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ANCIENT PAGAN AND MODERN CHRISTIAN SYMBOLISM.
By Thomas Inman, M.D.
Consulting Physician To The Royal Infirmary, Liverpool; Late Lecturer Successively On Botany, Medical Jurisprudence, Materia Medica And Therapeutics, And The Principles And Practice Of Medicine, Etc.; In The Liverpool School Of Medicine; Author Of "Foundation For A New Theory And Practice Of Medicine;" A "Treatise On Myalgia;" "On The Real Nature Of Inflammation," "Atheroma In Arteries," "The Preservation Of Health," "The Restoration Of Health," "Ancient Faiths Embodied In Ancient Names,"
Second Edition,
Revised And Enlarged,
WITH AN ESSAY ON BAAL WORSHIP, ON THE ASSYRIAN SACRED "GROVE," AND OTHER ALLIED SYMBOLS.
By John Newton, M.R.C.S.E., Etc.
The woodcuts in the present volume originally appeared in a large work, in two thick volumes, entitled Ancient Faiths embodied in Ancient Names. It has been suggested to me by many, that a collection of these Figures, and their explanation, are more likely to be generally examined than a very voluminous book. The one is, as it were, an alphabet; the other, an essay. The one opens the eyes; the other gives them opportunities to use their vision. The one teaches to read; the other affords means for practice. As the larger work endeavours to demonstrate the existence of a state of things almost unknown to the British public, so it is necessary to furnish overwhelming proof that the allegations and accusations made against certain nations of antiquity, and some doctrines of Christianity, are substantially true. Consequently, the number of witnesses is greater than is absolutely necessary to prove the point.
12, Rodney Street, Liverpool,
July 1869.
The demand which has sprung up for this work has induced the Author to make it more complete than it was originally. But it could not be made perfect without being expanded into a volume whose size would be incompatible with cheapness. When every Figure would supply a text for a long discourse, a close attention is required lest a description should be developed into a dissertation.
In this work, the Author is obliged to confine himself to the explanation of symbols, and cannot launch out into ancient and modern faiths, except in so far as they are typified by the use of certain conventional signs.
A great many who peruse a book like this for the first time, and find how strange were the ideas which for some thousands of years permeated the religious opinions of the civilised world, might naturally consider that the Author is a mere visionary—one who is possessed of a hobby that he rides to death. Such a notion is strengthened by finding that there is scarcely any subject treated of except the one which associates religion, a matter of the highest aim to man, with ideas of the most intensely earthly kind. But a thoughtful reader will readily discern that an essay on Symbolism must be confined to visible emblems. By no fair means can an author who makes the crucifix his text introduce the subject of the Confessional, the Eucharist, or Extreme Unction. Nor can one, who knows that Buddha and Jesus alike inaugurated a faith which was unmarked by visible symbolism, bring into an interpretation of emblems a comparison between the preaching of two such distinguished men. In like manner, the Author is obliged to pass over the difference between Judaism, Christianity as propounded by the son of Mary, and that which passes current for Christianity in Rome and most countries of Europe.
All these points, and many more, have been somewhat fully discussed in the Author's larger work, so often referred to in this, and to that he must refer the curious. The following pages are simply a chapter taken from a book, complete perhaps in itself, but only as a brick may be perfect, without giving to an individual any idea of the size, style, or architecture of the house from which it has been taken. If readers will regard these pages as a beam in a building, the Author will be content.
8, Vyvyan Terrace,
Clifton, Bristol,
August, 1874.
[ PAGAN AND CHRISTIAN SYMBOLISM. ]
[ APPENDIX: THE ASSYRIAN "GROVE" AND OTHER EMBLEMS ]
INTRODUCTION.
It may, we think, be taken for granted, that nothing is, or has ever been, adopted into the service of Religion, without a definite purpose. If it be supposed that a religion is built upon the foundation of a distinct revelation from the Almighty, as the Hebrew is said to be, there is a full belief that every emblem, rite, ceremony, dress, symbol, etc., has a special signification. Many earnest Christians, indeed, see in Judaic ordinances a reference to Jesus of Nazareth. I have, for example, heard a pious man assert that "leprosy" was only another word for "sin"; but he was greatly staggered in this belief when I pointed out to him that if a person's whole body was affected he was no longer unclean (Lev. xiii. 13), which seemed on the proposed hypothesis to demonstrate that when a sinner was as black as hell he was the equal of a saint. According to such an interpreter, the paschal lamb is a type of Jesus, and consequently all whom his blood sprinkles are blocks of wood, lintels, and side-posts (Exod. xii. 22, 28). By the same style of metaphorical reasoning, Jesus was typified by the "scape-goat," and the proof is clear, for one was driven away into the wilderness, and the other voluntarily went there—one to be destroyed, the other to be tempted by the devil! Hence we infer that there is nothing repugnant to the minds of the pious in an examination respecting the use of symbols, and into that which is shadowed forth by them. What has been done for Judaism may be attempted for other forms of religion.
As the Hebrews and Christians believe their religion to be God-given, so other nations, having a different theology, regard their own peculiar tenets. Though we may, with that unreasoning prejudice and blind bigotry which are common to the Briton and the Spaniard, and pre-eminently so to the mass of Irish and Scotchmen amongst ourselves, and to the Carlists in the peninsula, disbelieve a heathen pretension to a divine revelation, we cannot doubt that the symbols, etc., of Paganism have a meaning, and that it is as lawful to scrutinise the mysteries which they enfold as it is to speculate upon the Urim and Thummim of the Jews. Yet, even this freedom has, by some, been denied; for there are a few amongst us who adhere rigidly to the precept addressed to the followers of Moses, viz., "Take heed that thou enquire not after their gods, saying, How did these nations serve their gods?" (Deut. xii. 30.) The intention of the prohibition thus enunciated is well marked in the following words, 1 which indicate that the writer believed that the adoption of heathen gods would follow inquiry respecting them. It is not now-a-days feared that we may become Mahometans if we read the Koran, or Buddhists if we study the Dhammapada; but there are priests who fear that an inquiry into ecclesiastical matters may make their followers Papists, Protestants, Wesleyans, Baptists, Unitarians, or some other religion which the Presbytery object to. The dislike of inquiry ever attends those who profess a religion which is believed or known to be weak.
* "even so will I do likewise."
The philosopher of the present day, being freed from the shackles once riveted around him by a dominant hierarchy, may regard the precept in Deuteronomy in another light. Seeing that the same symbolism is common to many forms of religion, professed in countries widely apart both as regards time and space, he thinks that the danger of inquiry into faiths is not the adoption of foreign, but the relinquishment of present methods of religious belief. When we see the same ideas promulgated as divine truth, on the ancient banks of the Ganges, and the modern shores of the Mediterranean, we are constrained to admit that they have something common in their source. They may be the result of celestial revelation, or they may all alike emanate from human ingenuity. As men invent new forms of religion now, there is a presumption that others may have done so formerly. As all men are essentially human, so we may believe that their inventions will be characterised by the virtues and the failings of humanity. Again, experience tells us that similarity in thought involves similarity in action. Two sportsmen, seeing a hare run off from between them, will fire at it so simultaneously that each is unaware that the other shot. So a resemblance in religious belief will eventuate in the selection of analogous symbolism.
We search into emblems with an intention different from that with which we inquire into ordinary language. The last tells us of the relationship of nations upon Earth, the first of the probable connections of mankind with Heaven. The devout Christian believes that all who venerate the Cross may hope for a happy eternity, without ever dreaming that the sign of his faith is as ancient as Homeric Troy, and was used by the Phoenicians probably before the Jews had any existence as a people; whilst an equally pious Mahometan regards the Crescent as the passport to the realms of bliss, without a thought that the symbol was in use long before the Prophet of Allah was born, and amongst those nations which it was the Prophet's mission to convert or to destroy. Letters and words mark the ordinary current of man's thought, whilst religious symbols show the nature of his aspirations. But all have this in common, viz., that they may be misunderstood. Many a Brahmin has uttered prayers in a language to him unintelligible; and many a Christian uses words in his devotions of which he never seeks to know the meaning. "Om manee pani" "Om manee padme houm," "Amen" and "Ave Maria purissima" may fairly be placed in the same category. In like manner, the signification of an emblem may be unknown. The antiquary finds in Lycian coins, and in Aztec ruins, figures for which he can frame no meaning; whilst the ordinary church-goer also sees, in his place of worship, designs of which none can give him a rational explanation. Again, we find that a language may find professed interpreters, whose system of exposition is wholly wrong; and the same may be said of symbols. I have seen, for example, three distinctly different interpretations given to one Assyrian inscription, and have heard as many opposite explanations of a particular figure, all of which have been incorrect.
In the interpretation of unknown languages and symbols, the observer gladly allows that much may be wrong; but this does not prevent him believing that some may be right. In giving his judgment, he will examine as closely as he can into the system adopted by each inquirer, the amount of materials at his disposal, and, generally, the acumen which has been brought to the task. Perhaps, in an investigation such as we describe, the most important ingredient is care in collation and comparison. But a scholar can only collate satisfactorily when he has sufficient means, and these demand much time and research. The labour requires more time than ordinary working folk can command, and more patience than those who have leisure are generally disposed to give. Unquestionably, we have as yet had few attempts in England to classify and explain ancient and modern symbols. It is perhaps not strictly true that there has been so much a laxity in the research, of which we here speak, as a dread of making public the results of inquiry. Investigators, as a rule, have a respect for their own prejudices, and dislike to make known to others a knowledge which has brought pain to their own minds. Like the Brahmin of the story, they will destroy a fine microscope rather than permit their co-religionists to know that they drink living creatures in their water, or eat mites in their fruit. The motto of such people is, "If truth is disagreeable, cling to error."
The following attempts to explain much of ancient and modern symbolism can only be regarded as tentative. The various devices contained herein seem to me to support the views which I have been led to form from other sources, by a careful inquiry into the signification of ancient names, and the examination of ancient faiths. The figures were originally intended as corroborative of evidence drawn from numerous ancient and modern writings; and the idea of collecting them, and, as it were, making them speak for themselves, has been an after-thought. In the following pages I have simply reprinted the figures, etc., which appear in Ancient Faiths embodied in Ancient Names (second edition). I make no attempt to exhaust the subject. There are hundreds of emblems which find herein no place; and there are explanations of symbols current to which I make no reference, for they are simply exoteric.
For the benefit of many of my readers, I must explain the meaning of the last word italicised. In most, if not in all, forms of religion, there are tenets not generally imparted to the vulgar, and only given to a select few under the seal of secrecy. A similar reticence exists in common life. There are secrets kept from children, for example, that are commonly known to all parents; there are arcana, familiar to doctors, of which patients have no idea. For example, when a lad innocently asks the family surgeon, or his parent, where the last new baby came from, he is put off with a reply, wide of the mark, yet sufficient for him. When I put such a question to the maids in the kitchen, to which place for a time I was relegated, the first answer was that the baby came from the parsley bed. On hearing this, I went into the garden, and, finding the bed had been unmoved, came back and reproached my informant for falsehood. Another then took up the word, and said it was the carrot bed which the baby came from. As a roar of laughter followed this remark, I felt that I was being cheated, and asked no more questions. Then I could not, now I can, understand the esoteric sense of the sayings. They had to the servants two distinct significations. The only one which I could then comprehend was exoteric; that which was known to my elders was the esoteric meaning. In what is called "religion" there has been a similar distinction. We see this, not only in the "mysteries" of Greece and Rome, but amongst the Jews; Esdras stating the following as a command from God, "Some things shalt thou publish, and some things shalt thou show secretly to the wise" (2 Esdras xv. 26).
When there exist two distinct explanations, or statements, about the signification of an emblem, the one "esoteric," true, and known only to the few, the other "exoteric," incorrect, and known to the many, it is clear that a time may come when the first may be lost, and the last alone remain. As an illustration, we can point to the original and correct pronunciation of the word [—Hebrew—], commonly pronounced Jehovah. Known only to a select few, it became lost when these died without imparting it; yet what is considered to be the incorrect method of pronouncing the word survives until to-day.*
* It is supposed by some that Jahveh is the proper
pronunciation of this word, but as the first letter may
represent, ja, ya, or e, and the third u, v, or o, whilst
the second and fourth are the soft h, one may read the word
Jhuh, analogous to the Ju in Jupiter; Jehu, the name of a
king of Israel; Tahu as it is read on Assyrian inscriptions;
Jeho, as in Jehoshaphat; Ehoh, analogous to the Evoe or Ewe
associated with Bacchus; and Jaho, analogous to the J. A. O.
of the Gnostics. The Greek "Fathers" give the word as if
equivalent to yave, yaoh, yeho, and too.
But the question is not how the word may be pronounced, but how it was expressed in sound when used in religion by the Hebrew and other Semitic nations, amongst whom it was a sacred secret, or ineffable name, not lightly to be "taken in vain."———
We may fairly assume that, when two such meanings exist, they are not identical, and that the one most commonly received is not the correct one. But when one alone is known to exist, it becomes a question whether another should be sought. If, it may be asked, the common people are contented with a fable, believing it true, why seek to enlighten them upon its hidden meaning? To show the bearing of this subject, let us notice what has always struck me as remarkable. The second commandment declares to the Jews, "Thou shalt not make unto thee any graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; thou shalt not bow down thyself to them," etc. (Exod. xx. 4). Yet we find, in Numbers xxi., that Jehovah ordered Moses to frame a brazen serpent, whose power was so miraculous that those who only looked at it were cured of the evils inflicted by thanatoid snakes.
Then again, in the temple of the God who is reported to have thus spoken, and who is also said to have declared that He would dwell in the house that Solomon made for Him, an ark, or box, was worshipped, and over it Cherubim were seen. These were likenesses of something, and the first was worshipped. We find it described as being so sacred that death once followed a profane touching of it (2 Sam. vi. 6, 7), and no fewer than 50,070 people were done to death at Bethshemesh because somebody had ventured to look inside the box, and had tried to search into the mystery contained therein (1 Sam. vi. 19). It is curious that the Philistines, who must have touched the box to put their strange offerings beside it (see 1 Sam. vi. 8), were not particularly bothered. They were "profane"; and priests only invent stories, which are applicable to the arcana which they use in worship, to blind the eyes of and give a holy horror to the people whom they govern. How David worshipped the ark as being the representative of God we see in 2 Sam. vi. 14, 16, 17, 21.
The ark of the covenant was indeed regarded by the Jews much as a saint's toe-nail, a crucifix, an image of the Virgin, a bit of wood, or a rusty old nail is by the Roman Catholics. So flagrant an apparent breach of the second commandment was covered for the common Hebrews by the assertion that the mysterious box was a token of God's covenant with His people; but that this statement was "exoteric," we feel sure, when we find a similar ark existing and used in "the mysteries" of Egypt and Greece, amongst people who probably never heard of Jews, and could by no chance know what passed in the Hebrew temple.
When become dissatisfied with a statement, which is evidently intended to be a blind, some individuals naturally endeavour to ascertain what is behind the curtain. In this they resemble the brave boy, who rushes upon a sheet and turnip lantern, which has imposed upon his companions and passed for a ghost. What is a bugbear to the many is often a contemptible reptile to the few. Yet there are a great number who would rather run from a phantom night after night than grapple with it once, and would dissuade others from being bold enough to encounter it. Nevertheless, even the former rejoice when the cheat is exposed.
As when, by some courageous hand, that which has been mistaken by hundreds for a spectre has been demonstrated to be a crafty man, no one would endeavour to demonstrate the reality of ghosts by referring to the many scores of men of all ranks who had been duped by the apparition thus detected; so, in like manner, when the falsehood of an exoteric story is exhibited, it is no argument in its favour that the vulgar in thousands and many a wise man have believed it. Speaking metaphorically, we have many such ghosts amongst ourselves; phantoms, which pass for powerful giants, but are in reality perfect shams. Such we may describe by comparing them to the apocryphal vampires. It is to me a melancholy thing to contemplate the manner in which mankind have, in every age and nation, made for themselves bugbears, and then have felt fear at them. We deride the African, who manufactures a Fetish, and then trembles at its power, but the learned know perfectly well that men made the devil, whom the pious fear, just as a negro dreads Mumbo Jumbo.
In the fictitious narratives which passed for truth in the dark ages of Christianity, there were accounts of individuals who died and were buried, and who, after a brief repose in the tomb, rose again. Some imagined that the resuscitated being was the identical one who had been interred. Others believed that some evil spirit had appropriated the body, and restored to it apparent vitality. Whatever the fiction was, the statement remained unchallenged, that some dead folk returned to earth, having the same guise as when they quitted it. We believe that a similar occurrence has taken place in religion. Heathendom died, and was buried; yet, after a brief interval, it rose again from its tomb. But, unlike the vampire, its garb was changed, and it was not recognised. It moved through Christendom in a seductive dress. If it were a devil, yet its clothing was that of a sheep; if a wolf, it wore broadcloth. If it ravened, the victims were not pitied. Heathenism, by which I mean the manners, morals and rites prevalent in pagan times or countries, like a resuscitated vampire, once bore rule throughout Christendom, in which term is included all those parts where Christian baptism is used by all the people, or the vast majority. In most parts it still reigns supreme.
When vampires were discovered by the acumen of any observer, they were, we are told, ignominiously killed, by a stake being driven through the body; but experience showed them to have such tenacity of life that they rose again, and again, notwithstanding renewed impalement, and were not ultimately laid to rest till wholly burnt. In like manner, the regenerated Heathendom, which dominates over the followers of Jesus of Nazareth, has risen again and again, after being transfixed. Still cherished by the many, it is denounced by the few. Amongst other accusers, I raise my voice against the Paganism which exists so extensively in ecclesiastical Christianity, and will do my utmost to expose the imposture.
In a vampire story, told in Thalaba, by Southey, the resuscitated being takes the form of a dearly beloved maiden, and the hero is obliged to kill her with his own hand. He does so; but, whilst he strikes the form of the loved one, he feels sure that he slays only a demon. In like manner, when I endeavour to destroy the current Heathenism, which has assumed the garb of Christianity, I do not attack real religion. Few would accuse a workman of malignancy who cleanses from filth the surface of a noble statue. There may be some who are too nice to touch a nasty subject; yet even they will rejoice when some one else removes the dirt. Such a scavenger is much wanted.
If I were to assert, as a general proposition, that religion does not require any symbolism, I should probably win assent from every true Scotch Presbyterian, every Wesleyan, and every Independent. Yet I should be opposed by every Papist, and by most Anglican Churchmen. But why? Is it not because their ecclesiastics have adopted symbolism into their churches and into their ritual? They have broken the second commandment of Jehovah, and refuse to see anything wrong in their practice or gross in their imagery. But they adopt Jehovah rather than Elohim, and break the commandments, said to be given upon Sinai, in good company.
The reader of the following pages will probably feel more interest therein if he has some clue whereby he may guide himself through their labyrinth.
From the earliest known times there seems to have been in every civilised nation the idea of an unseen power. In the speculations of thoughtful minds a necessity is recognised for the existence of a Being who made all things—who is at times beneficent, sending rain and warmth, and who at others sends storm, plague, famine, and war. After the crude idea has taken possession of the thoughts, there has been a desire to know something more of this Creator, and an examination into the works of Nature has been made with the view to ascertain the will and designs of the Supreme. In every country this great One has been supposed to inhabit the heaven above us, and consequently all celestial phenomena have been noticed carefully. But the mind soon got weary of contemplating about an essence, and, contenting itself with the belief that there was a Power, began to investigate the nature of His ministers. These, amongst the Aryans, were the sun, fire, storm, wind, the sky, the day, night, etc. An intoxicating drink, too, was regarded as an emanation from the Supreme. With this form of belief men lived as they had done ere it existed, and in their relations with each other may be compared to such high class animals as elephants. Men can live peaceably together without religion, just as do the bisons, buffaloes, antelopes, and even wolves. The assumption that some form of faith is absolutely a necessity for man is only founded on the fancies of some religious fanatics who know little of the world.*
* Whilst these sheets were passing through the press, there
appeared a work, published anonymously, but reported to be
by one of the most esteemed theologians who ever sat upon an
episcopal bench. It is entitled Supernatural Religion.
London: Longmans, 1874. From it we quote the following, vol.
ii., p. 489:—
"We gain infinitely more than we lose in abandoning belief
in the reality of Divine Revelation. Whilst we retain pure
and unimpaired the treasure of Christian Morality, we
relinquish nothing but the debasing elements added to it by
human superstition. We are no longer bound to believe a
theology which outrages reason and moral sense. We are freed
from base anthropomorphic views of God and His government of
the universe; and from Jewish Mythology we rise to higher
conceptions of an infinitely wise and beneficent Being,
hidden from our finite minds, it is true, in the
impenetrable glory of Divinity, but whose Laws of wondrous
comprehensiveness and perfection we ever perceive in
operation around us. We are no longer disturbed by visions
of fitful interference with the order of Nature, but we
recognise that the Being who regulates the universe is
without variableness or shadow of turning. It is singular
how little there is in the supposed Revelation of alleged
information, however incredible, regarding that which is
beyond the limits of human thought, but that little is of a
character which reason declares to be the wildest delusion.
Let no man whose belief in the reality of a Divine
Revelation may be destroyed by such an inquiry complain that
he has lost a precious possession, and that nothing is left
but a blank. The Revelation not being a reality, that which
he has lost was but an illusion, and that which is left is
the Truth. If he be content with illusions, he will speedily
be consoled; if he be a lover only of truth, instead of a
blank, he will recognise that the reality before him is full
of great peace.
"If we know less than we have supposed of man's destiny, we
may at least rejoice that we are no longer compelled to
believe that which is unworthy. The limits of thought once
attained, we may well be unmoved in the assurance that all
that we do know of the regulation of the universe being so
perfect and wise, all that we do not know must be equally
so. Here enters the true and noble Faith—which is the child
of reason. If we have believed a system, the details of
which must at one time or another have shocked the mind of
every intelligent man, and believed it simply because it was
supposed to be revealed, we may equally believe in the
wisdom and goodness of what is not revealed. The mere act of
communication to us is nothing: Faith in the perfect
ordering of all things is independent of Revelation.
"The argument so often employed by Theologians that Divine
Revelation is necessary for man, and that certain views
contained in that Revelation are required by our moral
consciousness, is purely imaginary, and derived from the
Revelation which it seeks to maintain. The only thing
absolutely necessary for man is Truth and to that, and that
alone, must our moral consciousness adapt itself."
But as there is variety in the workings of the human mind, so there were differences in the way wherein the religious idea was carried out. Some regarded the sun and moon, the constellations and the planets, as ministers of the unseen One, and, reasoning from what was known to what was unknown, argued thus: "Throughout nature there seems to be a dualism. In the sky there are a sun and moon; there are also sun and earth, earth and sea. In every set of animals there are males and females." An inquiry into the influence of the sun brought out the facts that by themselves its beams were destructive; they were only beneficent when the earth was moist with rain. As the rain from heaven, then, caused things on earth to grow, it was natural that the main source of light and heat should be regarded as a male, and the earth as a female. As a male, the sun was supposed to have the emblems of virility, and a spouse whom he impregnated, and who thereby became fertile.
In examining ancient Jewish, Phoenician, and other Shemitic cognomens, I found that they consisted of a divine name and some attribute of the deity, and that the last was generally referable equally to the Supreme, to the Sun, as a god, and to the masculine emblem. If the deity was a female, the name of her votary contained a reference to the moon and the beauties or functions of women. The higher ideas of the Creator were held only by a few, the many adopted a lower and more debased view. In this manner the sun became a chief god and the moon his partner, and the former being supposed to be male and the latter female, both became associated with the ideas which all have of terrestrial animals. Consequently the solar deity was associated in symbolism with masculine and the moon with feminine emblems.
An inquiry into antiquity, as represented by Babylonians, Assyrians, Egyptians, Phoenicians, Hebrews, Greeks, Etruscans, Romans, and others, and into modern faiths still current, as represented in the peninsula of India, in the Lebanon, and elsewhere, shows that ideas of sex have been very generally associated with that of creation. God has been described as a king, or as a queen, or as both united. As monarch, he is supposed to be man, or woman, or both. As man differs from woman in certain peculiarities, these very means of distinction have been incorporated into the worship of god and goddess. Rival sects have been ranged in ancient times under the symbol of the T and the O as in later times they are under the cross and the crescent. The worship of God the Father has repeatedly clashed with that of God the Mother, and the votaries of each respectively have worn badges characteristic of the sex of their deity. An illustration of this is to be seen amongst ourselves; one sect of Christians adoring chiefly the Trinity, another reverencing the Virgin. There is a well-known picture, indeed, of Mary worshipping her infant; and to the former is given the title Mater Creatoris, "the mother of the Creator." Our sexual sections are as well marked as those in ancient Jerusalem, which swore by Jehovah and Ashtoreth respectively.
The idea of sexuality in religion is quite compatible with a ritual and practice of an elaborate character, and a depth of piety which prefers starvation to impurity, or, as the Bible has it, to uncleanness. To eat "with the blood" was amongst the Hebrews a crime worthy of death; to eat with unwashed hands was a dreadful offence in the eyes of the Pharisees of Jerusalem; and in the recent famine in Bengal, we have seen that individuals would rather die of absolute hunger, and allow their children to perish too, than eat bread or rice which may have been touched by profane hands, or drink milk that had been expressed by British milkmaids from cows' udders. Yet these same Hindoos, the very particular sect of the Brahmins, have amongst themselves a form of worship which to our ideas is incompatible with real religion. The folks referred to adore the Creator, and respect their ceremonial law even more deeply, than did the Hebrews after the time of the Babylonish captivity; but they have a secret cult in which—and in the most, matter-of-fact way—they pay a very practical homage to one or other of the parts which is thought by the worshipper to be a mundane emblem of the Creator.
The curious will find in Essays on the Religion of the Hindus, by H. H. Wilson, in the Dabistan, translated by Shea and Troyer (Allen and Co., London), 3 vols., 8vo., and in Memoirs of the Anthropological Society of London (Trübner and Co.), vols. 1 and 2, much information on the method of conducting the worship referred to. The first named author thinks it advisable to leave the Brahminic "rubric" for the "Sakti Sodhana," for the most part under the veil of the original Sanscrit, and I am not disposed wholly to withdraw it.
But Christians are not pure; some of my readers may have seen a work written by an Italian lady of high birth, who was in early life forced into a nunnery, and who left it as soon as she had a chance. In her account she tells us how the women in the monastery were seduced by reverend Fathers, who were at one time the instruments of vice, at another the guides to penitence. Their practice was to instruct their victims that whatever was said or done must be accompanied by a pious sentence. Thus, "I love you dearly" was a profane expression; but "I desire your company in the name of Jesus," and "I embrace in you the Holy Virgin," were orthodox. In like manner, the Hindus have prayers prescribed for their use, when the parts are to be purified prior to proceeding to extremities, when they are introduced to each other, in the agitation which follows, and when the ceremony is completed. Everything is done, as Ritualists would say, decently and in order; and a pious orgie, sanctified by prayers, cannot be worse than the penance ordained by some "confessors" to those faithful damsels whose minds are plastic enough to believe that a priest is an embodiment of the Holy Ghost, and that they become assimilated to the Blessed Virgin when they are overshadowed by the power of the Highest (Luke i. 85).
There being, then, in "religion" a strong sensual element, ingenuity has been exercised to a wonderful extent in the contrivance of designs, nearly or remotely significant of this idea, or rather union of the conceptions to which we have referred. Jupiter is a Proteus in form; now a man, now a bull, now a swan, now an androgyne. Juno, or her equivalent, is sometimes a woman, occasionally a lioness, and at times a cow. All conceivable attributes of man and woman were symbolised; and gods were called by the names of power, love, anger, desire, revenge, fortune, etc. Everything in creation that resembled in any way the presumed Creator, whether in name, in character, or in shape, was supposed to represent the deity. Hence a palm tree was a religious emblem, because it is long, erect, and round; an oak, for it is hard and firm; a fig-tree, because its leaves resemble the male triad. The ivy was sacred from a similar cause. A myrtle was also a type, but of the female, because its leaf is a close representation of the vesica piscis. Everything, indeed, which in any way resembles the characteristic organs of man and woman, became symbolic of the one or the other deity, Jupiter or Juno, Jehovah or Astarte, the Father or the Virgin. Sometimes, but very rarely, the parts in question were depicted au naturel, and the means by which creation is effected became the mundane emblem of the Almighty; and two huge phalli were seen before a temple, as we now see towers or spires before our churches, and minarets before mosques. (Lucian, Dea Syria.)
Generally, however, it was considered the most correct plan to represent the organs by some conventional form, understood by the initiated, but not by the unlearned. Whatever was upright, and longer than broad, became symbolic of the father; whilst that which was hollow, cavernous, oval, or circular, symbolised the mother. A sword, spear, arrow, dart, battering ram, spade, ship's prow, anything indeed intended to pierce into something else was emblematic of the male; whilst the female was symbolised as a door, a hole, a sheath, a target, a shield, a field, anything indeed which was to be entered. The Hebrew names sufficiently indicate the plan upon which the sexes were distinguished; the one is a zachar, a perforator or digger, and the other nekebah, a hole or trench, i, e. male and female.
These symbols were not necessarily those of religious belief. They might indicate war, heroism, prowess, royalty, command, etc., or be nothing more than they really were. They only symbolised the Creator when they were adopted into religion. Again, there was a still farther refinement; and advantage was taken of the fact, that one symbol was tripliform, the other single; one of one shape, and the other different. Consequently, a triangle, or three things, arranged so that one should stand above the two, became emblematic of the Father, whilst an unit symbolised the Mother.
These last three sentences deserve close attention, for some individuals have, in somewhat of a senseless fashion, objected, that a person who can see in a tortoise an emblem of the male, and in a horse-shoe an effigy of the female organ, must be quite too fantastical to deserve notice. But to me, as to other inquirers, these things are simply what they appear to be when they are seen in common life. Yet when the former creature occupies a large space in mythology; when the Hindoo places it as the being upon which the world stands, and the Greeks represent one Venus as resting upon a tortoise and another on a goat; and when one knows that in days gone by, in which people were less refined, the [—Greek—] was displayed where the horse-shoe is now, and that some curiously mysterious attributes were assigned to the part in question; we cannot refuse to see the thing signified in the sign.
Again, inasmuch as what we may call the most prominent part of the tripliform organ was naturally changeable in character, being at one time soft, small, and pendent, and at another hard, large, and upright, those animals that resembled it in these respects became symbolical. Two serpents, therefore, one Indian, and the other Egyptian, both of which are able to distend their heads and necks, and to raise them up erect, were emblematic, and each in its respective country typified the father, the great Creator. In like manner, another portion of the triad was regarded as similar in shape and size to the common hen's egg. As the celebrated physiologist, Haller, remarked, "Omne vivum ex ovo" every living thing comes from an egg; so more ancient biologists recognised that the dual part of the tripliform organ was as essential to the creation of a new being as the central pillar. Hence an egg and a serpent became a characteristic of "the Father," El, Ab, Ach, Baal, Asher, Melech, Adonai, Jahu, etc. When to this was added a half moon, as in certain Tyrian coins, the trinity and unity were symbolised, and a faith expressed like the one held in modern Rome, that the mother of creation is co-equal with the father; the one seduces by her charms, and the other makes them fructify.
To the Englishman, who, as a rule, avoids talking upon the subject which forms the basis of many an ancient religion, it may seem incredible that any individual, or set of writers, could have exercised their ingenuity in finding circumlocutory euphemisms for things which, though natural, are rarely named. Yet the wonder ceases when we find, in the writings of our lively neighbours, the French, a host of words intended to describe the parts referred to, which correspond wholly with the pictorial emblems adopted by the Greeks and others.
As English writers have, as a rule, systematically avoided making any distinct reference to the sexual ideas embodied in ancient Paganism, so they have, by their silence, encouraged the formation of a school of theology which has no solid foundation, except a very animal one. As each individual finds out this for himself, it becomes a question with him how far the information shall be imparted to others. So rarely has the determination to accuse the vampire been taken, that we can point to very few English books to which to refer our readers. We do not know one such that is easily accessible; K. Payne Knight's work, and the addition thereto, having been privately printed, is not often to be found in the market. To give a list of the foreign works which the author has consulted, prior to and during the composition of his book on Ancient Faiths, would be almost equivalent to giving a catalogue of part of his library. He may, however, indicate the name of one work which is unusually valuable for reference, viz., Histoire abrégée des Differens Cultes, par J. A. Dulaure, 2 vols., small 8vo., Paris, 1825. Though out of print, copies can generally be procured through second-hand booksellers. Another work, 'Récherches sur les Mystères de Paganisme, by St. Croix, is equally valuable, but it is very difficult to procure a copy.
The ancient Jews formed no exception to the general law of reverence for the male emblem of the Creator; and though we would, from their pretensions to be the chosen people of God, gladly find them exempt from what we consider to be impurities, we are constrained to believe that, even in the worship of Jehovah, more respect was given to the symbol than we, living in modern times, think that it deserves. In their Scriptures we read of Noah, whose infirm temper seems to have been on a par with his weakness for wine, cursing one of his three sons because, whilst drunk, he had negligently exposed his person, and the young man had thought the sight an amusing one. Ham had no reverence for the symbol of the Creator, but Shem and Japhet had, and covered it with a veil as respectfully as if it had been the ineffable framer of the world (Gen. ix. 21-27). As our feelings of propriety induce us to think that the father was a far greater sinner than the son, we rejoice to know that the causeless curse never fell, and that Ham, in the lands of Canaan, Assyria, and Babylonia, and subsequently in Carthaginian Spain, were the masters of those Hebrews, whose main force, in old times, lay in impotent scoldings, such, as Shakespeare puts into the mouth of Caliban.
One of the best proofs of the strong sexual element which existed in the religion of the Jews is the fact that Elohim, one of the names of the Creator amongst the Hebrews, is represented, Gen. xvii. 10-14, as making circumcision a sign of his covenant with the seed of Abraham; and in order to ascertain whether a man was to be regarded as being in the covenant, God is supposed to have looked at the state of the virile organ, or—as the Scripture has it—of the hill of the foreskin. We find, indeed, that Jehovah was quite as particular, and examined a male quite as closely as Elohim: for when Moses and Zipporah were on their way from Midian to Egypt, Exod. iv. 24, Jehovah having looked at the "trinity" of Moses' son, and having found it as perfect as when the lad was born, sought to slay him, and would have done so unless the mother had mutilated the organ according to the sacred pattern. Again, we find in Josh. v. 2, and in the following verses, that Jehovah insisted upon all the Hebrew males having their virile member in the covenant condition ere they went to attack the Canaanites. We cannot suppose that any scribe could dwell so much as almost every scriptural writer does upon the subject of circumcision, had not the masculine emblem been held in religious veneration amongst the Jewish nation.
But the David who leaped and danced, obscenely as we should say, before the ark—an emblem of the female creator—who purchased his wife from her royal father by mutilating a hundred Philistines, and presenting the foreskins which he had cut off therefrom "in full tale" to the king (1 Sam. xviii. 27, 2 Sam. iii. 14), who was once the captain of a monarch who thought it a shame beyond endurance to be abused, tortured, or slain by men whose persons were in a natural condition (1 Sam. xxxi. 4), and who imagined that he, although a stripling, could conquer a giant, because the one had a sanctified and the other a natural member—is the man whom we know as the author of Psalms with which Christians still refresh their minds and comfort their souls. The king who, even in his old age, was supposed to think so much of women that his courtiers sought a lovely damsel as a comfort for his dying bed, is believed to have been the author of the noble nineteenth Psalm, and a number of others full of holy aspirations. It is clear, then, that sexual ideas on religion are not incompatible with a desire to be holy. The two were co-existent in Palestine; they are equally so in Bengal.
We next find that Abraham, the cherished man of God, the honoured patriarch of the Jews, makes his servant lay his hand upon the master's member, whilst he takes an oath to do his bidding, precisely like a more modern Palestinian might do; and Jacob does the same with Joseph. See Gen. xxiv. 8, and xlvii. 29.
As it is not generally known that the expression, "under my thigh," is a euphemism for the words, "upon the symbol of the Creator," I may point to two or three other passages in which the thigh (translated in the authorised version loins) is used periphrastically: Genesis xxxv. 2, xlvi. 26; Exod. i. 5. See Ginsburg, in Kitto's Biblical Cyclopadia, vol. 8, p. 848, 8. v. Oath.
I have on two occasions read, although I failed to make a note of it, that an Arab, during the Franco-Egyptian war, when accused by General Kleber of treachery, not only vehemently denied it, but when he saw himself still distrusted, he uncovered himself before the whole military staff, and swore upon his trinity that he was guiltless. In the Lebanon, once in each year, every female considers it her duty to salute with her lips the reverenced organ of the Old Sheik.
Again we learn, from Deut. xxiii. 1, that any unsanctified mutilation of this part positively entailed expulsion from the congregation of the Lord. Even a priest of the house of Aaron could not minister, as such, if his masculinity had been in any way impaired (Lev. xxi. 20); and report says that, in our Christian times, Popes have to be privately perfect; see also Deut. xxv. 11, 12. Moreover, the inquirer finds that the Jewish Scriptures teem with promises of abundant offspring to those who were the favourites of Jehovah; and Solomon, the most glorious of their monarchs, is described as if he were a Hercules amongst the daughters of Thespius. Nothing can indicate the licentiousness of the inhabitants of Jerusalem more clearly than the writings of Ezekiel.* If, then, in Hebrew law and practice, we find such a strong infusion of the sexual element, we cannot be surprised if it should be found elsewhere, and gradually influence Christianity.
* See Ezekiel xxii. 1-30, and compare Jerem. v. 7, 8.
We must next notice the fact, that what we call impurity in religious tenets does not necessarily involve indecency in practice. The ancient Romans, in the time of the early kings, seem to have been as proper as early Christian maidens. It is true that, in the declining days of the empire, exhibitions that called forth the fierce denunciations of the fathers of the Church took place; but we find very similar occurrences in modern Christian capitals. In Spartan days, chastity and honesty were not virtues, but drunkenness was a vice. In Christian England, drunkenness is general, and we cannot pride ourselves upon universal honesty and chastity. It is not the national belief, but the national practice, which evidences a people's worth. Spain and Ireland, called respectively "Catholic" and "the land of saints," cannot boast of equality with "infidel" France and "free-thinking" Prussia. England will be as earnest, as upright, and as civilised, when she has abandoned the heathen elements in her religion, as when she hugs them as if necessary to her spiritual welfare. Attachment to the good parts of religion is wholly distinct from a close embrace of the bad ones; and we believe he deserves best of his country who endeavours to remove every possible source of discord. None can doubt the value of the order, "Do to others as you would wish others to do to you." If all unite to carry this out, small differences of opinion may at once be sunk. How worthless are many of the dogmas that people now fight about, the following pages will show.
In our larger work we have endeavoured to show that there may be a deep sense of religion, a feeling of personal responsibility, so keen as to influence every act of life, without there being a single symbol used. The earnest Sakya Muni, or Buddha, never used anything as a sacred emblem; nor did Jesus, who followed him, and perhaps unconsciously propagated the Indian's doctrine. When the Apostles were sent out to teach and preach, they were not told to carry out any form of ark or crucifix. To them the doctrine of the Trinity was unknown, and not one of them had any particular reverence for her whom we call the Virgin Mary, who, if she was 'virgo intacta' when Jesus was born, was certainly different when she bore his brothers. Paul and Peter, though said to be the fathers of the Roman Church, never used or recommended the faithful to procure for themselves "a cross" as an aid to memory. The early Christians recognised each other by their deeds, and never had, like the Jews, to prove that they were in covenant with God, by putting a mutilated part of their body into full view. We, with the Society of Friends, prefer primitive to modern Christianity.
In the following pages the author has felt himself obliged to make use of words which are probably only known to those who are more or less "scholars." He has to treat of parts of the human body, and acts which occur habitually in the world, which in modern times are never referred to in polite society, but which, in the period when the Old Testament was written, were spoken of as freely as we now talk of our hands and feet. In those days, everything which was common was spoken of without shame, and that which occurred throughout creation, and was seen by every one, was as much the subject of conversation as eating and drinking is now. The Hebrew-writers were extremely coarse in their diction, and although this has been softened down by subsequent redactors, much which is in our modern judgment improper still remains. For example, where we simply indicate the sex, the Jewish historians used the word which was given to the symbol by which male and female are known; for example, in Gen. i. 27, and v. 2, and in a host of other places, the masculine and feminine are spoken of as zachar and nekebah, which is best translated as "borers" and "bored." Another equally vulgar way of describing men is to be found in 1 Kings xiv. 10. But these observations would not serve us much in symbolism did we not know that they were associated with certain euphemisms by which when one thing is said another is intended; for an illustration let us take Isaiah vii. 20, and ask what is meant by the phrase, "the hair of the feet"? It is certain that the feet are never hairy, and consequently can never be shaved. Again, when we find in Gen. xlix. 10, "the sceptre shall not depart from Judah, nor a lawgiver from between his feet," and compare this with Deut. xxviii. 57, and 2 Kings xviii. 27, where the words are, in the original, "the water of their feet," it is clear that symbolic language is used to express something which, if put into the vernacular, would be objectionable to ears polite. Again, in Genesis xxiv. 2 and xlvii. 29, and in Heb. xi. 21, it is well known to scholars that the word "thigh" and "staff" are euphemisms to express that part which represents the male. In Deut. xxiii. 1, we have evidence, as in the last three verses quoted, of the sanctity of the part referred to, but the language is less refined. Now-a-days our ears are not attuned to the rough music which pleased our ancestors, and we have to use veiled language to express certain matters. In the following pages, the words which I select are drawn from the Latin, Greek, Sanscrit, Shemitic, or Egyptian. Hea, Ann, and Asher replace the parts referred to in Deut. xxiii. 1; Osiris, Asher, Linga, Mahadeva, Siva, Priapus, Phallus, etc., represent the Hebrew zachar ; whilst Isis, Parvati, Yoni, Sacti, Astarte, Ishtar, etc., replace the Jewish nekebah. The junction of these parts is spoken of as Ashtoreth, Baalim, Elohim, the trinity and unity, the androgyne deity, the arba, or mystic four, and the like.
I will only add, that what I refer to has long been known to almost every scholar except English ones. Of these a few are learned; but for a long period they have systematically refrained from speaking plainly, and have written in such a manner as to be guilty not only of suppressio veri but of suggestio falsi.
After reading thus far, I can imagine many a person saying with astonishment, "Are these things so?" and following up his thoughts by wondering what style of persons they were, or are, who could introduce into religion such matters as those of which we have treated.
In reply, I can only say that I have nothing extenuated, and set down nought in malice. But the first clause of the assertion requires modification, for in this volume there are many things omitted which I have referred to at length in my larger work. In that I have shown, not only that religious fornication existed in ancient Babylon, but that there is reason to believe that it existed also in Palestine. The word [—Hebrew—] Kadesh, which signifies "pure, bright, young, to be holy, or to be consecrated," is also the root from which are formed the words Kadeshah and Kadeshim, which are used in the Hebrew writings, and are translated in our authorised version "whore" and "sodomite." See Bent, xxiii. 17.
Athanasius tells us something of this as regards the Phoenicians, for he says, (Oratio Contr. Gent., part i., p. 24.) "Formerly, it is certain that Phoenician women prostituted themselves before their idols, offering their bodies to their gods in the place of first fruits, being persuaded that they pleased the goddess by that means, and made her propitious to them."
Strabo mentions a similar occurrence at Comana, in Pontus, book xiii., c. iii. p. 86—and notices that an enormous number of women were consecrated to the use of worshippers in the temple of Venus at Corinth.
Such women exist in India, and the priests of certain temples do everything in their power to select the loveliest of the sex, and to educate them so highly as to be attractive.
The customs which existed in other places seem to have been known in Jerusalem, as we find in 1 Kings xiv. 24., XV. 12, that Kadeshim were common in Judea, and in 2 Kings xxiii. 7, we discover that these "consecrated ones" were located "by the temple," and were associated with women whose business was "to make hangings for the grove." What these tissues were and what use was made of them will be seen in Ezekiel xvi. 16.
Even David, when dancing before the ark, shamelessly exposed himself. Solomon erected two pillars in the porch of his temple, and called them Jachin and Boaz, and added pomegranate ornaments. We have seen how Abraham and Jacob ordered their inferiors to swear by putting the hand upon "the thigh"; and we have read of the atrocities which occurred in Jerusalem in the time of Ezekiel. Yet the Jews are still spoken of as God's chosen people, and the Psalmist as a man after God's own heart.
But without going so far back, let us inquire into the conduct of the sensual Turks, and of the general run of the inhabitants of Hindostan. From everything that I can learn—and I have repeatedly conversed with those who have known the Turks and Hindoos familiarly—these are in every position in life as morally good as common Christians are.
My readers must not now assert that I am either a partisan or a special pleader when I say this; they must consider that I am making the comparison as man by man. I do not, as missionaries do, compare the most vicious Mahomedan and Brahmin with the most exemplary Christian; nor do I, on the other hand, compare the best Ottoman and Indian with Christian criminals; but I take the whole in a mass, and assert that there is as large a percentage of good folks in India and Turkey as there is in Spain and France, England or America.
The grossest form of worship is compatible with general purity of morals. The story of Lucretia is told of a Pagan woman, whilst those of Er and Onan, Tamar and Judah relate to Hebrews. David, who seduced Bathsheba, and killed her husband, was not execrated by "God's people," nor was he consequently driven from his throne as Tarquin was by the Romans.
In prowess and learning, the Babylonians, with their religious prostitution, were superior to the "chosen people." Of the wealth and enterprise of the Phoenicians, Ancient History tells us abundance.
There are probably no three cities in ancient or modern times which contain so many vicious individuals as London, Paris, and New York. Yet there are none which history tells us of that were more powerful. No Babylonian army equalled in might or numbers the army of the Northern United States. Nineveh never wielded armies equal to those of the French Napoleon and the German William, and Rome never had an empire equal to that which is headed by London.
The existence of personal vice does not ruin a nation in its collective capacity. Nor does the most sensual form of religion stunt the prosperity of a people, so long as the latter do not bow their necks to a priesthood.
The greatest curse to a nation is not a bad religion, but a form of faith which prevents manly inquiry. I know of no nation of old that was priest-ridden which did not fall under the swords of those who did not care for hierarchs.
The greatest danger is to be feared from those ecclesiastics who wink at vice, and encourage it as a means whereby they can gain power over their votaries. So long as every man does to other men as he would that they should do to him, and allows no one to interfere between him and his Maker, all will go well with the world.
Whilst the following sheets were going through the press, my friend Mr. Newton, who has not only assisted me in a variety of ways, but who has taken a great deal of interest in the subject of symbolism, gave me to understand that there were some matters in which he differed very strongly from me in opinion. One of these was as to the correct interpretation of the so-called Assyrian grove; another was the signification of one of Lajard's gems, Plate iv., Fig. 3; and the most conspicuous of our divergencies was respecting the fundamental, or basic idea, which prompted the use in religion of those organs of reproduction which have, from time immemorial, been venerated in Hindostan, and, as far as we can learn, in Ancient Egypt, Babylonia, Assyria, Tyre, Sidon, Carthage, Jerusalem, Etruria, Greece, and Rome, as well as in countries called uncivilised. I feel quite disposed to acquiesce in the opinions which my old friend has formed respecting the Assyrian grove, but I am not equally ready to assent to his other opinions.
Where two individuals are working earnestly for the elucidation of truth, there ought, in my opinion, to be not only a tolerance of disagreement, but an honest effort to submit the subject to a jury of thoughtful readers.
As I should not feel satisfied to allow any other person to express my opinions in his words, it seemed to me only fair to Mr. Newton to give him the facility of enunciating his views in his own language. It was intended, originally, that my friend's observations upon the "grove" should be followed by a dissertation upon other relics of antiquity—notably upon that known as Stonehenge—but circumstances have prevented this design being carried into execution.
When two individuals who have much in common go over the same ground, it is natural, indeed almost necessary, that they should dwell upon identical topics. Hence it will be found that there are points which are referred to by us both, although possibly in differing relationship.
As my own part of the following remarks were printed long before I saw Mr. Newton's manuscript, I hope to be pardoned for allowing them to stand. The bulk of the volume will not be increased to the extent of a full page.
If I were to be asked the reason why I differ from Mr. Newton in his exalted idea about the adoption of certain bodily organs as types, tokens, or emblems of an unseen and an inscrutable Creator, my answer would be drawn from the observations made upon every known order of priesthood, from the most remote antiquity to the present time. No matter what the creed, whether Ancient or Modern, the main object of its exponents and supporters is to gain over the minds of the populace. This has never yet been done, and probably never will be attempted, by educating the mind of the multitude to think.
In Great Britain we find three sets of hierarchs opposed to each other, and all equally, by every means in their power, prohibit independent inquiry.
A young Romanist convert, as we have recently seen, is discouraged from persevering in the study of history and logic; a Presbyterian is persecuted, as far as the law of the land permits, if he should engage in an honest study of the Bible, of the God which it presents for our worship, and of the laws that it enforces. A bishop of the Church of England is visited by the puny and spiteful efforts of some of his nominal equals if he ventures to treat Jewish writings as other critics study the tomes of Livy or of Herodotus.
One set of men have banded together to elect a god on earth, and endeavour to coerce their fellow-mortals to believe that a selection by a few old cardinals can make the one whom they choose to honour "infallible."
Another set of men, who profess to eschew the idea of infallibility in a Pope, assume that they possess the quality themselves, and endeavour to blot out from the communion of the faithful those who differ from them "on points which God hath left at large."
Surely, when with all our modern learning, thought, and scientific enquiry, hierarchs still set their faces against an advance in knowledge, and quell, if possible, every endeavour to search after truth, we are not far wrong when we assert, that the first priests of barbarism had no exalted views of such an abstract subject as life, in the higher and highest senses, if indeed in any sense of the word.
Another small point of difference between my friend and me is, whether there has been at any time a figured representation of a kakodoemon—except since the beginning of Christianity—and if, by way of stretching a point, we call Typhon—Satan or the Devil—by this name, as being opposed to the Agathodoemon, whether we are justified in providing this evil genius with wings. As far as I can judge from Chaldean and Assyrian sculptures, wings were given to the lesser deities as our artists assign them to modern angels. The Babylonian Apollyon, by whatever name he went, was winged—but so were all the good gods. The Egyptians seem to have assigned wings only to the favourable divinities. The Jews had in their mythology a set of fiery flying serpents, but we must notice that their cherubim and seraphim were all winged, some with no less than three pairs—much as Hindoo gods have four heads and six, or any other number of arms.
Mr. Newton assumes that the dragon mentioned in Rev. xii. was a winged creature, but it is clear from the context, especially from verses 14 and 15, that he had no pinions, for he was unable to follow the woman to whom two aerial oars had been given.
The dragon, as we know it, is, I believe, a mediæval creation; such a creature is only spoken of in the Bible in the book of Revelation, and the author of that strange production drew his inspiration on this point from the Iliad, where a dragon is described as of huge size, coiled like a snake, of blood-red colour, shot with changeful hues, and having three heads. Homer, Liddell, and Scott add—used [—Greek—] indifferently for a serpent. So does the author of Rev. in ch. xx. 2. I have been unable to discover any gnostic gem with anything like a modern dragon on it.
Holding these views, I cannot entertain the proposition that the winged creatures in the very remarkable gem already referred to are evil genii.
In a question of this kind the mind is perhaps unconsciously biassed by comparing one antiquarian idea with another. A searcher amongst Etruscan vases will see not only that the angel of death is winged, but that Cupid, Eros, or by whatever other name "desire" or love goes, frequently hovers over the bridal or otherwise voluptuous couch, and attends beauty at her toilet. The Greeks also gave to Eros a pair of wings, intended, it is fancied, to represent the flutterings of the heart, produced when lovers meet or even think of each other. Such a subordinate deity would be in place amongst so many sexual emblems as Plate iv. Fig. 3 contains, whilst a koakdoemon would be a "spoil sport," and would make the erected serpents drop rather than remain in their glory.
These matters are apparently of small importance, but when one is studying the signification of symbolical language, he has to pay as close an attention, and extend the net of observation over as wide a sea as a scholar does when endeavouring to decipher some language written in long-forgotten characters, and some divergence of opinion between independent observers sharpens the intellect more than it tries the temper.
PAGAN AND CHRISTIAN SYMBOLISM.
PLATE II.
This is taken from a photograph of a small bronze image in the Mayer collection of the Free Museum, in Liverpool. The figure stands about nine inches high, and represents Isis, Horus, and the fish. It is an apt illustration of an ancient custom, still prevalent amongst certain Christians, of reverencing a woman, said to be a virgin, giving suck to her child, and of the association of Isis, Venus, and Mary with the fish. Friday, for example, is, with the Romanists, both "fish day," and "dies Veneris." Fish are known to be extraordinarily prolific. There was a belief that animals, noted for any peculiarity, imparted their virtues to those who ate them; consequently, tigers' flesh was supposed to give courage, and snails to give sexual power. The use of fish in connubial feasts is still common. Those who consider it pious or proper to eat fish on Venus' day, or Friday, proclaim themselves, unconsciously, adherents to those heathen ideas which deified parts about which no one now likes to talk. The fish has in one respect affinity with the mandrake.
Since the first publication of this work, a friend has suggested to me another reason, besides its fertility, for the fish being emblematic of woman. From his extensive experience as a surgeon, and especially among the lower order of courtesans, he has repeatedly noticed during the hot months of the year that the parts which he had to examine have a very strong odour of fish. My own observations in the same department lead me to endorse his assertion. Consequently, I think that in warm climates, where the utmost cleanliness can scarcely keep a female free from odour, scent, as well as other attributes, has had to do with the selection of the fish as an emblem of woman.
Still further, I have been informed by another friend that in Yorkshire, and I understand in other counties of England, the double entente connected with the fish is so marked that it is somewhat difficult to render it into decent phraseology. It will suffice to say that in the county mentioned, Lais or Phryne would be spoken of as "a choice bit of fish," and that a man who bore on his features the stamp which is imprinted by excessive indulgence, would be said to have indulged too much in "a fish diet." I do not suppose that in the Yorkshire Ridings the folks are unusually well acquainted with mythology, yet it is curious to find amongst their inhabitants a connection between Venus and the Fish, precisely similar to that which has obtained in the most remote ages and in far distant climes.
It is clear from all these facts that the fish is a symbol not only of woman, but of the yoni.
PLATE II.
Is supposed to represent Oannes, Dagon, or some other fish god. It is copied from Lajard, Sur le Culte de Venus, pl. xxii., 1, la, and is thus described, "Statuette inédite, de grès houiller ou micacé, d'un brun verdâtre. Elle porte par devant, sur une bande perpendiculaire, un légende en caractères Syriaques très anciens (Cabinet de M. Lambert, à Lyon)." I can find no clue to the signification of the inscription. It would seem paradoxical to say that there is something in common between the bull-headed deity and Oannes. It is so, nevertheless. One indicates, par excellence, physical, and the other sexual, power. That Oannes may, for the Assyrians, represent a man who played a part with them similar to that of Penn among the Indians of Pennsylvania, I do not deny; but, when we find a similar fish-god in Philistia and Hindostan, and know that Crishna once appeared as a fish, the explanation does not suffice. It is curious that Jesus of Nazareth should be called "a fish"; but this only proves that the religion of Christ has been adulterated by Paganism.
Figs. 1 and 4 are illustrations of the antelope as a religious emblem amongst the Assyrians. The first is from Layard's Nineveh, and in it we see carried in one hand a triply branched lotus; the second, showing the regard for the spotted antelope, and for "the branch," is from Bonomi's Nineveh and its Palaces.
Fig. 2 illustrates Bacchus, with a mystic branch in one hand, and a cup in the other; his robe is covered with spots arranged in threes. The branch is emblematic of the arbor vitæ, or tree of life, and its powers of sprouting. Such a symbol is, by outsiders, figured on the houses of newly married couples amongst the Jews of Morocco, and seems to indicate the desire of friends that the man will show that he is vigorous, and able to have many sprouts from the tree of life. It will be noticed that on the fillet round the god's head are arranged many crosses. From Hislop's Two Babylons, and Smith's Dictionary, p. 208.
Figs. 8 and 5 are intended to show the prevalence of the use of spots on priestly dresses; they are copied from Hislop's Two Babylons, and Wilkinson, vol. vi., pi. 88, and vol. iv., pp. 841, 858. For an explanation of the signification of spots, see Plate iv., Fig. 6, infra.
Fig. 1 represents an Assyrian priest worshipping by presentation of the thumb, which had a peculiar signification. Sometimes the forefinger is pointed instead, and in both cases the male is symbolised. It is taken from a plate illustrating a paper by E. C. Ravenshaw, Esq., in Journal of Royal Asiatic Society, vol. xvi., p. 114. Amongst the Hebrews, and probably all the Shemitic tribes, bohen, the thumb, and ezba, the finger, were euphemisms. They are so in some parts of Europe to the present day.* The hand thus presented to the grove resembles a part of the Buddhist cross, and the shank of a key, whose signification is described in a subsequent page.
PLATE III. [ [!-- IMG --]
PLATE IV. [ [!-- IMG --]
Fig. 2 is a Buddhist emblem; the two fishes forming the circle represent the mystic yoni, the sacti of Mahadeva, while the triad above them represents the mystic trinity, the triune father, Siva, Bel, or Asher, united with Anu and Hea. From Journal of Royal Asiatic Society, vol. xviii., p. 892, plate ii.
Fig. 3 is a very remarkable production. It originally belonged to Mons. Lajard, and is described by him in his second Memoire, entitled Recherches sur le Culte, les Symboles, les Attributs, et les Monumens Figurés de Vénus (Paris, 1837), in pages 32, et seq., and figured in plate I., fig. 1. The real age of the gem and its origin are not known, but the subject leads that author to believe it to be of late Babylonian workmanship. The stone is a white agate, shaped like a cone, and the cutting is on its lower face. The shape of this gem indicates its dedication to Venus. The central figures represent the androgyne deity, Baalim, Astaroth, Elohim, Jupiter genetrix, or the bearded Venus Mylitta. On the left side of the cutting we notice an erect serpent, whose rayed head makes us recognise the solar emblem, and its mundane representative, mentula arrecta; on a spot opposite to the centre of the male's body we find a lozenge, symbolic of the yoni, whilst opposite to his feet is the amphora, whose mystic signification may readily be recognised; it is meant for Ouranos, or the Sun fructifying Terra, or the earth, by pouring from himself into her.
* A friend has informed me, for example, that he happened,
whilst at Pesth, to look at a gorgeously dressed and
handsome young woman. To his astonishment she pointed her
thumb precisely in the manner adopted by the Assyrian
priests; this surprised the young man still farther, and
being, as it were, fascinated, he continued to gaze. The
damsel then grasped the thumb by the other hand; thus
indicating her profession. My friend, who was wholly
inexperienced in the ways of the world, only understood what
was meant when he saw my explanation of Fig. 1.
The three stars over the head of the figure, and the inverted triangle on its head, are representations of the mythological four, equivalent to the Egyptian symbol of life (figs. 31, 82). Opposite to the female are the moon, and another serpent, which may be recognised by physiologists as symbolic of tensio clitoridis. In a part corresponding to the diamond, on the left side, is a six-rayed wheel, emblematic, apparently, of the sun. At the female's feet is placed a cup, which is intended to represent the passive element in creation. As such it is analogous to the crescent moon, and is associated in the Roman church with the round wafer, the symbol of the sun; the wafer and cup thus being synonymous with the sun and moon in conjunction. It will be observed that each serpent in the plate is apparently attacked by what we suppose is a dragon. There is some difficulty in understanding the exact idea intended to be conveyed by these; my own opinion is that they symbolise Satan, the old serpent that tempted Eve, viz., fierce lust, Eros, Cupid, or desire, which, both in the male and female, brings about the arrectation which the serpents figure. It is not to be passed by without notice, that the snake which represents the male has the tail so curved as to suggest the idea of the second and third elements of the trinity. Monsieur Lajard takes the dragons to indicate the bad principle in nature, i. e., darkness, night, Ahriman, etc. On the pyramidal portion of the gem the four sides are ornamented by figures—three represent animals remarkable for their salacity, and the fourth represents Bel and Ishtar in conjunction, in a fashion which can be more easily imagined than described in the mother tongue. The learned will find the position assumed in Lucretius, Dê Rerum Naturâ, book iv., lines 1256, seq.
Fig. 4 is also copied from Lajard, plate i., fig. 10. It is the reverse of a bronze coin of Vespasian, struck in the island of Cyprus, and represents the conical stone, under whose form Venus was worshipped at Paphos, of which Tacitus remarks, Hist, ii., c. 8, "the statue bears no resemblance to the human form, but is round, broad at one end and gradually tapering at the other, like a goal. The reason of this is not ascertained." It is remarkable that a male emblem should be said to represent Venus, but the stone was an aerolite, like that which fell at Ephesus, and was said to represent Diana. It is clear that when a meteoric stone falls, the chief priests of the district can say that it is to be taken as a representative of their divinity.
My very ingenious friend, Mr. Newton, suggests that the Venus in question was androgyne; that the cone is a male emblem, within a door, gateway, or delta, thus resembling the Assyrian grove. It is certain that the serpents, the two stars, and the two candelabra, or altars with flame, favour his idea.
Fig. 5 represents the position of the hands assumed by Jewish priests when they give the benediction to their flock. It will be recognised that each hand separately indicates the trinity, whilst the junction of the two indicates the unit. The whole is symbolic of the mystic Arba—the four, i, e., the trinity and unity. One of my informants told me that, being a "cohen" or priest, he had often administered the blessing, and, whilst showing to me this method of benediction, placed his joined hands so that his nose entered the central aperture. On his doing so, I remarked "bene nasatus," and the expression did more to convince him of the probability of my views than anything else.
Fig. 6, modified in one form or another, is the position assumed by the hand and fingers, when Homan and Anglican bishops or other hierarchs give benediction to their people. A similar disposition is to be met with in Indian mythology, when the Creator doubles himself into male and female, so as to be in a position to originate new beings. Whilst the right hand in Plate VII. symbolises the male, the left hand represents the mystic feminine circle. In another plate, which is to be found in Moor's Hindu Pantheon, there is a similar figure, but draped fully, and in that the dress worn by the celestial spouse is covered with groups of spots arranged in triads and groups of four. With regard to the signification of spots, we may notice that they indicated, either by their shape or by their name, the emblem of womankind. A story of Indra, the Hindoo god of the sky, confirms this. He is usually represented as bearing a robe covered with eyes; but the legend runs that, like David, he became enamoured of the wife of another man, who was very beautiful and seen by chance, but her spouse was one whose austere piety made him almost equal to Brahma. The evil design of Indra was both frustrated and punished. The woman escaped, but the god became covered with marks that recalled his offence to mind, for they were pictures of the yoni. These, by the strong intercession of Brahma with the Rishi, were changed by the latter into eyes. This story enables us to recognise clearly the hidden symbolism of the Hindoo and Egyptian eye, the oval representing the female, and the circle the male lodged therein—i.e., the androgyne creator.
PLATE V. [ [!-- IMG --]
Is a copy of a mediæval Virgin and Child, as painted in Della Robbia ware in the South Kensington Museum, a copy of which, was given to me by my friend, Mr. Newton, to whose kindness I am indebted for many illustrations of ancient Christian art. It represents the Virgin and Child precisely as she used to be represented in Egypt, in India, in Assyria, Babylonia, Phoenicia, and Etruria; the accident of dress being of no mythological consequence. In the framework around the group, we recognise the triformed leaf, emblematic of Asher; the grapes, typical of Dionysus; the wheat ears, symbolic of Ceres, l'abricot fendu, the mark of womankind, and the pomegranate rimmon, which characterises the teeming mother. The living group, moreover, are placed in an archway, delta, or door, which is symbolic of the female, like the vesica piscis, the oval or the circle. This door is, moreover, surmounted by what appear to be snails, whose supposed virtue we have spoken of under Plate i. This identification of Mary with the Sacti is strong; by-and-by we shall see that it is as complete as it is possible to be made.
PLATE VI. [ [!-- IMG --]
Is a copy of figures given in Bryant's Ancient Mythology, plates xiii., xxviii., third edition, 1807. The first two illustrate the story of Palemon and Getus, introducing the dolphin. That fish is symbolic of the female, in consequence of the assonance in Greek between its name and that of the womb, delphis and delphus. The tree symbolises the arbor vitæ, the life-giving sprout; and the ark is a symbol of the womb. The third figure, where a man rests upon a rock and dolphin, and toys with a mother and child, is equally suggestive. The male is repeatedly characterised as a rock, hermes, menhir, tolmen, or upright stone, the female by the dolphin, or fish. The result of the junction of these elements appears in the child, whom both parents welcome. The fourth figure represents two emblems of the male creator, a man and trident, and two of the female, a dolphin and ship. The two last figures represent a coin of Apamea, representing Noah and the ark, called Cibotus. Bryant labours to prove that the group commemorates the story told in the Bible respecting the flood, but there is strong doubt whether the story was not of Babylonian origin. The city referred to was in Phrygia, and the coin appears to have been struck by Philip of Macedon. The inscription round the head is [—Greek inscription—]See Ancient Faiths, second edition, Vol. ii.., pp. 128, and 885-892.
The Supreme Spirit in the act of creation became two-fold; the RIGHT SIDE WAS MALE, THE LEFT WAS PRAKRITI, SHE IS OF ONE FORM WITH BRAMAH.
She is Maya, eternal and imperishable, such as the Spirit, such is the inherent energy. (The Sacti) as the Faculty burning is inherent in pure.
(Bramah Vaivartta Puranu, Professor Wilson.)
ARDANARI-ISWARA.
From an original drawing by Chrisna Swami, Punoit.
PLATE VII.
Is a copy of an original drawing made by a learned Hindoo pundit for Wm. Simpson, Esq., of London, whilst he was in India studying its mythology. It represents Brahma supreme, who in the act of creation made himself double, i.e. male and female. In the original the central part of the figure is occupied by the triad and the unit, but far too grossly shown for reproduction here. They are replaced by the crux ansata. The reader will notice the triad and the serpent in the male hand, whilst in the female is to be seen a germinating seed, indicative of the relative duties of father and mother. The whole stands upon a lotus, the symbol of androgyneity. The technical word for this incarnation is "Arddha Nari."
PLATE VIII. [ [!-- IMG --]
Is Devi, the same as Parvati, or Bhavani. It is copied from Moor's Pantheon, plate xxx. The goddess represents the feminine element in the universe. Her forehead is marked by one of the symbols of the four creators, the triad, and the unit. Her dress is covered with symbolic spots, and one foot peculiarly placed is marked by a circle having a dot in the interior. The two bear the same signification as the Egyptian eye. I am not able to define the symbolic import of the articles held in the lower hands. Moor considers that they represent scrolls of paper, but this I doubt. The raised hands bear the unopened lotus flower, and the goddess sits upon another.
PLATE IX. [ [!-- IMG --]
Consists of six figures, copied from Maurice's Indian Antiquities, vol. vi., p. 278, and two from Bryant's Mythology, vol. ii., third edition, pp. 203 and 409. All are symbolic of the idea of the male triad: a central figure, erect, and rising above the other two. In one an altar and fire indicate, mystically, the linga; in another, the same is pourtrayed as a man, as Madaheva always is; in another, there is a tree stump and serpent, to indicate the same idea. The two appendages of the linga are variously described; in two instances as serpents, in other two as tree and concha, and snake and shell. The two last seem to embody the idea that the right "egg" of the male germinates boys, whilst the left produces girls; a theory common amongst ancient physiologists. The figure of the tree encircled by the serpent, and supported by two stones resembling "tolmen," is very significant. The whole of these figures seem to point unmistakably to the origin of the very common belief that the male Creator is triune. In Assyrian theology the central figure is Bel, Baal, or Asher; the one on the right Ann, that on the left Hea. See Ancient Faiths, second edition, Vol. i., pp. 88-85. *
There are some authors who have treated of tree and serpent worship, and of its prevalence in ancient times, without having, so far as I can see, any idea of that which the two things typify. The tree of knowledge, the tree of life, the serpent that tempted Eve, and still tempts man by his subtlety, are so many figures of speech which the wise understand, but which to the vulgar are simply trees and snakes. In a fine old bas-relief over the door of the Cathedral at Berne, we see an ancient representation of the last judgment. An angel is dividing the sheep from the goats, and devils are drawing men and women to perdition, by fixing hooks or pincers on the portions of the body whence their sins sprang. One fat priest, nude as our risen bodies must be, is being savagely pulled to hell by the part symbolised by tree and serpent, whilst she whom he has adored and vainly sought to disgrace, is rising to take her place amongst the blest. It is not those of the sex of Eve alone that are inveigled to destruction by the serpent.
* For those who have not an opportunity of consulting the
work referred to, I may observe that the Assyrian godhead
consisted of four persons, three being male and one female.
The principal god was Asher, the upright one, the equivalent
of the Hindoo Mahadeva, the great holy one, and of the more
modern Priapus. He was associated with Anu, lord of solids
and of the lower world, equivalent to the "testis," or egg
on the right side. Hea was lord of waters, and represented
the left "stone." The three formed the trinity or triad. The
female was named Ishtar or Astarte, and was equivalent to
the female organ, the yoni or vulva—the [Greek] of the
Greeks. The male god in Egypt was Osiris, the female Isis,
and these names are frequently used as being euphemistic,
and preferable to the names which are in vulgar use to
describe the male and female parts.
PLATE X. [ [!-- IMG --]
Contains pagan symbols of the trinity or linga, with or without the unity or yoni.
Fig. 1 represents a symbol frequently met with in ancient architecture, etc. It represents the male and female elements, the pillar and the half moon.
Fig. 2 represents the mystic letters said to have been placed on the portal of the oracle of Delphi. By some it is proposed to read the two letters as signifying "he or she is;" by others the letters are taken to be symbolic of the triad and the unit. If they be, the pillar is a very unusual form for the yoni. An ingenious friend of mine regards the upright portion as a "slit," but I cannot wholly agree with him, for in Fig. 1 the pillar cannot be looked upon as an aperture.
Fig. 3 is a Hindoo sectarial mark, copied from Moor's Hindu Pantheon, and is one out of many indicating the union of the male and female.
Fig. 4 is emblematic of the virgin and child. It identifies the two with the crescent. It is singular that some designers should unite the moon with the solar symbol, and others with the virgin. We believe that the first indicate ideas like that associated with Baalim, and Ashtaroth in the plural, the second that of Astarte or Venus in the singular. Or, as we may otherwise express it, the married and the immaculate virgin.
Fig. 5 is copied from Sharpe's Egyptian Mythology, p. 15. It represents one of the Egyptian trinities, and is highly symbolic, not only indicating the triad, here Osiris, Isis, and Nepthys, but its union with the female element. The central god Osiris is himself triune, as he bears the horns symbolic of the goddess Athor and the feathers of the god Ra.
Fig. 6 is a Hindoo sectarial mark, from Moor's Hindu Pantheon. The lozenge indicates the yoni. For this assertion we not only have evidence in Babylonian gems, copied by Lajard, but in Indian and Etruscan designs. We find, for example, in vol. v., plate xlv., of Antiquités Etrusques, etc., par. F. A. David (Paris, 1785), a draped female, wearing on her breast a half moon and mural crown, holding her hands over the middle spot of the body, so as to form a "lozenge" with the forefingers and thumbs. The triad in this figure is very distinct; and we may add that a trinity expressed by three balls or three circles is to be met with in the remotest times and in most distant countries.
Figs. 7, 8, 9 and 10 are copied from Cabrera's account of an ancient city discovered near Palenque, in Guatemala, Spanish America (London, 1822). Although they appear to have a sexual design, yet I doubt whether the similarity is not accidental. After a close examination of the plates given by Cabrera, I am inclined to think that nothing of the ling-yoni element prevailed in the mind of the ancient American sculptors. All the males are carefully draped in appropriate girdles, although in some a grotesque or other ornament, such as a human or bestial head, a flower, etc., is attached to the apron or "fall" of the girdle, resembling the sporran of the Highlander and the codpiece of mediæval knights and others. I may, however, mention some very remarkable sculptures copied; one is a tree, whose trunk is surrounded by a serpent, and whose fruit is shaped like the vesica piscis; in another is seen a youth wholly unclothed, save by a cap and gaiters, who kneels before a similar tree, being threatened before and behind by some fierce animal. This figure is peculiar, differing from all the rest in having an European rather than an American head and face. Indeed, the features, etc., remind me of the late Mr. Cobden, and the cap is such as yachting sailors usually wear. There is also another remarkable group, consisting apparently of a man and woman standing before a cross, proportioned like the conventional one in use amongst Christians. Everything indicates American ideas, and there are ornaments or designs wholly unlike any that I have seen elsewhere. The man appears to offer to the cross a grotesque human figure, with a head not much unlike Punch, with a turned-up nose, and a short pipe shaped like a fig in his mouth. The body is well formed, but the arms and thighs are rounded off like "flippers" or "fins." Besting at the top of the cross is a bird, like a game cock, ornamented by a necklace. The male in this and the other sculptures is beardless, and that women are depicted, can only be guessed at by the inferior size of some of the figures. It would be unprofitable to carry the description farther.
Figs. 11, 12 are from vol. i., plates xix. and xxiii. of a remarkably interesting work, Recherches sur l' origine, l' esprit, et les progrès des Arts de la Grèce, said to be written by D'Harcanville, published at London, 1785. The first represents a serpent, coiled so as to symbolise the male triad, and the crescent, the emblem of the yoni.
Fig. 12 accompanies the bull on certain coins, and symbolises the sexual elements, le baton et l'anneau. They were used, as the horse-shoe is now, as a charm against bad luck, or vicious demons or fairies.
Fig. 13 is, like figure 5, from Sharpe's Egyptian Mythology, p. 14, and is said to represent Isis, Nepthys, and Osiris; it is one of the many Mizraite triads. The Christian trinity is of Egyptian origin, and is as surely a pagan doctrine as the belief in heaven and hell, the existence of a devil, of archangels, angels, spirits and saints, martyrs and virgins, intercessors in heaven, gods and demigods, and other forms of faith which deface the greater part of modern religions.
Figure 14 is a symbol frequently seen in Greek churches, but appears to be of pre-Christian origin.* The cross we have elsewhere described as being a compound male emblem, whilst the crescent symbolises the female element in creation.
Figure 15 is from D'Harcanville, Op. Cit., vol. i., plate xxiii. It resembles Figure 11, supra, and enables us by the introduction of the sun and moon to verify the deduction drawn from the arrangement of the serpent's coils. If the snake's body, instead of being curved above the 8 like tail, were straight, it would simply indicate the linga and the sun; the bend in its neck, however, indicates the yoni and the moon.
Figure 16 is copied from plate xvi., fig. 2, of Recueil de Pierres Antiques Gravés, folio, by J. M. Raponi (Rome, 1786). The gem represents a sacrifice to Priapus, indicated by the rock, pillar, figure, and branches given in our plate. A nude male sacrifices a goat; a draped female holds a kid ready for immolation; a second man, nude, plays the double pipe, and a second woman, draped, bears a vessel on her head, probably containing wine for a libation.
Figure 17 is from vol. i. Récherches, etc., plate xxii. In this medal the triad is formed by a man and two coiled serpents on the one side of the medal, whilst on the reverse are seen a tree, surrounded by a snake, situated between two rounded stones, with a dog and a conch shell below. See supra, Plate ix., Fig. 6.
PLATE XI. [ [!-- IMG --]
With two exceptions, Figs. 4 and 9,—exhibits Christian emblems of the trinity or linga, and the unity or yoni, alone or combined; the whole being copied from Pugin's Glossary of Ecclesiastical Ornament (London, 1869).
Fig. 1 is copied from Pugin, plate xvii., and indicates a double union of the trinity with the unity, here represented as a ring, Vanneau.
* There is an able essay on this subject in No. 267 of the
Edinburgh Review—which almost exhausts the subject—but is
too long for quotation here.
Figs. 2, 8, are from Pagin, plate xiv. In figare 2, the two covered balls at the base of each limb of the cross are extremely significant, and if the artist had not mystified the free end, the most obtuse worshipper must have recognised the symbol. We may add here that in the two forms of the Maltese cross, the position of the lingam is reversed, and the egg-shaped bodies, with their cover, are at the free end of each limb, whilst the natural end of the organ is left unchanged. See figs. 85 and 86. This form of cross is Etruscan. Fig. 8 is essentially the same as the preceding, and both may be compared with Fig. 4. The balls in this cross are uncovered, and the free end of each limb of the cross is but slightly modified.
Fig. 4 is copied in a conventional form from plate xxxv., fig. 4, of Two Essays on the Worship of Priapus (London, 1865). It is thus described (page 147): "The object was found at St. Agati di Goti, near Naples.......It is a crux ansata formed by four phalli, with a circle of female organs round the centre; and appears by the look to have been intended for suspension. As this cross is of gold, it had no doubt been made for some personage of rank, possibly an ecclesiastic." We see here very distinctly the design of the egg- and sistrum- shaped bodies. When we have such an unmistakable bi-sexual cross before our eyes, it is impossible to ignore the signification of Figs. 2 and 8, and Plate xii., Figs. 4 and 7.
Figs. 5, 6 are from Pugin, plates xiv. and xv., and represent the trinity with the unity, the triune god and the virgin united in one.
Fig. 7 represents the central lozenge and one limb of a cross, figured plate xiv. of Pugin. In this instance the Maltese cross is united with the symbol of the virgin, being essentially the same as Fig. 9, infra. It is a modified form of the crux ansata.
Fig. 8 is a compound trinity, being the finial of each limb of an ornamental cross. Pugin, plate xv.
Fig. 9 is a well-known Egyptian symbol, borne in the hand of almost every divinity. It is a cross, with one limb made to represent the female element in creation. The name that it technically bears is crux ansata, or "the cross with a handle." A reference to Fig. 4 serves to verify the idea which it involves.
Fig. 10 is from Pugin, plate xxxv. In this figure the cross is made by the intersection of two ovals, each a vesica piscis, an emblem of the yoni. Within each limb a symbol of the trinity is seen, each of which is associated with the central ring.
Fig. 11 is from Pugin, plate xix., and represents the arbor vitæ, the branch, or tree of life, as a triad, with which the ring is united.
It has been said by some critics that the figures above referred to are mere architectural fancies, which never had pretensions to embody a mystery; and that any designer would pitch upon such a style of ornamentation although profoundly ignorant of the doctrine of the trinity and unity. But this assumption is not borne out by fact; the ornaments on Buddhist topes have nothing in common with those of Christian churches; whilst in the ruined temple of the sun at Marttand, India, the trefoil emblem of the trinity is common. Grecian temples were profusely ornamented therewith, and so are innumerable Etruscan sculptures, but they do not represent the trinity and unity. It has been reserved for Christian art to crowd our churches with the emblems of Bel and Astarte, Baalim and Ashtoreth, linga and yoni, and to elevate the phallus to the position of the supreme deity, and assign to him a virgin as a companion, who can cajole him by her blandishment, weary him by wailing, or induce him to change his mind by her intercessions. Christianity certainly requires to be purged of its heathenisms.
PLATE XII. [ [!-- IMG --]
Contains both pagan and Christian emblems.
Fig. 1 is from Pugin, plate xviii., and is a very common finial representing the trinity. Its shape is too significant to require an explanation; yet with such emblems our Christian churches abound, that the Trinity may never be absent from the minds of man or woman!
Fig. 2 is from Pugin, plate xxi. It is a combination of ideas concealing the union patent in Fig. 4, Plate xi., supra.
Fig. 3 is from Moor's Hindu Pantheon. It is an ornament borne by Devi, and symbolises the union of the triad with the unit.
Fig. 4 is from Pugin, plate xxxii. It is a double cross made up of the male and female emblems. It is a conventionalised form of Fig. 4, Plate xi., supra. Such eight-rayed figures, made like stars, seem to have been very ancient, and to have been designed to indicate the junction of male and female.
Fig. 5 is from Pugin, plate xvii., and represents the trinity and the unity.
Fig. 6 is a Buddhist emblem from Birmah, Journal of Royal Asiatic Society, vol. xviii., p. 392, plate i., fig. 62. It represents the short sword, le bracquemard, a male symbol.
Fig. 7. is from Pagin, plate xvii. See Plate xi., Fig. 3, supra.
Figs. 8, 9, 10, 11, 12 are Buddhist (see Fig. 6, supra), and symbolise the triad.
Figs. 13, 14, 15, 16, 17 are from Pugin, and simply represent the trinity.
Figs. 18 and 19 are common Grecian emblems. The first is associated with Neptune and water, the second with Bacchus. With the one we see dolphins, emblems of the womb, the name of the two being assonant in Greek; with the other, the saying, sine Baccho et Cerere friget Venus, must be coupled.
PLATE XIII. [ [!-- IMG --]
Consists of varions emblems of the triad and the unit, drawn almost exclusively from Grecian, Etruscan, Roman, and Indian gems, figures, coins, or sculptures, Maffei's Gemme Antiche Figurate, Raponi's Recueil, and Moor's Hindu Pantheon, being the chief authorities.
PLATE XIV. [ [!-- IMG --]
Is a copy of a small Hindoo statuette in the Mayer Collection in the Free Museum, Liverpool. It probably represents Parvati, the Hindoo virgin, and her child. The right hand of the figure makes the symbol of the yoni with the forefinger and thumb, the rest of the fingers typifying the triad. In the palm and on the navel is a lozenge, emblematic of woman. The child, perhaps Crishna, equivalent to the Egyptian Horus and the Christian Jesus, bears in its hand one of the many emblems of the linga, and stands upon a lotus. The monkey introduced into the group plays the same part as the cat, cow, lioness, and ape in the Egyptian mythology, being emblematic of that desire which eventuates in the production of offspring.
Fig. 1, the cupola, is well known in modern Europe; it is equally so in Hindostan, where it is sometimes accompanied by pillars of a peculiar shape. In one such compound the design is that of a cupola, supported by closely placed pillars, each of which has a "capital," resembling "the glans" of physiologists; in the centre there is a door, wherein a nude female stands, resembling in all respects Figure 61, except in dress and the presence of the child. This was copied by the late Mr. Sellon, from a Buddhist Dagopa in the Jumnar Cave, Bombay Presidency, a tracing of his sketch having been given to me by William Simpson, Esq., London.
The same emblem may be found amongst the ancient Italians. Whilst I was staying in Malta during the carnival time in 1872, I saw in all directions men and women selling cakes shaped like the yoni shown in Fig. 1. These sweetmeats had no special name, but they came in and went out with the carnival.
Fig. 2 represents Venus standing on a tortoise, whose symbolic import will be seen by referring to Fig. 74, infra. It is copied from Lajard, Sur le Culte de Venus, plate iiia., fig. 5, and is stated by him to be a drawing of an Etruscan candelabrum, existing in the Royal Museum at Berlin. In his account of Greece, Pausanias mentions that he saw one figure of Venus standing on a tortoise, and another upon a ram, but he declines to give the reason of the conjunction.
Is a representation of Siva, taken from Moor's Hindu Pantheon, plate xiii. Siva is supposed to be the oldest of the Indian deities, and to have been worshipped by the aborigines of Hindostan, before the Aryans invaded that country. It is thought that the Vedic religion opposed this degrading conception at the first, but was powerless to eradicate it. Though he is yet the most popular of all the gods, Siva is venerated, I understand, chiefly by the vulgar. Though he personifies the male principle, there is not anything indecent in pictorial representations of him. In one of his hands is seen the trident, one of the emblems of the masculine triad; whilst in another is to be seen an oval sistram-shaped loop, a symbol of the feminine unit. On his forehead he bears an eye, symbolic of the Omniscient, the sun, and the union of the sexes.
As it has been doubted by some readers, whether I am justified in regarding the sistrum as a female emblem, I append here a quotation from Socrates' Ecclesiastical History, Bohn's translation, p. 281, seq. In Rome, in the early time of Theodosius, "when a woman was detected in adultery.... they shut her up in a narrow brothel, and obliged her to prostitute herself in a most disgusting manner; causing little bells to be rang at the time.... As soon as the emperor was apprised of this indecent usage, he would by no means tolerate it; but having ordered the Sistra (for so these places of penal prostitution were denominated) to be pulled down," &c. One can as easily see why a female emblem should mark a brothel in Rome as a male symbol did at Pompeii.
PLATE XVI. [ [!-- IMG --]
This Figure represents Assyrian priests offering in the presence of what is supposed to be Baal—or the representative of the sun god and of the grove. The first is typified by the eye, with wings and a tail, which make it symbolic of the male triad and the female unit. The eye, with the central pupil, is in itself emblematic of the same. The grove represents mystically le verger de Cypris. On the right stands the king; on the left are two priests, the foremost clothed with a fish's skin, the head forming the mitre, thus showing the origin of modern Christian bishops' peculiar head-dress. Arranged about the figures are, the sun; a bird, perhaps the sacred dove, whose note, coa or coo, has, in the Shemitic, some resemblance to an invitation to amorous gratification; in Latin coi, coite; the oval, symbol of the yoni; the basket, or bag, emblematic of the scrotum, and apparently the lotus. The trinity and unity are carried by the second priest.
Figure 2 is copied from an ancient copper vase, covered with Egyptian hieroglyphic characters, found at Cairo, and figured in a book entitled Explication des divers monument singuliers, qui ont rapport à la religion des plus anciens peuples, par le R. P. Dom.......á Paris, 1739.
The group of figures represents Isis and Horus in an unusual attitude. They are enclosed in a framework of the flowers of the Egyptian bean, or of the lotus. This framework may be compared to the Assyrian "grove," and another in which the Virgin Mary stands. The bell was of old a symbol of virginity, for Eastern maidens wore them until marriage (see Isa. iii. 16). The origin of this custom was the desire that every maiden should have at her marriage, or sale, that which is spoken of in the Pentateuch as "the token of virginity." It was supposed that this membrane, technically called "the hymen" might be broken by too long a stride in walking or running, or by clambering over a stile or wall. To prevent such a catastrophe, a light chain or cord was worn, under or over the dress, at the level of the knees or just above. Its length only permitted a short step and a mincing gait. Slight bells were used as a sort of ornament, and when the bearer was walking their tinkling was a sort of proclamation that the lady who bore them was in the market as a virgin. After "the flower" had been plucked, the bells were no longer of use. They were analogous to the virgin snood worn on the head of Scotch maidens. Isis bears the horns of a cow, because that animal is equally noted for its propensity to seek the male and its care to preserve the offspring. As the bull with a human head, so a human being with cow's horns, was made to represent a deity. The solar orb between the horns, and the serpent round the body, indicate the union with the male; an incongruous conjunction with the emblem of the sacred Virgin, nevertheless a very common one. In some of the coins pictured by E. P. Knight, in Worship of Priapus, etc., a cow caressing her sucking calf replaces Isis and Horus, just as a bull on other coins replaces Dionysus. The group is described in full in Ancient Faiths, second edition, Vol. i., pp. 53, 54.
Figures 3, 4, are taken from Ginsburg's Kabbalah, and illustrate that in the arrangement of "potencies" two unite, like parents, to form a third. Sometimes we see also how three such male attributes as splendour, firmness, and solidity join with beauty to form the mystic arba, the trinity and unity.
Figures 5, 6, are copies from figures found in Carthage and in Scotland, from Forbes Leslie's Early Races of Scotland, vol. i., plate vi., p. 46 (London, 1866). This book is one to which the reader's attention should be directed. The amount of valuable information which it contains is very large, and it is classified in a philosophical, and, we may add, attractive manner. The figures represent the arbor vitæ.
Figure 7 is from Bonomi, page 292, Nineveh and its Palaces (London, 1865). It apparently represents the mystic yoni, door, or delta; and it may be regarded as an earlier form of the framework in Plate iv. It will be remarked, by those learned in symbols, that the outline of the hands of the priests who are nearest to the figure is a suggestive one, being analogous to the figure of a key and its shank, whilst those who stand behind these officers present the pine cone and bag, symbolic of Ann, Hea, and their residence.
It is to be noticed, and once for all let us assert our belief, that every detail in a sculpture relating to religion has a signification; that the first right hand figure carries a peculiarly shaped staff; and that the winged symbol above the yoni consists of a male archer in a winged circle, analagous to the symbolic bow, arrow, and target. The bow was an emblem amongst the Romans, and arcum tendere was equivalent to arrigere. In the Golden Ass of Apuleius we find the metaphor used in his account of his dealings with amorous frolicsome Fotis, "Ubi primam sagittam sævi cupidinis in ima procordia mea delapsam excepi, arcum, meum et ipse vigore tetendi."
Again, we find in Petronius—
Astra igitur mea mens arcum dum tendit in ilia.
Ex imo ad summum viva sagitta volat.
Figures 8 to 14 are representations of the goddess mother, the virgin and child, Ishtar or Astarte, Mylitta, Ceres, Rhea, Venus, Sacti, Mary, Yoni, Juno, Mama Ocello.
Fig. 8 is a copy of the deified woman or celestial mother, from Idalium, in Cyprus. Fig. 9 is from Egypt, and is remarkable for the cow's horns (for whose signification see Vol. i., p. 54, Ancient Faiths, second edition), which here replace the lunar crescent, in conjunction with the sun, the two being symbolic of hermaphroditism, whilst above is a seat or throne, emblematic of royalty.
The two figures are copied from Rawlinson's Herodotus, vol. ii., p. 447, in an essay by Sir Gardiner Wilkinson, wherein other illustrations of the celestial virgin are given. Fig. 10 is a copy of plate 59, Moor's Hindu Pantheon, wherein it is entitled, "Crishna nursed by Devaki, from a highly finished picture." In the account of Crishna's birth and early history, as given by Moor (Op. Cit., pp. 197, et seq.), there is as strong a resemblance to the story of Christ as the picture here described has to papal paintings of Mary and Jesus. Fig. 11 is an enlarged representation of Devaki. Fig. 12 is copied from Rawlinson's Ancient Monarchies, vol. iii., p. 899. Fig. 13 is a figure of the mother and child found in ancient Etruria at Volaterra; it is depicted in Fabretti's Italian Glossary, plate xxvi., figure 349.
It is described as a marble statue, now in the Guarnacci Museum. The letters, which are Etruscan, and read from right to left, may be thus rendered into the ordinary Latin characters from left to right, MI: GANA: LARTHIAS ZANL: VELKINEI: ME - SE.; the translation I take to be, "the votive offering of Larthias (a female) of Zanal, ( = Zancle = Messana in Sicily), (wife) of Velcinius, in the sixth month." It is uncertain whether we are to regard the statue as an effigy of the celestial mother and child, or as the representation of some devout lady who has been spared during her pregnancy, her parturition, or from some disease affecting herself and child. Analogy would lead us to infer that the Queen of Heaven is intended. Figure 14 is copied from Hislop's Two Babylons; it represents Indranee, the wife of Indra or Indur, and is to be found in Indur Subba, the south front of the Caves of Ellora, Asiatic Researches, vol. vi., p. 893.
Indra is equivalent to Jupiter Tonans, and is represented as seated on an elephant; "the waterspout is the trunk of this elephant, and the iris is his bow, which it is not auspicious to point out," Moor's Pantheon, p. 260. He is represented very much as if he were a satyr, Moor's Pantheon, p. 264; but his wife is always spoken of as personified chastity and propriety. Indranee is seated on a lioness, which replaces the cow of Isis, the former resembling the latter in her feminine and maternal instincts.
Figures 15, 16, are copies of Diana of the Ephesians; the first is from Hislop, who quotes Kitto's Illustrated Commentary, vol. v., p. 250; the second from Higgins' Anacalypsis, who quotes Montfauçon, plate 47. I remember to have seen a figure similar to these in the Royal Museum at Naples.
The tower upon the head represents virginity (see Ancient Faiths, second edition, Vol. i., p. 144); the position of the hand forms a cross with the body: the numerous breasts indicate abundance; the black colour of Figure 16 indicates the ordinary tint of the feminine lanugo, the almost universal colour of the hair of the Orientals being black about the yoni as well as on the head; or, as some mythologists imagine, "Night," who is said to be one of the mothers of creation. (See Ancient Faiths, second edition, Vol. n., p. 882.) The emblems upon the body indicate the attributes or symbols of the male and female creators.
Figure 17 is a complicated sign of the yoni, delta, or door of life. It is copied from Bonomi's Palaces of Nineveh, p. 809.
Figure 18 signifies the same thing; the priests adoring it present the pine cone and basket, symbolic of Ann, Hea, and their residence. Compare the object of the Assyrian priest's adoration with that adored by a Christian divine, in a subsequent figure. (See Ancient Faiths, second edition, Vol. I., p. 88, et seq., and Vol. n., p. 648.)
Figure 19 is copied from Lajard (Op. Cit.), plate xxii., fig. 5. It is the impression of an ancient gem, and represents a man clothed with a fish, the head being the mitre; priests thus clothed, often bearing in their hand the mystic bag, are common in Mesopotamian sculptures; two such are figured on Figs. 63, 64, infra. In almost every instance it will be recognised that the fish's head is represented as of the same form as the modern bishop's mitre.
Figure 20 represents two equilateral triangles, infolded so as to make a six-rayed star, the idea embodied being the androgyne nature of the deity, the pyramid with its apex upwards signifying the male, that with the apex downwards the female. The line at the central junction is not always seen, but the shape of the three parallel bars reappears in Hindoo frontlet signs in conjunction with a delta or door, shaped like the "grove" in Fig. 17; thus showing that the lines serve also to indicate the masculine triad. The two triangles are also understood as representing fire, which mounts upwards, and water, which flows downwards. Fire again is an emblem of the sun, and water of the passive or yielding element in nature. Fire also typifies Eros or Cupid. Hymen is always represented carrying a torch. It is also symbolic of love; e.g., Southey writes.
"But love is indestructible,
Its holy flame for ever burneth;
From heaven it came,
To heaven returneth."
And again, Scott writes—
"It is not phantasy's hot fire
Whose wishes, soon as granted, fly," &c.
Figures 21, 22, are other indications of the same fundamental idea. The first represents Nebo, the Nahbi, or the navel, characterised by a ring with a central mound.
The second represents the circular and upright stone so common in Oriental villages. The two indicate the male and female; and a medical friend resident in India has told me, that he has seen women mount upon the lower stone and seat themselves reverently upon the upright one, having first adjusted their dress so as to prevent it interfering with their perfect contact with the miniature obelisc. During the sitting, a short prayer seemed flitting over the worshippers' lips, but the whole affair was soon over.
Whilst upon this subject, it is right to call attention to the fact that animate as well as inorganic representatives of the Creator have been used by women with the same definite purpose. The dominant idea is that contact with the emblem, a mundane representative of the deity, of itself gives a blessing. Just as many Hindoo females seek a benefaction by placing their own yoni upon the consecrated linga, so a few regard intercourse with certain high priests of the Maharajah sect as incarnations of Vishnu, and pay for the privilege of being spouses of the god. In Egypt, where the goat was a sacred animal, there were some religious women who sought good luck by uniting themselves therewith. We have heard of British professors of religion endeavouring to persuade their penitents to procure purity by what others would call defilement and disgrace. And the "cord of St. Francis" replaces the stone "linga." Sometimes with this "cord" the rod is associated; and those who have read the trial of Father Gerard, for his seduction of Miss Cadiére under a saintly guise, will know that Christianity does not always go hand in hand with propriety.
With the Hindoo custom compare that which was done by Liber on the grave of Prosumnus (Arnobius adverma Gentes, translated by Bryce and Campbell, T. and T. Clark, Edinburgh, pp. 252, 258), which is far too gross to be described here; and as regards the sanctity of a stone whose top had been anointed with oil, see first sentence of paragraph 89, ibid, page 81. The whole book will well repay perusal.
Figures 28, 24, are discs, circles, aureoles, and wheels, to represent the sun. Sometimes the emblem of this luminary is associated with rays, as in Plate iii., Fig. 8, and in another Figure elsewhere. Occasionally, as in some of the ancient temples in Egypt discovered in 1854, the sun's rays are represented by lines terminating in hands. Sometimes one or more of these contain objects as if they were gifts sent by the god; amongst other objects, the crux ansata is shown conspicuously. In a remarkable plate in the Transactions of the Royal Society of Literature (second series, vol. i., p. 140), the sun is identified with the serpent; its rays terminate in hands, some holding the handled cross or tau, and before it a queen, apparently, worships. She is offering what seems to be a lighted tobacco pipe, the bowl being of the same shape as that commonly used in Turkey; from this a wavy pyramid of flame rises. Behind her, two female slaves elevate the sistrum; whilst before her, and apparently between herself and her husband, are two altars occupied by round cakes and one crescent-shaped emblem.
The aureole was used in ancient days by Babylonian artists or sculptors, when they wished to represent a being, apparently human, as a god. The same plan has been adopted by the moderns, who have varied the symbol by representing it now as a golden disc, now as a terrestrial orb, again as a rayed sphere. A writer, when describing a god as a man, can say that the object he sketches is divine; but a painter thinks too much of his art to put on any of his designs, "this woman is a goddess," or "this creature is a god"; he therefore adds an aureole round the head of his subject, and thus converts a very ordinary man, woman, or child into a deity to be reverenced; modern artists thus proving themselves to be far more skilful in depicting the Almighty than the carpenters and goldsmiths of the time of Isaiah (xl. 18, 19, xli. 6, 7, xliv. 9-19), who used no such contrivance.
Figure 24 is another representation of the solar disc, in which it is marked with a cross. This probably originated in the wheel of a chariot having four spokes, and the sun being likened to a charioteer. The chariots of the sun are referred to in 2 Kings xxiii. 11 as idolatrous emblems. Of these the wheel was symbolic. The identification of this emblem with the sun is very easy, for it has repeatedly been found in Mesopotamian gems in conjunction with the moon. In a very remarkable one figured in Rawlinson's Ancient Monarchies, vol. ii., p. 249, the cross is contrived as five circles. It is remarkable that in many papal pictures the wafer and the cup are depicted precisely as the sun and moon in conjunction. See Pugin's Architectural Glossary, plate iv., fig. 5.
Figures 25, 26, 27, are simply varieties of the solar wheel, intended to represent the idea of the sun and moon, the mystic triad and unit, the "arba," or four. In Figure 26, the mural ornament is introduced, that being symbolic of feminine virginity. For explanation of Figure 27, see Figures 85, 86.
Figure 28 is copied from Lajard, Op. Cit., plate xiv. F. That author states that he has taken it from a drawing of an Egyptian stèle, made by M. E. Prisse (Monum. Egypt., plate xxxvii.), and that the original is in the British Museum. There is an imperfect copy of it in Rawlinson's Herodotus, vol. ii.
The original is too indelicate to be represented fully. Isis, the central figure, is wholly nude, with the exception of her head-dress, and neck and breast ornaments. In one hand she holds two blades of corn apparently, whilst in the other she has three lotus flowers, two being egg-shaped, but the central one fully expanded; with these, which evidently symbolise the mystic triad, is associated a circle emblematic of the yoni, thus indicating the fourfold creator. Isis stands upon a lioness; on one side of her stands a clothed male figure, holding in one hand the crux ansata, and in the other an upright spear. On the opposite side is a male figure wholly nude, like the goddess, save his head-dress and collar, the ends of which are arranged so as to form a cross. His hand points to a flagellum; behind him is a covert reference to the triad, whilst in front Osiris offers undisguised homage to Isis. The head-dress of the goddess appears to be a modified form of the crescent moon inverted. It is not exclusively Egyptian, as it has been found in conjunction with other emblems on an Assyrian obelisc of Phallic form.
Figures 29, 30, 31, 32, represent the various triangles and their union, which have been adopted in worship. Figure 29 is said to represent fire, which amongst the ancient Persians was depicted as a cone, whilst the figure inverted represents water.
Figure 33 is an ancient Hindoo emblem, called Sri Iantra. The circle represents the world, in which the living exist; the triangle pointing upwards shows the male creator; and the triangle with the apex downwards the female; distinct, yet united. These have a world within themselves, in which the male is uppermost. In the central circle the image to be worshipped is placed. When used, the figure is placed on the ground, with Brahma to the east, and Laksmi to the west. Then a relic of any saint, or image of Buddha, like a modern papal crucifix, is added, and the shrine for worship is complete. It has now been adopted in Christian churches and Freemasons' lodges.
It will be noticed that the male emblem points to the rising sun, and the female triangle points to the setting sun, when the earth seems to receive the god into her couch.
Figure 34 is a very ancient Hindoo emblem, whose real signification I am unable to divine. It is used in calculation; it forms the basis of some game, and it is a sign of vast import in sacti worship.
A coin, bearing this figure upon it, and having a central cavity with the Etruscan letters SUPEN placed one between each two of the angles, was found in a fictile urn, at Volaterræ, and is depicted in Fabretti's Italian Glossary, plate xxvi., fig. 858, bis a. As the coin is round, the reader will see that these letters may be read as Supen, Upens, Pensu, Ensup, or Nsupe. A search through Fabretti's Lexicon affords no clue to any meaning except for the third. There seems, indeed, strong reason to believe that pensu was the Etruscan form of the Pali panca, the Sanscrit pânch, the Bengalli pânch, and the Greek penta, i. e., five. Five, certainly, would be an appropriate word for the pentangle. It is almost impossible to avoid speculating upon the value of this fragment of archæological evidence in support of the idea that the Greeks, Aryans, and Etruscans had something in common; but into the question it would be unprofitable to enter here.
But, although declining to enter upon this wide field of inquiry, I would notice that whilst searching Fabretti's Glossary my eye fell upon the figure of an equilateral triangle with the apex upwards, depicted plate xliii., fig. 2440 ter. The triangle is of brass, and was found in the territory of the Falisci. It bears a rude representation of the outlines of the soles of two human feet, in this respect resembling a Buddhist emblem; and there is on its edge an inscription which may be rendered thus in Roman letters, KAYI: TERTINEI. POSTIKNU, which probably signifies "Gavia, the wife of Tertius, offered it." The occurrence of two Hindoo symbols in ancient Italy is very remarkable. It must, however, be noticed that similar symbols have been found on ancient sculptured stones in Ireland and Scotland. There may be no emblematic ideas whatever conveyed by the design; but when the marks appear on Gnostic gems, they are supposed to indicate death, i. e., the impressions left by the feet of the individual as he springs from earth to heaven.