IN A LITTLE TOWN

Books by

RUPERT HUGHES

HARPER & BROTHERS, NEW YORK

In a Little Town

BY

RUPERT HUGHES

HARPER & BROTHERS PUBLISHERS

NEW YORK AND LONDON

In A Little Town Copyright, 1917, by Harper & Brothers
Printed in the United States of America
Published March, 1917

to
Frederick Atherton Duneka
as an i-o-u of
heartfelt esteem

CONTENTS

FOREWORD

There are two immortal imbecilities that I have no patience for.

The other one is the treatment of little towns as if they were essentially different from big towns. Cities are not "Ninevehs" and "Babylons" any more than little towns are Arcadias or Utopias. In fact we are now unearthing plentiful evidence of what might have been safely assumed, that Babylon never was a "Babylon" nor Nineveh a "Nineveh" in the sense employed by poets and praters without number. Those old cities were made up of assorted souls as good and as bad and as mixed as now.

They do small towns a grievous injustice who deny them restlessness, vice, ostentation, cruelty; as they do cities a grievous injustice who deny them simplicity, homeliness, friendship, and contentment. It is one of those undeniable facts (which everybody denies) that a city is only a lot of small towns put together. Its population is largely made up of people who came from small towns and of people who go back to small towns every evening.

A village is simply a quiet street in the big city of the world. Quaint, sweet happenings take place in the avenues most thronged, and desperate events come about in sleepy lanes. People are people, chance is chance.

My novels have mainly concerned themselves with New York, and I have tried therein to publish bits of its life as they appear to such eyes and such mind as I have. Though several of my short stories have been published in single volumes, this is the first group to be issued. They are all devoted to small-town people. In them I have sought the same end as in the city novels: to be true to truth, to observe with sympathy and explain with fidelity, to find the epic of a stranger's existence and shape it for the eyes of strangers—to pass the throb of another heart through my heart to your heart.

The scene of these stories lies pretty close to the core of these United States, in the Middle West, in the valley of the Mississippi River. I was born near that river and spent a good deal of my boyhood in it.

Though it would be unfair, false, and unkind to fasten these stories on any definite originals, they are centered in the region about the small city of Keokuk, Iowa, from which one can also see into Illinois, and into Missouri, where I was born. Comic poets have found something comic in the name of Keokuk, as in other town names in which the letter "K" is prominent. Why "K" should be so humorous, I can't imagine. The name of Keokuk, however, belonged to a splendid Indian chief who was friendly to the early settlers and saved them from massacre. The monument over his bones in the park, on the high bluff there, now commands one of the noblest views in the world, a great lake formed in the Mississippi River by a dam which is as beautiful as if the Greeks had built it. It was, in fact, built by a thousand Greeks who camped there for years. As an engineering achievement it rivals the Assouan dam and as a manufacturer of electricity it is a second to Niagara Falls. But it has not yet materially disturbed the rural quality of the country.

The scenery thereabout is very beautiful, but I guarantee you against landscape in these stories. I cannot, however, guarantee that the stories are even based on fact. Yet I hope that they are truth.

The characters are limited to a small neighborhood, but if they are not also faithful to humanity in general, then, as we would say out there, "I miss my guess."

Rupert Hughes.

IN A LITTLE TOWN

DON'T YOU CARE!

I

When she was told it was a girl, Mrs. Govers sighed. "Well, I never did have any luck, anyway; so I d' know's I'm supprised."

Later she wept feebly:

"Girls are easier to raise, I suppose; but I kind of had my heart set on namin' him Launcelot." After another interval she rallied to a smile: "I was prepared for the worst, though; so I picked out Ellaphine for a name in case he was a her. It's an awful pirty name, Ellaphine is. Don't you think so?"

"Yes, yes," said the nurse, who would have agreed to anything then.

After a time Mrs. Govers resumed: "She'll be an awful pirty girl, I hope. Is that her makin' all that noise? Give me a glimpse of her, will you? I got a right, I guess, to see my own baby. Oh, Goshen! Is that how she looks?" A kind of swoon; then more meditation, followed by a courageous philosophy: "Children always look funny at first. She'll outgrow it, I expect. Ellaphine is such an elegant name. It ought to be a kind of inducement to grow up to. Don't you think so?"

The nurse, who was juggling the baby as if it were red-hot, mumbled through a mustache of safety-pins that she thought so. Mrs. Govers echoed, "I thought so, too." After that she went to sleep.

Ellaphine, however, did not grow up elegant, to fit the name. The name grew inelegant to fit her. During her earliest years the witty little children called her Elephant until they tired of the ingenuity and allowed her to lapse indolently from Ellar to El.

Mrs. Govers for some years cherished a dream that her ugly duckling would develop into a swan and fly away with a fabulously wealthy prince. Later she dwindled to a prayer that she might capture a man who was "tol'able well-to-do."

The majority of ugly ducklings, however, grow up into uglier ducks, and Mrs. Govers resigned herself to the melancholy prospect of the widowed mother of an old maid perennial.

To the confusion of prophecy, among all the batch of girls who descended on Carthage about the time of Ellaphine's birth—"out of the nowhere into the here"—Ellaphine was the first to be married! And she cut out the prettiest girl in the township—it was not such a small township, either.

Those homely ones seem to make straight for a home the first thing. Ellaphine carried off Eddie Pouch—the very Eddie of whom his mother used to say, "He's little, but oh, my!" The rest of the people said, "Oh, my, but he's little!"

Eddie's given name was Egbert. Edward was his taken name. He took it after his mother died and he went to live at his uncle Loren's. Eddie was sorry to change his name, but he said his mother was not responsible at the time she pasted the label Egbert on him, and his shy soul could not endure to be called Egg by his best friends—least of all by his best girl.

His best girl was the township champion looker, Luella Thickins. From the time his heart was big enough for Cupid to stick a child's-size arrow in, Eddie idolized Luella. So did the other boys; and as Eddie was the smallest of the lot, he was lost in the crowd. Even when Luella noticed him it was with the atrocious contempt of little girls for little boys they do not like.

Eddie could not give her sticks of candy or jawbreakers, for his uncle Loren did not believe in spending money. And Eddie had no mother to go to when the boys mistreated him and the girls ignored him. A dismal life he led until he grew up as far as he ever grew up.

Eddie reached his twenty-second birthday and was working in Uncle Loren's factory—one of the largest feather-duster factories in the whole State—when he observed a sudden change in Luella's manner.

She had scared him away from paying court to her, save from a distance. Now she took after him, with her aggressive beauty for a club and her engaging smiles for a net. She asked him to take her to the Sunday-school picnic, and asked him what he liked best for her to put in for him. She informed him that she was going to cook it for herself and everybody said she could fry chicken something grand. So he chose fried chicken.

He was so overjoyed that it was hard for him to be as solemn about the house as he ought to have been, in view of the fact that Uncle Loren had been taken suddenly and violently ill. Eddie was the natural heir to the old man's fortune.

Uncle Loren was considered close in a town where extravagance was almost impossible, but where rigid economy was supposed to pile up tremendous wealth. Hitherto it had pained Uncle Loren to devote a penny to anything but the sweet uses of investment. Now it suddenly occurred to the old miser that he had invested nothing in the securities of New Jerusalem, Limited. He was frightened immeasurably.

In his youth he had joined the Campbellite church and had been baptized in the town pond when there was a crust of ice over it which the pastor had to break with a stick before he immersed Loren. Everybody said the crust of ice had stuck to his heart ever since.

In the panic that came on him now he craftily decided to transfer all his savings to the other shore. The factory, of course, he must leave behind; but he drafted a hasty will presenting all his money to the Campbellite church under conditions that he counted on to gain him a high commercial rating in heaven.

Over his shoulder, as he wrote, a shadow waited, grinning; and the old man had hardly folded his last testament and stuffed it into his pillow-slip when the grisly hand was laid on his shoulders and Uncle Loren was no longer there.

II

His uncle's demise cut Eddie out of the picnic with Luella; but she was present at the funeral and gave him a wonderful smile. Uncle Loren's final will was not discovered until the pillow-slip was sent to the wash; and at the funeral Eddie was still the object of more or less disguised congratulations as an important heir.

Luella solaced him with rare tact and tenderness, and spoke much of his loneliness and his need of a helpmate. Eddie resolved to ask her to marry him as soon as he could compose the speech.

Some days later Uncle Loren's farewell will turned up, and Eddie fell from grace with a thump. The town laughed at him, as people always laugh when a person—particularly so plump a person as Eddie was—falls hard on the slippery sidewalk of this icy world.

In his dismay he hastened to Luella for sympathy, but she turned up missing. She jilted him with a jolt that knocked his heart out of his mouth. He stood, as it were, gaping stupidly, in the middle of the highway.

Then Ellaphine Govers came along, picked his heart out of the road, dusted it, and offered it back. He was so grateful that he asked her to keep it for him. He was so pitiable an object that he felt honored even by the support of Ellar Govers.

He went with Ellar quite a lot. He found her very comfortable company. She seemed flattered by his attention. Other people acted as if they were doing him a favor by letting him stand around.

He had lost Uncle Loren's money, but he still had a small job at the factory. Partly to please Ellar and partly to show certain folks that he was not yet dead, he took her out for a drive behind a livery-stable horse. It was a beautiful drive, and the horse was so tame that it showed no desire to run away. It was perfectly willing to stand still where the view was good.

He let Ellar drive awhile, and that was the only time the horse misbehaved. It saw a stack of hay, nearly went mad, and tried to climb a rail fence; but Ellar yelled at it and slapped the lines at it and got it past the danger zone, and it relapsed into its usual mood of despair.

Eddie told Ellar the horse was "attackted with haydrophobia." And she nearly laughed herself to death and said:

"You do say the funniest things!"

She was a girl who could appreciate a fellow's jokes, and he saw that they could have awful good times together. He told her so without difficulty and she agreed that they could, and they were as good as engaged before they got back as far as the fair-grounds. As they came into the familiar streets Eddie observed a remarkable change in the manner of the people they passed. People made an effort to attract his eye. They wafted him salutes from a distance. He encountered such a lifting of hats, elaborateness of smiles and flourish of hands, that he said to Ellaphine:

"Say, Pheeny, I wonder what the joke is!"

"Me, I guess," sighed Ellaphine. "They're makin' fun of you for takin' me out buggy-ridin'."

"Ah, go on!" said Eddie. "They've found out something about me and they're pokin' fun."

He was overcome with shame and drove to Ellaphine's house by a side street and escorted the horse to the livery-stable by a back alley. On his way home he tried in vain to dodge Luella Thickins, but she headed him off with one of her Sunday-best smiles. She bowled him over by an effusive manner.

"Why, Eddie, you haven't been round to see me for the longest time! Can't you come on over 'safternoon? I'd just love to see you!"

He wondered whether she had forgotten how she had ground his meek heart under her heel the last time he called.

She was so nice to him that she frightened him. He mumbled that he would certainly call that afternoon, and got away, wondering what the trick was. Her smile seemed less pretty than it used to be.

III

A block farther on Eddie met a man who explained the news, which had run across the town like oil on water. Tim Holdredge, an idle lawyer who had nothing else to do, looked into the matter of Uncle Loren's will and found that the old man, in his innocence of charity and his passion for economy, had left his money to the church on conditions that were not according to the law. The money reverted to the estate. Eddie was the estate.

When Tim Holdredge slapped Eddie on the shoulder and explained the result of what he called "the little joker" in Uncle Loren's will, Eddie did not rejoice, as Tim had a right to expect.

Eddie was poisoned by a horrible suspicion. The logic of events ran through his head like a hateful tune which he could not shake off:

"When Luella thought I was coming into a pile of money she was nice to me. When she heard I wasn't she was mean to me. Now that my money's coming to me, after all, she's nice again. Therefore—" But he was ashamed to give that ungallant ergo brain room.

Still more bewildering was the behavior of Ellaphine. As soon as he heard of his good fortune he hurried to tell her about it. Her mother answered the door-bell and congratulated him on his good luck. When he asked for Ellar, her mother said, "She was feelin' right poorly, so she's layin' down." He was so alarmed that he forgot about Luella, who waited the whole afternoon all dressed up.

After supper that night he patrolled before Ellaphine's home and tried to pluck up courage enough to twist that old door-bell again. Suddenly she ran into him. She was sneaking through the front gate. He tried to talk to her, but she said:

"I'm in a tur'ble hurry. I got to go to the drug-store and get some chloroform liniment. Mamma's lumbago's awful bad."

He walked along with her, though she tried to escape him. The first drowsy lamp-post showed him that Ellaphine had been crying. It was the least becoming thing she could have done. Eddie asked whether her mother was so sick as all that. She said "No"—then changed to "Yes"—and then stopped short and began to blubber uncouthly, dabbing her eyes alternately with the backs of her wrists.

Eddie stared awhile, then yielded to an imperious urge to clasp her to his heart and comfort her. She twisted out of his arms, and snapped, "Don't you touch me, Eddie Pouch!"

Eddie mumbled, inanely, "You didn't mind it this mornin', buggy-ridin'."

Her answer completely flabbergasted him:

"No; because you didn't have all that money then."

"Gee whiz, Pheeny!" he gasped. "What you got against Uncle Loren's money? It ain't a disease, is it? It's not ketchin', is it?"

"No," she sobbed; "but we—Well, when you were so poor and all, I thought you might—you might really like me because I could be of some—of some use to you; but now you—you needn't think I'm goin' to hold you to any—anything against your will."

Eddie realized that across the street somebody had stopped to listen. Eddie wanted to throw a rock at whoever it was, but Ellaphine absorbed him as she wailed:

"It 'd be just like you to be just's nice to me as ever; but I'm not goin' to tie you down to any homely old crow like me when you got money enough to marry anybody. You can get Luella Thickins back now. You could marry the Queen of England if you'd a mind to."

Eddie could find nothing better to say than, "Well, I'll be dog-on'd!"

While he gaped she got away.

IV

Luella Thickins cast her spells over Eddie with all her might, but he understood them now and escaped through their coarse meshes. She was so resolute, however, that he did not dare trust himself alone in the same town with her unless he had a chaperon.

He sent a note to Ellaphine, saying he was in dire trouble and needed her help. This brought him the entree to her parlor. He told her the exact situation and begged her to rescue him from Luella.

Ellaphine's craggy features grew as radiant as a mountain peak in the sunrise. The light made beautiful what it illumined. She consented at last to believe in Eddie's devotion, or at least in his need of her; and the homely thing enjoyed the privilege of being pleaded for and of yielding to the prayers of an ardent lover.

She assumed that the marriage could not take place for several years, if ever. She wanted to give Eddie time to be sure of his heart; but Eddie was stubborn and said:

"Seein' as we're agreed on gettin' married, let's have the wedding right away and get it over with."

When Ellaphine's mother learned that Ellaphine had a chance to marry an heir and was asking for time, Mrs. Govers delivered an oration that would have sent Ellaphine to the altar with almost anybody, let alone her idolized Eddie.

The wedding was a quiet affair. Everybody in Carthage was invited. Few came. People feared that if they went they would have to send wedding-presents, and Eddie and Ellar were too unimportant to the social life of Carthage to make their approval valuable.

Eddie wore new shoes, which creaked and pinched. He looked twice as uncomfortable and twice as sad as he had looked at his uncle Loren's obsequies; and he suffered that supreme disenchantment of a too-large collar with a necktie rampant.

In spite of the ancient and impregnable theory that all brides are beautiful, was there ever a woman who looked her best in the uniform of approaching servitude? In any case, Ellaphine's best was not good, and she was at her worst in her ill-fitting white gown, with the veil askew. Her graceless carriage was not improved by the difficulty of keeping step with her escort and the added task of keeping step with the music.

The organist, Mr. Norman Maugans, always grew temperamental when he played Mendelssohn's "Wedding March," and always relieved its monotonous cadence with passionate accelerations and abrupt retardations. That made walking difficult.

When the minister had finished with the couple and they moved down the aisle to what the paper called the "Bridle March, by Lohengrin," Mr. Maugans always craned his neck to see and usually put his foot on the wrong pedal, with the startling effect of firing a cannon at the departing guests.

He did not crane his neck, however, to see Mr. and Mrs. Pouch depart. They were too commonplace entirely. He played the march with such doleful indifference that Eddie found the aisle as long as the distance from Marathon to Athens. Also he was trying to walk so that his pinching shoes would not squeak.

At the end of the last pew Eddie and Ellaphine encountered Luella Thickins leaning out into the aisle and triumphantly beautiful in her finest raiment. Her charms were militant and vindictive, and her smile plainly said: "Uh-huh! Don't you wish you'd taken me instead of that thing you've hitched up with for life?"

Eddie gave her one glance and found her hideous. Ellaphine lowered her eyelids in defeat and slunk from the church, thinking:

"Now he's already sorry that he married me. What can he see in me to love? Nothing! Nothing!"

When they clambered into the carriage Eddie said, "Well, Mrs. Pouch, give your old husband a kiss!"

Ellaphine shrank away from him, however, crying again. He was hurt and puzzled until he remembered that it is the business of brides to cry. He held her hand and tried to console her for being his victim, and imagined almost every reason for her tears but the true one.

The guests at the church straggled to Mrs. Govers's home, drawn by the call of refreshments. Luella was the gayest of them all. People wondered why Eddie had not married her instead of Ellaphine. Luella heard some one say, "What on earth can he see in her?"

Luella answered, "What on earth can she see in him?" It was hardly playing fair, but Luella was a poor loser. She even added, to clinch it, "What on earth can they see in each other?"

That became the town comment on the couple when there was any comment at all. Mainly they were ignored completely.

Eddie and Ellar were not even honored with the usual outburst of the ignoblest of all sports—bride-baiting. Nobody tied a white ribbon to the wheel of the hack that took them to the depot. Old shoes had not been provided and rice had been forgotten. They were not pelted or subjected to immemorial jokes. They were not chased to the train, and their elaborate schemes for deceiving the neighbors as to the place of their honeymoon were wasted. Nobody cared where they went or how long they stayed.

They returned sheepishly, expecting to run a gantlet of humor; but people seemed unaware that they had been away. They settled down into the quiet pool of Carthage without a splash, like a pair of mud-turtles slipping off a log into the water. Even the interest in Eddie's inheritance did not last long, for Uncle Loren's fortune did not last long—not that they were spendthrift, for they spent next to nothing; but money must be fed or it starves to death. Money must grow or wither.

V

Eddie found that his uncle's reputation for hard dealing had been a condition of his success. He soon learned that the feather-duster factory could be run at a profit only by the most microscopic care. Wages must be kept down; hours kept up; the workers driven every minute, fined if they were late, nagged if they dawdled. Profit could be wrung from the trade only by ugly battles with dealers and purchasers. Raw material had to be fought down, finished product fought up; bills due fought off, accounts fought in; the smallest percentage of a percentage wrestled for.

Eddie was incapable of such vigilant hostility toward everybody. The factory almost immediately ceased to pay expenses. Eddie was prompt to meet debts, but lenient as a collector. The rest of his inheritance fared no better. Eddie was an ideal mortgagee. The first widow wept him out of his interest in five tears. Having obliged her, he could hardly deny the next person, who had money but wanted more, "to carry out a big deal."

Eddie first gained a reputation for being a kind-hearted gentleman and a Christian, and later a notoriety for being an easy mark. Eddie overheard such comment eventually, and it wounded him as deeply as it bewildered him. Bitterer than the contempt for a hard man is the contempt for a soft man who is betrayed by a vice of mercy. Eddie was hopelessly addicted to decency.

Uncle Loren had been a miser and so close that his nickname had implied the ability to skin a flint. People hated him and raged against him; but it suddenly became evident that they had worked hard to meet their bills payable to him. They had sat up nights devising schemes to gain cash for him. He was a cause of industry and thrift and self-denial. He paid poor wages, but he kept the factory going. He squeezed a penny until the eagle screamed, but he made dusters out of the tail feathers, and he was planning to branch out into whisk brooms and pillows when, in the words of the pastor, he was "called home." The pastor liked the phrase, as it did not commit him to any definite habitat.

Eddie, however, though he worked hard and used thrift, and, with Ellaphine's help, practised self-denial, found that he was not so big a man as the small man he succeeded. He increased the wages and cut down the hours, and found that he had diminished the output of everything except complaints. The men loafed shamelessly, cheated him of the energy and the material that belonged to him, and whined all the time. His debtors grew shiftless and contemptuous.

It is the irony, the meanness, of the trade of life that virtue may prove vicious in effect; and viciousness may produce good fruit. Figs do grow from thistles.

For a time the Pouch couple attracted a great deal of attention from the people of Carthage—the sort of attention that people on shore devote to a pair of capsized canoeists for whom nobody cares to risk his life.

Luella Thickins had forced the note of gaiety at the wedding, but she soon grew genuinely glad that Eddie had got away. She began to believe that she had jilted him.

VI

People who wondered what Mr. and Mrs. Pouch saw in each other could not realize that he saw in her a fellow-sufferer who upheld him with her love in all his terrors. She was everything that his office was not—peace without demand for money; glowing admiration and raptures of passion.

What she saw in him was what a mother sees in a crippled child that runs home to her when the play of the other boys is too swift or too rough. She saw a good man, who could not fight because he could not slash and trample and loot. She saw what the Belgian peasant women saw—a little cottage holder staring in dismay at the hostile armies crashing about his homestead.

The only comfort Eddie found in the situation was the growing realization that it was hopeless. The drowsy opiate of surrender began to spread its peace through his soul. His torment was the remorse of proving a traitor to his dead uncle's glory. The feather-dustery that had been a monument was about to topple into the weeds. Eddie writhed at that and at his feeling of disloyalty to the employees, who would be turned out wageless in a small town that was staggering under the burden of hard times.

He made a frantic effort to keep going on these accounts, but the battle was too much for him. He could not imagine ways and means—he knew nothing of the ropes of finance. He was like a farmer with a scythe against sharpshooters. Ellaphine began to fear that the struggle would break him down. One night she persuaded him to give up.

She watched him anxiously the next morning as his fat little body, bulging with regrets, went meekly down the porch steps and along the walk. The squeal of the gate as he shoved through sounded like a groan from his own heart. He closed the gate after him with the gentle care he gave all things. Then he leaned across it to wave to his Pheeny. It was like the good-by salute of a man going to jail.

Ellaphine moped about the kitchen, preparing him the best dinner she could to cheer him when he came home at noon. To add a touch of grace she decided to set a bowl of petunias in front of him. He loved the homely little flowers in their calico finery, like farmers' daughters at a picnic. Their cheap and almost palpable fragrancy delighted him when it powdered the air. She hoped that they would bring a smile to him at noon, for he could still afford petunias.

She was squatting by the colony aligned along the walk, and her big sunbonnet hid her unbeautiful face from the passers-by and theirs from her, when she caught a glimpse of Luella Thickins coming along, giggling with the banker's son. Luella put on a little extra steam for the benefit of Ellaphine, who was glad of her sunbonnet and did not look up.

Later there came a quick step, thumping the boardwalk in a rhythm she would have recognized but for its allegrity. The gate was opened with a sweep that brought a shriek from its old rheumatic hinge, and was permitted to swing shut with an unheeded smack. Ellaphine feared it was somebody coming with the haste that bad news inspires. Something awful had happened to Eddie! Her knees could not lift her to face the evil tidings. She dared not turn her head.

Then she heard Eddie's own voice: "Pheeny! Pheeny, honey! Everything's all right!"

Pheeny spilled the petunias and sat down on them. Eddie lifted her up and pushed his glowing face deep into her sunbonnet, and kissed her.

Luella Thickins was coming back and her giggling stopped. She and the banker's son, who were just sauntering about, exchanged glances of disgust at the indecorous proceeding. Later Luella resumed her giggle and enjoyed hugely her comment:

"Ellar looks fine in a sunbonnet! The bigger it is, the better she looks."

VII

Meantime Eddie was supporting his Pheeny into the house. His path was strewn with petunias and she supposed he had some great victory to announce. He had; but he was the victim.

The conqueror was the superintendent of the factory, Jabez Pittinger, who had survived a cycle of Uncle Loren's martinetism with less resentment than a year of Eddie's lenience. But Eddie is telling Ellaphine of his glorious achievement:

"You see, I went to the fact'ry feeling like I was goin' to my grave."

"I know," she said; "but what happened?"

"I just thought I'd rather die than tack up the notice that we were going to shut down and turn off those poor folks and all."

"I know," said Ellaphine; "but tell me."

"Well, finally," Eddie plodded along, "I tried to draw up the 'nouncement with the markin'-brush; but I just couldn't make the letters. So I called in Jabe Pittinger and told him how it was; and I says to him: 'Jabe, I jest naturally can't do it m'self. I wisht you'd send the word round that the factory's goin' to stop next Sat'd'y.' I thought he'd show some surprise; but he didn't. He just shot a splash of tobacco-juice through that missin' tooth of his and says, 'I wouldn't if I's you.' And I says, 'Goodness knows I hate to; but there's no way out of it.' And he wopsed his cud round and said, 'Mebbe there is.' 'What do you mean?' I says. And he says, 'Fact is, Eddie'—he always called me Mr. Pouch or Boss before, but I couldn't say anything to him, seeing—"

"I know!" Ellaphine almost screamed. "But what'd he say? What's the upshot?"

Eddie went on at his ox-like gait. "'Well,' he he says, 'fact is, Eddie,' he says, 'I been expectin' this, and I been figgerin' if they wasn't a way somewhere to keep a-runnin',' says he; 'and I been talkin' to certain parties that believes as I do, that the fault ain't with the feather-duster business, but with the way it's run,' he says. 'People gotter have feather dusters,' he says; 'but they gotter be gave to 'em right.' O' course I knew he was gettin' at me, but I was in no p'sition to talk back."

"Oh, please, Eddie!" Ellaphine moaned. "Please tell me! I'm goin' crazy to know the upshot of it, and I smell the pie burnin'—it's rhubob, too."

"You got rhubob pie for dinner to-day?" Eddie chortled. "Oh, crickety, that's fine!"

He followed her into the kitchen and helped her carry the things to the dining-room, where they waited on each other in alternate dashes and clashes of "Lemme get it!" and "You set right still!"

Eventually he reached the upshot, which was that Mr. Pittinger thought he might raise money to run the factory if Eddie would give him the control and drop out. Eddie concluded, with a burst of rapture: "I'm so tickled I wisht I could telegraft poor Uncle Loren that everything's all right!"

VIII

It was an outrageous piece of petty finance on high models, and it euchred Eddie out of everything he had in the world except his illusion that Jabez was working for the good of the factory.

Eddie always said "The Fact'ry" in the tone that city people use when they say "The Cathedral."

Ellaphine saw through the wiles of Jabez and the measly capitalists he had bound together, and she was ablaze with rage at them and with pity for her tender-hearted child-husband; but she did not reveal these emotions to Eddie.

She encouraged him to feast on the one sweetmeat of the situation: that the hands would not be turned off and the factory would keep open doors. In fact, when doubt began to creep into his own idle soul and a feeling of shame depressed him, as the butt of the jokes and the pity that the neighbors flung at him, Ellaphine pretended to be overjoyed at the triumph he had wrested from defeat.

And when he began to chafe at his lack of occupation, and to fret about their future, she went to the factory and invaded the office where the usurper, Jabez Pittinger, sat enthroned at the hallowed desk, tossing copious libations of tobacco-juice toward a huge new cuspidor. She demanded a job for Eddie and bullied Jabez into making him a bookkeeper, at a salary of forty-five dollars a month.

Thus, at last, Eddie Pouch found his place in the world. There are soldiers who make ideal first sergeants and are ruined and ruinous as second lieutenants; and there are soldiers who are worthless as first sergeants, but irresistible as major-generals. Eddie was a born first sergeant, a routine man, a congenital employee—doomed, like fire, to be a splendid servant and a disastrous master.

Working for himself, he neglected every opportunity. Working for another, he neglected nothing. Meeting emergencies, tricking creditors and debtors, and massacring competitors were not in his line; but when it came to adding up columns of figures all day, making out bills, drawing checks for somebody else to sign, and the Santa Claus function of stuffing the pay-roll into the little envelopes—Eddie was there. Shrewd old Jabez recognized this. He tried him on a difficult collection once—sent him forth to pry an ancient debt of eighteen dollars and thirty-four cents out of the meanest man in town, vice Uncle Loren. Eddie came back with a look of contentment.

"Did you git it?" said Jabez.

"Well, you see, it was like this: the poor feller—"

"Poor heller! Did you git it?"

"No; he was so hard up I lent him four dollars."

"What!"

"Out of my own pocket, o' course."

Jabez remarked that he'd be hornswoggled; but he valued the incident and added it to the anecdotes he used when he felt that he had need to justify himself for playing Huerta with his dreamy Madero.

IX

After that the most Jabez asked of Eddie was to write "Please remit" or "Past due" on the mossier bills. Eddie preferred an exquisite poem he had copied from a city creditor: "This account has no doubt escaped your notice. As we have several large obligations to meet, we should greatly appreciate a check by return mail."

Eddie loved that. There was a fine chivalry and democracy about it, as one should say: "We're all debtors and creditors in this world, and we big fellows and you little fellows must all work together."

Life had a regularity now that would have maddened a man more ambitious than Eddie or a woman more restless than Ellaphine. Their world was like the petunia-garden—the flowers were not orchids or telegraph-pole-stemmed roses; but the flower faces were joyous, their frocks neat, and their perfume savory.

Eddie knew just how much money was coming in and there was no temptation to hope for an increase. They knew just how much time they had, and one day was like another except that along about the first of every month Eddie went to the office a little earlier and went back at night to get out the bills and adjust his balances.

On these evenings Ellaphine was apt to go along and sit with him, knitting thick woolen socks for the winter, making him shirts or nightgowns, or fashioning something for herself or the house. Her loftiest reach of splendor was a crazy quilt; and her rag carpets were highly esteemed.

On Sundays they went to church in the morning and again in the evening. Prayer-meeting night saw them always on their way to the place where the church bell called: "Come! Come!"

Sometimes irregular people, who forgot it was prayer-meeting night, would be reminded of it by seeing Eddie and Ellar go by. They went so early that there was time for the careless to make haste with their bonnets and arrive in time.

It was a saying that housewives set their kitchen clocks by Eddie's transits to and from the factory. At any rate, there was no end to the occasions when shiftless gossips, dawdling on their porches, were surprised to see Eddie toddle homeward, and scurried away, cackling:

"My gracious! There goes Eddie Pouch, and my biscuits not cut out!"

X

The whole year was tranquil now for the Pouches, and the halcyon brooded unalarmed in the waveless cove of their life. There were no debtors to be harassed, no creditors to harass them. They paid cash for everything—at least, Ellaphine did; for Eddie turned his entire forty-five dollars over to her. She was his banker and his steward.

She could not persuade him to smoke, or to buy new clothes before the old ones grew too shabby for so nice a man as a bookkeeper is apt to be. He did not drink or play cards or billiards; he did not belong to any lodge or political organization.

The outgo of money was as regular as the income—so much for the contribution-basket on Sundays; so much for the butcher; so much for the grocer; so much for the coal-oil lamps. The baker got none of their money and the druggist little.

A few dollars went now and then to the dry-goods store for dress goods, which Pheeny made up; and Eddie left an occasional sum at the Pantatorium for a fresh alpaca coat, or for a new pair of trousers when the seat of the old ones grew too refulgent or perilously extenuate. As Eddie stood up at his tall desk most of the time, however, it was rather his shoes than his pantaloons that felt the wear and tear of attrition.

And yet, in spite of all the tender miserhood of Ellaphine and the asceticism of Eddie, few of the forty-five dollars survived the thirty days' demands. Still, there was always something for the savings-bank, and the blessing on its increment was that it grew by exactions from themselves—not from their neighbors.

The inspiration of the fund was the children that were to be. The fund had ample time for accretion, since the children were as late as Never is.

Such things are not discussed, of course, in Carthage. And nobody knew how fiercely they yearned. Nobody knew of the high hopes that flared and faded.

After the first few months of marriage Eddie had begun to call Pheeny "Mother"—just for fun, you know. And it teased her so that he kept it up, for he liked a joke as well as the next fellow. Before people, of course, she was "Pheeny," and, on very grand occasions, "the wife." "Mrs. Pouch" was beyond him. But once, at a sociable, he called across the room, "Say, mother!"

He was going to ask her whether she wanted him to bring her a piece of the "chalklut" cake or a hunk of the "cokernut," but he got no farther. Nobody noticed it; but Eddie and Pheeny were consumed with shame and slunk home scarlet. Nobody noticed that they had gone.

Time went on and on, and the fund grew and grew—a little coral reef of pennies and nickels and dimes. The amusements of the couple were petty—an occasional church sociable was society; a revival period was drama. They never went to the shows that came to the Carthage Opera House. They did not miss much.

Eddie wasted no time on reading any fiction except that in the news columns of the evening paper, which a boy threw on the porch in a twisted boomerang every afternoon, and which Eddie untwisted and read after he had wiped the dishes that Pheeny washed.

Ellaphine spent no money on such vanities as novels or short stories, but she read the edifying romances in the Sunday-school paper and an occasional book from the Sunday-school library, mainly about children whose angelic qualities gave her a picture of child life that would have contrasted strongly with what their children would have been if they had had any.

Their great source of literature, however, was the Bible. Soon after their factory passed out of their control and their evenings ceased to be devoted to riddles in finance, they had resolved to read the Bible through, "from kiver to kiver." And Eddie and Ellaphine found that a chapter read aloud before going to bed was an excellent sedative.

They had not invaded Genesis quite three weeks before the evening when it came Eddie's turn to read aloud the astonishing romance of Abram, who became Abraham, and of Sarai, who became Sarah. It was very exciting when the child was promised to Sarah, though she was "well stricken in age." Eddie smiled as he read, "Sarah laughed within herself." But Pheeny blushed.

Ellaphine was far from the ninety years of Sarah, but she felt that the promise of a son was no laughing matter. These poignant hopes and awful denials and perilous adventures are not permitted to be written about or printed for respectable eyes. If they are discussed it must be with laughing ribaldry.

Even in their solitude Eddie and Pheeny used modest paraphrases and breathed hard and looked askance, and made sure that no one overheard. They whispered as parents do when their children are abed up-stairs.

The neighbors gave them hardly thought enough to imagine the lofty trepidation of these thrilling hours. The neighbors never knew of the merciless joke Fate played on them when, in their ignorance, they believed the Lord had sent them a sign. They dwelt in a fools' paradise for a long time, hoarding their glorious expectations.

At length Pheeny grew brazen enough to consult the old and peevish Doctor Noxon; and he laughed her hopes away and informed her that she need never trouble herself to hope again.

That was a smashing blow; and they cowered together under the shadow of this great denial, each telling the other that it did not matter, since children were a nuisance and a danger anyway.

They pretended to take solace in two current village tragedies—the death of the mayor's wife in childbed and the death of the minister's son in disgrace; but, though they lied to each other lovingly, they were neither convincing nor convinced.

XI

Year followed year as season trudged at the heel of season. The only difference it made to them was that now Ellaphine evicted weeds from the petunia-beds, and now swept snow from the porch and beat the broom out on the steps; now Eddie carried his umbrella up against the sun or rain and mopped his bald spot, and now he wore his galoshes through the slush and was afraid he had caught a cold.

The fund in the bank went on growing like a neglected garden, but it was growing for nothing. Eddie walked more slowly to and from the office, and Pheeny took a longer time to set the table. She had to sit down a good deal between trips and suffered a lot of pain. She said nothing about it to Eddie of evenings, but it grew harder to conceal her weakness from him when he helped her with the Sunday dinner.

Finally she could not walk to church one day and had to stay at home. He stayed with her, and their empty pew made a sensation. Eddie fought at Pheeny until she consented to see the doctor again—on Monday.

The doctor censured her for being foolish enough to try to die on her feet, and demanded of Eddie why they did not keep a hired girl. Eddie had never thought of it. He was horrified to realize how heartless and negligent he had been. He promised to get one in at once.

Pheeny stormed and wept against the very idea; but her protests ended on the morning when she could not get up to cook Eddie's breakfast for him. He had to get his own and hers, and he was late at the office for the first time in years. Two householders, seeing him going by, looked at their clocks and set them back half an hour.

Jabez spoke harshly to Eddie about his tardiness. It would never do to ignore an imperfection in the perfect. Eddie was Pheeny's nurse that night and overslept in the morning. It would have made him late again if he had stopped to fry an egg or boil a cup of coffee. He ran breakfastless to his desk.

After that Pheeny consented to the engagement of a cook. They tried five or six before they found one who combined the traits of being both enduring and endurable.

Eddie was afraid of her to a pitiful degree. She put too much coffee in his coffee and she made lighter bread than Pheeny did.

"There's no substance to her biscuits!" Eddie wailed, hoping to comfort Pheeny, who had leisure enough now to develop at that late date her first acquaintance with jealousy.

XII

The cook was young and vigorous, and a hired man on a farm might have called her good-looking; but her charms did not interest Eddie. His soul was replete with the companionship of his other self—Pheeny; and if Delia had been as sumptuous a beauty as Cleopatra he would have been still more afraid of her. He had no more desire to possess her than to own the Kohinoor.

And Delia, in her turn, was far more interested in the winks and flatteries of the grocer's boy and the milkman than in any conquest of the fussy little fat man, who ate whatever she slammed before him and never raised his eyes.

Pheeny, however, could not imagine this. She could not know how secure she was in Eddie's heart, or how she had grown in and about his soul until she fairly permeated his being.

So Pheeny lay up in the prison of her bed and imagined vain things, interpreting the goings-on down-stairs with a fantastic cynicism that would have startled Boccaccio. She did not openly charge Eddie with these fancied treacheries. She found him guilty silently and silently acquitted him of fault, abjectly asking herself what right she had to deny him all acquaintance with beauty, hilarity, and health.

She remembered her mother's eternal moan, "All men are alike." She dramatized her poor mouse of a husband as a devastating Don Juan; and then forgave him, as most of the victims of Don Juan's ruthless piracies forgave him.

She suffered hideously, however. Eddie, seeing the deep, sad look of her eyes as they studied him, wondered and wondered, and often asked her what the matter was; but she always smiled as a mother smiles at a child that is too sweet to punish for any mischief, and she always answered: "Nothing! Nothing!" But then she would sigh to the caverns of her soul. And sometimes tears would drip from her brimming lids to her pillow. Still, she would tell him nothing but "Nothing!"

Finally the long repose repaired her worn-out sinews and she grew well enough to move about the house. She prospered on the medicine of a new hope that she should soon be well enough to expel the third person who made a crowd of their little home.

And then Luella Thickins came back to town. Luella had married long before and moved away; but now she came back a widow, handsome instead of pretty, billowy instead of willowy, seductive instead of spoony, and with that fearsome menace a widow carries like a cloud about her.

Eddie spoke of meeting her "down-town," and in his fatuous innocence announced that she was "as pirty as ever." If he had hit Pheeny with a hatchet he would have inflicted a less painful wound.

XIII

Luella's presence cast Pheeny into a profounder dismay than she had ever felt about the cook. After all, Delia was only a hired girl, while Luella was an old sweetheart. Delia had put wicked ideas into Eddie's head and now Luella would finish him. As Ellaphine's mother had always said, "Men have to have novelty."

The Lord Himself had never seen old Mr. Govers stray an inch aside from the straight path of fidelity; but his wife had enhanced him with a lifelong suspicion that eventually established itself as historical fact.

Pheeny could find some excuse for Eddie's Don Juanity with the common clay of Delia, especially as she never quite believed her own beliefs in that affair; but Luella was different. Luella had been a rival. The merest courtesy to Luella was an unpardonable affront to every sacred right of successful rivalry.

The submerged bitternesses that had gathered in her soul like bubbles at the bottom of a hot kettle came showering upward now, and her heart simmered and thrummed, ready to boil over if the heat were not removed.

One day, soon, Luella fastened on Eddie as he left the factory to go home to dinner. She had loitered about, hoping to engage the eye of Jabez, who was now the most important widower in town. Luella had elected him for her next; but he was away, and she whetted her wits on Eddie. She walked at his side, excruciating him with her glib memories of old times and the mad devotion he had cherished for her then.

He felt that it was unfaithful of him even to listen to her, but he could not spur up courage enough to bolt and run. He welcomed the sight of his own gate as an asylum of refuge. To his horror, Luella stopped and continued her chatter, draping herself in emotional attitudes and italicizing her coquetries. Her eyes seemed to drawl languorous words that her lips dared not voice; and she committed the heinous offense of plucking at Eddie's coat-sleeve and clinging to his hand. Then she walked on like an erect cobra.

Eddie's very back had felt that Pheeny was watching him from one of the windows or from all the windows; for when, at last, he achieved the rude victory of breaking away from Luella and turned toward the porch, every window was a somber eye of reproach.

He would not have looked so guilty if he had been guilty. He shuffled into the house like a boy who comes home late from swimming; and when he called aloud "Pheeny! Oh, Pheeny!" his voice cracked and his throat was uncertain with phlegm.

He found Pheeny up-stairs in their room, with the door closed. He closed it after him when he went in. He feigned a care-free joy at the sight of her, and stumbled over his own foot as he crossed the room and put his arms about her, where she sat in the big rocking-chair; but she brushed his arms aside and bent her cheek away from his pursed lips. This startled him, and he gasped:

"Why, what's the matter, honey? Why don't you kiss me?"

"You don't want to kiss me," she muttered.

"Why don't I?" he exclaimed.

"Because I'm not pirty. I'm not young. I'm not round or tall. I haven't got nice clothes or those terrible manners that men like in women. You're tired of me. I don't blame you; but you don't have to kiss me, and you don't want to."

It was a silly sort of contest for so old a couple; but their souls felt as young as childhood, or younger, and this debate was all-important. He caught at her again and tried to drag her head to his lips, pleading inanely:

"Of course I want to kiss you, honey! Of course I do! Please—please don't be this way!"

But she evaded him still, and glared at him as from a great distance, sneering rather at herself than him and using that old byword of Luella's:

"What can you see in me?" Suddenly she challenged him: "Who do you kiss when you kiss me?"

He stared at her for a while as if he were not sure who she was. Then he sat down on the broad arm of her chair and took one of her hands in his—the hand with the wedding-ring on it—and seemed to talk to the hand more than to her, lifting the fingers one after another and studying each digit as though it had a separate personality—as perhaps it had.

XIV

"Who do I kiss when I kiss you? That's a funny question!"

He laughed solemnly. Then he made a very long speech, for him; and she listened to it with the attention due to that most fascinating of themes, the discussion of oneself by another.

"Pheeny, when I was about knee-high to a grasshopper I went over to play in Tim Holdredge's father's orchard; and when I started for home there was a big dawg in old Mrs. Pittinger's front yard, and it jumped round and barked at me. I guess it was just playing, because, as I remember it now, it was wagging its tail, and afterward I found out it was only a cocker spaniel; but I thought it was a wolf and was going to eat me. I begun to cry, and I was afraid to go backward or to go forward. And by and by a little girl came along and asked me what I was crying about, and I said, 'About the dawg!' And the little girl said: 'O-oh! He's big, ain't he?' And I said, 'He's goin' to eat one of us all up!' And the little girl said: 'Aw, don't you care! You take a-holt of my hand and I'll run past with you; and if he bites he'll bite me first and you can git away!' She was as scared as I was, but she grabbed my hand and we got by without being et up. Do you remember who that little girl was?"

The hand in his seemed to remember. The fingers of it closed on his a moment, then relaxed as if to listen for more. He mused on:

"I wasn't very big for my size even then, and I wasn't very brave ever. I didn't like to fight, like the other boys did, and I used to rather take a lickin' than give one. Well, one day I was playin' marbles with another boy, and he said I cheated when I won his big taw; but I didn't. He wanted to fight, though, and he hit me; and I wouldn't hit back. He was smaller than what I was, and he give me a lot of lip and dared me to fight; and I just couldn't. He said I was afraid, and so did the other boys; and I guess I was. It seemed to me I was more afraid of hurtin' somebody else than gettin' hurt myself; but I guess I was just plain afraid. The other boys began to push me round and call me a cowardy calf, and I began to cry. I wanted to run home, but I was afraid to start to run. And then a little girl came along and said: 'What's the matter, Eddie? What you cryin' for?' And I said, 'They're all pickin' on me and callin' me cowardy calf!' And she said: 'Don't you care! You come right along with me; and if one of 'em says another word to you I'll scratch their nasty eyes out!' Do you remember that, Pheeny?"

Her other hand came forward and embraced his wrist.

"And another time you found me cryin'. I was a little older, and I'd studied hard and tried to get my lessons good; but I failed in the exam'nations, and I was goin' to tie a rock round my neck and jump in the pond. But you said: 'Aw, don't you care, Eddie! I didn't pass in mine, either!'

"And when I wanted to go to college, and Uncle Loren wouldn't send me, I didn't cry outside, but I cried inside; and I told you and you said: 'Don't you care! I don't get to go to boardin'-school myself.'

"And when I was fool enough to think I liked that no-account Luella Thickins, and thought I'd go crazy because her wax-doll face wouldn't smile for me, you said: 'Don't you care, Eddie! You're much too good for her. I think you're the finest man in the country.'

"And when the baby didn't come and I acted like a baby myself, you said: 'Don't you care, Eddie! Ain't we got each other?'

"Seems like ev'ry time I been ready to lay down and die you've been there with your old 'Don't you care! It's going to be all right!'

"Just last night I had a turrible dream. I didn't tell you about it for fear it would upset you. I dreamed I got awful sick at the office. I couldn't seem to add the figures right and the old desk wabbled. Finally I had to leave off and start for home, though it was only a quarter of twelve; and I had to set down on Doc Noxon's horse-block and on Holdredge's wall to rest; and I couldn't get our gate open. And you run out and dragged me in, and got me up-stairs somehow, and sent Delia around for the doctor.

"Doc Noxon made you have a trained nurse, but I couldn't stand her; and I wouldn't take medicine from anybody but you. I don't suppose I was dreamin' more 'n a few minutes, all told; but it seemed like I laid there for weeks, till one day Doc Noxon called you out of the room. I couldn't hear what he was saying, but I heard you let out one horrible scream, and then I heard sounds like he was chokin' you, and you kept sayin': 'Oh no! No! No!'

"I tried to go and help you, but I couldn't lift my head. By and by you come back, with your eyes all red. Doc Noxon was with you and he called the nurse over to him. You come to me and tried to smile; and you said:

"'Well, honey, how are you now?'

"Then I knew what the doctor had told you and I was worse scared than when the black dawg jumped at me. I tried to be brave, but I never could seem to be. I put out my hands to you and hollered:

"'Pheeny, I'm goin' to die! I know I'm goin' to die! Don't let me go! I'm afraid to die!'"

Now the hands clenched his with a frenzy that hurt—but beautifully. And he kissed the wedding-ring as he finished:

"And you dropped down to me on the floor by the bed and took my hands—just like that. And you whispered: 'Don't you care, honey! I'll go with you. Don't you care!'

"And the fever seemed to cool out of me, and I kind of smiled and wasn't afraid any more; and I turned my face to you and kissed you—like this, Pheeny.

"Why, you've been cryin', haven't you? You mustn't cry—you mustn't! All those girls I been tellin' you about are the girl I kiss when I kiss you, Pheeny. There couldn't be anybody as beautiful as you are to me.

"I ain't 'mounted to much; but it ain't your fault. I wouldn't have 'mounted to anything at all if it hadn't been for you, Pheeny; and I been the happiest feller in all this world—or I have been up to now. I'm awful lonedsome just now. Don't you s'pose you could spare me a kiss?"

She spared him one.

Then the cook pounded on the door and called through in a voice that threatened to warp the panels: "Ain't you folks ever comin' down to dinner? I've rang the bell three times. Everything's all cold!"

But it wasn't. Everything was all warm.

POP

I

They made a handsome family group, with just the one necessary element of contrast.

Father was the contrast.

They were convened within and about the big three-walled divan which, according to the fashion, was backed up against a long library-table in what they now called the living-room. It had once been the sitting-room and had contained a what-isn't-it and a sofa like an enormous bald caterpillar, crowded against the wall so that you could fall off only one side of it.

It was a family reunion and unexpected. Father was not convened with the rest, but sat off in the shadow and counted the feet sticking out from the divan and protruding from the chairs. He counted fourteen feet, including his wife's and excluding his own. All the feet were expensively shod except his own.

Three of the children had come home for a visit, and father, glad as he was to see them, had a vague feeling that they had been brought in by some other motive than their loudly proclaimed homesickness. He was willing to wait until they disclosed it, for he had an idea what it was and he was always glad to postpone a payment. It meant so much less interest to lose. Father was a business man.

Father was also dismally computing the addition to the grocery bills, the butchery bills, and livery bills, and the others. He was figuring out the added expense of the dinner, with roast beef now costing as much as peacocks' tongues. He had raised a large family and there was not a dyspeptic in the lot—not even a banter.

They had been photographed together the day before and the proof had just come home. Father was not in the picture. It was a handsome picture. They admitted it themselves. They had urged father to come along, but he had pleaded his business, as usual. As they studied the picture they would glance across at father and realize how little the picture lost by his absence. It lost nothing but the contrast.

While they were engaged each in that most fascinating of employments—studying one's own photograph—they were all waiting for the dining-room maid to appear like a black-and-white sketch and crisply announce that dinner was served. They had not arrived yet at having a man. Indeed, that room could still remember when a frowsy, blowsy hired girl was wont to stick her head in and groan, "Supper's ready!"

In fact, mother had never been able to live down a memory of the time when she used to put her own head in at a humbler dining-room door and call with all the anger that cooks up in a cook: "Come on! What we got's on the table!" But mother had entirely forgotten the first few months of her married life, when she would sing out to father: "Oh, honey, help me set the table, will you? I've a surprise for you—something you like!"

This family had evolved along the cycles so many families go through—from pin feathers to paradise plumes—only, the male bird had failed to improve his feathers or his song, though he never failed to bring up the food and keep the nest thatched.

The history of an American family can often be traced by its monuments in the names the children call the mother. Mrs. Grout had begun as—just one Ma. Eventually they doubled that and progressed from the accent on the first to the accent on the second ma. Years later one of the inarticulate brats had come home as a collegian in a funny hat, and Mama had become Mater. This had lasted until one of the brattines came home as a collegienne with a swagger and a funny sweater. And then her Latin title was Frenchified to Mère—which always gave father a shock; for father had been raised on a farm, where only horses' wives were called by that name.

Father had been dubbed Pop at an early date. Efforts to change this title had been as futile as the terrific endeavors to keep him from propping his knife against his plate. He had been browbeaten out of using the blade for transportation purposes, but at that point he had simply ceased to develop.

Names like Pappah, Pater, and Père would not cling to him; they fell off at once. Pop he was always called to his face, whether he were referred to abroad as "the old man," "the governor," or "our dear father."

The evolution of the Grout family could be traced still more clearly in the names the parents had given the children. The eldest was a daughter, though when she grew up she dropped back in the line and became ever so much younger than her next younger brothers. She might have fallen still farther to the rear if she had not run up against another daughter who had her own age to keep down.

The eldest daughter, born in the grim days of early penury, had been grimly entitled Julia. The following child, a son, was soberly called by his father's given and his mother's maiden names—John Pennock Grout, or Jno. P., as his father wrote it.

A year or two later there appeared another hostage. Labeling him was a matter of deep concern. John urged his own father's name, William; but the mother wafted this away with a gesture of airy disgust. There was a hired girl in the kitchen now and mother was reading a good many novels between stitches. She debated long and hard while the child waited anonymous. At length she ventured on Gerald. She changed that two or three times and the boy had a narrow escape from Sylvester. He came perilously near to carrying Abélard through an amused world; but she harked back to Gerald—which he spelled Jerrold at times.

Then two daughters entered the family in succession and were stamped Beatrice—pronounced Bay-ah-treat-she by those who had the time and the energy—and Consuelo, which Pop would call Counser-eller.

By this time Julia had grown up and was beginning at finishing-school. She soon saw that Julia would never do—never! She had started with a handicap, but she caught up with the rest and passed them gracefully by ingeniously altering the final a to an e, and pronouncing it Zheelee.

Her father never could get within hailing distance of the French j and u, and teetered awkwardly between Jilly and Jelly. He was apt to relax sickeningly into plain Julia—especially before folks, when he was nervous anyway. Only they did not say "before folks" now; the Grouts never said "before folks" now—they said, "In the presence of guests."

By the time the next son came the mother was shamelessly literary enough to name him Ethelwolf, which his school companions joyously abbreviated to Ethel, overlooking the wolf.

Ethelwolf was the last of the visitors. For by this time Mère had accumulated so many absolutely unforgivable grievances against her absolutely impossible husband that she felt qualified for that crown of comfortable martyrhood, that womanly ideal, "a wife in name only"—and only that "for the sake of the children."

By this time the children, too, had acquired grievances against Pop. The more refined they grew the coarser-grained he seemed. They could not pulverize him in the coffee-mill of criticism. He was as hopeless in ideas as in language. It was impossible to make him realize that the best is always the cheapest; that fine clothes make fine people; that petty economies are death to "the larger flights of the soul"; and that parents have no right to have children unless they can give them what other people's children have.

If John Grout complained that he was not a millionaire the younger Grouts retorted that this was not their fault, but their misfortune; and it was "up to Pop" to do the best he could during what Mère was now calling their "formative years." The children had liberal ideas, artistic and refined ideals; but Pop was forever talking poor, always splitting pennies, always dolefully reiterating, "I don't know where the money is coming from!"

It was so foolish of him, too—for it always came from somewhere. The children went to the best schools, traveled in Europe, wore as good clothes as anybody—though they did not admit this, of course, within father's hearing, lest it put false notions into his head; and the sons made investments that had not yet begun to turn out right.

Parents cannot fool their children long, and the Grout youngsters had learned at an early date that Pop always forked over when he was nagged into it. Any of the children in trouble could always write or telegraph home a "must have," and it was always forthcoming. There usually followed a querulous note about "Sorry you have to have so much, but I suppose it costs a lot where you are. Make it go as far as you can, for I'm a little pinched just now." But this was taken as a mere detail—an unfortunate paternal habit.

That was Pop's vice—his only one and about the least attractive of vices. It was harrowing to be the children of a miser—for he must have a lot hoarded away. His poor talk, his allusions to notes at the bank and mortgages and drafts to meet, were just bogies to frighten them with and to keep them down.

It was most humiliating for high-spirited children to be so misunderstood. Pop lacked refined tastes. It was a harsh thing to say of one's parent, but when you came right down to it Pop was a hopeless plebeian.

Pop noticed the difference himself. He would have doubted that these magnificent youngsters could be his own if that had not implied a criticism of his unimpeachable wife. So he gave her all the credit. For Mère was different. She was well read; she entertained charmingly; she loved good clothes, up-to-the-minute hats; she knew who was who and what was what. She was ambitious, progressive. She nearly took up French once.

But Pop was shabby. Pop always wore a suit until it glistened and his children ridiculed him into a new one. As for wearing evening dress, in the words of Gerald they "had to blindfold him and back him into his soup-and-fish, even on the night the Italian Opera Company came to town."

Pop never could take them anywhere. A vacation was a thing of horror to him. It was almost impossible to drag him to a lake or the sea, and it was quite impossible to keep him there more than a few days. His business always called him home.

And such a business! Dry-goods!—and in a small town.

And such a town, with such a name! To the children who knew their Paris and their London, their New York and their Washington, a visit home was like a sentence to jail. It was humiliating to make a good impression on acquaintances of importance and then have to confess to a home town named Waupoos.

People either said, "I beg your pardon!" as if they had not heard it right, or they laughed and said, "Honestly?"

The children had tried again and again to pry Pop out of Waupoos, but he clung to it like a limpet. He had had opportunities, too, to move his business to big cities, but he was afraid to venture. He was fairly sure of sustenance in Waupoos so long as he nursed every penny; but he could never find the courage to transplant himself to another place.

The worst of his cowardice was that he blamed the children—at least, he said he dared not face a year or two of possible loss lest they might need something. So he stayed in Waupoos and managed somehow to keep the family afloat and the store open.

When Mère revolted and longed for a glimpse of the outer world he always advised her to take a trip and have a good time. He always said he could afford that much, and he took an interest in seeing that she had funds to buy some city clothes with; but he never had funds enough to go along.

That was one of mother's grievances. Pop bored her to death at home and she wanted to scream every time he mentioned his business—it was so selfish of him to talk of that at night when she had so much to tell him of the misbehavior of the servants. But, greatly as he annoyed her round the house, she cherished an illusion that she would like him in a hotel.

She had tried to get him to read a certain novel—a wonderful book mercilessly exposing the curse of modern America; which is the men's habit of sticking to their business so closely that they give their poor wives no companionship. They leave their poor wives to languish at home or to go shopping or gossiping, while they indulge themselves in the luxuries of vibration between creditor and debtor.

In this novel, and in several others she could have named, the poor wife naturally fell a prey to the fascinations of a handsome devil with dark eyes, a motor or two, and no office hours.

Mère often wondered why she herself had not taken up with some handsome devil fully equipped for the entertainment of neglected wives.

If she had not been a member of that stanch American womanhood to which the glory of the country and its progress are really due, she might have startled her husband into realizing too late, as the too-late husbands in the novels realized, that a man's business is a side issue and that the perpetuation of romance is the main task. Her self-respect was all that held Mère to the home; that and—whisper!—the fact that no handsome devil with any kind of eyes ever tried to lure her away.

When she reproached Pop and threatened him he refused to be scared. He paid his wife that most odious of tributes—a monotonous trust in her loyalty and an insulting immunity to jealousy. Almost worse was his monotonous loyalty to her and his failure to give her jealousy any excuse.

They quarreled incessantly, but the wrangles were not gorgeously dramatic charges of intrigue with handsome men or painted women, followed by rapturous make-ups. They were quarrels over expenditures, extravagances, and voyages.

Mère charged Pop with parsimony and he charged her with recklessness. She accused him of trying to tie them down to a village; he accused her of trying to drive him to bankruptcy. She demanded to know whether he wanted his children to be like children of their neighbors—clerks in small stores, starveling tradespeople and wives of little merchants. He answered that she was breeding a pack of snobs that despised their father and had no mercy on him—and no use for him except as a lemon to squeeze dry. She answered with a laugh of scorn that lemon was a good word; and he threw up his hands and returned to the shop if the war broke out at noon, or slunk up to bed if it followed dinner.

This was the pattern of their daily life. Every night there was a new theme, but the duet they built on it ran along the same formulas.

The children sided with Mère, of course. In the first place, she was a poor, downtrodden woman; in the second, she was their broker. Her job was to get them things. They gave her the credit for what she got them. They gave Pop no praise for yielding—no credit for extracting somehow from the dry-soil of an arid town the money they extracted from him. They knew nothing of the myriad little agonies, the ingenuity, the tireless attention to detail, the exquisite finesse that make success possible in the mêlée of competition. Their souls were above trade and its petty nigglings.

Jno. P., who was now known as J. Pennock, was aiming at a million dollars in New York, and his mother was sure that he would get it next time if Pop would only raise him a little more money to meet an irritating obligation or seize a glittering opportunity. Pop always raised the money and J. Pennock always lost it. Yet Pennock was a financier and Pop was a village merchant. And now Pen had come home unexpectedly. He was showing a great interest in Pop's affairs.

Gerald was home also unexpectedly. He was an artist of the most wonderful promise. None of his promises was more wonderful than those he made his father to repay just one more loan—to tide him over until he sold his next picture; but it never sold, or it sold for a mere song. Gerald solaced himself and Mère solaced him for being ahead of his time, unappreciated, too good for the public. She thanked Heaven that Gerald was a genius, not a salesman. One salesman in the family was enough!

And Gerald had beaten Pen home by one train. He had greeted Pen somewhat coldly—as if Pen were a trespasser on his side of the street. And when it was learned that Julie had telegraphed that she would arrive the next day, both the brothers had frowned.

Pop had sighed. He was glad to see his wonderful offspring, but he had already put off the grocer and the butcher—and even his life-insurance premium—because he had an opportunity by a quick use of cash to obtain the bankrupt stock of a rival dealer who had not nursed his pennies as Pop had. It was by such purchases that Pop had managed to keep his store alive and his brilliant children in funds.

He had temporarily drawn his bank account down to the irreducible minimum and borrowed on his securities up to the insurmountable maximum. It was a bad time for his children to tap him. But here they were—Jno. P., Jerry, and Julia—all very unctuous over the home-coming, and yet all of them evidently cherishing an ulterior idea.

He watched them lounging in fashionable awkwardness. They were brilliant children. And he was as proud of them as he was afraid of them—and for them.

II

If the children looked brilliant to Pop he did not reflect their refulgence. As they glanced from the photographer's proof to Pop they were not impressed. They were not afraid of him or for him.

His bodily arrangement was pitifully gawky; he neither sat erect nor lounged—he slumped spineless. Big spectacles were in style now, but Pop's big spectacles were just out of it. His face was like a parchment that had been left out in the rain and had dried carelessly in deep, stiff wrinkles—with the writing washed off.

Ethelwolf, the last born, had no ulterior idea. He always spent his monthly allowance by the second Tuesday after the first Monday, and sulked through a period of famine and debt until the next month. It was now the third Tuesday and he was disposed to sarcasm.

"Look at Pop!" he muttered. "He looks just like the old boy they put in the cartoons to represent The Common People."

"He's the Beau Brummel of Waupoos, all right!" said Bayahtreatshe, who was soon returning to Wellesley. And Consuelo, who was preparing for Vassar, added under her breath, "Mère, can't you steal up on him and swipe that already-tied tie?"

Had Pop overheard, he would have made no complaint. He had known the time when they had thrown things at him. The reverence of American children for their fathers is almost as famous as the meekness of American wives before their husbands. Yet it might have hurt Pop a little to see Mother shake her head and hear her sigh:

"He's hopeless, children! Do take warning from my misfortune and be careful what you marry."

Poor Mère had absolutely forgotten how proud she had been when Johnnie Grout came courting her, and how she had extracted a proposal before he knew what he was about, and had him at the altar before he was ready to support a wife in the style she had been accustomed to hope for. She remembered only the dreams he had not brought true, the harsh realities of their struggle upward. She had worked and skimped with him then. Now she was like a lolling passenger in a jinrikisha, who berates the shabby coolie because he stumbles where the roads are rough and sweats where they are steep.

Julie spoke up in answer to her mother's word of caution:

"There's one thing better than being careful what you marry—and that's not marrying at all!"

The rest of them were used to Julie's views; but Pop, who had paid little heed to them, almost collapsed from his chair. Julie went on:

"Men are all alike, Mère. They're very soft-spoken when they come to make love; but it's only a bluff to make us give up our freedom. Before we know it they drag us up before another man, a preacher, and make us swear to love, honor, and obey. They kill the love, make the honor impossible, and the obey ridiculous. Then they coop us up at home and expect us to let them run the world to suit themselves. They've been running it for thousands of years—and look at the botch they've made of it! It's time for us to take the helm."

"Go to it, sis," said Ethelwolf. "I care not who makes the laws so long as I can break them."

"Let your sister alone!" said Mère. "Go on, Julie!"

"I've put it all in the address I read before the Federation last week," said Julie. "It was reported at length in one of the papers. I've got a clipping in my handbag here somewhere."

She began to rummage through a little condensed chaos of handkerchiefs, gloves, powder-puff, powdery dollar bills, powdery coins, loose bits of paper, samples, thread, pins, buttons—everything—every-whichway.

J. Pennock laughed. "Pipe what's going to run the world! Better get a few pockets first."

"Don't be a brute, Pen!" said Mère.

At last Julie found the clipping she sought and, shaking the powder from it, handed it to her mother.

"It's on the strength of this speech that I was elected delegate to the international convention at San Francisco," she said.

"You were!" Mère gasped, and Beatrice and Consuelo exclaimed, "Ripsnorting!"

"Are you going?" said Mère when she recovered from her awe.

"Well, it's a pretty expensive trip. That's why I came home—to see if—Well, we can take that up later. Tell me how you like the speech."

Mère mumbled the report aloud to the delighted audience. Pop heard little of it. He was having a chill. It was very like plain ague, but he credited it to the terror of Julie's mission home. All she wanted him to do was to send her on a little jaunt to San Francisco! The tyrant, as usual, was expected to finance the rebellion.

When Mère had finished reading everybody applauded Julie except Pop. Mère overheard his silence and rounded on him across the aristocratic reading-glass she wielded.

"Did you hear that?"

Pop was so startled that he answered, "Uh-huh!"

"Didn't you think it was splendid?" Mère demanded.

"Uh-huh!" said Pop.

"What didn't you like about it?"

"I liked it all first-rate. Julie is a smart girl, I tell you."

Mère scented his evasion, and she would never tolerate evasions. She repeated:

"What didn't you like about it?"

"I liked all I could understand."

"Understand!" snapped Mère, who rarely wasted her culture on Pop. "What didn't you understand? Could anything be clearer than this? Listen!" She read in an oratorical voice:

"'Woman has been for ages man's mere beast of burden, his household drudge. Being a wife has meant being a slave—the only servant without wages or holiday. But the woman of to-day at last demands that the shackles be stricken off; she demands freedom to live her life her own way—to express her selfhood without the hampering restrictions imposed on her by the barbaric customs inherited from the time of the cave-man.'"

Mère folded up the clipping and glared defiance at the cave-man slumped in the uneasy chair.

"What's clearer than that?" she reiterated.

Pop was at bay. He was like a desperate rabbit. He answered:

"It's clear enough, I guess; but it's more than I can take in. Seems to me the women folks are hollering at the men folks to give 'em what the men folks have never been able to get for themselves."

It was peevish. Coming from Pop, it amounted to an outburst, a riot, a mutiny. Such a tendency was dangerous. He must be sharply repressed at once—as a new servant must be taught her place. Mère administered the necessary rebuke, aided and abetted by the daughters. The sons did not rally to their father's defense. He was soon reduced to submission, but his apology was further irritation:

"I'm kind of rattled like. I ain't feeling as chipper as usual." "Chipper" was bad enough, but "ain't" was unendurable! They rebuked him for that and he put in another irrelevant plea: "I had a kind of sick spell at the store. I had to lay down."

"Lie down!" Beatrice corrected.

"Lie down," he accepted. "But as soon as I laid down—"

"Lay down!"

"Lay down—I had chills and shootin' pains; and I—"

"It's the weather," Mère interrupted, impatiently. "I've had a headache all day—such a headache as never was known! It seemed as if hammers were beating upon my very brain. It was—"

"I'm not feeling at all well myself," said Consuelo.

There was almost a tournament of rivalry in describing sufferings.

Pop felt as if he had wakened a sleeping hospital. He sank back ashamed of his own outburst. He rarely spoke of the few ailments he could afford. When he did it was like one of his new clerks pulling a bolt of goods from the shelf and bringing down a silken avalanche.

The clinic was interrupted by the crisp voice of Nora: "Dinner is served!"

Everybody rose and moved to the door with quiet determination. Pop alone failed to rise. Mère glowered at him. He pleaded: "I don't feel very good. I guess I'd better leave my stummick rest."

The children protested politely, but he refused to be moved and Mère decided to humor him.

"Let him alone, children. It won't hurt him to skip a meal."

They said: "Too bad, Pop!"—"You'll be all right soon," and went out and forgot him.

Pop heard them chattering briskly. It was polite talk. If slang were used it was the very newest. He gleaned that Pen and Gerald were opposing Julie's mission to San Francisco on the ground of the expense. He smiled bitterly to hear that word from them. He heard Julie's retort:

"I suppose you boys want the money yourselves! Well, I've got first havers at Pop. I saw him first!"

At about this point the conversation lost its coherence in Pop's ears. It was mingled with a curious buzzing and a dizziness that made him grip his chair lest it pitch him to the floor. Chills, in which his bones were a mere rattlebox, alternated with little rushes of prairie fire across his skin. Throes of pain wrung him.

Also, he was a little afraid—he was afraid he might not be able to get to the store in the morning. And important people were coming! He had to make the first payment on the invoice of that bankrupt stock. A semiannual premium was overdue on his life insurance. The month of grace had nearly expired, and if he failed to pay the policy would lapse—now of all times! He had kept it up all these years; it must not lapse now, for he was going to be right sick. He wanted somebody to nurse him: his mother—or that long-lost girl he had married in the far past.

His shoes irked him; his vest—what they wanted called his waistcoat—was as tight as a corset. He felt that he would be safer in bed. He'd better go up to his own room and stretch out. He rose with extraordinary difficulty and negotiated a swimming floor on swaying legs.

The laughter from the dining-room irritated him. He would be better off up-stairs, where he could not hear it. The noise in his ears was all he could stand. He attained the foot of the stairs and the flight of steps seemed as long and as misty as Jacob's Ladder. And he was no angel!

The Grouts lingered at dinner and over their black coffee and tobacco until it was time to dress for the reception at Mrs. Alvin Mitnick's, at which Waupoos society would pass itself in review. The later you got there the smarter you were, and most people put off dressing until the last possible minute in order to keep themselves from falling asleep before it was time to start.

The Grouts, however, were eager to go early and get it over with. They loved to trample on Waupoos traditions. As they drifted into the hall they found it dark. They shook their heads in dismal recognition of a familiar phenomenon, and Ethelwolf groaned:

"Pop has gone up-stairs. You can always trace Pop. Wherever he has passed by the lights are out."

"He has figured out that by darkening the halls while we are at dinner he saves nearly a cent a day," Mère groaned.

"If Pop were dying he'd turn out a light somewhere because he wouldn't need it." And Ethelwolf laughed.

But Mère groaned again: "Can you wonder that I get depressed? Now, children, I ask you—"

"Poor old Mère! It's awful!"—"Ghastly!"—"Maddening!"

They gathered round her lovingly, echoing her moans. They started up the dark stairway, Consuelo first and turning back to say to Beatrice:

"Pop can cut a penny into more slices than—" Then she screamed and started back.

Her agitation went down the stairway through the climbing Grouts like a cold breeze. What was it? She looked close. A hand was just visible on the floor at the head of the stairs. She had stepped on it.

III

Pop had evidently reached the upper hall, when the ruling passion burning even through his fever had led him to grope about for the electric switch. His last remaining energy had been expended for an economy and he had collapsed.

They switched the light on again; they were always switching on currents that he switched off—and paid for. They found him lying in a crumpled sprawl that was awkward, even for Pop.

They stared at him in bewilderment. They would have said he was drunk; but Pop never drank—nor smoked—nor played cards. Perhaps he was dead!

This thought was like a thunderbolt. There was a great thumping in the breasts of the Grouts.

Suddenly Mère strode forward, dropped to her knees and put her hand on Pop's heart. It was not still—far from that. She placed her cold palm on his forehead. His brow was clammy, hot and cold and wet.

"He has a high fever!" she said.

Then, with a curious emotion, she brushed back the scant wet hair; closed her eyes and felt in her bosom a sudden ache like the turning of a rusty iron. She felt young and afraid—a young wife who finds her man wounded.

She looked up and saw standing about her a number of tall ladies and gentlemen—important-looking strangers. Then she remembered that they had once been nobodies. She felt ashamed before them and she said, quickly:

"He's going to be ill. Telephone for the doctor to come right away. And you girls get his bed ready. No, you'd better put him in my room—it gets the sunlight. And you boys fill the ice-cap—and the hot-water bag and—hurry! Hurry!"

The specters vanished. She was alone with her lover. She was drying his forehead with her best lace handkerchief and murmuring:

"John honey, what's the matter! Why, honey—why didn't you tell me?"

Then a tall gentleman or two returned and one of them said:

"Better let us get him off the floor, Mère."

And the big sons of the frail little man picked him up and carried him into the room and pulled off his elastic congress gaiters, and his coat and vest, and his detached cuffs, and his permanently tied tie, and his ridiculous collar.

Then Mère put them out, and when the doctor arrived Pop was in bed in his best nightshirt.

The doctor made his way up through the little mob of terrified children. He found Mrs. Grout vastly agitated and much ashamed of herself. She did not wish to look sentimental. She had reached the Indian-summer modesty of old married couples.

The doctor went through the usual ritual of pulse-feeling and tongue-examining and question-asking, while Pop lay inert, with a little thermometer protruding from his mouth like a most inappropriate cigarette.

The doctor was uncertain yet whether it were one of the big fevers or pneumonia or just a bilious attack. Blood-tests would show; and he scraped the lobe of the ear of the unresisting, indifferent old man, and took a drop of thin pink fluid on a bit of glass. The doctor tried to reassure the panicky family, but his voice was low and important.

IV

The brilliant receptions and displays that Mère and the children had planned were abandoned without regret. All minor regrets were lost in the one big regret for the poor old, worn-out man up-stairs.

There was a dignity about Pop now. The lowliest peasant takes on majesty when he is battling for his life and his home.

There was dismay in all the hearts now—dismay at the things they had said and the thoughts and sneers; dismay at the future without this shabby but unfailing provider.

The proofs of the family photograph lay scattered about the living-room. Pop was not there. They had smiled about it before. Now it looked ominous! What would become of this family if Pop were not there?

The house was filled with a thick sense of hush like a heavy fog; but thoughts seemed to be all the louder in the silence—jumbled thoughts of selfish alarm; filial terror; remorse; tenderness; mutual rebuke; dread of death, of the future, of the past.

The day nurse and the night nurse were in command of the house. The only events were the arrivals of the doctor, his long stops, his whispered conferences with the nurses, and the unsatisfactory, evasive answers he gave as the family ambushed him at the foot of the stairs on his way out.

Meanwhile they could not help Pop in his long wrestle. They had drained his strength and bruised his heart while he had his power, and now that he needed their help and their youth they could not lend him anything; they could not pay a single instalment on the mortgages they had incurred.

They could only stand at the door now and then and look in at him. They could not beat off one of the invisible vultures of fever and pain that hovered over him, swooped, and tore him.

They could not even get word to him—not a message of love or of repentance or of hope. His brain was in a turmoil of its own. His white lips were muttering delirious nonsense; his soul was fluttering from scene to scene and year to year, like a restless dragon-fly. He was young; he was old; he was married; he was a bachelor; he was at home; he was in his store; he was pondering campaigns of business, slicing pennies or making daring purchases; he was retrenching; he was advertising; but he was afraid always that he might sink in the bog of competition with rival merchants, with creditors, debtors, bankers, with his wife, his children, his neighbors, his ideals, his business axioms——

"Ain't the moon pirty to-night, honey! Gee! I'm scared of that preacher! What do I say when he says, 'Do you take this woman for your'—The pay-roll? I can't meet it Saturday. How am I going to meet the pay-roll? I don't see how we can sell those goods any cheaper, but we got to get rid of 'em. My premium! My premium! I haven't paid my premium! What'll become of the children? Three cents a yard—it's robbery! Eight cents a yard—that's givin' it away! Don't misunderstand me, Sally. It's my way of making love. I can't say pirty things like some folks can, but I can think 'em. My premium—the pay-roll—so many children! Couldn't they do without that? I ain't a millionaire, you know. Every time I begin to get ahead a little seems like one of the children gets sick or in trouble—the pay-roll! Three cents a yard—the new invoice—I can't buy myself a noo soot. The doctor's bills! I ain't complaining of 'em; but I've got to pay 'em! Let me stay home—I'd rather. I've had a hard day. My premium! Don't put false notions in their heads! The pay-roll! Don't scold me, honey! I got feelings, too. You haven't said a word of love to me in years! I'll raise the money somehow. I know I'm close; but somebody's got to be—the pay-roll—so many people depending on me. So many mouths to feed—the children—all the clerks—the delivery-wagon drivers—the advertising bills—the pay-roll—the children! I ain't as young as I was—honey, don't scold me!"

The ceaseless babbling grew intolerable. Then it ceased; and the stupor that succeeded was worse, for it meant exhaustion. The doctor grew more grave. He ceased to talk of hope. He looked ashamed. He tried to throw the blame from himself.

And one dreadful day he called the family together in the living-room. Once more they were all there—all those expensively shod feet; those well-clothed, well-fed bodies. In the chair where Pop had slumped the doctor sat upright. He was saying:

"Of course there's always hope. While there's life there's always hope. The fever is pretty well gone, but so is the patient. The crisis left him drained. You see he has lived this American business man's life—no exercise, no vacations, no change. The worst of it is that he seems to have given up the fight. You know we doctors can only stand guard outside. The patient has to fight it out inside himself. It's a very serious sign when the sick man loses interest in the battle. Mr. Grout does not rally. His powerful mind has given up."

In spite of themselves there was a general lifting of the brows of surprise at the allusion to Pop's poor little footling brain as a powerful mind. Perhaps the doctor saw it. He said:

"For it was a powerful mind! Mr. Grout has carried that store of his from a little shop to a big institution; he has kept it afloat in a dull town through hard times. He has kept his credit good and he has given his family wonderful advantages. Look where he has placed you all! He was a great man."

When the doctor had gone they began to understand that the town had looked upon Pop as a giant of industry, a prodigal of vicarious extravagance. They began to feel more keenly still how good a man he was. While they were flourishing like orchids in the sun and air, he had grubbed in the earth, sinking roots everywhere in search of moisture and of sustenance. Through him, things that were lowly and ugly and cheap were gathered and transformed and sent aloft as sap to make flowers of and color them and give them velvet petals and exquisite perfume.

They gathered silently in his room to watch him. He was white and still, hardly breathing, already the overdue chattel of the grave.

They talked of him in whispers, for he did not answer when they praised him. He did not move when they caressed him. He was very far away and drifting farther.

They spoke of how much they missed him, of how perfect a father he had been, competing with one another in regrets and in praise. Back of all this belated tribute there was a silent dismay they did not give voice to—the keen, immediately personal reasons for regret.

"What will become of us?" they were thinking, each in his or her own terrified soul.

"I can't go back to school!"

"This means no college for me!"

"I'll have to stay in this awful town the rest of my life!"

"I can't go to San Francisco! The greatest honor of my life is taken from me just as I grasped it."

"I had a commission to paint the portrait of an ambassador at Washington—it would have been the making of me! It meant a lot of money, too. I came home to ask Pop to stake me to money enough to live on until it was finished."

"My business will go to smash! I'll be saddled with debts for the rest of my life. If I could have hung on a little longer I'd have reached the shore; but the bank wouldn't lend me a cent. Nobody would. I came home to ask Pop to raise me some cash. I counted on him. He never failed me before."

"What will become of us all?"

There was a stir on the pillow. The still head began to rock, the throat to swell, the lips to twitch.

Mère ran to the bedside and knelt by it, laying her hand on the forehead. A miracle had been wrought in the very texture of his brow. He was whispering something. She put her ear to his lips.

"Yes, honey. What is it? I'm here."

She caught the faint rustling of words. It was as if his hovering soul had been eavesdropping on their thoughts. Perhaps it was merely that he had learned so well in all these years just what each of them would be thinking. For he murmured:

"I've been figuring out—how much the—funeral will cost—you know they're awful expensive—funerals are—of course I wouldn't want anything fancy—but—well—besides—and I've been thinking the children have got to have so many things—I can't afford to—be away from the store any longer. I ain't got time to die! I've had vacation enough! Where's my clothes at?"

They held him back. But not for long. He was the most irritatingly impatient of convalescents. In due course of time the family was redistributed about the face of the earth. Ethelwolf was at preparatory school; Beatrice and Consuelo were acquiring and lending luster at Wellesley and Vassar; Gerald was painting a portrait at Washington; and J. Pennock was like a returned Napoleon in Wall Street.

Pop was at his desk in the store. All his employees had gone home. He was fretfully twiddling a telegram from San Francisco:

Julie's address sublime please telegraph two hundred more love
Mere.

Pop was remembering the words of the address: "Woman has been for ages man's mere beast of burden.... Being a wife has meant being a slave."

Pop could not understand it yet. But he told everybody he met about the first three words of the telegram, and added:

"I got the smartest children that ever was and they owe it all to their mother, every bit."

BABY TALK

I

The wisest thing Prof. Stuart Litton was ever caught at was the thing he was most ashamed of. He had begun to accumulate knowledge at an age when most boys are learning to fight and to explain at home how they got their clothes torn. He wore out spectacles almost as fast as his brothers wore out copper-toed boots; but he did not begin to acquire wisdom until he was just making forty. Up to that time, if the serpent is the standard, Professor Litton was about as wise as an angleworm.

He submerged himself in books for nearly forty years; and then—in the words of Leonard Teed—then he "came up for air." This man Teed was the complete opposite of Litton. For one thing he was the liveliest young student in the university where Litton was the solemnest old professor. Teed had scientific ambitions and hated Greek and Latin, which Litton felt almost necessary to salvation. Teed regarded Litton and his Latin as the sole obstacles to his success in college; and, though Litton was too much of a gentle heart to hate anybody, if he could have hated anybody it would have been Teed. A girl was concerned in one of their earliest encounters, though Litton's share in it was as unromantic as possible.

Teed, it seems, had violated one of the rules at Webster University. He had chatted with Miss Fannie Newman—a pretty student in the Woman's College—after nine o'clock; nay, more, he had sat on a campus bench bidding her good night for half an hour, and, with that brilliant mathematical mind of his, had selected the bench at the greatest possible distance from the smallest cluster of lampposts.

On this account he was haled before the disciplinary committee of the faculty. Litton happened to be on that committee. Teed made the best fight he could. He showed himself a Greek—in argument at least—and, like an old sophist, he tried to prove, first, that he was not on the campus with the girl and never had spooned with her; second, that if he had been there and had spooned with her it was too dark for them to be seen; and third, that he was engaged to the girl, anyway, and had a right to spoon with her.

The accusing witness was a janitor whom Teed had played various jokes on and had neglected to appease with tips. Teed submitted him to a fierce cross-examination; forced him to admit that he could not see the loving couple and had identified them solely by their voices. Teed demanded the exact words overheard; and, as often happens to the too-ardent cross-examiner, he got what he asked for and wished he had not. The janitor, blushing at what he remembered, pleaded:

"You don't vant I should say it exectly vat I heered?"

"Exactly!" Teed answered in his iciest tone.

"Vell," the janitor mumbled, "it vas such a foolish talk as—but—vell, ven I come by I hear voman's voice says, 'Me loafs oo besser as oo loafs me!'"

Teed flushed and the faculty sat forward.

"Den I hear man's voice says,'Oozie-voozie, mezie-vezie—' Must I got to tell it all?"

"Go on!" said Teed, grimly; and the old German mopped his brow with anguish and snorted with rage: "'Mezie-vezie loafs oozie-voozie bestest!'"

The purple-faced members of the faculty were hanging on to their own safety-valves to keep from exploding—all save Professor Litton, who felt that his hearing must be defective. Teed, fighting in the last ditch, said:

"But such language does not prove the identity of the—er—participants. You said you knew positively."

The janitor, writhing with disgust and indignation, went on:

"Ven I hear such nonsunse I stop and listen if it is two people escapet from de loonatic-houze. And den young voman says, 'It doesn't loaf its Fannie-vannie one teeny-veeny mite!' And young man says, 'So sure my name is Lennie Teedie-veedie, little Fannie Newman iss de onliest gerl I ever loafed!'"

The cross-examiner crumpled up in a chair, while the members of the faculty behaved like children bursting with giggles in church—all save Litton, who had listened with increasing amazement and now leaned forward to demand of the janitor:

"Mr. Kraus, you don't mean to say that two of our students actually disgraced this institution with conversation that would be appropriate only to a nursery?"

Mr. Kraus thundered: "De talk of dose stoodents vould disgrace de nursery! It vas so sickenink I can't forget ut. I try to, but I keep rememberink Oozie-voozie! Mezie-vezie!"

Mr. Kraus was excused in a state of hydrophobic rage and Teed withdrew in all meekness.

Litton had fallen into a stupor of despair at the futility of learning. He remained in a state of coma while the rest of the committee laughed over the familiar idiocies and debated a verdict. Two of the professors, touched by some reminiscence of romance, voted to ignore the incident as a trivial commonplace of youth. Two others, though full of sympathy for Teed—Miss Fannie was very pretty—voted for his suspension as a necessary example, lest the campus be overrun by duets in lovers' Latin. The result was a tie and Litton was roused from his trance to cast the deciding vote.

Now Professor Litton had read a vast amount about love. The classics are full of its every imaginable version or perversion; but Litton had seen it expressed only in the polished phrases of Anacreon, Bion, Propertius, and the others. He had not guessed that, however these men polished their verses, they doubtless addressed their sweethearts with all the imbecility of sincerity.

Litton's own experience gave him little help. In his late youth he had thought himself in love twice and had expressed his fiery emotions in a Latin epistle, an elegy, and a number of very correct Alcaics. They pleased his teacher, but frightened the spectacles off one bookish young woman, and drove the other to the arms of a prescription clerk, who knew no Latin except what was on his drug bottles.

Litton had thenceforward been wedded to knowledge. He had read nearly everything ancient, but he must have forgotten the sentence of Publilius Syrus: "Even a god could hardly love and be wise." He felt no mercy in his soft heart for the soft-headed Teed. He was a worshiper of language for its own sake and cast a vote accordingly.

"I do not question the propriety of the conduct of these young people," he said. "Mr. Teed claims to be engaged to the estimable young woman."

"Ah!" said Professor Mackail, delightedly.

Teed was the brightest pupil in his laboratory and he had voted for acquittal. His joy vanished as Professor Litton went on:

"But"—he spoke the word with emphasis—"but waiving all questions of propriety, I do feel that we should administer a stinging rebuke to the use of such appallingly infantile language by one of our students. Surely a man's culture should show itself, above all, in the addresses he pays to the young lady of his choice. What vanity to build and conduct a great institution of learning, such as this aims to be, and then permit one of its pupils to express his regard for a student from the Annex in such language as even Mr. Kraus was reluctant to quote: 'Mezie-wezie loves oozie-woozie bestest!'—if I remember rightly. Really, gentlemen, if this is permitted we might as well change the university to a kindergarten. For his own sake I vote that Mr. Teed be given six months of meditation at home; and I trust that the faculty of the Woman's College will have a similar regard for its ideals and the welfare of the misguided young woman."

Professor Mackail protested furiously, but his advocacy only embittered Litton—for Mackail was the leader of the faction that had tried for years to place Webster University in line with others by removing Latin and Greek from the position of required studies.

Mackail and his crew pretended that French and German, or science, were appropriate substitutes for the classic languages in the case of those whose tastes were not scholastic; but to Litton it was a religion that no man should be allowed to spend four years in college without at least rubbing up against Homer, Æschylos, Vergil, and Horace.

As Litton put it: "No man has a right to an Alma Mater who doesn't know what the words mean; and nobody has a right to graduate without knowing at least enough Latin to read his own diploma."

This old war had been fought with all the bitterness and professional jealousies of scholarship, which rival those of religion and exceed those of the stage. For yet a while Litton and his followers had vanquished opposition. He little dreamed what he was preparing for himself in punishing Teed.

Teed accepted his banishment with poor grace, but a magnificent determination to come back and graduate. The effect of his punishment was shown when, after six months of rustic meditation, he set out for the university, leaving behind him his Fannie, who had been too timid to return to the scene of her discomfiture. Teed's good-by words ran something like this:

"Bess its ickle heartums! Don't se care! Soonie as Teedle-weedle gets graduated he'll get fine job and marry his Fansy-pansy very first sing." Then he kissed her "Goo'byjums"—and went back with the face of a Regulus returning to be tortured by the enemy.

II

Teed had a splendid mind for everything material and modern, but he could not and would not master the languages he called dead. His mistranslations of the classics were themselves classics. They sent the other students into uproars; but Litton saw nothing funny in them. When he received Teed's examination papers he marked them with a pitiless exactitude.

Teed reached the end of his junior year with a heap of conditions in the classics. Litton insisted that he should not be allowed to graduate until he cleaned them up. This meant that Teed must tutor all through his last vacation or carry double work throughout his senior year—when he expected to play some patriotic or Alma-Matriotic football.

Teed had no intention of enduring either of these inconveniences; he trusted to fate to inspire him somehow with some scheme for attaining his diploma without delay. His future job depended on his diploma—and his girl depended on his job.

He did not intend to be kept from either by any ancient authors. He had not the faintest idea how he was going to bridge that chasm—but, as he wrote his Fansy-pansy, "Love will find the way."

While Teed was taking thought for the beginning of his life-work Litton was completing his—or at least he thought he was. With the splendid devotion of the scholar he had selected for his contribution to human welfare the best possible edition of the work least likely to be read by anybody. A firm of publishers had kindly consented to print it—at Litton's expense.

Litton would donate a copy to his own university; two or three college libraries would purchase copies out of respect to the learned professor; and Litton would give away a few more. The rest would stand in an undisturbed stack of increasing dust, there to remain unread as long perhaps as the myriads of Babylonian classics that Assurbani-pal had copied in brick volumes for his great library at Nineveh.

Professor Litton had chosen for his life-work a recension of the ponderous epic in forty-eight books that old Nonnus wrote in Egypt, the labyrinthine Dionysiaka describing the voyage of Bacchus to India and back.

A pretty theme for an old water-drinker who had never tasted wine! But Litton toiled over the Greek text, added copious notes as to minute variants, appallingly learned prolegomena, an index, and finally an English version in prose. He had begun to translate it into hexameters, but he feared that he would never live to finish it. It was hard enough for a man like Litton to express at all the florid spirit of an author whose theme was "the voluptuous phalanxes" of Bacchus' army—"the heroic race of such unusual warriors; the shaggy satyrs; the breed of centaurs; the tribes of Sileni, whose legs bristle with hair; and the battalions of Bassarids."

He had kept at it all these years, however, and it was ready now for the eyes of a world that would never see it. He had watched it through the compositors' hands, keeping a tireless eye on the infinite nuisance of Greek accents. He had read the galley proofs, the page proofs, and now at last the black-bordered foundry proofs. He scorned to write the bastard "O. K." of approval and wrote, instead, a stately "Imprimatur." He placed the proofs in their envelope and sealed it with lips that trembled like a priest's when giving an illuminated Gospel a ritual kiss.

The hour was late when Professor Litton finished. He stamped the brown-paper envelope and went down the steps of the boarding-house that had been for years his nearest approach to a home. He left the precious envelope on the hall-tree, whence it would be taken to the post-office for the first mail.

Feeling the need of a breath of air, he stepped out on the porch. It was a spring midnight and the college roofs were wonderful under the quivering moon—or tremulo sub lumine, as he remembered it. And he remembered how Quintus Smyrnæus had said that the Amazon queen walked among her outshone handmaidens, "as when, on the wide heavens, among the stars, the divine Selene moves pre-eminent among them all."

He thought of everything in terms of the past; yet, when he heard, mingled with the vague murmur of the night, a distant song of befuddled collegians, among whose voices Teed's soared pre-eminent above the key, he was not pleasantly reminded of the tipsy army of Dionysus. He was revolted and, returning to his solitude, closed an indignant door on the disgrace.

Poor old Litton! His learning had so frail a connection with the life about him! Steeped in the classics and acquainted with the minutest details of their texts, he never caught their spirit; never seemed to realize that they are classics because their authors were so close to life and imbued them with such vitality that time has not yet rendered them obsolete.

He had hardly suspected the mischief that is in them. A more innocent man could hardly be imagined or one more versed in the lore of evil. Persons who believe that what is called immoral literature has a debasing effect must overlook such men as Litton. He dwelt among those Greek and Roman authors who excelled in exploiting the basest emotions and made poems out of putridity.

He read in the original those terrifying pages that nobody has ever dared to put into English without paraphrase—the polished infamies of Martial; the exquisite atrocities of Theocritus and Catullus. Yet these books left him as unsullied as water leaves a duck's back. They infected him no more than a medical work gives the doctor that studies it the diseases it describes. The appallingly learned Professor Litton was a babe in arms compared with many of his pupils, who read little—or with the janitor, who read nothing at all.

And now, arrived at a scant forty and looking a neglected fifty, short-sighted, stoop-shouldered and absent-minded to a proverb, he cast a last fond look at the parcel containing his translation of the Bacchic epic and climbed the stairs to his bachelor bedroom, took off his shabby garments, and stretched himself out in the illiterate sleep of a tired farm-hand.

Just one dream he had—a nightmare in which he read a printed copy of his work, and a wrongly accented enclitic stuck out from one of the pages like a sore thumb. He woke in a cold sweat, ran to his duplicate proofs, found that his text was correct—and went back to bed contented.

Of such things his terrors and his joys had consisted all his years.

III

The next morning he felt like a laborer whose factory has closed. Every day would be Sunday hereafter until he got another job. In this unwonted sloth he dawdled over his porridge, his weak tea, and his morning paper.

Head-lines caught his eyes shouting the familiar name of Joel Brown—familiar to the world at large because of the man's tremendous success and relentless severity in business. Brown fell in love with one of those shy, sly young women who make a business of millionaires. He fell out with a thud and his Flossie entered a suit for breach of promise, submitting selected letters of Brown's as proofs of his guile and of her weak, womanly trust.

The newspapers pounced on them with joy, as cats pounce and purr on catnip. The whole country studied Brown's letters with the rapture of eavesdropping. Such letters! Such oozing molasses of sentiment! Such elephantine coquetry! Joel weighed two hundred and eighteen pounds and called himself Little Brownie and Pet Chickie!

This was the literature that the bewildered Litton found in the first paper he had read carefully since he came up for air. One of the letters ran something like this:

Angel of the skies! My own Flossie-dovelet! Your Little Brownie has not seenest thee for a whole half a day, and he is pining, starving, famishing, perishing for a word from your blushing liplets. Oh, my Peaches and Cream! Oh, my Sugar Plum! How can your Pet Chickie live the eternity until he claspeths thee again this evening? When can your Brownie-wownie call you all his ownest only one? Ten billion kisses I send you from

Your own, owner, ownest

Pet Chickie-Brownie.

x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x

The X's, Flossie explained, indicated kisses—a dozen to an X.

The jury laughed Little Brownie out of court after pinning a twenty-five-thousand-dollar verdict to his coat-tail. The nation elected him the Pantaloon of the hour and pounded him with bladders and slap-sticks.

Professor Litton had heard nothing of the preliminary fanfare of the suit. As he read of it now he was too much puzzled to be amused. He read with the same incredulity he had felt when he heard the janitor quote Teed's remarks to his fiancée. Litton called his landlady's attention to the remarkable case. She had been reading it, with greedy glee, every morning. She had had such letters herself in her better days. She felt sorry for poor Mr. Brown and sorrier for the poor professor when he said:

"Poor Mr. Brown must have gone quite insane. Nobody could have built up such wealth without brains; yet nobody with brains could have written such letters. Ergo, he has lost his brains."

"You'll be late to prayers," was all the landlady said. She treated Litton as if he were a half-witted son. And he obeyed her, forsook his unfinished tea and hurried away to the chapel. Thence he went to his class-room, where Teed achieved some further miracles of mistranslation. Litton thought how curious it was that this young man, of whom his scientific professor spoke so highly, should have fallen into the same delirium of amorous idiocy as the famous plutocrat, Joel Brown.

When the class was dismissed he sank back in his chair by the class-room window. It was wide ajar to-day for the first time since winter. April, like an early-morning housemaid, was throwing open all the windows of the world. Litton felt a delicious lassitude; he was bewildered with leisure. A kind of sweet loneliness fell on him. He had made no provision for times like these.

He sat back and twiddled his thumbs. His eyes roved lazily about the campus. The wind that fluttered the sparse forelock on his overweening forehead hummed in his ears. It had a distance in it. It brought soft cadences of faint voices from the athletic field. They seemed to come from no place nearer than the Athenian Academe.

Along the paths of the campus a few women were sauntering, for the students and teachers in the Women's Annex had the privilege of the libraries, the laboratories, and lecture-rooms.

Across Litton's field of view passed a figure that caught his eye. Absently he followed it as it enlarged with approach. He realized that it was Prof. Martha Binley, Ph.D., who taught Greek over there in the Annex.

"How well she is looking!" he mused.

The very thought startled him, as if some one had spoken unexpectedly. He wondered that he had noticed her appearance. After the window-sill blotted her from view he still wondered, dallying comfortably with the reverie.

IV

There was a knock at his door and in response to his call the door opened—and she stood there.

"May I come in?" she said.

"Certainly."

Before he knew it some impulse of gallantry hoisted him to his feet. He lifted a bundle of archeological reviews from a chair close to his desk and waited until she sat down. The chair was nearer his than he realized, and as Professor Binley dropped into it she was so close that Professor Litton pushed his spectacles up to his forehead.

It was the first time she had seen his eyes except through glasses darkly. She noted their color instantly, woman-like. They were not dull, either, as she had imagined. A cloying fragrance saluted his nostrils.

"What are the flowers you are wearing, may I ask?" he said. He hardly knew a harebell from a peony.

"These are hyacinths," she said. "One of the girls gave them to me. I just pinned them on."

"Ah, hyacinths!" he murmured. "Ah yes; I've read so much about them. So these are hyacinths! Such a pretty story the Greeks had. You remember it, no doubt?"

She said she did; but, schoolmaster that he was, he went right on:

"Apollo loved young Hyacinthus—or Huakinthos, as the Greeks called it—and was teaching him to throw the discus, when a jealous breeze blew the discus aside. It struck the boy in the forehead. He fell dead, and from his blood this flower sprang. The petals, they said, were marked with the letters Ai, Ai!—Alas! Alas! And the poet Moschus, you remember, in his 'Lament for Bion,' says:

"Nun huakinthe lalei ta sa grammata kai pleon aiai!

"Or, as I once Englished it—let me see, I put it into hexameters—it was a long while ago. Ah, I have it!"

And with the orotund notes a poet assumes when reciting his own words, he intoned:

"Now, little hyacinth, babble thy syllables—louder yet—Aiai! Whimper with all of thy petals; a beautiful singer has perished."

Professor Binley stared at him in amazement and cried: "Charming! Beautiful! Your own translation, you say?"

And he, somewhat shaken by her enthusiasm, waved it aside.

"A little exercise of my Freshman year. But to get back to our—hyacinths: Theocritus, you remember, speaks of the 'lettered hyacinth.' May I see whether we can find the words there?"

He bent forward to take and she bent forward to give the flowers. Her hair brushed his forehead with a peculiar influence; and when their fingers touched he noted how soft and warm her hand was. He flushed strangely. She was flushed a little, too, possibly from embarrassment—possibly from the warmth of the day, with its insinuation of spring.

He pulled his spectacles over his eyes in a comfortable discomfiture and peered at the flowers closely. And she peered, too, breathing foolishly fast. When he could not find the living letters he shook his head and felt again the soft touch of her hair.

"I can't find the words—can you? Your eyes are brighter than mine."

She bent closer and both their hands held the flowers. He looked down into her hair. It struck him that it was a remarkably beautiful idea—a woman's hair—especially hers, streaked as it was with white—silken silver. When she shook her head a snowy thread tickled his nose amusingly.

"I can't find anything like it," she confessed.

Then he said: "I've just remembered. Theocritus calls the hyacinth black—melan—and so does Vergil. These cannot be hyacinths at all."

He was bitterly disappointed. It would have been delightful to meet the flower in the flesh that he knew so well in literature. Doctor Martha answered with quiet strength:

"These are hyacinths."

"But the Greeks—"

"Didn't know everything," she said; "or perhaps they referred to another flower. But then we have dark-purple hyacinths."

"Ah!" he said. "Sappho speaks of the hyacinth as purple—porphuron."

Thus the modern world was reconciled with the Greek and he felt easier; but there was a gentle forcefulness about her that surprised him. He wondered whether she would not be interested in hearing about his edition of Nonnus. He assumed that she would be, being evidently intelligent. So he told her. He told her and told her, and she listened with almost devout interest. He was still telling her when the students in other classes stampeded to lunch with a many-hoofed clatter. When they straggled back from lunch he was still telling her.

It was not until he was interrupted by an afternoon class of his own that he realized how long he had talked. He apologized to Professor Binley; but she said she was honored beyond words. She had come to ask him a technical question in prosody, as from one professor to another; but she had forgotten it altogether—at least she put it off to another visit. She hastened away in a flutter, feeling slightly as if she had been to a tryst.

Litton went without his lunch that day, but he was browsing on memories of his visitor. He had not talked so long to a woman since he could remember. This was the only woman who had let him talk uninterruptedly about himself—a very superior woman, everybody said.

When he went to his room that night he was still thinking of hyacinths and of her who had brought them to his eyes.

He knocked from his desk a book. It fell open at a page. As he picked it up he noted that it was a copy of the anonymous old spring rhapsody, the Pervigilium Veneris, with its ceaselessly reiterated refrain, "To-morrow he shall love who never loved before." As he fell asleep it was running through his head like a popular tune: Cras amet qui nunquam amavit; quique amavit cras amet.

It struck him as an omen; but it did not terrify him.

V

Professor Martha called again to ask her question in verse technic. The answer led to further talk and the consultation of books. She was a trifle nearsighted and too proud to wear glasses, so she had to bend close to the page; and her hair tickled his nose again foolishly.

Conference bred conference, and one day she asked him whether she would dare ask him to call. He rewarded her bravery by calling. She lived in a dormitory, with a parlor for the reception of guests. Male students were allowed to call on only two evenings a week. Litton did not call on those evenings; yet the fact that he called at all swept through the town like a silent thunderbolt. The students were mysteriously apprised of the fact that old Professor Litton and Prof. Martha Binley were sitting up and taking notice. To the youngsters it looked like a flirtation in an old folks' home.

Litton's very digestion was affected; his brain was in a whirl. He was the prey of the most childish alarms; gusts of petulant emotion swept through him if Martha were late when he called; he was mad with jealousy if she mentioned another professor.

She was growing more careful of her appearance. A new youth had come to her. She took fifteen years off her looks by simply fluffing her hair out of its professorial constriction. Professor Mackail noticed it and mentioned to Professor Litton that Professor Binley was looking ever so much better.

"She's not half homely for such an old maid!" he said.

Professor Litton felt murder in his heart. He wanted to slay the reprobate twice—once for daring to observe Martha's beauty and once for his parsimony of praise.

That evening when he called on Martha he was tortured with a sullen mood. She finally coaxed from him the astounding admission that he suspected her of flirting with Mackail. She was too new in love to recognize the ultimate compliment of his distress. She was horrified by his distrust, and so hurt that she broke forth in a storm of tears and denunciation. Their precious evening ended in a priceless quarrel of amazing violence. He stamped down the outer steps as she stamped up the inner.

For three days they did not meet and the university wore almost visible mourning for its pets. Poor Litton had not known that the human heart could suffer such agony. He was fairly burned alive with loneliness and resentment—like another Hercules blistering in the shirt of Nessus. And Martha was suffering likewise as Jason's second wife was consumed in the terrible poisoned robe that Medea sent her.

One evening a hollow-eyed Litton crept up the dormitory steps and asked the overjoyed maid for Professor Binley. When she appeared he caught her in his arms as if she were a spar and he a drowning sailor. They made up like young lovers and swore oaths that they would never quarrel again—oaths which, fortunately for the variety of their future existence, they found capable of infinite breaking and mending.

Each denied that the other could possibly love each. He decried himself as a stupid, ugly old fogy; and she cried him up as the wisest and most beautiful and best of men. Since best sounded rather weak, she called him the bestest; and he did not charge the impossible word against her as he had against Teed. He did not remember that Teed had ever used such language. Nobody could ever have used such language, because nobody was ever like her!

And when she said that he could not possibly love a homely, scrawny old maid like her, he delivered a eulogy that would have struck Aphrodite, rising milkily from the sea, as a slight exaggeration. And as for old maid, he cried in a curious blending of puerility and scholasticism:

"Old maid, do you say? And has my little Margy-wargles forgotten what Sappho said of an old maid? We'd have lost it if some old scholiast on the stupid old sophist Hermogenes hadn't happened to quote it to explain the word glukumalon—an apple grafted on a quince. Sappho said this old maid was like—let me see!—'like the sweet apple that blushes on the top of the bough—on the tip of the topmost; and the apple-gatherers forgot it—no, they did not forget it; they just could not get it!' And that's you, Moggles mine! You're an old maid because you've been out of reach of everybody. I can't climb to you; so you're going to drop into my arms—aren't you?"

She said she supposed she was. And she did.

Triumphantly he said, "Hadn't we better announce our engagement?"

This threw her into a spasm of fear. "Oh, not yet! Not yet! I'm afraid to let the students all know it. A little later—on Commencement Day will be time enough."

He bowed to her decision—not for the last time.

For a time Litton had taken pleasure in employing his learning in the service of Martha's beauty. He called her classic names—Meæ Deliciæ, or Glukutate, or Melema. A poem that he had always thought the last word in silliness became a modest expression of his own emotions—the poem in which Catallus begs Lesbia, "Give me a thousand kisses, then a hundred, then a thousand more, then a second hundred; then, when we have made up thousands galore, we shall mix them up so that we shall not know—nor any enemy be able to cast a spell because he knows—how many kisses there are."

His scholarship began to weary her, however, and it began to seem an affectation to him; so that he was soon mangling the English language in speech and in the frequent notes he found it necessary to send his idol on infinitely unimportant matters that could not wait from after lunch to after dinner.

She coined phrases for him, too, and his heart rejoiced when she achieved the epoch-making revision of Stuart into Stookie-tookie! He had thought that Toodie was wonderful, but it was a mere stepping-stone to Stookie-tookie.

Her babble ran through his head like music, and it softened his heart, so that almost nothing could bring him to earth except the recitations of Teed, who crashed through the classics like a bull in a china-shop or, as Litton's Greeks put it, like an ass among beehives.

During those black days when Litton had quarreled with Martha he had fiercely reminded Teed that only a month remained before his final examinations, and warned him that he would hold him strictly to account. No classics, no diploma!

Teed had sulked and moped while Litton sulked and moped; but when Litton was reconciled to Martha the sun seemed to come out on Teed's clouded world, too. He took a sudden extra interest in his electrical studies and obtained permission to work in the laboratory overtime. He obtained permission even to visit the big city for certain apparatus. And he wrote the despondent, distant Fannie Newman that there would "shortly be something doing in the classics."

VI

One afternoon Professor Litton, having dismissed his class—in which he was obliged to rebuke Teed more severely than usual—fell to remembering his last communion with Martha, the things he had said—and heard! He wondered, as a philologist, at the strange prevalence of the "oo" sound in his love-making. It was plainly an onomatopœic word representing the soul's delight. Oo! was what Ah! is to the soul in exaltation and Oh! to the soul in surprise. If the hyacinths babbled Ai, Ai! the roses must murmur Oo! Oo!

The more he thought it over, the more nonsense it became, as all words turn to drivel on repetition; but chiefly he was amazed that even love could have wrought this change in him. In his distress he happened to think of Dean Swift. Had not that fierce satirist created a dialect of his own for his everlastingly mysterious love affairs?

Eager for the comfort of fellowship in disgrace he hurried to the library and sought out the works of the Dean of St. Patrick's. And in the "Journal to Stella" he found what he sought—and more. Expressions of the most appalling coarseness alternated with the most insipid tendernesses.

The old dean had a code of abbreviations: M.D. for "My dear," Ppt. for "Poppet," Pdfr. for "Poor dear foolish rogue," Oo or zoo or loo stood for "you," Deelest for "Dearest," and Rettle for "Letter," and Dallars for "Girl," Vely for "Very," and Hele and Lele for "Here and there." Litton copied out for his own comfort and Martha's this passage.

Do you know what? When I am writing in my own language I make up my mouth just as if I was speaking it: "Zoo must cly Lele and Hele, and Hele aden. Must loo mimitate Pdfr., pay? Iss, and so la shall! And so leles fol ee rettle. Dood mollow."

And Dean Swift had written this while he was in London two hundred years before, a great man among great men. With such authority back of him Litton returned to his empty class-room feeling as proud as Gulliver in Lilliput. A little later he was Gulliver in Brobdingnag.

Alone at his desk, with none of his students in the seats before him, he took from his pocket—his left pocket—a photograph of Prof. Martha Binley. It had been taken one day on a picnic far from the spying eyes of pupils. Her hair was all wind-blown, her eyes frowned gleamingly into the sun, and her mouth was curled with laughter.

He sat there alone—the learned professor—and talked to this snapshot in a dialogue he would have recently accepted as a perfect examination paper for matriculation in an insane-asylum.

"Well, Margy-wargy, zoo and Stookie-tookie is dust like old Dean Swiffikins, isn't we?"

There was a rap on the door and the knob turned as he shot the photograph into his pocket and pretended to be reading a volume of Bacchylides—upside down. The intruder was Teed. Litton was too much startled and too throbbing with guilt to express his indignation. He stammered:

"We-well, Teed?" He almost called him teed-leums, his tongue had so caught the rhythm of love.

Teed came forward with an ominous self-confidence bordering on insolence. There was a glow in his eye that made his former tyrant quail.

"Professor, I'd like a word with you about those conditions. I wish you'd let me off on 'em."

"Let you off, T-Teed?"

"Yes, sir. I can't get ready for the exams. I've boned until my skull's cracked and it lets the blamed stuff run out faster than I can cram it in. The minute I leave college I expect to forget everything I've learned here, anyway; so I'd be ever so much obliged if you'd just pass me along."

"I don't think I quite comprehend," said Litton, who was beginning to regain his pedagogical dignity.

"All you've gotta do," said Teed, "is to put a high enough mark on my papers. You gimme a special examination and I'll make the best stab I can at answering the questions; then you just shut one eye and mark it just over the failure line. That'll save you a lot o' time and fix me hunky-dory."

Litton was glaring at him, hearing the uncouth "gimme" and "gotta," and wondering that a man could spend four years in college and scrape off so little paint. Then he began to realize the meaning of Teed's proposal. His own honor was in traffic. He groaned in suffocation:

"Do you dare to ask me to put false marks on examination-papers, sir?"

"Aw, Professor, what's the dif? You couldn't grind Latin and Greek into me with a steel-rolling machine. Gimme a chance! There's a little girl waiting for me outside and a big job. I can't get one without the other—and I don't get either unless you folks slip me the sheepskin."

"Impossible, sir! Astounding! Insulting! Impossible!"

"Have a heart, can't you?"

"Leave the room, sir, at once!"

"All right!" Teed sighed, and turned away. At the door he paused to murmur, "All right for you, Stookie-tookie!"

Litton's spectacles almost exploded from his nose.

"What's that?" he shrieked.

Teed turned and came back, with an intolerable smirk, straight to the desk. He leaned on it with odious familiarity and grinned.

"Say, Prof, did you ever hear of the dictagraph?"

"No! And I don't care to now."

"You ought to read some of the modern languages, Prof! Dictagraph comes from two perfectly good Latin words: dictum and graft—well, you'll know 'em. But the Greeks weren't wise to this little device. I got part of it here."

He took from his pocket the earpiece of the familiar engine of latter-day detective romance. He explained it to the horribly fascinated Litton, whose hair stood on end and whose voice stuck in his throat in the best Vergilian manner. Before he quite understood its black magic Litton suspected the infernal purpose it had been put to. His wrath had melted to a sickening fear when Teed reached the conclusion of his uninterrupted discourse:

"The other night I was calling on a pair of girls at the dormitory where your—where Professor Binley lives. They pointed out the sofa near the fireplace where you and the professoress sit and hold hands and make googoo eyes."

There was that awful "oo" sound again! Litton was in an icy perspiration; but he was even more afraid for his beloved, precious sweetheart than for himself—and that was being about as much afraid as there is. Teed went on relentlessly, gloating like a satyric mask:

"Well, I had an idea, and the girls fell for it with a yip of joy. The next evening I called I carried a wire from my room across to that dormitory and nobody paid any attention while I brought it through a window and under the carpet to the back of the sofa. And there it waited, laying for you. And over at my digs I had it attached to a phonograph by a little invention of my own.

"Gosh! It was wonderful! It even repeated the creak of those old, rusty springs while you waited for her. And when she came—well, anyway, I got every word you said, engraved in wax, like one of those old poets of yours used to write on."

Litton was afraid to ask evidence in verification. Teed supplied the unspoken demand:

"For instance, the first thing she says to you is: 'Oh, there you are, my little lover! I thought you'd never come!' And you says, 'Did it miss its stupid old Stookie?' And she says: 'Hideously! Sit down, honey heart.' And splung went the spring—and splung again! Then she says: 'Did it have a mis'ble day in hateful old class-room? Put its boo'ful head on Margy-wargy's shojer.' Then you says—"

"Stop!" Litton cried, raising the only missile he could find, an inkstand. "Who knows of this infamy besides you?"

"Nobody yet—on my word of honor."

"Honor!" sneered Litton, so savagely that Teed's shameless leer vanished in a glare of anger.

"Nobody yet! The girls are dying to hear and some of the fellows knew what I was up to; but I was thinking that I'd tell 'em that the blamed thing didn't work, provided—provided—"

"Provided?" Litton wailed, miserably.

"Provided you could see your way clear to being a little careless with your marks on my exam-papers."

Litton sat with his head whirling and roaring like a coffee-grinder. A multitude of considerations ran through and were crushed into powder—his honor; her honor; the standards of the university; the standards of a lover; the unimportance of Teed; the all-importance of Martha; the secret disloyalty to the faculty; the open disloyalty to his best-beloved. He heard Teed's voice as from far off:

"Of course, if you can't see your way to sparing my sweetheart's feelings I don't see why I'm expected to spare yours—or to lie to the fellows and girls who are perishing to hear how two professors talk when they're in love."

Another long pause. Then the artful Teed moved to the door and turned the knob. Litton could not speak; but he threw a look that was like a grappling-iron and Teed came back.

"How do I know," Litton moaned, "how do I know that you will keep your word?"

"How do I know that you'll keep yours?" Teed replied, with the insolence of a conqueror.

"Sir!" Litton flared, but weakly, like a sick candle.

"Well," Teed drawled, "I'll bring you the cylinders. I'll have to trust you, as one gentleman to another."

"Gentleman!" Litton snarled in hydrophobic frenzy.

"Well, as one lover to another, then," Teed laughed. "Do I get my diploma?"

Litton's head was so heavy he could not nod it.

"It's my diploma in exchange for your records. Come on, Professor—be a sport! And take it from me, it's no fun having the words you whisper in a girl's ear in the dark shouted out loud in the open court. And mine were repeated in a Dutch dialect! I got yours just as they came from your lips—and hers."

That ended it. Litton surrendered, passed himself under the yoke; pledged himself to the loathsome compact, and Teed went to fetch the price of his degree of Bachelor of Arts.

Litton hung dejected beyond feeling for a long while. His heart was whimpering Ai, Ai! He felt himself crushed under a hundred different crimes. He felt that he could never look up again. Then he heard a soft tap at the door. He could not raise his eyes or his voice. He heard the door open and supposed it was Teed bringing him the wages of his shame; but he heard another voice—an unimaginably beautiful, tragically tender voice—crooning:

"Oo-oo! Stookie-tookie!"

He looked up. How radiant she was! He could only sigh. She came across to him as gracefully and lightly as Iris running down a rainbow. She was murmuring:

"I just had to slip over and tell you something."

"Well, Martha!" he sighed.

She stopped short, as if he had struck her.

"'Martha'? What's the matter? You aren't mad at me, are you, Stookie?"

"How could I be angry with you, Marg—er—Martha?"

"Then why don't you call me Margy-wargleums?"

He stared at her. Her whimsical smile, trembling to a piteously pretty hint of terror, overwhelmed him. He hesitated, then shoved back his chair and, rising, caught her to him so tightly that she gasped out, "Oo!" There it was again! He laughed like an overgrown cub as he cried:

"Why don't I call you Margy-wargleums? Well, what a darned fool I'd be not to! Margy-wargleums!"

To such ruin does love—the blind, the lawless, the illiterate child—bring the noblest intelligences and the loftiest principles.

THE MOUTH OF THE GIFT HORSE

I

The town of Wakefield was—is—suffering from growing pains—from ingrowing pains, according to its rival, Gatesville.

Wakefield has long been guilty of trying to add a cubit to its stature by taking thought. Established, like thousands of other pools left in the prairies by that tidal wave of humanity sweeping westward in the middle of the last century, it passed its tenth thousand with a rush; then something happened.

For decades the decennial census dismally tolled the same knell of fifteen thousand in round numbers. The annual censuses but echoed the reverberations. A few more cases of measles one year, and the population lapsed a little below the mark; an easy winter, and it slipped a little above. No mandragora of bad times or bad health ever quite brought it so low as fourteen thousand. No fever of prosperity ever sent the temperature quite so high as sixteen thousand.

The iteration got on people's nerves till a commercial association was formed under the name of the Wide-a-Wakefield Club, with a motto of "Boom or Bust." Many individuals accomplished the latter, but the town still failed of the former. The chief activity of the club was in the line of decoying manufacturers over into Macedonia by various bribes.

Its first capture was a cutlery company in another city. Though apparently prosperous, it had fallen foul of the times, and its president adroitly allowed the Wide-a-Wakefield Club to learn that, if a building of sufficient size were offered rent free for a term of years, the cutlery company might be induced to move to Wakefield and conduct its business there, employing at least a hundred laborers, year in, year out.

There was not in all Wakefield a citizen too dull to see the individual and collective advantage of this hundred increase. It meant money in the pocket of every doctor, lawyer, merchant, clothier, boarding-house-keeper, saloon-keeper, soda-water-vender—whom not?

Every establishment in town would profit, from the sanatorium to the "pantatorium"—as the institution for the replenishment of trousers was elegantly styled.

Commercial fervor rose to such heights in Wakefield that in no time at all enough money was subscribed to build a convenient factory and to purchase as many of the shares of cutlery stock as the amiable president cared to print. In due season the manufacture of tableware and penknives began, and the pride of the town was set aglow by the trade-mark stamped on every article issued from the cutlery factory. It was an ingenious emblem—a glorious Cupid in a sash marked "Wakefield," stabbing a miserable Cupid in a sash marked "Sheffield."

It was Sheffield that survived. In fact, the stupid English city probably never heard of the Wakefield Cutlery Company. Nor did Wakefield hear of it long. For the emery dust soon ceased to glisten in the air and the steel died of a distemper.

It was a very real shock to Wakefield, and many a boy that had been meant for college went into his father's store instead, and many a girl who had planned to go East to be polished stayed at home and polished her mother's plates and pans, because the family funds had been invested in the steel-engravings of the cutlery stock certificates. They were very handsome engravings.

Hope languished in Wakefield until a company from Kenosha consented to transport its entire industry thither if it could receive a building rent free. It was proffered, and it accepted, the cutlery works. For a season the neighboring streets were acrid with the aroma of the passionate pickles that were bottled there. And then its briny deeps ceased to swim with knobby condiments. A tin-foil company abode awhile, and yet again a tamale-canning corporation, which in its turn sailed on to the Sargasso Sea of missing industries.

Other factory buildings in Wakefield fared likewise. They were but lodging-houses for transient failures. The population swung with the tide, but always at anchor. The lift which the census received from an artificial-flower company, employing seventy-five hands, was canceled by the demise of a more redolent pork-packing concern of equal pay-roll. People missed it when the wind blew from the west.

But Wakefield hoped on. One day the executive committee of the Wide-a-Wakefield Club, having nothing else to do, met in executive session. There were various propositions to consider. All of them were written on letter-heads of the highest school of commercial art, and all of them promised to endow Wakefield with some epoch-making advantage, provided merely that Wakefield furnish a building rent free, tax free, water free, and subscribe to a certain amount of stock.

The club regarded these glittering baits with that cold and clammy gaze with which an aged trout of many-scarred gills peruses some newfangled spoon.

But if these letters were tabled with suspicion because they offered too much for too little, what hospitality could be expected for a letter which offered still more for still less? The chairman of the committee was Ansel K. Pettibone, whose sign-board announced him as a "practical house-painter and paper-hanger." He read this letter, head-lines and all:

MARK A. SHELBY JOHN R. SHELBY LUKE B. SHELBY

SHELBY PARADISE POWDER COMPANY

SPRINGFIELD, MASS., U. S. A.

Makes Washday Welcome. Sidestep Substitutes.

Wide-a-Wakefield Club, Wakefield:

Dear Sirs,—The undersigned was born in your city, and left same about twenty years ago to seek his fortune. I have finally found it after many ups and downs. Us three brothers have jointly perfected and patented the famous Paradise Powder. It is generally conceded to be the grandest thing of its kind ever put on the market, and, in the words of the motto, "Makes Washday Welcome." Ladies who have used it agree that our statement is not excessive when we say, "Once tried, you will use no other."

It is selling at such a rate in the East that I have a personal profit of two thousand dollars a week. We intend to push it in the West, and we were talking of where would be the best place to locate a branch factory at. My brothers mentioned Chicago, St. Louis, Omaha, Denver, and such places, but I said, "I vote for Wakefield." My brothers said I was cracked. I says maybe I am, but I'm going back to my old home town and spend the rest of my life there and my surplus money, too. I want to beautify Wakefield, and as near as I can remember there is room for improvement. It may not be good business, but it is what I want to do. And also what I want to know is, can I rely on the co-operation of the Wide-a-Wakefield Club in doing its share to build up the old town into a genuine metropolis? Also, what would be the probable cost of a desirable site for the factory?

Hoping to receive a favorable reply from you at your earliest convenience,

Yours truly,

Luke B. Shelby.

The chairman's grin had grown wider as he read and read. When he had finished the letter he tossed it along the line. Every member read it and shook with equal laughter.

"I wonder what kind of green goods he sells?" said Joel Spate, the owner of the Bon-Ton Grocery.

"My father used to say to me," said Forshay, of the One-Price Emporium, "whatever else you do, Jake, always suspicion the fellow that offers you something for nothing. There's a nigger in the woodpile some'eres."

"That's so," said Soyer, the swell tailor, who was strong on second thought.

"He says he's goin' to set up a factory here, but he don't ask for rent free, tax free, light free—nothin' free," said the practical house-painter.

"What's the name again?" said Spate.

"Shelby—Luke B. Shelby," answered Pettibone. "Says he used to live here twenty years ago. Ever hear of him? I never did."

Spate's voice came from an ambush of spectacles and whiskers: "I've lived here all m' life—I'm sixty-three next month. I don't remember any such man or boy."

"Me, neither," echoed Soyer, "and I'm here going on thirty-five year."

The heads shook along the line as if a wind had passed over a row of wheat.

"It's some new dodge for sellin' stock," suspicioned One-Price Forshay, who had a large collection of cutlery certificates.

"More likely it's just a scheme to get us talking about his Paradise Powder. Seems to me I've had some of their circulars," said Bon-Ton Spate.

Pettibone, the practical chairman, silenced the gossip with a brisk, "What is the pleasure of the meeting as regards answering it?"

"I move we lay it on the table," said Eberhart of the Furniture Palace.

"I move we lay it under the table," said Forshay, who had a keen sense of humor.

"Order, gentlemen! Order," rapped Pettibone, as the room rocked with the laughter in which Forshay led.

When sobriety was restored it was moved, seconded, and passed that the secretary be instructed to send Shelby a copy of the boom number of the Wakefield Daily Eagle.

And in due time the homesick Ulysses, waiting a welcome from Ithaca, received this answer to his letter:

Luke B. Shelby, Springfield, Mass.

Sir,—Yours of sixteenth inst. rec'd and contents noted. In reply to same, beg to state are sending last special number Daily Eagle, giving full information about city and sites.

Yours truly,

Joel Spate, Secy. Exec. Comm.

Shelby winced. The hand he had held out with pearls of price had been brushed aside. His brothers laughed.

"We said you were cracked. They don't want your old money or your society. Go somewheres where they do."

But Luke B. Shelby had won his success by refusing to be denied, and he had set his heart on refurbishing his old home town. The instinct of place is stronger than any other instinct in some animals, and Shelby was homesick for Wakefield—not for anybody, any house, or any street in particular there, but just for Wakefield.

Without further ado he packed his things and went.

II

There was no brass band to meet him. At the hotel the clerk read his name without emotion. When he required the best two rooms in the hotel, and a bath at that, the clerk looked suspicious:

"Any baggage?"

"Three trunks and a grip."

"What line do you carry? Will you use the sample-room?"

"Don't carry any line. Don't want any sample-room."

He walked out to see the town. It had so much the same look that it seemed to have been embalmed. Here were the old stores, the old signs, apparently the same fly-specked wares in the windows.

He read Doctor Barnby's rusty shingle. Wasn't that the same swaybacked horse dozing at the hitching-post?

Here was the rough hill road where he used to coast as a child. There stood Mrs. Hooker on the lawn with a hose, sprinkling the street, the trees, the grass, the oleander in its tub and the moon-flower on the porch. He seemed to have left her twenty years ago in that attitude with the same arch of water springing from the nozzle.

He paused before the same gap-toothed street-crossing of yore, and he started across it as across the stepping-stones of a dry stream. A raw-boned horse whirled around the corner, just avoiding his toes. It was followed by a bouncing grocery-wagon on the side of whose seat dangled a shirt-sleeved youth who might have been Shelby himself a score of years ago.

Shelby paused to watch. The horse drew up at the home of Doctor Stillwell, the dentist. Before the wagon was at rest the delivery-boy was off and half-way around the side of the house. Mrs. Stillwell opened the screen door to take in the carrots and soap and washing-powder Shelby used to bring her. Shelby remembered that she used washing-powder then. He wondered if she had heard of the "Paradise."

As he hung poised on a brink of memory the screen door flapped shut, the grocery-boy was hurrying back, the horse was moving away, and the boy leaped to his side-saddle seat on the wagon while it was in motion. The delivery-wagons and their Jehus were the only things that moved fast in Wakefield, now as then.

Shelby drifted back to the main street and found the Bon-Ton Grocery where it had been when he deserted the wagon. The same old vegetables seemed to be sprawling outside. The same flies were avid at the strawberry-boxes, which, he felt sure, the grocer's wife had arranged as always, with the biggest on top. He knew that some Mrs. Spate had so distributed them, if it were not the same who had hectored him, for old Spate had a habit of marrying again. His wives lasted hardly so long as his hard-driven horses.

Shelby paused to price some of the vegetables, just to draw Spate into conversation. The old man was all spectacles and whiskers, as he had always been. Shelby thought he must have been born with spectacles and whiskers.

Joel Spate, never dreaming who Shelby was, was gracious to him for the first time in history. He evidently looked upon Shelby as a new-comer who might be pre-empted for a regular customer before Mrs. L. Bowers, the rival grocer, got him. It somehow hurt Shelby's homesick heart to be unrecognized, more than it pleased him to enjoy time's topsy-turvy. Here he was, returned rich and powerful, to patronize the taskmaster who had worked him hard and paid him harder in the old years. Yet he dared not proclaim himself and take his revenge.

He ended the interview by buying a few of the grocer's horrible cigars, which he gave away to the hotel porter later.

All round the town Shelby wandered, trying to be recognized. But age and prosperity had altered him beyond recall, though he himself knew almost every old negro whitewash man, almost every teamster, he met. He was surer of the first names than of the last, for the first names had been most used in his day, and it surprised him to find how clearly he recalled these names and faces, though late acquaintances escaped his memory with ease.

The women, too, he could generally place, though many who had been short-skirted tomboys were now heavy-footed matrons of embonpoint with children at their skirts, children as old as they themselves had been when he knew them. Some of them, indeed, he recognized only by the children that lagged alongside like early duplicates.

As he sauntered one street of homely homes redeemed by the opulence of their foliage, he saw coming his way a woman whose outlines seemed but the enlargement of some photograph in the gallery of remembrance. Before she reached him he identified Phœbe Carew.

Her mother, he remembered, had been widowed early and had eked out a meager income by making chocolate fudge, which the little girl peddled about town on Saturday afternoons. And now the child, though she must be thirty or thereabouts, had kept a certain grace of her youth, a wistful prettiness, a girlish unmarriedness, that marked her as an old maid by accident or choice, not by nature's decree.

He wondered if she, at least, would pay him the compliment of recognition. She made no sign of it as she approached. As she passed he lifted his hat.

"Isn't this Miss Phœbe Carew?"

Wakefield women were not in danger from strangers' advances; she paused without alarm and answered with an inquiring smile:

"Yes."

"You don't remember me?"

She studied him. "I seem to, and yet—"

"I'm Luke Shelby."

"Luke Shelby! Oh yes! Why, how do you do?" She gave him her beautiful hand, but she evidently lacked the faintest inkling of his identity. Time had erased from recollection the boy who used to take her sliding on his sled, the boy who used to put on her skates for her, the boy who used to take her home on his grocery-wagon sometimes, pretending that he was going her way, just for the benizon of her radiant companionship, her shy laughter.

"I used to live here," he said, ashamed to be so forgettable. "My mother was—my stepfather was A. J. Stacom, who kept the hardware-store."

"Oh yes," she said; "they moved away some years ago, didn't they?"

"Yes; after mother died my stepfather went back to Council Bluffs, where we came from in the first place. I used to go to school with you, Phœbe—er—Miss Carew. Then I drove Spate's delivery-wagon for a while before I went East."

"Oh yes," she said; "I think I remember you very well. I'm very glad to see you again, Mr.—Mr. Stacom."

"Shelby," he said, and he was so heartsick that he merely lifted his hat and added, "I'm glad to see you looking so well."

"You're looking well, too," she said, and smiled the gracious, empty smile one visits on a polite stranger. Then she went her way. In his lonely eyes she moved with a goddess-like grace that made clouds of the uneven pavements where he stumbled as he walked with reverted gaze.

He went back to the hotel lonelier than before, in a greater loneliness than Ulysses felt ending his Odyssey in Ithaca. For, at least, Ulysses was remembered by an old dog that licked his hand.

Once in his room, Shelby sank into a patent rocker of most uncomfortable plush. The inhospitable garishness of a small-town hotel's luxury expelled him from the hateful place, and he resumed the streets, taking, as always, determination from rebuff and vowing within himself:

"I'll make 'em remember me. I'll make the name of Shelby the biggest name in town."

On the main street he found one lone, bobtailed street-car waiting at the end of its line, its horse dejected with the ennui of its career, the driver dozing on the step.

Shelby decided to review the town from this seedy chariot; but the driver, surly with sleep, opened one eye and one corner of his mouth just enough to inform him that the next "run" was not due for fifteen minutes.

"I'll change that," said Shelby. "I'll give 'em a trolley, and open cars in summer, too."

He dragged his discouraged feet back to the hotel and asked when dinner would be served.

"Supper's been ready sence six," said the clerk, whose agile toothpick proclaimed that he himself had banqueted.

Shelby went into the dining-room. A haughty head waitress, zealously chewing gum, ignored him for a time, then piloted him to a table where he found a party of doleful drummers sparring in repartee with a damsel of fearful and wonderful coiffure.

She detached herself reluctantly and eventually brought Shelby a supper contained in a myriad of tiny barges with which she surrounded his plate in a far-reaching flotilla.

When he complained that his steak was mostly gristle, and that he did not want his pie yet, Hebe answered:

"Don't get flip! Think you're at the Worldoff?"

Poor Shelby's nerves were so rocked that he condescended to complain to the clerk. For answer he got this:

"Mamie's all right. If you don't like our ways, better build a hotel of your own."

"I guess I will," said Shelby.

He went to his room to read. The gas was no more than darkness made visible. He vowed to change that, too.

He would telephone to the theater. The telephone-girl was forever in answering, and then she was impudent. Besides, the theater was closed. Shelby learned that there was "a movin'-pitcher show going"! He went, and it moved him to the door.

The sidewalks were full of doleful loafers and loaferesses. Men placed their chairs in the street and smoked heinous tobacco. Girls and women dawdled and jostled to and from the ice-cream-soda fountains.

The streets that night were not lighted at all, for the moon was abroad, and the board of aldermen believed in letting God do all He could for the town. In fact, He did nearly all that the town could show of charm. The trees were majestic, the grass was lavishly spread, the sky was divinely blue by day and angelically bestarred at night.

Shelby compared his boyhood impressions with the feelings governing his mind now that it was adult and traveled. He felt that he had grown, but that the town had stuck in the mire. He felt an ambition to lift it and enlighten it. Like the old builder who found Rome brick and left it marble, Shelby determined that the Wakefield which he found of plank he should leave at least of limestone. Everything he saw displeased him and urged him to reform it altogether, and he said:

"I'll change all this. And they'll love me for it."

And he did. But they—did they?

III

One day a greater than Shelby came to Wakefield, but not to stay. It was no less than the President of these United States swinging around the circle in an inspection of his realm, with possibly an eye to the nearing moment when he should consent to re-election. As his special train approached each new town the President studied up its statistics so that he might make his speech enjoyable by telling the citizens the things they already knew. He had learned that those are the things people most like to hear.

His encyclopædia informed him that Wakefield had a population of about fifteen thousand. He could not know how venerable an estimate this was, for Wakefield was still fifteen thousand—now and forever, fifteen thousand and insuperable.

The President had a mental picture of just what such a town of fifteen thousand would look like, and he wished himself back in the White House.

He was met at the train by the usual entertainment committee, which in this case coincided with the executive committee of the Wide-a-Wakefield Club. It had seemed just as well to these members to elect themselves as anybody else.

Mr. Pettibone, the town's most important paper-hanger, was again chairman after some lapses from office. Joel Spate, the Bon-Ton Grocer, was once more secretary, after having been treasurer twice and president once. The One-Price Emporium, however, was now represented by the younger Forshay, son of the founder, who had gone to the inevitable Greenwood at the early age of sixty-nine. Soyer, the swell tailor, had yielded his place to the stateliest man in town, Amasa Harbury, president of the Wakefield Building and Loan Association. And Eberhart, of the Furniture Palace, had been supplanted by Gibson Shoals, the bank cashier.

To the President's surprise the railroad station proved to be, instead of the doleful shed usual in those parts, a graceful edifice of metropolitan architecture. He was to ride in an open carriage, of course, drawn by the two spanking dapples which usually drew the hearse when it was needed. But this was tactfully kept from the President.

There had been some bitterness over the choice of the President's companions in the carriage, since it was manifestly impossible for the entire committee of seven to pile into the space of four, though young Forshay, who had inherited his father's gift of humor, volunteered to ride on the President's lap or hold him on his.

The extra members were finally consoled by being granted the next carriage, an equipage drawn by no less than the noble black geldings usually attached to the chief mourners' carriage.

As the President was escorted to his place he remarked that a trolley-car was waiting at the station.

"I see that Wakefield boasts an electric line," he beamed.

"Yes," said Pettibone, "that's some of Shelby's foolishness."

A look from Spate silenced him, but the President had not caught the slip.

The procession formed behind the town band, whose symphony suffered somewhat from the effort of the musicians to keep one eye on the music and throw the other eye backward at the great visitor.

"What a magnificent building!" said the President as the parade turned a corner. Nobody said anything, and the President read the name aloud. "The Shelby House. A fine hotel!" he exclaimed, as he lifted his hat to the cheers from the white-capped chambermaids and the black-coated waiters in the windows. They were male waiters.

"And the streets are lighted by electricity! And paved with brick!" the President said. "Splendid! Splendid! There must be very enterprising citizens in Gatesville—I mean Wakefield." He had visited so many towns!

"That's a handsome office-building," was his next remark. "It's quite metropolitan." The committee vouchsafed no reply, but they could see that he was reading the sign:

The committee was not used to chatting with Presidents, and even the practical Pettibone, who had voted against him, had an awe of him in the flesh. He decided to vote for him next time; it would be comforting to be able to say, "Oh yes, I know the President well; I used to take long drives with him—once."

There were heartaches in the carriage as the President, who commented on so many things, failed to comment on the banner of welcome over Pettibone's shop, painted by Pettibone's own practical hand; or the gaily bedighted Bon-Ton Grocery with the wonderful arrangement of tomato-cans into the words, "Welcome to Wakefield." The Building and Loan Association had stretched a streamer across the street, too, and the President never noticed it. His eyes and tongue were caught away by the ornate structure of the opera-house.

"Shelby Opera House. So many things named after Mr. Shelby. Is he the founder of the city or—or—"

"No, just one of the citizens," said Pettibone.

"I should be delighted to meet him."

Three votes fell from the Presidential tree with a thud.

Had the committee been able to imagine in advance how Shelbyisms would obtrude everywhere upon the roving eye of the visitor, whose one aim was a polite desire to exclaim upon everything exclaimable, they might have laid out the line of march otherwise.

But it was too late to change now, and they grew grimmer and grimmer as the way led to the stately pleasure-dome which Shelby Khan had decreed and which imported architects and landscape-gardeners had established.

Here were close-razored lawns and terraces, a lake with spouting fountains, statues of twisty nymphs, glaring, many-antlered stags and couchant lions, all among cedar-trees and flower-beds whose perfumes saluted the Presidential nostril like a gentle hurrah.

Emerging through the trees were the roofs, the cupola and ivy-bowered windows of the home of Shelby, most homeless at home. For, after all his munificence, Wakefield did not like him. The only tribute the people had paid him was to boost the prices of everything he bought, from land to labor, from wall-paper to cabbages. And now on the town's great day he had not been included in any of the committees of welcome. He had been left to brood alone in his mansion like a prince in ill favor exiled to his palace.

He did not know that his palace had delighted even the jaded eye of the far-traveled First Citizen. He only knew that his fellow-townsmen sneered at it with dislike.

Shelby was never told by the discreet committeemen in the carriage that the President had exclaimed on seeing his home:

"Why, this is magnificent! This is an estate! I never dreamed that—er—Wakefield was a city of such importance and such wealth. And whose home is this?"

Somebody groaned, "Shelby's."

"Ah yes; Shelby's, of course. So many things here are Shelby's. You must be very proud of Mr. Shelby. Is he there, perhaps?"

"That's him, standing on the upper porch there, waving his hat," Pettibone mumbled.

The President waved his hat at Shelby.

"And the handsome lady is his wife, perhaps?"

"Yes, that's Mrs. Shelby," mumbled Spate. "She was Miss Carew. Used to teach school here."

Phœbe Shelby was clinging to her husband's side. There were tears in her eyes and her hands squeezed mute messages upon his arm, for she knew that his many-wounded heart was now more bitterly hurt than in all his knowledge of Wakefield. He was a prisoner in disgrace gazing through the bars at a festival.

He never knew that the President suggested stopping a moment to congratulate him, and that it was his own old taskmaster Spate who ventured to say that the President could meet him later. Spate could rise to an emergency; the other committeemen thanked him with their eyes.

As the carriage left the border of the Shelby place the President turned his head to stare, for it was beautiful, ambitiously beautiful. And something in the silent attitude of the owner and his wife struck a deeper note in the noisy, gaudy welcome of the other citizens.

"Tell me about this Mr. Shelby," said the President.

Looks were exchanged among the committee. All disliked the task, but finally Spate broke the silence.

"Well, Mr. President, Shelby is a kind of eccentric man. Some folks say he's cracked. Used to drive a delivery-wagon for me. Ran away and tried his hand at nearly everything. Finally, him and his two brothers invented a kind of washing-powder. It was like a lot of others, but they knew how to push it. Borrowed money to advertise it big. Got it started till they couldn't have stopped it if they'd tried. Shelby decided to come back here and establish a branch factory. That tall chimney is it. No smoke comin' out of it to-day. He gave all the hands a holiday in your honor, Mr. President."

The President said: "Well, that's mighty nice of him. So he's come back to beautify his old home, eh? That's splendid—a fine spirit. Too many of us, I'm afraid, forget the old places when ambition carries us away into new scenes. Mr. Shelby must be very popular here."

There was a silence. Mr. Pettibone was too honest, or too something, to let the matter pass.

"Well, I can't say as to that, Mr. President. Shelby's queer. He's very pushing. You can't drive people more 'n so fast. Shelby is awful fussy. Now, that trolley line—he put that in, but we didn't need it."

"Not but what Wakefield is enterprising," Spate added, anxiously.

Pettibone nodded and went on: "People used to think the old bobtailed horse-car—excuse my language—wasn't much, but the trolley-cars are a long way from perfect. Service ain't so very good. People don't ride on 'em much, because they don't run often enough."

The President started to say, "Perhaps they can't run oftener because people don't ride on 'em enough," but something counseled him to silence, and Pettibone continued:

"Same way with the electric light. People that had gas hated to change. He made it cheap, but it's a long way from perfect. He put in an independent telephone. The old one wasn't much good and it was expensive. Now we can have telephones at half the old price. But result is, you've got to have two, or you might just as well not have one. Everybody you want to talk to is always on the other line."

The President nodded. He understood the ancient war between the simple life and the strenuous. He wished he had left the subject unopened, but Pettibone had warmed to the theme.

"Shelby built an opery-house and brought some first-class troupes here. But this is a religious town, and people don't go much to shows. In the first place, we don't believe in 'em; in the second place, we've been bit by bad shows so often. So his opery-house costs more 'n it takes in.

"Then he laid out the Pastime Park—tried to get up games and things; but the vacant lots always were good enough for baseball. He tried to get people to go out in the country and play golf, too; but it was too much like following the plow. Folks here like to sit on their porches when they're tired.

"He brought an automobile to town—scared most of the horses to death. Our women folks got afraid to drive because the most reliable old nags tried to climb trees whenever Shelby came honking along. He built two or three monuments to famous citizens, but that made the families of other famous citizens jealous.

"He built that big home of his, but it only makes our wives envious. It's so far out that the society ladies can't call much. Besides, they feel uneasy with all that glory.

"Mrs. Shelby has a man in a dress-suit to open the door. The rest of us—our wives answer the door-bell themselves. Our folks are kind of afraid to invite Mr. and Mrs. Shelby to their parties for fear they'll criticize; so Mrs. Shelby feels as if she was deserted.

"She thinks her husband is mistreated, too; but—well, Shelby's eccentric. He says we're ungrateful. Maybe we are, but we like to do things our own way. Shelby tried to get us to help boost the town, as he calls it. He offered us stock in his ventures, but we've got taken in so often that—well, once bit is twice shy, you know, Mr. President. So Wakefield stands just about where she did before Shelby came here."

"Not but what Wakefield is enterprising," Mr. Spate repeated.

The President's curiosity overcame his policy. He asked one more question:

"But if you citizens didn't help Mr. Shelby, how did he manage all these—improvements, if I may use the word?"

"Did it all by his lonesome, Mr. President. His income was immense. But he cut into it something terrible. His brothers in the East began to row at the way he poured it out. When he began to draw in advance they were goin' to have him declared incompetent. Even his brothers say he's cracked. Recently they've drawn in on him. Won't let him spend his own money."

A gruesome tone came from among Spate's spectacles and whiskers:

"He won't last long. Health's giving out. His wife told my wife, the other day, he don't sleep nights. That's a bad sign. His pride is set on keepin' everything going, though, and nothing can hold him. He wants the street-cars to run regular, and the telephone to answer quick, even if the town don't support 'em. He's cracked—there's nothing to it."

Amasa Harbury, of the Building and Loan Association, leaned close and spoke in a confidential voice:

"He's got mortgages on 'most everything, Mr. President. He's borrowed on all his securities up to the hilt. Only yesterday I had to refuse him a second mortgage on his house. He stormed around about how much he'd put into it. I told him it didn't count how much you put into a hole, it was how much you could get out. You can imagine how much that palace of his would bring in this town on a foreclosure sale—about as much as a white elephant in a china-shop."

"Not but what Wakefield is enterprising," insisted Spate.

The lust for gossip had been aroused and Pettibone threw discretion to the winds.

"Shelby was hopping mad because we left him off the committee of welcome, but we thought we'd better stick to our own crowd of represent'ive citizens. Shelby don't really belong to Wakefield, anyway. Still, if you want to meet him, it can be arranged."

"Oh no," said the President. "Don't trouble."

And he was politic—or politician—enough to avoid the subject thenceforward. But he could not get Shelby out of his mind that night as his car whizzed on its way. To be called crazy and eccentric and to be suspected, feared, resisted by the very people he longed to lead—Presidents are not unaware of that ache of unrequited affection.

The same evening Shelby and Phœbe Shelby looked out on their park. The crowds that had used it as a vantage-ground for the pageant had all vanished, leaving behind a litter of rubbish, firecrackers, cigar stubs, broken shrubs, gouged terraces. Not one of them had asked permission, had murmured an apology or a word of thanks.

For the first time Phœbe Shelby noted that her husband did not take new determination from rebuff. His resolution no longer made a springboard of resistance. He seemed to lean on her a little.

IV

The perennially empty cutlery-works gave the Wide-a-Wakefield Club no rest. Year after year the anxiously awaited census renewed the old note of fifteen thousand and denied the eloquent argument of increased population. The committee in its letters continued to refer to Wakefield as "thriving" rather than as "growing." Its ingeniously evasive circulars finally roused a curiosity in Wilmer Barstow, a manufacturer of refrigerators, dissatisfied with the taxes and freight rates of the city of Clayton.

Barstow was the more willing to leave Clayton because he had suffered there from that reward which is more unkind than the winter wind. He loved a woman and paid court to her, sending her flowers at every possible excuse and besetting her with gifts.

She was not much of a woman—her very lover could see that; but he loved her in his own and her despite. She was unworthy of his jewels as of his infatuation, yet she gave him no courtesy for his gifts. She behaved as if they bored her; yet he knew no other way to win her. The more indifference she showed the more he tried to dazzle her.

At last he found that she was paying court herself to a younger man—a selfish good-for-naught who made fun of her as well as of Barstow, and who borrowed money from her as well as from Barstow.

When Barstow fully realized that the woman had made him not only her own booby, but the town joke as well, he could not endure her or the place longer. He cast about for an escape. But he found his factory no trifling baggage to move.

It was on such fertile soil that one of the Wide-a-Wakefield circulars fell.

It chimed so well with Barstow's mood that he decided at least to look the town over.

He came unannounced to make his own observations, like the spies sent into Canaan. The trolley-car that met his train was rusty, paintless, forlorn, untenanted. He took a ramshackle hack to the best hotel. Its sign-board bore this legend: "The Palace, formerly Shelby House—entirely new management."

He saw his baggage bestowed and went out to inspect the factory building described to him. The cutlery-works proved smaller than his needs, and it had a weary look. Not far away he found a far larger factory, idle, empty, closed. The sign declared it to be the Wakefield Branch of the Shelby Paradise Powder Company. He knew the prosperity of that firm and wondered why this branch had been abandoned.

In the course of time the trolley-car overtook him, and he boarded it as a sole passenger.

The lonely motorman was loquacious and welcomed Barstow as the Ancient Mariner welcomed the wedding guest. He explained that he made but few trips a day and passengers were fewer than trips. The company kept it going to hold the franchise, for some day Wakefield would reach sixteen thousand and lift the hoodoo.

The car passed an opera-house, with grass aspiring through the chinks of the stone steps leading to the boarded-up doors.

The car passed the Shelby Block; the legend, "For Rent, apply to Amasa Harbury," hid the list of Shelby enterprises.

The car grumbled through shabby streets to the outskirts of the town, where it sizzled along a singing wire past the drooping fences, the sagging bleachers, and the weedy riot of what had been a pleasure-ground. A few dim lines in the grass marked the ghost of a baseball diamond, a circular track, and foregone tennis-courts.

Barstow could read on what remained of the tottering fence:

HELBY'S PAST ARK

When the car had reached the end of the line Barstow decided to walk back to escape the garrulity of the motorman, who lived a lonely life, though he was of a sociable disposition.

Barstow's way led him shortly to the edge of a curious demesne, or rather the débris of an estate. A chaos of grass and weeds thrust even through the rust of the high iron fence about the place. Shrubs that had once been shapely grew raggedly up and swept down into the tall and ragged grass. A few evergreen trees lifted flowering cones like funeral candles in sconces. What had been a lake with fountains was a great, cracked basin of concrete tarnished with scabious pools thick with the dead leaves of many an autumn.

Barstow entered a fallen gate and walked along paths where his feet slashed through barbaric tangles clutching at him like fingers. As he prowled, wondering what splendor this could have been which was so misplaced in so dull a town and drooping into so early a neglect, birds took alarm and went crying through the branches. There were lithe escapes through the grass, and from the rim of the lake ugly toads plounced into the pool and set the water-spiders scurrying on their frail catamarans.

Two bronze stags towered knee-deep in verdure; one had a single antler, the other none. A pair of toothless lions brooded over their lost dignity. Between their disconsolate sentry, mounted flight on flight of marble steps to the house of the manor. It lay like an old frigate storm-shattered and flung aground to rot. The hospitable doors were planked shut, the windows, too; the floors of the verandas were broken and the roof was everywhere sunken and insecure.

At the portal had stood two nymphs, now almost classic with decay. One of them, toppling helplessly, quenched her bronze torch in weeds. Her sister stood erect in grief like a daughter of Niobe wept into stone.

The scene somehow reminded Barstow of one of Poe's landscapes. It was the corpse of a home. Eventually he noticed a tall woman in black, seated on a bench and gazing down the terraces across the dead lake. Barstow was tempted to ask her whose place this had been and what its history was, but her mien and her crêpe daunted him.

He made his way out of the region, looking back as he went. When he approached the most neighboring house a grocery-wagon came flying down the road. Before it stopped the slanted driver was off the seat and half-way across the yard. In a moment he was back again. Barstow called out:

"Whose place is that?"

"Shelby's."

"Did he move away?"

But the horse was already in motion, and the youth had darted after, leaping to the side of the seat and calling back something which Barstow could not hear.

Shelby, who had given the town everything he could, had even endowed it with a ruins.

When Barstow had reached the hotel again he went in to his supper. A head waitress, chewing gum, took him to a table where a wildly coiffed damsel brought him a bewildering array of most undesirable foods in a flotilla of small dishes.

After supper Barstow, following the suit of the other guests, took a chair on the sidewalk, for a little breeze loafed along the hot street. Barstow's name had been seen upon the hotel register and the executive committee of the Wide-a-Wakefield Club waited upon him in an august body.

Mr. Pettibone introduced himself and the others. They took chairs and hitched them close to Barstow, while they poured out in alternate strains the advantages of Wakefield. Barstow listened politely, but the empty factory and the dismantled home of Shelby haunted him and made a dismal background to their advertisements.

It was of the factory that he spoke first:

"The building you wrote me about and offered me rent-free looks a little small and out of date for our plant. I saw Shelby's factory empty. Could I rent that at a reasonable figure, do you suppose?"

The committee leaped at the idea with enthusiasm. Spate laughed through his beard:

"Lord, I reckon the company would rent it to you for almost the price of the taxes."

Then he realized that this was saying just a trifle too much. They began to crawfish their way out. But Barstow said, with unconviction:

"There's only one thing that worries me. Why did Shelby close up his Paradise Powder factory and move away?"

Pettibone urged the reason hastily: "His brothers closed it up for him. They wouldn't stand any more of his extravagant nonsense. They shut down the factory and then shut down on him, too."

"So he gave up his house and moved away?" said Barstow.

"He gave up his house because he couldn't keep it up," said Amasa Harbury. "Taxes were pretty steep and nobody would rent it, of course. It don't belong in a town like Wakefield. Neither did Shelby."

"So he moved away?"

"Moved away, nothin'," sneered Spate. "He went to a boardin'-house and died there. Left his wife a lot of stock in a broken-down street-car line, and a no-good electric-light company, and an independent telephone system that the regulars gobbled up. She's gone back to teachin' school again. We used our influence to get her old job back. We didn't think we ought to blame her for the faults of Shelby."

"And what had Shelby done?"

They told him in their own way—treading on one another's toes in their anxiety; shutting one another up; hunching their chairs together in a tangle as if their slanders were wares they were trying to sell.

But about all that Barstow could make of the matter was that Shelby had been in much such case as his own. He had been hungry for human gratitude, and had not realized that it is won rather by accepting than by bestowing gifts.

Barstow sat and smoked glumly while the committee clattered. He hardly heard what they were at such pains to emphasize. He was musing upon a philosophy of his father's:

"There's an old saying, 'Never look a gift horse in the mouth.' But sayings and doings are far apart. If you can manage to sell a man a horse he'll make the best of the worst bargain; he'll nurse the nag and feed him and drive him easy and brag about his faults. He'll overlook everything from spavin to bots; he'll learn to think that a hamstrung hind leg is the poetry of motion. But a gift horse—Lord love you! If you give a man a horse he'll look him in the mouth and everywhere else. The whole family will take turns with a microscope. They'll kick because he isn't run by electricity, and if he's an Arabian they'll roast him because he holds his tail so high. If you want folks to appreciate anything don't give it to 'em; make 'em work for it and pay for it—double if you can."

Shelby had mixed poetry with business, had given something for nothing; had paid the penalty.

THE OLD FOLKS AT HOME

I

The old road came pouring down from the wooded hills to the westward, flowed round the foot of other hills, skirting a meadow and a pond, and then went on easterly about its business. Almost overhanging the road, like a mill jutting upon its journeyman stream, was an aged house. Still older were the two lofty oaks standing mid-meadow and imaged again in the pond. Younger than oaks or house or road, yet as old as Scripture allots, was the man who stalked across the porch and slumped into a chair. He always slumped into a chair, for his muscles still remembered the days when he had sat only when he was worn out. Younger than oaks, house, road, or man, yet older than a woman wants to be, was the woman in the garden.

"What you doin', Maw?" the man called across the rail, though he could see perfectly well.

"Just putterin' 'round in the garden. What you been doin', Paw?"

"Just putterin' 'round the barn. Better come in out the hot sun and rest your old back."

Evidently the idea appealed to her, for the sunbonnet overhanging the meek potato-flowers like a flamingo's beak rose in air, as she stood erect, or as nearly erect as she ever stood nowadays. She tossed a few uprooted weeds over the lilac-hedge, and, clumping up the steps of the porch, slumped into a chair. Chairs had once been her luxury, too. She carried a dish-pan full of green peas, and as her gaze wandered over the beloved scene her wrinkled fingers were busy among the pods, shelling them expertly, as if they knew their way about alone.

The old man sighed, the deep sigh of ultimate contentment. "Well, Maw, as the fellow says in the circus, here we are again."

"Here we are again, Paw."

They always said the same thing about this time of year, when they wearied of the splendid home they had established as the capital of their estate and came back to the ground from which they had sprung. James Coburn always said:

"Well, Maw, as the fellow says in the circus, here we are again."

And Sarah Gregg Coburn always answered:

"Here we are again, Paw."

This place was to them what old slippers are to tired feet. Here they put off the manners and the dignities their servants expected of them, and lapsed into shabby clothes and colloquialisms, such as they had been used to when they were first married, long before he became the master of a thousand acres, of cattle upon a hundred hills, of blooded thoroughbreds and patriarchal stallions, of town lots and a bank, and of a record as Congressman for two terms. This pilgrimage had become a sort of annual elopement, the mischief of two white-haired runaways. Now that the graveyard or the city had robbed them of all their children, they loved to turn back and play at an Indian-summer honeymoon.

This year, for the first time, Maw had consented to the aid of a "hired girl." She refused to bring one of the maids or the cook from the big house, and engaged a woman from the village nearest at hand—and then tried to pretend the woman wasn't there. It hurt her to admit the triumph of age in her bones, but there was compensation in the privilege of hearing some one else faintly clattering over the dish-washing of evenings, while she sat on the porch with Paw and watched the sunset trail its gorgeous banners along the heavens and across the little toy sky of the pond.

It was pleasant in the mornings, too, to lie abed in criminal indolence, hearing from afar the racket of somebody else building the fire. After breakfast she made a brave beginning, only to turn the broom and the bedmaking over to Susan and dawdle about after Paw or celebrate matins in the green aisles of the garden. But mostly the old couple just pretended to do their chores, and sat on the porch and watched the clouds go by and the frogs flop into the pond.

"Mail come yet, Maw?"

"Susan's gone for it."

He glanced up the road to a sunbonneted figure blurred in the glare, and sniffed amiably. "Humph! Country's getting so citified the morning papers are here almost before breakfast's cleared off. Remember when we used to drive eleven mile to get the Weekly Tribune, Maw?"

"I remember. And it took you about a week to read it. Sometimes you got one number behind. Nowadays you finish your paper in about five minutes."

"Nothing much in the papers nowadays except murder trials and divorce cases. I guess Susan must have a mash on that mail-carrier."

"I wish she'd come on home and not gabble so much."

"Expectin' a letter from the boy?"

"Ought to be one this morning."

"You've said that every mornin' for three weeks. I s'pose he's so busy in town he don't realize how much his letters mean to us."

"I hate to have him in the city with its dangers—he's so reckless with his motor, and then there's the temptations and the scramble for money. I wish Stevie had been contented to settle down with us. We've got enough, goodness knows. But I suppose he feels he must be a millionaire or nothing, and what you've made don't seem a drop in the bucket."

The old man winced. He thought how often the boy had found occasion to draw on him for help in financing his "sure things" and paying up the losses on the "sure things" that had gone wrong. Those letters had been sent to the bank in town and had not been mentioned at home, except now and then, long afterward, when the wife pressed the old man too hard about holding back money from the boy. Then he would unfold a few figures. They dazed her, but they never convinced her.

Who ever convinced a woman? Persuaded? Yes, since Eve! Convinced? Not yet!

It hurts a man's pride to hear his wife impliedly disparage his own achievements in contrast with his son's. Not that he is jealous of his son; not that he does not hope and expect that the boy will climb to peaks he has never dared; not that he would not give his all and bend his own back as a stepping-stone to his son's ascension; but just that comparisons are odious. This disparagement is natural, though, to wives, for they compare what their husbands have done with what their sons are going to do.

It was an old source of peevishness with Paw Coburn, and he was moved to say—answering only by implication what she had unconsciously implied, and seeming to take his theme from the landscape about them:

"When my father died all he left me was this little—bungalow they'd call it nowadays, I suppose, and a few acres 'round it. You remember, Maw, how, when the sun first came sneakin' over that knob off to the left, the shadow of those two oaks used to just touch the stone wall on the western border of father's property, and when the sun was just crawlin' into bed behind those woods off yonder the shadow of the oaks just overlapped the rail fence on the eastern border? That's all my father left me—that and the mortgage. That's all I brought you home to, Maw. I'm not disparaging my father. He was a great man. When he left his own home in the East and came out here all this was woods, woods, woods, far as you can see. Even that pond wasn't there then. My father cleared it all—cut down everything except those two oak-trees. He used to call them the Twin Oaks, but they always seemed to me like man and wife. I kind o' like to think that they're you and me. And like you and me they're all that's left standin' of the old trees. They were big trees, too, and those were big days."

The greatness of his thoughts rendered him mute. He was a plain man, but he was hearing the unwritten music of the American epic of the ax and the plow, the more than Trojan war, the more than ten years' war, against forests and savages. His wife brought him back from hyper-Homeric vision to the concrete.

"Thank Heaven, Susan's finished gossipin' and started home."

The mail-carrier in his little umbrellaed cart was vanishing up the hill, and the sunbonnet was floating down the road. The sky was an unmitigated blue, save for a few masses of cloud, like piles of new fleece on a shearing-floor. Green woods, gray road, blue sky, pale clouds, all were steeped in heat and silence so intense it seemed that something must break. And something broke.

Appallingly, abruptly, came a shattering crash, a streak of blinding fire, an unendurable noise, a searing blast of blaze as if the sun had been dynamite exploded, splintering the very joists of heaven. The whole air rocked like a tidal wave breaking on a reef; the house writhed in all its timbers. Then silence—unbearable silence.

The old woman, made a child again by a paralytic stroke of terror, found herself on her knees, clinging frantically to her husband. The cheek buried in his breast felt the lurch and leap of his pounding heart. Manlike, he found courage in his woman's fright, but his hand quivered upon her hair; she heard his shaken voice saying:

"There, there, Maw, it's all over."

When he dared to open his eyes he was blinded and dazed like the stricken Saul. When he could see again he found the world unchanged. The sky was still there, and still azure; the clouds swam serenely; the road still poured down from the unaltered hills. He tried to laugh; it was a sickly sound he made.

"I guess that was what the fellow calls a bolt from the blue. I've often heard of 'em, but it's the first I ever saw. No harm's done, Maw, except to Susan's feelings. She's pickin' herself up out the dust and hurryin' home like two-forty. I guess the concussion must have knocked her over."

The old woman, her heart still fluttering madly, rose from her knees with the tremulous aid of the old man and opened her eyes. She could hardly believe that she would not find the earth an apocalyptic ruin of uprooted hills. She breathed deeply of the relief, and her eyes ran along the remembered things as if calling the roll. Suddenly her eyes paused, widened. Her hand went out to clutch her husband's arm.

"Look, Paw! The oaks, the oaks!"

The lightning had leaped upon them like a mad panther, rending their branches from them, ripping off great strips of bark, and leaving long, gaping wounds, dripping with the white blood of trees. The lesser of the two oaks had felt the greater blow, and would have toppled to the ground had it not fallen across its mate; and its mate, though grievously riven, held it up, with branches interlocking like cherishing arms.

To that human couple the tragedy of the trees they had looked upon as the very emblems of stability was pitiful. The old woman's eyes swam with tears. She made no shame of her sobs. The old man tried to comfort her with a commonplace:

"I was readin' only the other day, Maw, that oaks attract the lightning more than any other trees," and then he broke down. "Father always called 'em the Twin Oaks, but I always called 'em you and me."

The panic-racked Susan came stumbling up the steps, gasping with experiences. But the aged couple either did not hear or did not heed. With old hand embracing old hand they sat staring at the rapine of the lightning, the tigerish atrocity that had butchered and mutilated their beloved trees. Susan dropped into Mrs. Coburn's lap what mail she brought and hurried inside to faint.

The old couple sat in a stupor long and long before Mrs. Coburn found that she was idly fingering letters and papers. She glanced down, and a familiar writing brought her from her trance.

"Oh, Paw, here's a letter from the boy! Here's a letter from Stevie. And here's your paper."

He took the paper, but did not open it, turning instead to ask, "What does the boy say?"

With hands awkwardly eager she ripped the envelope, tore out the letter, and spread it open on her lap, then pulled her spectacles down from her hair, and read with loving inflection:

"My Darling Mother and Dad,—It is simply heinous the way I neglect to write you, but somehow the rush of things here keeps me putting it off from day to day. If remembrances were letters you would have them in flocks, for I think of you always and I am homesick for the sight of your blessed faces.

"I should like to come out and see you in your little old nest, but business piles up about me till I can't see my way out at present. I do wish you could run down here and make me a good long visit, but I suppose that is impossible, too. There are two or three big deals pending that look promising, and if any one of them wins out I shall clean up enough to be a gentleman of leisure. The first place I turn will be home. My heart aches for the rest and comfort of your love.

"Write me often and tell me how you both are, and believe me, with all the affection in the world,

"Your devoted son,

"Stephen."

She pushed her dewy spectacles back in her gray hair and pressed the letter to her lips; she was smiling as only old mothers smile over letters from their far-off children. The man's face softened, too, with the ache that battle-scarred fathers feel, thinking of their sons in the thick of the fight. Then he unfolded his paper, set his glasses on his big nose, and pursed his lips to read what was new in the world at large. His wife sat still, just remembering, perusing old files and back numbers of the gazettes of her boy's past, remembering him from her first vague thrill of him to his slow youth, to manhood, and the last good-by kiss.

Nothing was heard from either of them for a long while, save the creak of her chair and the rustle of his paper as he turned to the page recording the results in the incessant Gettysburgs over the prices of corn, pork, poultry, butter, and eggs. They were history to him. He could grow angry over a drop in December wheat, and he could glow at a sign of feverishness in oats. To-day he was profoundly moved to read that October ribs had opened at 10.95 and closed at 11.01, and depressed to see that September lard had dropped from 11.67 to 11.65.

As he turned the paper his eye was caught by the head-lines of an old and notorious trial at law, and he was confirmed in his wrath. He growled:

"Good Lord, ain't that dog hung yet?"

"What you talkin' about, Paw?"

"I was just noticin' that the third trial of Tom Carey is in full swing again. It's cost the State a hundred thousand dollars already, and the scoundrel ain't punished yet."

"What did he do, Paw?"

The old man blushed like a boy as he stammered: "You're too young to know all he did, Maw. If I told you, you wouldn't understand. But it ended in murder. If he'd been a low-browed dago they'd have had him railroaded to Jericho in no time. But the lawyers are above the law, and they've kept this fellow from his deserts till folks have almost forgot what it was he did. It's disgraceful. It makes our courts the laughing-stock of the world. It gives the anarchists an excuse for saying that there's one law for the poor and another for the rich."

After the thunder of his ire had rolled away there was a gentle murmur from the old woman. "It's a terrible thing to put a man to death."

"So it is, Maw, and if this fellow had only realized it he'd have kept out of trouble."

"He was excited, most likely, and out of his head. What I mean is, it's a terrible thing for a judge and a jury to try a man and take his life away from him."

"Oh, it's terrible, of course, Maw, but we've got to have laws to hold the world together, ain't we? And if we don't enforce 'em, what's the use of havin' 'em?"

Silence and a far-away look on the wrinkled face resting on the wrinkled hand and then a quiet question:

"Suppose it was our Steve?"

"I won't suppose any such thing. Thank God there's been no stain on any of our family, either side; just plain hard-workin' folks—no crazy ones, no criminals."

"But supposing it was our boy, Paw?"

"Oh, what's the use of arguin' with a woman! I love you for it, Maw, but—well, I'm sorry I spoke."

He returned to his paper, growling now and then as he read of some new quibble devised by the attorneys for the defense. As softly and as surreptitiously as it begins to rain on a cloudy day, she was crying. He turned again with mock indignation.

"Here, here! What you turning up about now?"

"I want to see my boy. I'm worried. He may be sick. He'd never let us know."

The old man tried to cajole her from her forebodings, tried to reason them away, laugh them away. At last he said, with a poor effort at gruffness:

"Well, for the Lord's sake, why don't you go? He's always askin' us to come and see him. I'm kind o' homesick for a sight of the boy m'self. You haven't been to town for a month of Sundays. Throw a few things in a valise and I'll hitch up. We'll just about make the next train from the village."

She needed no coercion from without. She rose at once. As she opened the squeaky screen-door he was clumping down the steps. He paused to call back:

"Oh, Maw!"

"Yes, Paw!"

"Better tuck in a jar of those preserves you been puttin' up. The boy always liked those better 'n most anything. Don't wrap 'em in my nightshirt, though."

She called out, "All right," and the slap of the screen-door was echoed a moment later by a similar sound in the barn, accompanied by the old man's voice:

"Give over, Fan."

II

The elevator-boy hesitated. "Oh, yes-sum, I got a pass-key, all right, but I can't hahdly let nobody in Mista Coburn's 'pahtment 'thout his awdas."

"But we're his mother and father."

"Of co'se I take yo' wud for that, ma'am, but, you see, I can't hahdly let nobody—er—um'm—thank you, sir—well, I reckon Mista Coburn might be mo' put out ef I didn't let you-all in than ef I did."

The elevator soared silently to the eighth floor, and there all three debarked. The boy was so much impressed with the tip the old man had slipped him that he unlocked the door, put the hand-baggage into the room, snapped the switch that threw on all the lights, and said, "Thank you, sir," again as he closed the door.

Paw opened it to give the boy another coin and say: "Don't you let on that we're here. It's a surprise."

The boy, grinning, promised and descended, like an imp through a trap.

The old couple stood stock-still, hesitating to advance. So many feelings, such varied timidities, urged them forward, yet held them back. It was the home of the son they had begotten, conceived, tended, loved, praised, punished, feared, prayed for, counseled, provisioned, and surrendered. Years of separation had made him almost a stranger, and they dreaded the intrusion into the home he had built for himself, remote from their influence. Poor, weak, silly old things, with a boy-and-girlish gawkishness about them, the helpless feeling of uninvited guests!

"You go first, Paw."

And Paw went first. On the sill of the drawing-room he paused and swept a glance around. He would have given an arm to be inspired with some scheme for whisking his wife away or changing what she must see. But she was already crowding on his heels, pushing him forward. There was no retreat. He tried to laugh it off.

"Well, here we are at last, as the fellow doesn't say in the circus."

There was nothing to do but sit down and wait. The very chairs were of an architecture and upholstery incongruous to them. They knew something of luxury, but not of this school. There was nowhere for them to look that something alien did not meet their eyes. So they looked at the floor.

"It gets awful hot in town, don't it?" said Paw, mopping his beaded forehead.

"Awful," said Maw, dabbing at hers.

Eventually they heard the elevator door gride on its grooves. All the way in on the train they had planned to hide and spring out on the boy. They had giggled like children over the plot. It was rather their prearrangement than their wills that moved them to action. Automatically they hid themselves, without laughter, rather with a sort of guilty terror. They found a deep wardrobe closet and stepped inside, drawing the door almost shut.

They heard a key in the lock, the click of a knob, the sound of a door closed. Then a pause. They had forgotten to turn off the lights. Hurrying footsteps, loud on the bare floor, muffled on the rugs. How well they knew that step! But there was excitement in its rhythm. They could hear the familiar voice muttering unfamiliarly as the footsteps hurried here and there. He came into the room where they were. They could hear him breathe now, for he breathed heavily, as if he had been running. From place to place he moved with a sense of restless stealth. At length, just as they were about to sally forth, he hurried forward and flung open their door.

Standing among the hanging clothes, the light strong on their faces, they seemed to strike him at first as ghosts. He stared at them aghast, and recoiled. Then the old ghosts smiled and stepped forward with open arms. But he recoiled again, and his welcome to his far-come, heart-hungry parents was a groan.

They saw that he had a revolver in his hand. His eyes recurred to it, and he turned here and there for a place to lay it, but seemed unable to let it go. His mother flung forward and threw her arms about him, her lips pursed to kiss him, but he turned away with lowered eyes. His father took him by the shoulders and said:

"Why, what's the matter, boy? Ain't you glad to see your Maw—and me?"

For answer he only breathed hard and chokingly. His eyes went to the revolver again, then roved here and there, always as if searching for a place to hide it.

"Give that thing to me, Steve," the old man said. And he took it in his hands, forcing from the cold steel the colder fingers that clung as if frozen about the handle.

Once he was free of the weapon, the boy toppled into a chair, his mother still clasping him desperately.

The old man knew something about firearms. He found the spring, broke the revolver, and looked into the cylinder. In every chamber was the round eye of a cartridge. Three of them bore the little scar of the firing-pin.

Old Coburn leaned hard against the wall. He looked about for a place to hide the horrible machine, but he, too, could not let go of it. His mouth was full of the ashes of life. He would have been glad to drop dead. But beyond the sick, clammy face of his son he saw the face of his wife, an old face, a mother's face, witless with bewilderment. The old man swallowed hard.

"What's happened, Steve? What's been goin' on?"

The young man only shook his head, ran his dry tongue along his lips, tore a piece of loose skin from the lower one with his teeth, and breathed noisily through nostrils that worked like a dog's. He pushed his mother's hands away as if they irked him. The old man could have struck him to the ground for that roughness, but the prayers in the mother's eyes restrained him.

"Better tell us, Steve. Maybe we might help you."

The young man's head worked as if he were gulping at a hard lump; his lips moved without sound, his gaze leaped from place to place, lighting everywhere but on his father's waiting, watching eyes, and always coming back to the revolver with a loathing fascination. At last he spoke, in a whisper like the rasp of chafed husks:

"I had to do it. He deserved it."

The mother had not seen the nicks on the cartridges, but she needed no such evidence. She wailed:

"You don't mean that you—no—no—you didn't k-kill-ill-ill—"

The word rattled in her throat, and she went to the floor like a toppling bolster. It was the old man that lifted her face from the rug, ran to fetch water, and knelt to restore her. The son just wavered in his chair and kept saying:

"I had to do it. He was making her life a—"

"Her life?" the old man groaned, looking up where he knelt. "Then there's a woman in it?"

"Yes, it was for her. She's had a hard time. She's been horribly misunderstood. She may have been indiscreet—still she's a noble woman at heart. Her husband was a vile dog. He deserved it."

But the old man's head had dropped as if his neck were cracked. He saw what it all meant and would mean. He would have sprawled to the floor, but he caught sight of the pitiful face of his old love still white with the half-death of her swoon. He clenched his will with ferocity, resolving that he must not break, could not, would not break. He laid a hand on his son's knee and said, appealingly, in a low tone, as if he were the suppliant for mercy:

"Better not mention anything about—about her—the woman you know, Steve—before your mother, not just now. Your mother's kind of poorly the last few days. Understand, Steve?"

The answer was a nod like the silly nodding of a toy mandarin.

It was a questionable mercy, restoring the mother just then from the bliss of oblivion, but she came gradually back through a fog of daze to the full glare of fact. Her thoughts did not run forward upon the scandal, the horror of the public, the outcry of all the press; she had but one thought, her son's welfare.

"Did anybody see you, Steve?"

"No. I went to his room. I don't think anybody s-saw me—yes, maybe the man across the hall did. Yes, I guess he saw me. He was at his door when I came out. He looked as if he sus-suspected-ed me. I suppose he heard the shots. And probably he s-saw the revol-ver. I couldn't seem to let it drop—to le-let it drop."

The mother turned frantic. "They'll come here for you, Stevie. They'll find it out. You must get away—somewhere—for just now, till we can think up something to do. Father will find some way of making everything all right, won't you, Paw? He always does, you know. Don't be scared, my boy. We must keep very calm." Her hands were wavering over him in a palsy. "Where can he go, Paw? Where's the best place for him to go? I'll tell you, Steve. Is your—your car anywhere near?"

"It's outside at the door. I came back in it."

She got to her feet, and her urgency was ferocious. "Then you get right in this minute and go up to the old place—the little old house opposite the pond. Go as fast as you can. You know the place—where we lived before you were born. There's two big oak-trees st-standing there, and a pond just across the road. You go there and tell Susan—what shall he tell Susan, father? What shall he tell Susan? We'll stay here, and—and we'll bribe the elevator-boy to say you haven't come home at all, and if the po-po-lice come here we'll say we're expecting you, but we haven't seen you for ever so long. Won't we, Paw? That's what we'll say, won't we, Paw?"

The old man stood up to the lightning like an old oak. Trees do not run. They stand fast and take what the sky sends them. Old Coburn shook his white hair as a tree its leaves in a blast of wind before he spoke.

"Steve, my boy, I don't know what call you had to do this, but it's no use trying to run away and hide. They'll get you wherever you go. The telegraph and the cable and the detectives—no, it's not a bit of use. It only makes things look worse. Put on your hat and come with me. We'll go to the police before they come for you. I'll go with you, and I'll see you through."