I
MRS. EMILY CHATTERSWORTH was the widow of a New York banker who had once held great power, controlling railroads and trust companies and what not; he had become involved in some Congressional investigation — it had been a long time ago, and nobody remembered just what it was, but the newspapers had exhibited bad manners, and the banker had decided that his native land was lacking in refinement. His widow had inherited his fortune and, being still good-looking, was described by Sophie, Baroness de la Tourette, as “an island entirely surrounded by French suitors.” Perhaps the country's laws regarding the property rights of married women were unsatisfactory to Mrs. Emily; anyhow, she had remained for years the sole mistress of Les Forêts, as her country estate was called.
The château was in French Renaissance style, a four-story structure of gray stone, built at the head of a little artificial lake. There was an esplanade in front, resembling the docks of a port, complete with several small lighthouses; when the lights were turned on at night the effect was impressive. At the front of the house, beyond the entrance drive, was a garden, the central feature of which was a great fleur-de-lis made of gold and purple flowers. Surrounding the place were smooth lawns shaded by chestnut trees, and beyond them were dark forests of beeches, for which the place had been named. In them were deer and pheasants, and in the kennels were dogs used for hunting in the fall. Among other interesting things was an orchid house, in which you might examine the strange and costly products of the jungles of South America, for as long as you could stand the moist heat in which they throve.
The rooms of this château were splendid, and had tapestries and works of art which connoisseurs came to study. Mrs. Emily knew what she had, and spoke of them with authority. She lived and entertained in the French manner, conducting what was called a salon — an arduous undertaking, a career all in itself. It meant inviting a number of celebrated men at regular intervals and giving them a chance to air their wit and erudition before others. Each one of these personages was conscious of his own importance, and resentful of the pretended importance of his rivals; to know who could get along with whom, and to reconcile all the vanities and jealousies, took skill and energy enough for a diplomat guarding the fate of nations.
Beauty Budd had very few pretensions to wit, and still fewer to erudition, but she possessed a treasure appreciated in any drawing room — she was easy to look at. She also possessed a full supply of womanly tact, and was naturally kind, and didn't quarrel with other ladies or try to take away their men. The weaker sex was supposed to do little talking at a salon; as among the fowls, it was the males who displayed the gorgeous plumage and made the loud noises. The company did not break up into groups, as was the custom in English and American drawing rooms. There would be a super-celebrity who would set the theme and do most of the expounding; the other celebrities would say their say, and the function of the hostess was to supervise and shepherd the conversation. The other ladies listened, and did not interrupt unless they were quite sure they had something supremely witty that could be uttered in a sentence or two. Generally they thought of it too late, and for that misfortune the French had a phrase, esprit de l'escalier, that is to say, staircase wit.
Of course it was not possible for an American woman, however wealthy, to have a really first-class salon in France. The fashionables and the intellectuals of that land were clannish, and it took a full lifetime to learn the subtleties of their differentiations. There were royalist salons and republican salons, Catholic salons and free-thought salons, literary and art salons, each its own little world, with but slight interest in foreigners. However, an American could provide a way for her fellow-countrymen to meet such Frenchmen as were international-minded, and Mrs. Emily, a handsome and stately lady, was conscientious about performing this service.
She would give dinner parties, also in the French manner, the hostess sitting midway between the ends of the table, putting the most important guest directly across from her, and then shading off to persons of least importance, who sat at the ends. There was a French phrase for that too, le bout de table. At dinner parties you did not chat with the person on either hand, but listened to those whose importance had been indicated by their seating. One of these was privileged to hold forth for a few minutes on any subject, and then he was expected to let the hostess indicate another performer. A cultivated people had been centuries evolving this routine, and to them it was extremely important.
II
There wasn't much place for children in Les Forêts, and they were rarely invited. But Mrs. Emily had met Lanny on the Riviera, and knew that he could be counted upon to wipe his feet before treading the heavy red velvet carpets which covered the entrance hall and went up the central stairway. He would stand for a long time looking at a painting in silence, and if he asked a question it would be an intelligent one. He never interrupted the conversation of his elders, and had listened to so many conversations that he was almost an elder himself. Mrs. Emily had suggested to Beauty that he might come and stay until they both were ready to return to Juan-les-Pins.
So here was Lanny, playing tennis with the children of the steward who managed the estate, swimming in the lake, riding the fine, high-strung horses, playing not too loudly upon a sonorous piano, and reading in a library where a pale and black-clad scholar had spent a lifetime cataloguing and watching over treasures. Here was a person worth listening to, and glad to have an audience. A week with M. Priedieu meant as much to Lanny Budd as a term in college. The old gentleman helped to orientate him in the world of books, making known to him the writers from whom he could find out about other writers; it was like giving him a map of the forests, so that he could go out and explore for himself.
Another educational influence was Mrs. Emily's mother, who was history. She had been a “Baltimore belle,” and told how beautiful she used to be and how the beaux had swarmed about her. Now she was in her mid-seventies, and had lovely golden curls which looked quite natural; Lanny was surprised when his mother told him how once the sprightly old lady had rocked with laughter and thrown her curls into her plate of soup. She was painted all pink and white over her many wrinkles, and was automatically driven to exercise charm upon anything that came along in trousers.
Lanny fell under her spell, and she told him how her daughter Emily had been born amid the sounds of battle; the Fifth New York regiment, marching through Baltimore on its way to defend Washington at the outbreak of the American Civil War, had fired upon the citizens. “That fixes her age at fifty-three, so she doesn't like to have it told on her, and you must keep it a secret; but Emily herself won't be able to keep it much longer unless she consents to dye her hair. Dear me, how I do rattle on!” said Mrs. Sally Lee Sibley; and she added: “What a hideous and ruinous thing that war was, and how lucky we are who don't have to see such things!”
Lanny was moved to tell how yesterday he had heard Prince Skobelkov remark that Russia ought to bring war on right now, because his country was ready and could never be more so. The old lady looked at the boy in horror and whispered: “Oh, no, no! Don't let anybody say such a thing! Oh, what wicked people!” Mrs. Sally Lee Sibley lived in Europe because it was her fate, but privately she hated it.
III
Of course a half-grown boy was not invited to a salon or to formal dinner parties; but there were house guests, and callers in great numbers, and Lanny met them, and listened to conversations about the state of Europe, in which persons who were on the inside of affairs talked freely, being among those who had a right to know. There was a Russian military mission in Paris, and the famous general, Prince Skobelkov, was a member of it; he found time to motor out and have tea, even in the midst of a world-shaking crisis. Also the French Senator Bidou-Lascelles, who said, in American poker language: “Germany is trying to use Austria to bluff Russia, and this will go on indefinitely unless we call the bluff.” The Prince assented, and added: “Our official information is that Austria is unprepared, and will prove a weak ally.”
Lanny listened, and thought that he didn't like these two old men. The Russian was large, red-faced, and tightly laced up, and spoke French explosively. The senator was baldheaded and paunchy, with a white imperial that waggled somewhat absurdly; he was an ardent Catholic, and fought for his Church party in the Senate, but to Lanny he didn't seem religious, but rather a little gnome plotting dreadful things. Lanny recollected the beautiful Austrian country through which he had passed, the mountain cottages with steep roofs to shed the snow, and the inns with fancy gilded signs. He thought of Kurt Meissner, and his brothers who were in the German army. Kurt was to come to Paris in a few days, to meet his “rubber” uncle and return home with him. Lanny had thought of having him invited to Les Forêts, but decided that it wouldn't do, with people voicing opinions like these.
Mrs. Emily had thrown her estate open for a charity bazaar, and booths had been set up, decorated with bunting and huge quantities of flowers. Everybody donated things to be sold, and the crowds came and bought them. It appeared that there were vast numbers of persons who had money enough to wear fashionable clothes, but couldn't get into the right society. Here they would have a chance, not merely to look at the gratin, as the inner circle was called, but even to speak to them.
It was a scheme devised to turn the weaknesses of human nature to a useful purpose. There were “cabbage patches” in Paris, too, and the poor who lived in them sometimes fell ill, and had to be cared for in hospitals, and this was the established way to raise the money. The most aloof of the great ladies of society offered themselves as bait, duchesses and countesses of the old nobility putting themselves on exhibition, and you might have the honor of addressing them. But you weren't to expect to have it cheaply, for the prices were graded according to those laws of precedence which ruled at dinner parties. A cousin of the Russian Tsar was in charge of the booth where Mrs. Emily's orchids were sold, and for the commonest of them you would have to part with a hundred-franc note, or twenty American dollars. Along with it you would get a charming smile from a regal person, and if you paid double the price asked, she might even hold out a hand to be kissed.
This was like a debut party for Lanny; he was to act as a sort of page, and run errands for the ladies, and he had on long trousers for the first time — a neat white linen suit made especially for the occasion. He felt extremely self-conscious, but knew he mustn't show it; he strolled about the soft green lawns and was introduced to many persons, and made himself helpful in every way he could think of. The grounds presented a gay picture; so many ladies with striped parasols and hats full of flowers and feathers and even whole birds.
Beauty was selling little bouquets, as she had done in London; she was notable in pale yellow taffeta embroidered with large green berries; the corsage prolonged into a polonaise, and the skirt of soft white muslin, cut narrow. With a throat low and sleeves short, Beauty made the most of her numèrous charms and was in a state of exaltation, as always when there were many people about and she knew they were admiring her; she had a smile for everybody, and a happy greeting, especially for gentlemen whom she discovered without a boutonnière. She would extend one seductively, saying: “Pour les pauvres.” When they asked the price she would say: “All you have,” and when they handed her a ten-franc note, she would thank them soulfully, and they would have to forget about the change, because she didn't have any.
Harry Murchison was there, following her everywhere with his eyes. He was a fair mark for the ladies, for he was known as a rich American, and handsome; they lured him to the booths, and he would buy whatever they offered, and then take it to another booth to be sold again by ladies equally charming. They made a game out of the whole thing — it could be nothing but that, of course, because there were persons here who could have built hospitals for all the poor of Paris if they had wanted to. But what they wanted was to dress up and display themselves. They sat at little tables and had Mrs. Emily's uniformed servants bring them tea and little cakes; they sipped and nibbled while they chatted, and paid double prices for what they got, and if there were any tips, these also went pour les pauvres.
IV
A day or two later there was a more exclusive tea party; Mrs. Emily's friends were invited to meet a famous writer. He was no stranger to Lanny Budd, because he had a villa at Antibes, and came there often, and went around wearing little round skullcaps of silk or velvet, always of a bright color and always different — he must have had a hundred of them. He was an old gentleman, tall and thin, with a large head and a long face, like a horse's. His name was Thibault, but he went by his pen name of Anatole France. Everybody talked about his books, but Lanny had got the impression that they were not for the young.
Now he came in a blue velvet coat and a large brown felt hat. He descended slowly from a motorcar, and was escorted to the shade of a great chestnut tree; once he was seated in a.lawn chair, all the ladies and gentlemen brought their chairs where they could sit and look and listen. As soon as he got started, everyone else was silent; they had come to hear him, and he knew it, and they knew it, and he knew that they knew it, and so on. Had he rehearsed in his mind what he was going to say? Very probably; but nobody minded that. He poured out for them a stream of ironic remarks, in an even tone, with a serious mien except for a twinkle in the bright old eyes. Now and then he would put his fingers together in front of him, and move them as if he were telling off the points in his mind.
Most of his talk was too subtle for a youngster. M. France had read everything that was old, and his mind was a storehouse of anecdotes and allusions to history, religion, and art; it was as if you were wandering through a museum so crowded that you hardly had room to move or time to see anything properly. Possibly there was only one person in the company who could understand everything the great man was saying, and that was M. Priedieu, the pale, ascetic librarian, who stood humbly on the outskirts and was not introduced. Lanny thought there was pain in his face, he being a reverent scholar, whereas M. France made mockery of everything he touched.
Somebody started to ask him a question beginning: “What do you think — ?” and he answered quicklyr “I am trying to cure myself of the habit of thinking, which is a great infirmity. May God preserve you from it, as He has preserved His greatest saints, and those whom He loves and destines to eternal felicity!”
Sooner or later the conversation of French ladies and gentlemen was apt to turn to the subject of love. On this also it appeared that the elderly author was skeptical. A saucy young lady asked him something about love in South America, and he made a laughing reply, and the company was vastly amused. Lanny didn't understand it, but afterward he gathered that M. France had once taken a lecture trip to the Argentine, and on the steamer had met a young actress; he had traveled with her, introducing her as his wife. Later, when he returned to France, he did not want her as a wife, but the young lady was disposed to insist, and there resulted a considerable scandal.
Also Lanny heard about a wealthy lady of Paris to whom this story had caused great distress. Madame de Caillavet was her name, and she was credited with having made the fame and fortune of Anatole France, setting up a salon for the display of his talents and driving this most indolent person to the task of writing books. She and her husband had maintained with France the relationship known as la vie à trois — life in threes, instead of pairs. No one had objected to that, but the Argentine actress had made four, and everyone considered her de trop.
Madame de Caillavet was dead now, so Anatole France no longer had a salon. Perhaps that was why it was possible for an American hostess to lure him to a tea party. After he had taken his departure, they all gossiped about him, saying as many malicious things as he himself had said about Cicero, Cleopatra, St. Cyprian, Joan of Arc, King Louis XV, the Empress Catherine of Russia, and many other personages of history whom he had quoted. However, all agreed that he was an extremely diverting person; they had been so well entertained that for two hours they had forgotten the disturbing news that the Austrian government had delivered to the Serbian government an ultimatum which practically required the abdication of the latter and the taking over of its police functions by Austrian officials.
V
Beauty went motoring with Harry Murchison. She was gone all day, and came back looking flushed and happy, and Lanny went to her room to chat. They would have little snatches like that — she would tell him where she had been, and the nice things that Prince This and Ambassador That had said to her.
But this time she wanted to talk about Harry. He was such an obliging and generous fellow, and his family in Pennsylvania was a very old one; he had an ancestor who had been a member of the First Continental Congress. Harry liked Lanny very much, calling him the best-mannered boy he had ever met; but he thought it was too bad for him not to have a chance to know his own country. “That's what Mr. Hackabury said, too,” remarked the boy.
But Beauty didn't want to talk about soap just then; she was interested in plate glass. “Tell me,” she persisted, “do you really like him?”
“Why, yes, I think he's all right.” Lanny was a bit reserved.
But then came a knockout. “How would you feel if I was to marry him?”
The boy would have had to be a highly trained diplomat to hide the dismay which smote him. The blood mounted to his cheeks, and he stared at his mother until she dropped her eyes. “Oh, Beauty!” he exclaimed. “What about Marcel?”
“Come sit here by me, dear,” she said. “It's not easy to explain such things to one so young. Marcel has never expected to marry me. He has no money and he knows that I have none.”
“But I don't understand. Would Robbie stop giving you money if you married?”
“No, dear, I don't mean that. But I can't always live on what Robbie gives me.”
“But why not, Beauty? Aren't we getting along all right?”
“You don't know about my affairs. I have an awful lot of debts; they drive me to distraction.”
“But why can't we go and live quietly at Bienvenu and not spend so much money?”
“I can't shut myself up like that, Lanny — I'm just not made for it. I'd have to give up all my friends, I couldn't travel anywhere, I couldn't entertain. And you wouldn't have any education — you wouldn't see the world as you've been doing —”
“Oh, please don't do it on my account!” the boy broke in. “I'd be perfectly happy to stay home and read books and play the piano.”
“You think you would, dear; but that's because you don't know enough about life. People like us have to have money and opportunities — so many things you will find that you want.”
“If I do, I can go to work and get them for myself, can't I?”
Beauty didn't answer; for of course that wasn't the real point; she was thinking about what she herself wanted right now. After a while Lanny ventured, in a low voice: “Marcel will be so unhappy!”
“Marcel has his art, dear. He's perfectly content to live in a hut and paint pictures all day.”
“Maybe he is, so long as you are there. But doesn't he miss you right now?”
“Are you so fond of him, Lanny?”
“I thought that was what you wanted!” the boy burst out. “I thought that was the way to be fair to you!”
“It was, dear; and it was sweet. I appreciate it more than I've ever told you. But there are circumstances that I cannot control.”
There was a pause, and the mother began to talk about Harry Murchison again. He had been in love with her for quite a while, and had been begging her to marry him; his love was a true and unselfish one. He was an unusually fine man, and could offer her things that others couldn't — not merely his money, but protection, and help in managing her affairs, in dealing with other people, who so often took advantage of her trustfulness and her lack of business knowledge.
“Harry has a lovely home in Pennsylvania, and we can go there to live, or we can travel — whatever we please. He's prepared to do everything he can for you; you can go to school if you like, or have a tutor — you can take Mr. Elphinstone to America with you, if you wish.”
But Lanny didn't care anything about Mr. Elphinstone; he didn't care anything about America. He loved their home at Juan, the friends he had there and the things he did there. “Tell me, Beauty,” he persisted, “don't you love Marcel any more?”
“In a way,” she answered; “but” — then she stopped, embarrassed.
“Has he done something that isn't fair to you?”
The boy saw the beginning of tears in his mother's eyes. “Lanny, I don't think it's right for you to take up notions like that, and cross-question me and try to pin me down —”
“But I'm only trying to understand, Beauty!”
“You can't understand, because you aren't old enough, and these things are complicated and difficult. It's hard for a woman to know her own heart, to say nothing of trying to explain it to her son.” “Well, I wish very much that you'd do what you can,” said Lanny, gravely. Something told him that this was a crisis in their lives; and how he wished he could grow up suddenly! “Can you love two men at the same time, Beauty?”
“That is what I've been asking myself for a long while. Apparently I can.” Beauty hadn't intended to make any such confession, but she was in a state of inner turmoil, and it was her nature to blurt things out. “My love for Marcel has always been that of a mother; I've thought of him as a helpless child that needed me.”
“Well, doesn't he still need you? And if he does, what is going to become of him?”
Tears were making their way onto Beauty's tender cheeks. She didn't answer, and Lanny wondered if it was because she had no answer. He was afraid of hurting his mother; but also he was afraid of seeing her hurt Marcel. He had watched them both on the yacht, and impressions of their love had been indelibly graven upon his mind. Marcel adored her; and what would he do without her?
“Tell me this, Beauty, have you told Harry you will marry him?”
“No, I haven't exactly said that; but he wants me so much —”
“Well, I don't think you ought to make up your mind to such a step in a hurry. If it's debts, you ought to talk to Robbie about them.”
“Oh, no, Lanny! I promised him I wouldn't have any debts.”
“Well, don't you think you ought to wait and talk to Marcel at least?” Lanny was growing up rapidly in the face of this crisis.
“Oh, I couldn't do that!”
“But what do you expect to do? Just walk off and leave him? Would that be fair, Beauty? It seems to me it would be dreadfully unkind!”
His mother was staring at him, greatly disconcerted. “Lanny, you oughtn't to talk to me like that. I'm your mother!”
“You're the best mother in the world,” declared the boy, with ardor. “But I don't want to see you do something that'll make us all unhappy. Please, Beauty, don't promise Harry till we've had time to think about it. Some day you may see me making some mistake, and then you'll be begging me to wait.”
Beauty began sobbing. “Oh, Lanny, I'm in such an awful mess! Harry will be so upset — I've kept him waiting too long!”
“Let him wait, all the same,” he insisted. He found himself suddenly taking the position of head of the family. “We just can't decide such a thing all at once.” Then, after a pause: “Tell me — does Harry know about Marcel?” “Yes, he knows, of course.” “But does he know how — how serious it is?” “He doesn't care, Lanny! He's in love with me.” “Well, he oughtn't to be — at least, I mean, he oughtn't try to take you away from us!”
VI
Lanny Budd, in the middle of his fifteenth year, had to sit down and figure out this complicated man and woman business. He had been collecting data from various persons, over a large section of Europe. They hadn't left him to find out about it in his own way, they had forced it upon him: Baron Livens-Mazursky, Dr. Bauer-Siemans, the Social-Democratic editor, Beauty, Marcel and Harry, Edna and Ezra Hackabury, Miss Noggyns and Rosemary, Sophie and her lover — Lanny had seen them embracing one evening on the deck of the Bluebird — Mrs. Emily, who had a leading French art critic as her ami, old M. France and his Madame de Caillavet and his Argentine actress — to say nothing of his jokes about the leading ladies and gentlemen of history, rather horrid persons, some of them. King Louis XV had said to one of his courtiers that one woman was the same as another, only first she must be bathed and then have her teeth attended to.
In this world into which Lanny Budd had been born, love was a game which people played for their amusement; a pastime on about the same level as bridge or baccarat, horse racing or polo. It was, incidentally, a duel between men and women, in which each tried to achieve prestige in the eyes of the other; that was what the salons were for, the dinner parties, the fashionable clothes, the fine houses, the works of art. Lanny couldn't have formulated that, but he observed the facts, and in a time of stress understanding came to him.
Concealment was an important aspect of nearly all love, as Lanny had observed it; and this seemed to indicate that many people disapproved of the practice — the church people, for example. He had never been to church, except for a fashionable wedding, or to look at stained-glass windows and architecture. But he knew that many society people professed to be religious, and now and then they repented of their love affairs and became actively pious. This was one of the most familiar aspects of life in France, and in French fiction. Sophie's mother-in-law, an elderly lady of the old nobility with a worthless and dissipated son, lived alone, wore black, kept herself surrounded by priests and nuns, and prayed day and night for the soul of the prodigal.
Of course, there were married persons who managed to stay together and raise families. Robbie was apparently that sort; he never went after women, so far as Lanny had heard; but he seldom referred to his family in Connecticut, so it hardly existed for the boy. Apparently the Pomeroy-Nielsons also got along with each other; but Lanny had heard so much of extramarital adventures, he somehow took it for granted that if you came to know a person well enough, you'd find some hidden affaire.
The fashionable people had a code under which they did what they pleased, and he had never heard any of them question this right. But evidently the outside world did question it, and that seemed to put the fashionable ones in a trying position. They had always to guard against a thing called “a scandal.” Lanny had commented upon this to Rick, who explained that “a scandal” was having your affaire get into newspapers. Because of the libel laws, this could happen only if it was dragged into court. In English country houses, everybody would know that Lord Black and Lady White were lovers, and all hostesses would put them in adjoining rooms; but never a word would be said about it, except among the “right” people, and it was an unforgivable offense to betray another person's love affair or do anything that would bring publicity upon it.
Lanny had been officially taught the “facts of life,” and so was beginning to know his way about in society. He had come to know who was whose, so to speak, and at the same time he knew that he wasn't supposed to know — unless the persons themselves allowed him to. There were things he mustn't say to them, and others he must never say to anyone. The persons he met might be doing something very evil, but if there hadn't been “a scandal,” they would be received in society, and it wasn't his privilege to set up a code and try to enforce it.
It had never before occurred to Lanny to find any serious fault with his darling Beauty. But now his quick mind could not fail to put two and two together. For years he had been hearing her tell her friends that she refused to “pay the price”; and now, how could he keep from believing that she was changing her mind? It was painful to have to face the idea that his adored mother might be selling herself to a handsome young millionaire in order to be able to have her gowns made by Paquin or Poiret, and to wear long ropes of genuine pearls as her friend Emily Chattersworth did! He told himself that there must be some reason why she was no longer happy with Marcel. The only thing he could think of was the painter's efforts to keep her from gambling, and from running into debt and losing her sleep. But Lanny had decided that Marcel was right about that.
VII
“I must go and see Isadora,” said Mrs. Emily. “Maybe Lanny would like to go along.”
Lanny cried: “Oh, thank you! I'd love it — more than anything.” For years he had been hearing about Isadora, and once he had seen her at a lawn party at Cannes, but he had never had an opportunity to meet her or even to see her dance. People raved about her in such terms that to the boy she was a fabulous being.
Harry Murchison telephoned, and when Beauty told him about the proposed trip, he begged to be allowed to drive them. Mrs. Emily gave her consent; it appeared that she was promoting the affair between Harry and Beauty, giving the latter what she considered sensible advice.
They set out, Lanny riding in the front seat beside the young scion of plate glass, who laid himself out to be agreeable. But Lanny was hard to please; he was polite, but reserved; he knew quite well that he wasn't being wooed for his own beautiful eyes. Harry Murchison was well dressed and dignified, and had been to college and all that, but his best friend couldn't have claimed that he was a brilliant talker. When it came to questions of art and the imagination, he would listen for a while, trying to find something to say that was safe.
For example, Harry had seen Isadora Duncan dance; and what could he say about it? He said that she danced on an empty stage, and with bare feet, and that people in Pittsburgh had considered that decidedly risqué. He said that she had an orchestra, and danced “classical” music — as if anybody had imagined her dancing a cake-walk! If you made him search his memory he might add that she had blue velvet curtains at the back of the stage, and wore draperies of different colors according to the music, and that people clapped and shouted and made her come on again and again.
But imagine Marcel Detaze talking about Isadora! In the first place, he would know what was unique in her art, and how it was related to other dancing. He would know the difference between free gestures and any sort of conventionalized form. He would know the names of the compositions she danced, and what they expressed — poignant grief, joy of nature, revolt against fate, springtime awakening — and as Marcel told you about them he would grieve, rejoice, revolt, or awaken. He would use many gestures, he would make you realize the feat that was being performed — one small woman's figure, alone and without the aid of scenery, embodying the deepest experiences of the human soul; struck down with grief, lifted up in ecstasy, sweeping across the stage in such a tumult that you felt you were watching a great procèssion.
In short, Lanny was all for French temperament, as against American common sense. Of course, plate glass was useful, perhaps even necessary to civilization; but what did Harry Murchison have to do with it, except that he happened to be the grandson of a man who had known about it? Harry got big dividend checks, and would get bigger ones when his father and mother died; but that was all. He had sense enough to find Pittsburgh smoky and boring, and had come to Paris in search of culture and beauty. And that was all right — only let him find some other beauty than that upon which Lanny and Marcel had staked their claims!
Mrs. Emily in the back seat was telling about the affaires of Isadora, and Lanny turned his head to listen. The dancer was another person who had been experimenting with the sex life. She was a “free lover” — a new term to Lanny. He gathered its meaning to be that she refused to conceal what she did. Defying the dreadful thing called “scandal,” she had had two children, one by a son of Ellen Terry, the actress, and the other by an American millionaire whom she called “Lohengrin.” The smart world could not overlook such an opportunity for entertaining itself, and delighted in a story that Isadora had once offered to have a child by Bernard Shaw, saying that such a child would have her beauty and his brains; to which the skeptical playwright had replied: “Suppose it should have my beauty and your brains?”
The jealous fates would not permit a woman to believe too much in happiness, or to practice what she preached. Early in the previous year a dreadful tragedy had befallen those two lovely children. They had been left in an automobile, and apparently the chauffeur had failed to set the brakes properly. The car had rolled down hill, crashed into a bridge, and plunged into deep water; the children had been taken out dead. The distracted mother had wandered over Europe, hardly knowing what she did; but now her friend “Lohengrin” had taken charge of her, and had purchased a great hotel in the environs of Paris, and Isadora was trying to restore herself to life by teaching other people's children to dance — and incidentally, so Mrs. Emily revealed, by having another child of her own.
VIII
The hotel at Bellevue was a large place with several hundred rooms; a commonplace building, but with lovely gardens sloping to the river, and from the terrace in front of it a view over the whole of Paris. The dining room had been turned into the dancing room, and there were Isadora's blue velvet curtains. Tiers of seats had been built on each side, where the pupils sat while the lessons were given on the floor. The teachers were the older pupils; the school had been going for only a few months, but already they had been able to give a festival at the Trocadéro and rouse an audience to transports of delight.
Isadora Duncan was a not very large woman, with abundant dark brown hair, regular features, a gentle, sad expression, and a figure of loveliness and grace. She had come from California, unknown and without resources, except her genius, and had created an art which held vast audiences spellbound in all the capitals of Europe and America. Even now, expecting a baby in a few days, she would step forward to show her troop of children some gesture; she would make a few simple movements against the background of her blue curtains, and something magical would happen, a spirit would be revealed, an intimation of glory. Even reclining on a couch, making motions with arms and hands, Isadora was noble and inspiring.
The music of a piano sounded and a group of children swung into action, eager, alert, radiating joy. Lanny Budd's whole being leaped with them. It took him back to Hellerau, but it was different, more spontaneous, lacking the basis of drill. In “Dalcroze” there was science; but these children caught a spirit — and Lanny, too, had that spirit; he knew instantly what they were doing. He could hardly keep his seat; for dancing is not something to be watched, it is something to be done.
Afterward they had lunch in the garden, the visitors, the teachers, and the children. “Lohengrin” was pouring out this prodigality, and to Lanny the place seemed a sort of artists' heaven. The children, boys and girls of all ages, wore tunics of bright colors; they lived on vegetarian foods, but it didn't keep them from having bright cheeks and eyes, and hearts full of love for Isadora, and for the beauty they were helping to create. Lanny exclaimed: “Oh, I'd like to come here, Beauty! Do you suppose Isadora would take me?”
“Perhaps she would,” said Beauty; and Mrs. Emily said she would ask her, if they meant it. Mrs. Emily had helped Isadora to become known, and the lovely white feet had danced more than once on the lawn under the chestnut trees at Les Forêts.
But suddenly Lanny thought, was he free just then to think about dancing? Didn't he have to stay with Beauty, and watch over her, and try to save poor Marcel from having his happiness ruined? Oh, this accursed sex problem!
Artists came to Bellevue, and sat upon a platform in the center of the hall and made sketches of the dancing children. At Meudon, not far away, was the studio of a famous sculptor, Auguste Rodin; a sturdy son of the people with a great spade beard, broad features, and ponderous form. He was an old man now, becoming feeble, but he could still make wonderful sketches. He sat near Lanny and, when the dancing was over, talked about the loveliness of it, and wished he could have had such models for all his work — models who lived, and moved, and brought harmony before the eyes in a thousand shifting forms. Lanny thought that this old man himself had been able to make marble and bronze live and move; he tried to say it, and the sculptor put his big hand on the boy's head, and told him to come to the studio some day and see the works which had not yet been given to the world.
Driving into Paris, the ladies talked about Rodin, who also was providing evidence about the love life! He was getting into- his dotage, and had fallen prey to an American woman, married to a Frenchman who bore one of the oldest and proudest names in history. “But that doesn't keep them from being bad characters,” said Mrs. Emily. She told how this pair had preyed upon the old artist and got him to sign away much of his precious work.
“Oh, dear, oh, dear!” exclaimed Beauty Budd. “What pitiful creatures men are!” She meant it for Harry, of course; but Lanny heard it and agreed. People wished to take love as a source of pleasure, but it seemed to bring them torment. The primrose path had thorns in it, and as time passed these thorns became dry and hard and sharper than a serpent's tooth.
They came into Paris at the hour when the shops and factories were closing, and the streets swarming with people. The crowds did not seem to be hurrying as usual; they would form groups and stand talking together. The newsboys were shouting everywhere, and the headlines on the papers were big enough so that motorists could read without stopping. La Guerre! was the gist of them all. Austria had that day declared war upon Serbia! And what was Russia going to do? What would Germany do? And France? And England? People stared at one another, unable to grasp the awful thing'that was crashing upon the world.