An Introduction to the Study of the Maya Hieroglyphs

SMITHSONIAN INSTITUTION
BUREAU OF AMERICAN ETHNOLOGY
BULLETIN 57

AN INTRODUCTION TO THE STUDY
OF THE MAYA HIEROGLYPHS

BY
SYLVANUS GRISWOLD MORLEY

WASHINGTON
GOVERNMENT PRINTING OFFICE
1915

LETTER OF TRANSMITTAL

Smithsonian Institution,
Bureau of American Ethnology,
Washington, D. C., January 7, 1914.

Sir: I have the honor to submit the accompanying manuscript of a memoir bearing the title "An Introduction to the Study of the Maya Hieroglyphs," by Sylvanus Griswold Morley, and to recommend its publication as a bulletin of the Bureau of American Ethnology.

The hieroglyphic writing developed by the Maya of Central America and southern Mexico was probably the foremost intellectual achievement of pre-Columbian times in the New World, and as such it deserves equal attention with other graphic systems of antiquity.

The earliest inscriptions now extant probably date from about the beginning of the Christian era, but such is the complexity of the glyphs and subject matter even at this early period, that in order to estimate the age of the system it is necessary to postulate a far greater antiquity for its origin. Indeed all that can be accepted safely in this direction is that many centuries must have elapsed before the Maya hieroglyphic writing could have been developed to the highly complex stage where we first encounter it.

The first student to make any progress in deciphering the Maya inscriptions was Prof. Ernst Förstemann, of the Royal Library at Dresden. About 1880 Professor Förstemann published a facsimile reproduction of the Dresden codex, and for the next twenty years devoted the greater part of his time to the elucidation of this manuscript. He it was who first discovered and worked out the ingenious vigesimal system of numeration used by the Maya, and who first pointed out how this system was utilized to record astronomical and chronological facts. In short, his pioneer work made possible all subsequent progress in deciphering Maya texts.

Curiously enough, about the same time, or a little later (in 1891), another student of the same subject, Mr. J. T. Goodman, of Alameda, California, working independently and without knowledge of Professor Förstemann's researches, also succeeded in deciphering the chronological parts of the Maya texts, and in determining the values of the head-variant numerals. Mr. Goodman also perfected some

tables, "The Archaic Chronological Calendar" and "The Archaic Annual Calendar," which greatly facilitate the decipherment of the calculations recorded in the texts.

It must be admitted that very little progress has been made in deciphering the Maya glyphs except those relating to the calendar and chronology; that is, the signs for the various time periods (days and months), the numerals, and a few name-glyphs; however, as these known signs comprise possibly two-fifths of all the glyphs, it is clear that the general tenor of the Maya inscriptions is no longer concealed from us. The remaining three-fifths probably tell the nature of the events which occurred on the corresponding dates, and it is to these we must turn for the subject matter of Maya history. The deciphering of this textual residuum is enormously complicated by the character of the Maya glyphs, which for the greater part are ideographic rather than phonetic; that is, the various symbols represent ideas rather than sounds.

In a graphic system composed largely of ideographic elements it is extremely difficult to determine the meanings of the different signs, since little or no help is to be derived from varying combinations of elements as in a phonetic system. In phonetic writing the symbols have fixed sounds, which are unchanging throughout, and when these values have once been determined, they may be substituted for the characters wherever they occur, and thus words are formed.

While the Maya glyphs largely represent ideas, indubitable traces of phoneticism and phonetic composition appear. There are perhaps half a dozen glyphs in all which are known to be constructed on a purely phonetic basis, and as the remaining glyphs are gradually deciphered this number will doubtless be increased.

The progress which has been made in deciphering the Maya inscriptions may be summarized as follows: The Maya calendar, chronology, and astronomy as recorded in the hieroglyphic texts have been carefully worked out, and it is unlikely that future discoveries will change our present conception of them. There remains, however, a group of glyphs which are probably non-calendric, non-chronologic, and non-astronomic in character. These, it may be reasonably expected, will be found to describe the subject matter of Maya history; that is, they probably set forth the nature of the events which took place on the dates recorded. An analogy would be the following: Supposing, in scanning a history of the United States, only the dates could be read. We would find, for example, July 4, 1776, followed by unknown characters; April 12, 1861, by others; and March 4, 1912, by others. This, then, is the case with the Maya glyphs—we find dates followed by glyphs of unknown meaning, which presumably set forth the nature of the corresponding events. In a word, we know now the

chronologic skeleton of Maya history; it remains to work out the more intimate details which alone can make it a vital force.

The published writings on the subject of the Maya hieroglyphs have become so voluminous, and are so widely scattered and inaccessible, that it is difficult for students of Central American archeology to become familiar with what has been accomplished in this important field of investigation. In the present memoir Mr. Morley, who has devoted a number of years to the study of Maya archeology, and especially to the hieroglyphs, summarizes the results of these researches to the present time, and it is believed that this Introduction to the Study of the Maya Hieroglyphs will be the means of enabling ready and closer acquaintance with this interesting though intricate subject.

Very respectfully,

F. W. Hodge,

Ethnologist-in-Charge.

Dr. Charles D. Walcott,

Secretary of the Smithsonian Institution,

Washington, D. C.

PREFACE

With the great expansion of interest in American archeology during the last few years there has grown to be a corresponding need and demand for primary textbooks, archeological primers so to speak, which will enable the general reader, without previous knowledge of the science, to understand its several branches. With this end in view, the author has prepared An Introduction to the Study of the Maya Hieroglyphs.

The need for such a textbook in this particular field is suggested by two considerations: (1) The writings of previous investigators, having been designed to meet the needs of the specialist rather than those of the beginner, are for the greater part too advanced and technical for general comprehension; and (2) these writings are scattered through many publications, periodicals as well as books, some in foreign languages, and almost all difficult of access to the average reader.

To the second of these considerations, however, the writings of Mr. C. P. Bowditch, of Boston, Massachusetts, offer a conspicuous exception, particularly his final contribution to this subject, entitled "The Numeration, Calendar Systems, and Astronomical Knowledge of the Mayas," the publication of which in 1910 marked the dawn of a new era in the study of the Maya hieroglyphic writing. In this work Mr. Bowditch exhaustively summarizes all previous knowledge of the subject, and also indicates the most promising lines for future investigation. The book is a vast storehouse of heretofore scattered material, now gathered together for the first time and presented to the student in a readily accessible form. Indeed, so thorough is its treatment, the result of many years of intensive study, that the writer would have hesitated to bring out another work, necessarily covering much of the same ground, had it not been for his belief that Mr. Bowditch's book is too advanced for lay comprehension. The Maya hieroglyphic writing is exceedingly intricate; its subject matter is complex and its forms irregular; and in order to be understood it must be presented in a very elementary way. The writer believes that this primer method of treatment has not been followed in the publication in question and, furthermore, that the omission of specimen texts, which would give the student practice in deciphering the glyphs, renders it too technical for use by the beginner.

Acknowledgment should be made here to Mr. Bowditch for his courtesy in permitting the reproduction of a number of drawings from his book, the examples of the period, day and month glyphs figured being derived almost entirely from this source; and in a larger sense for his share in the establishment of instruction in this field of research at Harvard University where the writer first took up these studies.

In the limited space available it would have been impossible to present a detailed picture of the Maya civilization, nor indeed is this essential to the purpose of the book. It has been thought advisable, however, to precede the general discussion of the hieroglyphs with a brief review of the habitat, history, customs, government, and religion of the ancient Maya, so that the reader may gather a general idea of the remarkable people whose writing and calendar he is about to study.

CONTENTS

List of Tables

ILLUSTRATIONS

BIBLIOGRAPHY

Aguilar, Sanchez de. 1639. Informe contra idolorum cultores del Obispado de Yucatan. Madrid. (Reprint in Anales Mus. Nac. de Mexico, VI, pp. 17-122, Mexico, 1900.)

Bowditch, Charles P. 1901 a. Memoranda on the Maya calendars used in the Books of Chilan Balam. Amer. Anthr., n. s., III, No. 1, pp. 129-138, New York.

—— 1906. The Temples of the Cross, of the Foliated Cross, and of the Sun at Palenque. Cambridge, Mass.

—— 1909. Dates and numbers in the Dresden Codex. Putnam Anniversary Volume, pp. 268-298, New York.

—— 1910. The numeration, calendar systems, and astronomical knowledge of the Mayas. Cambridge, Mass.

Brasseur de Bourbourg, C. E. 1869-70. Manuscrit Troano. Études sur le système graphique et la langue des Mayas. 2 vols. Paris.

Brinton, Daniel G. 1882 b. The Maya chronicles. Philadelphia. (No. 1 of Brinton's Library of Aboriginal American Literature.)

—— 1894 b. A primer of Mayan hieroglyphics. Pubs. Univ. of Pa., Ser. in Philol., Lit., and Archeol., III, No. 2.

Bulletin 28 of the Bureau of American Ethnology, 1904: Mexican and Central American antiquities, calendar systems, and history. Twenty-four papers by Eduard Seler, E. Förstemann, Paul Schellhas, Carl Sapper, and E. P. Dieseldorff. Translated from the German under the supervision of Charles P. Bowditch.

Cogolludo, D. L. 1688. Historia de Yucathan. Madrid.

Cresson, H. T. 1892. The antennæ and sting of Yikilcab as components in the Maya day-signs. Science, XX, pp. 77-79, New York.

Dieseldorff, E. P. See Bulletin 28.

Förstemann, E. 1906. Commentary on the Maya manuscript in the Royal Public Library of Dresden. Papers Peabody Mus., IV, No. 2, pp. 48-266, Cambridge. See also Bulletin 28.

Gates, W. E. 1910. Commentary upon the Maya-Tzental Perez Codex, with a concluding note upon the linguistic problem of the Maya glyphs. Papers Peabody Mus., VI, No. 1, pp. 5-64, Cambridge.

Goodman, J. T. 1897. The archaic Maya inscriptions. (Biologia Centrali-Americana, Archæology, Part XVIII. London.) [See Maudslay, 1889-1902.]

—— 1905. Maya dates. Amer. Anthr., n. s., VII, pp. 642-647, Lancaster, Pa.

Hewett, Edgar L. 1911. Two seasons' work in Guatemala. Bull. Archæol. Inst. of America, II, pp. 117-134, Norwood, Mass.

Holmes, W. H. 1907. On a nephrite statuette from San Andrés Tuxtla, Vera Cruz, Mexico. Amer. Anthr., n. s., IX, No. 4, pp. 691-701, Lancaster, Pa.

Landa, Diego de. 1864. Relacion de las cosas de Yucatan. Paris.

Le Plongeon, A. 1885. The Maya alphabet. Supplement to Scientific American, vol. XIX, Jan. 31, pp. 7572-73, New York.

Maler, Teobert. 1901. Researches in the central portion of the Usumatsintla valley. Memoirs Peabody Mus., II, No. 1, pp. 9-75, Cambridge.

—— 1903. Researches in the central portion of the Usumatsintla valley. [Continued.] Ibid., No. 2, pp. 83-208.

—— 1908 a. Explorations of the upper Usumatsintla and adjacent region. Ibid., IV, No. 1, pp. 1-51.

Maler, Teobert. 1908 b. Explorations in the Department of Peten, Guatemala, and adjacent region. Ibid., No. 2, pp. 55-127.

—— 1910. Explorations in the Department of Peten, Guatemala, and adjacent region. [Continued.] Ibid., No. 3, pp. 131-170.

—— 1911. Explorations in the Department of Peten, Guatemala. Tikal. Ibid., V, No. 1, pp. 3-91, pls. 1-26.

Maudslay, A. P. 1889-1902. Biologia Centrali-Americana, or contributions to the knowledge of the flora and fauna of Mexico and Central America. Archæology. 4 vols. of text and plates. London.

Morley, S. G. 1910 b. Correlation of Maya and Christian chronology. Amer. Journ. Archeol., 2d ser., XIV, pp. 193-204, Norwood, Mass.

—— 1911. The historical value of the Books of Chilan Balam. Ibid., XV, pp. 195-214.

Ponce, Fray Alonzo. 1872. Relacion breve y verdadera de algunas cosas de las muchas que sucedieron al Padre Fray Alonzo Ponce, Comisario General en las provincias de Nueva España. Colección de documentos ineditos para la historia de España, LVII, LVIII. Madrid.

Rosny, Leon de. 1876. Essai sur le déchiffrement de l'écriture hiératique de l'Amérique Centrale. Paris.

Sapper, Carl. See Bulletin 28.

Schellhas, Paul. See Bulletin 28.

Seler, Eduard. 1901 c. Die alten Ansiedelungen von Chaculá im Distrikte Nenton des Departements Huehuetenango der Republik Guatemala. Berlin.

—— 1902-1908. Gesammelte Abhandlungen zur amerikanischen Sprach- und Alterthumskunde. 3 vols. Berlin. See also Bulletin 28.

Spinden, H. J. 1913. A study of Maya art, its subject-matter and historical development. Memoirs Peabody Mus., VI, pp. 1-285, Cambridge.

Stephens, J. L. 1841. Incidents of travel in Central America, Chiapas, and Yucatan. 2 vols. New York.

—— 1843. Incidents of travel in Yucatan. 2 vols. New York.

Thomas, Cyrus. 1893. Are the Maya hieroglyphs phonetic? Amer. Anthr., VI, No. 3, pp. 241-270, Washington.

Villagutierre, Sotomayor J. 1701. Historia de la conquista de la provinzia de el Itza, reduccion, y progressos de la de el Lacandon y otras naciones de el reyno de Guatimala, a las provincias de Yucatan, en la America septentrional. Madrid.

BUREAU OF AMERICAN ETHNOLOGYBULLETIN 57 PLATE 1

THE MAYA TERRITORY, SHOWING LOCATIONS OF PRINCIPAL CITIES

AN INTRODUCTION TO THE STUDY OF THE MAYA HIEROGLYPHS

By SYLVANUS GRISWOLD MORLEY

Chapter I. THE MAYA

Habitat

Broadly speaking, the Maya were a lowland people, inhabiting the Atlantic coast plains of southern Mexico and northern Central America. (See pl. [1].) The southern part of this region is abundantly watered by a network of streams, many of which have their rise in the Cordillera, while the northern part, comprising the peninsula of Yucatan, is entirely lacking in water courses and, were it not for natural wells (cenotes) here and there, would be uninhabitable. This condition in the north is due to the geologic formation of the peninsula, a vast plain underlaid by limestone through which water quickly percolates to subterranean channels.

In the south the country is densely forested, though occasional savannas break the monotony of the tropical jungles. The rolling surface is traversed in places by ranges of hills, the most important of which are the Cockscomb Mountains of British Honduras; these attain an elevation of 3,700 feet. In Yucatan the nature of the soil and the water-supply not being favorable to the growth of a luxuriant vegetation, this region is covered with a smaller forest growth and a sparser bush than the area farther southward.

The climate of the region occupied by the Maya is tropical; there are two seasons, the rainy and the dry. The former lasts from May or June until January or February, there being considerable local variation not only in the length of this season but also in the time of its beginning.

Deer, tapirs, peccaries, jaguars, and game of many other kinds abound throughout the entire region, and doubtless formed a large part of the food supply in ancient times, though formerly corn was the staple, as it is now.

There are at present upward of twenty tribes speaking various dialects of the Maya language, perhaps half a million people in all. These live in the same general region their ancestors occupied, but under greatly changed conditions. Formerly the Maya were the van of civilization in the New World,[^[1]] but to-day they are a dwindling

race, their once remarkable civilization is a thing of the past, and its manners and customs are forgotten.

History

The ancient Maya, with whom this volume deals, emerged from barbarism probably during the first or second century of the Christian Era; at least their earliest dated monument can not be ascribed with safety to a more remote period.[^[2]] How long a time had been required for the development of their complex calendar and hieroglyphic system to the point of graphic record, it is impossible to say, and any estimate can be only conjectural. It is certain, however, that a long interval must have elapsed from the first crude and unrelated scratches of savagery to the elaborate and involved hieroglyphs found on the earliest monuments, which represent not only the work of highly skilled sculptors, but also the thought of intensively developed minds. That this period was measured by centuries rather than by decades seems probable; the achievement was far too great to have been performed in a single generation or even in five or ten.

It seems safe to assume, therefore, that by the end of the second century of the Christian Era the Maya civilization was fairly on its feet. There then began an extraordinary development all along the line. City after city sprang into prominence throughout the southern part of the Maya territory,[^[3]] each contributing its share to the general progress and art of the time. With accomplishment came confidence and a quickening of pace. All activities doubtless shared in the general uplift which followed, though little more than the material evidences of architecture and sculpture have survived the ravages of the destructive environment in which this culture flourished; and it is chiefly from these remnants of ancient Maya art that the record of progress has been partially reconstructed.

This period of development, which lasted upward of 400 years, or until about the close of the sixth century, may be called

perhaps the "Golden Age of the Maya"; at least it was the first great epoch in their history, and so far as sculpture is concerned, the one best comparable to the classic period of Greek art. While sculpture among the Maya never again reached so high a degree of perfection, architecture steadily developed, almost to the last. Judging from the dates inscribed upon their monuments, all the great cities of the south flourished during this period: Palenque and Yaxchilan in what is now southern Mexico; Piedras Negras, Seibal, Tikal, Naranjo, and Quirigua in the present Guatemala; and Copan in the present Honduras. All these cities rose to greatness and sank again into insignificance, if not indeed into oblivion, before the close of this Golden Age.

The causes which led to the decline of civilization in the south are unknown. It has been conjectured that the Maya were driven from their southern homes by stronger peoples pushing in from farther south and from the west, or again, that the Maya civilization, having run its natural course, collapsed through sheer lack of inherent power to advance. Which, if either, of these hypotheses be true, matters little, since in any event one all-important fact remains: Just after the close of Cycle 9 of Maya chronology, toward the end of the sixth century, there is a sudden and final cessation of dates in all the southern cities, apparently indicating that they were abandoned about this time.

Still another condition doubtless hastened the general decline if indeed it did no more. There is strong documentary evidence[^[4]] that about the middle or close of the fifth century the southern part of Yucatan was discovered and colonized. In the century following, the southern cities one by one sank into decay; at least none of their monuments bear later dates, and coincidently Chichen Itza, the first great city of the north, was founded and rose to prominence. In the absence of reliable contemporaneous records it is impossible to establish the absolute accuracy of any theory relating to times so

remote as those here under consideration; but it seems not improbable that after the discovery of Yucatan and the subsequent opening up of that vast region, the southern cities commenced to decline. As the new country waxed the old waned, so that by the end of the sixth century the rise of the one and the fall of the other had occurred.

The occupation and colonization of Yucatan marked the dawn of a new era for the Maya although their Renaissance did not take place at once. Under pressure of the new environment, at best a parched and waterless land, the Maya civilization doubtless underwent important modification.[^[5]] The period of colonization, with the strenuous labor by which it was marked, was not conducive to progress in the arts. At first the struggle for bare existence must have absorbed in a large measure the energies of all, and not until their foothold was secure could much time have been available for the cultivation of the gentler pursuits. Then, too, at first there seems to have been a feeling of unrest in the new land, a shifting of homes and a testing of localities, all of which retarded the development of architecture, sculpture, and other arts. Bakhalal (see pl. [1]), the first settlement in the north, was occupied for only 60 years. Chichen Itza, the next location, although occupied for more than a century, was finally abandoned and the search for a new home resumed. Moving westward from Chichen Itza, Chakanputun was seized and occupied at the beginning of the eighth century. Here the Maya are said to have lived for 260 years, until the destruction of Chakanputun by fire about 960 A. D. again set them wandering. By this time, however, some four centuries had elapsed since the first colonization of the country, and they doubtless felt themselves fully competent to cope with any problems arising from their environment. Once more their energies had begun to find outlet in artistic expression. The Transitional Period was at an end, and The Maya Renaissance, if the term may be used, was fully under way.

The opening of the eleventh century witnessed important and far-reaching political changes in Yucatan. After the destruction of Chakanputun the horizon of Maya activity expanded. Some of the fugitives from Chakanputun reoccupied Chichen Itza while others established themselves at a new site called Mayapan. About this time also the city of Uxmal seems to have been founded. In the year 1000 these three cities—Chichen Itza, Uxmal, and Mayapan—formed a confederacy,[^[6]] in which each was to share equally in the government of the country. Under the peaceful conditions which

followed the formation of this confederacy for the next 200 years the arts blossomed forth anew.

This was the second and last great Maya epoch. It was their Age of Architecture as the first period had been their Age of Sculpture. As a separate art sculpture languished; but as an adjunct, an embellishment to architecture, it lived again. The one had become handmaiden to the other. Façades were treated with a sculptural decoration, which for intricacy and elaboration has rarely been equaled by any people at any time; and yet this result was accomplished without sacrifice of beauty or dignity. During this period probably there arose the many cities which to-day are crumbling in decay throughout the length and breadth of Yucatan, their very names forgotten. When these were in their prime, the country must have been one great beehive of activity, for only a large population could have left remains so extensive.

This era of universal peace was abruptly terminated about 1200 A. D. by an event which shook the body politic to its foundations and disrupted the Triple Alliance under whose beneficent rule the land had grown so prosperous. The ruler of Chichen Itza, Chac Xib Chac, seems to have plotted against his colleague of Mayapan, one Hunnac Ceel, and in the disastrous war which followed, the latter, with the aid of Nahua allies,[^[7]] utterly routed his opponent and drove him from his city. The conquest of Chichen Itza seems to have been followed during the thirteenth century by attempted reprisals on the part of the vanquished Itza, which plunged the country into civil war; and this struggle in turn paved the way for the final eclipse of Maya supremacy in the fifteenth century.

After the dissolution of the Triple Alliance a readjustment of power became necessary. It was only natural that the victors in the late war should assume the chief direction of affairs, and there is strong evidence that Mayapan became the most important city in the land. It is not improbable also that as a result of this war Chichen Itza was turned over to Hunnac Ceel's Nahua allies, perhaps in recognition of their timely assistance, or as their share in the spoils of war. It is certain that sometime during its history Chichen Itza came under a strong Nahua influence. One group of buildings in particular[^[8]] shows in its architecture and bas-reliefs that it was undoubtedly inspired by Nahua rather than by Maya ideals.

According to Spanish historians, the fourteenth century was characterized by increasing arrogance and oppression on the part of the rulers of Mayapan, who found it necessary to surround themselves with Nahua allies in order to keep the rising discontent of their

subjects in check.[^[9]] This unrest finally reached its culmination about the middle of the fifteenth century, when the Maya nobility, unable longer to endure such tyranny, banded themselves together under the leadership of the lord of Uxmal, sacked Mayapan, and slew its ruler.

All authorities, native as well as Spanish, agree that the destruction of Mayapan marked the end of strongly centralized government in Yucatan. Indeed there can be but little doubt that this event also sounded the death knell of Maya civilization. As one of the native chronicles tersely puts it, "The chiefs of the country lost their power." With the destruction of Mayapan the country split into a number of warring factions, each bent on the downfall of the others. Ancient jealousies and feuds, no longer held in leash by the restraining hand of Mayapan, doubtless revived, and soon the land was rent with strife. Presently to the horrors of civil war were added those of famine and pestilence, each of which visited the peninsula in turn, carrying off great numbers of people.

These several calamities, however, were but harbingers of worse soon to come. In 1517 Francisco de Cordoba landed the first Spanish expedition[^[10]] on the shores of Yucatan. The natives were so hostile, however, that he returned to Cuba, having accomplished little more than the discovery of the country. In the following year Juan de Grijalva descended on the peninsula, but he, too, met with so determined a resistance that he sailed away, having gained little more than hard knocks for his pains. In the following year (1519) Hernando Cortez landed on the northeast coast but reembarked in a few days for Mexico, again leaving the courageous natives to themselves. Seven years later, however, in 1526, Francisco Montejo, having been granted the title of Adelantado of Yucatan, set about the conquest of the country in earnest. Having obtained the necessary "sinews of war" through his marriage to a wealthy widow of Seville, he sailed with 3 ships and 500 men for Yucatan. He first landed on the island of Cozumel, off the northeast coast, but soon proceeded to the mainland and took formal possession of the country in the name of the King of Spain. This empty ceremony soon proved to be

but the prelude to a sanguinary struggle, which broke out almost immediately and continued with extraordinary ferocity for many years, the Maya fighting desperately in defense of their homes. Indeed, it was not until 14 years later, on June 11, 1541 (old style), that, the Spaniards having defeated a coalition of Maya chieftains near the city of Ichcanzihoo, the conquest was finally brought to a close and the pacification of the country accomplished. With this event ends the independent history of the Maya.

Manners and Customs

According to Bishop Landa,[^[11]] who wrote his remarkable history of Yucatan in 1565, the Maya of that day were a tall race, active and strong. In childhood the forehead was artificially flattened and the ears and nose were pierced for the insertion of earrings and nose-ornaments, of which the people were very fond. Squint-eye was considered a mark of beauty, and mothers strove to disfigure their children in this way by suspending pellets of wax between their eyes in order to make them squint, thus securing the desired effect. The faces of the younger boys were scalded by the application of hot cloths, to prevent the growth of the beard, which was not popular. Both men and women wore their hair long. The former had a large spot burned on the back of the head, where the hair always remained short. With the exception of a small queue, which hung down behind, the hair was gathered around the head in a braid. The women wore a more beautiful coiffure divided into two braids. The faces of both sexes were much disfigured as a result of their religious beliefs, which led to the practice of scarification. Tattooing also was common to both sexes, and there were persons in almost every community who were especially proficient in this art. Both men and women painted themselves red, the former decorating their entire bodies, and the latter all except their faces, which modesty decreed should be left unpainted. The women also anointed themselves very freely with fragrant gums and perfumes. They filed their teeth to sharp points, a practice which was thought to enhance their beauty.

The clothing of the men was simple. They wore a breechclout wrapped several times around the loins and tied in such a way that one end fell in front between the legs and the other in the

corresponding position behind. These breechclouts were carefully embroidered by the women and decorated with featherwork. A large square cape hung from the shoulders, and sandals of hemp or leather completed the costume. For persons of high rank the apparel was much more elaborate, the humble breechclout and cape of the laboring man giving place to panaches of gorgeously colored feathers hanging from wooden helmets, rich mantles of tiger skins, and finely wrought ornaments of gold and jade.

The women sometimes wore a simple petticoat, and a cloth covering the breasts and passing under the arms. More often their costume consisted of a single loose sacklike garment called the hipil, which reached to the feet and had slits for the arms. This garment, with the addition of a cloth or scarf wrapped around the shoulders, constituted the women's clothing a thousand years ago, just as it does to-day.

In ancient times the women were very chaste and modest. When they passed men on the road, they stepped to one side, turning their backs and hiding their faces. The age of marriage was about 20, although children were frequently affianced when very young. When boys arrived at a marriageable age their fathers consulted the professional matchmakers of the community, to whom arrangements for marriage were ordinarily intrusted, it being considered vulgar for parents or their sons to take an active part in arranging these affairs. Having sought out the girl's parents, the matchmaker arranged with them the matter of the dowry, which the young man's father paid, his wife at the same time giving the necessary clothing for her son and prospective daughter-in-law. On the day of the wedding the relatives and guests assembled at the house of the young man's parents, where a great feast had been prepared. Having satisfied himself that the young couple had sufficiently considered the grave step they were about to take, the priest gave the bride to her husband. The ceremony closed with a feast in which all participated. Immediately after the wedding the young husband went to the home of his wife's parents, where he was obliged to work five or six years for his board. If he refused to comply with this custom he was driven from the house, and the marriage presumably was annulled. This step seems rarely to have been necessary, however, and the mother-in-law on her part saw to it that her daughter fed the young husband regularly, a practice which betokened their recognition of the marriage rite.

Widowers and widows married without ceremony, it being considered sufficient for a widower to call on his prospective wife and eat in her house. Marriage between people of the same name was considered an evil practice, possibly in deference to some former exogamic law. It was thought improper to marry a mother-in-law or an aunt

by marriage, or a sister-in-law; otherwise a man could marry whom he would, even his first cousin.

The Maya were of a very jealous nature and divorces were frequent. These were effected merely by the desertion of the husband or wife, as the case might be. The parents tried to bring the couple together and effect a reconciliation, but if their efforts proved unsuccessful both parties were at liberty to remarry. If there were young children the mother kept them; if the children were of age the sons followed the father, the daughters remaining with their mother. Although divorce was of common occurrence, it was condemned by the more respectable members of the community. It is interesting to note that polygamy was unknown among the Maya.

Agriculture was the chief pursuit, corn and other grains being extensively cultivated, and stored against time of need in well-appointed granaries. Labor was largely communal; all hands joined to do one another's work. Bands of twenty or more each, passing from field to field throughout the community, quickly finished sowing or harvesting. This communal idea was carried to the chase, fifty or more men frequently going out together to hunt. At the conclusion of these expeditions the meat was roasted and then carried back to town. First, the lord of the district was given his share, after which the remainder was distributed among the hunters and their friends. Communal fishing parties are also mentioned.

Another occupation in high favor was that of trade or commerce. Salt, cloth, and slaves were the chief articles of barter; these were carried as far as Tabasco. Cocoa, stone counters, and highly prized red shells of a peculiar kind were the media of exchange. These were accepted in return for all the products of the country, even including the finely worked stones, jades possibly, with which the chiefs adorned themselves at their fetes. Credit was asked and given, all debts were honestly paid, and no usury was exacted.

The sense of justice among the Maya was highly developed. If a man committed an offense against one of another village, the former's lord caused satisfaction to be rendered, otherwise the communities would come to blows. Troubles between men of the same village were taken to a judge, who having heard both sides, fixed appropriate damages. If the malefactor could not pay these, the obligation extended to his wife and relatives. Crimes which could be satisfied by the payment of an indemnity were accidental killings, quarrels between man and wife, and the accidental destruction of property by fire. Malicious mischief could be atoned for only by blows and the shedding of blood. The punishment of murder was left in the hands of the deceased's relatives, who were at liberty to exact an indemnity or the murderer's life as they pleased. The thief was obliged to make good whatever he had stolen, no matter how little; in event of failure to do so he was reduced to slavery. Adultery was punishable by

death. The adulterer was led into the courtyard of the chief's house, where all had assembled, and after being tied to a stake, was turned over to the mercies of the outraged husband, who either pardoned him or crushed his head with a heavy rock. As for the guilty woman, her infamy was deemed sufficient punishment for her, though usually her husband abandoned her.

The Maya were a very hospitable people, always offering food and drink to the stranger within their gates, and sharing with him to the last crumb. They were much given to conviviality, particularly the lords, who frequently entertained one another with elaborate feasts, accompanied by music and dancing, expending at times on a single occasion the proceeds of many days' accumulation. They usually sat down to eat by twos or fours. The meal, which consisted of vegetable stews, roast meats, corn cakes, and cocoa (to mention only a few of the viands) was spread upon mats laid on the ground. After the repast was finished beautiful young girls acting as cupbearers passed among the guests, plying them industriously with wine until all were drunk. Before departing each guest was presented with a handsome vase and pedestal, with a cloth cover therefor. At these orgies drinking was frequently carried to such excess that the wives of the guests were obliged to come for their besotted husbands and drag them home. Each of the guests at such a banquet was required to give one in return, and not even death could stay the payment of a debt of this kind, since the obligation descended to the recipient's heirs. The poor entertained less lavishly, as became their means. Guests at the humbler feasts, moreover, were not obliged to return them in kind.

The chief amusements of the Maya were comedies and dances, in both of which they exhibited much skill and ingenuity. There was a variety of musical instruments—drums of several kinds, rattles, reed flutes, wooden horns, and bone whistles. Their music is described as having been sad, owing perhaps to the melancholy sound of the instruments which produced it.

The frequent wars which darken the final pages of Maya history doubtless developed the military organization to a high degree of efficiency. At the head of the army stood two generals, one hereditary and the other elective (nacon), the latter serving for three years. In each village throughout the country certain men (holcanes) were chosen to act as soldiers; these constituted a kind of a standing army, thoroughly trained in the art of war. They were supported by the community, and in times of peace caused much disturbance, continuing the tumult of war after war had ceased. In times of great stress when it became necessary to call on all able-bodied men for military service, the holcanes mustered all those available in their respective districts and trained them in the use of arms. There were but few weapons: Wooden bows strung with hemp cords, and arrows

tipped with obsidian or bone; long lances with sharp flint points; and metal (probably copper) axes, provided with wooden handles. The defensive armor consisted of round wicker shields strengthened with deer hide, and quilted cotton coats, which were said to have extraordinary resisting power against the native weapons. The highest chiefs wore wooden helmets decorated with brilliant plumes, and cloaks of "tiger" (jaguar) skin, thrown over their shoulders.

With a great banner at their head the troops silently stole out of the city, and moved against the enemy, hoping thus to surprise them. When the enemies' position had been ascertained, they fell on them suddenly with extraordinary ferocity, uttering loud cries. Barricades of trees, brush, and stone were used in defense, behind which archers stood, who endeavored to repulse the attack. After a battle the victors mutilated the bodies of the slain, cutting out the jawbones and cleaning them of flesh. These were worn as bracelets after the flesh had been removed. At the conclusion of their wars the spoils were offered in sacrifice. If by chance some leader or chief had been captured, he was sacrificed as an offering particularly acceptable to the gods. Other prisoners became the slaves of those who had captured them.

The Maya entertained an excessive and constant fear of death, many of their religious practices having no other end in view than that of warding off the dread visitor. After death there followed a prolonged period of sadness in the bereaved family, the days being given over to fasting, and the more restrained indulgence in grief, and the nights to dolorous cries and lamentations, most pitiful to hear. Among the common people the dead were wrapped in shrouds; their mouths were filled with ground corn and bits of worked stone so that they should not lack for food and money in the life to come. The Maya buried their dead inside the houses[^[12]] or behind them, putting into the tomb idols, and objects indicating the profession of the deceased—if a priest, some of his sacred books; if a seer, some of his divinatory paraphernalia. A house was commonly abandoned after a death therein, unless enough remained in the household to dispel the fear which always followed such an occurrence.

In the higher walks of life the mortuary customs were more elaborate. The bodies of chiefs and others of high estate were burned and their ashes placed in large pottery vessels. These were buried in the ground and temples erected over them.[^[13]] When the deceased

was of very high rank the pottery sarcophagus took the form of a human statue. A variant of the above procedure was to burn only a part of the body, inclosing the ashes in the hollow head of a wooden statue, and sealing them in with a piece of skin taken from the back of the dead man's skull. The rest of the body was buried. Such statues were jealously preserved among the figures of the gods, being held in deep veneration.

The lords of Mayapan had still another mortuary practice. After death the head was severed from the body and cooked in order to remove all flesh. It was then sawed in half from side to side, care being taken to preserve the jaw, nose, eyes, and forehead in one piece. Upon this as a form the features of the dead man were filled in with a kind of a gum. Such was their extraordinary skill in this peculiar work that the finished mask is said to have appeared exactly like the countenance in life. The carefully prepared faces, together with the statues containing the ashes of the dead, were deposited with their idols. Every feast day meats were set before them so they should lack for nothing in that other world whither they had gone.

Very little is known about the governmental organization of the southern Maya, and it seems best, therefore, first to examine conditions in the north, concerning which the early authorities, native as well as Spanish, have much to say. The northern Maya lived in settlements, some of very considerable extent, under the rule of hereditary chiefs called halach uinicil, or "real men," who were, in fact as well as name, the actual rulers of the country. The settlements tributary to each halach uinic were doubtless connected by tribal ties, based on real or fancied blood relationship.

During the period of the Triple Alliance (1000-1200 A. D.) there were probably only three of these embryonic nations: Chichen Itza, Uxmal, and Mayapan, among which the country seems to have been apportioned. After the conquest of Chichen Itza, however, the halach uinic of Mayapan probably attempted to establish a more autocratic form of government, arrogating to himself still greater power. The Spanish authorities relate that the chiefs of the country assembled at Mayapan, acknowledged the ruler of that city as their overlord, and finally agreed to live there, each binding himself at the same time to conduct the affairs of his own domain through a deputy.

This attempt to unite the country under one head and bring about a further centralization of power ultimately failed, as has been seen, through the tyranny of the Cocom family, in which the office of halach uinic of Mayapan was vested. This tyranny led to the overthrow of the Cocoms and the destruction of centralized government, so that when the Spaniards arrived they found a number of petty chieftains, acknowledging no overlord, and the country in chaos.

The powers of the halach uinic are not clearly understood. He seems to have stood at the apex of the governmental organization, and

doubtless his will prevailed just so far as he had sufficient strength to enforce it. The batabs, or underchiefs, were obliged to visit him and render him their homage. They also accompanied him in his tours about the country, which always gave rise to feasting back and forth. Finally they advised him on all important matters. The office would seem to have been no stronger in any case than its incumbent, since we hear of the halach uinic of Mayapan being obliged to surround himself with foreign troops in order to hold his people in check.

Each batab governed the territory of which he was the hereditary ruler, instructing his heir in the duties of the position, and counseling that he treat the poor with benevolence and maintain peace and encourage industry, so that all might live in plenty. He settled all lawsuits, and through trusted lieutenants ordered and adjusted the various affairs of his domain. When he went abroad from his city or even from his house a great crowd accompanied him. He often visited his underchiefs, holding court in their houses, and meeting at night in council to discuss matters touching the common good. The batabs frequently entertained one another with dancing, hunting, and feasting. The people as a community tilled the batab's fields, reaped his corn, and supplied his wants in general. The underchiefs were similarly provided for, each according to his rank and needs.

The ahkulel, the next highest official in each district, acted as the batab's deputy or representative; he carried a short thick baton in token of his office. He had charge of the localities subject to his master's rule as well as of the officers immediately over them. He kept these assistants informed as to what was needed in the batab's house, as birds, game, fish, corn, honey, salt, and cloth, which they supplied when called on. The ahkulel was, in short, a chief steward, and his house was the batab's business office.

Another important position was that of the nacon, or war-chief. In times of war this functionary was second only to the hereditary chief, or batab, and was greatly venerated by all. His office was elective, the term being three years, during which he was obliged to refrain from intercourse with women, and to hold himself aloof from all.

An important civil position was that held by the ahholpop, in whose keeping was the tunkul, or wooden drum, used in summoning people to the dances and public meetings, or as a tocsin in case of war. He had charge also of the "town hall" in which all public business was transacted.

The question of succession is important. Bishop Landa distinctly states in one passage "That when the lord died, although his oldest son succeeded him, the others were always loved and served and even regarded as lords." This would seem to indicate definitely that descent was by primogeniture. However, another passage suggests that the oldest son did not always succeed his father: "The lords were the governors and confirmed their sons in their offices if they

[the sons] were acceptable." This suggests the possibility, at least, that primogeniture could sometimes be set aside, particularly when the first-born lacked the necessary qualifications for leadership. In a somewhat drawn-out statement the same authority discusses the question of "princely succession" among the Maya:

If the children were too young to be intrusted with the management of their own affairs, these were turned over to a guardian, the nearest relation. He gave the children to their mothers to bring up, because according to their usage the mother has no power of her own. When the guardian was the brother of the deceased [the children's paternal uncle] they take the children from their mother. These guardians give what was intrusted to them to the heirs when they come of age, and not to do so was considered a great dishonesty and was the cause of much contention.... If when the lord died there were no sons [ready, i. e., of age] to rule and he had brothers, the oldest or most capable of his brothers ruled, and they [the guardians] showed the heir the customs and fetes of his people until he should be a man, and these brothers, although the heir were [ready] to rule, commanded all their lives, and, if there were no brothers the priests and principal people selected a man suitable for the position.[^[14]]

The foregoing would seem to imply that the rulers were succeeded by their eldest sons if the latter were of age and otherwise generally acceptable; and that, if they were minors when their fathers died, their paternal uncles, if any, or otherwise some capable man selected by the priests, took the reins of government, instructing the heir in the duties of the position which he was to occupy some day; and finally that the regent did not lay down his authority until death, even though the heir had previously attained his majority. This custom is so unusual that its existence may well be doubted, and it is not at all improbable that Bishop Landa's statement to the contrary may have arisen from some misapprehension. Primogeniture was not confined to the executive succession alone, since Bishop Landa states further that the high priest Ahau can mai was succeeded in his dignity by his sons, or those next of kin.

Nepotism doubtless prevailed extensively, all the higher offices of the priesthood as well as the executive offices being hereditary, and in all probability filled with members of the halach uinic's family.

The priests instructed the younger sons of the ruling family as well as their own, in the priestly duties and learning; in the computation of years, months, and days; in unlucky times; in fetes and ceremonies; in the administration of the sacraments; in the practices of prophecy and divination; in treating the sick; in their ancient history; and finally in the art of reading and writing their hieroglyphics, which was taught only to those of high degree. Genealogies were carefully preserved, the term meaning "of noble birth" being ah kaba, "he who has a name." The elaborate attention given to the subject of lineage, and the exclusive right of the ah kaba to the benefits of education, show that in the northern part of the Maya territory at least government rested on the principle of hereditary succession. The accounts of native as well as of Spanish writers leave the impression that a system not unlike a modified form of feudalism prevailed.

BUREAU OF AMERICAN ETHNOLOGYBULLETIN 57 PLATE 2

DIAGRAM SHOWING PERIODS OF OCCUPANCY OF PRINCIPAL SOUTHERN CITIES

In attempting to gain an approximate understanding of the form of government which existed in the southern part of the Maya territory it is necessary in the absence of all documentary information to interpret the southern chronology, architecture, and sculpture—practically all that remains of the older culture—in the light of the known conditions in the north. The chronology of the several southern cities (see pl. [2]) indicates that many of them were contemporaneous, and that a few, namely, Tikal, Naranjo, Palenque, and Copan were occupied approximately 200 years, a much longer period than any of the others.[^[15]] These four would seem to have been centers of population for a long time, and at least three of them, Tikal, Palenque, and Copan, attained considerable size. Indeed they may well have been, like Chichen Itza, Uxmal, and Mayapan, at a later epoch in the north, the seats of halach uincil, or overlords, to whom all the surrounding chiefs were tributary. Geographically considered, the country was well apportioned among these cities: Tikal dominating the north, Palenque, the west, and Copan, the south.

The architecture, sculpture, and hieroglyphic writing of all the southern centers is practically identical, even to the borrowing of unessential details, a condition which indicates a homogeneity only to be accounted for by long-continued and frequent intercourse. This characteristic of the culture, together with the location and contemporaneity of its largest centers, suggests that originally the southern territory was divided into several extensive political divisions, all in close intercourse with one another, and possibly united in a league similar to that which later united the principal cities of the north. The unmistakable priestly or religious character of the sculptures in the southern area clearly indicates the peaceful temper of the people, and the conspicuous absence of warlike subjects points strongly to the fact that the government was a theocracy, the highest official in the priesthood being at the same time, by virtue of his sacerdotal rank, the highest civil authority. Whether the principle of hereditary succession determined or even influenced the selection of rulers in the south is impossible to say. However, since the highest offices, both executive and priestly, in the north were thus filled, it may be assumed that similar conditions prevailed in the south, particularly as the northern civilization was but an outgrowth of the

southern. There is some ground for believing that the highest office in the south may have been elective, the term being a hotun[^[16]] (1,800 days), and the choice restricted to the members of a certain family. The existence of this restriction, which closely parallels the Aztec procedure in selecting rulers,[^[17]] rests on very slender evidence, however, so far as the Maya are concerned and is mentioned here simply by way of suggestion.

Fig. 1. Itzamna, chief deity of the Maya Pantheon (note his name glyphs, below).

The religion of the ancient Maya was polytheistic, its pantheon containing about a dozen major deities and a host of lesser ones. At its head stood Itzamna, the father of the gods and creator of mankind, the Mayan Zeus or Jupiter. He was the personification of the East, the rising sun, and, by association, of light, life, and knowledge. He was the founder of the Maya civilization, the first priest of the Maya religion, the inventor of writing and books, and the great healer. Whether Itzamna has been identified with any of the deities in the ancient Maya picture-writings is uncertain, though there are strong reasons for believing that this deity is the god represented in figure [1]. His characteristics here are: The aged face, Roman nose, and sunken toothless mouth.

Fig. 2. Kukulcan, God of Learning (note his name glyph, below).

Scarcely less important was the great god Kukulcan, or Feathered Serpent, the personification of the West. It is related of him that he came into Yucatan from the west and settled at Chichen Itza, where he ruled for many years and built a great temple. During his sojourn he is said to have founded the city of Mayapan, which later became so important. Finally, having brought the country out of war and dissension to peace and prosperity, he left by the same way he had entered, tarrying only at Chakanputun on the west coast to build a splendid temple as an everlasting memorial of his residence among the people. After his departure he was worshipped as a god because of what he had done for the public good. Kukulcan was the Maya counterpart of the Aztec Quetzalcoatl, the Mexican god of light, learning, and culture. In the Maya pantheon he was regarded as having been the great organizer, the founder of cities, the framer of laws, and the teacher of their new calendar. Indeed, his attributes

and life history are so human that it is not improbable he may have been an actual historical character, some great lawgiver and organizer, the memory of whose benefactions lingered long after death, and whose personality was eventually deified. The episodes of his life suggest he may have been the recolonizer of Chichen Itza after the destruction of Chakanputun. Kukulcan has been identified by some as the "old god" of the picture-writings (fig. [2]), whose characteristics are: Two deformed teeth, one protruding from the front and one from the back part of his mouth, and the long tapering nose. He is to be distinguished further by his peculiar headdress.

Fig. 3. Ahpuch, God of Death (note his name glyphs, below).

The most feared and hated of all the Maya deities was Ahpuch, the Lord of Death, God "Barebones" as an early manuscript calls him, from whom evil and especially death were thought to come. He is frequently represented in the picture-writings (fig. [3]), usually in connection with the idea of death. He is associated with human sacrifice, suicide by hanging, death in childbirth, and the beheaded captive. His characteristics are typical and unmistakable. His head is the fleshless skull, showing the truncated nose, the grinning teeth, and fleshless lower jaw, sometimes even the cranial sutures are portrayed. In some places the ribs and vertebrae are shown, in others the body is spotted black as if to suggest the discoloration of death. A very constant symbol is the stiff feather collar with small bells attached. These bells also appear as ornaments on the head, arms, and ankles. The to us familiar crossbones were also another Maya death symbol. Even the hieroglyph of this god (fig. [3]) suggests the dread idea for which he stood. Note the eye closed in death.

Fig. 4. The God of War (note his name glyph, below).

Closely associated with the God of Death is the God of War, who probably stood as well for the larger idea of death by violence. He is characterized (fig. [4]) by a black line painted on his face, sometimes curving, sometimes straight, supposed to be symbolical of war paint, or, according to others, of his gaping wounds. He appears in the picture-writings as the Death God's companion. He presides with him over the body of a sacrificial victim, and again follows him applying torch and knife to the habitations of man. His hieroglyph shows as its characteristic the line of black paint (fig. [4]).

Another unpropitious deity was Ek Ahau, the Black Captain, also a war god, being represented (fig. [5]) in the picture-writings as armed

with a spear or an ax. It was said of him that he was a very great and very cruel warrior, who commanded a band of seven blackamoors like himself. He is characterized by his black color, his drooping lower lip, and the two curved lines at the right of his eye. His hieroglyph is a black eye (fig. [5]).

Fig. 5. Ek Ahau, the Black Captain, war deity (note his name glyph, below).

Contrasted with these gods of death, violence, and destruction was the Maize God, Yum Kaax, Lord of the Harvest Fields (fig. [6]). Here we have one of the most important figures in the whole Maya pantheon, the god of husbandry and the fruits of the earth, of fertility and prosperity, of growth and plenty. The Maize God was as well disposed toward mankind as Ahpuch and his companions were unpropitious. In many of the picture-writings Yum Kaax is represented as engaged in agricultural pursuits. He is portrayed as having for his head-dress a sprouting ear of corn surrounded by leaves, symbolic of growth, for which he stands. Even the hieroglyph of this deity (fig. [6]) embodies the same idea, the god's head merging into the conventionalized ear of corn surrounded by leaves.

Fig. 6. Yum Kaax, Lord of the Harvest (note his name glyph, below).

Another important deity about whom little or nothing is known was Xaman Ek, the North Star. He is spoken of as the "guide of the merchants," and in keeping with that character is associated in the picture-writings with symbols of peace and plenty. His one characteristic seems to be his curious head, which also serves as his name hieroglyph (fig. [7]).

Other Maya deities were: Ixchel, the Rainbow, consort of Itzamna and goddess of childbirth and medicine; Ixtab, patroness of hunting and hanging; Ixtubtun, protectress of jade cutters; Ixchebelyax, the inventress of painting and color designing as applied to fabrics.

Although the deities above described represent only a small fraction of the Maya pantheon, they include, beyond all doubt, its most important members, the truly great, who held the powers of life and death, peace and war, plenty and famine—who were, in short, the arbiters of human destiny.

The Maya conceived the earth to be a cube, which supported the celestial vase resting on its four legs, the four cardinal points. Out of this grew the Tree of Life, the flowers of which were the immortal principle of man, the soul. Above hung heavy clouds, the fructifying waters upon which all growth and life depend. The religion was dualistic in spirit, a constant struggle between the powers of

light and of darkness. On one side were arrayed the gods of plenty, peace, and life; on the other those of want, war, and destruction; and between these two there waged an unending strife for the control of man. This struggle between the powers of light and darkness is graphically portrayed in the picture-writings. Where the God of Life plants the tree, Death breaks it in twain (fig. [8]); where the former offers food, the latter raises an empty vase symbolizing famine; where one builds, the other destroys. The contrast is complete, the conflict eternal.

Fig. 7. Xaman Ek, the North Star God (note his name glyph, below).

The Maya believed in the immortality of the soul and in a spiritual life hereafter. As a man lived in this world so he was rewarded in the next. The good and righteous went to a heaven of material delights, a place where rich foods never failed and pain and sorrow were unknown. The wicked were consigned to a hell called Mitnal, over which ruled the archdemon Hunhau and his minions; and here in hunger, cold, and exhaustion they suffered everlasting torment. The materialism of the Maya heaven and hell need not surprise, nor lower our estimate of their civilization. Similar realistic conceptions of the hereafter have been entertained by peoples much higher in the cultural scale than the Maya.

Fig. 8. Conflict between the Gods of Life and Death (Kukulcan and Ahpuch).

Worship doubtless was the most important feature of the Maya scheme of existence, and an endless succession of rites and ceremonies was considered necessary to retain the sympathies of the good gods and to propitiate the malevolent ones. Bishop Landa says that the aim and object of all Maya ceremonies were to secure three things only: Health, life, and sustenance; modest enough requests to ask of any faith. The first step in all Maya religious rites was the expulsion of the evil spirits from the midst of the worshipers. This was accomplished sometimes by prayers and benedictions, set formulæ of proven efficacy, and sometimes by special sacrifices and offerings.

It would take us too far afield to describe here even the more important ceremonies of the Maya religion. Their number was literally legion, and they answered almost every contingency within the range of human experience. First of all were the ceremonies dedicated to special gods, as Itzamna, Kukulcan, and Ixchel. Probably every deity in the pantheon, even the most insignificant, had at least one rite a year addressed to it alone, and the aggregate must have made a very considerable number. In addition there were the annual feasts of the ritualistic year brought around by the ever-recurring

seasons. Here may be mentioned the numerous ceremonies incident to the beginning of the new year and the end of the old, as the renewal of household utensils and the general renovation of all articles, which took place at this tine; the feasts of the various trades and occupations—the hunters, fishers, and apiarists, the farmers, carpenters, and potters, the stonecutters, wood carvers, and metal workers—each guild having its own patron deity, whose services formed another large group of ceremonials. A third class comprised the rites of a more personal nature, those connected with baptism, confession, marriage, setting out on journeys, and the like. Finally, there was a fourth group of ceremonies, held much less frequently than the others, but of far greater importance. Herein fall the ceremonies held on extraordinary occasions, as famine, drought, pestilence, victory, or defeat, which were probably solemnized by rites of human sacrifice.

The direction of so elaborate a system of worship necessitated a numerous and highly organized priesthood. At the head of the hierarchy stood the hereditary high priest, or ahaucan mai, a functionary of very considerable power. Although he had no actual share in the government, his influence was none the less far-reaching, since the highest lords sought his advice, and deferred to his judgment in the administration of their affairs. They questioned him concerning the will of the gods on various points, and he in response framed the divine replies, a duty which gave him tremendous power and authority. In the ahuacan mai was vested also the exclusive right to fill vacancies in the priesthood. He examined candidates on their knowledge of the priestly services and ceremonies, and after their appointment directed them in the discharge of their duties. He rarely officiated at sacrifices except on occasions of the greatest importance, as at the principal feasts or in times of general need. His office was maintained by presents from the lords and enforced contributions from the priesthood throughout the country.

The priesthood included within its ranks women as well as men. The duties were highly specialized and there were many different ranks and grades in the hierarchy. The chilan was one of the most important. This priest was carried upon the shoulders of the people when he appeared in public. He taught their sciences, appointed the holy days, healed the sick, offered sacrifices, and most important of all, gave the responses of the gods to petitioners. The ahuai chac was a priest who brought the rains on which the prosperity of the country was wholly dependent. The ah macik conjured the winds; the ahpul caused sickness and induced sleep; the ahuai xibalba communed with the dead. At the bottom of the ladder seems to have stood the nacon, whose duty it was to open the breasts of the sacrificed victims. An important elective office in each community was that held by the chac, or priest's assistant. These officials, of which there

were four, were elected from the nucteelob, or village wise men. They served for a term of one year and could never be reelected. They aided the priest in the various ceremonies of the year, officiating in minor capacities. Their duties seem to have been not unlike those of the sacristan in the Roman Catholic Church of to-day.

In closing this introduction nothing could be more appropriate than to call attention once more to the supreme importance of religion in the life of the ancient Maya. Religion was indeed the very fountain-head of their civilization, and on its rites and observances they lavished a devotion rarely equaled in the annals of man. To its great uplifting force was due the conception and evolution of the hieroglyphic writing and calendar, alike the invention and the exclusive property of the priesthood. To its need for sanctuary may be attributed the origin of Maya architecture; to its desire for expression, the rise of Maya sculpture. All activities reflected its powerful influence and all were more or less dominated by its needs and teachings. In short, religion was the foundation upon which the structure of the Maya civilization was reared.

Chapter II. THE MAYA HIEROGLYPHIC WRITING

The inscriptions herein described are found throughout the region formerly occupied by the Maya people (pl. [1]), though by far the greater number have been discovered at the southern, or older, sites. This is due in part, at least, to the minor role played by sculpture as an independent art among the northern Maya, for in the north architecture gradually absorbed in its decoration the sculptural activity of the people which in the south had been applied in the making of the hieroglyphic monuments.

Fig. 9. Outlines of the glyphs: a, b, In the codices; c, in the inscriptions.

The materials upon which the Maya glyphs are presented are stone, wood, stucco, bone, shell, metal, plaster, pottery, and fiber-paper; the first-mentioned, however, occurs more frequently than all of the others combined. Texts have been found carved on the wooden lintels of Tikal, molded in the stucco reliefs of Palenque, scratched on shells from Copan and Belize, etched on a bone from Wild Cane Key, British Honduras, engraved on metal from Chichen Itza, drawn on the plaster-covered walls of Kabah, Chichen Itza, and Uxmal, and painted in fiber-paper books. All of these, however, with the exception of the first and the last (the inscriptions on stone and the fiber-paper books or codices) just mentioned, occur so rarely that they may be dismissed from present consideration.

The stones bearing inscriptions are found in a variety of shapes, the commonest being the monolithic shafts or slabs known as stelæ. Some of the shaft-stelæ attain a height of twenty-six feet (above ground); these are not unlike roughly squared obelisks, with human figures carved on the obverse and the reverse, and glyphs on the other faces. Slab-stelæ, on the other hand, are shorter and most of them bear inscriptions only on the reverse. Frequently associated with these stelæ are smaller monoliths known as "altars," which vary greatly in size, shape, and decoration, some bearing glyphs and others being without them.

The foregoing monuments, however, by no means exhaust the list of stone objects that bear hieroglyphs. As an adjunct to architecture inscriptions occur on wall-slabs at Palenque, on lintels at Yaxchilan and Piedras Negras, on steps and stairways at Copan, and on piers and architraves at Holactun; and these do not include the great number of smaller pieces, as inscribed jades and the like. Most of the glyphs in the inscriptions are square in outline except for rounded corners (fig. [9], c). Those in the codices, on the other hand, approximate more nearly in form rhomboids or even ovals (fig. [9], a, b). This difference in outline, however, is only superficial in significance and involves no corresponding difference in meaning between

otherwise identical glyphs; it is due entirely to the mechanical dissimilarity of the two materials. Disregarding this consideration as unessential, we may say that the glyphs in both the inscriptions and the codices belong to one and the same system of writing, and if it were possible to read either, the other could no longer withhold its meaning from us.

In Maya inscriptions the glyphs are arranged in parallel columns, which are to be read two columns at a time, beginning with the uppermost glyph in the left-hand column, and then from left to right and top to bottom, ending with the lowest glyph in the second column. Then the next two columns are read in the same order, and so on. In reading glyphs in a horizontal band, the order is from left to right in pairs. The writer knows of no text in which the above order of reading is not followed.

A brief examination of any Maya text, from either the inscriptions or the codices, reveals the presence of certain elements which occur repeatedly but in varying combinations. The apparent multiplicity of these combinations leads at first to the conclusion that a great number of signs were employed in Maya writing, but closer study will show that, as compared with the composite characters or glyphs proper, the simple elements are few in number. Says Doctor Brinton (1894 b: p. 10) in this connection: "If we positively knew the meaning ... of a hundred or so of these simple elements, none of the inscriptions could conceal any longer from us the general tenor of its contents." Unfortunately, it must be admitted that but little advance has been made toward the solution of this problem, perhaps because later students have distrusted the highly fanciful results achieved by the earlier writers who "interpreted" these "simple elements."

Fig. 10. Examples of glyph elision, showing elimination of all parts except essential element (here, the crossed bands).

Moreover, there is encountered at the very outset in the study of these elements a condition which renders progress slow and results uncertain. In Egyptian texts of any given period the simple phonetic elements or signs are unchanging under all conditions of composition. Like the letters of our own alphabet, they never vary and may be recognized as unfailingly. On the other hand, in Maya texts each glyph is in itself a finished picture, dependent on no other for its meaning, and consequently the various elements entering into it undergo very considerable modifications in order that the resulting composite character may not only be a balanced and harmonious

design, but also may exactly fill its allotted space. All such modifications probably in no way affect the meaning of the element thus mutilated.

Fig. 11. Normal-form and head-variant glyphs, showing retention of essential element in each.

The element shown in figure [10], a-e is a case in point. In a and b we have what may be called the normal or regular forms of this element. In c, however, the upper arm has been omitted for the sake of symmetry in a composite glyph, while in d the lower arm has been left out for want of space. Finally in e both arms have disappeared and the element is reduced to the sign (*

), which we may conclude, therefore, is the essential characteristic of this glyph, particularly since there is no regularity in the treatment of the arms in the normal forms. This suggests another point of the utmost importance, namely, the determination of the essential elements of Maya glyphs. The importance of this point lies in the fact that great license was permitted in the treatment of accessory elements so long as the essential element or elements of a glyph could readily be recognized as such. In this way may be explained the use of the so-called "head" variants, in which the outline of the glyph was represented as a human or a grotesque head modified in some way by the essential element of the intended form. The first step in the development of head variants is seen in figure [11], a, b, in which the entire glyph a is used as a headdress in glyph b, the meaning of the two forms remaining identical. The next step is shown in the same figure, c and d, in which the outline of the entire glyph c has been changed to form the grotesque head d, though in both glyphs the essential elements are the same. A further development was to apply the essential element (**

) of e to the head in f, giving rise to a head variant, the meaning of which suffered no corresponding change. The element (†) in figure [11], g, has been reduced in size in h, though the other two essential elements remain unchanged. A final step appears in i and j, where in j the position of one of the two essential elements of i (††

) and the form of the other (‡) have been changed. These variants

are puzzling enough when the essential characteristics and meaning of a glyph have been determined, but when both are unknown the problem is indeed knotty. For example, it would seem as a logical deduction from the foregoing examples, that l of figure [11] is a "head" variant of k; and similarly n might be a "head" variant of m, but here we are treading on uncertain ground, as the meanings of these forms are unknown.

Nor is this feature of Maya writing (i. e., the presence of "head variants") the only pitfall which awaits the beginner who attempts to classify the glyphs according to their appearance. In some cases two entirely dissimilar forms express exactly the same idea. For example, no two glyphs could differ more in appearance than a and b, figure [12], yet both of these forms have the same meaning. This is true also of the two glyphs c and d, and e and f. The occurrence of forms so absolutely unlike in appearance, yet identical in meaning, greatly complicates the problem of glyph identification. Indeed, identity in both meaning and use must be clearly established before we can recognize as variants of the same glyph, forms so dissimilar as the examples above given. Hence, because their meanings are unknown we are unable to identify g and h, figure [12], as synonyms, notwithstanding the fact that their use seems to be identical, h occurring in two or three texts under exactly the same conditions as does g in all the others.

Fig. 12. Normal-form and head-variant glyphs, showing absence of common essential element.

A further source of error in glyph identification is the failure to recognize variations due merely to individual peculiarities of style, which are consequently unessential. Just as handwriting differs in each individual, so the delineation of glyphs differed among the ancient Maya, though doubtless to a lesser extent. In extreme cases, however, the differences are so great that identification of variants as forms of one and the same glyph is difficult if indeed not impossible. Here also are to be included variations due to differences in the materials upon which the glyphs are delineated, as well as those arising from careless drawing and actual mistakes.

The foregoing difficulties, as well as others which await the student who would classify the Maya glyphs according to form and appearance, have led the author to discard this method of classification as unsuited to the purposes of an elementary work. Though a problem of first importance, the analysis of the simple elements is far too complex for presentation to the beginner, particularly since the

greatest diversity of opinion concerning them prevails among those who have studied the subject, scarcely any two agreeing at any one point; and finally because up to the present time success in reading Maya writing has not come through this channel.

The classification followed herein is based on the general meaning of the glyphs, and therefore has the advantage of being at least self-explanatory. It divides the glyphs into two groups: (1) Astronomical, calendary, and numerical signs, that is, glyphs used in counting time; and (2) glyphs accompanying the preceding, which have an explanatory function of some sort, probably describing the nature of the occasions which the first group of glyphs designate.

According to this classification, the great majority of the glyphs whose meanings have been determined fall into the first group, and those whose meanings are still unknown into the second. This is particularly true of the inscriptions, in which the known glyphs practically all belong to the first group. In the codices, on the other hand, some little progress has made been in reading glyphs of the second group. The name-glyphs of the principal gods, the signs for the cardinal points and associated colors, and perhaps a very few others may be mentioned in this connection.[^[18]]

Of the unknown glyphs in both the inscriptions and the codices, a part at least have to do with numerical calculations of some kind, a fact which relegates such glyphs to the first group. The author believes that as the reading of the Maya glyphs progresses, more and more characters will be assigned to the first group and fewer and fewer to the second. In the end, however, there will be left what we may perhaps call a "textual residue," that is, those glyphs which explain the nature of the events that are to be associated with the corresponding chronological parts. It is here, if anywhere, that fragments of Maya history will be found recorded, and precisely here is the richest field for future research, since the successful interpretation of this "textual residue" will alone disclose the true meaning of the Maya writings.

Three principal theories have been advanced for the interpretation of Maya writing:

1. That the glyphs are phonetic, each representing some sound, and entirely dissociated from the representation of any thought or idea.

2. That the glyphs are ideographic, each representing in itself some complete thought or idea.

3. That the glyphs are both phonetic and ideographic, that is, a combination of 1 and 2.

It is apparent at the outset that the first of these theories can not be accepted in its entirety; for although there are undeniable traces

of phoneticism among the Maya glyphs, all attempts to reduce them to a phonetic system or alphabet, which will interpret the writing, have signally failed. The first and most noteworthy of these so-called "Maya alphabets," because of its genuine antiquity, is that given by Bishop Landa in his invaluable Relacion de las cosas de Yucatan, frequently cited in Chapter I. Writing in the year 1565, within 25 years of the Spanish Conquest, Landa was able to obtain characters for 27 sounds, as follows: Three a's, two b's, c, t, e, h, i, ca, k, two l's, m, n, two o's, pp, p, cu, ku, two x's, two v's, z. This alphabet, which was first published in 1864 by Abbé Brasseur de Bourbourg (see Landa, 1864), was at once heralded by Americanists as the long-awaited key which would unlock the secrets of the Maya writing. Unfortunately these confident expectations have not been realized, and all attempts to read the glyphs by means of this alphabet or of any of the numerous others[^[19]] which have appeared since, have completely broken down.

This failure to establish the exclusive phonetic character of the Maya glyphs has resulted in the general acceptance of the second theory, that the signs are ideographic. Doctor Brinton (1894b: p. 14), however, has pointed out two facts deducible from the Landa alphabet which render impossible not only the complete acceptance of this second theory but also the absolute rejection of the first: (1) That a native writer was able to give a written character for an unfamiliar sound, a sound, moreover, which was without meaning to him, as, for example, that of a Spanish letter; and (2) that the characters he employed for this purpose were also used in the native writings. These facts Doctor Brinton regards as proof that some sort of phonetic writing was not unknown, and, indeed, both the inscriptions and the codices establish the truth of this contention. For example, the sign in a, figure [13], has the phonetic value kin, and the sign in b the phonetic value yax. In the latter glyph, however, only the upper part (reproduced in c) is to be regarded as the essential element. It is strongly indicative of phoneticism therefore to find the sound yaxkin, a combination of these two, expressed by the sign found in d. Similarly, the character representing the phonetic value kin is found also as an element in the glyphs for the words likin

and chikin (see e and f, respectively, fig. [13]), each of which has kin as its last syllable. Again, the phonetic value tun is expressed by the glyph in g, and the sound ca (c hard) by the sign h. The sound katun is represented by the character in i, a combination of these two. Sometimes the glyph for this same sound takes the form of j, the fish element in k replacing the comblike element h. Far from destroying the phonetic character of this composite glyph, however, this variant k in reality strengthens it, since in Maya the word for fish is cay (c hard) and consequently the variant reads caytun, a close phonetic approximation of katun. The remaining element of this glyph (l) has the value cauac, the first syllable of which is also expressed by either h or k, figure [13]. Its use in i and j probably may be regarded as but a further emphasis of the phonetic character of the glyph.

It must be remembered, however, that all of the above glyphs have meanings quite independent of their phonetic values, that primarily their function was to convey ideas, and that only secondarily were they used in their phonetic senses.

Fig. 13. Glyphs built up on a phonetic basis.

If neither the phonetic nor the ideographic character of the glyphs can be wholly admitted, what then is the true nature of the Maya writing? The theory now most generally accepted is, that while chiefly ideographic, the glyphs are sometimes phonetic, and that although the idea of a glyphic alphabet must finally be abandoned, the phonetic use of syllables as illustrated above must as surely be recognized.

This kind of writing Doctor Brinton has called ikonomatic, more familiarly known to us under the name of rebus, or puzzle writing. In such writing the characters do not indicate the ideas of the objects which they portray, but only the sounds of their names, and are used purely in a phonetic sense, like the letters of the alphabet. For example, the rebus in figure [14] reads as follows: "I believe Aunt Rose can well bear all for you." The picture of the eye recalls not the idea "eye" but the sound of the word denoting this object, which is also the sound of the word for the first person singular of the

personal pronoun I. Again, the picture of a bee does not represent the idea of that insect, but stands for the sound of its name, which used with a leaf indicates the sound "beeleaf," or in other words, "believe."[^[20]]

It has long been known that the Aztec employed ikonomatic characters in their writing to express the names of persons and places, though this practice does not seem to have been extended by them to the representation of abstract words. The Aztec codices contain many glyphs which are to be interpreted ikonomatically, that is, like our own rebus writing. For example in figure [15], a, is shown the Aztec hieroglyph for the town of Toltitlan, a name which means "near the place of the rushes." The word tollin means "place of the rushes," but only its first syllable tol appears in the word Toltitlan. This syllable is represented in a by several rushes. The word tetlan means "near something" and its second syllable tlan is found also in the word tlantli, meaning "teeth." In a therefore, the addition of the teeth to the rushes gives the word Toltitlan. Another example of this kind of writing is given in figure [15], b, where the hieroglyph for the town of Acatzinco is shown. This word means "the little reed grass," the diminutive being represented by the syllable tzinco. The reed grass (acatl) is shown by the pointed leaves or spears which emerge from the lower part of a human figure. This part of the body was called by the Aztecs tzinco, and as used here expresses merely the sound tzinco in the diminutive acatzinco, "the little reed grass," the letter l of acatl being lost in composition.

Fig. 14. A rebus. Aztec, and probably Maya, personal and place names were written in a corresponding manner.

The presence of undoubted phonetic elements in these Aztec glyphs expressing personal names and place names would seem to indicate that some similar usage probably prevailed among the Maya.

While admitting this restricted use of phonetic composition by the Maya, Professor Seler refuses to recognize its further extension:

Certainly there existed in the Maya writing compound hieroglyphs giving the name of a deity, person, or a locality, whose elements united on the phonetic principle. But as yet it is not proved that they wrote texts. And without doubt the greater part of the Maya hieroglyphics were conventional symbols built up on the ideographic principle.

Doctor Förstemann also regards the use of phonetic elements as restricted to little more than the above when he says, "Finally the graphic system of the Maya ... never even achieved the expression of a phrase or even a verb."

On the other hand, Mr. Bowditch (1910: p. 255) considers the use of phonetic composition extended considerably beyond these limits:

As far as I am aware, the use of this kind of writing [rebus] was confined, among the Aztecs, to the names of persons and places, while the Mayas, if they used the rebus form at all, used it also for expressing common nouns and possibly abstract ideas. The Mayas surely used picture writing and the ideographic system, but I feel confident that a large part of their hieroglyphs will be found to be made up of rebus forms and that the true line of research will be found to lie in this direction.

Fig. 15. Aztec place names: a, The sign for the town Toltitlan; b, the sign for the town Acatzinco.

Doctor Brinton (1894 b: p. 13) held an opinion between these two, perhaps inclining slightly toward the former: "The intermediate position which I have defended, is that while chiefly ideographic, they [the Maya glyphs] are occasionally phonetic, in the same manner as are confessedly the Aztec picture-writings."

These quotations from the most eminent authorities on the subject well illustrate their points of agreement and divergence. All admit the existence of phonetic elements in the glyphs, but disagree as to their extent. And here, indeed, is the crux of the whole phonetic question. Just how extensively do phonetic elements enter into the composition of the Maya glyphs? Without attempting to dispose of this point definitely one way or the other, the author may say that he believes that as the decipherment of Maya writing progresses, more and more phonetic elements will be identified, though the idea conveyed by a glyph will always be found to overshadow its phonetic value.

The various theories above described have not been presented for the reader's extended consideration, but only in order to acquaint him with the probable nature of the Maya glyphs. Success in deciphering, as we shall see, has not come through any of the above mentioned lines of research, which will not be pursued further in this work.

In taking up the question of the meaning of Maya writing, it must be admitted at the outset that in so far as they have been deciphered both the inscriptions and the codices have been found to deal primarily, if indeed not exclusively, with the counting of time in some form or other. Doctor Förstemann, the first successful interpreter of the codices, has shown that these writings have for their principal theme the passage of time in its varying relations to the Maya calendar, ritual, and astronomy. They deal in great part with the sacred year of 260 days, known to the Aztec also under the name of the tonalamatl, in connection with which various ceremonies, offerings, sacrifices, and domestic occupations are set forth. Doctor Förstemann believed that this 260-day period was employed by the priests in casting horoscopes and foretelling the future of individuals, classes, and tribes, as well as in predicting coming political events and natural phenomena; or in other words, that in so far as the 260-day period was concerned, the codices are nothing more nor less than books of prophecy and divination.

The prophetic character of some of these native books at least is clearly indicated in a passage from Bishop Landa's Relacion (p. 286). In describing a festival held in the month Uo, the Bishop relates that "the most learned priest opened a book, in which he examined the omens of the year, which he announced to all those who were present." Other early Spanish writers state that these books contain the ancient prophecies and indicate the times appointed for their fulfillment.

Doctor Thomas regarded the codices as religious calendars, or rituals for the guidance of the priests in the celebration of feasts, ceremonies, and other duties, seemingly a natural inference from the character of the scenes portrayed in connection with these 260-day periods.

Another very important function of the codices is the presentation of astronomical phenomena and calculations. The latter had for their immediate object in each case the determination of the lowest number which would exactly contain all the numbers of a certain group. These lowest numbers are in fact nothing more nor less than the least common multiple of changing combinations of numbers, each one of which represents the revolution of some heavenly body. In addition to these calculations deities are assigned to the several periods, and a host of mythological allusions are introduced, the significance of most of which is now lost.

The most striking proof of the astronomical character of the codices is to be seen in pages 46-50 of the Dresden Manuscript. Here, to begin with, a period of 2,920 days is represented, which exactly contains five Venus years of 584[^[21]] days each (one on each page) as well as eight solar years of 365 days each. Each of the Venus years is divided into four parts, respectively, 236, 90, 250, and 8 days. The

first and third of these constitute the periods when Venus was the morning and the evening star, respectively, and the second and fourth, the periods of invisibility after each of these manifestations. This Venus-solar period of 2,920 days was taken as the basis from which the number 37,960 was formed. This contains 13 Venus-solar periods, 65 Venus-years, 104 solar years, and 146 tonalamatls, or sacred years of 260 days each. Finally, the last number (37,960) with all the subdivisions above given was thrice repeated, so that these five pages of the manuscript record the passage of 113,880 days, or 312 solar years.

Again, on pages 51-58 of the same manuscript, 405 revolutions of the moon are set down; and so accurate are the calculations involved that although they cover a period of nearly 33 years the total number of days recorded (11,959) is only 89⁄100 of a day less than the true time computed by the best modern method[^[22]]—certainly a remarkable achievement for the aboriginal mind. It is probable that the revolutions of the planets Jupiter, Mars, Mercury, and Saturn are similarly recorded in the same manuscript.

Toward the end of the Dresden Codex the numbers become greater and greater until, in the so-called "serpent numbers," a grand total of nearly twelve and a half million days (about thirty-four thousand years) is recorded again and again. In these well-nigh inconceivable periods all the smaller units may be regarded as coming at last to a more or less exact close. What matter a few score years one way or the other in this virtual eternity? Finally, on the last page of the manuscript, is depicted the Destruction of the World (see pl. [3]), for which these highest numbers have paved the way. Here we see the rain serpent, stretching across the sky, belching forth torrents of water. Great streams of water gush from the sun and moon. The old goddess, she of the tiger claws and forbidding aspect, the malevolent patroness of floods and cloudbursts, overturns the bowl of the heavenly waters. The crossbones, dread emblem of death, decorate her skirt, and a writhing snake crowns her head. Below with downward-pointed spears, symbolic of the universal destruction, the black god stalks abroad, a screeching bird raging on his fearsome head. Here, indeed, is portrayed with graphic touch the final all-engulfing cataclysm.

According to the early writers, in addition to the astronomic, prophetic, and ritualistic material above described, the codices contained records of historical events. It is doubtful whether this is true of any of the three codices now extant, though there are grounds for believing that the Codex Peresianus may be in part at least of an historical nature.

BUREAU OF AMERICAN ETHNOLOGYBULLETIN 57 PLATE 3