regarded Mr. Doye with new interest. 'Well, I must say one can't help admiring the men that go and fight for their country, though one should allow liberty to all.... I hope you're going on favourably, Mr. Doye.'

'Very, thanks very much.'

'Well, we must be trotting, Evie, if we're going to Oxford Street before we go home.... Check, if you please.... They're always so slow, aren't they, at these places. Good-bye, Miss Sandomir; good-bye, Mr. Doye, and I'm sure I hope you'll get quite all right soon.'

Basil stood aside to let them out, and looked after them for a moment as they went.

3

He sat down with a grin.

'Makes life more solemn—do you know what I mean?... What a cheery little specimen.... I say, I'd like to draw Miss Tucker; such good face-lines. That clear chin, and the nice wide space between the eyes.' He drew it on the tablecloth with his left hand and the handle of his teaspoon.

'She's ripping to draw,' Alix agreed. 'I often do her. And the colour's gorgeous, too—that pink on brown. I've never got it right yet.'

'I should think she's fun to live with,' suggested Basil. 'She looks as if she enjoyed things so much.'

'Yes, she has a pretty good time as a rule.'

'You know,' said Basil, thinking it out, 'being out there, and seeing people smashed to bits all about the place, and getting smashed oneself, makes one long for people like that, sane and healthy and with nothing the matter with their bodies or minds. It gets to seem about the only thing that matters, after a time.'

'I suppose it would.'

'Now a person like that, who looks like some sort of wood goddess—(I'd awfully like to paint her as a dryad)—and looks as if she'd never had a day's illness or a bad night in her life, is so—so restful. So alive and yet so calm. No nerves anywhere, I should think.... Being out there plays the dickens with people's nerves, you know. Not every one's, of course; there are plenty of cheery souls who come through unmoved; but you'd be surprised at the jolly, self-possessed sportsmen who go to pieces more or less—all degrees of it, of course. Some don't know it themselves; you can often only see it by the way their eyes look at you while they're talking, or the way their hand twitches when they light their cigarette....' Alix remembered John Orme's eyes and hands. 'They dream a bit, too,' Basil went on, and his own eyes were fixed and queer as he talked, and his brows twitched a little. 'Talk in their sleep, you know, or walk.... It's funny.... I've censored letters which end "Hope this finds you the same as it leaves me, i.e. in the pink," from chaps who have to be watched lest they put a bullet into themselves from sheer nerves. You'll see a man shouting and laughing at a sing-song, then sitting and crying by himself afterwards.... Oh, those are extreme cases, of course, but lots are touched one way or another.... I'm sorry for the next generation; they'll stand a chance of being a precious neurotic lot, the children of the fighting men.... It's up to every one at home to keep as sane and unnervy as they can manage, I fancy, or the whole world may become a lunatic asylum.... I say, what are you going to do now?'

'Buy some chalks. Then go home.'

'Violette? I'll see you home, may I?'

4

They went to the chalk shop, then to the Clapton bus. The evening wind was like cool hands stroking their faces. It was half-past six. The streets were barbarically dark.

'One would think,' said Basil, peering through the darkness at the ugliness, 'that in Kingsland Road Zepps might be allowed to do their worst.'

'On Spring Hill too, perhaps,' Alix said. Slums and the screaming of the disreputable poor: villas and the precise speech and incomparably muddled thinking of the respectable genteel: which could best be spared?

But Basil said, 'Oh, Spring Hill. Spring Hill is full of joy and dryads.'

'Kate is afraid a very common type of person is coming to live there. We're getting nervous about it at Violette. We're very particular, you know.'

Alix, with the instinct of a cad, was laughing at Violette, wanting him to laugh with her.

'Sure to be,' he returned; and Alix realised blankly that he might laugh at Violette to her heart's content and his attitude towards dryads and Evie Tucker's face-lines would remain unaltered by his mockery.

With a revulsion towards breeding, she said, 'They're most awfully kind.... Here's where I get off.'

He got off too, and they walked down Upper Clapton Road.

5

Some one came behind them, walking quickly, came up with them, slowed, and looked.

'Here we are again,' said Evie, in her clear gay voice. 'You're coming in to see us, Mr. Doye, I hope?'

Basil glanced from Alix to Evie. They were passing under a dim lamp, which for a moment threw Evie's startling prettiness in lit relief against the night. Extreme prettiness is not such a common thing that one can afford to miss chances of beholding it.

Basil said, 'Well, may I?'

Evie returned, 'Rather. Stop to supper.'

'I can't do that, thanks very much. But I'll come in for a moment, if I may.'

As they entered Violette's tiny hall, the clock struck seven. They went into the drawing-room, where Mrs. Frampton and Kate sat knitting. It was stiff and prim and tidy, and rather stuffy, and watched from the wall by the monstrous Eye.

'Here's Mr. Doye, mother,' said Evie. 'He saw Alix home.'

Mr. Doye was introduced to Kate. Mrs. Frampton said how kind it was of him to see Alix home.

'Particularly with the streets black like they are now. Have we a right to expect to be preserved if we go against all common-sense like that?'

'I never do,' said Basil, meaning he never expected to be preserved, but Mrs. Frampton took it that he never went against common-sense.

'Well, I'm sure I go out after dark as little as I can; but the girls have to, coming back from work, and it makes me worry for them.... Now you sit in that easy-chair, Mr. Doye, and make yourself comfortable, and rest your hand. It's going on well, I hope? You'll stop and have some supper, of course? We have it at half-past seven, so it won't keep you long.'

Basil said he wouldn't, because he was dining somewhere at eight.

They talked of the news. Mrs. Frampton said it seemed to get worse each day. She had been reading in the paper that Bulgaria was just coming in. Was that really so? Mrs. Frampton was of those who inquire of their male acquaintances and relatives on these and kindred subjects, and believe the answers, more particularly when the males are soldiers. Basil Doye, used to his mother, who told him things and never believed a word he said, because, as she remarked, he was so much younger, found this gratifying, and said it was really so. Mrs. Frampton said dear me, it seemed as if all the world would have to come in in time, and what about poor Serbia, could she be saved? Basil, wanting to leave the state of Europe and ask Evie if she had seen any plays lately, said casually that Serbia certainly seemed to stand a pretty good chance of being done in.

'And then, I suppose,' said Mrs. Frampton, 'we shall have the poor Serbian refugees fleeing to us for safety, like the Belgians. I'm sure we shall all welcome them, the poor mothers with their little children. But it will be awkward to know where to put them or what to do with them. They've got those two houses at the corner of the Common full of Belgians now. I wonder if the Belgians and the Serbs would get on well together in the same houses. They say the poor Serbs are very wild people indeed, with such strange habits. Do you think we shall all be asked to take them as servants?'

'Sure to be,' said Basil, his eyes on Evie. Evie sat doing nothing at all, healthy, lovely, amused, splendidly alive. The vigorous young bodily life of her called to Basil's own, re-animating it. Alix sat by her, all alive too, but weak-bodied, lame, frail-nerved, with no balance. Kate knitted, and was different.

'It will be quite a problem, won't it?' said Mrs. Frampton. 'My maid tells me girls can't get enough places now, people all take Belgians instead.'

'They say the Belgian girls make very rough servants. We know those who have them,' said Kate, who had the Violette knack of switching off from the general to the personal. To Violette there were no labour problems, only good servants and bad, no Belgian or Balkan problem, only individual Belgians and Serbs (poor things, with their little children and strange habits). They had the personal touch, which makes England what it is.

Mrs. Frampton wanted to know next, 'And I suppose we shall be having conscription very soon now, Mr. Doye, shall we?'

'Lord Northcliffe says so, doesn't he?' Basil returned absently.

Mrs. Frampton accepted that.

'Well! I suppose it has to be. It seems hard on the poor mothers of only sons, and on the poor wives too. But if it will help us to win the war, we mustn't grudge them, must we? I suppose it will help us to victory, won't it?'

'Lord Northcliffe says that too, I understand.... What do you think, Miss Tucker?' He turned to Evie, to hear her speak.

She said, 'Oh, don't ask me. I don't know. Don't suppose it will make much difference. Things don't, do they?'

Basil chuckled. 'Precious little, as a rule.... So that settles that.' He caught sight of the clock and got up.

'I say, I'm afraid I've got to go at once. I shall be awfully late and rude. I often am, since I joined the army. I was a punctual person once. The war is very bad for manners and morals, have you discovered, Mrs. Frampton?'

'Oh well,' Mrs. Frampton spoke condoningly, 'I'm sure we must all hope it won't last much longer. How long will it be, Mr. Doye, can you tell us that?'

'Seven years,' said Mr. Doye. 'Till October 1922, you know. Yes, awful, isn't it? I'm frightfully sorry I had to tell you. Good-bye, Mrs. Frampton.' He shook hands with them all; his eyes lingered, bright and smiling, on Evie, as if they found her a pleasant sight. In Alix that look seemed to stab and twist, like a turning sword. Perhaps that was what men felt when a bayonet got them.... The odd thing in the psychology of it was that she had never known before that she was a jealous person; she had always, like so many others, assumed she wasn't. Certainly Evie's beauty had been to her till now pure joy.

As she went to the door with Basil, he said, 'I say, I wish you and your cousin would come into the country one Sunday. We might make up a small party. Your cousin looks as if she would rather like walking.'

'She's rather past it, I'm afraid,' said Alix, and added, in answer to his stare, 'Cousin Emily, you mean, don't you? The Tuckers aren't my cousins, you know. And she's only a dead cousin's wife. The Tuckers aren't even that.'

'No, hardly that, I suppose. Well, ask Miss Tucker if she'd care to come, will you? I should think she'd be rather a good country person. We might go next Sunday, if it's fine.'

Alix did not remark that Kate was not a particularly good country person. She merely said, 'All right.... Mind the step at the gate.... Good-night,' and shut the door.

6

She stood for a moment listening to the tread of his feet along the asphalt pavement, then sat down on the umbrella stand thoughtfully.

For a moment it came to her that among the many things the war had taken from her (Paul, Basil, sleep at nights) were two that mattered just now particularly—good breeding, and self-control. She knew she might feel and behave like a cad, and also that she might cry. It was the second of these that she least wanted to do. She had to be very gay and bright.... For a moment her fingers were pressed against her eyelids. When she took them away she saw balls of fire dancing all over the hall and up the stairs.

'I shall ask Kate,' she said.

Florence came up the kitchen stairs with food. Kate came out of the sitting-room to help her set the table. Alix said, 'Let me help, Kate,' and began to bustle about the dining-room.

'You're giving mother Evie's serviette,' said Kate, who probably thought this outburst of helpfulness more surprising than useful.

'By the way, Kate,' said Alix suddenly, giving Mrs. Frampton Kate's serviette instead, 'I suppose you wouldn't care to come for a long walk in the country on Sunday? I'm going with Basil Doye and some other people, and he asked me to ask you.'

Kate looked repressive.

'Considering my class, and church, and that I never take train on Sunday, it's so likely, isn't it?... And I rather wonder you like to go these Sunday outings, Alix. Don't you think it's nice to keep one day quiet, not to speak of higher things, with all the rushing about you do during the week?'

Kate felt it her duty to say these things sometimes to Alix, who had not been well brought up.

'It might be nice,' returned Alix, absently juggling with napkins. 'But it's difficult, rather.... I say, I believe I've got these wrong still.... I must go and change now.'

She found Evie changing already, cool, clear-skinned, cheerful, humming a tune.

It was difficult to speak to Evie, but Alix did it. She even hooked her up behind. She saw Evie's reflection in the glass, pretty and brown. She tried not to think that Evie was gayer than usual, and knew she was. She changed her own dress, and talked fast. She saw her face in the glass; it was flushed and feverish.

7

They went down to supper. There was cold brawn, and custard, and stewed apple, and cheese, and what Violette called preserve. An excellent meal, but one in which Alix found no joy. She wanted something warming.

'It was a pity Mr. Doye wasn't able to stay,' said Mrs. Frampton. 'He's quite full of fun, isn't he?'

'Talks a lot of nonsense, I think,' said Evie.

'The brawn would hardly have been sufficient,' said Kate, meaning if Mr. Doye had been able to stay.

'A little custard, love?' Mrs. Frampton said to Alix. 'Why, you don't look well, Alix. You look as if you had quite a temperature. I hope you've not a chill beginning. These east winds are so searching and your necks are so low. You'd better go to bed early, dear, and Florence shall make you some hot currant tea.'

'Florence says,' said Kate, reminded of that, 'that those people at Primmerose have lost their third girl this month. The girls simply won't stay, and Florence says she doesn't blame them. They're dreadfully common people, I'm afraid, those Primmerose people. There are some funny stories going round about them, only of course one can't encourage Florence to talk. I believe the amount of wine and spirits they take in is something dreadful. In wartime, too. It does seem sad, doesn't it? You'd think people might restrain themselves just now, but some seem never to think of that. Mr. Alison says all this luxury and intemperance is quite shameful. He preached on it on Sunday night. His idea is that the war was sent us as a judgment, for all our wicked luxury and vice, and it will never cease till we are converted, Lord Derby or no Lord Derby, conscription or no conscription. He says all that is just a question of detail and method, but the only way to stop the war is a change of life. He was very forcible, I thought.'

'Perhaps,' said Mrs. Frampton, 'that's what Mr. Doye meant when he said, didn't he, how all these measures, conscription and so on, don't make so much difference after all. No, it was Evie said it, wasn't it? and Mr. Doye agreed and seemed quite pleased with her, I thought. Perhaps he meant the same as Mr. Alison, about a change of life. I expect he's very good himself, isn't he, Alix?'

Evie, to whom goodness meant dullness, said, 'I bet he isn't. Is he, Al?'

'I don't know,' said Alix. 'You'd better ask him.'

She added after a moment, 'I'll ask him for you on Sunday, if you like. We're going out somewhere, if it's fine.'

'It was very kind of him to ask me too,' said Kate. 'You must explain to him how it is I can't, with its being Sunday.'

Across the table Alix's eyes met Evie's, suddenly widened in guileless, surprised mirth, with a touch of chagrin.

Evie said, 'Why, whatever did he ask Kate for? He might have known she wouldn't.... Men are ...'

'You're not coming, you're not coming, you're not coming,' said Alix within herself, breathing fast and clenching her napkin tight in her two hands and staring across the table defensively out of narrowed eyes.

So they left it at that.

8

But in the night Evie won. One may begin these things, if sufficiently unhinged and demoralised by private emotions and public events, but one cannot always keep them up.

The policeman paced up and down, up and down Spring Hill, the rain dripped, the gutters gurgled, Evie breathed softly, asleep, the dark night peered through waving curtains, Alix turned her pillow over and over and cursed.

'I suppose,' she said at last, at 2 a.m., 'she's got to come....'

At 2.30 she said, 'It will be a beastly day,' and sighed crossly and began to go to sleep.

9

At half-past seven, while Evie did her hair, Alix said, on a weary yawn, 'I say, you'd better come out with us on Sunday, as Kate won't.'

Evie, with hairpins in her mouth, said, 'Me? Oh, all right, I don't mind. Will it amuse me? What's the game?'

'Oh, nothing especial. Just a day in the country. No, I shouldn't think it would amuse you much, especially as you won't know hardly any of the people. But come if you like.'

'You're awfully encouraging.' Evie considered it, and pinned her hair up. 'Oh, I expect I may as well come. It will be cheerier than stopping at home. And I rather like meeting new people.... All right, I'm on. Gracious, there's the bell. You'll be late, child. If they're half as particular at your shop as they are at mine, you must get into a lot of rows.'

So that was settled.

CHAPTER IX

SUNDAY IN THE COUNTRY

1

Sunday morning was quiet and misty, and Clapton was full of bells. At Violette on Sundays each person led a different life. Kate, who attended St. Austin's church, went to early Mass at eight, sung Mass for children at 9.45, Sunday-school at 10.30, matins (said hastily) at 11, High Mass (sung slowly) at 11.30, children's catechising at 3, and evensong at 7.

Mrs. Frampton went to a quite different church, to 11 o'clock matins, and once a month (the first Sunday) did what was called in that church 'staying on.' She often went again in the evening.

Evie often accompanied her mother, and found, as many have, that after church is a good time and place for the gathering together of friends.

Alix did not attend church, not having been brought up to do so. She often went off somewhere on Sunday with friends, as to-day.

Mrs. Frampton said at breakfast, 'Take warm coats, dears; it's quite a fog, and your cough sounds nasty, Alix love. And don't leave your umbrellas; it might very well turn to rain.'

'It's quite cold enough for furs, I think,' said Evie, pleased, because her furs became her.

Through a pale blurred morning Alix and Evie travelled by bus and metropolitan to Victoria. Evie, lithe and fawn-like in dark brown, with her wide, far-set, haunting eyes and sudden dimples, was a vivid note in the blurred world; any one must be glad of her. Evie needed not to say words of salt or savour; her natural high spirits and young buoyancy were lifted from the commonplace to the charming by her face and smile. Alix by Evie's side was pale and elusive and dim; her only note of colour was the dark, shadowed blue of her black-lashed eyes. She coughed, and her throat was sore. She talked, and made Evie laugh.

2

They entered Victoria Station at 10.29. Waiting in the booking-hall were their friends: Basil Doye, a married young man and young woman of prepossessing exterior, two or three others of both sexes, and Terry Orme with a friend, both on a week's leave. Terry was spending the week-end in town, with another subaltern, and was joining in the expedition at Alix's suggestion. Alix was fond of Terry, who was John's younger brother, and a fair, serene, sweet-tempered, mathematical, very musical person of nineteen. He seemed one of those who, as Basil Doye had put it, come through the war unmoved. His smile was sweet and infectious, and he was restful and full of joy, and could consume more chocolates at a sitting than any one else (of over fifteen) that he knew.

His friend was a cheery, sunburnt youth called Ingram, who had got the D.C.M.

Terry said, 'Hullo, Alix, how are you?' and had the gift of showing, without demonstration, that he knew things were rotten for her, because of Paul. He was a sympathetic boy, and tender-hearted, and thought Alix looked in poor case; quite different from his own vigorous and cheerful and busy sisters at Wood End. But then of course he and John hadn't been killed, and Paul had. It was frightfully rough luck on Alix. Terry was inclined to think that people out there had much the best of it, on the whole, beastly as it often was, and interrupting to the things that really mattered, such as music, and Cambridge.

Evie was introduced to every one, and they all had a friendly and pleased look at so much grace and vividness.

In the train they filled a compartment. Alix sat between Terry and the married young man, who was something in a government office. Opposite were Evie and Basil and the married young woman, who had lovely furs and a spoilt, charming face, and was selfish about the foot-warmer.

In the train they read a newspaper. Evie got the impression from their manner of reading it that they all knew beforehand what the news was, and a good deal more than was in the paper too; perhaps this impression was produced merely by nobody's saying 'Fancy,' as they did at Violette. From their style of comment Evie was inclined to gather that some of them had helped to write the paper and that others were acquainted with the unwritten facts behind and so different from the printed words; perhaps it was merely that they had studied last night's late editions, or perhaps some were journalists, others makers of history, others gifted with invention. Anyhow they seemed to think they knew as much as, or a good deal more than, the paper did. Even the married young woman stopped for a moment being sleepy and sulky about the cold to contribute something she had heard from a Foreign Office man at dinner.

'He was pulling your leg,' her husband said. 'Linsey always does; he thinks it's funny.'

Evie thought him and his high sweet voice conceited.

Alix, looking at Evie opposite, speculated amusedly for a moment where Evie came in: Evie, who knew and cared for no news and had heard nothing from people behind the scenes, and hadn't even had her leg pulled by Foreign Office men. Well, Evie, of course, came in on her face. It was jolly to have a face like that, to cover all vacancies within. Evie sat there, understanding little, yet people spoke to her merely to discover what, with that face, she would say. And what she said pleased and amused merely by reason of its grace of setting.

Evie shivered, and Basil asked if she would like the window up.

'Well, it is cold,' said Evie, and he leaned across and pulled it up, asking no one else.

'Thanks so much,' said Evie, taking it prettily to herself. Her face and eyes were brilliant above her furs. Basil, with an artist's pleasure, took in her beauty; Alix felt him doing it. Yes, Evie came in all right.

They got out at some station. The air was like damp blankets, thick and pale and chill. There was no joy in it; dead wet leaves floated earthwards, unhappy like tears. They started walking somewhere. Alix leaned on her stick. She could walk all right, but she limped. She might soon tire, but she wasn't going to say so. They walked uphill, on a forlorn, muddy road. They walked in groups of two or three, changing and mixing and dividing as they went. They talked....

3

Basil for a minute was beside Alix. He said, 'I say, will this be too much for you? Do say if you get tired, and we'll stop and rest.'

Alix hated him because she was lame and he hated lameness and loved wholeness and strength.

She said, 'No thanks, I'm all right,' and had no more to say at the moment. His eyes were on Evie's back, where she walked ahead with Maynard, the married man. He thought she walked like Diana, straight and free, with a swing.

Alix turned to speak to Terry, who was just behind with his friend Ingram. He came abreast of her, answering. Basil caught up the two in front.

'You look pretty fit, Terry,' said Alix.

'Oh, I'm in the pink.' His fair, unbrowned face was serene and smiling. His far-set blue eyes were not nervous, only watchful, and seemed to see a long way. He hadn't got Basil's or John's quick, jerky, restless movements of the hands. He looked as if the war had more let him alone, left him detached, unconsumed. Perhaps it was because he was a musician; perhaps because he was naturally of a serene spirit; perhaps because he was so young.

'Have a choc,' said Terry, and produced a box of them from the pocket of his Burberry.

Alix had one.

'How are they all at Wood End?' she asked.

'They too appear to be in the pink. They haven't much time to spare for me, though, they're so marvellously busy. Mother always was, of course; but Margot and Dorothy are at it all day too now. I wonder what they'll do with it when the war's over, all this energy. Mother says the war has been good for them; made them more industrious, I suppose. It's a funny thought, that the war can have been good for any one; I can't quite swallow it. I don't think a thing bad in itself can be good for people, do you? It's very bad for me; it's spoiling my ear; the noise, you know; guns and shells and gramophones and so on.... By the way, I wish you'd come and hear Lovinski with me on Monday night, it's a jolly programme.'

'All right,' said Alix, who found Terry restful.

She talked to Terry, and saw Evie and Basil walking in front, side by side, laughing, Evie's joyous, young smile answering that other quick, amused, friendly smile that she knew.

4

'You are all funny,' said Evie to Basil.

'No?'

'Oh, you are. You do talk so.... About such mad things.'

'Do we? What do you talk about at home?'

Evie tried to consider.

'Don't know, I'm sure. Oh, just things that happen, I suppose; and mother and Kate talk about servants and household things, and we all talk about the people we know, and what they've done and said. But you ... you all talk about....'

'About the people we don't know, and what they've done and said. Is that it?'

'Perhaps. And public things, out of the papers, and what's going to happen, and why, and pictures, and ... nonsense.... Oh, I don't know.... And you find such queer things funny.... Anyhow, you all talk, even if it's only nonsense most of the time.... And the girls and the men talk just the same way. That's funny. Alix is the same. She's the queerest kid; makes me scream with laughter often. She's a pet, though.'

'She is,' said Basil. 'But what people say—the way they talk—makes extraordinarily little difference, you know. It's what they are.... The funny thing is, I didn't know that, not so clearly, at least, till I'd been out at the war. A thing like a war seems to settle values, somehow—shows one what matters and what doesn't; shovels away the cant and leaves one with the essentials....' ('Oh dear me,' said Evie.) 'Sorry; I'm talking rot. What I mean is, isn't it a jolly day and jolly country, and don't you love walking and getting warm?... I suppose you chose your hat to match your face, didn't you?—pink on brown. Don't apologise: I like it. Yes, the hat too, of course, but I didn't mean that.'

'Well, really!' said Evie.

5

They stopped at an inn for lunch. They crowded round a fire and got warm. They had hot things to eat and drink. They laughed and talked. Outside the wet leaves blew about. Alix's leg ached. Maynard, who talked too much and about the wrong things, persisted in talking about the psychological and social effects of the war. An uncertain subject, and sad, too; but probably he was writing an article about it somewhere; it was the sort of thing Maynard did, in his spare time.

'It's an interesting intellectual phenomenon,' he was saying. 'So many of the intelligent people in all the nations reduced largely to emotional pulp—sunk in blithering jingoism, like a school treat or a mothers' meeting.'

His wife, who had been a bored vicar's daughter before her marriage, and knew, said sleepily, 'Mothers' meetings aren't a bit like that. You don't know anything about them. They mostly don't think anything about jingoism or the war, except that they hope their boys won't go, and that the Keyser must be an 'ard-'earted man. That's not blithering jingoism, it's common sense.'

Ingram, the cheerful young subaltern, said boldly, 'I think jingoism is an under-rated virtue. There's a lot to be said for it. It makes recruits, anyhow. As long as people don't talk jingo, I think it's a jolly useful thing.'

'It's turning some of our best professional cynics into primitive sentimentalists, anyhow,' said Maynard, thinking out his article. 'It's making Europe simple, sensuous and passionate. As evidenced by the war-poetry that was poured forth in 1914. (That flood seems a little spent now; I suppose we're all getting too tired of the war even to write verse about it.) ... As evidenced also by the Hymn of Hate and the Deptford riots and other exhibitions of primitive emotion. The question is, is all this emotion going to last, and to be poured out on other things after the war, or shall we be too tired to feel anything at all, or will there be a reaction to dryness and cynicism? People, for instance, have learnt more or less to give their money away: will they go on giving it, or shall we afterwards be closer-fisted than before?'

'O Lord!' said Basil, 'we shall have nothing left to give. Not even munition-makers will, if it's true that the income-tax is going to be quadrupled next year. It's about five bob now, isn't it? Give, indeed!'

'People,' continued Maynard, still on his own train of thought, 'may be divided, as regards the ultimate effects on them of any movement, into two sections—those who respond to the movement and join in all its works and are propelled along in a certain direction by it and continue to be so; and those who, either early or late, react against it, and are propelled in the opposite direction. Every movement has got its reaction tucked away inside it; and the more violent the movement, the more violent the possible reaction. The reactionary forces that come into play during and after war are quite incalculable. Goodness only knows where they'll land us ... whether they'll prevail over the responding forces or not. For instance, shall we be left a socialistic, centralised, autocratically governed, pre-Magna-Carta state, bound hand and foot by the Defence of the Realm Act, with all businesses state-controlled and all persons subject to imprisonment and sudden death without trial by jury, or will there be a tremendous reaction towards liberal individualism and laissez-faire? Who knows? None of us.... What do you think about it all, Miss Tucker?' He addressed Evie, to tease her, and make her say something in that fresh, buoyant voice of hers.

She did. She said, 'I'm sure I don't know anything about it. I can't see that the war makes such a lot of difference, to ordinary people. One seems to go on much the same from day to day, doesn't one?'

'I'm not at all sure,' said Basil, suddenly interested, 'that Miss Tucker hasn't got hold of the crux of the whole matter. There aren't two sections of people, Maynard—there are three; the respondents, the reactors, and the indifferents—ordinary people, that's to say. What difference does the war make, after all—to ordinary people? I believe the fact that it, so to speak, doesn't, is going to settle the destiny of this country. People like you talk of effects and tendencies; you're caught by influences and reactions and carried about; but then, perish the thought that you're an ordinary person. You're only an ordinary person of a certain order, the fairly civilised, not quite unthinking order, that sees and discusses and talks a lot too much. A thing like a war, when it comes along, upsets the whole outlook of your lot; it dissolves the fabric of your world, and you have to build it up again—and whether you like it or not, it will be something new for you. But does it upset and dissolve, or even disturb very much, the world of all the people (the non-combatants, I mean, of course, not the fighters) who don't think, or only think from hand to mouth? There'll be no reaction for them, or any such foolishness, because there's been no force. Here's to Ordinary People!' He emptied his glass of beer, and if he seemed to do it to Evie Tucker, that might be taken merely as acknowledgment of her discerning remark.

'Oh, mercy,' said Evie, on a laugh and a yawn. 'You do all go on, don't you.'

Alix, black-browed and sulky, thought so too. Why talk about rotten things like these? Why not talk about the weather, or the countryside, or birds and leaves, or servants, as at Violette, instead of these futile speculations on the effects of a war that should not be thought about, should not be mentioned, and would probably anyhow never never end? It was Maynard's fault; he was conceited, and a gasbag, and talked about the wrong things. Terry Orme agreed with her.

But young Ingram said, practically, 'Surely that's all rot, isn't it? I mean, there can be no indifferents, in your sense of the word. Every one must be affected, even if they haven't people of their own in the show, by the general kick-up. I don't believe in your indifferents; they wouldn't be human beings. They'd be like the calm crowds in the papers, don't you know, who aren't flustered by Zepps. I simply don't believe they exist.'

'The fundamentally untouched,' Maynard explained. 'Superficially, of course, they are, as you put it, flustered. They read the papers, of course, for the incidents; but the fundamental issues beneath don't touch them. They're impervious; they're of an immobility; they're sublimely stable. The war, for them, really isn't. The new world, however it shapes, simply won't be. What's the war doing to them? All the beastliness, and bravery, and ugliness, and brutality, and cold, and blood, and mud, and gaiety, and misery, and idiotic muddle, and splendour, and squalor, and general lunacy ... you'd think it must overturn even the most stable ... do something with them—harden them, or soften them, or send them mad, or teach them geography or foreign politics or knitting or self-denial or thrift or extravagance or international hatred or brotherhood. But has it? Does it? I believe often not. They haven't learnt geography, because they don't like using maps. They've not learnt to fight, because it's non-combatants I'm talking of. They've not even learnt to write to the papers—thank goodness. Nor even to knit, because I believe they mostly knew how already. Nor to preserve their lives in unlit streets, for they are nightly done in in their hundreds. Nor, I was told by a clergyman of my acquaintance the other day, to pray (but that is still hoped for them, I believe). The war, like everything else, will come and go and leave them where it found them—the solid backbone of the world. The rest of the world may go on its head with ideas, or progress, or despair, or war, or joy, or madness, or sanctity, or revolution—but they remain unstirred. I don't suppose a foreign invasion would affect them fundamentally. They couldn't take in invasion, only the invaders. They remain themselves, through every vicissitude. That's why the world after the war will be essentially the same as the world before it; it takes more than a war to move most of us.... We all hope our own pet organisation or tendency is going to step in after the war and because of the war and take possession and transform society. Social workers hope for a new burst of philanthropic brotherhood; Christians hope for Christianity; artists and writers for a new art and literature; pacificists for a general disarmament; militarists for permanent conscription; democrats say there will be a levelling of class barriers; and I heard a subaltern the other day remark that the war would 'put a stopper on all this beastly democracy.' We all seem to think the world will emerge out of the melting-pot into some strange new shape; optimists hope and believe it will be the shape they prefer, pessimists are almost sure it will be the one they can least approve. Optimists say the world will have been brought to a state of mind in which wars can never be again; pessimists say, on the contrary, we are in for a long succession of them, because we have revived a habit, and habit forms character, and character forms conduct. But really I believe the world will be left very much where it was before, because of that great immobile section which weighs it down.'

Mrs. Maynard, who had been making a very good lunch, yawned at this point, and said, 'Roger, you're boring every one to death. You don't know anything more about the future than we do. None of us know anything at all. You're not Old Moore.'

'Old Moore,' Evie contributed (she had not been attending to Maynard's discourse, but was caught by this), 'says something important in foreign courts is going to happen in November, connected with a sick-bed. I expect that means the Kaiser's going to be ill. Perhaps he'll die.'

'Sure to,' agreed Basil. 'He's done it so many times already this year, it's becoming a habit.... I say, we ought to be getting on, don't you think?'

Mrs. Maynard shivered, and said it was quite an unfit day to be out in, and she wasn't enjoying herself in the least, and was anybody else?

Basil said he was, immensely, and found the day picturesque in colour effects.

Evie said she thought it was jolly so long as they kept moving.

Maynard said it was jollier talking and eating, but he supposed that couldn't last.

Terry said it could, if one had chocolates in one's pocket and didn't hurry too much.

6

Basil walked beside Evie. Evie's beauty was whipped to brilliancy by the damp wind. Evie was life. She might not have the thousand vivid awarenesses to life, the thousand responses to its multitudinous calls, that the others had, the keen-witted young persons who had been bred up to live by their heads; but, in some more fundamental way, she was life itself: life which, like love and hate, is primitive, uncivilised, intellectually unprogressive, but basic and inevitable.

Basil had once resented the type. In old days he would have called it names, such as Woman, and Violette. Now he liked Woman, found her satisfactory to some deep need in him; the eternal masculine, roused from slumber by war, cried to its counterpart, ignoring the adulterations that filled the gulf between. Possibly he even liked Violette, which produced Woman.

Ingram walked by Alix. The yellow leaves drifted suddenly on to the wet road. Alix's hands were as cold as fishes; her lame leg was tired. She talked and laughed. Ingram was talking about dogs—some foolish pug he knew.

Alix too talked of pugs, and chows, and goldfish, and guinea-pigs. Ingram said there had been a pug in his platoon; he told tales of its sagacity and intrepidity in the trenches.

'And then—it was a funny thing—he lost his nerve one day absolutely; simply went to pieces and whimpered in my dug-out, and stayed so till we got back into billets again. He wouldn't come in to the trench again next go; he'd had enough. Funny, rather, because it was so sudden, and nothing special to account for it. But it's the way with some men, just the same. I've known chaps as cheery as crickets, wriggling in frozen mud up to the waist, getting frost-bitten, watching shrapnel and whizz-bangs flying round them as calmly as if they were gnats, and seeing their friends slip up all round them ... and never turning a hair. And then one day, for no earthly reason, they'll go to pot—break up altogether. Funny things, nerves....'

Alix suddenly perceived that he knew more about them than appeared in his jolly, sunburnt face; he was talking on rapidly, as if he had to, with inward-looking eyes.

'Of course there are some men out there who never ought to be there at all; not strong enough in body or mind. There was a man in my company; he was quite young; he'd got his commission straight from school; and he simply went to pieces when he'd been in and out of trenches for a few weeks. He was a nervous, sensitive sort of chap, and delicate; he ought never to have come out, I should say. Anyhow he went all to bits and lost his pluck; he simply couldn't stand the noise and the horror and the wounds and the men getting smashed up round him: I believe he saw his best friend cut to pieces by a bit of shell before his eyes. He kept being sick after that; couldn't stop. And ... it was awfully sad ... he took to exposing himself, taking absurd risks, in order to get laid out; every one noticed it. But he couldn't get hit; people sometimes can't when they go on like that, you know—it's a funny thing—and one night he let off his revolver into his own shoulder. I imagine he thought he wasn't seen, but he was, by several men, poor chap. No one ever knew whether he meant to do for himself, or only to hurt himself and get invalided back; anyhow things went badly and he died of it.... I can tell you this, because you won't know who he was, of course....' (But really he was telling it because, like the Ancient Mariner, he had to talk and tell.) He went on quickly, looking vacantly ahead, 'I was there when he fired.... Some of us went up to him, and he knew we'd seen.... I shan't forget his face when we spoke to him.... I can see it now ... his eyes....' He looked back into the past at them, then met Alix's, and it was suddenly as if he was looking again at a boy's white, shamed face and great haunted blue eyes and crooked, sensitive mouth and brows.... He stopped abruptly and stood still, and said sharply beneath his breath, 'Oh, good Lord!' Horror started to his face; it mounted and grew as he stared; it leaped from his eyes to the shadowed blue ones he looked into. He guessed what he had done, and, because he guessed, Alix guessed too. Suddenly paler, and very cold and sick, she said, 'Oh ...' on a long shivering note; and that too was what the boy in the trenches had said, and how he had said it. Perspiration bedewed the young man's brow, though the air hung clammy and cold about them.

'I beg your pardon,' said Ingram, 'but I didn't hear your name. Do you mind....'

'Sandomir,' she whispered, with cold lips. 'It's the same, isn't it?'

He could not now pretend it wasn't.

'I—I'm sickeningly sorry,' he muttered. 'I'm an ass ... a brute ... telling you the whole story like that.... Oh, I do wish I hadn't. If only you'd stopped me.'

Alix pulled her dazed faculties together. She was occupied in trying not to be sick. It was unfortunate: strong emotion often took her like that; in that too she was like Paul.

'I d-didn't know,' she stammered. 'I never knew before how Paul died. They never said ... just said shot....'

He could have bitten his tongue out now.

'You mustn't believe it, please.... Sandomir wasn't the name ... it was my mistake.... Sandberg—that was it.'

'They never said,' Alix repeated. She felt remote from him and his remorse, emptied of pity and drained of all emotions, only very sick, and her hands were as cold as fishes.

A little way in front Evie and Basil were laughing together. A robin sang on a swaying bough. Alix thought how sad he was. She had a sore throat and a headache. The mist clung round, clammy and cold, like her hands....

'I don't know what to say,' Ingram was muttering. 'There's nothing to say....'

Alix stopped walking. The sky went dark.

'Terry,' she said.

Terry was at her side.

'All right.... Aren't you well?'

She held on to his arm.

'Terry, I'm going home.'

He looked at her face.

'All right. I'll come too.... If you're going to faint, you'd better sit down first.'

'I shan't faint,' said Alix. 'But I think ... I think I may be going to be sick.'

'Well,' said Terry, 'just wait till the others have gone on, or they'll fuss round.... I say, good-bye, all of you; Alix is rather done, and we're going to the nearest station for the next train. No thanks, don't bother to come; we shall be all right.'

Alix heard far-away offers of help; heard Evie's 'Shall I come with you, Al?' and Basil's 'What bad luck,' and the others' sympathies and regrets, and Terry keeping them off.

7

Alix and Terry were alone together.

Then Alix was, as she had foretold, sick, crouching on damp heather by the roadside.

'Have you done?' inquired Terry presently.

'Yes. I hope so, at least. Let's go on to the station.'

'I wonder, is it something beginning? Do you feel like flu? Or is it biliousness, or a chill? Or have you walked too far? I was afraid you were.'

'I'm all right. Only that man—Mr. Ingram—told me things, and suddenly I felt sick.... He told me things about Paul.... He didn't know who I was, and then suddenly he knew, and I saw him know, and I knew too. Do you know, Terry?'

'No,' said Terry, levelly. 'I know what some men who were out there thought, but it wasn't true.'

Terry was a good liar, but now no use at all. Alix twisted her cold hands together and whispered hoarsely, 'You've known all the time, then.... Oh, Paul, Paul—to have minded as much as all that before you died ... to have been hurt like that for weeks and weeks....'

She was crying now, and could not stop.

'Don't,' said Terry gently. 'Don't think like that about it; it's not the way. Don't think of Paul, except that he got out of it quicker than most people, and is safe now from any more of it. One's got to keep on thinking of that, whenever any of them slip up.... I hoped you'd none of you ever know.... That bungling ass.... Alix, don't: it was such a short time he had of it....'

Alix gasped, her hands pressed to her choked throat, 'It seemed hundreds of years, to him. Hundreds and hundreds of years, of being hurt like that, hurt more than he could bear, till he had to end it.... He was such a little boy, Terry ... he minded things so much....'

'The thing is,' Terry repeated, frowning, and prodding the mud in the road with his stick, 'not to think. Not to imagine. Not to remember.... It's over, don't you see, for Paul. He's clean out of it.... It's a score for him really, as he was like that and did mind so much.'

'It would be easier,' said Alix presently, husky and strangled, 'if he hadn't liked things so much too; if he hadn't been so awfully happy; if he hadn't so loved being alive.... It isn't a score for him to lose all the rest of his life, that he might have had afterwards.'

'No,' Terry agreed, sadly. 'It isn't. It's rotten luck, that is. Simply rotten. That's one of the most sickening things about this whole show, the way people are doing that.... But there's one thing about Paul, Alix; if he'd come through it he'd have kept on remembering all the things one tries to forget. More than most people, I mean. He was that sort. Lots of people don't mind so much, and can get things out of their heads when they aren't actually seeing them. I can, pretty well, you know. I think about other things, and don't worry, and eat and sleep like a prize-fighter. A chap like Ingram's all right, too; lots of men are. (Though what I suppose Ingram would call his brain seems to have gone pretty well to pot to-day. My word, I shall let him hear about that this evening.) But Paul—Paul would have minded awfully always; it might have spoilt his life a bit, you know.... And worse things might have happened to him, too; he might have been taken prisoner.... Paul,' he added slowly—'Paul is better off than lots of men.'

Alix was staring at him now with wide, frightened eyes.

'I say, Terry,' she said hoarsely, 'what—what on earth are we to do about it all? It—it's going on now—this moment.... I've tried so hard not to let it come near ... and now ... now....' She was cold and shaking with terror.

'Now you'd better go on trying,' Terry suggested, and looked at his watch. 'Thinking's no good, anyhow.... We ought to hit off the 3.15 with any luck. Are you going to be sick any more, by the way?'

'I can never tell, till just beforehand,' said Alix gloomily. 'But I wouldn't be much surprised.'

That was a sad thing about the Sandomirs: when they began to be sick it often took them quite a long time to leave off. It was most unfortunate, and they got it from their father, who had sometimes been taken that way on public platforms.

'Well,' said Terry patiently.

8

The others walked, and had tea, and walked again, and took a train back. Londoners like this sort of day. They like to see hedges, and grass, and pick berries, and hear birds. It refreshes them for their next week's work, even though they have been at the time cold, and tired, and perhaps bored.

CHAPTER X

EVENING IN CHURCH

1

Alix was huddled on her bed in a rug. She had taken two aspirin tablets because her head ached, and really one is enough. She felt cold and low. She was occupied in not thinking about Paul or the war; it was rather a difficult operation, and took her whole energies. Paul was insistent; she pressed her hands against her eyes and saw him on the darkness, her little brother, white-faced, with the nervous smile she knew; Paul in a trench, among the wounded and killed, seeing things, hearing things ... taken suddenly sick ... unable to leave off ... putting his head above the parapet, trying to get hit, called sharply to order by superiors.... Paul desperate, at the end of his tether, in the night full of flashes and smashes and laughter and grumbling and curses.... Paul laughing too, and talking, as she and Paul always did when they were hiding things.... Paul in his dug-out, alone ... unseen, he supposed ... with only one thought, to get out of it somehow.... The shot, the pain, like flame ... the men approaching, who knew.... Paul's face, knowing they knew ... white, frightened, staring, pain swallowed up in shame ... the end ... how soon? Ingram hadn't said that. Anyhow, the end; and Paul, out of it at last, slipping into the dark, alone.... A noble end, Mrs. Frampton had said, not a wasted life.... Anyhow, all over for Paul, as Terry had said.

And then what? Ingram hadn't said that either; nor had Terry; no one could say, for no one knew. What, if anything, did come then? Darkness, nothingness, or something new?

'He has begun to live now, dear, for ever and ever,' Kate had said. 'World without end, amen,' Mrs. Frampton had rounded it off.

World without end! What a thought! Poor Paul, finding a desperate way out from the world, slipping away into another which had no way out at all. But Mrs. Frampton's and Kate's world without end was a happy, jolly one, presumably, and the more of it the better. It would give Paul space for the life he hadn't lived here. Oh, could that be so? Was it possible, or was it, as so many people thought, only a dream? Who could know? No one, till they came to try. And then perhaps they would know nothing at all either way, not being there any more....

Yet people thought they knew, even here and now. Nicky's friend, Mr. West; he, presumably, thought he knew; anyhow, if not going so far as that, he had taken a hypothesis and was, so to speak, acting, thinking, and talking on it. He was clever, too. Mrs. Frampton and Kate thought they knew, too; but they weren't clever. They believed in God: but Alix could have no use for the Violette God. Mrs. Frampton's God was the Almighty, an omnipotent Being who governed all things in gross and in detail, including the weather (though the connection here was mysteriously vague). A God of crops and sun and rain, who spoke in the thunder; a truly pagan God (though Mrs. Frampton would not have cared for the word), of chastisements and arbitrary mercies, who was capable of wrecking ships and causing wars, in order to punish and improve people. The God of the 'act of God' in the shipping regulations. A God who could, and would, unless for wise purposes he chose otherwise, keep men and women physically safe, protect them from battle, murder, and sudden death. An anthropomorphic God, in the semblance, for some strange reason known only to the human race, of a man. A God who somehow was responsible for the war. A God who ordered men's estates so that there should be a wholesome economic inequality among them.

Such was Mrs. Frampton's God, in no material way altered from the conception of the primitive Jews or the modern South Sea Islanders, who make God in their image. He had no attractions for Alix, who could not feel that a God of weather was in any way concerned with the soul of the world.

Kate's God, on the other hand, was for Alix enshrined in the little books of devotion that Kate had lent her sometimes, and all of which she found revolting, even on the hypothesis that you believed that sort of thing. They propounded ingenuous personal questions for the reader to ask himself, such as 'Have I eaten or drunk too much? Have I used bad words? Have I read bad books?' (As if, thought Alix, any one would read a bad book on purpose, life being so much too short to get through the good ones; unless one had the misfortune to be a reviewer, like Nicky, or to have bad taste, like many others; and then wasn't it rather a misfortune than a fault?) 'Have I been unkind to animals?' the inquiries went on. 'Have I obeyed those set over me? Have I kept a guard of my eyes?' (a mysterious phrase, unexplained by any footnote, and leaving it an open question whether to have done so or to have omitted to do so would have been the sin. Alix inclined to the former view; it somehow sounded an unpleasant thing to do.)

These books adopted a tone too intimate and ejaculatory for Alix's taste; and they were, it must be admitted, about all she knew of Kate's God, and her distaste for Him merely meant that she disliked some of Kate's methods of approach.

Alix felt, vaguely, that West's God was different. There was no softness about Him, or about West's approach to Him; no sentimental sweetness, no dull piety, but energy, effort, adventure, revolt, life taken at a rush. Dynamite, West had said, to blow up the world. Poetry, too; harsh and grim poetry, often, but the real thing. Kate's religion might be sung in hymns by Faber; Mrs. Frampton's in hymns by Dr. Watts; West's had very little to do with any hymns sung in churches. And it was West's religion which thought it was going to break up the world in pieces and build it anew. Certainly neither Mrs. Frampton's nor Kate's would be up to the task; they would not even want it. Mrs. Frampton worshipped a God of Things as they Are, who has already done all things well, and Kate one who is little concerned with the ordering of the world at all, but only with individual souls.

One would like to know more about West's God.

'You should go to church,' West had told her. 'You'd find it interesting.'

She might find it so, of course; anyhow, she could try. Paul was driving her to find things out; his desperation and pain, her own, all the world's, must somehow break a way through, out and beyond, fling open a gate on to new worlds.... Anyhow, it might take one's mind off, help one not to think. It occurred to Alix that she would go to church this evening. It seemed, at the moment, the simplest way of watching these odd mystical forces, if there were any such forces, at work. She would be able thus to see them concentrated, working through a few people gathered together for the purpose. Alix's acquaintance with Sunday evening services, it may be observed, was rudimentary.

2

Meanwhile there was tea. Alix went down to it. There were Mrs. Frampton, Kate, a Mrs. Buller from Anzac next door, and a toasted bun.

Mrs. Frampton said to Alix, 'You do look low, dear. I'm sure it's a good thing you came home. Biliousness isn't a thing to play with. Suppose you were to go to bed straight away, and let Kate bring you up a nice hot cup of tea there?'

Kate said, playfully, 'This is what Sunday outings lead to.'

They were both at a great distance, as if Alix were at the bottom of the sea. So was Mrs. Buller, who talked to Mrs. Frampton about girls. Girls are, of course, an inexhaustible and fruitful topic—there are so many of them coming and going, and nearly all so bad. Mrs. Frampton and Mrs. Buller and Kate all found them interesting, if a nuisance. Alix found them a safe subject.

Mrs. Buller was saying, 'On one thing I have made up my mind, Mrs. Frampton; never again will I have a G.F.S. girl in my house. Besides all the meetings and things at all hours, to have the girl's Associate coming into my kitchen and talking about prayer (it was prayer, for I overheard) and ending up with a kiss you could hear upstairs—it was more than I could be expected to stand. And the girl smashed three cups that same afternoon, and answered me back in a downright impertinent way. So I said, 'If that's what your G.F.S. teaches you for manners, the sooner you and I part company the better,' and I gave her her month.'

'I'm sure you were right,' said Mrs. Frampton. 'Though of course one mustn't put it all on the G.F.S.' She said this because of Kate, who was a church worker. But as it happened Kate did not care for the G.F.S., having fallen out with the local secretary, and also having been told by her vicar that it was a society which drew too rigid an ethical line and no denominational line at all. Kate also drew rigid ethical lines, when left to herself and her own natural respectability; the comic spirit must be largely responsible for driving people like Kate into the Christian church, a body which, whatever opprobrium it may have at various times incurred, has never yet been justly accused of respectability. So Kate joined in about Girls and the G.F.S.

Mrs. Buller said, 'However, we may be thankful we aren't in the country, for my sister at Stortford has had five soldiers billeted on her, and how is her girl to keep her head among them all? She won't, of course. Girls and a uniform—it goes to their heads like drink.'

'It does seem an upset for your sister,' said Mrs. Frampton.

'And Bertie's started again wanting to enlist,' continued their visitor, who had many troubles. 'If I've told him once I've told him fifty times, "Not while I live you don't, Bertie." So I hope he'll settle down again. But he says he'll only be fetched later if he doesn't; such rubbish. He actually wants to go as a common soldier, not even a commission. Think of the class of company he'd be thrown into, not to speak of the risk. Fancy his thinking his father and I could let him do such a thing.'

Mrs. Frampton made sympathetic sounds.

They had tea. They went on talking, of Belgians, Zeppelins, bulbs, and Girls. Belgians as a curiosity (in the corner house), Zeppelins as murder ('to call that war, you know'), bulbs as a duty (to be put in quite soon), and Girls as a nuisance (to be changed as speedily as may be). Mrs. Buller stayed till nearly six.

'It's always a treat to see Mrs. Buller,' said Mrs. Frampton. 'But fancy, it's nearly time to get ready for church.'

Mrs. Frampton's church was at half-past six. Kate's was at seven. It was to Kate's that Alix wanted to go. She did not think that Kate's church would be much use, but she was sure that Mrs. Frampton's wouldn't. Mrs. Frampton's was florid Gothic outside, with a mellifluous peal of bells. Kate's was of plain brick, with a single tinny bell. Mrs. Frampton's looked comfortable. Kate's did not. The road into another world, if there was another world, surely would not be a comfortable one....

3

Kate was pleased when Alix said she was coming. She thought the little books had borne fruit.

'It'll be something to do,' said Alix cautiously.

'I hope Mr. Alison will preach,' Kate said. 'He's so helpful always.'

Alix wondered if Mr. Alison knew about another world, and if he would tell in his sermon. If he did not, he would not be helpful to her. Probably not even if he did.

They went diagonally across the little common, to the unpretentious brick church whose bell tinkled austerely. It was an austere church both within and without, and had a sacrificial beauty of outline and of ritual that did not belong to Mrs. Frampton's church, which was full of cheery comfort and best hats and Hymns A. and M. Kate's church had an oblative air of giving up. It gave up succulent, completed tunes for the restrained rhythms of plain-song, which, never completed, suggest an infinite going on; it gave up comfortable pews for chairs which slid when you knelt against them; its priests and congregation gave up food before Mass and meat on fast-days. The chief luxury it seemed to allow itself was incense, of which Alix disliked the smell. Certainly the air of cheery, everyday respectability which characterises some churches was conspicuously absent: this church seemed to be perpetually approaching a mystery, trying to penetrate it, laying aside impedimenta in the quest.... The quest for what? That seemed to be the question.

The candles on the far altar quivered and shone like stars. They sang hymns out of little green books. They began by singing, in procession, a long hymn about gardens and gallant walks and pleasant flowers and spiders' webs and dampish mists, and the flood of life flowing through the streets with silver sound, and many other pleasant things. Alix glanced at Kate, curiously. Kate, prim and proper, so essentially of Violette, seemed in herself to have no point of contact with such strange, delightful songs, such riot of attractive fancy. For this was poetry, and Kate and poetry were incongruous.

Poetry: having found the word, Alix felt it pervade and explain the whole service—the tuneless chants, the dim glooms and twinkling lights, the austerity. Kate interpreted this poetry for her own needs through the medium of little books of devotion for which prose was far too honourable a word; jargon, rather; pious, mushy, abominable....

It was odd. Kate seemed to be caught in the toils of some strange, surprising force. Alix hadn't learnt yet that it is a force nowhere more surprising than in the unlikely people it does catch. The further question may then arise, how is it going to use them? Can it use them at all, or does the turning of its wheels turn them out and get rid of them, or does it retain them, unused? It is certainly all very odd. This essentially romantic and adventurous and mystical force seems to have a special hold on many timid, unromantic and unimaginative persons. This essentially corporate and catholic body lays its grasp as often as not on extreme individualists. Perhaps it is the unconscious need in them of the very thing they have not got, that makes the contact. Perhaps it reveals poetry and adventure to those who could find them in no other guise. Perhaps it links together in a body those who must otherwise creep through life unlinked, gives awareness of the community to the otherwise unaware. Perhaps, on the other hand, it doesn't. The powers in human beings of evading influences and escaping obvious inferences is unlimited.

The lights were suddenly dimmer. Some one got into the pulpit and preached. He preached on a question, 'Who will lead me into the strong city?' A very pertinent inquiry, Alix thought, and just what she wanted to know. Who would? Who could? Was there a strong city at all, or only chaos and drifting ways of terror and unrest? If so, where was it, and how to get there? The strong city, said the preacher, is the city of refuge for which we all crave, and more especially just now, in this day of tribulation. The kings of the earth are gathered and gone by together; but the hill of Sion is a fair place and the joy of the whole earth; upon the north side lieth the city of the great King; God is well known in her palaces as a sure refuge. Above the noise of battle, above the great water-floods, is the city of God that lieth four-square, unshaken by the tempests.

Jolly, thought Alix, and just where one would be: but how to get into it? One had tried, ever since the war began, to shut oneself away, unshaken and undisturbed by the tempests. One had come to Violette because it seemed more unshaken than Wood End; but Violette wasn't really, somehow, a strong city. The tempests rocked one till one felt sick.... Where was this strong city, any strong city? Well, all about; everywhere, anywhere, said the preacher; one could hardly miss it.

''Tis only your estrangèd faces
That miss the many-splendoured thing....'

and he quoted quite a lot of that poem. Then he went on to a special road of approach, quoting instead, 'I went into the sanctuary of God.' Church, Alix presumed. Well, here she was. No: it transpired that it wasn't evening service he meant; he went on to talk of the Mass. That, apparently, was the strong city. Well, it might be, if one was of that way of thinking. But if one wasn't? Did Kate find it so, and was that why she went out early several mornings in the week? And what sort of strength had that city? Was it merely a refuge, well bulwarked, where one might hide from fear? Or had it strength to conquer the chaos? West would say it had; that its work was to launch forces over the world like shells, to shatter the old materialism, the old comfortable selfishness, the old snobberies, cruelties, rivalries, cant, blind stupidities, lies. The old ways, thought Alix (which were the same ways carried further, West would say), of destruction and unhappiness and strife, that had led to the bitter hell where boys went out in anguish into the dark.

The city wasn't yet strong enough, apparently, to do that. Would it be one day?

'I will not cease from mental fight,' cried the preacher, who was fond, it seemed, of quoting poetry, 'nor let my sword sleep in my hand, till we have built Jerusalem in England's green and pleasant land.'

The next moment he was talking of another road of approach to the city on the hill, besides going to church, besides building Jerusalem in England. A road steep and sharp and black; we take it unawares, forced along it (many boys are taking it this moment, devoted and unafraid. Unafraid, thought Alix); and suddenly we are at the city gates; they open and close behind us, and we are in the strong city, the drifting chaos of our lives behind us, to be redeemed by firm walking on whatever new roads may be shown us. God, who held us through all the drifting, unsteady paths, has led us now right out of them into a sure refuge.... How do you know? thought Alix. Beyond the steep dark road there may be chaos still, endless, worse chaos: or, surely more natural to suppose, there may be nothing. How did people think they knew? Or didn't they? Did they only guess, and say what they thought was attractive? Did Kate know? And Mrs. Frampton? How could they know, people like that? How could it be part of their equipment of knowledge, anything so extraordinary, so wild, so unlike their usual range as that? They knew about recipes, and servants, and dusting, and things like that—but surely not about weird and wonderful things that they couldn't see? Alix could rather better believe that this preacher knew, though he did sometimes use words she didn't like, such as tribulation and grace. (It would seem that preachers sometimes must: it is impossible, and not right, to judge them.)

When the sermon ended abruptly, and they sang a hymn of Bunyan's about a pilgrim (402 in the green books), one was left with a queer feeling that the Church had its hand on a door, and at any moment might turn a handle and lead the way through.... Alix caught for a moment the forces at work; perhaps West was right about them, and they were adequate for the job of blowing up the debris of the world. If only the Church could collect them, focus them, use them.... Kate, and church people of Kate's calibre, were surely like untaught children playing, ignorantly and placidly, with dynamite. They would be blown up if they weren't careful. They kept summoning forces to their aid which must surely, if they fully came, shatter and break to bits most of the things they clung to as necessary comforts and conveniences. But perhaps people knew this, and therefore prayed cautiously, with reservations; so the powers came in the same muffled, wrapped way, with reservations.

Such were Alix's speculations as the music ended and the congregation filed down the church and shook hands with the tired vicar at the door and went out into the dark evening. The fog came round them and choked the light that streamed from the church, and made Alix cough. They hurried home through the blurred, gas-lit roads.

'Did you enjoy the service?' asked Kate.

'I think so,' said Alix, wondering whether she had.

'It's queer,' she added, meaning the position of the Christian church in this world.

But Kate said, 'Queer! Whatever do you mean? It was just like the ordinary; like it always is.... I wish Mr. Alison had preached, though; I never feel Mr. Daintree has the same touch. He preaches about things and people in general, and that's never so inspiring; he doesn't seem to get home the same way to each one. Now, Mr. Alison this morning was beautiful. Mr. Daintree, I always think, has almost too many ideas, and they run away with him a little. However.' Kate's principle (one of them) was not to criticise the clergy, so she stopped.

'I wonder if Florence is in yet,' she said instead, 'and if she's left the larder open, as usual, and let that kitten get at the chicken? I shouldn't be a bit surprised. She is a girl.'

Alix felt another incongruity. If Kate really believed the extraordinary things she professed to believe about the interfusion of two worlds (at least two), how then did it matter so much about chickens and kittens and Florence? Yet why not? Why shouldn't it give all things an intenser, more vivid reality, a deeper significance? Perhaps it did, thought Alix, renouncing the problem of the Catholic church and its so complicated effects.

'You've got your cough worse,' said Kate, fitting the key into Violette's latch. 'You'd better go to bed straight, I think, and have a mustard leaf on after supper. You're the colour of a ghost, child. Evie's back, I can hear.'

So could Alix.

'I shall go to bed,' she said. 'I don't want supper.'

While she was undressing, Evie came in, to wash her hands for supper. Evie was radiant and merry.

'Hard luck your having to go back, Al,' said Evie, splashing her face and hands. 'I'm stiff all over; I'm for a hot bath afterwards. We had a lovely time; simply screaming, it was. Mr. Doye is rather a sport. They're all a jolly set, though. Even that Mr. Ingram, the one you were talking to, brightened up later on, though when first you turned back he looked as if he was at his father's funeral. You must have made an impression. But he got over it all right and was quite chirpy.'

'Was he?' said Alix.

'I've promised Mr. Doye to go out again with him, next Sat. He's quite determined. I don't know what Sid Vinney'll say, because I'd half promised him. But I don't care. Sid's an old silly, anyhow.'

Evie smothered herself in the towel, scrubbing her smooth skin that no scrubbing could hurt.

'Dommage, you being seedy,' said Evie, and pulled off her walking shoes. 'You'd have enjoyed the day no end. Still feeling sick? Oh, poor kid, bad luck.... Well, there's the bell, I must run. I've heaps more to tell you. But you'd better go off straight to sleep after supper; I won't disturb you when I come up.'

She ran downstairs. Alix heard her voice in the dining-room below, through supper. Evie had had a good day. Evie was lovely, and jolly, and kind, and a good sort, but Alix did not want to see her, or to hear her talk.

4

It was Kate who came up after supper, with a mustard leaf, which she put on Alix's chest.

'Shall I read to you till I take it off?' Kate said; and what she selected to read was the current issue of the Sign, the parish magazine she took in. (Mrs. Frampton took the Peep of Day, which was the magazine of the church she attended.)

The mustard leaf, an ancient and mild one, which needed keeping on for some time, allowed of reading the Sign almost straight through, apart from the parish news on the outer pages, which, though absorbing, is local and ephemeral, and should not be treated as literature. Kate began with an article on the Organs in our Churches, worked on through a serial called Account Rendered; a poem on the Women of the Empire; a page on Waifs and Strays; A Few Words to Parents and Teachers on the Christian Doctrine of the Trinity; Thoughts to Rest Upon; Keeping Well, some Facts for our Families; The Pitman's Amen (a short story); Wholesome Food for Baby; and so at last to Our Query Corner, wherein the disturbed in mind were answered when they had during the month written to inquire, 'Why does my clergyman worship a cross? Is not this against the second commandment?' 'What amusements, if any, may be allowed on Sunday?' 'If I take the Communion, should I go to dancing-classes?' 'How can I turn from Low Church to High Church?' 'Should not churchwardens be Christians?' and about many other perplexing problems. The answers were intelligent and full, never a bald Yes, or No, or We do not know; they often included a recommendation to the inquirer to try and look at the matter from a wider, or higher, standpoint, and (usually) to read the little book by an eminent Canon that bore more particularly on his case.

Alix got it all, from the Organs in our Churches to the Christian Churchwardens, mixed up with the mustard leaf, so that it seemed a painful magazine, but, one hoped, profitable. She looked at Kate's small, prim head in the shadow under the gas, and thought how Kate had been through love and loss and jealousy and still survived. But Kate's love and loss and jealousy could not be so bad; it was like some one else's toothache.

'We do not quite understand your question,' read Kate. (This was on turning from Low to High.) 'You should try to detach yourself from these party names, which are often mischievous.... We think you might be helped by the following books.... Twenty-five minutes: I should think that must be enough, even for that old leaf. Does it smart much?'

'Dreadfully,' said Alix, who was tired of it.

'Well, two minutes more,' said Kate, and went on to the Churchwardens, who, it seemed, should be Christians, if possible.

'Now then,' said Kate, advancing with cotton wool.

'Oo,' said Alix. 'It's been on too long, Kate.'

'You do make a fuss,' said Kate, padding her chest with cotton wool and tucking the clothes round her. 'Now you go off to Sleepy Town quick.'

Alix thought how kind Kate was. When one had any physical ailment, Violette came out strong. It was soft-hearted. Women are.

5

When Kate had gone, Alix lay with her eyes tight shut and her head throbbing, and tried to go to sleep, so that she need no longer make her brain ache with keeping things out. But she could not go to sleep. And she could not, in the silence and dark, keep things out; not Paul; nor the war; nor Basil; nor Evie.

At last Evie came. Alix, feigning sleep, lay with tight-shut eyes, face to the wall. Every movement of Evie, undressing in her frightful loveliness, was horribly clear. Alix was afraid Evie, in passing her bed, would brush against her, and that she would have to scream. If only Evie would get to bed and to sleep.

Evie, after her undressing and washing, knelt in prayer for thirty seconds (what was Evie's God, who should say? One cannot tell with people like Evie, or see into their minds), then took her loveliness to bed and fell sweetly asleep.

Alix knew from her breathing that she slept; then she unclenched her hands and relaxed her body and cried.

CHAPTER XI

ALIX AND EVIE

1

Basil had Evie on the brain. He liked her enormously. He was glad he had a month's more leave. He took to meeting her after she came out from her hat shop and seeing her home. They spent Saturday afternoons together.

Alix saw them parting one Saturday evening, as she came home. Spring Hill was dim and quiet, and they stood by the door into the Park, on the opposite side of the road to Violette, chaffing and saying good-bye. Alix saw Basil suddenly kiss Evie. It might be the first time: in that case it would be an event for them both, and thrilling. Or it might be not the first time at all: in that case it would be a habit, and jolly.

Anyhow Evie said, 'Oh, go along and don't be a silly.... Are you coming in to-night?'

He said 'No' and laughed.

Then they saw Alix turning into Violette.

'There now,' said Evie. 'She must have seen you going on. Couldn't have missed it.... Whatever will she think?'

'She won't think anything,' said Basil Doye. 'Alix is a nice person, and minds her own business.'

'I believe it's her you're in love with really,' said Evie, teasing him.

He kissed her again, and said, 'Oh, do you?'

After a little more of the like conversation, which will easily be imagined, they parted. Evie went into Violette. She ran upstairs and into her dark bedroom and flung off her outdoor things. Turning, she saw Alix sitting on the edge of her bed.

'Goodness, how you startled me,' said Evie.

'Sorry,' said Alix. 'Got a toothache.' She was holding her face between her hands.

Evie said, 'Oh, bad luck. Try some aspirin. Or suck a clove.... I say, Al.'

'What?'

'Did you see me and Mr. Doye just now, in the road? You did, didn't you?'

'No,' said Alix.

'Oh,' said Evie, dubious, glancing at Alix's face, that was dimly wan in the faint light from the street lamps, and twisted a little with her toothache.

Pity seized Evie, who was kind.

'I say, kiddie, do go to bed. What's the use of coming down with a face-ache? You'd be much better tucked up snug, with a clove poultice.'

'No,' said Alix, uncertainly, and stood up. 'It's better now. I've put on cocaine.... Where are my shoes?... Of course I saw you and Basil in the road.... Did you have a jolly afternoon?'

Evie knew that way of Alix's, of going back upon her lies; that was where Alix as a liar differed from herself; you only had to wait.

'Yes, it was a lark,' said Evie carelessly. 'Mr. Doye's priceless, isn't he? Doesn't mind what he says. Nor what he does, either. He makes me shriek, he's so comic. You should have heard him go on at tea. We went to the rink, you know, and had tea there. He's so silly.' Evie laughed her attractive, gurgling laugh.

They went down to supper.

2

Sometimes Basil and Evie lunched together. By habit they lunched in different shops and had different things to eat. Evie liked pea-soup, or a poached egg, bread and honey, a large cup of coffee with milk, and what she and the tea-shop young ladies called fancies. Basil didn't. When they lunched together they both had the things Basil liked, except in coffee.

'Did you tell him two noirs?' Evie would say. 'Rubbish, you know I always have lait.'

'A corrupt taste. One café au lait, waiter. You like the most ridiculous things, you know; you might be eight. You aren't grown-up enough yet for black coffee, or smoking, or liqueurs. You must meet my mother; you'd learn a lot from her.'

'Oh well, I'm happy in my own way.... As for smoking, I think it's jolly bad for people's nerves, if you ask me. Alix smokes an awful lot, and her nerves are like fiddle-strings. I don't go so far,' Evie said judicially, 'as to say I don't think it's good form for girls. That's what mother thinks, only of course she's old-fashioned, very. So is Kate. But after all, there is a difference between men and girls, in the things they should do; I think there's a difference, don't you?'

'Oh, thank goodness, yes,' said Basil, fervently, not having always thought so.

'And I don't know, but I sometimes think if girls can't fight for their country, they shouldn't smoke.'

'Oh, I see. A reward for valour, you think it should be. That would be rather hard, since the red-tape rules of our army don't allow them to fight. If they might, I've no doubt plenty would.'

Evie laughed at him. 'A girl would hate it. She'd be hopeless.'

'Plenty of men hate it and are hopeless, if you come to that.'

'Oh, it's not the same,' asserted Evie. 'A girl couldn't.' She added, after a moment, sympathetically curious, 'Do you hate it much?'

'Oh, much,' Basil deprecated the adverb. 'It's quite interesting in some ways, you know,' he added. 'And at moments even exciting. Though mostly a bit of a bore, of course, and sometimes pretty vile. But, anyhow, seldom without its humours, which is the main thing. Oh, it's frightfully funny in parts.'

'Anyhow,' Evie explained for him, 'of course you're glad to be doing your bit.'

He laughed at that. 'You've been reading magazine stories. That's what the gallant young fellows say, isn't it?... Look here, bother the war. I want to talk about better things. Will you meet me after you get off this evening? I want a good long time with you, and leisure. These scraps are idiotic.'

Evie looked doubtful.

'You and me by ourselves? Or shall we get any one else?'

'Any one else? What for? Spoil everything.'

'Oh, I don't mind either way. Only mother's rather particular in some ways, you know, and she ... well, if you want to know, she thinks I go out with you alone rather a lot. It's all rubbish, of course; as if one mightn't go out with who one likes ... but, well, you know what mother is. I told you, she's old-fashioned, a bit. And of course Kate's shocked, but I don't care a bit for Kate, she's too prim for anything.'

'We won't care a bit for any one,' suggested Basil. 'I never do. I don't believe you do really, either. If people are so particular, we must just shock them and have done. Anyhow, you don't suppose I'm going to give up seeing you.'

The quickening of his tone made her draw back from the subject. Evie liked flirtation, but did not understand passion; it was not in her cool head and heart. It was the thing in Basil that made her at times, lately, shy of him in their intercourse; vaguely she realised that he might become unmanageable. She liked him to love her beauty, but she was occasionally startled by the way he loved it. She thought it was perhaps because he was an artist, or a soldier, or both.

'Well, perhaps I'll come,' she said, to soothe him. 'Where shall we go? Let's go inside something, I say, not walking in the dark like last time. Oh, it was very jolly, of course, but it's not so snug and comfy. We might do a play?... I say, it's nearly two. I must get back. I got into a row yesterday for being late—that was your fault.'

They walked together to the side door of the select hat shop.

'Not really a shop,' as Evie explained sometimes. 'More of a studio, it is. It's awfully artistic, our work.'

While she went upstairs, she was thinking, 'Dommage, his getting so warm sometimes. It spoils the fun.... He'll be wanting to tie me up if I'm not careful, and I'm not ready for that yet.... There are plenty of others.... I don't know.'

3

As it happened, she met one of the others when she left the shop at five, and he took her out to tea at the most expensive tea place in London, which was always his way with tea and other things. He was on leave from France, and had met Evie for the first time three days ago, when she was out with Doye, whom he knew. His name was Hugh Montgomery Gordon, and he was the son of Sir Victor Gordon of Ellaby Hall in Kent, Prince's Mansions in Park Lane, and Gordon's Jam Factory in Hackney Wick. He was handsome in person, graceful, clear-featured, an old lawn-tennis blue, and a young man with great possessions, who, having been told on good authority that he would find it hard to enter into the kingdom of heaven, had renounced any idea of this enterprise he might otherwise have had, and devoted himself whole-heartedly to appreciating this world. He was in a cavalry regiment, and had come through the war so far cool, unruffled, unscathed, and mentioned in despatches. He had a faculty for serenely expecting and acquiring the best, in most departments of life, though in some (such as art, literature, and social ethics) he failed through ignorance and indifference. Meeting Evie Tucker in Bond Street, and perceiving, as he had perceived before, that her beauty was in a high class of merit, he was stirred by a desire to acquire her as a companion for tea, and did so. Evie liked him; he was really more in her line than Basil Doye (artists were queer, there was no getting round that, even if they had given it up for soldiering and had lost interest in it and fingers), and she liked the place where they had tea, and liked the tea and the cakes and the music, and liked him to drive to Clapton with her in a taxi afterwards.

'You don't seem economical, do you?' she remarked, as they whirred swiftly eastward.

'I hope not,' said Hugh Montgomery Gordon, in his slow, level tones. 'I can't stand economical people.'

He left her at Violette and drove back to his club, feeling satisfied with himself and her. She was certainly a find, though it was a pity one had to go so far out into the wilderness to return her where she belonged. Her people were, no doubt, what his sister Myrtle would call quite imposs.

4

As Evie and Captain Gordon had taxied down Holborn, they had passed, and been held up for a minute near Alix, Nicholas, and West, who stood talking at the corner of Chancery Lane.

'Hugh Montgomery Gordon,' Nicholas murmured. 'Bright and beautiful as usual. Know him, Alix? Surely he doesn't visit at Violette? I can't picture it, somehow.'

'Oh, he might, for Evie's sake. Evie picks them up, you know; it's remarkable how she picks them up. They look very beautiful together, don't they? Is he nice?'

'Just as you saw. I scarcely know him more than that. He was a Hall man; my year. I believe he had a good time there. He looks as if he had a good time still. West's opinions about him are more pronounced than mine. Is he nice, West?'

'He's in the family jam,' West told Alix, as sufficient answer. 'Gordon's jam, if that means anything to you.'

'Wooden pips and sweated girls,' Alix assented, having picked up these things from her mother. 'It must be exciting: so many improvements to be made.'

'No doubt,' agreed West. 'But the Gordons won't make them. They make jam and they make money—any amount of it—but they don't make improvements that won't pay. A bad business. It will be more tolerable for Sodom and Gomorrah in the day of judgment, at least I hope it will. They've been badgered and bullied about it by social workers for years, but they don't mind.... And at the same time, of course, they've no more ideas about what to do with their money than—than Solomon had. They put it into peacocks and ivory apes. These rich people—well, I should like to have the Gordons in a dungeon and pull out their teeth one by one, as if they were Jews, till they forked out their ill-gotten gains for worthy objects.... If you ever meet Gordon, Miss Sandomir, you might tell him what I think about him. Tell him we have a meeting of the Anti-Sweating League in our parish room every Monday, and should be glad to see him there.'

Nicholas wondered, though he didn't ask Alix, whether Evie was still on with Basil Doye, or whether a breach there had made a gap by which Hugh Montgomery Gordon was entering in. One thought of Evie's friendships with men in these terms; whereas Alix might drive with a different man every day without suggesting to the onlooker that one was likely to oust another. The difference was less between Evie and Alix (for Evie was of a fine and wide companionableness) than in what men required of them respectively.

'Evie and he,' Alix commented, considering them. 'They might be good friends, I think. They might fit. The jam wouldn't get between them—nor the money.... I rather like him too, I think. He's so beautiful, and looks as if he'd never been ill. That's so jolly.' She was giving the same reasons which Basil had given for liking Evie. It occurred to her to wonder whether, if she'd been to the war, these two things would take her further in her mild inclination towards Hugh Montgomery Gordon—much further. Perhaps they would....

Alix went to her bus at the corner of Gray's Inn Road. Nicholas went back to his rooms to finish an article. West went to a Sweated Bootmakers' protest meeting in his parish room. West attended too many meetings: that was certain. Meetings, a clumsy contrivance at best, cannot be worth so much attendance. But he went off to this one full of faith and hope, as always.

5

Evie was using the telephone in the hall. She was saying, in her clear, cheery tones, 'Hullo, is that you? Awfully sorry, don't expect me to-morrow evening. I can't come.... Awfully sorry.... Don't quite know.... I'll write.'

Alix went up to her room.

Presently Evie came in.

'Did you hear me 'phoning?' she inquired superfluously. 'It was to Mr. Doye. Fact is, I think he and I'd both be better for a little rest from each other. It'll give him time to cool down a bit. He's got keener than I like, lately. Fun's all very well, but one doesn't want to be hustled, does one? I don't want him asking me anything for a long time.'

Alix, sitting on her bed with one shoe off, pulling at the other, said in a small voice, 'I don't think he will.'

Evie turned round and looked at her, questioningly.

'You don't? Why, whatever do you know about it?'

Alix was bent over her shoe; her voice was muffled.

'Basil is like that. He doesn't mean things....'

'Oh....' Evie turned to the glass, and drew four pins out of the roll of hair behind her head, and it fell in a heavy nut-brown mass, glinting in the yellow gaslight. She began to comb it out and roll it up again.

'Doesn't mean anything, doesn't he?' she said thoughtfully. 'You seem awfully sure about that.'

'Yes,' agreed Alix. She had pulled off both shoes now, and tucked her stockinged feet under her as she sat curled up on the bed. She drew a deep breath and spoke rather quickly.

'He's always the same, he was the same with me once, he doesn't really mean it....'

'The same with you—' Evie, without turning round, saw in the glass the blurred image of the huddled figure and small pale face in the shadows behind her.

She drove in two more hairpins, then turned sharply and looked at Alix.

'You don't mean to say he used to be in love with you.'

'Oh ... in love....' Alix's voice was faint, attenuated, remote.

'Well—anything, then.' Evie was impatient. 'You needn't split hairs.... He went on with you, I suppose.... And you....'

She broke off, staring, uncomfortably, at a situation really beyond her powers.

Her cogitations ended in, 'Well, I think you might have told me at first. I thought you and he were just good friends. I didn't want him. I wouldn't have let him come near me if I'd known it was like that. I never do that sort of thing. Now do I, Alix? You've never seen me mean to other girls like that, have you? I never have been and I never will be.... I don't want him. You can have him back.'

Alix giggled suddenly, irrepressibly.

'What's the matter now?' said Evie.

'Nothing. Only the way you talk of Basil—handing him about as if he was a kitten. He's not, you know.'

Evie smiled grudgingly. 'Well, anyhow I don't want him. Particularly if he doesn't mean anything, as you say.... It isn't every one I'd believe if they told me that; they might be jealous or spiteful or something. But I don't believe you'd say it, Al, if you didn't think it was true'—(Alix said, 'Oh,' on a soft, indrawn breath)—'and you know him, so I expect you're right. And I'm not going on playing round with a man who makes love like he does and doesn't mean anything. It isn't respectable.'

'Oh—respectable.' Alix laughed, again, shakily; it was such a funny word in this connection, and so like Violette.

'Well, I don't see it's funny,' said Evie. 'It's awfully important to be respectable, and I always am. I'll be good pals with any number of men, but when they begin to get like Basil Doye I won't have it unless they mean something.'

Thus Evie enunciated her code, and washed her hands and face and put on her dress and went downstairs. At the door she paused for a moment and looked back at Alix.

'I say, Al—I'm awfully sorry. I didn't mean to be a sneak, you know; I wouldn't have, if I'd known.'

'Not a bit,' Alix absurdly and politely murmured.

'Well, do get a move on and come down. It's too cold for anything up here.... I say'—Evie paused awkwardly—' I say, kiddie, you didn't really care, did you?'

Alix shook her head. 'Oh no.' Still her voice was small, polite, and attenuated.

'Well then,' said Evie cheerfully, 'no harm's done to any one. But still, it's not the style I like, a man that plays about first with one girl, then another.... I'm going down.'

She went.

6

The cold made Alix shiver. She stiffly uncurled herself and got off the bed. She brushed her hair before the glass. Her face looked back at her, pointed and ghostly, in the gaslight and shadows.

'Cad,' whispered Alix, without emotion, to the pale image. 'Cad—and liar.'

'It's the war,' explained Alix presently, with detached, half-cynical analysis. 'I shouldn't have done that before the war. I suppose I might do anything now. Probably I shall. There seems no way out....'

Alix had heard and read plenty of views on the psychological effects of war; some of them were interesting, some were true; many were true for some people and false for others; but she did not remember that even the most penetrating (or pessimistic) had laid enough emphasis on the mental and moral collapse that shook the foundations of life for some people. For her, anyhow, and for Paul; and they surely could not be the only ones. Observers seemed more apt to take the cases of those men and women who were improved; who were strengthened, steadied, made more unselfish and purposeful (that was the favourite word), with a finer sense of the issues and responsibilities of life; or of those young sportsmen at the front who kept their jollity, their sweetness, their equilibrium, through it all. Well, no doubt there were plenty of these. Look at Terry. Look at Dorothy and Margot at Wood End, in their new strenuousness and ardours. They weren't demoralised by horror, or eaten by jealousy like a canker. They could even minister to combatants without envying them....

There were such. There might be many. But Alix looked at them far off, herself a broken, nerve-wracked, frightened child, grabbing at other people's things to comfort herself, ashamed but outrageous.

'There seems no way out,' said Alix, and looked, as she changed her frock, down vistas of degradation.

Downstairs Florence rang the supper bell. The smell of Welsh rarebit drifted through Violette. That, anyhow, was something; Alix liked it.

CHAPTER XII

ALIX AND BASIL

1

Evie had a good time for the rest of the week of Captain Gordon's leave. Mrs. Frampton began to wonder whether this enormously wealthy and overwhelmingly well-dressed young man really meant anything. If you could tell anything by the size of the chocolate boxes he sent, he certainly meant quite a lot. Kate looked repressive when they arrived.

'How Evie does go on,' she said to Mrs. Frampton at breakfast, before Evie came down, referring to the immense box from Buszard's by Evie's plate. That was the morning after Hugh Montgomery Gordon had returned to his duties in France. Apparently whatever else he meant, he meant not to be forgotten.

'She's a naughty girl,' Mrs. Frampton admitted indulgently. 'I shouldn't wonder if that's from this new friend of hers, Captain Gordon. He looks such an extravagant man. But very handsome.... What does your brother think of Captain Gordon, Alix? Didn't you say he knew him?'

Mrs. Frampton was of those ladies who believe that men, good judges in most matters, are especially good judges of each other.

Alix said she didn't believe Nicholas had thought about Captain Gordon at all. 'But his friend Mr. West has, quite a lot,' she added.

'Well, love, what does Mr. West think?' Mr. West was even better than Nicholas as a source of knowledge, being not only a man but a clergyman.

'Mr. West,' said Alix, 'thinks Captain Gordon too rich. It's a fad of Mr. West's that people shouldn't be too rich. I think they should.'

'Well, we're told, aren't we, that it is hard for a rich man to enter into the kingdom of heaven.... A little more ham, Alix?'

'It's all a question,' said Kate, 'of the use people make of their wealth. They say that some of the wealthiest families in the land make the best landlords and are the kindest to all. I can't say I hold with socialism. It seems to me most wrong-headed.'

'Well,' Mrs. Frampton agreed, 'it certainly does seem like flying in the face of what Providence has ordained, doesn't it? Let me see now, Alix, your brother doesn't hold with socialism, does he?'

Alix's brother, being clever and queer, might hold with anything. Mrs. Frampton appeared to feel a morbid interest in his opinions.

'Nicky? He doesn't hold with anything, Cousin Emily; he's a general disapprover. I believe he hates socialism; he thinks it makes for dullness and stagnation and order and all sorts of things he doesn't like.'

Mrs. Frampton said, 'Why, I should have thought what socialists wanted was quite an uprooting and an upset,' and then Evie's entrance interrupted a discussion which might have been fruitful.

Evie kissed her mother. She said, 'Whatever in the world are you talking about? Socialism? What a subject for breakfast. Buttered egg for me, please.... Oh, chocs—' She opened them, smiling, and looked at the card inside.

'He is extravagant,' she said. 'This is an awfully special box. He must have ordered it from Buszard's before he went.'

'I don't think you should permit it,' said Kate primly.

'Oh, it's all right. He likes it. He's simply rolling.'

Evie was absorbed in the pencilled inscription on the card.

Life was pleasant to Evie. Her mother smiled indulgently on her. Evie certainly did seem to have a lot of young men at once, but then how pretty the child was, and how she enjoyed it. And she had sense, too; Evie never lost her head.

Evie opened the letter by her plate. She read it and laid it aside carelessly, and looked up.

'Yes, some ham, please.... Mr. Doye writes he's seen the Board again and he's to join in a week. I suppose he's satisfied now.'

Mrs. Frampton clicked deprecatingly with her tongue. She regarded it always as a matter for great regret that wounded young men should have to return to the wars.

'Well, I'm sorry for that. Any one would think he'd done enough, having lost a finger for his country. I call it shameful, sending him out again.'

'Perhaps he'll go to Serbia this time,' said Evie. 'He said there was a chance of his battalion getting sent there from France soon.'

'Well, well.' That seemed, if anything, more unreasonable still. 'I'm sure one's dreadfully sorry for poor Serbia—she does seem to be having a bad time; but I'm not sure that our men ought to be sent out to those parts. They're all so wild out there; it seems as if, in a way, they rather like fighting each other; anyhow they've always been at it since I can remember, and I think they'd much better be left to fight it out among themselves, while we defend poor France. But who are we to judge? I suppose Lord Kitchener knows what's right.'

'They say,' put in Kate, 'that Joffre had a great to do before he could persuade Kitchener to send forces out there at all. They say he came to the War Office and broke his riding-whip right across.'

'Fancy that! He must be a very violent man. But the French are always excitable. Lord Kitchener's one of the quiet ones, I've heard. A regular Englishman.... Well, I'm sure I hope they're taking the right course.... Alix, you haven't had half a breakfast; I'm sure you could manage another bit of toast. Evie dear, you'll have to hurry with your breakfast or you'll be late.'

Evie hurried.

She spent the week, with partial success, in avoiding Basil Doye. Since she had done with him, what was the use of scenes? She certainly wasn't going to let him go away with the impression that he would find her waiting on his next return from the war to beguile his leave-time. Her natural generosity forbade her to take and keep Alix's young man; her natural prudence forbade her to philander too ardently (having a good time is different, of course) with a young man who probably didn't mean business. Rightly Evie condemned these practices as Not Respectable. So she went off at lunch time with other friends, with a little pang, indeed, but less acute than she would have felt a week ago, before her rapid friendship with Hugh Montgomery Gordon. Basil Doye was being relegated quickly to the circle of Evie's numerous have-beens, to be remembered with pleasant indifference.

On the Saturday before he left London, Basil obtained an interview with Evie, by means of going, at immense sacrifice of time, to Violette. It was a short interview, and not intimate, for Mrs. Frampton and Kate were present at it.

After it Basil called at Clifford's Inn to say good-bye to Nicholas and Alix, who, they told, him, was there.

2

He found Alix alone, waiting for Nicholas to come in. She had been having tea, and was reading Peacock Pie. She preferred this poetry to any written since August 1914, which had killed fairies.

Looking up from it, she saw Basil standing at the door. He was flushed, and looked cross; she knew of old the sulky set of his brows and mouth, that made him look like a petulant boy. It hurt Alix so much that she couldn't muster any sort of smile, only look away from him and say, 'I'm sorry; Nicky's not in yet.'

He said 'No,' abstractedly, and sat down in the chair on the other side of the fire. He sat in the attitude she had seen him in a thousand times (it seemed to her) before; his elbow resting on his knee, his hand supporting his chin, the other hand, with its maimed third finger, hanging at his side. She had seen him sitting thus happy, intimately talking; she had seen him moody and brooding, as now. There had been a time when she could always lighten these moods, tickle his sullenness to laughter; but that time was past.

He said presently, 'I'm off to-morrow, you know.'

'Yes,' said Alix, who did know.

In her another knowledge grew: the knowledge that if he did not speak of Evie she could get through this interview without disgrace, but that if he did speak of Evie she could not. She did not want him to speak of Evie and break down the wall between them; yet she did want it.

He did speak of Evie. He said he had been to Violette to say good-bye.

'I said it to the whole family together. Evie wouldn't see me alone.... I suppose she doesn't really care a hang. In fact, she's made that very obvious for the last fortnight.'

'Yes,' said Alix again, clinging to that one small word as to a raft in a stormy sea, which might yet float her through.

Basil pushed the tongs with his foot, so that they made a clattering noise in the grate.

'She doesn't care a hang,' he repeated. 'She's on with that jam fellow now. Well, every one to his taste. Hugh Montgomery Gordon obviously appeals to hers.'

Alix's hands were clasped tight over her knee. Her knuckles were white. She kept her eyes on the fire. She would not look at him.

'Yes,' she said.

Then silence fell between them, and though she would not look she felt his nearness, knew how he sat, angry and sullen, brooding over his hurt.

A coal fell from the fire. Alix, as if some one was physically forcing her, raised her eyes from it and looked at Basil, and knew then that she was not going to get through this interview without disgrace. For she saw him sit as she had seen him sit (it seemed to her) a thousand times before, inert, bent forward a little, with the shadows leaping and flickering on his thin olive face and vivid eyes, with one hand supporting his sharp-cut chin, the other hanging maimed (and that alone was something new, belonging to the cruel present not the kindly past) at his side. It seemed that those lean, quick, brown artist's fingers were dragging her soul from her. The sharp sense of all those other times when she and he had thus sat stabbed her like a turning-knife. A thousand intimacies rose to shatter her, and, so shattered, she spoke.

'She doesn't care a hang.' She repeated his phrase, mechanically, sitting very still. 'But I do.'

Then she leant towards him, putting out her hands, and a sob caught in her throat.

'Oh, Basil—I do.'

For a moment the silence was only broken by the leaping, stirring fire.

Basil looked swiftly at Alix, and Alix saw horror in his eyes before he veiled it. The next moment it was veiled: veiled by his quick friendly smile. He leant forward and took her outstretched hands in his, and spoke lightly, easily. He did it well; few people could have attained at once to such ease, such spontaneous naturalness of affection.

'Why, of course—I know. The way you and I care for each other is one of the best things I've got in my life. It lasts, too, when the other sorts of caring go phut....'

'Yes,' said Alix faintly. The raft of that small word drifted back to her, and she climbed on to it out of the engulfing sea. She took her hands from his and lay back in her chair, impassive and still.

Basil rose, and stood by the chimney-piece, playing with the things on it. He talked, naturally, easily, of what he was going to do, the probabilities of his being sent out with a draft to France almost at once, the possibility of his battalion being sent to Serbia. He talked too of their common friends, even of painting, which he seldom mentioned now.

Alix heard his voice as from a great distance off, and from time to time said 'Yes.'

There was a sharp crack, and Basil held the stem of one of Nicholas's pipes in one hand, the bowl in the other; he had broken it in two. His fluent tongue, his flexible face, were under his control; but it seemed that his hands were not; they had shown thus blatantly the uncontrollable strain he felt. Alix winced away from it. She couldn't bear any more: he must go, quickly, before either of them broke anything else.

He went, slipping as it were unnoticeably away, with 'Good-bye' unemphasised, half ashamed, sandwiched between fatuities about the pipe and comments on the future.

'It was an ugly pipe, wasn't it? Tell Sandomir I broke it for his sake, compelled by my artistic conscience; it'll be for his good in the end.... I'm sorry I've not seen him; but you'll say good-bye for me.... And to any of them at the shop.... Good-bye.... If we do get out to the East, we shall have a funny time in some ways, I fancy. I hear Salonika's a great place; glorious riviera climate. But less so inland; too much snow on the hills. Well, it can't be worse than France in winter, anyhow. I believe the Bulgars are very good-natured people to fight against; they aren't really a bit keen on this show.... Want to get back to till their fields....'

His voice came from beyond the door. Then it shut, and muffled his steps running down wooden stairs.

Alix let go her raft, and was submerged by the cold, engulfing seas.

CHAPTER XIII

ALIX, NICHOLAS, AND WEST

1

Nicholas, coming in ten minutes later, found Alix lying in his cane chair, limp and white and sick.

'My dear,' he said after a glance, 'you seem very ill. You prescribe, and I'll see if West has any in his medicine cupboard.'

'Sal-volatile, perhaps,' Alix murmured, and he went to find some. When he came back, she was sitting up, with a more pulled-together air. She sipped the sal-volatile, and gave him a dim, crooked smile.

'It's my feelings really, you know, not my body. It's only that I'm ... shocked to death.'

Nicholas stood, short and square, with his back to the fire, looking down on her with his small, keen, observant eyes.

'What's shocked you?'

'Me myself,' said Alix, forcing an unconcerned grin. 'Alone I did it.'

'What on earth's the matter, Alix?' asked Nicholas after a pause. 'Or don't you want to talk about it?'