Joanna Godden

by

Sheila Kaye-Smith

1921


To

W.L. GEORGE


Contents

[PART I]

Shepherd's Hey

[PART II]

First Love

[PART III]

The Little Sister

[PART IV]

Last Love


NOTE

Though local names, both of places and people, have been used in this story, the author states that no reference is intended to any living person.


JOANNA GODDEN


PART I

Shepherd's Hey

§1

Three marshes spread across the triangle made by the Royal Military Canal and the coasts of Sussex and Kent. The Military Canal runs from Hythe to Rye, beside the Military Road; between it and the flat, white beaches of the Channel lie Romney Marsh, Dunge Marsh and Walland Marsh, from east to west. Walland Marsh is sectored by the Kent Ditch, which draws huge, straggling diagrams here, to preserve ancient rights of parishes and the monks of Canterbury. Dunge Marsh runs up into the apex of the triangle at Dunge Ness, and adds to itself twenty feet of shingle every year. Romney Marsh is the sixth continent and the eighth wonder of the world.

The three marshes are much alike; indeed to the foreigner they are all a single spread of green, slatted with watercourses. No river crosses them, for the Rother curves close under Rye Hill, though these marshes were made by its ancient mouth, when it was the River Limine and ran into the Channel at Old Romney. There are a few big watercourses—the New Sewer, the Yokes Sewer, the White Kemp Sewer—there are a few white roads, and a great many marsh villages—Brenzett, Ivychurch, Fairfield, Snargate, Snave—each little more than a church with a farmhouse or two. Here and there little deserted chapels lie out on the marsh, officeless since the days of the monks of Canterbury; and everywhere there are farms, with hundreds of sheep grazing on the thick pastures.

Little Ansdore Farm was on Walland Marsh, three miles from Rye, and about midway between the villages of Brodnyx and Pedlinge. It was a sea farm. There were no hop-gardens, as on the farms inland, no white-cowled oasts, and scarcely more than twelve acres under the plough. Three hundred acres of pasture spread round Ansdore, dappled over with the big Kent sheep—the road from Pedlinge to Brodnyx went through them, curling and looping and doubling to the demands of the dykes. Just beyond Pedlinge it turned northward and crossed the South Eastern Railway under the hills that used to be the coast of England, long ago when the sea flowed up over the marsh to the walls of Lympne and Rye; then in less than a mile it had crossed the line again, turning south; for some time it ran seawards, parallel with the Kent Ditch, then suddenly went off at right angles and ran straight to the throws where the Woolpack Inn watches the roads to Lydd and Appledore.

On a dim afternoon towards the middle of October in the year 1897, a funeral procession was turning off this road into the drive of Little Ansdore. The drive was thick with shingle, and the mourning coaches lurched and rolled in it, spoiling no doubt the decorum of their occupants. Anyhow, the first two to get out at the farmhouse door had lost a little of that dignity proper to funerals. A fine young woman of about twenty-three, dressed handsomely but without much fashion in black crape and silk, jumped out with a violence that sent her overplumed black hat to a rakish angle. In one black kid-gloved hand she grasped a handkerchief with a huge black border, in the other a Prayer Book, so could not give any help to the little girl of ten who stumbled out after her, with the result that the child fell flat on the doorstep and cut her chin. She immediately began to cry.

"Now be quiet, Ellen," said the elder roughly but not unkindly, as she helped her up, and stuffing the black-bordered handkerchief into her pocket, took out the everyday one which she kept for use. "There, wipe your eyes, and be a stout gal. Don't let all the company see you crying."

The last injunction evidently impressed Ellen, for she stopped at once. Her sister had wiped the grit and the little smear of blood off her chin, and stood in the doorway holding her hand while one by one the other carriages drew up and the occupants alighted. Not a word was spoken till they had all assembled, then the young woman said: "Please come in and have a cup of tea," and turning on her heel led the way to the dining-room.

"Joanna," said little Ellen in a loud whisper, "may I take off my hat?"

"No, that you mayn't."

"But the elastic's so tight—it's cutting my chin. Why mayn't I?"

"You can't till the funeral's over."

"It is over. They've put father in the ground."

"It isn't over till we've had tea, and you keep your hat on till it's over."

For answer Ellen tore off her pork-pie hat and threw it on the floor. Immediately Joanna had boxed her unprotected ears, and the head of the procession was involved in an ignominious scuffle. "You pick up that hat and put it on," said Joanna, "or you shan't have any nice tea." "You're a beast! You're a brute," cried Ellen, weeping loudly. Behind them stood two rows of respectable marsh-dwellers, gazing solemnly ahead as if the funeral service were still in progress. In their hearts they were thinking that it was just like Joanna Godden to have a terrification like this when folk were expected to be serious. In the end Joanna picked up Ellen's hat, crammed it down ruthlessly on her head, hind part before, and heaving her up under her arm carried her into the dining-room. The rest of the company followed, and were ushered into their places to the accompaniment of Ellen's shrieks, which they pretended not to hear.

"Mr. Pratt, will you take the end of the table?" said Joanna to the scared little clergyman, who would almost have preferred to sit under it rather than receive the honour which Miss Godden's respect for his cloth dictated. "Mr. Huxtable, will you sit by me?" Having thus settled her aristocracy she turned to her equals and allotted places to Vine of Birdskitchen, Furnese of Misleham, Southland of Yokes Court, and their wives. "Arthur Alce, you take my left," and a tall young man with red hair, red whiskers, and a face covered with freckles and tan, came sidling to her elbow.

In front of Joanna a servant-girl had just set down a huge black teapot, which had been stewing on the hob ever since the funeral party had been sighted crossing the railway line half a mile off. Round it were two concentric rings of teacups—good old Worcester china, except for a common three which had been added for number's sake, and which Joanna carefully bestowed upon herself, Ellen, and Arthur Alce. Ellen had stopped crying at the sight of the cakes and jam and pots of "relish" which stretched down the table in orderly lines, so the meal proceeded according to the decent conventions of silence. Nobody spoke, except to offer some eatable to somebody else. Joanna saw that no cup or plate was empty. She ought really to have delegated this duty to another, being presumably too closely wrapped in grief to think of anybody's appetite but her own, but Joanna never delegated anything, and her "A little more tea, Mrs. Vine?"—"Another of these cakes, Mr. Huxtable?"—"Just a little dash of relish, Mr. Pratt?" were constantly breaking the stillness, and calling attention to her as she sat behind the teapot, with her plumed hat still a little on one side.

She was emphatically what men call a "fine woman," with her firm, white neck, her broad shoulders, her deep bosom and strong waist; she was tall, too, with large, useful hands and feet. Her face was brown and slightly freckled, with a warm colour on the cheeks; the features were strong, but any impression of heaviness was at once dispelled by a pair of eager, living blue eyes. Big jet earrings dangled from her ears, being matched by the double chain of beads that hung over her crape-frilled bodice. Indeed, with her plumes, her earrings, her necklace, her frills, though all were of the decent and respectable black, she faintly shocked the opinion of Walland Marsh, otherwise disposed in pity to be lenient to Joanna Godden and her ways.

Owing to the absence of conversation, tea was not as long drawn-out as might have been expected from the appetites. Besides, everyone was in a hurry to be finished and hear the reading of old Thomas Godden's will. Already several interesting rumours were afloat, notably one that he had left Ansdore to Joanna only on condition that she married Arthur Alce within the year. "She's a mare that's never been präaperly broken in, and she wants a strong hand to do it." Thus unchoicely Furnese of Misleham had expressed the wish that fathered such a thought.

So at the first possible moment after the last munch and loud swallow with which old Grandfather Vine, who was unfortunately the slowest as well as the largest eater, announced repletion, all the chairs were pushed back on the drugget and a row of properly impassive faces confronted Mr. Huxtable the lawyer as he took his stand by the window. Only Joanna remained sitting at the table, her warm blue eyes seeming to reflect the evening's light, her arm round little Ellen, who leaned against her lap.

The will was, after all, not so sensational as had been hoped. It opened piously, as might have been expected of Thomas Godden, who was as good an old man as ever met death walking in a cornfield unafraid. It went on to leave various small tokens of remembrance to those who had known him—a mourning ring to Mr. Vine, Mr. Furnese and Mr. Southland, his two volumes of Robertson's Sermons, and a book called "The Horse in Sickness and in Health," to Arthur Alce, which was a disappointment to those who had expected the bequest to be his daughter Joanna. There was fifty pounds for Mr. Samuel Huxtable of Huxtable, Vidler and Huxtable, Solicitors, Watchbell Street, Rye, five pounds each for those farm hands in his employment at the time of his death, with an extra ten pounds to "Nathan Stuppeny, my carter, on account of his faithful services both to me and to my father. And I give, devise and bequeath the residue of my property, comprising the freehold farm of Little Ansdore, in the parish of Pedlinge, Sussex, with all lands and live and dead stock pertaining thereto to my daughter Joanna Mary Godden. And I appoint the said Joanna Mary Godden sole executrix of this my will."

When the reading was over the company remained staring for a minute as decency required, then the door burst open and a big servant-girl brought in a tray set with glasses of whisky and water for the men and spiced wine for the women. These drink-offerings were received with a subdued hum of conversation—it was impossible to hear what was said or even to distinguish who was saying it, but a vague buzzing filled the room, as of imprisoned bees. In the midst of it Ellen's voice rose suddenly strident.

"Joanna, may I take off my hat now?"

Her sister looked doubtful. The funeral was not ceremonially complete till Grandfather Vine had done choking over his heel-taps, but Ellen had undoubtedly endured a good deal with remarkable patience—her virtue ought in justice to be rewarded. Also Joanna noticed for the first time that she was looking grotesque as well as uncomfortable, owing perhaps to the hat being still on hind part before. So the necessary dispensation was granted, and Ellen further refreshed by a sip of her sister's wine.

The guests now took their departure, each being given a memorial card of the deceased, with a fine black edge and the picture of an urn upon it. Ellen also was given one, at her urgent request, and ran off in excitement with the treasure. Joanna remained with Mr. Huxtable for a final interview.

§2

"Well," he said, "I expect you'll want me to help you a bit, Miss Joanna."

Joanna had sat down again at the end of the table—big, tousled, over-dressed, alive. Huxtable surveyed her approvingly. "A damn fine woman," he said to himself, "she'll marry before long."

"I'm sure I'm much obliged to you, Mr. Huxtable," said Joanna, "there's many a little thing I'd like to talk over with you."

"Well, now's your time, young lady. I shan't have to be home for an hour or two yet. The first thing is, I suppose, for me to find you a bailiff for this farm."

"No, thank you kindly. I'll manage that."

"What! Do you know of a man?"

"No—I mean I'll manage the farm."

"You! My dear Miss Joanna ..."

"Well, why not? I've been bred up to it from a child. I used to do everything with poor father."

As she said the last word her brightness became for a moment dimmed, and tears swam into her eyes for the first time since she had taken the ceremonial handkerchief away from them. But the next minute she lighted up again.

"He showed me a lot—he showed me everything. I could do it much better than a man who doesn't know our ways."

"But—" the lawyer hesitated, "but it isn't just a question of knowledge, Miss Joanna; it's a question of—how shall I put it?—well, of authority. A woman is always at a disadvantage when she has to command men."

"I'd like to see the man I couldn't make mind me."

Huxtable grinned. "Oh, I've no doubt whatever that you could get yourself obeyed; but the position—the whole thing—you'd find it a great strain, and people aren't as a rule particularly helpful to a woman they see doing what they call a man's job."

"I don't want anyone's help. I know my own business and my poor father's ways. That's enough for me."

"Did your father ever say anything to you about this?"

"Oh no—he being only fifty-one and never thinking he'd be took for a long while yet. But I know it's what he'd have wanted, or why did he trouble to show me everything? And always talked to me about things as free as he did to Fuller and Stuppeny."

"He would want you to do the best for yourself—he wouldn't want you to take up a heavy burden just for his sake."

"Oh, it ain't just for his sake, it's for my own. I don't want a strange man messing around, and Ansdore's mine, and I'm proud of it."

Huxtable rubbed his large nose, from either side of which his sharp eyes looked disapprovingly at Joanna. He admired her, but she maddened him by refusing to see the obvious side of her femininity.

"Most young women of your age have other things to think of besides farming. There's your sister, and then—don't tell me that you won't soon be thinking of getting married."

"Well, and if I do, it'll be time enough then to settle about the farm. As for Ellen, I don't see what difference she makes, except that I must see to things for her sake as well as mine. It wouldn't help her much if I handed over this place to a man who'd muddle it all up and maybe bring us to the Auctioneer's. I've known ... I've seen ... they had a bailiff in at Becket's House and he lost them three fields of lucerne the first season, and got the fluke into their sheep. Why, even Sir Harry Trevor's taken to managing things himself at North Farthing after the way he saw they were doing with, that old Lambarde, and what he can do I can do, seeing I wasn't brought up in a London square."

As Joanna's volubility grew, her voice rose, not shrilly as with most women, but taking on a warm, hoarse note—her words seemed to be flung out hot as coals from a fire. Mr. Huxtable grimaced. "She's a virago," he thought to himself. He put up his hand suavely to induce silence, but the eruption went on.

"I know all the men, too. They'd do for me what they wouldn't do for a stranger. And if they won't, I know how to settle 'em. I've been bursting with ideas about farming all my life. Poor Father said only a week before he was taken 'Pity you ain't a man, Joanna, with some of the notions you've got.' Well, maybe it's a pity and maybe it isn't, but what I've got to do now is to act up proper and manage what is mine, and what you and other folks have got to do is not to meddle with me."

"Come, come, my dear young lady, nobody's going to meddle with you. You surely don't call it 'meddling' for your father's lawyer, an old man who's known you all your life, to offer you a few words of advice. You must go your own way, and if it doesn't turn out as satisfactorily as you expect, you can always change it."

"Reckon I can," said Joanna, "but I shan't have to. Won't you take another whisky, Mr. Huxtable?"

The lawyer accepted. Joanna Godden's temper might be bad, but her whisky was good. He wondered if the one would make up for the other to Arthur Alce or whoever had married her by this time next year.

§3

Mr. Huxtable was not alone in his condemnation of Joanna's choice. The whole neighbourhood disapproved of it. The joint parishes of Brodnyx and Pedlinge had made up their minds that Joanna Godden would now be compelled to marry Arthur Alce and settle down to mind her own business instead of what was obviously a man's; and here she was, still at large and her business more a man's than ever.

"She's a mare that's never been präaperly broken in, and she wants a strong man to do it," said Furnese at the Woolpack. He had repeated this celebrated remark so often that it had almost acquired the status of a proverb. For three nights Joanna had been the chief topic of conversation in the Woolpack bar. If Arthur Alce appeared a silence would fall on the company, to be broken at last by some remark on the price of wool or the Rye United's last match. Everybody was sorry for Alce, everybody thought that Thomas Godden had treated him badly by not making his daughter marry him as a condition of her inheritance.

"Three times he's asked her, as I know for certain," said Vennal, the tenant of Beggar's Bush.

"No, it's four," said Prickett, Joanna's neighbour at Great Ansdore, "there was that time coming back from the Wild Beast Show."

"I was counting that," said Vennal; "that and the one that Mr. Vine's looker heard at Lydd market, and then that time in the house."

"How do you know he asked her in the house?—that makes five."

"I don't get that—once indoors and twice out, that's three."

"Well, anyways, whether it's three or four or five, he's asked her quite enough. It's time he had her now."

"He won't get her. She'll fly higher'n him now she's got Ansdore. She'll be after young Edward Huxtable, or maybe Parson himself, him having neglected to keep himself married."

"Ha! Ha! It ud be valiant to see her married to liddle Parson—she'd forget herself and pick him up under her arm, same as she picks up her sister. But anyways I don't think she'll get much by flying high. It's all fine enough to talk of her having Ansdore, but whosumdever wants Ansdore ull have to take Joanna Godden with it, and it isn't every man who'd care to do that."

"Surelye. She's a mare that's never bin präaperly broken in. D'you remember the time she came prancing into church with a bustle stuck on behind, and everyone staring and fidgeting so as pore Mus' Pratt lost his place in the Prayers and jumped all the way from the Belief to the Royal Family?"

"And that time as she hit Job Piper over the head wud a bunch of osiers just because he'd told her he knew more about thatching than she did."

"Surelye, and knocked his hat off into the dyke, and then bought him a new one, with a lining to it."

"And there was that time when—"

Several more anecdotes to the point were contributed by the various patrons of the bar, before the conversation, having described a full circle, returned to its original starting point, and then set off again with its vitality apparently undiminished. It was more than a week before the summons of Mr. Gain, of Botolph's Bridge, for driving his gig without a light ousted Joanna from her central glory in the Woolpack's discussions.

At Ansdore itself the interest naturally lasted longer. Joanna's dependents whether in yard or kitchen were resentfully engrossed in the new conditions.

"So Joanna's going to run our farm for us, is she?" said the head man, old Stuppeny, "that'll be valiant, wud some of the notions she has. She'll have our pläace sold up in a twelve-month, surelye. Well, well, it's time maybe as I went elsewheres—I've bin long enough at this job."

Old Stuppeny had made this remark at intervals for the last sixty years, indeed ever since the day he had first come as a tow-headed boy to scare sparrows from the fields of Joanna's grandfather; so no one gave it the attention that should have been its due. Other people aired their grievances instead.

"I wöan't stand her meddling wud me and my sheep," said Fuller, the shepherd.

"It's her sheep, come to that," said Martha Tilden the chicken-girl.

Fuller dealt her a consuming glance out of his eyes, which the long distances of the marsh had made keen as the sea wind.

"She döan't know nothing about sheep, and I've been a looker after sheep since times when you and her was in your cradles, so I wöan't täake sass from neither of you."

"She'll meddle wud you, Martha, just as she'll meddle wud the rest of us," said Broadhurst, the cowman.

"She's meddled wud me for years—I'm used to it. It's you men what's going to have your time now. Ha! Ha! I'll be pleased watching it."

Martha's short, brightly-coloured face seemed ready to break in two as she laughed with her mouth wide open.

"When she's had a terrification wud me and said things as she's sorry for, she'll give me a gownd of hers or a fine hat. Sometimes I think as I make more out of her tempers than I do out of my good work what she pays me wages for."

"Well, if I wur a decent maid I'd be ashamed to wear any of her outlandish gowns or hats. The colours she chooses! Sometimes when I see her walking through a field near the lambing time, I'm scared for my ewes, thinking they'll drop their lambs out of fright. I can't help being thankful as she's in black now for this season, though maybe I shudn't ought to say it, seeing as we've lost a good mäaster, and one as we'll all be tediously regretting in a week or two if we äun't now. You take my word, Martha—next time she gives you a gownd, you give it back to her and say as you don't wear such things, being a respectable woman. It äun't right, starting you like that on bad ways."

§4

There was only one house in the joint parishes where Joanna had any honourable mention, and that was North Farthing House on the other side of the Kent Ditch. Here lived Sir Harry Trevor, the second holder of a title won in banking enterprises, and lately fallen to low estate. The reason could perhaps be seen on his good-looking face, with its sensual, humorous mouth, roving eyes, and lurking air of unfulfilled, undefeated youth. The taverns of the Three Marshes had combined to give him a sensational past, and further said that his two sons had forced him to settle at Brodnyx with a view to preserving what was left of his morals and their inheritance. The elder was in Holy Orders, and belonged to a small community working in the East End of London; he seldom came to North Farthing House. The younger, Martin, who had some definite job in the city, was home for a few days that October. It was to him his father said:

"I can't help admiring that girl Joanna Godden for her pluck. Old Godden died suddenly two weeks ago, and now she's given out that she'll run the farm herself, instead of putting in a bailiff. Of course the neighbours disapprove, they've got very strict notions round here as to woman's sphere and all that sort of thing."

"Godden? Which farm's that?"

"Little Ansdore—just across the Ditch, in Pedlinge parish. It's a big place, and I like her for taking it on."

"And for any other reason?"

"Lord, no! She isn't at all the sort of woman I admire—a great big strapping wench, the kind this marsh breeds twelve to the acre, like the sheep. Has it ever struck you, Martin, that the women on Romney Marsh, in comparison with the women one's used to and likes, are the same as the Kent sheep in comparison with Southdowns—admirably hardy and suited to the district and all that, but a bit tough and coarse-flavoured?"

"I see that farming has already enlarged and refined your stock of similes. I hope you aren't getting tired of it."

"No, not exactly. I'm interested in the place now I manage it without that dolt Lambarde, and Hythe isn't too far for the phaeton if I want to See Life. Besides, I haven't quite got over the thrill of not being in debt and disgrace"—he threw Martin a glance which might have come from a rebellious son to a censorious father. "But sometimes I wish there was less Moated Grange about it all. Damn it, I'm always alone here! Except when you or your reverend brother come down to see how I'm behaving."

"Why don't you marry again?"

"I don't want to marry. Besides, whom the devil should I marry round here? There's mighty few people of our own class about, and those there are seem to have no daughters under forty."

Martin looked at him quizzically.

"Oh yes, you young beast—I know what you're thinking. You're thinking that forty's just the right age for me. You're reminding me that I'm a trifle passé myself and ought to marry something sere and yellow. But I tell you I don't feel any older than twenty-five—never have, it's my affliction—while you've never been younger than forty in all your life. It's you who ought to marry middle-age"—and he grimaced at Martin.

§5

Joanna rather enjoyed being the centre of discussion. She had none of the modest shrinking from being talked about which might have affected some young women. She was glad when Martha Tilden or another of the girls brought her any overheard scraps. "Oh, that's what they say, is it?" and she would laugh a big jolly laugh like a boy's.

So far she had enjoyed being "Mäaster" of Little Ansdore. It meant a lot of work and a lot of thought and a lot of talking and interference, but Joanna shrank from none of these things. She was healthy and vigorous and intelligent, and was, moreover, quite unhampered by any diffidence about teaching their work to people who had been busy at it before she was born.

Still it was scarcely more than a fortnight since she had taken on the government, and time had probably much to show her yet. She had a moment of depression one morning, rising early as she always must, and pulling aside the flowered curtain that covered her window. The prospect was certainly not one to cheer; even in sunshine the horizons of the marsh were discouraging with their gospel of universal flatness, and this morning the sun was not yet up, and a pale mist was drifting through the willows, thick and congealed above the watercourses, thinner on the grazing lands between them, so that one could see the dim shapes of the sheep moving through it. Even in clear weather only one other dwelling was visible from Little Ansdore, and that was its fellow of Great Ansdore, about half a mile away seawards. The sight of it never failed to make Joanna contemptuous—for Great Ansdore had but fifty acres of land compared with the three hundred of its Little neighbour. Its Greatness was merely a matter of name and tradition, and had only one material aspect in the presentation to the living of Brodnyx-with-Pedlinge, which had been with Great Ansdore since the passing of the monks of Canterbury.

To-day Great Ansdore was only a patch of grey rather denser than its surroundings, and failed to inspire Joanna with her usual sense of gloating. Her eyes were almost sad as she stared out at it, her chin propped on her hands. The window was shut, as every window in every farm and cottage on the marsh was shut at night, though the ague was now little more than a name on the lips of grandfathers. Therefore the room in which two people had slept was rather stuffy, though this in itself would hardly account for Joanna's heaviness, since it was what she naturally expected a bedroom to be in the morning. Such vague sorrow was perplexing and disturbing to her practical emotions; she hurriedly attributed it to "poor father," and the propriety of the sentiment allowed her the relief of a few tears.

Turning back into the room she unbuttoned her turkey-red dressing-gown, preparatory to the business of washing and dressing. Then her eye fell on Ellen still asleep in her little iron bedstead in the corner, and a glow of tenderness passed like a lamp over her face. She went across to where her sister slept, and laid her face for a moment beside hers on the pillow. Ellen's breath came regularly from parted lips—she looked adorable cuddled there, with her red cheeks, like an apple in snow. Joanna, unable to resist the temptation, kissed her and woke her.

"Hullo, Jo—what time is it?" mumbled Ellen sleepily.

"Not time to get up yet. I'm not dressed."

She sat on the edge of the bed, stooping over her sister, and her big rough plaits dangled in the child's face.

"Hullo, Jo—hullo, old Jo," continued the drowsy murmur.

"Go to sleep, you bad girl," said Joanna, forgetting that she herself had roused her.

Ellen was not wide enough awake to have any conflicting views on the subject, and she nestled down again with a deep sigh. For the next ten minutes the room was full of small sounds—the splashing of cold water in the basin, the shuffle of coarse linen, the click of fastening stays, the rhythmic swish of a hair brush. Then came two silent minutes, while Joanna knelt with closed eyes and folded hands beside her big, tumbled bed, and said the prayers that her mother had taught her eighteen years ago—word for word as she had said them when she was five, even to the "make me a good girl" at the end. Then she jumped up briskly and tore the sheet off the bed, throwing it with the pillows on the floor, so that Grace Wickens the servant should have no chance of making the bed without stripping it, as was the way of her kind.

Grace was not up yet, of course. Joanna hit her door a resounding thump as she passed it on her way to the kitchen. Here the dead ashes had been raked out overnight, and the fire laid according to custom. She lit the fire and put the kettle on to boil; she did not consider it beneath her to perform these menial offices. She knew that every hand was needed for the early morning work of a farm. By the time she had finished both Grace and Martha were in the room, yawning and rubbing their eyes.

"That'll burn up nicely now," said Joanna, surveying the fire. "You'd better put the fish-kettle on too, in case Broadhurst wants hot water for a mash. Bring me out a cup of tea as soon as you can get it ready—I'll be somewhere in the yard."

She put on an old coat of her father's over her black dress, and went out, her nailed boots clattering on the cobble-stones. The men were up—they should have been up an hour now—but no sounds of activity came from the barns. The yard was in stillness, a little mist floating against the walls, and the pervading greyness of the morning seemed to be lit up by the huge blotches of yellow lichen that covered the slated roofs of barns and dwelling—the roofs were all new, having only for a year or two superseded the old roofs of osier thatch, but that queer golden rust had almost hidden their substance, covering them as it covered everything that was left exposed to the salt-thick marsh air.

Joanna stood in the middle of the yard looking keenly round her like a cat, then like a cat she pounced. The interior of the latest built barn was dimly lit by a couple of windows under the roof—the light was just enough to show inside the doorway five motionless figures, seated about on the root-pile and the root-slicing machine. They were Joanna's five farm-men, apparently wrapped in a trance, from which her voice unpleasantly awoke them.

"Here, you—what d'you think you're doing?"

The five figures stiffened with perceptible indignation, but they did not rise from their sitting posture as their mistress advanced—or rather swooped—into their midst. Joanna did not expect this. She paid a man fifteen shillings a week for his labour and made no impossible demands of his prejudices and private habits.

"I've been up an hour," she said, looking round on them, "and here I find all of you sitting like a lot of sacks."

"It's two hours since I've bin out o' my warm bed," said old Stuppeny reproachfully.

"You'd be as much use in it as out, if this is how you spend your time. No one's been to the pigs yet, and it wants but half an hour to milking."

"We wur setting around for Grace Wickens to bring us out our tea," said Broadhurst.

"You thought maybe she wouldn't know her way across the yard if you was on the other side of it? The tea ain't ready yet—I tell you I haven't had any. It's a fine sight to see a lot of strong, upstanding men lolling around waiting for a cup of tea."

The scorn in Joanna's voice was withering, and a resentful grumble arose, amidst which old Stuppeny's dedication of himself to a new sphere was hoarsely discernible. However the men scrambled to their feet and tramped off in various directions; Joanna stopped Fuller, the shepherd, as he went by.

"You'll be taking the wethers to Lydd this morning?"

"Surelye."

"How many are you taking?"

"Maybe two score."

"You can take the lot. It'll save us their grazing money this winter, and we can start fattening the tegs in the spring."

"There's but two score wethers fit for market."

"How d'you mean?"

"The others äun't fatted präaperly."

"Nonsense—you know we never give 'em cake or turnips, so what does it matter?"

"They äun't fit."

"I tell you they'll do well enough. I don't expect to get such prices for them as for that lot you've kept down in the New Innings, but they won't fetch much under, for I declare they're good meat. If we keep them over the winter we'll have to send them inland and pay no end for their grazing—and then maybe the price of mutton ull go down in the Spring."

"It ud be a fool's job to täake them."

"You say that because you don't want to have to fetch them up from the Salt Innings. I tell you you're getting lazy, Fuller."

"My old mäaster never called me that."

"Well, you work as well for me as you did for him, and I won't call you lazy, neither."

She gave him a conciliatory grin, but Fuller had been too deeply wounded for such easy balm. He turned and walked away, a whole speech written in the rebellious hunch of his shoulders.

"You'll get them beasts," she called after him.

"Surelye"—came in a protesting drawl. Then "Yup!—Yup!" to the two sheep dogs couched on the doorstep.

§6

What with supervising the work and herding slackers, getting her breakfast and packing off Ellen to the little school she went to at Rye, Joanna found all too soon that the market hour was upon her. It did not strike her to shirk this part of a farmer's duty—she would drive into Rye and into Lydd and into Romney as her father had always driven, inspecting beasts and watching prices. Soon after ten o'clock she ran upstairs to make herself splendid, as the occasion required.

By this time the morning had lifted itself out of the mist. Great sheets of blue covered the sky and were mirrored in the dykes—there was a soft golden glow about the marsh, for the vivid green of the pastures was filmed over with the brown of the withering seed-grasses, and the big clumps of trees that protected every dwelling were richly toned to rust through scales of flame. Already there were signs that the day would be hot, and Joanna sighed to think that approaching winter had demanded that her new best black should be made of thick materials. She hated black, too, and grimaced at her sombre frills, which the mourning brooch and chain of jet beads could only embellish, never lighten. But she would as soon have thought of jumping out of the window as of discarding her mourning a day before the traditions of the Marsh decreed. She decided not to wear her brooch and chain—the chain might swing and catch in the beasts' horns as she inspected them, besides her values demanded that she should be slightly more splendid in church than at market, so her ornaments were reserved as a crowning decoration, all except her mourning ring made of a lock of her father's hair.

It was the first time she had been to market since his death, and she knew that folks would stare, so she might as well give them something to stare at. Outside the front door, in the drive, old Stuppeny was holding the head of Foxy, her mare, harnessed to the neat trap that Thomas Godden had bought early the same year.

"Hullo, Stuppeny—you ain't coming along like that!" and Joanna's eye swept fiercely up and down his manure-caked trousers.

"I never knew as I wur coming along anywheres, Miss Joanna."

"You're coming along of me to the market. Surely you don't expect a lady to drive by herself?"

Old Stuppeny muttered something unintelligible.

"You go and put on your black coat," continued Joanna.

"My Sunday coat!" shrieked Stuppeny.

"Yes—quick! I can't wait here all day."

"But I can't put on my good coat wudout cleaning myself, and it'll täake me the best part o' the marnun to do that."

Joanna saw the reasonableness of his objection.

"Oh, well, you can leave it this once, but another time you remember and look decent. To-day it'll do if you go into the kitchen and ask Grace to take a brush to your trousers—and listen here!" she called after him as he shambled off—"if she's making cocoa you can ask her to give you a cup."

Grace evidently was making cocoa—a habit she had whenever her mistress's back was turned—for Stuppeny did not return for nearly a quarter of an hour. He looked slightly more presentable as he climbed into the back of the trap. It struck Joanna that she might be able to get him a suit of livery secondhand.

"There isn't much he's good for on the farm now at his age, so he may as well be the one to come along of me. Broadhurst or Luck ud look a bit smarter, but it ud be hard to spare them.... Stuppeny ud look different in a livery coat with brass buttons.... I'll look around for one if I've time this afternoon."

It was nearly seven miles from Ansdore to Lydd, passing the Woolpack, and the ragged gable of Midley Chapel—a reproachful ruin among the reeds of the Wheelsgate Sewer. Foxy went smartly, but every now and then they had to slow down as they overtook and passed flocks of sheep and cattle being herded along the road by drovers and shepherds in dusty boots, and dogs with red, lolling tongues. It was after midday when the big elm wood which had been their horizon for the last two miles suddenly turned, as if by an enchanter's wand, into a fair-sized town of red roofs and walls, with a great church tower raking above the trees.

Joanna drove straight to the Crown, where Thomas Godden had "put up" every market day for twenty years. She ordered her dinner—boiled beef and carrots, and jam roll—and walked into the crowded coffee room, where farmers from every corner of the three marshes were already at work with knife and fork. Some of them knew her by sight and stared, others knew her by acquaintance and greeted her, while Arthur Alce jumped out of his chair, dropping his knife and sweeping his neighbour's bread off the table. He was a little shocked and alarmed to see Joanna the only woman in the room; he suggested that she should have her dinner in the landlady's parlour—"you'd be quieter like, in there."

"I don't want to be quiet, thank you," said Joanna.

She felt thankful that none of the few empty chairs was next Alce's—she could never abide his fussing. She sat down between Cobb of Slinches and a farmer from Snargate way, and opened the conversation pleasantly on the subject of liver fluke in sheep.

When she had brought her meal to a close with a cup of tea, she found Alce waiting for her in the hotel entrance.

"I never thought you'd come to market, Joanna."

"And why not, pray?"

The correct answer was—"Because you don't know enough about beasts," but Alce had the sense to find a substitute.

"Because it ain't safe or seemly for a woman to come alone and deal with men."

"And why not, again? Are all you men going to swindle me if you get the chance?"

Joanna's laugh always had a disintegrating effect on Alce, with its loud warm tones and its revelation of her pretty teeth—which were so white and even, except the small pointed canines. When she laughed she opened her mouth wide and threw back her head on her short white neck. Alce gropingly put out a hairy hand towards her, which was his nearest approach to a caress. Joanna flicked it away.

"Now a-done do, Arthur Alce"—dropping in her merriment into the lower idiom of the Marsh—"a-done do with your croaking and your stroking both. Let me go my own ways, for I know 'em better than you can."

"But these chaps—I don't like it—maybe, seeing you like this amongst them, they'll get bold with you."

"Not they! How can you mention such a thing? There was Mr. Cobb and Mr. Godfrey at dinner, talking to me as respectful as churchwardens, all about liver fluke and then by way of rot in the oats, passing on natural and civil to the Isle of Wight disease in potatoes—if you see anything bold in that ... well then you're an old woman as sure as I ain't."

A repetition of her laugh completed his disruption, and he found himself there on the steps of the Crown begging her to let him take over her market day discussions as her husband and deputy.

"Why should you go talking to farmers about Isle of Wight disease and liver fluke, when you might be talking to their wives about making puddings and stuffing mattresses and such-like women's subjects."

"I talk about them too," said Joanna, "and I can't see as I'd be any better for talking of nothing else."

What Alce had meant to convey to her was that he would much rather hear her discussing the ailments of her children than of her potatoes, but he was far too delicate-minded to state this. He only looked at her sadly.

Joanna had not even troubled to refuse his proposal—any more than a mother troubles to give a definite and reasoned refusal to the child who asks for the moon. Finding him silent, and feeling rather sorry for him, she suggested that he should come round with her to the shops and carry some of her parcels.

§7

She went first of all to a firm of house-painters, for she meant to brighten up Ansdore. She disliked seeing the place with no colour or ornament save that which the marsh wind gave it of gold and rust. She would have the eaves and the pipes painted a nice green, such as would show up well at a distance. There was plenty of money, so why should everything be drab? Alce discouraged her as well as he was able—it was the wrong time of year for painting, and the old paint was still quite good. Joanna treated his objections as she had treated his proposal—with good-humoured, almost tender, indifference. She let him make his moan at the house-painter's, then carelessly bore him on to the furnishers', where she bought brightly-flowered stuff for new curtains. Then he stood by while at an outfitter's she inspected coats for Stuppeny, and finally bought one of a fine mulberry colour with brass buttons all down the front.

She now returned to the market-place, and sought out two farmers from the Iden district, with whom she made arrangements for the winter keep of her lambs. Owing to the scanty and salt pastures of winter, it had always been the custom on the marsh to send the young sheep for grazing on upland farms, and fetch them back in the spring as tegs. Joanna disposed of her young flock between Relf of Baron's Grange and Noakes of Mockbeggar, then, still accompanied by Alce, strolled down to inspect the wethers she had brought to the market.

On her way she met the farmer of Picknye Bush.

"Good day, Miss Godden—I've just come from buying some tegs of yourn."

"My looker's settled with you, has he?"

"He said he had the power to sell as he thought proper—otherways I was going to ask for you."

An angry flush drowned the freckles on Joanna's cheek.

"That's Fuller, the obstinate, thick-headed old man...."

Bates's round face fell a little.

"I'm sorry if there's bin any mistäake. After all, I äun't got the beasts yet—thirty shillings a head is the price he asked and I paid. I call it a fair price, seeing the time of year and the state of the meat market But if your looker's bin presuming and you äun't pleased, then I wöan't call it a deal."

"I'm pleased enough to sell you my beasts, and thirty shillings is a fairish price. But I won't have Fuller fixing things up over my head like this, and I'll tell him so. How many of 'em did you buy, Mr. Bates?"

"I bought the lot—two score."

Joanna made a choking sound. Without another word, she turned and walked off in the direction of the hurdles where her sheep were penned, Bates and Alce following her after one disconcerted look at each other. Fuller stood beside the wethers, his two shaggy dogs couched at his feet—he started when he suddenly saw his mistress burst through the crowd, her black feathers nodding above her angry face.

"Fuller!" she shouted, so loud that those who were standing near turned round to see—"How many wether-tegs have you brought to Lydd?"

"Two score."

"How many did I tell you to bring?"

"The others wurn't fit, surelye."

"But didn't I tell you to bring them?"

"You did, but they wurn't fit."

"I said you were to bring them, no matter if you thought 'em fit or not."

"They wurn't fit to be sold as meat."

"I tell you they were."

"No one shall say as Tom Fuller döan't bring fit meat to market."

"You're an obstinate old fool. I tell you they were first-class meat."

Men were pressing round, farmers and graziers and butchers, drawn by the spectacle of Joanna Godden at war with her looker in the middle of Lydd market. Alce touched her arm appealingly—

"Come away, Joanna," he murmured.

She flung round at him.

"Keep dear—leave me to settle my own man."

There was a titter in the crowd.

"I know bad meat from good, surelye," continued Fuller, feeling that popular sentiment was on his side—"I should ought to, seeing as I wur your father's looker before you wur your father's daughter."

"You were my father's looker, but after this you shan't be looker of mine. Since you won't mind what I say or take orders from me, you can leave my service this day month."

There was a horror-stricken silence in the crowd—even the lowest journeyman butcher realized the solemnity of the occasion.

"You understand me?" said Joanna.

"Yes, ma'am," came from Fuller in a crushed voice.

§8

By the same evening the news was all over Lydd market, by the next it was all over the Three Marshes. Everyone was repeating to everyone else how Joanna Godden of Little Ansdore had got shut of her looker after twenty-eight years' service, and her father not been dead a month. "Enough to make him rise out of his grave," said the Marsh.

The actual reasons for the turning away were variously given—"Just because he spuck up and told her as her pore father wudn't hold wud her goings on," was the doctrine promulgated by the Woolpack; but the general council sitting in the bar of the Crown decreed that the trouble had arisen out of Fuller's spirited refusal to sell some lambs that had tic. Other pronouncements were that she had sassed Fuller because he knew more about sheep than she did—or that Fuller had sassed her for the same reason—that it wasn't Joanna who had dismissed him, but he who had been regretfully obliged to give notice, owing to her meddling—that all the hands at Ansdore were leaving on account of her temper.

"He'll never get another pläace agäun, will pore old Fuller—he'll end in the Union and be an everlasting shame to her."

There was almost a feeling of disappointment when it became known that Fuller—who was only forty-two, having started his career at an early age—had been given a most satisfactory job at Arpinge Farm inland, and something like consternation when it was further said and confirmed by Fuller himself that Joanna had given him an excellent character.

"She'll never get another looker," became the changed burden of the Marsh.

But here again prophecy failed, for hardly had Joanna's advertisement appeared simultaneously in the Rye Observer and the Kentish Express than she had half a dozen applications from likely men. Martha Tilden brought the news to Godfrey's Stores, the general shop in Brodnyx.

"There she is, setting in her chair, talking to a young chap what's come from Botolph's Bridge, and there's three more waiting in the passage—she told Grace to give them each a cup of cocoa when she was making it. And what d'you think? Their looker's come over from Old Honeychild, asking for the place, though he was sitting in the Crown at Lydd only yesterday, as Sam Broadhurst told me, saying as it was a shame to get shut of Fuller like that, and as how Joanna deserved never to see another looker again in her life."

"Which of the lot d'you think she'll take?" asked Godfrey.

"I dunno. How should I say? Peter Relf from Old Honeychild is a stout feller, and one of the other men told me he'd got a character that made him blush, it was that fine and flowery. But you never know with Joanna Godden—maybe she'd sooner have a looker as knew nothing, and then she could teach him. Ha! Ha!"

Meanwhile Joanna sat very erect in her kitchen chair, interviewing the young chap from Botolph's Bridge.

"You've only got a year's character from Mr. Gain?"

"Yes, missus ..." a long pause during which some mental process took place clumsily behind this low, sunburnt forehead ... "but I've got these."

He handed Joanna one or two dirty scraps of paper on which were written "characters" from earlier employers.

Joanna read them. None was for longer than two years, but they all spoke well of the young man before her.

"Then you've never been on the Marsh before you came to Botolph's Bridge?"

"No, missus."

"Sheep on the Marsh is very different from sheep inland."

"I know, missus."

"But you think you're up to the job."

"Yes, missus."

Joanna stared at him critically. He was a fine young fellow—slightly bowed already though he had given his age as twenty-five, for the earth begins her work early in a man's frame, and has power over the green tree as well as the dry. But this stoop did not conceal his height and strength and breadth, and somehow his bigness, combined with his simplicity, his slow thought and slow tongue, appealed to Joanna, stirred something within her that was almost tender. She handed him back his dirty "characters."

"Well, I must think it over. I've some other men to see, but I'll write you a line to Botolph's Bridge and tell you how I fix. You go now and ask Grace Wickens, my gal, to give you a cup of hot cocoa."

Young Socknersh went, stooping his shock-head still lower as he passed under the worn oak lintel of the kitchen door. Joanna interviewed the shepherd from Honeychild, a man from Slinches, another from Anvil Green inland, and one from Chilleye, on Pevensey marsh beyond Marlingate. She settled with none, but told each that she would write. She spent the evening thinking them over.

No doubt Peter Relf from Honeychild was the best man—the oldest and most experienced—but on the other hand he wanted the most money, and probably also his own way. After the disastrous precedent of Fuller, Joanna wasn't going to have another looker who thought he knew better than she did. Now, Dick Socknersh, he would mind her properly, she felt sure.... Day from Slinches had the longest "character"—fifteen years man and boy; but that would only mean that he was set in their ways and wouldn't take to hers—she wasn't going to start fattening her sheep with turnips, coarsening the meat, not to please anyone.... Now, Socknersh, having never been longer than two years in a place wouldn't have got fixed in any bad habits.... As for Jenkins and Taylor, they weren't any good—just common Southdown men—she might as well write off to them at once. Her choice lay between Relf and Day and Socknersh. She knew that she meant to have Socknersh—he was not the best shepherd, but she liked him the best, and he would mind her properly and take to her ways ... for a moment he seemed to stand before her, with his head stooping among the rafters, his great shoulders shutting out the window, his curious, brown, childlike eyes fixed upon her face. Day was a scrubby little fellow, and Relf had warts all over his hands.... But she wasn't choosing Socknersh for his looks; she was choosing him because he would work for her the best, not being set up with "notions." Of course she liked him the best, too, but it would be more satisfactory from every practical point of view to work with a man she liked than with a man she did not like—Joanna liked a man to look a man, and she did not mind if he was a bit of a child too.... Yes, she would engage Socknersh; his "characters," though short, were most satisfactory—he was "good with sheep and lambs," she could remember—"hard-working"—"patient".... She wrote to Botolph's Bridge that evening, and engaged him to come to her at the end of the week.

§9

Nothing happened to make her regret her choice. Socknersh proved, as she had expected, a humble, hard-working creature, who never disputed her orders, indeed who sometimes turned to her for direction and advice. Stimulated by his deference, she became even more of an oracle than she had hitherto professed. She looked up "The Sheep" in her father's "Farmer's Encyclopædia" of the year 1861, and also read one or two more books upon his shelves. From these she discovered that there was more in sheep breeding than was covered by the lore of the Three Marshes, and her mind began to plunge adventurously among Southdowns and Leicesters, Black-faced, Blue-faced, and Cumberland sheep. She saw Ansdore famous as a great sheep-breeding centre, with many thousands of pounds coming annually to its mistress from meat and wool.

She confided some of these ideas to Arthur Alce and a few neighbouring farmers. One and all discouraged her, and she told herself angrily that the yeomen were jealous—as for Alce, it was just his usual silliness. She found that she had a more appreciative listener in Dick Socknersh. He received all her plans with deep respect, and sometimes an admiring "Surelye, missus," would come from his lips that parted more readily for food than for speech. Joanna found that she enjoyed seeking him out in the barn, or turning off the road to where he stood leaning on his crook with his dog against his legs.

"You'd never believe the lot there is in sheep-keeping, Socknersh; and the wonders you can do if you have knowledge and information. Now the folks around here, they're middling sensible, but they ain't what you'd call clever. They're stuck in their ways, as you might say. Now if you open your mind properly, you can learn a lot of things out of books. My poor father had some wonderful books upon his shelves, that are mine to read now, and you'd be surprised at the lot I've learned out of 'em, even though I've been sheep-raising all my life."

"Surelye, missus."

"Now I'll tell you something about sheep-raising that has never been done here, all the hundreds of years there's been sheep on the Marsh. And that's the proper crossing of sheep. My book tells me that there's been useful new breeds started that way and lots of money made. Now, would you believe it, they've never tried crossing down here on the Marsh, except just once or twice with Southdowns?—And that's silly, seeing as the Southdown is a smaller sheep than ours, and I don't see any sense in bringing down our fine big sheep that can stand all waters and weathers. If I was to cross 'em, I'd sooner cross 'em with rams bigger than themselves. I know they say that small joints of mutton are all the style nowadays, but I like a fine big animal—besides, think of the fleeces."

Socknersh apparently thought of them so profoundly that he was choked of utterance, but Joanna could tell that he was going to speak by the restless moving of his eyes under their strangely long dark lashes, and by the little husky sounds he made in his throat. She stood watching him with a smile on her face.

"Well, Socknersh—you were going to say ..."

"I wur going to say, missus, as my mäaster up at Garlinge Green, whur I wur afore I took to the Marsh at Botolph's Bridge—my mäaster, Mus' Pebsham, had a valiant set of Spanish ship, as big as liddle cattle; you shud ought to have seen them."

"Did he do any crossing with 'em?"

"No, missus—leastways not whiles I wur up at the Green."

Joanna stared through the thick red sunset to the horizon. Marvellous plans were forming in her head—part, they seemed, of the fiery shapes that the clouds had raised in the west beyond Rye hill. Those clouds walked forth as flocks of sheep—huge sheep under mountainous fleeces, the wonder of the Marsh and the glory of Ansdore....

"Socknersh ..."

"Yes, missus."

She hesitated whether she should share with him her new inspiration. It would be good to hear him say "Surelye, missus" in that admiring, husky voice. He was the only one of her farm-hands who, she felt, had any deference towards her—any real loyalty, though he was the last come.

"Socknersh, d'you think your master up at Garlinge would let me hire one or two rams to cross with my ewes?—I might go up and have a look at them. I don't know as I've ever seen a Spanish sheep.... Garlinge is up by Court-at-Street, ain't it?"

"Yes, missus. 'Tis an unaccountable way from here."

"I'd write first. What d'you think of the notion, Socknersh? Don't you think that a cross between a Spanish sheep and a Kent sheep ud be an uncommon fine animal?"

"Surelye, missus."

That night Joanna dreamed that giant sheep as big as bullocks were being herded on the Marsh by a giant shepherd.

§10

Spring brought a blooming to Ansdore as well as to the Marsh. Joanna had postponed, after all, her house-painting till the winter months of rotting sea mists were over. But in April the ladders striped her house-front, and soon her windows and doors began to start luridly out of their surroundings of mellowed tiles and brick. After much deliberation she had chosen yellow for her colour, tastefully picked out with green. She had always been partial to yellow—it was a colour that "showed up" well, and she was also influenced by the fact that there was no other yellow-piped dwelling on the Marsh.

Her neighbours disapproved of her choice for the same reasons that had induced her to make it. They were shocked by the fact that you could see her front door from half a mile off on the Brodnyx Road; it was just like Joanna Godden to choose a colour that shrieked across the landscape instead of merging itself unobtrusively into it. But there was a still worse shock in store for public opinion, and that was when she decided to repaint her waggons as well as her house.

Hitherto there had been only one shape and colour of waggon on the Marsh—a plain low-sided trough of deep sea-blue. The name was always painted in white on a small black wooden square attached to the side. Thomas Godden's waggons had been no departure from this rule. It was left to his daughter to flout tradition, and by some obscure process of local reasoning, bring discredit to her dead father by painting her waggons yellow instead of blue. The evil went deeper than mere colour. Joanna was a travelled woman, having once been to the Isle of Wight, and it suddenly struck her that, since she was repainting, she might give her three waggons the high gondola-shaped fronts that she had admired in the neighbourhood of Shanklin and Ventnor. These she further beautified with a rich, scrolled design, and her name in large, ornate lettering—"Joanna Godden. Little Ansdore. Walland Marsh"—so that her waggons went forth upon the roads very much as the old men o' war of King Edward's fleet had sailed over that same country when it was fathoms deep under the seas of Rye Bay.... With their towering, decorated poops they were more like mad galleys of a bygone age than sober waggons of a nineteenth century farm.

Her improvements gave her a sense of adventurous satisfaction—her house with its yellow window frames and doors, with its new curtains of swaggering design—her high-pooped waggons—the coat with the brass buttons that old Stuppeny wore when he drove behind her to market—her dreams of giant sheep upon her innings—all appealed to something fundamental in her which was big and boastful. She even liked the gossip with which she was surrounded, the looks that were turned upon her when she drove into Rye or Lydd or New Romney—the "there goes Joanna Godden" of folk she passed. She had no acute sense of their disapproval; if she became aware of it she would only repeat to herself that she would "show 'em the style"—which she certainly did.

§11

Arthur Alce was very much upset by the gossip about Joanna.

"All you've done since you started running Ansdore is to get yourself talked about," he said sadly.

"Well, I don't mind that."

"No, but you should ought to. A woman should ought to be modest and timid and not paint her house so's it shows up five mile off—first your house, and then your waggons—it'll be your face next."

"Arthur Alce, you're very rude, and till you learn to be civil you can keep out of my house—the same as you can see five mile off."

Alce, who really felt bitter and miserable, took her at her word and kept away for nearly a fortnight. Joanna was not sorry, for he had been highly disapproving on the matter of the Spanish sheep, and she was anxious to carry out her plan in his absence. A letter to Garlinge Green had revealed the fact that Socknersh's late master had removed to a farm near Northampton; he still bred Spanish sheep, but the risk of Joanna's venture was increased by the high price she would have to pay for railway transport as well as in fees. However, once she had set her heart on anything, she would let nothing stand in her way. Socknersh was inclined to be aghast at all the money the affair would cost, but Joanna soon talked him into an agreeable "Surelye."

"We'll get it all back," she told him. "Our lambs ull be the biggest at market, and ull fetch the biggest prices too."

It pleased Joanna to talk of Socknersh and herself as "we," though she would bitterly have resented any idea of joint responsibility in the days of Fuller. The rites of lambing and shearing had not dimmed her faith in the high priest she had chosen for Ansdore's most sacred mysteries. Socknersh was a man who was automatically "good with sheep." The scared and trembling ewes seemed to see in him a kind of affinity with themselves, and lay still under his big, brown, quiet hands. He had not much "head," but he had that queer inward kinship with animals which is sometimes found in intensely simple natures, and Joanna felt equal to managing the "head" part of the business for both. It pleased her to think that the looker—who is always the principal man on a farm such as Ansdore, where sheep-rearing is the main business—deferred to her openly, before the other hands, spoke to her with drawling respect, and for ever followed her with his humble eyes.

She liked to feel those eyes upon her. All his strength and bigness, all his manhood, huge and unaware, seemed to lie deep in them like a monster coiled up under the sea. When he looked at her he seemed to lose that heavy dumbness, that inarticulate stupidity which occasionally stirred and vexed even her good disposition; his mouth might still be shut, but his eyes were fluent—they told her not only of his manhood but of her womanhood besides.

Socknersh lived alone in the looker's cottage which had always belonged to Ansdore. It stood away on the Kent Innings, on the very brink of the Ditch, which here gave a great loop, to allow a peninsula of Sussex to claim its rights against the Kentish monks. It was a lonely little cottage, all rusted over with lichen, and sometimes Joanna felt sorry for Socknersh away there by himself beside the Ditch. She sent him over a flock mattress and a woollen blanket, in case the old ague-spectre of the Marsh still haunted that desolate corner of water and reeds.

§12

Towards the end of that autumn, Joanna and Ellen Godden came out of their mourning. As was usual on such occasions, they chose a Sunday for their first appearance in colours. Half mourning was not worn on the Marsh, so there was no interval of grey and violet between Joanna's hearse-like costume of crape and nodding feathers and the tan-coloured gown in which she astonished the twin parishes of Brodnyx and Pedlinge on the first Sunday in November. Her hat was of sage green and contained a bird unknown to natural history. From her ears swung huge jade earrings, in succession to the jet ones that had dangled against her neck on Sundays for a year—she must have bought them, for everyone knew that her mother, Mary Godden, had left but one pair.

Altogether the sight of Joanna was so breathless, that a great many people never noticed Ellen, or at best only saw her hat as it went past the tops of their pews. Joanna realized this, and being anxious that no one should miss the sight of Ellen's new magenta pelisse with facings of silver braid, she made her stand on the seat while the psalms were sung.

The morning service was in Brodnyx church—in the evening it would be at Pedlinge. Brodnyx had so far escaped the restorer, and the pews were huge wooden boxes, sometimes fitted with a table in the middle, while Sir Harry Trevor's, which he never occupied, except when his sons were at home, was further provided with a stove—all the heating there was in the three aisles. There was also a two-decker pulpit at the east end and over the dim little altar hung an escutcheon of Royal George—the lion and the unicorn fighting for the crown amid much scroll-work.

Like most churches on the Marsh it was much too big for its parish, and if the entire population of Brodnyx and Pedlinge had flocked into it, it would not have been full. This made Joanna and Ellen all the more conspicuous—they were alone in their great horse-box of a pew, except for many prayer books and hassocks—There were as many hassocks in Brodnyx church as there were sheep on the Brodnyx innings. Joanna, as usual, behaved very devoutly, and did not look about her. She had an immense respect for the Church, and always followed the service word for word in her huge calf-bound prayer book, expecting Ellen to do the same—an expectation which involved an immense amount of scuffling and angry whispering in their pew.

However, though her eyes were on her book, she was proudly conscious that everyone else's eyes were on her. Even the rector must have seen her—as indeed from his elevated position on the bottom deck of the pulpit he could scarcely help doing—and his distraction was marked by occasional stutters and the intrusion of an evening Collect. He was a nervous, deprecating little man, terribly scared of his flock, and ruefully conscious of his own shortcomings and the shortcomings of his church. Visiting priests had told him that Brodnyx church was a disgrace, with its false stresses of pew and pulpit and the lion and the unicorn dancing above the throne of the King of kings. They said he ought to have it restored. They did not trouble about where the money was to come from, but Mr. Pratt knew he could not get it out of his congregation, who did not like to have things changed from the manner of their fathers—indeed there had been complaints when he had dislodged the owls that had nested under the gallery from an immemorial rector's day.

The service came to an end with the singing of a hymn to an accompaniment of grunts and wheezes from an ancient harmonium and the dropping of pennies and threepenny bits into a wooden plate. Then the congregation hurried out to the civilities of the churchyard.

From outside, Brodnyx Church looked still more Georgian and abandoned. Its three aisles were without ornament or architecture; there was no tower, but beside it stood a peculiar and unexplained erection, shaped like a pagoda, in three tiers of black and battered tar-boarding. It had a slight cant towards the church, and suggested nothing so much as a disreputable Victorian widow, in tippet, mantle and crinoline, seeking the support of a stone wall after a carouse.

In the churchyard, among the graves, the congregation assembled and talked of or to Joanna. It was noticeable that the women judged her more kindly than the men.

"She can't help her taste," said Mrs. Vine, "and she's a kind-hearted thing."

"If you ask me," said Mrs. Prickett, "her taste ain't so bad, if only she'd have things a bit quieter. But she's like a child with her yallers and greens."

"She's more like an organist's monkey," said her husband. "What ud I do if I ever saw you tricked out like that, Mrs. Prickett?"

"Oh, I'd never wear such clothes, master, as you know well. But then I'm a different looking sort of woman. I wouldn't go so far as to say them bright colours don't suit Joanna Godden."

"I never thought much of her looks."

"Nor of her looker—he! he!" joined in Furnese with a glance in Joanna's direction.

She was talking to Dick Socknersh, who had been to church with the other hands that could be spared from the farm. She asked him if he had liked the sermon, and then told him to get off home quickly and give the tegs their swill.

"Reckon he don't know a teg from a tup," said Furnese.

"Oh, surelye, Mr. Furnese, he äun't a bad looker. Jim Harmer said he wur just about wonderful with the ewes at the shearing."

"Maybe—but he'd three sway-backed lambs at Rye market on Thursday."

"Sway-backs!"

"Three. 'Twas a shame."

"But Joanna told me he was such a fine, wonderful man with the sheep—as he got 'em to market about half as tired and twice as quick as Fuller used to in his day."

"Ah, but then she's unaccountable set on young Socknersh. He lets her do what she likes with her sheep, and he's a stout figure of a man, too. Joanna Godden always was partial to stout-looking men."

"But she'd never be such a fool as to git sweet on her looker."

"Well, that's wot they're saying at the Woolpack."

"The Woolpack! Did you ever hear of such a talk-hole as you men get into when you're away from us! They say some unaccountable fine things at the Woolpack. I tell you, Joanna ain't such a fool as to get sweet on Dick Socknersh."

"She's been fool enough to cross Spanish sheep with her own. Three rams she had sent all the way from furrin parts by Northampton. I tell you, after that, she'd be fool enough for anything."

"Maybe she'll do well by it."

"Maybe she'll do well by marrying Dick Socknersh. I tell you, you döan't know näun about it, missus. Whosumdever heard of such an outlandish, heathen, foolish notion?"

On the whole Joanna was delighted with the success of her appearance. She walked home with Mrs. Southland and Maggie Furnese, bridling a little under their glances, while she discussed servants, and food-prices, and a new way of pickling eggs.

She parted from them at Ansdore, and she and Ellen went in to their Sunday's dinner of roast beef and Yorkshire pudding. After this the day would proceed according to the well-laid ceremonial that Joanna loved. Little Ellen, with a pinafore tied over her Sabbath splendours, would go into the kitchen to sit with the maids—get into their laps, turn over their picture Bibles, examine their one or two trinkets and strings of beads which they always brought into the kitchen on Sunday. Meanwhile Joanna would sit in state in the parlour, her feet on a footstool, on her lap a volume of Spurgeon's sermons. In the old days it had always been her father who read sermons, but now he was dead she had taken over this part of his duties with the rest, and if the afternoon generally ended in sleep, sleep was a necessary part of a well-kept Sabbath day.

§13

When Christmas came that year, Joanna was inspired to celebrate it with a party. The Christmas before she had been in mourning, but in her father's day it had been usual to invite a few respectable farmers to a respectable revel, beginning with high tea, then proceeding through whist to a hot supper. Joanna would have failed in her duty to "poor father" if she had not maintained this custom, and she would have failed in consistency with herself if she had not improved upon it—embellished it with one or two ornate touches, which lifted it out of its prosaic rut of similarity to a dozen entertainments given at a dozen farms, and made it a rather wonderful and terrible occasion to most dwellers on the Marsh.

To begin with, the invitations were not delivered, according to custom, verbally in the churchyard after Morning Prayer on Sunday—they were written on cards, as Mrs. Saville of Dungemarsh Court wrote them, and distributed through the unwonted and expensive medium of the post. When their recipients had done exclaiming over the waste of a penny stamp, they were further astonished to see the word "Music" written in the corner—Joanna had stuck very closely to her Dungemarsh Court model. What could the music be? Was the Brodnyx Brass Band going to play? Or had Joanna hired Miss Patty Southland, who gave music lessons on the Marsh?

She had done neither of these things. When her visitors assembled, stuffed into her two parlours, while the eatables were spread in a kitchen metamorphosed with decorations of crinkled paper, they found, buttressed into a corner by the freshly tuned piano, the Rye Quartet, consisting of the piano-tuner himself, his wife, who played the 'cello, and his two daughters with fiddles and white piqué frocks. At first the music was rather an embarrassment, for while it played eating and conversation were alike suspended, and the guests stood with open mouths and cooling cups of tea till Mr. Plummer's final chords released their tongues and filled their mouths with awkward simultaneousness. However, after a time the general awe abated, and soon the Rye Quartet was swamped in a terrific noise of tongues and mastication.

Everyone was staring at Joanna's dress, for it was Low—quite four inches of her skin must have shown between its top most frill and the base of her sturdy throat. The sleeves stopped short at the elbow, showing a very soft, white forearm, in contrast with brown, roughened hands. Altogether it was a daring display, and one or two of the Miss Vines and Southlands and Furneses wondered "how Joanna could do it."

Proudly conscious of the eyes fixed upon her, she moved—or rather, it must be confessed, squeezed—about among her guests. She had put on new manners with her new clothes, and was full of a rather mincing civility.

"Pray, Mrs. Cobb, may I get you another cup of tea?"—"Just one more piece of cake, Mr. Alce?"—"Oh, please, Miss Prickett—just a leetle bit of ham."

Ellen followed her sister about, pulling at her skirt. She was dressed in white, and her hair was crimped, and tied with pink ribbons. At eight o'clock she was ordered up to bed and there was a great uproar, before, striking out in all directions, she was carried upstairs under Joanna's stalwart arm. The Rye Quartet tactfully started playing to drown her screams, which continued for some time in the room overhead.

The party did not break up till eleven, having spent five hours standing squeezed like herrings under the Ansdore beams, eating and drinking and talking, to the strains of "The Blue Danube" and "See Me Dance the Polka." Local opinion was a little bewildered by the entertainment—it had been splendid, no doubt, and high-class to an overwhelming degree, but it had been distinctly uncomfortable, even tiresome, and a great many people were upset by eating too much, since the refreshments had been served untiringly from six to eleven, while others had not had enough, being nervous of eating their food so far from a table, and clinging throughout the evening to their first helpings.

To Joanna, however, the evening was an uncriticized success, and she was inspired to repeat it on a humbler scale for the benefit of her servants. She knew that at big houses there was often a servants' ball at Christmas, and though she had at present no definite ambition to push herself into the Manor Class, she was anxious that Ansdore should have every pomp and that things should be "done proper." The mere solid comfort of prosperity was not enough for her—she wanted the glitter and glamour of it as well, she wanted her neighbours not only to realize it but to exclaim about it.

Thus inspired she asked Prickett, Vine, Furnese and other yeomen and tenants of the Marsh to send their hands, men and maids, to Ansdore, for dancing and supper on New Year's Eve. She found this celebration even more thrilling than the earlier one. Somehow these humbler preparations filled more of her time and thought than when she had prepared to entertain her peers. She would not wear her low dress, of course, but she would have her pink one "done up"—a fall of lace and some beads sewn on, for she must look her best. She saw herself opening the ball with Dick Socknersh, her hand in his, his clumsy arm round her waist.... Of course old Stuppeny was technically the head man at Ansdore, but he was too old to dance—she would see he had plenty to eat and drink instead—she would take the floor with Dick Socknersh, and all eyes would be fixed upon her.

They certainly were, except when they dropped for a wink at a neighbour. Joanna waltzing with Socknersh to the trills of Mr. Elphick, the Brodnyx schoolmaster, seated at the tinkling, ancient Collard, Joanna in her pink gown, close fitting to her waist and then abnormally bunchy, with her hair piled high and twisted with a strand of ribbon, with her face flushed, her lips parted and her eyes bright, was a sight from which no man and few women could turn their eyes. Her vitality and happiness seemed to shine from her skin, almost to light up the dark and heavy figure of Socknersh in his Sunday blacks, as he staggered and stumbled, for he could not dance. His big hand pawed at her silken waist, while the other held hers crumpled in it—his hair was greased with butter, and his skin with the sweat of his endeavour as he turned her round.

That was the only time Joanna danced that night. For the rest of the evening she went about among her guests, seeing that all were well fed and had partners. As time went on, gradually her brightness dimmed, and her eyes became almost anxious as she searched among the dancers. Each time she looked she seemed to see the same thing, and each time she saw it, it was as if a fresh veil dropped over her eyes.

At last, towards the end of the evening, she went up again to Socknersh.

"Would you like me to dance this polka with you that's coming?"

"Thank you, missus—I'd be honoured, missus—but I'm promised to Martha Tilden."

"Martha!—You've danced with her nearly all the evening."

"She's bin middling kind to me, missus, showing me the steps and hops."

"Oh, well, since you've promised you must pay."

She turned her back on him, then suddenly smarted at her own pettishness.

"You've the makings of a good dancer in you, if you'll learn," she said over her shoulder. "I'm glad Martha's teaching you."

§14

Lambing was always late upon the Marsh. The wan film of the winter grasses had faded off the April green before the innings became noisy with bleating, and the new-born lambs could match their whiteness with the first flowering of the blackthorn.

It was always an anxious time—though the Marsh ewes were hardy—and sleepless for shepherds, who from the windows of their lonely lambing huts watched the yellow spring-dazzle of the stars grow pale night after night. They were bad hours to be awake, those hours of the April dawn, for in them, the shepherds said, a strange call came down from the country inland, straying scents of moss and primroses reaching out towards the salt sea, calling men away from the wind-stung levels and the tides and watercourses, to where the little inland farms sleep in the sheltered hollows among the hop-bines, and the sunrise is warm with the scent of hidden flowers.

Dick Socknersh began to look wan and large-eyed under the strain—he looked more haggard than the shepherd of Yokes Court or the shepherd of Birdskitchen, though they kept fast and vigil as long as he. His mistress, too, had a fagged, sorrowful air, and soon it became known all over the Three Marshes that Ansdore's lambing that year had been a gigantic failure.

"It's her own fault," said Prickett at the Woolpack, "and serve her right for getting shut of old Fuller, and then getting stuck on this furrin heathen notion of Spanish sheep. Anyone could have told her as the lambs ud be too big and the ewes could never drop them safe—she might have known it herself, surelye."

"It's her looker that should ought to have known better," said Furnese. "Joanna Godden's a woman, fur all her man's ways, and you can't expéct her to have präaper know wud sheep."

"I wonder if she'll get shut of him after this," said Vine.

"Not she! She don't see through him yet."

"She'll never see through him," said Prickett solemnly. "The only kind of man a woman ever sees through is the kind she don't like to look at."

Joanna certainly did not "see through" Dick Socknersh. She knew that she was chiefly to blame for the tragedy of her lambing, and when her reason told her that her looker should have discouraged instead of obeyed and abetted her, she rather angrily tossed the thought aside. Socknersh had the sense to realize that she knew more about sheep than he, and he had not understood that in this matter she was walking out of her knowledge into experiment. No one could have known that the scheme would turn out so badly—the Spanish rams had not been so big after all, only a little bigger than her ewes ... if anyone should have foreseen trouble it was the Northampton farmer who knew the size of Spanish lambs at birth, and from his Kentish experience must also have some knowledge of Romney Marsh sheep.

But though she succeeded in getting all the guilt off her looker and some of it off herself, she was nevertheless stricken by the greatness of the tragedy. It was not only the financial losses in which she was involved, or the derision of her neighbours, or the fulfilment of their prophecy—or even the fall of her own pride and the shattering of that dream in which the giant sheep walked—there was also an element of almost savage pity for the animals whom her daring had betrayed. Those dead ewes, too stupid to mate themselves profitably and now the victims of the farm-socialism that had experimented with them.... At first she ordered Socknersh to save the ewes even at the cost of the lambs, then when in the little looker's hut she saw a ewe despairingly lick the fleece of its dead lamb, an even deeper grief and pity smote her, and she burst suddenly and stormily into tears.

Sinking on her knees on the dirty floor, she covered her face, and rocked herself to and fro. Socknersh sat on his three-legged stool, staring at her in silence. His forehead crumpled slightly and his mouth twitched, as the slow processes of his thought shook him. The air was thick with the fumes of his brazier, from which an angry red glow fell on Joanna as she knelt and wept.

§15

When the first sharpness of death had passed from Ansdore, Joanna's sanguine nature, her hopeful bumptiousness, revived. Her pity for the dead lambs and her fellow-feeling of compassion for the ewes would prevent her ever dreaming of a new experiment, but already she was dreaming of a partial justification of the old one—her cross-bred lambs would grow so big both in size and price that they would, even in their diminished numbers pay for her daring and proclaim its success to those who jeered and doubted.

Certainly those lambs which had survived their birth now promised well. They were bigger than the purebred Kent lambs, and seemed hardy enough. Joanna watched them grow, and broke away from Marsh tradition to the extent of giving them cake—she was afraid they might turn bony.

As the summer advanced she pointed them out triumphantly to one or two farmers. They were fine animals, she said, and justified her experiment, though she would never repeat it on account of the cost; she did not expect to do more than cover her expenses.

"You'll be lucky if you do that," said Prickett rather brutally, "they look middling poor in wool."

Joanna was not discouraged, nor even offended, for she interpreted all Prickett's remarks in the light of Great Ansdore's jealousy of Little Ansdore.

Later on Martha Tilden told her that they were saying much the same at the Woolpack.

"I don't care what they say at the Woolpack," cried Joanna, "and what business have you to know what they say there? I don't like my gals hanging around pubs."

"I didn't hang aräound, ma'am. 'Twas Socknersh töald me."

"Socknersh had no business to tell you—it's no concern of yours."

Martha put her hand over her mouth to hide a grin, but Joanna could see it in her eyes and the dimples of her cheeks.

A sudden anger seized her.

"I won't have you gossiping with Socknersh, neither—you keep away from my men. I've often wondered why the place looks in proper need of scrubbing, and now I know. You can do your work or you can pack off. I won't have you fooling around with my men."

"I döan't fool aräound wud your men," cried Martha indignantly. She was going to add "I leave that to you," but she thought better of it, because for several reasons she wanted to keep her place.

Joanna flounced off, and went to find Socknersh at the shearing. In the shelter of some hurdles he and one or two travelling shearers were busy with the ewes' fleeces. She noticed that the animal Socknersh was working on lay quiet between his feet, while the other men held theirs with difficulty and many struggles. The July sunshine seemed to hold the scene as it held the Marsh in a steep of shining stillness. The silence was broken by many small sounds—the clip of the shears, the panting of the waiting sheep and of the dogs that guarded them, and every now and then the sudden scraping scuttle of the released victim as it sprang up from the shearer's feet and dashed off to where the shorn sheep huddled naked and ashamed together. Joanna watched for a moment without speaking; then suddenly she broke out:

"Socknersh, I hear it's said that the new lambs ull be poor in wool."

"They're saying it, missus, but it äun't true."

"I don't care if it's true or not. You shouldn't ought to tell my gal Martha such things before you tell me."

Socknersh's eyes opened wide, and the other men looked up from their work.

"Seemingly," continued Joanna, "everyone on this farm hears everything before I do, and it ain't right. Next time you hear a lot of tedious gossip, Dick Socknersh, you come and tell me, and don't waste it on the gals, making them idle."

She went away, her eyes bright with anger, and then suddenly her heart smote her. Suppose Socknersh took offence and gave notice. She had rebuked him publicly before the hired shearers—it was enough to make any man turn. But what should she do if he went?—He must not go. She would never get anyone like him. She almost turned and went back, but had enough sense to stop—a public apology would only make a worse scandal of a public rebuke. She must wait and see him alone ... the next minute she knew further that she must not apologize, and the minute after she knew further still—almost further than she could bear—that in denying herself an apology she was denying herself a luxury, that she wanted to apologize, to kneel at Socknersh's clay-caked feet and beg his forgiveness, to humble herself before him by her penitence so that he could exalt her by his pardon....

"Good sakes! Whatever's the matter with me?" thought Joanna.

§16

Her apology took the discreet form of a side of bacon, and Socknersh did not give notice—had evidently never thought of it. Of course the shearers spread the story of Joanna's outburst when they went on to Slinches and Birdskitchen and other farms, but no one was surprised that the shepherd stayed on.

"He'd never be such a fool as to give up being looker a day before she makes him master," said Cobb of Slinches.

"And when he's master," said Mrs. Cobb, "he'll get his own back for her sassing him before Harmer and his men."

A few weeks later Socknersh brought the first of the cross-bred lambs to market at Rye, and Joanna's wonderful sheep-breeding scheme was finally sealed a failure. The lambs were not only poor in wool, but coarse in meat, and the butchers would not deal, small mutton being the fashion. Altogether they fetched lower prices than the Kent lambs, and the rumour of Ansdore's losses mounted to over four hundred pounds.

Rumour was not very wide of the fact—what with hiring fees, railway expenses, the loss of ewes and lambs at the lambing, and the extra diet and care which panic had undertaken for the survivors, the venture had put about two hundred and sixty pounds on the debit side of Joanna's accounts. She was able to meet her losses—her father had died with a comfortable balance in Lewes Old Bank, and she had always paid ready money, so was without any encumbrance of debt—but Ansdore was bound to feel the blow, which had shorn it of its fleece of pleasant profits. Joanna was for the first time confronted by the need for economy, and she hated economy with all the lavish, colour-loving powers of her nature. Even now she would not bend herself to retrenchment—not a man less in the yard, not a girl less in the kitchen, as her neighbours had expected.

But the failure of the cross-bred lambs did not end the tale of Ansdore's misadventures. There was a lot of dipping for sheep-scab on the Marsh that August, and it soon became known that several of Joanna Godden's sheep and lambs had died after the second dip.

"That's her valiant Socknersh again," said Prickett—"guv 'em a double arsenic dip. Good sakes! That woman had better be quick and marry him before he does any more harm as her looker."

"There's more than he gives a double arsenic dip, surelye."

"Surelye—but they mixes the can a bit. Broadhurst says as Socknersh's second dip was as strong as his first."

The feeling about Socknersh's incapacity reached such a point that more than one warning was given Joanna for her father's sake, and one at least for her own, from Arthur Alce.

"I shouldn't say it, Joanna, if it wasn't true, but a man who puts a sheep into poison-wash twice in a fortnight isn't fit to be anyone's looker."

"But we were dipping for sheep-scab—that takes something stronger than Keatings."

"Yes, but the point is, d'you see, that you give 'em the first dip in arsenic stuff, and the next shouldn't ought to be poison at all—there's a lot of good safe dips on the market, that ull do very well for a second wash."

"Socknersh knows his business."

"He don't—that's why I'm speaking. Fuller ud never have done what he's done. He's lost you a dozen prime sheep on the top of all your other losses."

The reference was unfortunate. Joanna's cheekbones darkened ominously.

"It's all very well for you to talk, Arthur Alce, for you think no one can run Ansdore except yourself who'll never get the chance. It's well known around, in spite of what you say, that Socknersh is valiant with sheep—no one can handle 'em as he can; at the shearing Harmer and his men were full of it—how the ewes ud keep quiet for him as for nobody else—and 'twas the same at the lambing. It wasn't his fault that the lambs died, but because that chap at Northampton never told us what he should ought.... I tell you, I've never had anyone like him for handling sheep—they're quite different with him from what they were with that rude old Fuller, barking after 'em like a dog along the Brodnyx road and bringing 'em up to Rye all raggled and draggled and dusty as mops ... he knows how to manage sheep—he's like one of themselves."

"That's just about it—he's like another sheep, so they ain't scared of him, but he can do no more for 'em than another sheep could, neither. He's ignorant—he's got no sense nor know, or he'd never have let you breed with them Spanishes, or given 'em a poisonous double-dip—and he's always having sway-backs up at market, too, and tic and hoose and fluke.... Oh, Joanna, if you're any bit wise you'll get shut of him before he messes you all up. And you know what folks say—they say you'd have got shut of him months agone if you hadn't been so unaccountable set on him, so as they say—yes, they say one day you'll marry him and make him master of Ansdore."

Alce's face flamed as red as his whiskers and nearly as red as Joanna's cheeks. For a moment she faced him speechless, her mouth open.

"Oh, that's what they say, is it!" she broke out at last. "They say I'd marry Dick Socknersh, who looks after my sheep, and who's like a sheep himself. They think I'd marry a man who's got no more'n two words on his tongue and half that number of ideas in his head—who can't think without its giving him a headache—who comes of no class of people—his father and mother were hedge people up at Anvil Green—who gets eighteen bob a week as my looker—who—"

"Don't get so vrothered, Joanna. I'm only telling you what folk say, and if you'll stop and think you'll see they've got some reason. Your looker's done things that no farmer on this Marsh ud put up with a month, and yet you keep him on, you with all your fine ideas about farming and running Ansdore as your poor father ud have had it ... and then he's a well set-up young man too, nice-looking and stout as I won't deny, and you're a young woman that I'd say was nice-looking too, and it's only natural folks should talk when they see a pretty woman hanging on to a handsome chap in spite of his having half bust her."

"He hasn't half bust me, nor a quarter, neither—and I ain't hanging on to him, as you're elegant enough to say. I keep him as my looker because he's valiant with the sheep and manages 'em as if born to it, and because he minds what I say and doesn't sass me back or meddle, as some I could name. As for being set on him, I'm not so far below myself as all that. You must think unaccountable low of me, Arthur Alce, if you figure I'd get sweet on a man who's courting my chicken-gal, which is what Dick Socknersh is doing."

"Courting Martha Tilden?"

"Yes, my chicken-gal. And you think I'd look at him!—I!... You must think middling low of me, Arthur Alce ... a man who's courting my chicken-gal."

"I'd always thought as Martha Tilden—but you must know best. Well, if he's courting her I hope as he'll marry her soon and show folks they're wrong about him and you."

"They should ought to be ashamed of themselves to need showing. I look at a man who's courting my chicken-gal!—I never! I tell you what I'll do—I'll raise his wages, so as he can marry her at once—my chicken-gal—and so as folk ull know that I'm satisfied with him as my looker."

And Joanna marched off up the drive, where this conversation had taken place.

§17

She raised Socknersh's wages to twenty shillings the next day, and it was not due to any wordy flow of his gratitude that the name of Martha Tilden was not mentioned between them. "Better leave it," thought Joanna to herself, "after all, I'm not sure—and she's a slut. I'd sooner he married a cleaner, steadier sort of gal."

Grace Wickens had already departed, her cocoa-making tendencies having lately passed into mania—and her successor was an older woman, a widow, who had fallen on evil days. She was a woman of few words, and Joanna wondered a little when one afternoon she said to her rather anxiously: "I'd lik to speak to you, ma'am—in private, if you please."

They went into the larder and Mrs. Tolhurst began:

"I hardly lik to say it to you, Miss Joanna, being a single spinster ..."

This was a bad beginning, for Joanna flamed at once at the implication that her spinsterhood put her at any disadvantage as a woman of the world.

"Don't talk nonsense, Mrs. Tolhurst; I may be unwed as yet, but I'm none of your Misses."

"No, ma'am—well, it's about this Martha Tilden—"

Joanna started.

"What about her?"

"Only, ma'am, that she's six months gone."

There was no chair in the larder, or Joanna would have fallen into it—instead she staggered back against the shelves, with a great rattle of crockery. Her face was as white as her own plates, and for a moment she could not speak.

"I made bold to tell you, Miss Joanna, for all the neighbourhood's beginning to talk—and the gal getting near her time and all.... I thought maybe you'd have noticed.... Don't be in such a terrification about it, Miss Joanna.... I'm sorry I told you—maybe I shud ought to have spuck to the gal fust ..."

"Don't be a fool ... the dirty slut!—I'll learn her ... under my very roof—"

"Oh, no, ma'am,'twasn't under your roof—we shouldn't have allowed it. She used to meet him in the field down by Beggar's Bush ..."

"Hold your tongue."

Mrs. Tolhurst was offended; she thought her mistress's behaviour unwarranted either by modesty or indignation. There were burning tears in Joanna's eyes as she flung herself out of the room. She was blind as she went down the passage, twisting her apron furiously in her hands.

"Martha Tilden!" she called—"Martha Tilden!"

"Oh," she thought in her heart, "I raised his wages so's he could marry her—for months this has been going on ... the field down by Beggar's Bush ... Oh, I could kill her!" Then shouting into the yard—"Martha Tilden! Martha Tilden!"

"I'm coming, Miss Joanna," Martha's soft drawly voice increased her bitterness; her own, compared with it, sounded harsh, empty, inexperienced. Martha's voice was full of the secrets of love—the secrets of Dick Socknersh's love.

"Come into the dairy," she said hoarsely.

Martha came and stood before her. She evidently knew what was ahead, for she looked pale and a little scared, and yet she had about her a strange air of confidence ... though not so strange, after all, since she carried Dick Socknersh's child, and her memory was full of his caresses and the secrets of his love ... thus bravely could Joanna herself have faced an angry world....

"You leave my service at once," she said.

Martha began to cry.

"You know what for?"

"Yes, Miss Joanna."

"I wonder you've had the impudence to go about as you've done—eating my food and taking my wages, while all the time you've been carrying on with my looker."

"Your looker?—No, Miss Joanna."

"What d'you mean?"

"I don't know what you mean, miss—I've never had näun to do wud Dick Socknersh if it's him you're thinking of."

"Not Socknersh, but I ... who is the man, then?"

"Well, it äun't no secret from anyone but you, Miss Joanna, so I döan't mind telling you as my boy is Peter Relf, their looker at Old Honeychild. We've bin walking out ever sinst the day he came after your pläace as looker here, and we'd be married now if he hadn't his old mother and dad to keep, and got into some nasty silly trouble wud them fellers wot put money on horses they've never seen.... He döan't get more'n fifteen bob a week at Honeychild, and he can't keep the old folk on less than eight, them being always filling themselves with doctor's stuff...."

Joanna was not listening to her—she sat amazed and pale, her heart beating in heavy thuds of relief. Mixed with her happiness there was a little shame, for she saw that the mistake had arisen from her putting herself too realistically in Martha's place. Why had she jumped to the conclusion that the girl's lover was Socknersh? It is true that he had danced with her very often at the Christmas party nine months ago, and once since then she had scolded him for telling the chicken-woman some news he ought first to have told the mistress ... but that was very little in the way of evidence, and Martha had always been running after boys....

Seeing her still silent, Martha began to cry again.

"I'm sure I'm unaccountable sorry, Miss Joanna, and what's to become of me I don't know, nuther. Maybe I'm a bad lot, but it's hard to love and wait on and on for the wedding ... and Pete was sure as he could do summat wud a horse running in the Derby race, and at the Woolpack they told him it wur bound to win.... I've always kept straight up till this, Miss Joanna, and a virtuous virgin for all I do grin and laugh a lot ... and many's the temptation I've had, being a lone gal wudout father or mother ..."

"Keep quiet, Martha, and have done with so much excuse. You've been a very wicked gal, and you shouldn't ought to think any different of yourself. But maybe I was too quick, saying you were to go at once. You can finish your month, seeing as you were monthly hired."

"Thank you, Miss Joanna, that'll give me time to look around for another pläace; though—" bursting out crying again—"I don't see what good that'll do me, seeing as my time's three months from hence."

A great softness had come over Joanna. There were tears in her eyes as she looked at Martha, but they were no longer tears of anger.

"Don't cry, child," she said kindly, "I'll see you don't come to want."

"Oh, thank you, Miss Joanna ... it's middling good of you, and Pete will repay you when we're married and have säaved some tin."

"I'll do my best, for you've worked well on the whole, and I shan't forget that Orpington hen you saved when she was egg-bound. But don't you think, Martha," she added seriously, "that I'm holding with any of your goings-on. I'm shocked and ashamed at you, for you've done something very wicked—something that's spoken against in the Bible, and in church too—it's in the Ten Commandments. I wonder you could kneel in your place and say 'Lord have mercy upon us,' knowing what you'd been up to"—Martha's tears flowed freely—"and it's sad to think you've kept yourself straight for years as you say, and then gone wrong at last, just because you hadn't patience to wait for your lawful wedding ... and all the scandal there's been and ull be, and folks talking at you and at me ... and you be off now, and tell Mrs. Tolhurst you're to have the cream on your milk and take it before it's skimmed."

§18

For the rest of the day Joanna was in a strange fret—dreams seemed to hang over life like mist, there was sorrow in all she did, and yet a queer, suffocating joy. She told herself that she was upset by Martha's revelation, but at the same time she knew it had upset her not so much in itself as in the disturbing new self-knowledge it had brought. She could not hide from herself that she was delighted, overjoyed to find that her shepherd did not love her chicken-girl, that the thoughts she had thought about them for nine months were but vain thoughts.

Was it true, then, that she was moving along that road which the villages had marked out for her—the road which would end before the Lion and the Unicorn in Brodnyx church, with her looker as her bridegroom? The mere thought was preposterous to her pride. She, her father's daughter, to marry his father's son!—the suspicion insulted her. She loved herself and Ansdore too well for that ... and Socknersh, fine fellow as he was, had no mind and very little sense—he could scarcely read and write, he was slow as an ox, and had common ways and spoke the low Marsh talk—he drank out of his saucer and cut his bread with his pocket-knife—he spat in the yard. How dared people think she would marry him?—that she was so undignified, infatuated and unfastidious as to yoke herself to a slow, common boor? Her indignation flamed against the scandal-mongers ... that Woolpack! She'd like to see their licence taken away, and then perhaps decent women's characters would be safe....

But folk said it was queer she should keep on Socknersh when he had done her such a lot of harm—they made sure there must be something behind it. For the first time Joanna caught a glimpse of his shortcomings as a looker, and in a moment of vision asked herself if it wasn't really true that he ought to have known about that dip. Was she blinding herself to his incapacity simply because she liked to have him about the place—to see his big stooping figure blocked against the sunset—to see his queer eyes light up with queer thoughts that were like a dog's thoughts or a sheep's thoughts ... to watch his hands, big and heavy and brown, with the earth worked into the skin ... and his neck, when he lifted his head, brown as his hands, and like the trunk of an oak with roots of firm, beautiful muscle in the field of his broad chest?

Then Joanna was scared—she knew she ought not to think of her looker so; and she told herself that she kept him on just because he was the only man she'd ever had about the place who had minded her properly....

When evening came, she began to feel stifled in the house, where she had been busy ironing curtains, and tying on her old straw hat went out for a breath of air on the road. There was a light mist over the watercourses, veiling the pollards and thorn trees and the reddening thickets of Ansdore's bush—a flavour of salt was in it, for the tides were high in the channels, and the sunset breeze was blowing from Rye Bay. Northward, the Coast—as the high bank marking the old shores of England before the flood was still called—was dim, like a low line of clouds beyond the marsh. The sun hung red and rayless above Beggar's Bush, a crimson ball of frost and fire.

A queer feeling of sadness came to Joanna—queer, unaccountable, yet seeming to drain itself from the very depths of her body, and to belong not only to her flesh but to the marsh around her, to the pastures with their tawny veil of withered seed-grasses, to the thorn-bushes spotted with the red haws, to the sky and to the sea, and the mists in which they merged together....

"I'll get shut of Socknersh," she said to herself—"I believe folks are right, and he's too like a sheep himself to be any real use to them."

She walked on a little way, over the powdery Brodnyx road.

"I'm silly—that's what I am. Who'd have thought it? I'll send him off—but then folks ull say I'm afraid of gossip."

She chewed the bitter cud of this idea over a hurrying half mile, which took her across the railway, and then brought her back, close to the Kent Ditch.

"I can't afford to let the place come to any harm—besides, what does it matter what people think or say of me? I don't care.... But it'll be a mortal trouble getting another looker and settling him to my ways—and I'll never get a man who'll mind me as poor Socknersh does. I want a man with a humble soul, but seemingly you can't get that through advertising...."

She had come to the bridge over the Kent Ditch, and Sussex ended in a swamp of reeds. Looking southward she saw the boundaries of her own land, the Kent Innings, dotted with sheep, and the shepherd's cottage among them, its roof standing out a bright orange under the fleece of lichen that smothered the tiles. It suddenly struck her that a good way out of her difficulty might be a straight talk with Socknersh. He would probably be working in his garden now, having those few evening hours as his own. Straining her eyes into the shining thickness of mist and sun, she thought she could see his blue shirt moving among the bean-rows and hollyhocks around the little place.

"I'll go and see him and talk it out—I'll tell him that if he won't have proper sense he must go. I've been soft, putting up with him all this time."

Being marsh bred, Joanna did not take what seemed the obvious way to the cottage, across the low pastures by the Kent Ditch; instead, she went back a few yards to where a dyke ran under the road. She followed it out on the marsh, and when it cut into another dyke she followed that, walking on the bank beside the great teazle. A plank bridge took her across between two willows, and after some more such movements, like a pawn on a chess-board, she had crossed three dykes and was at the shepherd's gate.

He was working at the farther side of the garden and did not see her till she called him. She had been to his cottage only once before, when he complained of the roof leaking, but Socknersh would not have shown surprise if he had seen Old Goodman of the marsh tales standing at his door. Joanna had stern, if somewhat arbitrary, notions of propriety, and now not only did she refuse to come inside the gate, but she made him come and stand outside it, among the seed-grasses which were like the ghost of hay.

It struck her that she had timed her visit a little too late. Already the brightness had gone from the sunset, leaving a dull red ball hanging lustreless between the clouds. There was no wind, but the air seemed to be moving slowly up from the sea, heavy with mist and salt and the scent of haws and blackberries, of dew-soaked grass and fleeces.... Socknersh stood before her with his blue shirt open at the neck. From him came a smell of earth and sweat ... his clothes smelt of sheep....

She opened her mouth to tell him that she was highly displeased with the way he had managed her flock since the shearing, but instead she only said:

"Look!"

Over the eastern rim of the Marsh the moon had risen, a red, lightless disk, while the sun, red and lightless too, hung in the west above Rye Hill. The sun and the moon looked at each other across the marsh, and midway between them, in the spell of their flushed, haunted glow, stood Socknersh, big and stooping, like some lonely beast of the earth and night.... A strange fear touched Joanna—she tottered, and his arm came out to save her....

It was as if Marsh itself enfolded her, for his clothes and skin were caked with the soil of it.... She opened her eyes, and looking up into his, saw her own face, infinitely white and small, looking down at her out of them. Joanna Godden looked at her out of Socknersh's eyes. She stirred feebly, and she found that he had set her a little way from him, still holding her by the shoulders, as if he feared she would fall.

"Do you feel better, missus?"

"I'm all right," she snapped.

"I beg your pardon if I took any liberty, missus. But I thought maybe you'd turned fainty-like."

"You thought wrong"—her anger was mounting—"I trod on a mole-hill. You've messed my nice alpaca body—if you can't help getting dirt all over yourself you shouldn't ought to touch a lady even if she's in a swound."

"I'm middling sorry, missus."

His voice was quite tranquil—it was like oil on the fire of Joanna's wrath.

"Maybe you are, and so am I. You shouldn't ought to have cotched hold of me like that. But it's all of a match with the rest of your doings, you great stupid owl. You've lost me more'n a dozen prime sheep by not mixing your dip proper—after having lost me the best of my ewes and lambs with your ignorant notions—and now you go and put finger marks over my new alpaca body, all because you won't think, or keep yourself clean. You can take a month's notice."

Socknersh stared at her with eyes and mouth wide open.

"A month's notice," she repeated, "it's what I came here to give you. You're the tale of all the parish with your ignorance. I'd meant to talk to you about it and give you another chance, but now I see there'd be no sense in that, and you can go at the end of your month."

"You'll give me a character, missus?"

"I'll give you a prime character as a drover or a ploughman or a carter or a dairyman or a housemaid or a curate or anything you like except a looker. Why should I give you eighteen shillun a week as my looker—twenty shillun, as I've made it now—when my best wether could do what you do quite as well and not take a penny for it? You've got no more sense or know than a tup ..."

She stopped, breathless, her cheeks and eyes burning, a curious ache in her breast. The sun was gone now, only the moon hung flushed in the foggy sky. Socknersh's face was in darkness as he stood with his back to the east, but she could see on his features a look of surprise and dismay which suddenly struck her as pathetic in its helpless stupidity. After all, this great hulking man was but a child, and he was unhappy because he must go, and give up his snug cottage and the sheep he had learned to care for and the kind mistress who gave him sides of bacon.... There was a sudden strangling spasm in her throat, and his face swam into the sky on a mist of tears, which welled up in her eyes as without another word she turned away.

His voice came after her piteously—

"Missus—missus—but you raised my wages last week."

§19

Her tears were dry by the time she reached home, but in the night they flowed again, accompanied by angry sobs, which she choked in her pillow, for fear of waking little Ellen.

She cried because she was humbled in her own eyes. It was as if a veil had been torn from the last two years, and she saw her motives at last. For two years she had endured an ignorant, inefficient servant simply because his strength and good looks had enslaved her susceptible womanhood....

Her father would never have acted as she had done; he would not have kept Socknersh a single month; he would not have engaged him at all—both Relf of Honeychild and Day of Slinches were more experienced men, with better recommendations; and yet she had chosen Socknersh—because his brown eyes had held and drowned her judgment, as surely as they had held her image, so dwindled and wan, when she looked into them that evening, between the setting sun and the rising moon.

Then, after she had engaged him, he had shown just enough natural capacity for her to blind herself with—his curious affinity with the animals he tended had helped her to forget the many occasions on which he had failed to rise above them in intelligence. It had been left to another to point out to her that a man might be good with sheep simply because he was no better than a sheep himself.

And now she was humbled—in her own eyes, and also in the eyes of her neighbours. She would have to confess herself in the wrong. Everyone knew that she had just raised Socknersh's wages, so there would be no good pretending that she had known his shortcomings from the first, but had put up with them as long as she could. Everyone would guess that something had happened to make her change her mind about him ... there would be some terrible talk at the Woolpack.

And there was Socknersh himself, poor fellow—the martyr of her impulses. She thrust her face deep into the pillow when she thought of him. She had given him as sharp a blow as his thick hide would ever let him suffer. She would never forget that last look on his face....

Then she began wondering why this should have come upon her. Why should she have made a fool of herself over Socknersh, when she had borne unmoved the courtship of Arthur Alce for seven years? Was it just because Alce had red whiskers and red hands and red hair on his hands, while Socknersh was dark and sweet of face and limb? It was terrible to think that mere youth and comeliness and virility should blind her judgment and strip her of common sense. Yet this was obviously the lesson she must learn from to-day's disgrace.

Hot and tear-stained, she climbed out of bed, and paced across the dark room to the grey blot of the window. She forgot her distrust of the night air in all her misery of throbbing head and heart, and flung back the casement, so that the soft marsh wind came in, with rain upon it, and her tears were mingled with the tears of the night.

"Oh God!" she mourned to herself—"why didn't you make me a man?"


PART II

First Love

§1

It took Joanna nearly two years to recover from the losses of her sheep. Some people would have done it earlier, but she was not a clever economist. Where many women on the Marsh would have thrown themselves into an orgy of retrenchment—ranging from the dismissal of a dairymaid to the substitution of a cheaper brand of tea—she made no new occasions for thrift, and persevered but lamely in the old ones. She was fond of spending—liked to see things trim and bright; she hated waste, especially when others were guilty of it, but she found a positive support in display.

She was also generous. Everybody knew that she had paid Dick Socknersh thirty shillings for the two weeks that he was out of work after leaving her—before he went as cattleman to an inland farm—and she had found the money for Martha Tilden's wedding, and for her lying-in a month afterwards, and some time later she had helped Peter Relf with ready cash to settle his debts and move himself and his wife and baby to West Wittering, where he had the offer of a place with three shillings a week more than they gave at Honeychild.

She might have indulged herself still further in this way, which gratified both her warm heart and her proud head, if she had not wanted so much to send Ellen to a good school. The school at Rye was all very well, attended by the daughters of tradesmen and farmers, and taught by women whom Joanna recognized as ladies; but she had long dreamed of sending her little sister to a really good school at Folkestone—where Ellen would wear a ribbon round her hat and go for walks in a long procession of two-and-two, and be taught wonderful, showy and intricate things by ladies with letters after their names—whom Joanna despised because she felt sure they had never had a chance of getting married.

She herself had been educated at the National School, and from six to fourteen had trudged to and fro on the Brodnyx road, learning to read and write and reckon and say her catechism.... But this was not good enough for Ellen. Joanna had made up her mind that Ellen should be a lady; she was pretty and lazy and had queer likes and dislikes—all promising signs of vocation. She would never learn to care for Ansdore, with its coarse and crowding occupations, so there was no reason why she should grow up like her sister in capable commonness. Half unconsciously Joanna had planned a future in which she ventured and toiled, while Ellen wore a silk dress and sat on the drawing-room sofa—that being the happiest lot she could picture for anyone, though she would have loathed it herself.

In a couple of years Ansdore's credit once more stood high at Lewes Old Bank, and Ellen could be sent to a select school at Folkestone—so select indeed that there had been some difficulty about getting her father's daughter into it. Joanna was surprised as well as disgusted that the schoolmistress should give herself such airs, for she was very plainly dressed, whereas Joanna had put on all her most gorgeous apparel for the interview; but she had been very glad when her sister was finally accepted as a pupil at Rose Hill House, for now she would have as companions the daughters of clergymen and squires, and learn no doubt to model herself on their refinement. She might even be asked to their homes for her holidays, and, making friends in their circle, take a short cut to silken immobility on the drawing-room sofa by way of marriage.... Joanna congratulated herself on having really done very well for Ellen, though during the first weeks she missed her sister terribly. She missed their quarrels and caresses—she missed Ellen's daintiness at meals, though she had often smacked it—she missed her strutting at her side to church on Sunday—she missed her noisy, remonstrant setting out to school every morning and her noisy affectionate return—her heart ached when she looked at the little empty bed in her room, and being sentimental she often dropped a tear where she used to drop a kiss on Ellen's pillow.

Nevertheless she was proud of what she had done for her little sister, and she was proud too of having restored Ansdore to prosperity, not by stinging and paring, but by her double capacity for working hard herself and for getting all the possible work out of others. If no one had gone short under her roof, neither had anyone gone idle—if the tea was strong and the butter was thick and there was always prime bacon for breakfast on Sundays, so was there also a great clatter on the stairs at five o'clock each morning, a rattle of brooms and hiss and slop of scrubbing-brushes—and the mistress with clogs on her feet and her father's coat over her gown, poking her head into the maids' room to see if they were up, hurrying the men over their snacks, shouting commands across the yard, into the barns or into the kitchen, and seemingly omnipresent to those slackers who paused to rest or chat or "put their feet up."

That time had scarred her a little—put some lines into the corners of her eyes and straightened the curling corners of her mouth, but it had also heightened the rich healthy colour on her cheeks, enlarged her fine girth, her strength of shoulder and depth of bosom. She did not look any older, because she was so superbly healthy and superbly proud. She knew that the neighbours were impressed by Ansdore's thriving, when they had foretold its downfall under her sway.... She had vindicated her place in her father's shoes, and best of all, she had expiated her folly in the matter of Socknersh, and restored her credit not only in the bar of the Woolpack but in her own eyes.

§2

One afternoon, soon after Ellen had gone back to school for her second year, when Joanna was making plum jam in the kitchen, and getting very hot and sharp-tongued in the process, Mrs. Tolhurst saw a man go past the window on his way to the front door.

"Lor, miss! There's Parson!" she cried, and the next minute came sounds of struggle with Joanna's rusty door-bell.

"Go and see what he wants—take off that sacking apron first—and if he wants to see me, put him into the parlour."

Mr. Pratt lacked "visiting" among many other accomplishments as a parish priest—the vast, strewn nature of his parish partly excused him—and a call from him was not the casual event it would have been in many places, but startling and portentous, requiring fit celebration.

Joanna received him in state, supported by her father's Bible and stuffed owls. She had kept him waiting while she changed her gown, for like many people who are sometimes very splendid she could also on occasion be extremely disreputable, and her jam-making costume was quite unfit for the masculine eye, even though negligible. Mr. Pratt had grown rather nervous waiting for her—he had always been afraid of her, because of her big, breathless ways, and because he felt sure that she was one of the many who criticized him.

"I—I've only come about a little thing—at least it's not a little thing to me, but a very big thing—er—er—"

"What is it?" asked Joanna, a stuffed owl staring disconcertingly over each shoulder.

"For some time there's been complaints about the music in church. Of course I'm quite sure Mr. Elphick does wonders, and the ladies of the choir are excellent—er—gifted ... I'm quite sure. But the harmonium—it's very old and quite a lot of the notes won't play ... and the bellows ... Mr. Saunders came from Lydd and had a look at it, but he says it's past repair—er—satisfactory repair, and it ud really save money in the long run if we bought a new one."

Joanna was a little shocked. She had listened to the grunts and wheezes of the harmonium from her childhood, and the idea of a new one disturbed her—it suggested sacrilege and ritualism and the moving of landmarks.

"I like what we've got very well," she said truculently—"It's done for us properly this thirty year."

"That's just it," said the Rector, "it's done so well that I think we ought to let it retire from business, and appoint something younger in its place ... he! he!" He looked at her nervously to see if she had appreciated the joke, but Joanna's humour was not of that order.

"I don't like the idea," she said.

Mr. Pratt miserably clasped and unclasped his hands. He felt that one day he would be crushed between his parishioners' hatred of change and his fellow-priests' insistence on it—rumour said that the Squire's elder son, Father Lawrence, was coming home before long, and the poor little rector quailed to think of what he would say of the harmonium if it was still in its place.

"I—er—Miss Godden—I feel our reputation is at stake. Visitors, you know, come to our little church, and are surprised to find us so far behind the times in our music. At Pedlinge we've only got a piano, but I'm not worrying about that now.... Perhaps the harmonium might be patched up enough for Pedlinge, where our services are not as yet Fully Choral ... it all depends on how much money we collect."

"How much do you want?"

"Well, I'm told that a cheap, good make would be thirty pounds. We want it to last us well, you see, as I don't suppose we shall ever have a proper organ."

He handed her a little book in which he had entered the names of subscribers.

"People have been very generous already, and I'm sure if your name is on the list they will give better still."

The generosity of the neighbourhood amounted to five shillings from Prickett of Great Ansdore, and half-crowns from Vine, Furnese, Vennal, and a few others. As Joanna studied it she became possessed of two emotions—one was a feeling that since others, including Great Ansdore, had given, she could not in proper pride hold back, the other was a queer savage pity for Mr. Pratt and his poor little collection—scarcely a pound as the result of all his begging, and yet he had called it generous....

She immediately changed her mind about the scheme, and going over to a side table where an ink-pot and pen reposed on a woolly mat, she prepared to enter her name in the little book.

"I'll give him ten shillings," she said to herself—"I'll have given the most."

Mr. Pratt watched her. He found something stimulating in the sight of her broad back and shoulders, her large presence had invigorated him—somehow he felt self-confident, as he had not felt for years, and he began to talk, first about the harmonium, and then about himself—he was a widower with three pale little children, whom he dragged up somehow on an income of two hundred a year.

Joanna was not listening. She was thinking to herself—"My cheque-book is in the drawer. If I wrote him a cheque, how grand it would look."

Finally she opened the drawer and took the cheques out. After all, she could afford to be generous—she had nearly a hundred pounds in Lewes Old Bank, put aside without any scraping for future "improvements." How much could she spare? A guinea—that would look handsome, among all the miserable half-crowns....

Mr. Pratt had seen the cheque-book, and a stutter came into his speech—

"So good of you, Miss Godden ... to help me ... encouraging, you know ... been to so many places, a tiring afternoon ... feel rewarded."

She suddenly felt her throat grow tight; the queer compassion had come back. She saw him trotting forlornly round from farm to farm, begging small sums from people much better off than himself, receiving denials or grudging gifts ... his boots were all over dust, she had noticed them on her carpet. Her face flushed, as she suddenly dashed her pen into the ink, wrote out the cheque in her careful, half-educated hand, and gave it to him.

"There—that'll save you tramping any further."

She had written the cheque for the whole amount.

Mr. Pratt could not speak. He opened and shut his mouth like a fish. Then suddenly he began to gabble, he poured out thanks and assurances and deprecations in a stammering torrent. His gratitude overwhelmed Joanna, disgusted her. She lost her feeling of warmth and compassion—after all, what should she pity him for now that he had got what he wanted, and much more easily than he deserved?

"That's all right, Mr. Pratt. I'm sorry I can't wait any longer now. I'm making jam."

She forgot his dusty boots and weary legs that had scarcely had time to rest, she forgot that she had meant to offer him a cup of tea.

"Good afternoon," she said, as he rose, with apologies for keeping her.

She went with him to the door, snatched his hat off the peg and gave it to him, then crashed the door behind him, her cheeks burning with a queer kind of shame.

§3

For the next few days Joanna avoided Mr. Pratt; she could not tell why her munificence should make her dislike him, but it did. One day as she was walking through Pedlinge she saw him standing in the middle of the road, talking to a young man whom on approach she recognized as Martin Trevor, the Squire's second son. She could not get out of his way, as the Pedlinge dyke was on one side of the road and on the other were some cottages. To turn back would be undignified, so she decided to pass them with a distant and lordly bow.

Unfortunately for this, she could not resist the temptation to glance at Martin Trevor—she had not seen him for some time, and it was surprising to meet him in the middle of the week, as he generally came home only for week-ends. That glance was her undoing—a certain cordiality must have crept into it, inspired by his broad shoulders and handsome, swarthy face, for Mr. Pratt was immediately encouraged, and pounced. He broke away from Trevor to Joanna's side.

"Oh, Miss Godden ... so glad to meet you. I—I never thanked you properly last week for your generosity—your munificence. Thought of writing, but somehow felt that—felt that inadequate.... Mr. Trevor, I've told you about Miss Godden ... our harmonium ..."

He had actually seized Joanna's hand. She pulled it away. What a wretched undersized little chap he was. She could have borne his gratitude if only he had been a real man, tall and dark and straight like the young fellow who was coming up to her.

"Please don't, Mr. Pratt. I wish you wouldn't make all this tedious fuss."

She turned towards Martin Trevor with a greeting in her eyes. But to her surprise she saw that he had fallen back. The Rector had fallen back too, and the two men stood together, as when she had first come up to them.

Joanna realized that she had missed the chance of an introduction. Well, it didn't matter. She really couldn't endure Mr. Pratt and his ghastly gratitude. She put her stiffest bow into practice and walked on.

For the rest of the day she tried to account for young Trevor's mid-week appearance. Her curiosity was soon satisfied, though she was at a disadvantage in having no male to bring her news from the Woolpack. However, she made good use of other people's males, and by the same evening was possessed of the whole story. Martin Trevor had been ill in London with pleurisy, and the doctor said his lungs were in danger and that he must give up office work and lead an open-air life. He was going to live with his father for a time, and help him farm North Farthing House—they were taking in a bit more land there, and buying sheep.

§4

That October the Farmers' Club Dinner was held as usual at the Woolpack. There had been some controversy about asking Joanna—there was controversy every year, but this year the difference lay in the issue, for the ayes had it.

The reasons for this change were indefinite—on the whole, no doubt, it was because people liked her better. They had grown used to her at Ansdore, where at first her mastership had shocked them; the scandal and contempt aroused by the Socknersh episode were definitely dead, and men took off their hats to the strenuousness with which she had pulled the farm together, and faced a crisis that would have meant disaster to many of her neighbours. Ansdore was one of the largest farms of the district, and it was absurd that it should never be represented at the Woolpack table merely on the ground that its master was a woman.

Of course many women wondered how Joanna could face such a company of males, and suggestions were made for admitting farmers' wives on this occasion. But Joanna was not afraid, and when approached as to whether she would like other women invited, or to bring a woman friend, she declared that she would be quite satisfied with the inevitable presence of the landlord's wife.

She realized that she would be far more imposing as the only woman guest, and made great preparations for a proper display. Among these was included the buying of a new gown at Folkestone. She thought that Folkestone, being a port for the channel steamers, would be more likely to have the latest French fashions than the nearer towns of Bulverhythe and Marlingate. My I But she would make the Farmers' Club sit up.

The dressmaker at Folkestone tried to persuade her not to have her sleeves lengthened or an extra fold of lace arranged along the top of her bodice.

"Madam has such a lovely neck and arms—it's a pity to cover them up—and it spoils the character of the gown. Besides, madam, this gown is not at all extreme—demi-toilet is what it really is."

"I tell you it won't do—I'm going to dine alone with several gentlemen, and it wouldn't be seemly to show such a lot of myself."

It ended, to the dressmaker's despair, in her draping her shoulders in a lace scarf and wearing kid gloves to her elbow; but though these pruderies might have spoilt her appearance at Dungemarsh Court, there was no doubt as to its effectiveness at the Woolpack. The whole room held its breath as she sailed in, with a rustle of amber silk skirts. Her hair was piled high against a tortoise-shell comb, making her statelier still.

Furnese of Misleham, who was chairman that year, came gaping to greet her. The others stared and stood still. Most of them were shocked, in spite of the scarf and the long gloves, but then it was just like Joanna Godden to swing bravely through an occasion into which most women would have crept. She saw that she had made a sensation, which she had expected and desired, and her physical modesty being appeased, she had no objection to the men's following eyes. She saw that Sir Harry Trevor was in the room, with his son Martin.

It was the first time that the Squire had been to the Farmers' Club Dinner. Up till then no one had taken him seriously as a farmer. For a year or two after his arrival in the neighbourhood he had managed the North Farthing estate through a bailiff, and on the latter's turning out unsatisfactory, had dismissed him, and at the same time let off a good part of the land, keeping only a few acres for cow-grazing round the house. Now, on his son's coming home and requiring an outdoor life, he had given a quarter's notice to the butcher-grazier to whom he had sub-let his innings, had bought fifty head of sheep, and joined the Farmers' Club—which he knew would be a practical step to his advantage, as it brought certain privileges in the way of marketing and hiring. Joanna was glad to see him at the Woolpack, because she knew that there was now a chance of the introduction she had unfortunately missed in Pedlinge village a few weeks ago. She had a slight market-day acquaintance with the Old Squire—as the neighbourhood invariably called him, to his intense annoyance—and now she greeted him with her broad smile.

"Good evening, Sir Harry."

"Good evening, Miss Godden. I'm pleased to see you here. You're looking very well."

His bold tricky eyes swept over her, and somehow she felt more gratified than by all the bulging glances of the other men.

"I'm pleased to see you, too, Sir Harry. I hear you've joined the Club."

"Surelye—as a real farmer ought to say; and so has my son Martin—he's going to do most of the work. Martin, you've never met Miss Godden. Let me introduce you."

Joanna's welcoming grin broke itself on the young man's stiff bow. There was a moment's silence.

"He doesn't look as if a London doctor had threatened him with consumption," said the Squire banteringly. "Sometimes I really don't, think I believe it—I think he's only come down here so as he can look after me."

Martin made some conventional remark. He was a tall, broadly built young man, with a dark healthy skin and that generally robust air which sometimes accompanies extreme delicacy in men.

"The doctor says he's been overworking," continued his father, "and that he ought to try a year's outdoor life and sea air. If you ask me, I should say he's overdone a good many things besides work—" he threw the boy a defiant, malicious glance, rather like a child who gets a thrust into an elder—"but Walland Marsh is as good a cure for over-play as for over-work. Not much to keep him up late hereabouts, is there, Miss Godden?"

"I reckon it'll be twelve o'clock before any of us see our pillows to-night," said Joanna.

"Tut! Tut I What terrible ways we're getting into, just when I'm proposing the place as a rest-cure. How do you feel, Miss Godden, being the only woman guest?"

"I like it."

"Bet you do—so do we."

Joanna laughed and bridled. She felt proud of her position—she pictured every farmer's wife on the Marsh lying awake that night so that she could ask her husband directly he came upstairs how Joanna Godden had looked, what she had said, and what she had worn.

§5

At dinner she sat on the Chairman's right. On her other side, owing to some accident of push and shuffle, sat young Martin Trevor. At first she had not thought his place accidental, in spite of his rather stiff manner before they sat down, but after a while she realized with a pang of vexation that he was not particularly pleased to find himself next her. He replied without interest to her remarks and then entered into conversation with his right-hand neighbour. Joanna was annoyed—she could not put down his constraint to shyness, for he did not at all strike her as a shy young man. Nor was he being ungracious to Mr. Turner of Beckett's House, though the latter could not talk of turnips half so entertainingly as Joanna would have done. He obviously did not want to speak to her. Why? Because of what had happened in Pedlinge all that time ago? She remembered how he had drawn back ... he had not liked the way she had spoken to Mr. Pratt. She had not liked it herself by the time she got to the road's turn. But to think of him nursing his feelings all this time ... and something she had said to Mr. Pratt ... considering that she had bought them all a new harmonium ... the lazy, stingy louts with their half-crowns....

She had lost her serenity, her sense of triumph—she felt vaguely angry with the whole company, and snapped at Arthur Alce when he spoke to her across the table. He had asked after Ellen, knowing she had been to Folkestone.

"Ellen's fine—and learning such good manners as it seems a shame to bring her into these parts at Christmas for her to lose 'em."

"On the other hand. Miss Godden, she might impart them to us," said the Squire from a little farther down.

"She's learning how to dance and make curtsies right down to the floor," said Joanna.

"Then she's fit to see the Queen. You really mustn't keep her away from us at Christmas—on the contrary, we ought to make some opportunities for watching her dance; she must be as pretty as a sprite."

"That she is," agreed Joanna, warming and mollified, "and I've bought her a new gown that pulls out like an accordion, so as she can wave her skirts about when she dances."

"Well, the drawing-room at North Farthing would make an excellent ball-room ... we must see about that—eh, Martin?"

"It'll want a new floor laid down—there's rot under the carpet," was his son's disheartening reply. But Joanna had lost the smarting of her own wound in the glow of her pride for Ellen, and she ate the rest of her dinner in good-humoured contempt of Martin Trevor.

When the time for the speeches came her health was proposed by the Chairman.

"Gentlemen," he said, "let us drink to—the Lady."

The chivalry of the committee had prompted them to offer her Southland to respond to this toast. But Joanna had doubts of his powers as an orator, whereas she had none of her own. She stood up, a glow of amber brightness above all the black coats, and spoke of her gratification, of her work at Ansdore and hopes for south-country farming. Her speech, as might have been expected, was highly dogmatic. She devoted her last words to the Marsh as a grain-bearing district—on one or two farms, where pasture had been broken, the yield in wheat had been found excellent. Since that was so, why had so few farms hitherto shown enterprise in this direction? There was no denying that arable paid better than pasture, and the only excuse for neglecting it was poverty of soil. It was obvious that no such poverty existed here—on the contrary, the soil was rich, and yet no crops were grown in it except roots and here and there a few acres of beans or lucerne. It was the old idea, she supposed, about breaking up grass. It was time that old idea was bust—she herself would lead the way at Ansdore next spring.

As she was the guest of the evening, they heard her with respect, which did not, however, survive her departure at the introduction of pipes and port.

"Out on the rampage again, is she?" said Southland to his neighbour.

"Well, if she busts that 'old idea' same as she bust the other 'old idea' about crossing Kent sheep, all I can say is that it's Ansdore she'll bust next."

"Whosumdever breaks pasture shall himself be broke," said Vine oracularly.

"Surelye—surelye," assented the table.

"She's got pluck all the same," said Sir Harry.

But he was only an amateur.

"I don't hold for a woman to have pluck," said Vennal of Beggar's Bush, "what do you say, Mr. Alce?"

"I say nothing, Mr. Vennal."

"Pluck makes a woman think she can do without a man," continued Vennal, "when everyone knows, and it's in Scripture, that she can't. Now Joanna Godden should ought to have married drackly minute Thomas Godden died and left her Ansdore, instead of which she's gone on plunging like a heifer till she must be past eight and twenty as I calculate—"

"Now, now, Mr. Vennal, we mustn't start anything personal of our lady guest," broke in Furnese from the Chair, "we may take up her ideas or take 'em down, but while she's the guest of this here Farmers' Club, which is till eleven-thirty precise, we mustn't start arguing about her age or matrimonious intentions. Anyways, I take it, that's a job for our wives."

"Hear, hear," and Joanna passed out of the conversation, for who was going to waste time either taking up or taking down a silly, tedious, foreign, unsensible notion like ploughing grass?...

Indeed, it may be said that her glory had gone up in smoke—the smoke of twenty pipes.

She had been obliged to leave the table just when it was becoming most characteristic and convivial, and to retire forlorn and chilly in her silken gown to the Woolpack parlour, where she and the landlady drank innumerable cups of tea. It was an unwelcome reminder of the fact that she was a woman, and that no matter how she might shine and impress the company for an hour, she did not really belong to it. She was a guest, not a member, of the Farmers' Club, and though a guest has more honour, he has less fellowship and fun. It was for fellowship and fun that she hungrily longed as she sat under the green lamp-shade of the Woolpack's parlour, and discoursed on servants and the price of turkeys with Mrs. Jupp, who was rather constrained and absent-minded owing to her simultaneous efforts to price Miss Godden's gown. Now and then a dull roar of laughter came to her from the Club room. What were they talking about, Joanna wondered. Had there been much debate over her remarks on breaking pasture?...

§6

On the whole, the Farmers' Club Dinner left behind it a rankling trail—for one thing, it was not followed as she had hoped and half expected by an invitation to join the Farmers' Club. No, they would never have a woman privileged among them—she realized that, in spite of her success, certain doors would always be shut on her. The men would far rather open those doors ceremonially now and then than allow her to go freely in and out. After all, perhaps they were right—hadn't she got her own rooms that they were shut out of?... Women were always different from men, even if they did the same things ... she had heard people talk of "woman's sphere." What did that mean? A husband and children, of course—any fool could tell you that. When you had a husband and children you didn't go round knocking at the men's doors, but shut yourself up snugly inside your own ... you were warm and cosy, and the firelight played on the ceiling.... But if you were alone inside your room—with no husband or child to keep you company ... then it was terrible, worse than being outside ... and no wonder you went round to the men's doors, and knocked on them and begged them to give you a little company, or something to do to help you to forget your empty room....

"Well, I could marry Arthur Alce any day I liked," she thought to herself.

But somehow that did not seem any solution to the problem.

She thought of one or two other men who had approached her, but had been scared off before they had reached any definite position of courtship. They were no good either—young Cobb of Slinches had married six months ago, and Jack Abbot of Stock Bridge belonged to the Christian Believers, who kept Sunday on Saturday, and in other ways fathered confusion. Besides, she didn't want to marry just anyone who would have her—some dull yeoman who would take her away from Ansdore, or else come with all his stupid, antiquated, man-made notions to sit for ever on her enterprising acres. She wanted her marriage to be some big, neighbour-startling adventure—she wanted either to marry someone above herself in birth and station, or else very much below. She had touched the fringe of the latter experience and found it disappointing, so she felt that she would now prefer the other—she would like to marry some man of the upper classes, a lawyer or a parson or a squire. The two first were represented in her mind by Mr. Huxtable and Mr. Pratt, and she did not linger over them, but the image she had put up for the third was Martin Trevor—dark, tall, well-born, comely and strong of frame, and yet with that hidden delicacy, that weakness which Joanna must have in a man if she was to love him....

She had been a fool about Martin Trevor—she had managed to put him against her at the start. Of course it was silly of him to mind what she said to Mr. Pratt, but that didn't alter the fact that she had been stupid herself, that she had failed to make a good impression just when she most wanted to do so. Martin Trevor was the sort of man she felt she could "take to," for in addition to his looks he had the quality she prized in males—the quality of inexperience; he was not likely to meddle with her ways, since he was only a beginner and would probably be glad of her superior knowledge and judgment. He would give her what she wanted—his good name and his good looks and her neighbours' envious confusion—and she would give him what he wanted, her prosperity and her experience. North Farthing House was poorer than Ansdore in spite of late dinners and drawing-rooms—the Trevors could look down on her from the point of view of birth and breeding but not from any advantage more concrete.

As for herself, for her own warm, vigorous, vital person—with that curious simplicity which was part of her unawakened state, it never occurred to her to throw herself into the balance when Ansdore was already making North Farthing kick the beam. She thought of taking a husband as she thought of taking a farm hand—as a matter of bargaining, of offering substantial benefits in exchange for substantial services. If in a secondary way she was moved by romantic considerations, that was also true of her engagement of her male servants. Just as she saw her future husband in his possibilities as a farm-hand, in his relations to Ansdore, so she could not help seeing every farm-hand in his possibilities as a husband, in his relations to herself.

§7

Martin Trevor would have been surprised had he known himself the object of so much attention. His attitude towards Joanna was one of indifference based on dislike—her behaviour towards Mr. Pratt had disgusted him at the start, but his antipathy was not all built on that foundation. During the weeks he had been at home, he had heard a good deal about her—indeed he had found her rather a dominant personality on the Marsh—and what he had heard had not helped turn him from his first predisposition against her.

As a young boy he had shared his brother's veneration of the Madonna, and though, when he grew up, his natural romanticism had not led him his brother's way, the boyish ideal had remained, and unconsciously all his later attitude towards women was tinged with it. Joanna was certainly not the Madonna type, and all Martin's soul revolted from her broad, bustling ways—everywhere he went he heard stories of her busyness and her bluff, of "what she had said to old Southland," or "the sass she had given Vine." She seemed to him to be an arrant, pushing baggage, running after notoriety and display. Her rudeness to Mr. Pratt was only part of the general parcel. He looked upon her as sexless, too, and he hated women to be sexless—his Madonna was not after Memling but after Raphael. Though he heard constant gossip about her farming activities and her dealings at market, he heard none about her passions, the likelier subject. All he knew was that she had been expected for years to marry Arthur Alce, but had not done so, and that she had also been expected at one time to marry her looker, but had not done so. The root of such romances must be poor indeed if this was all the flower that gossip could give them.

Altogether he was prejudiced against Joanna Godden, and the prejudice did not go deep enough to beget interest. He was not interested in her, and did not expect her to be interested in him; therefore it was with great surprise, not to say consternation, that one morning at New Romney Market he saw her bearing down upon him with the light of battle in her eye.

"Good morning, Mr. Trevor."

"Good morning, Miss Godden."

"Fine weather."

"Fine weather."

He would have passed on, but she barred the way, rather an imposing figure in her bottle-green driving coat, with a fur toque pressed down over the flying chestnut of her hair. Her cheeks were not so much coloured as stained deep with the sun and wind of Walland Marsh, and though it was November, a mass of little freckles smudged and scattered over her skin. It had not occurred to him before that she was even a good-looking creature.

"I'm thinking, Mr. Trevor," she said deliberately, "that you and me aren't liking each other as much as we should ought."

"Really, Miss Godden. I don't see why you need say that."

"Well, we don't like each other, do we? Leastways, you don't like me. Now"—lifting a large, well-shaped hand—"you needn't gainsay me, for I know what you think. You think I was middling rude to Mr. Pratt in Pedlinge street that day I first met you—and so I think myself, and I'm sorry, and Mr. Pratt knows it. He came around two weeks back to ask about Milly Pump, my chicken-gal, getting confirmed, and I told him I liked him and his ways so much that he could confirm the lot, gals and men—even old Stuppeny who says he's been done already, but I say it don't matter, since he's so old that it's sure to have worn off by this time."

Martin stared at her with his mouth open.

"So I say as I've done proper by Mr. Pratt," she continued, her voice rising to a husky flurry, "for I'll have to give 'em all a day off to get confirmed in, and that'll be a tedious affair for me. However, I don't grudge it, if it'll make things up between us—between you and me, I'm meaning."

"But, I—I—that is, you've made a mistake—your behaviour to Mr. Pratt is no concern of mine."

He was getting terribly embarrassed—this dreadful woman, what would she say next? Unconsciously yielding to a nervous habit, he took off his cap and violently rubbed up his hair the wrong way. The action somehow appealed to Joanna.

"But it is your concern, I reckon—you've shown me plain that it is. I could see you were offended at the Farmers' Dinner."

A qualm of compunction smote Martin.

"You're showing me that I've been jolly rude."

"Well, I won't say you haven't," said Joanna affably. "Still you've had reason. I reckon no one ud like me better for behaving rude to Mr. Pratt ..."

"Oh, damn Mr. Pratt!" cried Martin, completely losing his head—"I tell you I don't care tuppence what you or anyone says or does to him."

"Then you should ought to care, Mr. Trevor," said Joanna staidly, "not that I've any right to tell you, seeing how I've behaved. But at least I gave him a harmonium first—it's only that I couldn't abide the fuss he made of his thanks. I like doing things for folks, but I can't stand their making fools of themselves and me over it."

Trevor had become miserably conscious that they were standing in the middle of the road, that Joanna was not inconspicuous, and if she had been, her voice would have made up for it. He could see people—gaitered farmers, clay-booted farm-hands—staring at them from the pavement. He suddenly felt himself—not without justification—the chief spectacle of Romney market-day.

"Please don't think about it any more, Miss Godden," he said hurriedly. "I certainly should never presume to question anything you ever said or did to Mr. Pratt or anybody else. And, if you'll excuse me, I must go on—I'm a farmer now, you know," with a ghastly attempt at a smile, "and I've plenty of business in the market."

"Reckon you have," said Joanna, her voice suddenly falling flat.

He snatched off his cap and left her standing in the middle of the street.

§8

He did not let himself think of her for an hour or more—the episode struck him as grotesque and he preferred not to dwell on it. But after he had done his business of buying a farm horse, with the help of Mr. Southland who was befriending his inexperience, he found himself laughing quietly, and he suddenly knew that he was laughing over the interview with Joanna. And directly he had laughed, he was smitten with a sense of pathos—her bustle and self-confidence which hitherto had roused his dislike, now showed as something rather pathetic, a mere trapping of feminine weakness which would deceive no one who saw them at close quarters. Under her loud voice, her almost barbaric appearance, her queerly truculent manner, was a naïve mixture of child and woman—soft, simple, eager to please. He knew of no other woman who would have given herself away quite so directly and naturally as she had ... and his manhood was flattered. He was far from suspecting the practical nature of her intentions, but he could see that she liked him, and wanted to stand in his favour. She was not sexless, after all.

This realization softened and predisposed him; he felt a little contrite, too—he remembered how her voice had suddenly dragged and fallen flat at his abrupt farewell.... She was disappointed in his reception of her offers of peace—she had been incapable of appreciating the attitude his sophistication was bound to take up in the face of such an outburst. She had proved herself, too, a generous soul—frankly owning herself in the wrong and trying by every means to make atonement.... Few women would have been at once so frank and so practical in their repentance. That he suspected the repentance was largely for his sake did not diminish his respect of it. When he met Joanna Godden again, he would be nice to her.

The opportunity was given him sooner than he expected. Walking up the High Street in quest of some quiet place for luncheon—every shop and inn seemed full of thick smells of pipes and beer and thick noises of agricultural and political discussion conducted with the mouth full—he saw Miss Godden's trap waiting for her outside the New Inn. He recognized her equipage, not so much from its make or from the fat cob in the shafts, as from the figure of old Stuppeny dozing at Smiler's head. Old Stuppeny went everywhere with Miss Godden, being now quite unfit for work on the farm. His appearance was peculiar, for he seemed, like New Romney church tower, to be built in stages. He wore, as a farm-labourer of the older sort, a semi-clerical hat, which with his long white beard gave him down to the middle of his chest a resemblance to that type still haunting the chapels of marsh villages and known as Aged Evangelist—from his chest to his knees, he was mulberry coat and brass buttons, Miss Joanna Godden's coachman, though as the vapours of the marsh had shaped him into a shepherd's crook, his uniform lost some of its effect. Downwards from the bottom of his coat he was just a farm-labourer, with feet of clay and corduroy trousers tied with string.

His presence showed that Miss Godden was inside the New Inn, eating her dinner, probably finishing it, or he would not have brought the trap round. It was just like her, thought Martin, with a tolerant twist to his smile, to go to the most public and crowded place in Romney for her meal, instead of shrinking into the decent quiet of some shop. But Joanna Godden had done more for herself in that interview than she had thought, for though she still repelled she was no longer uninteresting. Martin gave up searching for that quiet meal, and walked into the New Inn.

He found Joanna sitting at a table by herself, finishing a cup of tea. The big table was edged on both sides with farmers, graziers and butchers, while the small tables were also occupied, so there was not much need for his apologies as he sat down opposite her. Her face kindled at once—

"I'm sorry I'm so near finished."

She was a grudgeless soul, and Martin almost liked her.

"Have you done much business to-day?"

"Not much. I'm going home as soon as I've had my dinner. Are you stopping long?"

"Till I've done a bit of shopping"—he found himself slipping into the homeliness of her tongue—"I want a good spade and some harness."

"I'll tell you a good shop for harness ..." Joanna loved enlightening ignorance and guiding inexperience, and while Martin's chop and potatoes were being brought she held forth on different makes of harness and called spades spades untiringly. He listened without rancour, for he was beginning to like her very much. His liking was largely physical—he wouldn't have believed a month ago that he should ever find Joanna Godden attractive, but to-day the melting of his prejudice seemed to come chiefly from her warm beauty, from the rich colouring of her face and the flying sunniness of her hair, from her wide mouth with its wide smile, from the broad, strong set of her shoulders, and the sturdy tenderness of her breast.

She saw that he had changed. His manner was different, more cordial and simple—the difference between his coldness and his warmth was greater than in many, for like most romantics he had found himself compelled at an early age to put on armour, and the armour was stiff and disguising in proportion to the lightness and grace of the body within. Not that he and Joanna talked of light and graceful things ... they talked, after spades and harness, of horses and sheep, and of her ideas on breaking up grass, which was to be a practical scheme at Ansdore that spring in spite of the neighbours, of the progress of the new light railway from Lydd to Appledore, of the advantages and disadvantages of growing lucerne. But the barrier was down between them, and he knew that they were free, if they chose, to go on from horses and sheep and railways and crops to more daring, intimate things, and because of that same freedom they stuck to the homely topics, like people who are free to leave the fireside but wait till the sun is warmer on the grass.

He had begun his apple-tart before she rose.

"Well, I must be getting back now. Good-bye, Mr. Trevor. If you should ever happen to pass Ansdore, drop in and I'll give you a cup of tea."

He was well aware that the whole room had heard this valediction. He saw some of the men smiling at each other, but he was not annoyed. He rose and went with her to the door, where she hugged herself into her big driving coat. Something about her made him feel big enough to ignore the small gossip of the Marsh.

§9

He liked her now—he told himself that she was good common stuff. She was like some sterling homespun piece, strong and sweet-smelling—she was like a plot of the marsh earth, soft and rich and alive. He had forgotten her barbaric tendency, the eccentricity of looks and conduct which had at first repelled him—that aspect had melted in the unsuspected warmth and softness he had found in her. He had been mistaken as to her sexlessness—she was alive all through. She was still far removed from his type, but her fundamental simplicity had brought her nearer to it, and in time his good will would bring her the rest of the way. Anyhow, he would look forward to meeting her again—perhaps he would call at Ansdore, as she had proposed.

Joanna was not blind to her triumph, and it carried her beyond her actual attainment into the fulfilment of her hopes. She saw Martin Trevor already as her suitor—respectful, interested, receptive of her wisdom in the matter of spades. She rejoiced in her courage in having taken the first step—she would not have much further to go now. Now that she had overcome his initial dislike, the advantages of the alliance must be obvious to him. She looked into the future, and between the present moment and the consummated union of North Farthing and Ansdore, she saw thrilling, half-dim, personal adventures for Martin and Joanna ... the touch of his hands would be quite different from the touch of Arthur Alce's ... and his lips—she had never wanted a man's lips before, except perhaps Socknersh's for one wild, misbegotten minute ... she held in her heart the picture of Martin's well-cut, sensitive mouth, so unlike the usual mouths of Brodnyx and Pedlinge, which were either coarse-lipped or no-lipped.... Martin's mouth was wonderful—it would be like fire on hers....

Thus Joanna rummaged in her small stock of experience, and of the fragments built a dream. Her plans were not now all concrete—they glowed a little, though dimly, for her memory held no great store, and her imagination was the imagination of Walland Marsh, as a barndoor fowl to the birds that fly. She might have dreamed more if her mind had not been occupied with the practical matter of welcoming Ellen home for her Christmas holidays.

Ellen, who arrived on Thomas-day, already seemed in some strange way to have grown apart from the life of Ansdore. As Joanna eagerly kissed her on the platform at Rye, there seemed something alien in her soft cool cheek, in the smoothness of her hair under the dark boater hat with its deviced hat-band.

"Hullo, Joanna," she said.

"Hullo, dearie. I've just about been pining to get you back. How are you?—how's your dancing?"—This as she bundled her up beside her in the trap, while the porter helped old Stuppeny with her trunk.

"I can dance the waltz and the polka."

"That's fine—I've promised the folks around here that you shall show 'em what you can do."

She gave Ellen another warm, proud hug, and this time the child's coolness melted a little. She rubbed her immaculate cheek against her sister's sleeve—

"Good old Jo ..."

Thus they drove home at peace together.

The peace was shattered many times between that day and Christmas. Ellen had forgotten what it was like to be slapped and what it was like to receive big smacking kisses at odd encounters in yard or passage—she resented both equally. "You're like an old bear, Jo—an awful old bear." She had picked up at school a new vocabulary, of which the word "awful," used to express every quality of pleasure or pain, was a fair sample. Joanna sometimes could not understand her—sometimes she understood too well.

"I sent you to school to be made a little lady of, and here you come back speaking worse than a National child."

"All the girls talk like that at school."

"Then seemingly it was a waste to send you there, since you could have learned bad manners cheaper at home."

"But the mistresses don't allow it," said Ellen, in hasty fear of being taken away, "you get a bad mark if you say 'damn.'"

"I should just about think you did, and I'd give you a good spanking too. I never heard such language—no, not even at the Woolpack."

Ellen gave her peculiar, alien smile.

"You're awfully old-fashioned, Jo."

"Old-fashioned, am I, because I don't go against my Catechism and take the Lord's name in vain?"

"Yes, you do—every time you say 'Lord sakes' you take the Lord's name in vain, and it's common into the bargain."

Here Joanna lost her temper and boxed Ellen's ears.

"You dare say I'm common! So that's what you learn at school?—to come home and call your sister common. Well, if I'm common, you're common too, since we're the same blood."

"I never said you were common," sobbed Ellen—"and you really are a beast, hitting me about. No wonder I like school better than home if that's how you treat me."

Joanna declared with violence if that was how she felt she should never see school again, whereupon Ellen screamed and sobbed herself into a pale, quiet, tragic state—lying back in her chair, her face patchy with crying, her head falling queerly sideways like a broken doll's—till Joanna, scared and contrite, assured her that she had not meant her threat seriously, and that Ellen should stop at school as long as she was a good girl and minded her sister.

This sort of thing had happened every holiday, but there were also brighter aspects, and on the whole Joanna was proud of her little sister and pleased with the results of the step she had taken. Ellen could not only dance and drop beautiful curtsies, but she could play tunes on the piano, and recite poetry. She could ask for things in French at table, could give startling information about the Kings of England and the exports and imports of Jamaica, and above all these accomplishments, she showed a welcome alacrity to display them, so that her sister could always rely on her for credit and glory.

"When Martin Trevor comes I'll make her say her piece."

§10

Martin came on Christmas Day. He knew that the feast would lend a special significance to the visit, but he did not care; for in absence he had idealized Joanna into a fit subject for flirtation. He had no longer any wish to meet her on the level footing of friendship—besides, he was already beginning to feel lonely on the Marsh, to long for the glow of some romance to warm the fogs that filled his landscape. In spite of his father's jeers, he was no monk, and generally had some sentimental adventure keeping his soul alive—but he was fastidious and rather bizarre in his likings, and since he had come to North Farthing, no one, either in his own class or out of it, had appealed to him, except Joanna Godden.

She owed part of her attraction to the surviving salt of his dislike. There was still a savour of antagonism in his liking of her. Also his curiosity was still unsatisfied. Was that undercurrent of softness genuine? Was she really simple and tender under her hard flaunting? Was she passionate under her ignorance and naïveté? Only experiment could show him, and he meant to investigate, not merely for the barren satisfaction of his curiosity, but for the satisfaction of his manhood which was bound up with a question.

When he arrived, Joanna was still in church—on Christmas Day as on other selected festivals, she always "stayed the Sacrament," and did not come out till nearly one. He went to meet her, and waited for her some ten minutes in the little churchyard which was a vivid green with the Christmas rains. The day was clear and curiously soft for the season, even on the Marsh where the winters are usually mild. The sky was a delicate blue, washed with queer, flat clouds—the whole country of the Marsh seemed faintly luminous, holding the sunshine in its greens and browns. Beside the dyke which flows by Brodnyx village stood a big thorn tree, still bright with haws. It made a vivid red patch in the foreground, the one touch of Christmas in a landscape which otherwise suggested October—especially in the sunshine, which poured in a warm shower on to the altar-tomb where Martin sat.

He grew dreamy with waiting—his thoughts seemed to melt into the softness of the day, to be part of the still air and misty sunshine, just as the triple-barned church with its grotesque tower was part.... He could feel the great Marsh stretching round him, the lonely miles of Walland and Dunge and Romney, once the sea's bed, now lately inned for man and his small dwellings, his keepings and his cares, perhaps one day to return to the same deep from which it had come. People said that the bells of Broomhill church—drowned in the great floods which had changed the Rother's mouth—still rang under the sea. If the sea came to Brodnyx, would Brodnyx bells ring on?—And Pedlinge? And Brenzett? And Fairfield? And all the little churches of Thomas à Becket on their mounds?—What a ringing there would be.

He woke out of his daydream at the sound of footsteps—the people were coming out, and glancing up he saw Joanna a few yards off. She looked surprised to see him, but also she made no attempt to hide her pleasure.

"Mr. Trevor! You here?"

"I came over to Ansdore to wish you a happy Christmas, and they told me you were still in church."

"Yes—I stopped for Communion—" her mouth fell into a serious, reminiscent line, "you didn't come to the first service, neither?"

"No, my brother's at home, and he took charge of my father's spiritual welfare—they went off to church at Udimore, and I was too lazy to follow them."

"I'm sorry you didn't come here—they used my harmonium, and it was valiant."

He smiled at her adjective.

"I'll come another day and hear your valiant harmonium. I suppose you think everybody should go to church?"

"My father went, and I reckon I'll keep on going."

"You always do as your father did?"

"In most ways."

"But not in all?—I hear startling tales of new-shaped waggons and other adventures, to say nothing of your breaking up grass next spring."

"Well, if you don't see any difference between breaking up grass and giving up church ..."

"They are both a revolt from habit."

"Now, don't you talk like that—it ain't seemly. I don't like hearing a man make a mock of good things, and going to church is a good thing, as I should ought to know, having just come out of it."

"I'm sorry," said Martin humbly, and for some reason he felt ashamed. They were walking now along the Pedlinge road, and the whole Marsh, so broad and simple, seemed to join in her rebuke of him.

She saw his contrite look, and repented of her sharpness.

"Come along home and have a bit of our Christmas dinner."

Martin stuttered—he had not expected such an invitation, and it alarmed him.

"We all have dinner together on Christmas Day," continued Joanna, "men and gals, old Stuppeny, Mrs. Tolhurst, everybody—we'd take it kindly if you'd join us. But—I'm forgetting—you'll be having your own dinner at home."

"We shan't have ours till the evening."

"Oh—late dinner"—her tone became faintly reverential—"it ud never do if we had that. The old folk, like Stuppeny and such, ud find their stomachs keep them awake. We've got two turkeys and a goose and plum puddings and mince pies, to say nothing of the oranges and nuts—that ain't the kind of food to go to bed with."

"I agree," said Martin, smiling.

"Then you'll come and have dinner at Ansdore?"

They had reached the first crossing of the railway line, and if he was going back to North Farthing he should turn here. He could easily make an excuse—no man really wanted to eat two Christmas dinners—but his flutter was gone, and he found an attraction in the communal meal to which she was inviting him. He would like to see the old folk at their feast, the old folk who had been born on the Marsh, who had grown wrinkled with its sun and reddened with its wind and bent with their labours in its damp soil. There would be Joanna too—he would get a close glimpse of her. It was true that he would be pulling the cord between them a little tighter, but already she was drawing him and he was coming willingly. To-day he had found in her an unsuspected streak of goodness, a sound, sweet core which he had not looked for under his paradox of softness and brutality.... It would be worth while committing himself with Joanna Godden.

§11

Dinner on Christmas Day was always in the kitchen at Ansdore. When Joanna reached home with Martin, the two tables, set end to end, were laid—with newly ironed cloths and newly polished knives, but with the second-best china only, since many of the guests were clumsy. Joanna wished there had been time to get out the best china, but there was not.

Ellen came flying to meet them, in a white serge frock tied with a red sash.

"Arthur Alce has come, Jo—we're all waiting. Is Mr. Trevor coming too?" and she put her head on one side, looking up at him through her long fringe.

"Yes, duckie. Mr. Trevor's dropped in to taste our turkey and plum pudding—to see if they ain't better than his own to-night."

"Is he going to have another turkey and plum pudding to-night? How greedy!"

"Be quiet, you sassy little cat"—and Joanna's hand swooped, missing Ellen's head only by the sudden duck she gave it.

"Leave me alone, Joanna—you might keep your temper just for Christmas Day."

"I won't have you sass strangers."

"I wasn't sassing."

"You was."

"I wasn't."

Martin felt scared.

"I hope you don't mean me by the stranger," he said, taking up lightness as a weapon, "I think I know you well enough to be sassed—not that I call that sassing."

"Well, it's good of you not to mind," said Joanna, "personally I've great ideas of manners, and Ellen's brought back some queer ones from her school, though others she's learned are beautiful. Fancy, she never sat down to dinner without a serviette."

"Never," said Ellen emphatically.

Martin appeared suitably impressed. He thought Ellen a pretty little thing, strangely exotic beside her sister.

Dinner was ready in the kitchen, and they all went in, Joanna having taken off her coat and hat and smoothed her hair. Before they sat down there were introductions to Arthur Alce and to Luck and Broadhurst and Stuppeny and the other farm people. The relation between employer and employed was at once more patriarchal and less sharply defined at Ansdore than it was at North Farthing—Martin tried to picture his father sitting down to dinner with the carter and the looker and the housemaid ... it was beyond imagination, yet Joanna did it quite naturally. Of course there was a smaller gulf between her and her people—the social grades were inclined to fuse on the Marsh, and the farmer was only just better than his looker—but on the other hand, she seemed to have far more authority....

"Now, hold your tongues while I say grace," she cried.

Joanna carved the turkeys, refusing to deputise either to Martin or to Alce. At the same time she led a general kind of conversation. The Christmas feast was to be communal in spirit as well as in fact—there were to be no formalities above the salt or mutterings below it. The new harmonium provided a good topic, for everyone had heard it, except Mrs. Tolhurst who had stayed to keep watch over Ansdore, cheering herself with the prospect of carols in the evening.

"It sounded best in the psalms," said Wilson, Joanna's looker since Socknersh's day—"oh, the lovely grunts it made when it said—'Thou art my Son, this day have I begotten thee!"

"So it did," said Broadhurst, "but I liked it best in the Herald Angels."

"I liked it all through," said Milly Pump, the chicken-girl. "And I thought Mr. Elphick middling clever to make it sound as if it wur playing two different tunes at the same time."

"Was that how it sounded?" asked Mrs. Tolhurst wistfully, "maybe they'll have it for the carols to-night."

"Surelye," said old Stuppeny, "you'd never have carols wudout a harmonister. I'd lik myself to go and hear it, but doubt if I ull git so far wud so much good victual inside me."

"No, you won't—not half so far," said Joanna briskly, "you stop at home and keep quiet after this, or you'll be having bad dreams to-night."

"I never do but have one kind o' dream," said old Stuppeny, "I dream as I'm setting by the fire and a young gal brings me a cup of cocoa. 'Tis but an old dream, but reckon the Lord God sends the old dreams to the old folk—all them new dreams that are about on the Marsh, they goes to the young uns."

"Well, you've no call to complain of your dreams, Stuppeny," said Wilson, "'tisn't everyone who has the luck to dream regular of a pretty young gal. Leastways, I guess she's pretty, though you äun't said it."

"I döan't take much count on her looks—'tis the cocoa I'm after, though it äun't often as the Lord God lets the dream stay till I've drunk my cup. Sometimes 'tis my daughter Nannie wot brings it, but most times 'tis just some unacquainted female."

"Oh, you sorry old dog," said Wilson, and the table laughed deep-throatedly, or giggled, according to sex. Old Stuppeny looked pleased. His dream, for some reason unknown to himself, never failed to raise a laugh, and generally produced a cup of cocoa sooner or later from one of the girls.

Martin did not join in the discussion—he felt that his presence slightly damped the company, and for him to talk might spoil their chances of forgetting him. He watched Miss Godden as she ate and laughed and kept the conversation rolling—he also watched Arthur Alce, trying to use this man's devotion as a clue to what was left of Joanna's mystery. Alce struck him as a dull fellow, and he put down his faithfulness to the fact that having once fallen into love as into a rut he had lain there ever since like a sheep on its back. He could see that Alce did not altogether approve of his own choice—her vigour and flame, her quick temper, her free airs—she was really too big for these people; and yet she was so essentially one of them ... their roots mingled in the same soil, the rich, damp, hardy soil of the Marsh.

His attitude towards her was undergoing its second and final change. Now he knew that he would never want to flirt with her. He did not want her tentatively or temporarily. He still wanted her adventurously, but her adventure was not the adventure of siege and capture but of peaceful holding. Like the earth, she would give her best not to the man who galloped over her, but to the man who chose her for his home and settlement. Thus he would hold her, or not at all. Very likely after to-day he would renounce her—he had not yet gone too far, his eyes were still undazzled, and he could see the difficulties and limitations in which he was involving himself by such a choice. He was a gentleman and a townsman—he trod her country only as a stranger, and he knew that in spite of the love which the Marsh had made him give it in the few months of his dwelling, his thoughts still worked for years ahead, when better health and circumstances would allow him to go back to the town, to a quick and crowded life. Could he then swear himself to the slow blank life of the Three Marshes, where events move deliberately as a plough? To the empty landscape, to the flat miles? He would have to love her enough to endure the empty flatness that framed her. He could never take her away, any more than he could take away Ansdore or North Farthing. He must make a renunciation for her sake—could he do so? And after all, she was common stuff—a farmer's daughter, bred at the National School. By taking her he would be making just a yokel of himself.... Yet was it worth clinging to his simulacrum of gentility—boosted up by his father's title and a few dead rites, such as the late dinner which had impressed her so much. The only real difference between the Goddens and the Trevors was that the former knew their job and the latter didn't.

All this thinking did not make either for much talk or much appetite, and Joanna was disappointed. She let fall one or two remarks on farming and outside matters, thinking that perhaps the conversation was too homely and intimate for him, but he responded only languidly.

"A penny for your thoughts, Mr. Trevor," said Ellen pertly.

"You eat your pudding," said Joanna.

It occurred to her that perhaps Martin was disgusted by the homeliness of the meal—after all, he was gentry, and it was unusual for gentry to sit down to dinner with a crowd of farm-hands.... No doubt at home he had wine-glasses, and a servant-girl to hand the dishes. She made a resolution to ask him again and provide both these luxuries. To-day she would take him into the parlour and make Ellen show off her accomplishments, which would help put a varnish of gentility on the general coarseness of the entertainment. She wished she had asked Mr. Pratt—she had thought of doing so, but finally decided against it.

So when the company had done shovelling the Stilton cheese into their mouths with their knives, she announced that she and Mr. Trevor would have their cups of tea in the parlour, and told Milly to go quick and light the fire.

Ellen was most satisfactorily equal to this part of the occasion. She recited "Curfew shall not Ring Tonight," and played Haydn's "Gipsy Rondo." Joanna began to feel complacent once more.

"I made up my mind she should go to a good school," she said when her sister had run back to what festivities lingered in the kitchen, "and really it's wonderful what they've taught her. She'll grow up to be a lady."

It seemed to Martin that she stressed the last word rather wistfully, and the next moment she added—

"There's not many of your sort on the Marsh."

"How do you mean—my sort?"

"Gentlefolk."

"Oh, we don't trouble to call ourselves gentlefolk. My father and I are just plain farmers now."

"But you don't really belong to us—you're the like of the Savilles at Dungemarsh Court, and the clergy families."

"Is that where you put us?—We'd find our lives jolly dull if we shut ourselves up in that set. I can tell you that I've enjoyed myself far more here to-day than ever at the Court or the Rectory. Besides, Miss Godden, your position on Walland Marsh is very much better than ours. You're a great personage, you know."

"Reckon folks talk about me," said Joanna proudly. "Maybe you've heard 'em."

He nodded.

"You've heard about me and Arthur Alce?"

"I've heard some gossip."

"Don't you believe it. I'm fond of Arthur, but he ain't my style—and I could do better for myself ..."

She paused—her words seemed to hang in the flickering warmth of the room. She was waiting for him to speak, and he felt a little shocked and repelled. She was angling for him—he had never suspected that.

"I must go," he said, standing up.

"So soon?"

"Yes—tradition sends one home on Christmas Day."

He moved towards the door, and she followed him, glowing and majestic in the shadows of the firelit room. Outside, the sky was washed with a strange, fiery green, in which the new kindled stars hung like lamps.

They stood for a moment on the threshold, the warm, red house behind them, before them the star-hung width and emptiness of the Marsh. Martin blocked the sky for Joanna, as he turned and held out his hand. Then, on the brink of love, she hesitated. A memory smote her—of herself standing before another man who blocked the sky, and in whose eyes sat the small, enslaved image of herself. Was she just being a fool again?—Ought she to draw back while she had still the power, before she became his slave, his little thing, and all her bigness was drowned in his eyes. She knew that whatever she gave him now could never be taken back. Here stood the master of the mistress of Ansdore.

As for Martin, his thoughts were of another kind.

"Good-bye," he said, renouncing her—for her boldness and her commonness and all that she would mean of change and of foregoing—"Good-bye, Joanna."

He had not meant to say her name, but it had come, and with it all the departing adventure of love. She seemed to fall towards him, to lean suddenly like a tree in a gale—he smelt a fresh, sweet smell of clean cotton underclothing, of a plain soap, of free unperfumed hair ... then she was in his arms, and he was kissing her warm, shy mouth, feeling that for this moment he had been born.

§12

"Well, where have you been?" asked Sir Harry, as his son walked in at the hall door soon after six.

"I've been having dinner with Joanna Godden."

"The deuce you have."

"I looked in to see her this morning and she asked me to stay."

"You've stayed long enough—your saintly brother's had to do the milking."

"Where's Dennett?"

"Gone to the carols with the rest. Confounded nuisance, these primitive religious impulses of an elemental people—always seem to require an outlet at an hour when other people want their meals."

"They'll be back in time for dinner."

"I doubt it, and cook's gone too—and Tom Saville's coming, you know."

"Well, I'd better go and see after the milking."

"Don't worry. I've finished," and a dark round head came round the door, followed by a hunched figure in a cloak, from the folds of which it deprecatingly held out a pint jug.

"What's that?"

"The results of half an hour's milking. I know I should have got more, but I think the cows found me unsympathetic."

Martin burst out laughing. Ordinarily he would have felt annoyed at the prospect of having to go milking at this hour, but to-night he was expansive and good-humoured towards all beasts and men.

He laughed again—

"I don't know that the cows have any particular fancy for me, but I'll go and see what I can do."

"I'm sorry not to have succeeded better," said his brother.

The elder Trevor was only two years older than Martin, but his looks gave him more. His features were blunter, more humorous, and his face was already lined, while his hands looked work-worn. He wore a rough grey cassock buttoned up to his chin.

"You should have preached to them," said Sir Harry, "like St. Francis of something or other. You should have called them your sisters and they'd have showered down their milk in gallons. What's the good of being a monk if you can't work miracles?"

"I leave that to St. Francis Dennett—I'm quite convinced that cows are milked only supernaturally, and I find it very difficult even to be natural with them. Perhaps Martin will take me in hand and show me that much."

"I don't think I need. I hear the servants coming in."

"Thank God," exclaimed Sir Harry, "now perhaps we shall get our food cooked. Martin's already had dinner, Lawrence—he had it with Joanna Godden. Martin, I don't know that I like your having dinner with Joanna Godden. It marks you—they'll talk about it at the Woolpack for weeks, and it'll probably end in your having to marry her to make her an honest woman."

"That's what I mean to do—to marry her."

The words broke out of him. He had certainly not meant to tell his father anything just yet. Apart from his natural reserve, Sir Harry was not the man he would have chosen for such confidences till they became inevitable. The fact that his father was still emotionally young and had love affairs of his own gave him feelings of repugnance and irritation—he could have endured the conventionally paternal praise or blame, but he was vaguely outraged by the queer basis of equality from which Sir Harry dealt with his experiences. But now the truth was out. What would they say, these two?—The old rake who refused to turn his back on youth and love, and the triple-vowed religious who had renounced both before he had enjoyed either.

Sir Harry was the first to speak.

"Martin, I am an old man, who will soon be forced to dye his hair, and really my constitution is not equal to these shocks. What on earth makes you think you want to marry Joanna Godden?"

"I love her."

"A most desperate situation. But surely marriage is rather a drastic remedy."

"Well, don't let's talk about it any longer. I'm going to dress—Saville will be here in a quarter of an hour."

"But I must talk about it. Hang it all, I'm your father—I'm the father of both of you, though you don't like it a bit and would rather forget it. Martin, you mustn't marry Joanna Godden however much you love her. It would be a silly mistake—she's not your equal, and she's not your type. Have you asked her?"

"Practically."

"Oh that's all right, then. It doesn't matter asking a woman practically as long as you don't ask her literally."

"Father, please don't talk about it."

"I will talk about it. Lawrence, do you know what this idiot's letting himself in for? Have you seen Joanna Godden? Why, she'd never do for him? She's a big, bouncing female, and her stays creak."

"Be quiet, father. You make me furious."

"Yes, you'll be disrespectful to me in a minute. That would be very sad, and the breaking of a noble record. Of course it's presumptuous of me to want a lady for my daughter-in-law, and perhaps you're right to chuck away the poor remains of our dignity—they were hardly worth keeping."

"I've thought over that," said Martin. He saw now that having recklessly started the subject he could not put it aside till it had been fought out. "I've thought over that, and I've come to the conclusion that Joanna's worth any sacrifice I can make for her."

"But not marriage—why must you ask her to marry you? You don't really know her. You'll cool off."

"I shan't."

"What about your health, Martin?" asked Lawrence, "are you fit and able to marry? You know what the doctor said."

"He said I might go off into consumption if I hung on in town—that beastly atmosphere at Wright's and all the racket.... But there's nothing actually wrong with me, I'm perfectly fit down here. I'll last for ever in this place, and I tell you it's been a ghastly thought till now—knowing that I must either stop here, away from all my friends and interests, or else shorten my life. But now, I don't care—when I marry Joanna Godden I'll take root, I'll belong to the Marsh, I'll be at home. You don't know Joanna Godden, Lawrence—if you did I believe you'd like her. She's so sane and simple—she's so warm and alive; and she's good, too—when I met her to-day, she had just been to Communion. She'll help me to live—at last I'll be able to live the best life for me, body and soul, down here in the sea air, with no town rubbish ..."

"It sounds a good thing," said Lawrence. "After all, father, there really isn't much use trying to keep up the state of the Trevors and all that now ..."

"No, there isn't—especially when this evening's guest will arrive in two minutes to find us sitting round in dirt and darkness and dissension, all because we've been too busy discussing our heir's betrothal to a neighbouring goose-girl to trouble about such fripperies as dressing for dinner. Of course now Lawrence elects to take Martin's part there's no good my trying to stand against the two of you. I've always been under your heels, ever since you were old enough to boss me. Let the state of the Trevors go—Martin, marry Joanna Godden and we will come to you for our mangolds—Lawrence, if you were not hindered by your vows, I should suggest your marrying one of the Miss Southlands or the Miss Vines, and then we could have a picturesque double wedding. As for me, I will build on more solid foundations than either of you, and marry my cook."

With which threat he departed to groom himself.

"He'll be all right," said Martin, "he likes Joanna Godden really."

"So do I. She sounds a good sort. Will you take me to see her before I go?"

"Certainly. I want you to meet her. When you do you'll see that I'm not doing anything rash, even from the worldly point of view. She comes of fine old yeoman stock, and she's of far more consequence on the Marsh than any of us."

"I can't see that the social question is of much importance. As long as your tastes and your ideas aren't too different ..."

"I'm afraid they are, rather. But somehow we seem to complement each other. She's so solid and so sane—there's something barbaric about her too ... it's queer."

"I've seen her. She's a fine-looking girl—a bit older than you, isn't she?"

"Five years. Against it, of course—but then I'm so much older than she is in most ways. She's a practical woman of business—knows more about farming than I shall ever know in my life—but in matters of life and love, she's a child ..."

"I should almost have thought it better the other way round—that you should know about the business and she about the love. But then in such matters I too am a child."

He smiled disarmingly, but Martin felt ruffled—partly because his brother's voluntary abstention from experience always annoyed him, and partly because he knew that in this case the child was right and the man wrong.

§13

In the engagement of Joanna Godden to Martin Trevor Walland Marsh had its biggest sensation for years. Indeed it could be said that nothing so startling had happened since the Rother changed its mouth. The feelings of those far-back marsh-dwellers who had awakened one morning to find the Kentish river swirling past their doors at Broomhill might aptly be compared with those of the farms round the Woolpack, who woke to find that Joanna Godden was not going just to jog on her final choice between Arthur Alce and old maidenhood, but had swept aside to make an excellent, fine marriage.

"She's been working for this all along," said Prickett disdainfully.

"I don't see that she's had the chance to work much," said Vine, "she hasn't seen the young chap more than three or four times."

"Bates's looker saw them at Romney once," said Southland, "having their dinner together; but that time at the Farmers' Club he'd barely speak to her."

"Well she's got herself talked about over two men that she hasn't took, and now she's took a man that she hasn't got herself talked about over."

"Anyways, I'm glad of it," said Furnese, "she's a mare that's never been präaperly broken in, and now at last she's got a man to do it."

"Poor feller, Alce. I wonder how he'll take it."

Alce took it very well. For a week he did not come to Ansdore, then he appeared with Joanna's first wedding present in the shape of a silver tea-service which had belonged to his mother.

"Maybe it's a bit early yet for wedding presents. They say you won't be married till next fall. But I've always wanted you to have this tea-set of mother's—it's real silver, as you can see by the lion on it—a teapot and milk jug and sugar bowl; many's the time I've seen you in my mind's eye, setting like a queen and pouring my tea out of it. Since it can't be my tea, it may as well be another's."

"There'll always be a cup for you, Arthur," said Joanna graciously.

"Thanks," said Arthur in a stricken voice.

Joanna could not feel as sorry for Alce as she ought and would have liked. All her emotions, whether of joy or sorrow, seemed to be poured into the wonderful new life that Martin had given her. A new life had begun for her on Christmas Day—in fact, it would be true to say that a new Joanna had begun. Something in her was broken, melted, changed out of all recognition—she was softer, weaker, more excited, more tender. She had lost much of her old swagger, her old cocksureness, for Martin had utterly surprised and tamed her. She had come to him in a scheming spirit of politics, and he had kept her in a spirit of devotion. She had come to him as Ansdore to North Farthing—but he had stripped her of Ansdore, and she was just Joanna Godden who had waited twenty-eight years for love.

Yet, perhaps because she had waited so long, she was now a little afraid. She had hitherto met love only in the dim forms of Arthur Alce and Dick Socknersh, with still more hazy images in the courtships of Abbot and Cobb. Now Martin was showing her love as no dim flicker or candlelight or domestic lamplight but as a bright, eager fire. She loved his kisses, the clasp of his strong arms, the stability of his chest and shoulders—but sometimes his passion startled her, and she had queer, shy withdrawals. Yet these were never more than temporary and superficial; her own passions were slowly awaking, and moreover had their roots in a sweet, sane instinct of vocation and common sense.

On the whole, though, she was happiest in the quieter ways of love—the meals together, the fireside talks, the meetings in lonely places, the queer, half-laughing secrets, the stolen glances in company. She made a great fuss of his bodily needs—she was convinced that he did not get properly fed or looked after at home, and was always preparing him little snacks and surprises. For her sake Martin swallowed innumerable cups of milk and wrapped his chin in choky mufflers.

She had prouder moments too. On her finger glittered a gorgeous band of diamonds and sapphires which she had chosen for her engagement ring, and it was noticed that Joanna Godden now always drove with her gloves off. She had insisted on driving Martin round the Marsh to call on her friends—to show him to Mrs. Southland, Mrs. Vine, and Mrs. Prickett, to say nothing of their husbands who had always said no man in his senses would marry Joanna Godden. Well, not merely a man but a gentleman was going to do it—a gentleman who had his clothes made for him at a London tailor's instead of buying them ready-made at Lydd or Romney or Rye, who had—he confessed it, though he never wore it—a top hat in his possession, who ate late dinner and always smelt of good tobacco and shaving soap ... such thoughts would bring the old Joanna back, for one fierce moment of gloating.

Her reception by North Farthing House had done nothing to spoil her triumph. Martin's father and brother had both accepted her—the latter willingly, since he believed that she would be a sane and stabilizing influence in Martin's life, hitherto over-restless and mood-ridden. He looked upon his brother as a thwarted romantic, whose sophistication had debarred him from finding a natural outlet in religion. He saw in his love for Joanna the chance of a return to nature and romance, since he loved a thing at once simple and adventurous, homely and splendid—which was how religion appeared to Father Lawrence. He had liked Joanna very much on their meeting, and she liked him too, though as she told him frankly she "didn't hold with Jesoots."

As for Sir Harry, he too liked Joanna, and was too well-bred and fond of women to show himself ungracious about that which he could not prevent.

"I've surrendered, Martin. I can't help myself. You'll bring down my grey hairs in sorrow to the grave, but I am all beautiful resignation. Indeed I think I shall offer myself as best man, and flirt dutifully with Ellen Godden, who I suppose will be chief bridesmaid. Your brother shall himself perform the ceremony. What could your family do more?"

"What indeed?" laughed Martin. He felt warmhearted towards all men now—he could forgive both his father for having had too much experience and his brother for having had too little.

§14

The actual date of the wedding was not fixed till two months had run. Though essentially adult and practical in all matters of business and daily life, Joanna was still emotionally adolescent, and her betrothed state satisfied her as it would never have done if her feelings had been as old as her years. Also this deferring of love had helped other things to get a hold on her—Martin was astonished to find her swayed by such considerations as sowing and shearing and marketing—"I can't fix up anything till I've got my spring sowings done"—"that ud be in the middle of the shearing"—"I'd sooner wait till I'm through the autumn markets."

He discovered that she thought "next fall" the best time for the wedding—"I'll have got everything clear by then, and I'll know how the new ploughs have borne." He fought her and beat her back into June—"after the hay." He was rather angry with her for thinking about these things, they expressed a side of her which he would have liked to ignore. He did not care for a "managing" woman, and he could still see, in spite of her new moments of surrender, that Joanna eternally would "manage." But in spite of this his love for her grew daily, as he discovered daily her warmth and breadth and tenderness, her growing capacity for passion. Once or twice he told her to let the sowings and the shearings be damned, and come and get married to him quietly without any fuss at the registrar's. But Joanna was shocked at the idea of getting married anywhere but in church—she could not believe a marriage legal which the Lion and the Unicorn had not blessed. Also he discovered that she rejoiced in fuss, and thought June almost too early for the preparations she wanted to make.

"I'm going to show 'em what a wedding's like," she remarked ominously—"I'm going to do everything in the real, proper, slap-up style. I'm going to have a white dress and a veil and carriages and bridesmaids and favours—" this was the old Joanna—"you don't mind, do you, Martin?" this was the new.

Of course he could not say he minded. She was like an eager child, anxious for notice and display. He would endure the wedding for her sake. He also would endure for her sake to live at Ansdore; after a few weeks he saw that nothing else could happen. It would be ridiculous for Joanna to uproot herself from her prosperous establishment and settle in some new place just because in spirit he shrank from becoming "Mr. Joanna Godden." She had said that "Martin and Joanna Trevor" should be painted on the scrolled name-boards of her waggons, but he knew that on the farm and in the market-place they would not be on an equal footing, whatever they were in the home. As farmer and manager she would outshine him, whose tastes and interests and experiences were so different. Never mind—he would have more time to give to the beloved pursuit of exploring the secret, shy marsh country—he would do all Joanna's business afield, in the far market towns of New Romney and Dymchurch, and the farms away in Kent or under the Coast at Ruckinge and Warhorne.

Meanwhile he spent a great deal of his time at Ansdore. He liked the life of the place with its mixture of extravagance and simplicity, democracy and tyranny. Fortunately Ellen approved of him—indeed he sometimes found her patronage excessive. He thought her spoilt and affected, and might almost have come to dislike her if she had not been such a pretty, subtle little thing, and if she had not interested and amused him by her sharp contrasts with her sister. He was now also amused by the conflicts between the two, which at first had shocked him. He liked to see Joanna's skin go pink as she faced Ellen in a torment of loving anger and rattled the fierce words off her tongue, while Ellen tripped and skipped and evaded and generally triumphed by virtue of a certain fundamental coolness. "It will be interesting to watch that girl growing up," he thought.

§15

As the year slid through the fogs into the spring, he persuaded Joanna to come with him on his rambles on the Marsh. He was astonished to find how little she knew of her own country, of that dim flat land which was once under the sea. She knew it only as the hunting ground of her importance. It was at Yokes Court that she bought her roots, and from Becket's House her looker had come; Lydd and Rye and Romney were only market-towns—you did best in cattle at Rye, but the other two were proper for sheep; Old Honeychild was just a farm where she had bought some good spades and dibbles at an auction; at Misleham they had once had foot-and-mouth disease—she had gone to Picknye Bush for the character of Milly Pump, her chicken-girl....

He told her of the smugglers and owlers who had used the Woolpack as their headquarters long ago, riding by moonlight to the cross-roads, with their mouths full of slang—cant talk of "mackerel" and "fencing" and "hornies" and "Oliver's glim."

"Well, if they talked worse there then than they talk now, they must have talked very bad indeed," was all Joanna found to say.

He told her of the old monks of Canterbury who had covered the Marsh with the altars of Thomas à Becket.

"We got shut of 'em all on the fifth of November," said Joanna, "as we sing around here on bonfire nights—and 'A halfpenny loaf to feed the Pope, a penn'orth of cheese to choke him,' as we say."

All the same he enjoyed the expeditions that they had together in her trap, driving out on some windy-skied March day, to fill the hours snatched from her activities at Ansdore and his muddlings at North Farthing, with all the sea-green sunny breadth of Walland, and still more divinely with Walland's secret places—the shelter of tall reeds by the Yokes Sewer, or of a thorn thicket making a tent of white blossom and spindled shadows in the midst of the open land.

Sometimes they crossed the Rhee Wall on to Romney Marsh, and he showed her the great church at Ivychurch, which could have swallowed up in its nave the two small farms that make the village. He took her into the church at New Romney and showed her the marks of the Great Flood, discolouring the pillars for four feet from the ground.

"Doesn't it thrill you?—Doesn't it excite you?" he teased her, as they stood together in the nave, the church smelling faintly of hearthstones.

"How long ago did it happen?"

"In the year of our Lord twelve hundred and eighty seven the Kentish river changed his mouth, and after swilling out Romney Sands and drowning all the marsh from Honeychild to the Wicks, did make himself a new mouth in Rye Bay, with which mouth he swallowed the fifty taverns and twelve churches of Broomhill, and—"

"Oh, have done talking that silly way—it's like the Bible, only there's no good in it."

Her red mouth was close to his in the shadows of the church—he kissed it....

"Child!"

"Oh, Martin—"

She was faintly shocked because he had kissed her in church, so he drew her to him, tilting back her chin.

"You mustn't" ... but she had lost the power of gainsaying him now, and made no effort to release herself. He held her up against the pillar and gave her mouth another idolatrous kiss before he let her go.

"If it happened all that while back, they might at least have got the marks off by this time," she said, tucking away her loosened hair.

Martin laughed aloud—her little reactions of common sense after their passionate moments never failed to amuse and delight him.

"You'd have had it off with your broom, and that's all you think about it. But look here, child—what if it happened again?"

"It can't."

"How do you know?"

"It can't—I know it."

"But if it happened then it could happen again."

"There ain't been a flood on the Marsh in my day, nor in my poor father's day, neither. Sometimes in February the White Kemp brims a bit, but I've never known the roads covered. You're full of old tales. And now let's go out, for laughing and love-making ain't the way to behave in church."

"The best way to behave in church is to get married."

She blushed faintly and her eyes filled with tears.

They went out, and had dinner at the New Inn, which held the memory of their first meal together, in that huge, sag-roofed dining-room, then so crowded, now empty except for themselves. Joanna was still given to holding forth on such subjects as harness and spades, and to-day she gave Martin nearly as much practical advice as on that first occasion.

"Now, don't you waste your money on a driller—we don't give our sheep turnips on the Marsh. It's an Inland notion. The grass here is worth a field of roots. You stick to grazing and you'll keep your money in your pocket and never send coarse mutton to the butcher."

He did not resent her advice, for he was learning humility. Her superior knowledge and experience of all practical matters was beginning to lose its sting. She was in his eyes so adorable a creature that he could forgive her for being dominant. The differences in their natures were no longer incompatibilities, but gifts which they brought each other—he brought her gifts of knowledge and imagination and emotion, and she brought him gifts of stability and simplicity and a certain saving commonness. And all these gifts were fused in the glow of personality, in a kind bodily warmth, in a romantic familiarity which sometimes found its expression in shyness and teasing.

They loved each other.

§16

Martin had always wanted to go out on the cape at Dunge Ness, that tongue of desolate land which rakes out from Dunge Marsh into the sea, slowly moving every year twenty feet towards France. Joanna had a profound contempt of Dunge Ness—"not enough grazing on it for one sheep"—but Martin's curiosity mastered her indifference and she promised to drive him out there some day. She had been once before with her father, on some forgotten errand to the Hope and Anchor inn.

It was an afternoon in May when they set out, bowling through Pedlinge in the dog cart behind Smiler's jogging heels. Joanna wore her bottle green driving coat, with a small, close-fitting hat, since Martin, to her surprise and disappointment, disliked her best hat with the feathers. He sat by her, unconsciously huddling to her side, with his hand thrust under her arm and occasionally pressing it—she had told him that she could suffer that much of a caress without detriment to her driving.

It was a bright, scented day, heavily coloured with green and gold and white; for the new grass was up in the pastures, releasing the farmer from many anxious cares, and the buttercups were thick both on the grazing lands and on the innings where the young hay stood, still green; the watercourses were marked with the thick dumpings of the may, walls of green-teased white streaking here and there across the pastures, while under the boughs the thick green water lay scummed with white ranunculus, and edged with a gaudy splashing of yellow irises, torches among the never silent reeds. Above it all the sky was misty and fall of shadows, a low soft cloud, occasionally pierced with sunlight.

"It'll rain before night," said Joanna.

"What makes you think that?"

"The way of the wind, and those clouds moving low—and the way you see Rye Hill all clear with the houses on it—and the way the sheep are grazing with their heads to leeward."

"Do you think they know?"

"Of course they know. You'd be surprised at the things beasts know, Martin."

"Well, it won't matter if it does rain—we'll be home before night. I'm glad we're going down on the Ness—I'm sure it's wonderful."

"It's a tedious hole."

"That's what you think."

"I know—I've been there."

"Then it's very sweet of you to come again with me."

"It'll be different with you."

She was driving him by way of Broomhill, for that was another place which had fired his imagination, though to her it too was a tedious hole. Martin could not forget the Broomhill of old days—the glamour of taverns and churches and streets lay over the few desolate houses and ugly little new church which huddled under the battered sea-wall. Great reedy pools still remained from the thirteenth century floods, brackish on the flat seashore, where the staked keddle nets showed that the mackerel were beginning to come into Rye Bay.

"Nothing but fisher-folk around here," said Joanna contemptuously—"you'll see 'em all in the summer, men, women and children, with heaps of mackerel that they pack in boxes for London and such places—so much mackerel they get that there's nothing else ate in the place for the season, and yet if you want fish-guts for manure they make you pay inland prices, and do your own carting."

"I think it's a delicious place," he retorted, teasing her, "I've a mind to bring you here for our honeymoon."

"Martin, you'd never I You told me you were taking me to foreign parts, and I've told Mrs. Southland and Mrs. Furnese and Maudie Vine and half a dozen more all about my going to Paris and seeing the sights and hearing French spoken."

"Yes—perhaps it would be better to go abroad; Broomhill is wonderful, but you in Paris will be more wonderful than Broomhill—even in the days before the flood."

"I want to see the Eiffel Tower—where they make the lemonade—and I want to buy myself something really chick in the way of hats."

"Joanna—do you know the hat which suits you best?"

"Which?" she asked eagerly, with some hope for the feathers.

"The straw hat you tie on over your hair when you go out to the chickens first thing in the morning."

"That old thing I Why I My! Lor! Martin! That's an old basket that I tie under my chin with a neckerchief of poor father's."

"It suits you better than any hat in the Rue St. Honoré—it's brown and golden like yourself, and your hair comes creeping and curling from under it, and there's a shadow on your face, over your eyes—the shadow stops just above your mouth—your mouth is all of your face that I can see dearly, and it's your mouth that I love most ..."

He suddenly kissed it, ignoring her business with the reins and the chances of the road, pulling her round in her seat and covering her face with his, so that his eyelashes stroked her cheek. She drew her hands up sharply to her breast, and with the jerk the horse stopped.

For a few moments they stayed so, then he released her and they moved on. Neither of them spoke; the tears were in Joanna's eyes and in her heart was a devouring tenderness that made it ache. The trap lurched in the deep ruts of the road, which now had become a mass of shingle and gravel, skirting the beach. Queer sea plants grew in the ruts, the little white sea-campions with their fat seed-boxes filled the furrows of the road as with a foam—it seemed a pity and a shame to crush them, and one could tell by their fresh growth how long it was since wheels had passed that way.

At Jury's Gap, a long white-daubed coastguard station marked the end of the road. Only a foot-track ran out to the Ness. They left the horse and trap at the station and went afoot.

"I told you it was a tedious place," said Joanna. Like a great many busy people she did not like walking, which she always looked upon as a waste of time. Martin could seldom persuade her to come for a long walk.

It was a long walk up the Ness, and the going was bad, owing to the shingle. The sea-campion grew everywhere, and in sunny corners the yellow-horned poppy put little spots of colour into a landscape of pinkish grey. The sea was the same colour as the land, for the sun had sunk away into the low thick heavens, leaving the sea an unrelieved, tossed dun waste.

The wind came tearing across Rye Bay with a moan, lifting all the waves into little sharp bitter crests.

"We'll get the rain," said Joanna sagely.

"I don't care if we do," said Martin.

"You haven't brought your overcoat."

"Never mind that."

"I do mind."

His robust appearance—his broad back and shoulders, thick vigorous neck and swarthy skin—only magnified his pathos in her eyes. It was pitiful that this great thing should be so frail.... He could pick her up with both hands on her waist, and hold her up before him, the big Joanna—and yet she must take care of him.

§17

An hour's walking brought them to the end of the Ness—to a strange forsaken country of coastguard stations and lonely taverns and shingle tracks. The lighthouse stood only a few feet above the sea, at the end of the point, and immediately before it the water dropped to sinister, glaucous depths.

"Well, it ain't much to see," said Joanna.

"It's wonderful," said Martin—"it's terrible."

He stood looking out to sea, into the Channel streaked with green and grey, as if he would draw France out of the southward fogs. He felt half-way to France ... here on the end of this lonely crane, with water each side of him and ahead, and behind him the shingle which was the uttermost of Kent.

"Joanna—don't you feel it, too?"

"Yes—maybe I do. It's queer and lonesome—I'm glad I've got you, Martin."

She suddenly came close to him and put out her arms, hiding her face against his heart.

"Child—what is it?"

"I dunno. Maybe it's this place, but I feel scared. Oh, Martin, you'll never leave me? You'll always be good to me?..."

"I ... oh, my own precious thing."

He held her close to him and they both trembled—she with her first fear of those undefinable forces and associations which go to make the mystery of place, he with the passion of his faithfulness, of his vows of devotion, too fierce and sacrificial even to express.

"Let's go and have tea," she said, suddenly disengaging herself, "I'll get the creeps if we stop out here on the beach much longer—reckon I've got 'em now, and I never was the one to be silly like that. I told you it was a tedious hole."

They went to the Britannia, on the eastern side of the bill. The inn looked surprised to see them, but agreed to put the kettle on. They sat together in a little queer, dim room, smelling of tar and fish, and bright with the flames of wreckwood. Joanna had soon lost her fears—she talked animatedly, telling him of the progress of her spring wheat; of the dead owl that had fallen out of the beams of Brenzett church during morning prayers last Sunday, of the shocking way they had managed their lambing at Beggar's Bush, of King Edward's Coronation that was coming off in June.

"I know of something else that's coming off in June," said Martin.

"Our wedding?"

"Surelye."

"I'm going into Folkestone next week, to that shop where I bought my party gown."

"And I'm going to Mr. Pratt to tell him to put up our banns, or we shan't have time to be cried three times before the first of June."

"The first!—I told you the twenty-fourth."

"But I'm not going to wait till the twenty-fourth. You promised me June."

"But I shan't have got in my hay, and the shearers are coming on the fourteenth—you have to book weeks ahead, and that was the only date Harmer had free."

"Joanna."

Her name was a summons, almost stern, and she looked up. She was still sitting at the table, stirring the last of her tea. He sat under the window on an old sea-chest, and had just lit his pipe.

"Come here, Joanna."

She came obediently, and sat beside him, and he put his arm round her. The blue and ruddy flicker of the wreckwood lit up the dark day.

"I've been thinking a lot about this, and I know now—there is only one thing between us, and that's Ansdore."

"How d'you mean? It ain't between us."

"It is—again and again you seem to be putting Ansdore in the place of our love. What other woman on God's earth would put off her marriage to fit in with the sheep-shearing?"

"I ain't putting it off. We haven't fixed the day yet, and I'm just telling you to fix a day that's suitable and convenient."

"You know I always meant to marry you the first week in June."

"And you know as I've told you, that I can't take the time off then."

"The time off! You're not a servant. You can leave Ansdore any day you choose."

"Not when the shearing's on. You don't understand, Martin—I can't have all the shearers up and nobody to look after 'em."

"What about your looker?—or Broadhurst? You don't trust anybody but yourself."

"You're just about right—I don't."

"Don't you trust me?"

"Not to shear sheep."

Martin laughed ruefully.

"You're very sensible, Joanna—unshakably so. But I'm not asking you to trust me with the sheep, but to trust me with yourself. Don't misunderstand me, dear. I'm not asking you to marry me at the beginning of the month just because I haven't the patience to wait till the end. It isn't that, I swear it. But don't you see that if you fix our marriage to fit in with the farm-work, it'll simply be beginning things in the wrong way? As we begin we shall have to go on, and we can't go on settling and ordering our life according to Ansdore's requirements—it's a wrong principle. Think, darling," and he drew her close against his heart, "we shall want to see our children—and will you refuse, just because that would mean that you would have to lie up and keep quiet and not go about doing all your own business?"

Joanna shivered.

"Oh, Martin, don't talk of such things."

"Why not?"

She had given him some frank and graphic details about the accouchement of her favourite cow, and he did not understand that the subject became different when it was human and personal.

"Because I—because we ain't married yet."

"Joanna, you little prude!"

She saw that he was displeased and drew closer to him, slipping her arms round his neck, so that he could feel the roughness of her work-worn hands against it.

"I'm not shocked—only it's so wonderful—I can't abear talking of it ... Martin, if we had one ... I should just about die of joy ..."

He gripped her to him silently, unable to speak. Somehow it seemed as if he had just seen deeper into Joanna than during all the rest of his courtship. He moved his lips over her bright straying hair—her face was hidden in his sleeve.

"Then we'll stop at Mr. Pratt's on our way home and ask him to put up the banns at once?"

"Oh no—" lifting herself sharply—"I didn't mean that."

"Why not?"

"Well, it won't make any difference to our marriage, being married three weeks later—but it'll make an unaccountable difference to my wool prices if the shearers don't do their job proper—and then there's the hay."

"On the contrary, child—it will make a difference to our marriage. We shall have started with Ansdore between us."

"What nonsense."

"Well, I can't argue with you—you must do as you like. My wife is a very strong-willed person, who will keep her husband in proper order. But he loves her enough to bear it."

He kissed her gently, and they both stood up. At the same time there was a sharp scud of rain against the window.

§18

The journey home was quieter and dimmer than the journey out. Their voices and footsteps were muffled in the roar of the wind, which had risen from sorrow to anger. The rain beat in their faces as they walked arm in arm over the shingle. They could not hurry, for at every step their feet sank.

"I said it was a tedious hole," reiterated Joanna, "and now perhaps you'll believe me—the folk here walk with boards on their feet, what they call backstays. Our shoes will be just about ruined."

She was not quite happy, for she felt that Martin was displeased with her, though he made no reproaches. He did not like her to arrange their wedding day to fit in with the shearing. But what else could she do? If she was away when the shearers came, there'd be no end to their goings on with the girls, and besides, who'd see that the work was done proper and the tegs not scared out of their lives?

It was only six o'clock, but a premature darkness was falling as the clouds dropped over Dunge Marsh, and the rain hung like a curtain over Rye Bay, blotting out all distances, showing them nothing but the crumbling, uncertain track. In half an hour they were both wet through to their shoulders, for the rain came down with all the drench of May. Joanna could see that Martin was beginning to be worried about himself—he was worried about her too, but he was more preoccupied with his own health than other men she knew, the only way in which he occasionally betrayed the weak foundations of his stalwart looks.

"The worst of it is, we'll have to sit for an hour in the dog-cart after we get to Jury's Gap. You'll catch your death of cold, Joanna."

"Not I! I often say I'm like our Romney sheep—I can stand all winds and waters. But you're not used to it like I am—you should ought to have brought your overcoat."

"How was I to know it would turn out like this?"

"I told you it would rain."

"But not till after we'd started."

Joanna said nothing. She accepted Martin's rather unreasonable displeasure without protest, for she felt guilty about other things. Was he right, after all, when he said that she was putting Ansdore between them?... She did not feel that she was, any more than she was putting Ansdore between herself and Ellen. But she hated him to have the thought. Should she give in and tell him he could call on Mr. Pratt on their way home?... No, there was plenty of time to make up her mind about that. To-day was only Tuesday, and any day up till Saturday would do for putting in notice of banns ... she must think things over before committing herself ... it wasn't only the shearers—there was the hay....

Thus they came, walking apart in their own thoughts, to Jury's Gap. In a few moments the horse was put to, and they were lurching in the ruts of the road to Broomhill. The air was full of the sound of hissing rain, as it fell on the shingle and in the sea and on the great brackish pools of the old flood. Round the pools were thick beds of reeds, shivering and moaning, while along the dykes the willows tossed their branches and the thorn-trees rattled.

"It'll freshen up the grass," said Joanna, trying to cheer Martin.

"I was a fool not to bring my overcoat," he grumbled.

Then suddenly her heart went out to him more than ever, because he was fractious and fretting about himself. She took one hand off the reins and pressed his as it lay warm between her arm and her side.

"Reckon you're my own silly child," she said in a low voice.

"I'm sorry, Jo," he replied humbly, "I know I'm being a beast and worrying you. But I'm worried about you too—you're as wet as I am."

"No, I'm not. I've got my coat. I'm not at all worried about myself—nor about you, neither." She could not conceive of a man taking cold through a wetting.

She had planned for him to come back to supper with her at Ansdore, but with that fussiness which seemed so strange and pathetic, he insisted on going straight back to North Farthing to change his clothes.

"You get into a hot bath with some mustard," he said to her, meaning what he would do himself.

"Ha! ha!" laughed Joanna, at such an idea.

§19

She did not see Martin for the next two days. He had promised to go up to London for the first night of a friend's play, and was staying till Friday morning. She missed him very much—he used to come to Ansdore every day, sometimes more than once, and they always had at least one meal together. She brooded about him too, for she could not rid herself of the thought that she had failed him in her refusal to be married before the shearing. He was disappointed—he could not understand....

She looked round on Ansdore almost distrustfully ... was it true that she loved it too much? The farm looked very lonely and bare, with the mist hanging in the doorways, and the rain hissing into the midden, while the bush—as the trees were called which sheltered nearly every marsh dwelling—sighed and tossed above the barn-roofs. She suddenly realized that she did not love it as much as she used.

The knowledge came like a slap. She suddenly knew that for the last four months her love for Martin had been eating into her love for Ansdore.... It was like the sun shining on a fire and putting it out—now that the sun had gone she saw that her hearth was cold. It was for Martin she had sown her spring wheat, for Martin she had broken up twelve acres of pasture by the Kent Ditch, for Martin she would shear her sheep and cut her hay....

Then since it was all for Martin, what an owl she was to sacrifice him to it, to put it before his wants and needs. He wanted her, he needed her, and she was offering him bales of wool and cocks of hay. Of course in this matter she was right and he was wrong—it would be much better to wait just a week or two till after the shearing and the hay-making—but for the first time Joanna saw that even right could surrender. Even though she was right, she could give way to him, bend her will to his. After all, nothing really mattered except his love, his good favour—better that she should muddle her shearing and her crops than the first significant weeks of their married life. He should put his dear foot upon her neck—for the last of her pride was gone in that discovery of the dripping day, the discovery that her plans, her ambitions, her life, herself, had their worth only in the knowledge that they belonged to him.

It was on Thursday afternoon that Joanna finally beat Ansdore out of her love. She cried a little, for she wished that it had happened earlier, before Martin went away. Still, it was his going that had shown her at last clearly where she belonged. She thought of writing and telling him of her surrender, but like most of her kind she shrank from writing letters except when direly necessary; and she would see Martin to-morrow—he had promised to come to Ansdore straight from the station.

So instead of writing her letter, she went and washed the tears off her face over the sink and sat down to a cup of tea and a piece of bread and dripping with Mrs. Tolhurst and Milly Pump. When Ellen was at home Joanna was lofty and exclusive, and had her meals in the dining-room—she did not think it right that her little sister, with all her new accomplishments and elegancies, should lead the common, kitchen life—also, of course, when Martin came they sat down in state, with pink wine-glasses beside their tumblers. But when she was alone she much preferred a friendly meal with Milly and Mrs. Tolhurst—she even joined them in pouring her tea into her saucer, and sat with it cooling on her spread fingers, her elbow on the cloth. She unbent from mistress to fellow-worker, and they talked the scandal of a dozen farms.

"It's as I said, at Yokes Court," said Mrs. Tolhurst—"there's no good young Mus' Southland saying as the girl's mother sent for her—I know better."