I
JUST before Christmas, Mrs. Emily Chattersworth returned to Cannes, and opened her winter home. She needed a rest, so she told her friends; but she didn't take it for long. There were too many wounded French soldiers all over the Midi; tens of thousands of them, and many as bad as Marcel. The casino at Juan — a small place at that time-had been turned into a hospital, as had all sorts of public buildings throughout France. But there was never room enough, never help enough. Frenchwomen, who as a rule confined their activities to their own homes, were now organizing hospitals and relief depots; and of course they were glad to have help from anyone who would give it.
So it wasn't long before Mrs. Emily was agitating and organizing, making her American friends on the Riviera ashamed of wasting their time playing bridge and dancing; she told them stories about men deprived of hands and feet and eyes and what not, and facing the problem of how to keep alive. In the end, impatient of delays, Mrs. Emily turned her own home into an institution for what was called “re-education”: teaching new occupations to men so crippled they could no longer practice their former ones. A man who had lost his right hand would learn to do something with a hook, and men who had lost their legs would learn to make baskets or brooms. Mrs. Emily moved herself into what had been a maid's room, and filled up her whole mansion with her “pupils,” and when that wasn't enough, put up tents on her lawns.
The wife of Marcel Detaze was especially exposed to this vigorous lady's attacks. “Don't you care about anybody's husband but your own?” Beauty was ashamed to give the wrong answer, and after she had made sure that Marcel was occupied with his painting, Lanny would drive her up to Sept Chênes, as the place was called, and give what help she could. She didn't know how to make brooms or baskets, and as a “re-educator” she wasn't very much, but she was the world's wonder when- it came to uplifting the souls of men. Suffering had dealt kindly with her, and added a touch of mystery to her loveliness, and when she came into the room all the mutilés would stop looking at brooms and baskets, and if she said something to a poor devil he would remember it the rest of the day. After what she had been through with Marcel, she didn't mind seeing scars of war, and she learned to get the same thrill which in the old days she had got from entering a ballroom and having “important” people stare at her and ask who she was.
It was good for Lanny too, because the world he was going to live in was not to be composed exclusively of “important” persons, manifesting grace and charm at enormous expense. Going to Mrs. Emily's was a kind of “slumming” which not even Robbie could have objected to; and Lanny had an advantage over his mother in that he knew Provencal, and could chat with these peasants and fishermen as he had done all his life. Several of them were the same persons he had known, fathers or older brothers of the children he had played with.
And oddest circumstance of all — Lanny's gigolo! That happy and graceful dancing man whom he had picked up in Nice, and who had come to Bienvenu and spent an afternoon playing the piccolo flute and demonstrating the steps of the farandole! Here he was, drawing a harsh breath now and then, because he had got trapped in a dugout full of fumes from a shell; and surely he would never dance again, because his right leg was gone just below the hip. Instead he was learning to carve little dancing figures out of wood, and when he was through with that form of education, he would go back to his father's farm, where there was wood in plenty, and the organization which Mrs. Emily had formed would try to sell his toys for the Christmas trade. M. Pinjon was the same kindly and gentle dreamer that Lanny recalled, and the boy had the satisfaction of seeing his mother willing to talk to him now, and hearing her admit that he was a good creature, who doubtless had done no harm to anyone in his life.
II
One of Mrs. Emily's bright ideas was that men who had hands and eyes but no feet might learn to paint. Of course it was late in life for them to begin, but then look at Gauguin, look at van Gogh — you just could never tell where you might find a genius. Might it not be possible for Marcel to come now and then and give a lesson to these pitiful souls?
Marcel was coming to care less and less for people. Even the best of them made him aware of his own condition, and it was only when he was alone and buried in his work that life, was bearable to him. But he heard Beauty talking for hours at a time about Emily Chattersworth, and of course this work came close to his heart. He too was a mutilé, and a comrade of all the others. He couldn't teach anything, because he couldn't talk; even Mrs. Emily had a hard time understanding him, unless Beauty sat by and said some of the words over again. But he offered to come and entertain them by making sketches on a blackboard — for example, those little German devils that seemed to amuse people. Somebody else might explain and comment on the work as he did it.
So they drove up to Sept Chênes one evening. Mrs. Emily had set up a blackboard, and had got one of her patients to do the talking, a journalist who had lost the fingers of his right hand and was learning to write with his left. He was an amusing talker, and Marcel with his skullcap and veil was a figure of mystery. He was clever and quick at sketching, and his Prussian devils made the audience roar. The deaf ones could see them, and the blind ones could hear about them. If the lecturer missed a point, Marcel would write a word or two on the board. It wasn't long before the men were shouting what they wanted next, and Marcel would draw that. He had been at the front long enough to know the little touches that made things real to his comrades.
He drew a heroic figure of the poilu. Poil means your hair, and is a symbol of your power. The poilu was a mighty fellow, and wore a red military kepi, with a depression in the round top like a saucer. When Marcel drew a rough wooden cross in a field, and hung one of those battered caps on top of it, every man in the room knew what that meant, for he had seen thousands of them. The poilu wore a long coat, and when he was marching he buttoned back the front flaps to make room for his legs, so when you saw that, you knew he was on the march. If his face was set grimly, you knew he was going to say: “Nous les aurons,” that is: “We'll have them, we'll get them.”
What he was going to get was the boche. That was another word of the war. The British called him “Jerry,” and the Yanks, when they came along, would call him “Heinie,” and sometimes “Fritzie”; but to the poilu he was le boche, and when Marcel drew him, he made him not ugly or hateful, just stupid and discouraged, and that too seemed right to anciens combattants. When Marcel desired to draw something hateful, it wore a long coat to the ankles, tightly drawn in at the waist, and a monocle, and a gold bracelet, and an expression of monstrous insolence.
III
That visit was important to the painter because it gave him a place to go. With these poor devils he need never be ashamed, never humiliated. He would return now and then to entertain them; or he would go and just talk with them, or rather, let them talk to him. One of them had been with Marcel's own regiment in the Alpes Maritimes, and from him Marcel learned that his comrades had been moved to the front in the Vosges mountains, and what had happened to them there.
The men wouldn't talk to strangers about the war; it was too terrible, it would discourage people. But among themselves it was all right, and Marcel's mutilated face was a passport to all hearts. He heard about winter fighting in heavy snow, with the trenches only a few yards apart, so that you could hear the enemy talking, and shout abuse and defiance at him; if you lifted your cap an inch above the parapet, it would be riddled with bullets in a second or two. Shelling was incessant, day and night, and hand grenades were thrown; only a few sentries stayed to watch, while the rest hid in dugouts underground. Great tracts in the forest had been reduced to splinters, and in the poste de secours, a shelter dug half under the hillside, a dozen doctors had been killed in the course of a year. No going about at all in the daytime; yet you could hear the church bells ringing in a village behind the lines. One of the stories was about a man who picked up an old hand organ in one of the buildings wrecked by shells, and brought it up one rainy night to one of the cagnas, or dug-outs, and stood outside in the rain playing it, and men began singing, hundreds of them all over the place, even with the shells falling around. “Sidi Brahim,” they sang.
Among other things, Lanny learned what had happened to his mother's former chauffeur and handy man, Sergeant Pierre Bazoche. He had taken part in one of those innumerable attempts that came to nothing. Line after line of men had charged across an exposed place on a hillside, and just lay where they fell. There was no way to get to them; those who were not killed at once died slowly — but in any case they stayed all winter, and the smell of them made an invisible cloud that drifted slowly over the trenches, sometimes to the poilus and sometimes to the boches.
After talks like that Marcel would go back and paint. He made a painting that he called “Fear,” and for a while he didn't want anybody to see it; perhaps it was a confession of something in himself. He was so proud, so serene, and full of ardor for his beloved France — could it be that he had ever been terrified? The truth is that this complicated arrangement of pipes and tissues that comprise a man is so fragile, so soft and easily damaged, that nature has provided an automatic impulse to protect it. There are parts of it that can hurt so abominably — and in truth you would have difficulty in naming any part that you would care to have struck by a little steel cylinder moving at the rate of half a mile per second. The boches had this same feeling, and many Catholics among them carried on their persons magic formulas containing detailed specifications. “May God preserve me against all manner of arms and weapons, shot and cannon, long or short swords, knives or daggers, or carbines, halberds, or any thing that cuts or pierces, against thrusts of rapiers, long and short rifles, or guns, and suchlike, which have been forged since the birth of Christ; against all kinds of metal, be it iron or steel, brass or lead, ore or wood.” The poor devils lay dead upon the field with these prayers in their pockets.
Marcel painted a dim, mysterious form, the upper part of a human being, you couldn't be sure whether it was man or woman; it was shrouded in a sort of dark hood, and you saw only the face, and at first only the eyes, which had a faint glow, and were staring at you with a look that seized your own. The face was not distorted, the expression was subtler than that, it was a soul which had been acquainted with fear for a long time; and not just a physical fear, but a moral horror at a society in which men inflicted such things upon one another.
At least, that is what M. Rochambeau said after he had looked at the picture for a long time. He said it was quite extraordinary, and certainly none of the persons who saw it ever forgot it. But Marcel put it away. He said it wasn't a picture for wartime — not until the enemy could see it too!
IV
The British had failed in their efforts to take the Dardanelles, largely because they couldn't decide whether the taking was worth the cost. Now they were starting an advance from Salonika, a harbor in the north of Greece. That country had a pro-German king, and those beautiful islands which the Bluebird had visited had become lurking places of submarines seeking to destroy British commerce and the troopships which came heavily loaded from India and Australia. The entire Mediterranean was the scene of unresting naval war, and Lanny didn't need to look at war maps, because he had been to the places and had pictures of them in his eager mind.
When he and Jerry went fishing they watched every ship that passed — and there were great numbers — knowing that at any moment there might be an explosion and a pillar of black smoke. They never happened to see that, but they heard firing more than once, and ran to a high point of the Cap and with field glasses watched a sinking ship, and saw motorboats hurrying out to bring off survivors. Up and down the coast people told stories of hospital ships sunk with all on board, of loaded troopships torpedoed, of submarines rammed, or sunk by a well-aimed shot, or getting entangled in the chains and nets now set in front of harbors.
The fighting at Gallipoli had one important consequence for Lanny. The father of Rosemary Codwilliger was wounded, and in a hospital in Malta; this made the mother decide to spend the winter on the Riviera, where he could join her when he was able to be moved. “She says she's in need of a rest,” wrote the girl, “but I think it's to get me out of the notion of nursing. She's afraid I'll get to know people outside our social circle.”
The family wanted a quiet place, Rosemary added, and it happened that the Baroness Sophie had a little villa on the Cap, not the one she lived in. Lanny sent a snapshot of it to the girl, and as a result her family rented the place and set a date for their arrival; the mother, a widowed aunt, Rosemary herself, and her father whenever the doctors and the submarines would let him.
Lanny was sixteen now, and old enough to know that he was interested in girls. This grave and sweet English lass had captured his imagination, and he looked back upon the river Thames and its green and pleasant land as one of his happiest memories. He had met other girls on the Riviera, and had swum and boated and danced with them, but principally they interested him because they reminded him of Rosemary.
A year and a half had passed, and now she was coming, and Lanny hoped to be included in her social circle. His mother was a respectable married woman, and his stepfather had all but given his life in the war which was England's. Lanny had never met Rosemary's mother or aunt, but he hoped for success with them as in the case of the Frau Doktor Hofrat von und zu Nebenaltenberg — who now, by the way, was among the Germans interned on the ile Ste.-Marguerite, which Lanny could view from the veranda of his home.
The boy had told his mother about the English girl and how much he liked her; it would have been cruelty to withhold such news from Beauty, to whom it was the most interesting of subjects. She warned him not to expect too much from the English, because they were a peculiar people, rigidly bound by their own conventions. With Americans they were apt to go so far and no farther.
Just now Beauty had another love affair on her hands, that of Jerry Pendleton, who clamored for advice about French girls. He was finding in one of them such an odd mixture of fervor and reserve; and such a complication of mothers and aunts! Did Mrs. Detaze think that an American could be happy with a French wife? And would such a wife be happy in America? The situation was complicated by the fact that Jerry didn't know what he wanted to do with himself. He had come away fully determined to escape the drug store business; he dreamed of being a newspaperman, perhaps a foreign correspondent. But what would he do with a wife under those circumstances? Lanny's tutor, torn between his destinies, was much like Beauty having to choose between Pittsburgh and the Cap d'Antibes. Lanny's lessons suffered during the discussions — but he could always go and read the encyclopedia.
V
The three ladies and a maid arrived, and Lanny was at the train to meet them and take them to the villa. He had the keys, and knew the place and showed it to them. He had lived on the Cap all his life, and could tell them about the shops and services and other practical matters. Also he knew about servants — the innumerable relatives of Leese were available and the ladies had only to choose. The most exclusive English family could hardly reject the assistance of such a polite and agreeable youth.
Mrs. Codwilliger was a tall, thin-faced lady from whom Lanny might have learned how Rosemary would look when she was forty; but he didn't. She and her sister, tall and still thinner, were the daughters of Lord Dewthorpe, and estimated themselves accordingly. But when Lanny's mother offered to call, they could not say no; and when they heard the romantic story of the painter who stayed in his studio alone, never appearing in public without a veil, their deep English instincts of self-sufficiency were touched. When Lanny offered to lend them several of his stepfather's seascapes to remedy the rather crude taste in art of the baroness, they had to admit that the habitability of their home had been increased.
Rosemary was a year older than Lanny, which meant that she was now a young lady. As it happened, she was a very grand one, belonging to a set which managed to impress other people — they “got away with it,” to use the American slang. The youth was prepared to worship her at a distance. But they strolled off, and sat where they could see the moonlight flung across the water in showers of brilliant fire. There was a distant sound of music from the great hotel — all the lovely things which they remembered on the banks of the Thames.
So Lanny was moved, very timidly, to draw closer to this delightful being, and she did not seem to mind. When he gently touched her hand she did not draw it away, and presently they resumed, quite naturally and simply, the relation they had had in the old days. He put his arm about her, and after a while he kissed her, and they sat dissolved in the well-remembered bliss. But this time it did not stop at the same point.
Rosemary Codwilliger was a friend and admirer of that ardent suffragette, Miss Noggyns, who had so upset Kurt Meissner at The Reaches with the coming of the war these redoubtable ladies had dropped their agitation, but they expected to have their demands granted before the war was over; and what were they going to do with their new freedom? That they would go into Parliament, attend the universities, and move into all the professions — such things went without saying. But what would they do about love and sex and marriage? What would they do about the so-called “double standard,” which permitted men to have premarital sex relations without social disgrace, but denied that privilege to women?
Obviously, there were two alternatives. Women could adopt the double standard, or they could demand that men conform to the single standard. It soon appeared that the latter was very difficult, whereas the former was easy. The subject was made more complex by the possibility that not all women were alike; what might be pleasing to some might not be to all. In magazines, pamphlets, and books of the “feminist” movement these questions were vehemently debated, and the ideas were tried out by numbers of persons, with results not always according to schedule.
Rosemary's young mind was a ferment of these theories. First of all, she had been taught, you must be frank. You couldn't be so with the old people, of course; but young people in love, or thinking of being in love, had to be honest with each other and try to understand each other; love had to be a give and take, each respecting the other's personality, and so on. The problems of sex had apparently been changed by the discovery of birth control, which Mr. Bernard Shaw called “the most revolutionary discovery of the nineteenth century.” Since you no longer needed to have babies, the question to be considered was whether love would bring happiness to the lovers.
Rosemary was blond, with features regular and a manner gentle and serene. In many ways she reminded Lanny of his mother, and perhaps that was why she had drawn him so strongly. He was a mother's boy, used to being told what to do, and Rosemary was prepared to deal with him on that basis — it was, apparently, what they all meant by “women's rights.” Anyway, they sat in a remote and well-shadowed part of the garden, with arms around each other; and it seemed unavoidable that they should talk of intimate matters. Lanny told about love problems which puzzled him, and Rosemary imparted ideas which she had gathered from a weekly journal called the Freewoman.
When Lanny had listened to Kurt Meissner's expositions of German philosophy, he had attributed it all to Kurt's wonderful brain; so now he thought that Rosemary had worked out the theory of sexual equality for herself. Of course he was deeply impressed, and at first rather frightened. But after these ideas had been discussed for two or three evenings, they no longer seemed so strange; the boy who had become a man within the last year began to wonder whether all those words about freedom and happiness might possibly apply to him and his lovely friend. This had an alarming effect; a wave of excitement swept over him, and his teeth began to chatter and his hands to shake uncontrollably.
“What's the matter, Lanny?” asked the girl.
He didn't dare to answer at first, but finally he told her: “I'm afraid maybe I'm falling in love with you.” It was all as if it had never happened in the world before.
“Well, why not, Lanny?” she asked, gently.
“You mean — you really wouldn't mind?”
“You know I think you are a very dear boy.”
So he kissed her on the lips — the first time he had ever done that. They sat clasped together, and a clamor arose in him. He pressed her to him, and when she submitted, he began to fondle her more and more intimately. He knew then that the experience had come to him about which he had heard everybody talking, and which had been such a mystery in his thoughts.
The girl stayed his trembling hands. “You mustn't, Lanny. It wouldn't be safe.” Then she whispered: “I'll have to go to the house first, and get something.”
So they got up and walked. Lanny found his knees shaking, which perplexed him greatly. It must be what the French novelists call la grande passion! He waited some distance from the house while Rosemary went in — as it happened, there was company and no one paid any heed to her. Presently she came back, and they lost themselves in a secluded part of the garden, and there she taught him those things about which he had been so curious. At first his agitation was painful, but presently he was dissolved in a flood of bliss, which seemed to justify the theories of the “new women.” If he was happy and she was happy, why should the vague and remote “world” of their elders concern itself with their affairs?
VI
It wasn't long before Lanny told his mother about this affair. Impossible not to, because she asked pointed questions, and it would have been hurting her feelings to evade. Beauty's reaction to the disclosure was a peculiar one. She had been what you might call a practicing feminist, but without any theories; she had had her own way about love, but always with the proper feeling that she was doing wrong. It was hard to explain, but that feeling seemed necessary; you knew it was wrong, and that made it right. But to assert that it was right was a shocking boldness. And when a girl was only seventeen!' “Was she virgin?” asked Beauty, and added with distaste: “Certainly she didn't act like it.” Lanny didn't know and couldn't make inquiries.
Beauty couldn't altogether dislike Rosemary, but she never got over the idea that there was something alarming about her — a portent of a new world that Beauty didn't understand. The mother's feeling was that her dear little boy had been seduced, and that he was much too young. She took the problem to her husband, but failed to get him excited. “Nature knows a lot more about that than you do,” said the painter, and went on painting.
Springtime again on the Riviera, to Lanny the most delightful he had ever known. The flesh of woman was revealed to him, and the discovery transfused everything else in his life. The world and every common sight to him did seem appareled in celestial light, the glory and the freshness of a dream. Now for the first time he knew what music was about, and poetry, and dancing, not to mention the birds and the butterflies. The flowers had the colors of Rosemary, and she had their perfume. She was to him a being of magic, and when he was with her he never wanted to take his eyes from her, and when he wasn't with her he wished he was.
Of course he couldn't be with her all the time; because “what would people say?” The “world” did matter after all, it appeared. Cool and serene, Rosemary took charge. Lanny must go on with his studying, and not make her feel that she was a bad influence. When they boated and swam and played tennis, they must be with other young people, for appearance' sake; and the same in the evening-there must be some sort of pretext, a dance, a party, a sail — the young people all understood that, they all had the same desires, and would stroll away in couples, casually and innocently. They protected one another, a conspiracy of the new against the old.
Did Rosemary succeed in fooling her mother and her aunt? In those early days of the revolt of youth the old were in a peculiar state of emotional paralysis. They didn't dare to know; it was too awful to let themselves know — and yet of course they did. They would look at the young with fright in their eyes, and seldom dare to speak — for what could they say? Rosemary had given her answer in advance — she wanted to go out and earn her own living. Girls were nursing, they were; even getting jobs in munitions factories, wearing black overalls and filling shells with explosives. They were going out on the streets delivering tirades, calling on men to enlist, pinning white feathers on those who looked as if they ought to. And the things they were reading, and left around the house, careless of who might see them!
It had been prior to the outbreak of the war that Rosemary had fallen under the spell of one of those suffragettes — a teacher, it was. Still a child, with pigtails down her back, she had walked into the National Gallery with a hand ax concealed under her skirt, and at a prearranged signal had passed it to one of those notorious women who hadn't dared bring it in herself, because she was known and might be searched. And that not a crazy whim or a lark, but a means of reforming the world! Something they took up as a religion, for which they were willing to die! You might put them in jail, but they would only try to starve themselves to death; you wanted to say to the devil with them and let them do it, but you didn't dare.
VII
The German high command had made up its collective mind that in order to win the war they had to break through on the western front, and they had picked the fortress of Verdun as the place. This was the head of the original French defenses, the part which had not given way; a complex of fortifications covering various heights along both banks of the river Meuse. Now that the war had been going on for a year and a half, the technique of taking such fortifications had become well settled. You had to bring up enough heavy guns, and pile enough ammunition behind them, to reduce the enemy entrenchments to dust and rubble; then you put down what was called a “creeping barrage” of shells which exploded in small fragments, to destroy the men who had been hiding underground and who came up after your heavy bombardment. The “creeping barrage” moved forward, just ahead of your lines of infantry, which could thus advance in comparative safety, and take what was left of the trenches, an operation known as “mopping up.” The enemy would have line after line of trenches, and you had to repeat this same procedure and hope to break through finally and turn a “war of position” into a “war of movement.”
To stop such an attack, the French gunners had to be better than the Germans, and have more shells. The French airmen had to keep the mastery and bring in more information as to what was happening. But more than anything else, the plain everyday poilu had to crawl into his rabbit warrens, and those of him who were left alive had to pop up at the right moment, and hide in whatever shell holes might be left and shoot enough of the advancing Germans to discourage the rest. That was all there was to it, you just had to outstay the enemy. When you had fired all your cartridges, you got more from a dead comrade in the same shell hole. If the night passed and nobody brought you food, you starved. If it rained, you lay in the mud, and if the mud froze, you tried to keep your hands alive so that you could shoot.
The Verdun area covered a hundred square miles or so, and during the fighting it was turned into a chaos of shell craters and nothing else. Places like Fort Douaumont were taken and retaken a half-dozen times, and the living fought among the dead of both sides. The main battle began in February of 1916 and lasted until July without cessation, and after that off and on for a year. The Germans brought sixty-four divisions, which was more than a million men. The French fired more than ten million shells from field guns, and nearly two million from medium and heavy guns.
The German Crown Prince was in command, and that was one more reason for the French wanting to win. The whole world watched and waited while the armies staggered back and forth. A break-through might mean the German conquest of France, and nobody knew that better than the poilu; he invented for himself a chant, which became a sort of incantation, a spell to rouse the souls of men perishing of wounds and exhaustion, who yet would kill one more enemy before dying. “Passeront pas, passeront pas!” they sang or gasped. “They shall not pass.”
VIII
Such were the events some three hundred miles to the north of Lanny Budd while he was playing with love in springtime. He couldn't keep the war from troubling his conscience, but there was nothing he could do about it — especially not so long as he was under pledge to keep neutral. He was the one person of that sort he knew. Eddie Patterson was now driving an ambulance behind the lines at Verdun, and so his Sophie no longer had any motive for not hating the Germans, and she was hating them. All Lanny could say was: “Excuse me, I promised my father not to talk about the war.”
Budd's were now making small arms and ammunition in large quantities, and exclusively for the Allies. There was no way to make any for the Germans; the British blockade was too tight, and anyhow the British and French were on hand to buy everything you could produce, paying top prices on the nail. The big Wall Street banks took British and French bonds and sold them to the American public, and Budd's got the cash. Under Robbie's contract he was entitled to a commission on every deal. He would spend this money freely and gaily, as always; but he was a stubborn fellow, and nobody was going to get him to say that any nation of Europe — and that included the British Empire — was ever right about anything. Robbie had been on the inside, and knew they were all wrong.
Out of this came the first little rift between Lanny and his girlfriend. Rosemary wasn't satisfied to have him hold his tongue; she began to pin him down and ask what he really thought. When he repeated his formula, she wanted to know: “What are you, a man or a dummy? Do you have to think everything your father thinks? If I thought what my parents think, would I be here with you?” Lanny was troubled, because he had taken it for granted that this delightful young woman was as gentle as she looked. But apparently a sharp tongue was part of the equipment of every “feminist,” and first among “women's rights” was the right to tell her man what she thought of him.
Both British and French were bitter against the Americans, because they were not taking part in the war, but just making money out of it, and at the same time making objections to the blockade. Nearly all the Americans in France felt the same way, and were ashamed of their country. The conversation at Bienvenu was all along that line; and while Marcel was careful not to say anything in Lanny's presence, the boy knew that Marcel blamed Robbie because he was making money out of the French and at the same time withholding his sympathy from them. The painter was eaten up with anxiety all during the battle of Verdun; he would burst out with some expression of loathing for the “Huns,” and Lanny wouldn't say anything, and it would appear that a chill had fallen in the home. The relationship of stepfather and stepson is a complicated one at best, and this wasn't the best.
The boy would go off and try to think out by himself the problems of the war. He would remember things that Robbie had told him about the trickery of Allied diplomacy. Right now it was being said in America that the Allies had made secret treaties dividing up the spoils of the war they hadn't won; worse yet, they had promised the same territory to different peoples. Robbie would send articles about such matters to his son, finding ways to get them by the censor — and the consequence of knowing about such things was that the boy no longer fitted anywhere in France.
IX
Marcel painted a picture of the poilu, the savior of la patrie. He tried to put into it all his love for the men with whom he had trained and fought. When he was done, he said it wasn't good enough, he hadn't got what he wanted; but his friends thought differently; the painting was shown at a salon in Paris, and made a hit, and was taken up and reproduced in posters. Beauty thought that her husband would get satisfaction out of that service to his country; but nothing could please him, it appeared. He didn't want to be a popular painter — and anyhow, art was futility in a time like this.
So came a crisis in the affairs of this married pair. How rarely does it happen that two human creatures, with all their differences, weaknesses, moods can get along without quarreling! Beauty was carrying her cross, in the best evangelical church fashion; she was pouring out her own redemptive blood in the secrecy of her heart. But she couldn't be happy in her tragic situation, and the bitterness which she repressed was bound to escape at some spots in her life. She couldn't restrain her annoyance at this contrary attitude of Marcel. Why should a man go to the trouble of making pictures, and then not want to have people see them, even quarrel with those who wanted a chance to admire them? Why was it necessary to say something contrary every time his work was praised? In vain did Lanny, budding young critic, try to make plain to his mother that a true artist is wrestling with a vision of something higher and better, and cannot endure to be admired for what he knows is less than his best.
Out of this clash of temperaments came a terrible thing: Lanny came home one evening from his love-making to find his mother lying on her bed sobbing. Her husband had broached to her the idea of going back into the army. He had the crazy notion that he ought to be helping to hold the line at Verdun; he was a trained man, and France needed every one. He was as good as ever, he in insisted; he could march, and had tried long walks to make sure. He could handle a gun — the only thing wrong was that he was ugly, but out there in mud and powder smoke who would care?
Beauty had had a fit of hysterics and called him some bad names, an ingrate, a fool, and so on. If she meant no more to him than that, he would have to go — but he would never see her again. “I did it once, Marcel, but I won't do it a second time.”
She really meant it, so she declared to her son. She had reached the limit of endurance. If Marcel went, la patrie could take care of him next time in some soldiers' home. She said it with hardness in her face that was a new thing to Lanny; one does not wrestle with duty for long periods without going back to the moods and even the facial expressions of one's Puritan forefathers. But five minutes later Beauty broke down; her lips were trembling, and she was asking whether perhaps it was her impatience and lack of art sense which were making the painter dissatisfied with his lot.
So there was no peace in this woman's soul until midsummer, when the German attacks on the great fortress slowed up. By that time she had managed to get her man started upon another project — to paint a portrait of her. It is a use that every painter makes sooner or later of the woman he loves; if Marcel had it in him to do any portrait, she would be it. Beauty had changed, and what Marcel saw was the woman of anguish who had prayed to his soul, the woman of pity who talked to crippled soldiers and helped them to want to live.
She put on one of her nurse's uniforms and went over to the studio and sat for hours every day; an old story to her. Marcel painted her sitting in a chair with her hands folded, and all the grief of France in her face. “Sister of Mercy,” he was going to call her; and Beauty didn't have to act, because of the terror in her heart. She couldn't tell what turn the next great battle might take. She could only urge Marcel to take his time and get it perfect; she wanted him to have something he really believed in — so that he would stay a painter instead of a poilu!
X
Lanny's young dream of love died early in the month of May, and it wasn't a merry month for him. At that time the thoughts of English people on the Riviera turned to their lovely green island with its chilly breezes. Furthermore it developed that Rosemary's father had to be examined by surgeons at home; he was brought to Marseille, and from there north, and Lanny never met him.
“Darling, we shall see each other again,” said the girl. “You'll come to England, or I'll be coming here.”
“I'll wait for you — always,” said Lanny, fervently. “I want you to marry me, Rosemary.”
She looked startled. “Oh, Lanny, I don't think we can marry. I wouldn't count on that if I were you.”
The boy was startled in turn. “But why not?”
“We're much too young to think about it. I don't want to marry for a long time.”
“I can wait, Rosemary.”
“Darling, don't think about it, please. It wouldn't be fair to you.” Seeing the bewilderment in his face, she added: “It would make my parents so terribly unhappy if I were to marry outside our own sort of people.”
“But — but” — he had trouble in finding words. “Wouldn't it make them unhappy to know about our love?”
“They aren't going to know about that; and it's quite a different thing. Marriage is so serious; you have children, and property settlements, and all that bother; and there'd be the question whether our children were to be Americans or English. You might want to go to America to live —”
“I'm really not much of an American, Rosemary. I've never been there, and may never go.”
“You can't be sure; and my people wouldn't be sure. They'd make an awful fuss, I know.”
“Many English people marry Americans,” argued the boy. “Lord Eversham-Watson — I visited them, and they seemed quite happy.”
“I know, darling, it's done; and don't have your blessed feelings hurt — you know I love you, and we've been so happy, and will be some more. But if we tie ourselves down, and get our families to arguing and all that — it would be a frightful bore.”
Lanny was imperfectly educated in modern ideas, and couldn't get the thing clear in his mind. He wanted his adored one all the time, and couldn't imagine that she might not want him. Why was she so concerned about her family in this one matter, and so indifferent, even defiant, in others? He asked her to explain it, and she tried, groping to put into words things that were instinctive and unformulated. It appeared that young ladies of the English governing classes who joined the movement for equal rights wanted certain definite things, like being able to write M.P. after their names, and to have divorce on equal terms with men; but they didn't mean to interfere with the system whereby their families governed the realm. They accepted the idea that when the time came for marriage each should adopt some honored name with a peculiar spelling, and become the mistress of some beautiful old country house and the mother of future viscounts and barons, or at the least admirals and cabinet ministers.
“It mayn't be so easy to find an upper-class Englishman,” remarked the boy; “the way they're getting killed off in this war.”
“There'll be some left,” answered the girl, easily. She had only to look in the mirror to know that she had special advantages.
Lanny pondered some more, and then inquired: “Is it because I don't take sides in the war?”
“That's just a bit of it, Lanny. It helps me to realize that we shouldn't be happy; our ideas are so different, and our interests. Whatever happens to England, I have to be for her, and so will my children when I have them.”
“They are apt to go just so far and no farther,” Beauty had told her son. When he parted from Rosemary Codwilliger, pronounced Culliver, it was with tears and sighs on both sides, and a perfectly clear understanding that he might have a sweet and lovely mistress for an indefinite time, provided that he would come where she was, and do what she asked him to do. When Lanny told his mother about it, and she told Marcel, the painter remarked that the boy had been used as a guinea pig in a scientific experiment. When he learned that the boy was unhappy, he added that scientific experiments were not conducted for the benefit of the guinea pigs.