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O. HENRY MEMORIAL AWARD
PRIZE STORIES
of 1919
CHOSEN BY THE SOCIETY OF ARTS AND SCIENCES
WITH AN INTRODUCTION BY
BLANCHE COLTON WILLIAMS
1924
CONTENTS
ENGLAND TO AMERICA. By Margaret Prescott Montague
"FOR THEY KNOW NOT WHAT THEY DO." By Wilbur Daniel Steele
THEY GRIND EXCEEDING SMALL. By Ben Ames Williams
ON STRIKE. By Albert Payson Terhune.
THE ELEPHANT REMEMBERS. By Edison Marshall
TURKEY RED. By Frances Gilchrist Wood
FIVE THOUSAND DOLLARS REWARD. By Melville Davisson Post
THE BLOOD OF THE DRAGON. By Thomas Grant Springer
"HUMORESQUE." By Fannie Hurst
THE LUBBENY KISS. By Louise Rice.
THE TRIAL IN TOM BELCHER'S STORE. By Samuel A. Derieux
PORCELAIN CUPS. By James Branch Cabell
THE HIGH COST OF CONSCIENCE. By Beatrice Ravenel
THE KITCHEN GODS. By G.F. Alsop
APRIL 25TH, AS USUAL. By Edna Ferber
INTRODUCTION
On April 18, 1918, the Society of Arts and Sciences of New York City paid tribute to the memory of William Sydney Porter at a dinner in honour of his genius. In the ball-room of the Hotel McAlpin there gathered, at the speakers' table, a score of writers, editors and publishers who had been associated with O. Henry during the time he lived in Manhattan; in the audience, many others who had known him, and hundreds yet who loved his short stories.
Enthusiasm, both immediate and lasting, indicated to the Managing Director of the Society, Mr. John F. Tucker, that he might progress hopefully toward an ideal he had, for some time, envisioned. The goal lay in the establishing of a memorial to the author who had transmuted realistic New York into romantic Bagdad-by-the-Subway.
When, therefore, in December, 1918, Mr. Tucker called a committee for the purpose of considering such a memorial, he met a glad response. The first question, "What form shall the monument assume?" drew tentative suggestions of a needle in Gramercy Square, or a tablet affixed to the corner of O. Henry's home in West Twenty-sixth Street. But things of iron and stone, cold and dead, would incongruously commemorate the dynamic power that moved the hearts of living men and women, "the master pharmacist of joy and pain," who dispensed "sadness tinctured with a smile and laughter that dissolves in tears."
In short, then, it was decided to offer a minimum prize of $250 for the best short story published in 1919, and the following Committee of Award was appointed:
BLANCHE COLTON WILLIAMS, Ph.D.
EDWARD J. WHEELER, Litt.D.
ETHEL WATTS MUMFORD
ROBERT WILSON NEAL, M.A.
MERLE ST. CROIX WRIGHT, D.D.
It is significant that this committee had no sooner begun its round table conferences than the Society promised, through the Director, funds for two prizes. The first was fixed at $500, the second at $250.
At a meeting in January, 1919, the Committee of Award agreed upon the further conditions that the story must be the work of an American author, and must first appear in 1919 in an American publication. At the same time an Honorary Committee was established, composed of writers and editors, whose pleasure it might be to offer advice and propose stories for consideration. The Honorary Committee consisted of
GERTRUDE ATHERTON EDWARD J. O'BRIEN FANNIE HURST JOHN MACY BURGES JOHNSON MRS. EDWIN MARKHAM ROBERT MORSS LOVETT JOHN S. PHILLIPS WILLIAM MARION REEDY VIRGINIA RODERICK WALTER ROBERTS CHARLES G. NORRIS EDWARD E. HALE MAX EASTMAN CHARLES CALDWELL DOBIE MARGARET SHERWOOD HAMLIN GARLAND JAMES BRANCH CABELL STUART P. SHERMAN WILLIAM ALLEN WHITE STEPHEN LEACOCK MAJOR RUPERT HUGHES EUGENE MANLOVE RHODES
The Committee of Award read throughout the year, month by month, scores of stories, rejecting many, debating over others, and passing up a comparative few for final judgment. In January, out of the hundred or more remaining, they salvaged the following:
1. The Kitchen Gods, by Guglielma Alsop (Century, September).
2. Facing It, by Edwina Stanton Babcock (Pictorial Review, June).
3. The Fairest Sex, by Mary Hastings Bradley (Metropolitan, March).
4. Bargain Price, by Donn Byrne (Cosmopolitan, March).
5. Porcelain Cups, by James Branch Cabell (Century, November).
6. Gum Shoes, 4-B, by Forrest Crissey (Harper's, December).
7. The Trial in Tom Belcher's Store, by Samuel A. Derieux (American,
June).
8. April Twenty-fifth As Usual, by Edna Ferber (Ladies Home Journal,
July).
9. The Mottled Slayer, by George Gilbert (Sunset, August).
10. Dog Eat Dog, by Ben Hecht (The Little Review, April).
11. Blue Ice, by Joseph Hergesheimer (Saturday Evening Post, December 13).
12. Innocence, by Rupert Hughes (Cosmopolitan, September).
13. Humoresque, by Fannie Hurst (Cosmopolitan, March).
14. The Yellow Streak, by Ellen La Motte (Century, March).
15. The Elephant Remembers, by Edison Marshall (Everybody's, October).
16. England to America, by Margaret Prescott Montague (Atlantic,
September).
17. Five Thousand Dollars Reward, by Melville D. Post (Saturday Evening
Post, February 15).
18. The Lubbeny Kiss, by Louise Rice (Ainslee's, October).
19. The High Cost of Conscience, by Beatrice Ravenel (Harper's, January).
20. The Red Mark, by John Russell (Collier's, April 15).
21. The Trap, by Myra Sawhill (American, May).
22. Evening Primroses, by Anne D. Sedgwick (Atlantic, July).
23. Autumn Crocuses, by Anne D. Sedgwick (Atlantic, August).
24. The Blood of the Dragon, by Thomas Grant Springer (Live Stories, May).
25. Contact, by Wilbur Daniel Steele (Harper's, March).
26. For They Know not What They Do, by Wilbur Daniel Steele (Pictorial Review, July).
27. La Guiablesse, by Wilbur Daniel Steele (Harpers, September).
28. On Strike, by Albert Payson Terhune (The Popular Magazine, October).
29. The Other Room, by Mary Heaton Vorse (McCall's, April).
30. They Grind Exceeding Small, by Ben Ames Williams (Saturday Evening Post, September 13).
31. On the Field of Honour, by Ben Ames Williams (American, March).
32. Turkey Red, by Frances Gilchrist Wood (Pictorial Review, November).
Although the exiguity of the vessel forbids inclusion of all these stories, yet the Committee wish to record them as worthy of preservation under covers. Publishing by title, therefore, carries all the honour attached to publishing the complete story.
Awarding the prizes proved difficult. No title stood first on all the lists: rated best by one judge, any story lost rank through lower rating by another. But the following held from first place to fifth place on the separate final lists: "La Guiablesse," "England to America," "For They Know not What They Do," "Evening Primroses," "Autumn Crocuses," "Humoresque," "The Red Mark," "They Grind Exceeding Small," "On Strike," "The Elephant Remembers," "Contact," and "Five Thousand Dollars Reward." It will be observed that three of Wilbur Daniel Steele's narratives appear. If the prize had been announced as going to the author of more stories rated first, he would have received it. But by the predetermined conditions, it must fall to the author of the best story, and according to a recognized system of counts,[A] the best is "England to America"; the second best, "For They Know not What They Do." The first award, therefore, goes to Miss Margaret Prescott Montague; the second to Mr. Wilbur Daniel Steele.
[Footnote A:
Since there were five judges, the system used was the following:
A story of place 1 was given 5 points " " " " 2 " " 4 " " " " " 3 " " 3 " " " " " 4 " " 2 " " " " " 5 " " 1 point.]
The Committee were remarkably unanimous in answering the question, "What is a short-story?"; but they differed, rather violently, over the fulfilment of requirements by the various illustrations. Without doubt, the most provocative of these was Mr. Steele's "Contact." Three of the Committee think it a short-story; two declare it an article; all agree that no finer instance of literature in brief form was published in 1919.
Their diverging views, however, challenged curiosity: what did the publishers think about it? The editor of Harper's wrote:
"Contact" was written by Mr. Steele after a personal visit to the North Sea fleet. It is a faithful portrayal of the work done by our destroyers and therefore falls under the category of "articles."
And the Author:
I am not quite sure what to say. The piece, "Contact," of which you speak, was in a sense drawn from life, that is to say it is made up of a number of impressions gained while I was at sea with the U.S. destroyers off the coast of France. The characters are elaborations of real characters, and the "contact" told of was such a one as I actually witnessed. Otherwise, the chronology of events, conversations, etc., were gathered from various sources and woven to the best of my ability so as to give a picture of the day's work of our convoying forces in the War.
These data reconcile, in part, the conflicting points of view, or at least show the tenability of each.
In addition to the first requisite of struggle, "the story's the thing," the judges sought originality, excellence in organization of plot incidents, skill in characterization, power in moving emotions—and, again, they differed over their findings. One member would have awarded the prize to "La Guiablesse" on its original motif—a ship is jealous of a woman—on its masterful employment of suggestion, unique presentation of events, and on all the other counts. Another, while recognizing the essential bigness of the tale, regards it as somewhat crudely constructed and as extending the use of suggestion into the mist of obscurity.
Or, take characterization. Mary Hastings Bradley's "The Fairest Sex" represents, in the climax, a reporter's fiancee betraying the whereabouts of a young woman who is, technically, a criminal. One of the Committee held that, under the circumstances, the psychology is false: others "believed" that particular girl did that particular thing.
Best narrative always compels belief: the longer the period of belief the greater the story. This business of convincing the reader requires more labour than the average writer seems to care about performing. Any reader is willing to be held—for a time. But how many stories compel recollection of plot and characters as indubitably a part of all that one has met?
Too frequently the writer neglects the value of atmosphere, forgetful of its weight in producing conviction. The tale predominantly of atmosphere (illustrated in the classic "Fall of the House of Usher"), revealing wherever found the ability of the author to hold a dominant mood in which as in a calcium light characters and arts are coloured, this tale occurs so rarely as to challenge admiration when it does occur. "For They Know not What They Do" lures the reader into its exotic air and holds him until he, too, is suffused, convinced.
… The Committee were not insensible to style. But expert phrasing, glowing appreciation of words and exquisite sense of values, the texture of the story fabric—all dropped into the abyss of the unimportant after the material they incorporated had been judged. No man brings home beefsteak in silk or sells figs as thistles.
The Committee accepted style as the fit medium for conveying the matter….
Since the Committee confess to catholicity of taste, the chosen stories reveal predilection for no one type. They like detective stories, and particularly those of Melville Davisson Post. A follower of the founder of this school of fiction, he has none the less advanced beyond his master and has discovered other ways than those of the Rue Morgue. "Five Thousand Dollars Reward" in its brisk action, strong suspense, and humorous denouement carries on the technique so neatly achieved in "The Doomdorf Mystery" and other tales about Uncle Abner.
The Committee value, also, the story about animals: universal interest in puzzles, in the science of ratiocination, is not more pronounced than the interest in rationalizing the brute. "The Mottled Slayer" and "The Elephant Remembers" offer sympathetic studies of struggles in the animal world. Mr. Marshall's white elephant will linger as a memory, even as his ghost remains, longer than the sagacious play-fellow of Mr. Gilbert's little Indian; but nobody can forget the battle the latter fought with the python.
For stories about the home the Committee have a weakness: Miss Ferber's "April Twenty-fifth As Usual," cheerfully proclaiming the inevitableness of spring cleaning, might be published with the sub-title, An Epic of the Housekeeper.
They were alert for reflections of life—in America and elsewhere. The politics of "Gum Shoes, 4-B"; the local court of law in "Tom Belcher's Store"; the frozen west of "Turkey Red" seemed to them to meet the demand that art must hold the mirror up to nature.
In particular, the Committee hoped to find good stories of the war. Now that fiction containing anything of the Great Struggle is anathema to editors, and must wait for that indefinite time of its revival, it was like getting a last bargain to read "Facing It," "Humoresque," "Contact," "Autumn Crocuses," and "England to America." In these small masterpieces is celebrated either manhood which keeps a rendezvous with death.
The Committee accepted style as the fit medium for conveying the matter….
Since the Committee confess to catholicity of taste, the chosen stories reveal predilection for no one type. They like detective stories, and particularly those of Melville Davisson Post. A follower of the founder of this school of fiction, he has none the less advanced beyond his master and has discovered other ways than those of the Rue Morgue. "Five Thousand Dollars Reward" in its brisk action, strong suspense, and humorous denouement carries on the technique so neatly achieved in "The Doomdorf Mystery" and other tales about Uncle Abner.
The Committee value, also, the story about animals: universal interest in puzzles, in the science of ratiocination, is not more pronounced than the interest in rationalizing the brute. "The Mottled Slayer" and "The Elephant Remembers" offer sympathetic studies of struggles in the animal world. Mr. Marshall's white elephant will linger as a memory, even as his ghost remains, longer than the sagacious play-fellow of Mr. Gilbert's little Indian; but nobody can forget the battle the latter fought with the python.
For stories about the home the Committee have a weakness: Miss Ferber's "April Twenty-fifth As Usual," cheerfully proclaiming the inevitableness of spring cleaning, might be published with the sub-title, An Epic of the Housekeeper.
They were alert for reflections of life—in America and elsewhere. The politics of "Gum Shoes, 4-B"; the local court of law in "Tom Belcher's Store"; the frozen west of "Turkey Red" seemed to them to meet the demand that art must hold the mirror up to nature.
In particular, the Committee hoped to find good stories of the war. Now that fiction containing anything of the Great Struggle is anathema to editors, and must wait for that indefinite time of its revival, it was like getting a last bargain to read "Facing It," "Humoresque," "Contact," "Autumn Crocuses," and "England to America." In these small masterpieces is celebrated either manhood which keeps a rendezvous with death, womanhood which endures, or the courage of men and women which meets bodily misfortune and the anguish of personal loss. Leon Kantor of "Humoresque" and the young Virginian of "England to America" will bring back, to all who read, their own heroes. It is fitting that Miss Montague's story should have received the first prize: poignant, short in words, great in significance, it will stand a minor climactic peak in that chain of literature produced during the actual progress of the World War.
* * * * *
In the estimation of the Committee the year 1919 was not one of pre-eminent short stories. Why? There are several half-satisfactory explanations. Some of the acknowledged leaders, seasoned authors, have not been publishing their average annual number of tales. Alice Brown, Donn Byrne, Irvin Cobb, Edna Ferber, Katharine Gerould, Fannie Hurst and Mary W. Freeman are represented by spare sheaves. Again, a number of new and promising writers have not quite attained sureness of touch; although that they are acquiring it is manifest in the work of Ben Ames Williams, Edison Marshall, Frances Wood, Samuel Derieux, John Russell, Beatrice Ravenel and Myra Sawhill. Too frequently, there is "no story": a series of episodes however charmingly strung out is not a story; a sketch, however clever or humorous, is not a story; an essay, however wisely expounding a truth, is not a story. So patent are these facts, they are threadbare from repetition; yet of them succeeding aspirants seem to be as ignorant as were their predecessors—who at length found knowledge. For obvious reasons, names of authors who succeed in a certain literary form, but who produce no story are omitted.
Again, some stories just miss the highest mark. A certain one, praised by a magazine editor as the best of the year, suffers in the opinion of the Committee, or part of the Committee, from an introduction too long and top-heavy. It not only mars the symmetry of the whole, this introduction, but starts the reader in the wrong direction. One thing the brief story must not do is to begin out of tone, to promise what it does not fulfil, or to lead out a subordinate character as though he were chief…. Another story suffers from plethora of phrasing, and even of mere diction. Stevenson believed few of his words too precious to be cut; contemporary writers hold their utterances in greater esteem…. A third story shows by its obvious happy ending that the author has catered to magazine needs or what he conceives to be editorial policies. Such an author requires a near "Smart Set" sparkle or a pseudo-Atlantic Monthly sobriety; he develops facility, but at the expense, ultimately, of conventionality, dullness and boredom.
According to the terms which omit foreign authors from possible participation in the prize, the work of Achmed Abdullah, Britten Austin, Elinor Mordaunt and others was in effect non-existent for the Committee. "Reprisal," by Mr. Austin, ranks high as a specimen of real short-story art, strong in structure, rich in suggestion. "The Honourable Gentleman," by the mage from Afghanistan, in reflecting Oriental life in the Occident, will take its place in literary history. Elinor Mordaunt's modernized biblical stories—"The Strong Man," for instance—in showing that the cycles repeat themselves and that today is as one of five thousand years ago exemplify the universality of certain motifs, fables, characters.
But, having made allowance for the truths just recounted, the Committee believe that the average of stories here bound together is high. They respond to the test of form and of life. "The Kitchen Gods" grows from five years of service to the women of China—service by the author, who is a doctor of medicine. "Porcelain Cups" testifies to the interest a genealogist finds in the Elizabethan Age and, more definitely, in the life of Christopher Marlowe. The hardships of David, in the story by Mr. Derieux, are those of a boy in a particular Southern neighbourhood the author knows. Miss Louise Rice, who boasts a strain of Romany blood, spends part of her year with the gypsies. Mr. Terhune is familiar, from the life, with his prototypes of "On Strike." "Turkey Red" relates a real experience, suited to fiction or to poetry—if Wordsworth was right—for it is an instance of emotion remembered in tranquility. In these and all the others, the story's the thing.
Some of them, perhaps, were produced because their creators were consciously concerned about the art of creation. "Blue Ice," by Joseph Hergesheimer, proclaims itself a study in technique, a thing of careful workmanship. "Innocence," by Rupert Hughes, with "Read It Again" and "The Story I Can't Write" boldly announce his desire to get the most out of the material. "For They Know not What They Do," an aspiration of spirit, is fashioned as firmly as the Woolworth Tower.
Just here it may be observed that the Committee noticed a tendency of the present day story which only the future can reveal as significant or insignificant. It is this: in spite of the American liking for the brief tale, as Poe termed it—the conte, as the French know it—in spite of an occasional call from magazines for stories of fewer than 5,000 words, yet the number of these narratives approaching perfection is considerably less than that of the longer story. Whether the long short-story gives greater entertainment to the greater number may be questioned. To state that it is farthest from the practice of O. Henry invites a logical and inevitable conclusion. He wrote two hundred stories averaging about fifteen pages each. Whether it may be greater literature is another matter; if it escapes tediousness it may impress by its weight. If the Committee had selected for publication all the longest stories in the list of thirty-two, this volume would contain the same number of words, but only half the titles.
The Honorary Committee expressed, some of them, to the Committee of Award certain preferences. William Marion Reedy wrote: "I read and printed one very good story called 'Baby Fever.' I think it is one of the best stories of the year." John Phillips, though stating that he had not followed short stories very closely, thought the best one he had read "The Theatrical Sensation of Springtown," by Bess Streeter Aldrich (American, December). Mrs. Edwin Markham commended Charles Finger's "Canassa" (Reedy's Mirror, October 30). W. Adolphe Roberts submitted a number of stories from Ainslee's: "Young Love," by Nancy Boyd; "The Token from the Arena," by June Willard; "The Light," by Katherine Wilson. He also drew attention to "Phantom," by Mildred Cram (Green Book, March). That the Committee of Award, after a careful study of these and other recommendations, failed to confirm individual high estimates is but another illustration of the disagreement of doctors. To all those of the Honorary Committee who gave encouragement and aid the Committee of Award is most grateful.
There remains the pleasure of thanking, also, the authors and publishers who have kindly granted permission for the reprinting of the stories included in this volume. The Committee of Award would like them to know that renewal of the O. Henry prize depends upon their generous cooperation.
BLANCHE COLTON WILLIAMS.
NEW YORK CITY, February 29, 1920.
O. HENRY MEMORIAL AWARD PRIZE STORIES 1919
ENGLAND TO AMERICA
By MARGARET PRESCOTT MONTAGUE
From Atlantic Monthly
I.
"Lord, but English people are funny!"
This was the perplexed mental ejaculation that young Lieutenant Skipworth Cary, of Virginia, found his thoughts constantly reiterating during his stay in Devonshire. Had he been, he wondered, a confiding fool, to accept so trustingly Chev Sherwood's suggestion that he spend a part of his leave, at least, at Bishopsthorpe, where Chev's people lived? But why should he have anticipated any difficulty here, in this very corner of England which had bred his own ancestors, when he had always hit it off so splendidly with his English comrades at the Front? Here, however, though they were all awfully kind,—at least, he was sure they meant to be kind,—something was always bringing him up short: something that he could not lay hold of, but which made him feel like a blind man groping in a strange place, or worse, like a bull in a china-shop. He was prepared enough to find differences in the American and English points of view. But this thing that baffled him did not seem to have to do with that; it was something deeper, something very definite, he was sure—and yet, what was it? The worst of it was that he had a curious feeling as if they were all—that is, Lady Sherwood and Gerald; not Sir Charles so much—protecting him from himself—keeping him from making breaks, as he phrased it. That hurt and annoyed him, and piqued his vanity. Was he a social blunderer, and weren't a Virginia gentleman's manners to be trusted in England without leading-strings? He had been at the Front for several months with the Royal Flying Corps, and when his leave came, his Flight Commander, Captain Cheviot Sherwood, discovering that he meant to spend it in England, where he hardly knew a soul, had said his people down in Devonshire would be jolly glad to have him stop with them; and Skipworth Cary, knowing that, if the circumstances had been reversed, his people down in Virginia would indeed have been jolly glad to entertain Captain Sherwood, had accepted unhesitatingly. The invitation had been seconded by a letter from Lady Sherwood,—Chev's mother,—and after a few days sight-seeing in London, he had come down to Bishopsthorpe, very eager to know his friend's family, feeling as he did about Chev himself. "He's the finest man that ever went up in the air," he had written home; and to his own family's disgust, his letters had been far more full of Chev Sherwood than they had been of Skipworth Cary.
And now here he was, and he almost wished himself away—wished almost that he was back again at the Front, carrying on under Chev. There, at least, you knew what you were up against. The job might be hard enough, but it wasn't baffling and queer, with hidden undercurrents that you couldn't chart. It seemed to him that this baffling feeling of constraint had rushed to meet him on the very threshold of the drawing-room, when he made his first appearance.
As he entered, he had a sudden sensation that they had been awaiting him in a strained expectancy, and that, as he appeared, they adjusted unseen masks and began to play-act at something. "But English people don't play-act very well," he commented to himself, reviewing the scene afterward.
Lady Sherwood had come forward and greeted him in a manner which would have been pleasant enough, if he had not, with quick sensitiveness, felt it to be forced. But perhaps that was English stiffness.
Then she had turned to her husband, who was standing staring into the fireplace, although, as it was June, there was no fire there to stare at.
"Charles," she said, "here is Lieutenant Cary"; and her voice had a certain note in it which at home Cary and his sister Nancy were in the habit of designating "mother-making-dad-mind-his-manners."
At her words the old man—and Cary was startled to see how old and broken he was—turned round and held out his hand, "How d'you do?" he said jerkily, "how d'you do?" and then turned abruptly back again to the fireplace.
"Hello! What's up! The old boy doesn't like me!" was Cary's quick, startled comment to himself.
He was so surprised by the look the other bent upon him that he involuntarily glanced across to a long mirror to see if there was anything wrong with his uniform. But no, that appeared to be all right. It was himself, then—or his country; perhaps the old sport didn't fall for Americans.
"And here is Gerald," Lady Sherwood went on in her low remote voice, which somehow made the Virginian feel very far away.
It was with genuine pleasure, though with some surprise, that he turned to greet Gerald Sherwood, Chev's younger brother, who had been, tradition in the corps said, as gallant and daring a flyer as Chev himself, until he got his in the face five months ago.
"I'm mighty glad to meet you," he said eagerly, in his pleasant, muffled Southern voice, grasping the hand the other stretched out, and looking with deep respect at the scarred face and sightless eyes.
Gerald laughed a little, but it was a pleasant laugh, and his hand-clasp was friendly.
"That's real American, isn't it?" he said. "I ought to have remembered and said it first. Sorry."
Skipworth laughed too. "Well," he conceded, "we generally are glad to meet people in my country, and we don't care who says it first. But," he added. "I didn't think I'd have the luck to find you here."
He remembered that Chev had regretted that he probably wouldn't see Gerald, as the latter was at St. Dunstan's, where they were re-educating the blinded soldiers.
The other hesitated a moment, and then said rather awkwardly, "Oh, I'm just home for a little while; I only got here this morning, in fact."
Skipworth note the hesitation. Did the old people get panicky at the thought of entertaining a wild man from Virginia, and send an SOS for Gerald, he wondered.
"We are so glad you could come to us," Lady Sherwood said rather hastily just then. And again he could not fail to note that she was prompting her husband.
The latter reluctantly turned round, and said, "Yes, yes, quite so. Welcome to Bishopsthorpe, my boy," as if his wife had pulled a string, sand he responded mechanically, without quite knowing what he said. Then, as his eyes rested a moment on his guest, he looked as if he would like to bolt out of the room. He controlled himself, however, and, jerking round again to the fireplace, went on murmuring, "Yes, yes, yes," vaguely—just like the dormouse at the Mad Tea-Party, who went to sleep, saying, "Twinkle, twinkle, twinkle," Cary could not help thinking to himself.
But after all, it wasn't really funny, it was pathetic. Gosh, how doddering the poor old boy was! Skipworth wondered, with a sudden twist at his heart, if the war was playing the deuce with his home people, too. Was his own father going to pieces like this, and had his mother's gay vivacity fallen into that still remoteness of Lady Sherwood's? But of course not! The Carys hadn't suffered as the poor Sherwoods had, with their youngest son, Curtin, killed early in the war, and now Gerald knocked out so tragically. Lord, he thought, how they must all bank on Chev! And of course they would want to hear at once about him. "I left Chev as fit as anything, and he sent all sorts of messages," he reported, thinking it more discreet to deliver Chev's messages thus vaguely than to repeat his actual carefree remark, which had been, "Oh, tell 'em I'm jolly as a tick."
But evidently there was something wrong with the words as they were, for instantly he was aware of that curious sense of withdrawal on their part. Hastily reviewing them, he decided that they had sounded too familiar from a stranger and a younger man like himself. He supposed he ought not to have spoken of Chev by his first name. Gee, what sticklers they were! Wouldn't his family—dad and mother and Nancy—have fairly lapped up any messages from him, even if they had been delivered a bit awkwardly? However, he added, as a concession to their point of view, "But of course, you'll have had later news of Captain Sherwood."
To which, after a pause, Lady Sherwood responded, "Oh, yes," in that remote and colourless voice which might have meant anything or nothing.
At this point dinner was announced.
Lady Sherwood drew her husband away from the empty fireplace, and Gerald slipped his arm through the Virginian's, saying pleasantly, "I'm learning to carry on fairly well at St. Dunstan's, but I confess I still like to have a pilot."
To look at the tall young fellow beside him, whose scarred face was so reminiscent of Chev's untouched good looks, who had known all the immense freedom of the air, but who was now learning to carry on in the dark, moved Skipworth Cary to generous homage.
"You know my saying I'm glad to meet you isn't just American," he said half shyly, but warmly. "It's plain English, and the straight truth. I've wanted to meet you awfully. The oldsters are always holding up your glorious exploits to us newcomers. Withers never gets tired telling about that fight of yours with the four enemy planes. And besides," he rushed on eagerly, "I'm glad to have a chance to tell Chev's brother—Captain Sherwood's brother, I mean—what I think of him. Only as a matter of fact, I can't," he broke off with a laugh. "I can't put it exactly into words, but I tell you I'd follow that man straight into hell and out the other side—or go there alone if he told me to. He is the finest chap that ever flew."
And then he felt as if a cold douche had been flung in his face, for after a moment's pause, the other returned, "That's awfully good of you," in a voice so distant and formal that the Virginian could have kicked himself. What an ass he was to be so darned enthusiastic with an Englishman! He supposed it was bad form to show any pleasure over praise of a member of your family. Lord, if Chev got the V.C., he reckoned it would be awful to speak of it. Still, you would have thought Gerald might have stood for a little praise of him. But then, glancing sideways at his companion, he surprised on his face a look so strange and suffering that it came to him almost violently what it must be never to fly again; to be on the threshold of life, with endless days of blackness ahead. Good God! How cruel he had been to flaunt Chev in his face! In remorseful and hasty reparation he stumbled on. "But the old fellows are always having great discussions as to which was the best—you or your brother. Withers always maintains you were."
"Withers lies, then!" the other retorted. "I never touched Chev—never came within a mile of him, and never could have."
They reached the dinner-table with that, and young Cary found himself bewildered and uncomfortable. If Gerald hadn't liked praise of Chev, he had liked praise of himself even less, it seemed.
Dinner was not a success. The Virginian found that, if there was to be conversation, the burden of carrying it on was upon him, and gosh! they don't mind silences in this man's island, do they? he commented desperately to himself, thinking how different it was from America. Why, there they acted as if silence was an egg that had just been laid, and everyone had to cackle at once to cover it up. But here the talk constantly fell to the ground, and nobody but himself seemed concerned to pick it up. His attempt to praise Chev had not been successful, and he could understand their not wanting to hear about flying and the war before Gerald.
So at last, in desperation, he wandered off into descriptions of America, finding to his relief, that he had struck the right note at last. They were glad to hear about the States, and Lady Sherwood inquired politely if the Indians still gave them much trouble; and when he assured her that in Virginia, except for the Pocahontas tribe, they were all pretty well subdued, she accepted his statement with complete innocency. And he was so delighted to find at last a subject to which they were evidently cordial, that he was quite carried away, and would up by inviting them all to visit his family in Richmond, as soon as soon as the war was over.
Gerald accepted at once, with enthusiasm; Lady Sherwood made polite murmurs, smiling at him in quite a warm and almost, indeed, maternal manner. Even Sir Charles, who had been staring at the food on his plate as if he did not quite know what to make of it, came to the surface long enough to mumble, "Yes, yes, very good idea. Countries must carry on together—What?"
But that was the only hit of the whole evening, and when the Virginian retired to his room, as he made an excuse to do early, he was so confused and depressed that he fell into an acute attack of homesickness.
Heavens, he thought, as he tumbled into bed, just suppose, now, this was little old Richmond, Virginia, U.S.A., instead of being Bishopsthorpe, Avery Cross near Wick, and all the rest of it! And at that, he grinned to himself. England wasn't such an all-fired big country that you'd think they'd have to ticket themselves with addresses a yard long, for fear they'd get lost—now, would you? Well, anyway, suppose it was Richmond, and his train just pulling into the Byrd Street Station. He stretched out luxuriously, and let his mind picture the whole familiar scene. The wind was blowing right, so there was the mellow homely smell of tobacco in the streets, and plenty of people all along the way to hail him with outstretched hands and shouts of "Hey, Skip Cary, when did you get back?" "Welcome home, my boy!" "Well, will you look what the cat dragged in!" And so he came to his own front door-step, and, walking straight in, surprised the whole family at breakfast; and yes—doggone it! if it wasn't Sunday, and they having waffles! And after that his obliging fancy bore him up Franklin Street, through Monroe Park, and so to Miss Sally Berkeley's door. He was sound asleep before he reached it, but in his dreams, light as a little bird, she came flying down the broad stairway to meet him, and—
But when he waked next morning, he did not find himself in Virginia, but in Devonshire, where, to his unbounded embarrassment, a white housemaid was putting up his curtains and whispering something about his bath. And though he pretended profound slumber, he was well aware that people do not turn brick-red in their sleep. And the problem of what was the matter with the Sherwood family was still before him.
II
"They're playing a game," he told himself after a few days. "That is, Lady Sherwood and Gerald are—poor old Sir Charles can't make much of a stab at it. The game is to make me think they are awfully glad to have me, when in reality there's something about me, or something I do, that gets them on the raw."
He almost decided to make some excuse and get away; but after all, that was not easy. In English novels, he remembered, they always had a wire calling them to London; but, darn it all! the Sherwoods knew mighty well there wasn't any one in London who cared a hoot about him.
The thing that got his goat most, he told himself, was that they apparently didn't like his friendship with Chev. Anyway they didn't seem to want him to talk about him; and whenever he tried to express his warm appreciation for all that the older man had done for him, he was instantly aware of a wall of reserve on their part, a holding of themselves aloof from him. That puzzled and hurt him, and put him on his dignity. He concluded that they thought it was cheeky of a youngster like him to think that a man like Chev could be his friend; and if that was the way they felt, he reckoned he'd jolly well better shut up about it.
But whatever it was that they didn't like about him, they most certainly did want him to have a good time. He and his pleasure appeared to be for the time being their chief consideration. And after the first day or so he began indeed to enjoy himself extremely. For one thing, he came to love the atmosphere of the old place and of the surrounding country, which he and Gerald explored together. He liked to think that ancestors of his own had been inheritors of these green lanes, and pleasant mellow stretches. Then, too, after the first few days, he could not help seeing that they really began to like him, which of course was reassuring, and tapped his own warm friendliness, which was always ready enough to be released. And besides, he got by accident what he took to be a hint as to the trouble. He was passing the half-open door of Lady Sherwood's morning-room, when he heard Sir Charles's voice break out, "Good God, Elizabeth, I don't see how you stand it! When I see him so straight and fine-looking, and so untouched, beside our poor lad, and think—and think—"
Skipworth hurried out of earshot, but now he understood that look of aversion in the old man's eyes which had so startled him at first. Of course, the poor old boy might easily hate the sight of him beside Gerald. With Gerald himself he really got along famously. He was a most delightful companion, full of anecdotes and history of the countryside, every foot of which he had apparently explored in the old days with Chev and the younger brother, Curtin. Yet even with Gerald, Cary sometimes felt that aloofness and reserve, and that older protective air that they all showed him. Take, for instance, that afternoon when they were lolling together on the grass in the park. The Virginian, running on in his usual eager manner, had plunged without thinking into an account of a particularly daring bit of flying on Chev's part, when suddenly he realized that Gerald had rolled over on the grass and buried his face in his arms, and interrupted himself awkwardly. "But, of course," he said, "he must have written home about it himself."
"No, or if he did, I didn't hear of it. Go on," Gerald said in a muffled voice.
A great rush of compassion and remorse overwhelmed the Virginian, and he burst out penitently, "What a brute I am! I'm always forgetting and running on about flying, when I know it must hurt like the very devil!"
The other drew a difficult breath. "Yes," he admitted, "what you say does hurt in a way—in a way you can't understand. But all the same I like to hear you. Go on about Chev."
So Skipworth went on and finished his account, winding up, "I don't believe there's another man in the service who could have pulled it off—but I tell you your brother's one in a million."
"Good God, don't I know it!" the other burst out. "We were all three the jolliest pals together," he got out presently in a choked voice, "Chev and the young un and I; and now—"
He did not finish, but Cary guessed his meaning. Now the young un,
Curtin, was dead, and Gerald himself knocked out. But, heavens! the
Virginian though, did Gerald think Chev would go back on him now on
account of his blindness? Well, you could everlastingly bet he wouldn't!
"Chev thinks the world and all of you!" he cried in eager defense of his friend's loyalty. "Lots of times when we're all awfully jolly together, he makes some excuse and goes off by himself; and Withers told me it was because he was so frightfully cut up about you. Withers said he told him once that he'd a lot rather have got it himself—so you can everlastingly bank on him!"
Gerald gave a terrible little gasp. "I—I knew he'd feel like that," he got out. "We've always cared such a lot for each other." And then he pressed his face harder than ever into the grass, and his long body quivered all over. But not for long. In a moment he took fierce hold on himself, muttering, "Well, one must carry on, whatever happens," and apologized disjointedly. "What a fearful fool you must think me! And—and this isn't very pippy for you, old chap." Presently, after that, he sat up, and said, brushing it all aside, "We're facing the old moat, aren't we? There's an interesting bit of tradition about it that I must tell you."
And there you were, Cary thought: no matter how much Gerald might be suffering from his misfortune, he must carry on just the same, and see that his visitor had a pleasant time. It made the Virginian feel like an outsider and very young as if he were not old enough for them to show him their real feelings.
Another thing that he noticed was that they did not seem to want him to meet people. They never took him anywhere to call and if visitors came to the house, they showed an almost panicky desire to get him out of the way. That again hurt his pride. What in heaven's name was the matter with him anyway!
III
However on the last afternoon of his stay at Bishopsthorpe, he told himself with a rather rueful grin, that his manners must have improved a little, for they took him to tea at the rectory.
He was particularly glad to go there because, from certain jokes of
Withers's, who had known the Sherwoods since boyhood, he gathered that
Chev and the rector's daughter were engaged. And just as he would have
liked Chev to meet Sally Berkeley, so he wanted to meet Miss Sybil
Gaylord.
He had little hope of having a tête-à-tête with her, but as it fell out he did. They were all in the rectory garden together, Gerald and the rector a little behind Miss Gaylord and himself, as they strolled down a long walk with high hedges bordering it. On the other side of the hedge Lady Sherwood and her hostess still sat at the tea-table, and then it was that Cary heard Mrs. Gaylord say distinctly, "I'm afraid the strain has been too much for you—you should have let us have him."
To which Lady Sherwood returned quickly. "Oh, no, that would have been impossible with—"
"Come—come this way—I must show you the view from the arbor," Miss Gaylord broke in breathlessly; and laying a hand on his arm, she turned abruptly into a side path.
Glancing down at her the Southerner could not but note the panic and distress in her fair face. It was so obvious that the overheard words referred to him, and he was so bewildered by the whole situation that he burst out impulsively, "I say, what is the matter with me? Why do they find me so hard to put up with? Is it something I do—or don't they like Americans? Honestly, I wish you'd tell me."
She stood still at that, looking at him, her blue eyes full of distress and concern.
"Oh, I am so sorry," she cried. "They would be so sorry to have you think anything like that."
"But what is it?" her persisted. "Don't they like Americans?"
"Oh, no, it isn't like that—Oh, quite the contrary!" she returned eagerly.
"Then it's something about me they don't like?"
"Oh, no, no! Least of all, that—don't think that!" she begged.
"But what am I to think then?"
"Don't think anything just yet," she pleaded. "Wait a little, and you will understand."
She was so evidently distressed that he could not press her further; and fearing she might think him unappreciative, he said, "Well, whatever it is, it hasn't prevented me from having a ripping good time. They've seen to that, and just done everything for my pleasure."
She looked up quickly, and to his relief he saw that for once he had said the right thing.
"You enjoyed it, then?" she questioned eagerly.
"Most awfully," he assured her warmly. "I shall always remember what a happy leave they gave me."
She gave a little sigh of satisfaction, "I am so glad," she said. "They wanted you to have a good time—that was what we all wanted."
He looked at her gratefully, thinking how sweet she was in her fair English beauty, and how good to care that he should have enjoyed his leave. How different she was too from Sally Berkeley—why she would have made two of his little girl! And how quiet! Sally Berkeley, with her quick glancing vivacity, would have been all around her and off again like a humming-bird before she could have uttered two words. And yet he was sure that they would have been friends, just as he and Chev were. Perhaps they all would be, after the war. And then he began to talk about Chev, being sure that, had the circumstances been reversed, Sally Berkeley would have wanted news of him. Instantly he was aware of a tense listening stillness on her part. That pleased him. Well, she did care for the old fellow all right, he thought; and though she made no response, averting her face and plucking nervously at the leaves of the hedge as they passed slowly along, he went on pouring out his eager admiration for his friend.
At last they came to a seat in an arbour, from which one looked out upon a green beneficent landscape. It was an intimate secluded little spot—and oh, if Sally Berkeley were only there to sit beside him! And as he thought of this, it came to him whimsically that in all probability she must be longing for Chev, just as he was for Sally.
Dropping down on the bench beside her, he leaned over, and said with a friendly, almost brotherly, grin of understanding, "I reckon you're wishing Captain Sherwood was sitting here, instead of Lieutenant Cary."
The minute the impulsive words were out of his mouth, he knew he had blundered, been awkward, and inexcusably intimate. She gave a little choked gasp, and her blue eyes stared up at him, wide and startled. Good heavens, what a break he had made! No wonder the Sherwoods couldn't trust him in company! There seemed no apology that he could offer in words, but at least, he thought, he would show her that he would not intruded on her secret without being willing to share his with her. With awkward haste he put his hand into his breast-pocket, and dragged forth the picture of Sally Berkley he always carried there.
"This is the little girl I'm thinking about," he said, turning very red, yet boyishly determined to make amends, and also proudly confident of Sally Berkeley's charms. "I'd like mighty well for you two to know one another."
She took the picture in silence, and for a long moment stared down at the soft little face, so fearless, so confident and gay, that smiled appealingly back at her. Then she did something astonishing,—something which seemed to him wholly un-English,—and yet he thought it the sweetest thing he had ever seen. Cupping her strong hands about the picture with a quick protectiveness, she suddenly raised it to her lips, and kissed it lightly. "O little girl!" she cried. "I hope you will be very happy!"
The little involuntary act, so tender, so sisterly and spontaneous, touched the Virginian extremely.
"Thanks, awfully," he said unsteadily. "She'll think a lot of that, just as I do—and I know she'd wish you the same."
She made no reply to that, and as she handed the picture back to him, he saw that her hands were trembling, and he had a sudden conviction that, if she had been Sally Berkeley, her eyes would have been full of tears. As she was Sybil Gaylord, however, there were no tears there, only a look that he never forgot. The look of one much older, protective, maternal almost, and as if she were gazing back at Sally Berkeley and himself from a long way ahead on the road of life. He supposed it was the way most English people felt nowadays. He had surprised it so often on all their faces, that he could not help speaking of it.
"You all think we Americans are awfully young and raw, don't you?" he questioned.
"Oh, no, not that," she deprecated. "Young perhaps for these days, yes—but it is more that you—that your country is so—so unsuffered. And we don't want you to suffer!" she added quickly.
Yes, that was it! He understood now, and, heavens, how fine it was! Old England was wounded deep—deep. What she suffered herself she was too proud to show; but out of it she wrought a great maternal care for the newcomer. Yes, it was fine—he hoped his country would understand.
Miss Gaylord rose. "There are Gerald and father looking for you," she said, "and I must go now." She held out her hand. "Thank you for letting me see her picture, and for everything you said about Captain Sherwood—for everything, remember—I want you to remember."
With a light pressure of her fingers she was gone, slipping away through the shrubbery, and he did not see her again.
IV
So he came to his last morning at Bishopsthorpe; and as he dressed, he wished it could have been different; that he were not still conscious of that baffling wall of reserve between himself and Chev's people, for whom, despite all, he had come to have a real affection.
In the breakfast-room he found them all assembled, and his last meal there seemed to him as constrained and difficult as any that had preceded it. It was over finally, however, and in a few minutes he would be leaving.
"I can never thank you enough for the splendid time I've had here," he said as he rose. "I'll be seeing Chev to-morrow, and I'll tell him all about everything."
Then he stopped dead. With a smothered exclamation, old Sir Charles had stumbled to his feet, knocking over his chair, and hurried blindly out of the room; and Gerald said, "Mother!" in a choked appeal.
As if it were a signal between them, Lady Sherwood pushed her chair back a little from the table, her long delicate fingers dropped together loosely in her lap; she gave a faint sigh as if a restraining mantle slipped from her shoulders, and, looking up at the youth before her, her fine pale face lighted with a kind of glory, she said, "No, dear lad, no. You can never tell Chev, for he is gone."
"Gone!" he cried.
"Yes," she nodded back at him, just above a whisper; and now her face quivered, and the tears began to rush down her cheeks.
"Not dead!" he cried. "Not Chev—not that! O my God, Gerald, not that!"
"Yes," Gerald said. "They got him two days after you left."
It was so overwhelming, so unexpected and shocking, above all so terrible, that the friend he had so greatly loved and admired was gone out of his life forever, that young Cary stumbled back into his seat, and, crumpling over, buried his face in his hands, making great uncouth gasps as he strove to choke back his grief.
Gerald groped hastily around the table, and flung an arm about his shoulders.
"Steady on, dear fellow, steady," he said, though his own voice broke.
"When did you hear?" Cary got out at last.
"We got the official notice just the day before you came—and Withers has written us particulars since."
"And you let me come in spite of it! And stay on, when every word I said about him must have—have fairly crucified each one of you! Oh, forgive me! forgive me!" he cried distractedly. He saw it all now; he understood at last. It was not on Gerald's account that they could not talk of flying and of Chev, it was because—because their hearts were broken over Chev himself. "Oh, forgive me!" he gasped again.
"Dear lad, there is nothing to forgive," Lady Sherwood returned. "How could we help loving your generous praise of our poor darling? We loved it, and you for it; we wanted to hear it, but we were afraid. We were afraid we might break down, and that you would find out."
The tears were still running down her cheeks. She did not brush them away now; she seemed glad to have them there at last.
Sinking down on his knees, he caught her hands. "Why did you let me do such a horrible thing?" he cried. "Couldn't you have trusted me to understand? Couldn't you see I loved him just as you did—No, no!" he broke down humbly. "Of course I couldn't love him as his own people did. But you must have seen how I felt about him—how I admired him, and would have followed him anywhere—and of course if I had known, I should have gone away at once."
"Ah, but that was just what we were afraid of," she said quickly. "We were afraid you would go away and have a lonely leave somewhere. And in these days a boy's leave is so precious a thing that nothing must spoil it—nothing," she reiterated; and her tears fell upon his hands like a benediction. "But we didn't do it very well, I'm afraid," she went on presently, with gentle contrition. "You were too quick and understanding; you guessed there was something wrong. We were sorry not to manage better," she apologized.
"Oh, you wonderful, wonderful people!" he gasped. "Doing everything for my happiness, when all the time—all the time—"
His voice went out sharply, as his mind flashed back to scene after scene: to Gerald's long body lying quivering on the grass; to Sybil Gaylord wishing Sally Berkeley happiness out of her own tragedy; and to the high look on Lady Sherwood's face. They seemed to him themselves, and yet more than themselves—shining bits in the mosaic of a great nation. Disjointedly there passed through his mind familiar words—"these are they who have washed their garments—having come out of great tribulation." No wonder they seemed older.
"We—we couldn't have done it in America," he said humbly.
He had a desperate desire to get away to himself; to hide his face in his arms, and give vent to the tears that were stifling him; to weep for his lost friend, and for this great heartbreaking heroism of theirs.
"But why did you do it?" he persisted. "Was it because I was his friend?"
"Oh, it was much more than that," Gerald said quickly. "It was a matter of the two countries. Of course, we jolly well knew you didn't belong to us, and didn't want to, but for the life of us we couldn't help a sort of feeling that you did. And when America was in at last, and you fellows began to come, you seemed like our very own come back after many years, and," he added a throb in his voice, "we were most awfully glad to see you—we wanted a chance to show you how England felt."
Skipworth Cary rose to his feet. The tears for his friend were still wet upon his lashes. Stooping, he took Lady Sherwood's hands in his and raised them to his lips. "As long as I live, I shall never forget," he said. "And others of us have seen it too in other ways—be sure America will never forget, either."
She looked up at his untouched youth out of her beautiful sad eyes, the exalted light still shining through her tears. "Yes," she said, "you see it was—I don't know exactly how to put it—but it was England to America."
"FOR THEY KNOW NOT WHAT THEY DO"
BY WILBUR DANIEL STEELE
From Pictorial Review
When Christopher Kain told me his story, sitting late in his dressing-room at the Philharmonic I felt that I ought to say something, but nothing in the world seemed adequate. It was one of those times when words have no weight: mine sounded like a fly buzzing in the tomb of kings. And after all, he did not hear me; I could tell that by the look on his face as he sat there staring into the light, the lank, dark hair framing his waxen brow, his shoulders hanging forward, his lean, strong, sentient fingers wrapped around the brown neck of "Ugo," the 'cello, tightly.
Agnes Kain was a lady, as a lady was before the light of that poor worn word went out. Quiet, reserved, gracious, continent, bearing in face and form the fragile beauty of a rose-petal come to its fading on a windless ledge, she moved down the years with the stedfast sweetness of the gentlewoman—gentle, and a woman.
They knew little about her in the city, where she had come with her son. They did not need to. Looking into her eyes, into the transparent soul behind them they could ask no other credential for the name she bore and the lavender she wore for the husband of whom she never spoke.
She spoke of him, indeed, but that was in privacy, and to her son. As Christopher grew through boyhood, she watched him; in her enveloping eagerness she forestalled the hour when he would have asked, and told him about his father, Daniel Kain.
It gave them the added bond of secret-sharers. The tale grew as the boy grew. Each night when Christopher crept into his mother's bed for the quiet hour of her voice, it was as if he crept in to another world, the wind-blown, sky-encompassed kingdom of the Kains, Daniel, his father, and Maynard, his father, another Maynard before him, and all the Kains—and the Hill and the House, the Willow Wood, the Moor Under the Cloud, the Beach where the gray seas pounded, the boundless Marsh, the Lilac hedge standing against the stars.
He knew he would have to be a man of men to measure up to that heritage, a man strong, grave, thoughtful, kind with the kindness that never falters, brave with the courage of that dark and massive folk whose blood ran in his veins. Coming as it did, a world of legend growing up side by side with the matter-of-fact world of Concord Street, it never occurred to him to question. He, the boy, was not massive, strong, or brave; he saw things in the dark that frightened him, his thin shoulders were bound to droop, the hours of practise on his violin left him with no blood in his legs and a queer pallor on his brow.
Nor was he always grave, thoughtful, kind. He did not often lose his temper, the river of his young life ran too smooth and deep. But there were times when he did. Brief passions swept him, blinded him, twisted his fingers, left him sobbing, retching, and weak as death itself. He never seemed to wonder at the discrepancy in things, however, any more than he wondered at the look in his mother's eyes, as she hung over him, waiting, in those moments of nausea after rage. She had not the look of the gentlewoman then; she had more the look, a thousand times, of the prisoner led through the last gray corridor in the dawn.
He saw her like that once when he had not been angry. It was on a day when he came into the front hall unexpectedly as a stranger was going out of the door. The stranger was dressed in rough, brown homespun; in one hand he held a brown velour hat, in the other a thorn stick without a ferrule. Nor was there anything more worthy of note in his face, an average-long face with hollowed cheeks, sunken gray eyes, and a high forehead, narrow, sallow, and moist.
No, it was not the stranger that troubled Christopher. It was his mother's look at his own blundering entrance, and, when the man was out of hearing, the tremulous haste of her explanation.
"He came about some papers, you know."
"You mean our Morning Post?" Christopher asked her.
She let her breath out all at once and colour flooded her face.
"Yes," she told him. "Yes, yes."
Neither of them said anything more about it.
It was that same day, toward evening, that Christopher broke one of his long silences, reverting to a subject always near to them both.
"Mother, you've never told me where it is—on the map, I mean."
She was looking the other way. She did not turn around.
"I—Chris—I—I haven't a map in the house."
He did not press the matter. He went out into the back yard presently, under the grape-trellis, and there he stood still for a long time, staring at nothing particular.
He was growing up.
He went away to boarding-school not long after this, taking with him the picture of his adored mother, the treasured epic of his dark, strong fathers, his narrow shoulders, his rare, blind bursts of passion, his newborn wonder, and his violin. At school they thought him a queer one.
The destinies of men are unaccountable things. Five children in the village of Deer Bay came down with diphtheria. That was why the academy shut up for a week, and that was what started Christopher on his way home for an unexpected holiday. And then it was only by one chance in a thousand that he should glimpse his mother's face in the down-train halted at the junction where he himself was changing.
She did not see till he came striding along the aisle of her coach, his arms full of his things, face flushed, eyes brimming with the surprise and pleasure of seeing her; his lips trembling questions.
"Why, Mother, what in earth? Where are you going? I'm to have a week at least, Mother; and here you're going away, and you didn't tell me, and what is it, and everything?"
His eager voice trailed off. The colour drained out of his face and there was a shadow in his eyes. He drew back from her the least way.
"What is it, Mother? Mother!"
Somewhere on the platform outside the conductor's droning "—board" ran along the coaches. Agnes Kain opened her white lips.
"Get off before it's too late, Christopher. I haven't time to explain now. Go home, and Mary will see you have everything. I'll be back in a day or so. Kiss me, and go quickly. Quickly!"
He did not kiss her. He would not have kissed her for worlds. He was to bewildered, dazed, lost, too inexpressibly hurt. On the platform outside, had she turned ever so little to look, she might have seen his face again for an instant as the wheels ground on the rails. Colour was coming back to it again, a murky colour like the shadow of a red cloud.
They must have wondered, in the coach with her, at the change in the calm, unobtrusive, well-gowned gentlewoman, their fellow-passenger. Those that were left after another two hours saw her get down at a barren station where an old man waited in a carriage. The halt was brief, and none of them caught sight of the boyish figure that slipped down from the rearmost coach to take shelter for himself and his dark, tempest-ridden face behind the shed at the end of the platform—
Christopher walked out across a broad, high, cloudy plain, following a red road, led by the dust-feather hanging over the distant carriage.
He walked for miles, creeping ant-like between the immensities of the brown plain and the tumbled sky. Had he been less implacable, less intent, he might have noticed many things, the changing conformation of the clouds, the far flight of a gull, the new perfume and texture of the wind that flowed over his hot temples. But as it was, the sea took him by surprise. Coming over a little rise, his eyes focused for another long, dun fold of the plain, it seemed for an instant as if he had lost his balance over a void; for a wink he felt the passing of a strange sickness. He went off a little way to the side of the road and sat down on a flat stone.
The world had become of a sudden infinitely simple, as simple as the inside of a cup. The land broke down under him, a long, naked slope fringed at the foot of a ribbon of woods. Through the upper branches he saw the shingles and chimneys of a pale grey village clinging to a white beach, a beach which ran up to the left in a bolder flight of cliffs, showing on their crest a cluster of roofs and dull-green gable-ends against the sea that lifted vast, unbroken, to the rim of the cup.
Christopher was fifteen, and queer even for that queer age. He had a streak of the girl in him at his adolescence, and, as he sat there in a huddle, the wind coming out of this huge new gulf of life seemed to pass through him, bone and tissue, and tears rolled down his face.
The carriage bearing his strange mother was gone, from sight and from mind. His eyes came down from the lilac-crowned hill to the beach, where it showed in white patches through the wood, and he saw that the wood was of willows. And he remembered the plain behind him, the wide, brown moor under the could. He got up on his wobbly legs. There were stones all about him on the whispering wire-grass, and like them the one he had been sitting on bore a blurred inscription. He read it aloud, for some reason, his voice borne away faintly on the river of air:
Here Lie The Earthly Remains Of
MAYNARD KAIN, SECOND
Born 1835—Died 1862 For the Preservation of the Union
His gaze went on to another of those worn stones.
MAYNARD KAIN, ESQUIRE
1819-1849
This Monument Erected in His Memory By His Sorrowing
Widow, Harriet Burnam Kain
The windy Gales of the West Indias
Laid claim to His Noble Soul
And Took him on High to his Creator
Who made him Whole.
There was no moss or lichen on this wind-scoured slope. In the falling dusk the old white stones stood up like the bones of the dead themselves, and the only sound was the rustle of the wire-grass creeping over them in a dry tide. The boy had taken off his cap; the sea-wind moving under the mat of his damp hair gave it the look of some somber, outlandish cowl. With the night coming on, his solemnity had an elfin quality. He found what he was looking for at last, and his fingers had to help his eyes.
DANIEL KAIN
Beloved Husband of Agnes Willoughby Kain
Born 1860—Died 1886
Forgive them, for they know not what they do.
Christopher Kain told me that he left the naked graveyard repeating it to himself, "Forgive them, for they know not what they do," conscious less of the words than of the august rhythm falling in with the pulse of his exaltation.
The velvet darkness that hangs under cloud had come down over the hill and the great marsh stretching away to the south of it. Agnes Kain stood in the open doorway, one hand on the brown wood, the other pressed to her cheek.
"You heard it that time, Nelson?"
"No, ma'am." The old man in the entrance-hall behind her shook his head. In the thin, blown light of the candelabra which he held high, the worry and doubt of her deepened on his singularly-unlined face.
"And you might well catch your death in that draft, ma'am."
But she only continued to stare out between the pillars where the lilac-hedge made a wall of deeper blackness across the night.
"What am I thinking of?" she whispered, and then: "There!"
And this time the old man heard it, a nearer, wind-blown hail.
"Mother! Oh, Mother!"
The boy came striding through the gap of the gate in the hedge.
"It's I, Mother! Chris! Aren't you surprised?"
She had no answer. As he came she turned and moved away from the door, and the old man, peering from under the flat candle flames, saw her face like wax. And he saw the boy, Christopher, in the doorway, his hands flung out, his face transfigured.
"Mother! I'm here! Don't you understand?"
He touched her shoulder. She turned to him, as it were, lazily.
"Yes," she breathed. "I see."
He threw his arms about her, and felt her shaking from head to foot. But he was shaking, too.
"I knew the way!" he cried. "I knew it, Mother, I knew it! I came down from the Moor and there was the Willow Wood, and I knew the way home. And when I came, Mother, it was like the trees bowing down their branches in the dark. And when I came by the Beach, Mother, it was like a roll of drums beating for me, and when I came to the Hill I saw the Hedge standing against the sky, and I came, and here I am!"
She expressed no wonder, asked no question.
"Yes," was all she said, and it was as if she spoke of a tree coming to its leaf, the wind to its height, the tide to its flood.
Had he been less rapt and triumphant he must have wondered more at that icy lassitude, and at the cloak of ceremony she wrapped about her to hide a terror. It was queer to hear the chill urbanity of her: "This is Christopher, Nelson; Christopher, this is your father's servant, Nelson." It was queerer still to see the fastidious decorum with which she led him over this, the familiar house of his fathers.
He might have been a stranger, come with a guide-book in his hand. When he stood on his heels in the big drawing-room, staring up with all his eyes at the likenesses of those men he had known so well, it was strange to hear her going on with all the patter of the gallery attendant, names of painters, prices, dates. He stood before the portrait of Daniel Kain, his father, a dark-skinned, longish face with a slightly-protruding nether lip, hollow temples, and a round chin, deeply cleft. As in all the others, the eyes, even in the dead pigment, seemed to shine with an odd, fixed luminosity of their own, and like the others from first to last of the line, it bore upon it the stamp of an imperishable youth. And all the while he stood there, drinking it in, detail by detail, his mother spoke, not of the face, but of the frame, some obscure and unsuspected excellence in the gold-leaf on the frame.
More than once in that stately tour of halls and chambers he found himself protesting gaily, "I know, Mother! I know, I know!"
But the contagion of his glory did not seem to touch her. Nothing seemed to touch her. Only once was the fragile, bright shell of her punctilio penetrated for a moment, and that was when Christopher, lagging, turned back to a door they were about to pass and threw it open with the happy laugh of a discoverer. And then, even before she could have hushed him, the laughter on his lips died of itself.
A man lay on a bed in the room, his face as colourless and still as the pillow behind it. His eyes were open, but they did not move from the three candles burning on the high bureau, and he seemed unconscious of any intrusion.
"I didn't know!" Christopher whispered, shocked, and shamed.
When the door was closed again his mother explained. She explained at length, concisely, standing quite still, with one frail, fine hand worrying the locket she wore at her throat. Nelson stood quite still too, his attention engrossed in his candle-wicks. And Christopher stood quite still, and all their shadows—That man was the caretaker, the man, Christopher was to understand, who had been looking after the place. His name was Sanderson. He had fallen ill, very ill. In fact, he was dying. And that was why his mother had had to come down, post-haste, without warning. To see about some papers. Some papers. Christopher was to understand—
Christopher understood. Indeed there was not much to understand. And yet, when they had gone on, he was bothered by it. Already, so young he was, so ruthless, and so romantic, he had begun to be a little ashamed of that fading, matter-of-fact world of Concord Street. And it was with just that world which he wished to forget, that the man lying ill in the candle-lit chamber was linked in Christopher's memory. For it was the same man he had seen in the doorway that morning months ago, with a brown hat in one hand and a thorn stick in the other.
Even a thing like that may be half put aside, though—for a while. And by the time Christopher went to his room for the night the thought of the interloper had retired into the back of his mind, and they were all Kains there on the Hill, inheritors of romance. He found himself bowing to his mother with a courtliness he had never known, and an "I wish you a good night," sounding a century old on his lips. He saw the remote, patrician figure bow as gravely in return, a petal of colour as hard as paint on the whiteness of either cheek. He did not see her afterward, though, when the merciful door was closed.
Before he slept he explored the chamber, touching old objects with reverent finger-tips. He came on a leather case like an absurdly overgrown beetle, hidden in a corner, and a violoncello was in it. He had seen such things before, but he had never touched one, and when he lifted it from the case he had a moment of feeling very odd at the pit of his stomach. Sitting in his underthings on the edge of the bed, he held the wine-coloured creature in the crook of his arm for a long time, the look in his round eyes, half eagerness, half pain, of one pursuing the shadow of some ghostly and elusive memory.
He touched the C-string by and by with an adventuring thumb. I have heard "Ugo" sing, myself, and I know what Christopher meant when he said that the sound did not come out of the instrument, but that it came in to it, sweeping home from all the walls and corners of the chamber, a slow, rich, concentric wind of tone. He felt it about him, murmurous, pulsating, like the sound of surf borne from some far-off coast.
And then it was like drums, still farther off. And then it was the feet of marching men, massive, dark, grave men with luminous eyes, and the stamp on their faces of an imperishable youth.
He sat there so lost and rapt that he heard nothing of his mother's footsteps hurrying in the hall; knew nothing till he saw her face in the open doorway. She had forgotten herself this time; that fragile defense of gentility was down. For a moment they stared at each other across a gulf of silence, and little by little the boy's cheeks grew as white as hers, his hands as cold, his lungs as empty of breath.
"What is it, Mother?"
"Oh, Christopher, Christopher—Go to bed, dear."
He did not know why, but of a sudden he felt ashamed and a little frightened, and, blowing out the candle, he crept under the covers.
The afternoon was bright with a rare sun and the world was quiet. Christopher lay full-spread on the turf, listening idly to the "clip-clip" of Nelson's shears as the old man trimmed the hedge.
"And was my father very strong?" he asked with a drowsy pride.
"No, not so very." Nelson stopped clipping and was immediately lost in the past.
"Only when he was that way five strong men couldn't turn him. I'll say that. No, if they had to get him with a shotgun that day, 'twas nobody's fault nor sin. If Guy Bullard seen Daniel there on the sand with an ax in his hand and foam-like on his lips, and the little ones cornered where he caught them between cliff and water—Guy's own baby amongst them—and knowing the sickness of the Kains as he and everybody else did—why, I'm free and willing to say 'twas his bounden duty to hold a true aim and pull a steady trigger on Daniel, man of his though I was, and man of his poor father before him—
"No, I can't make it right to lay blame on any man for it, no more than I can on them, his brother officers, that broke Maynard's neck with their tent-pegs the night after Gettysburg. No, no—"
It was evidently a time-worn theme, an argument, an apologia, accepted after years of bitterness and self-searching. He went on with the remote serenity of age, that has escaped the toils of passion, pursuing the old, worn path of his mind, his eyes buried in vacancy.
"No, 'twas a mercy to the both of them, father and son, and a man must see it so. 'Twould be better of course if they could have gone easier, same as the old Maynard went, thinking himself the Lord our God to walk on water and calm the West Indy gale. That's better, better for all hands round. But if it had to come so, in violence and fear, then nobody need feel the sin of it on his soul—nobody excepting the old man Bickers, him that told Daniel. For 'twas from that day he began to take it on.
"I saw it myself. There was Daniel come home from other parts where his mother had kept him, out of gossip's way, bright as you please and knowing nothing wrong with the blood of the Kains. And so I say the sin lays on the loose-wagging tongue of Bickers, for from the day he let it out to Daniel, Daniel changed. 'Twas like he'd heard his doom, and went to it. Bickers is dead a long time now, but may the Lord God lay eternal damnation on his soul!"
Even then there was no heat; the curse had grown a formula. Having come to the end, the old man's eyes tumbled down painlessly out of the void and discovered the shears in his hand.
"Dear me, that's so," he said to himself. One thought was enough at a time. He fell to work again. The steady "clip-clip-clip" moved off slowly along the hedge. Not once did he remember; not once as the indefatigable worker shuffled himself out of sight around the house did he look back with any stirring of recollection at the boyish figure lying there as still as a shadow cast in the deep grass.
A faintly lop-sided moon swam in the zenith. For three days now that rare clarity had hung in the sky, and for three nights the moon had grown. Its benign, poisonous illumination flowed down steeply through the windows of the dark chamber where Christopher huddled on the bed's edge, three pale, chill islands spread on the polished floor.
Once again the boy brought the bow home across the shivering strings, and, as if ears could be thirsty as a drunkard's throat, he drank his fill of the 'cello's deep, full-membered chord. The air was heavy with the resonance of marching feet, ghostly feet marching and marching down upon him in slow, inexorable crescendo as the tides ebbed later among the sedges on the marsh and the moon grew big. And above the pulse of the march he seemed to hear another cadence, a thin laughter.
He laughed too, giving himself up to that spectral contagion. He saw the fat, iridescent bubble with the Hill in it, the House of dreams, the Beach and the Moor and Willow Wood of fancy, and all the grave, strong, gentle line of Kains to whom he had been made bow down in worship. He saw himself taken in, soul and body, by a thin-plated fraud, a cheap trick of mother's words, as before him, his father had been. And the faint exhalations from the moon-patches on the floor showed his face contorted with a still, set grimace of mirth.
Anger came over him in a white veil, twitching his lips and his toes and bending his fingers in knots. Through the veil a sound crept, a sound he knew well by this time, secret footfalls in the hall, faltering, retreating, loitering returning to lag near the door.
How he hated her! It is curious that not once did his passion turn against his blighted fathers; it was against the woman who had borne him, the babe, and lied to him, the boy—against her, and against that man, that interloper, dying in a room below.
The thought that had been willing to creep out of sight into the back-country of his mind on that first night came out now like a red, devouring cloud. Who was that man?
What was he dying of—or supposed to be dying of? What had he been doing that morning in Concord Street? What was he doing here, in the house of the men who had never grown old and of the boy who would never grow old? Why had his mother come down here, where he was, so queerly, so secretly, so frightened?
Christopher would have liked to kill that man. He shivered and licked his lips. He would have liked to do something bloody and abominable to that face with the hollow cheeks, the sunken grey eyes, and the forehead, high, sallow, and moist. He would have liked to take an ax in his hand and run along the thundering beach and catch that face in a corner somewhere between cliff and water. The desire to do this thing possessed him and blinded him like the kiss of lightning.
He found himself on the floor at the edge of the moonlight, full of weakness and nausea. He felt himself weeping as he crawled back to the bed, his cheeks and neck bathed in a flood of painless tears. He threw himself down, dazed with exhaustion.
It seemed to him that his mother had been calling a long while.
"Christopher! What is it? What is it, boy?"
He had heard no footsteps, going or coming; she must have been there all the time, waiting, listening, her ear pressed to the thick, old paneling of the door. The thought was like wine; the torment of her whispering was sweet in his ears.
"Oh, Chris, Chris! You're making yourself sick!"
"Yes," he said. He lifted on an elbow and repeated in a voice which must have sounded strange enough to the listener beyond the door. "Yes!" he said. "Yes!"
"Go away!" he cried of a sudden, making a wide, dim, imperious gesture in the dark.
"No, no," the imploring whisper crept in. "You're making yourself sick—Christopher—all over nothing—nothing in the world. It's so foolish—so foolish—foolish! Oh, if I could only tell you, Christopher—if I could tell you—"
"Tell me what?" He shuddered with the ecstasy of his own irony. "Who that man is? That 'caretaker'? What he's doing here? What you're doing here?—" He began to scream in a high, brittle voice: "Go away from that door! Go away!"
This time she obeyed. He heard her retreating, soft-footed and frightened, along the hall. She was abandoning him—without so much as trying the door, just once again, to see if it were still bolted against her.
She did not care. She was sneaking off—down the stairs—Oh, yes, he knew where.
His lips began to twitch again and his finger nails scratched on the bedclothes. If only he had something, some weapon, an axe, a broad, keen, glittering axe! He would show them! He was strong, incredibly strong! Five men could not have turned him back from what he was going to do—if only he had something.
His hand, creeping, groping, closed on the neck of the 'cello leaning by the bed. He laughed.
Oh, yes, he would stop her from going down there; he would hold her, just where she was on the dark stair nerveless, breathless, as long as he liked, if he liked he would bring her back, cringing, begging.
He drew the bow, and laughed higher and louder yet to hear the booming discord rocking in upon him from the shadows. Swaying from side to side, he lashed the hollow creature to madness. They came in the press of the gale, marching, marching, the wild, dark pageant of his fathers, nearer and nearer through the moon-struck night.
"Tell me what?" he laughed. "What?"
And abruptly he slept, sprawled crosswise on the covers, half-clothed, dishevelled, triumphant.
* * * * *
It was not the same night, but another; whether the next or the next but one, or two, Christopher can not say. But he was out of doors.
He had escaped from the house at dusk; he knew that.
He had run away, through the hedge and down the back side of the hill, torn between the two, the death, warm and red like life, and the birth, pale, chill, and inexorable as death.
Most of that daft night-running will always be blank in Christopher's mind; moments and moments, like islands of clarity, remain. He brings back one vivid interval when he found himself seated on his father's gravestone among the whispering grasses, staring down into the pallid bowl of the world. And in that moment he knew what Daniel Kain had felt, and Maynard Kain before him; a passionate and contemptuous hatred for all the dullards in the world who never dreamed dreams or saw visions or sang wordless songs or ran naked-hearted in the flood of the full-blown moon. He hated them because they could not by any possibility comprehend his magnificent separation, his starry sanity, his kinship with the gods. And he had a new thirst to obliterate the whole creeping race of dust-dwellers with one wide, incomparably bloody gesture.
It was late when he found himself back again before the house, and an ink-black cloud touched the moon's edge. After the airless evening a wind had sprang up in the east; it thrashed among the lilac-stems as he came through them and across the turf, silent-footed as an Indian. In his right hand he had a bread-knife, held butt to thumb, dagger-wise. Where he had come by the rust-bitten thing no one knows, least of all himself. In the broken light his eyes shone with a curious luminosity of their own, absorbed, introspective.
All the windows were dark, and the entrance-hall, when he slipped in between the pillars, but across its floor he saw light thrown in a yellow ribbon from the half-closed door of the drawing-room.
It took his attention, laid hands on his imagination. He began to struggle against it.
He would not go into that room. He was going to another room. To stay him, he made a picture of the other room in his tumbled mind—the high, bleak walls, the bureau with the three candles burning wanly, the bed, the face of the man on the bed. And when his rebellious feet, surrendering him up to the lure of that beckoning ribbon, had edged as far as the door, and he had pushed it a little further ajar to get his head in, he saw that the face itself was there in the drawing-room.
He stood there for some time, his shoulder pressed against the door-jamb, his eyes blinking.
His slow attention moved from the face to the satin pillows that wedged it in, and then to the woman that must have been his mother, kneeling beside the casket with her arms crooked on the shining cover and her head down between them. And across from her leaned "Ugo," the 'cello, come down from his chamber to stand vigil at the other shoulder of the dead.
The first thing that came into his groping mind was a bitter sense of abandonment. The little core of candle-light hanging in the gloom left him out. Its unstirring occupants, the woman, the 'cello, and the clay, seemed sufficient to themselves. His mother had forgotten him. Even "Ugo," that had grown part and parcel of his madness, had forgotten him.
Bruised, sullen, moved by some deep-lying instinct of the clan, his eyes left them and sought the wall beyond, where there were those who would not forget him, come what might, blood of his blood and mind of his own queer mind. And there among the shadowed faces he searched for one in vain. As if that candle-lit tableau, somehow holy and somehow abominable, were not for the eyes of one of them, the face of Daniel, the wedded husband, had been turned to the wall.
Here was something definite, something Christopher could take hold of, and something that he would not have.
His mother seemed not to have known he was near till he flung the door back and came stalking into the light with the rusty bread-knife in his hand. One would not have imagined there were blood enough left in her wasted heart, but her face went crimson when she lifted it and saw him.
It brought him up short—the blush, where he had looked for fright. It shocked him, and, shocking him more than by a thousand laboured words of explanation, it opened a window in his disordered brain. He stood gawking with the effort of thought, hardly conscious of his mother's cry:
"Christopher, I never meant you to know!"
He kept on staring at the ashen face between the pillows, long (as his own was long), sensitive, worn; and at the 'cello keeping incorruptible vigil over its dead. And then slowly his eyes went down to his own left hand, to which that same old wine-brown creature had come home from the first with a curious sense of fitness and authority and right.
"Who is this man?"
"Don't look at me so! Don't, Chris!"
But he did look at her. Preoccupied as he was, he was appalled at sight of the damage the half-dozen of days had done. She had been so much the lady, so perfectly the gentlewoman. To no one had the outward gesture and symbol of purity been more precious. No whisper had ever breathed against her. If there had been secrets behind her, they had been dead; if a skeleton, the closet had been closed. And now, looking down on her, he was not only appalled, he was a little sickened, as one might be to find squalor and decay creeping into a familiar and once immaculate room.
"Who is this man?" he repeated.
"He grew up with me." She half raised herself on her knees in the eagerness of her appeal. "We were boy and girl together at home in Maryland. We were meant for each other, Chris. We were always to marry—always, Chris. And when I went away, and when I married your—when I married Daniel Kain, he hunted and he searched and he found me here. He was with me, he stood by me through that awful year—and—that was how it happened. I tell you, Christopher, darling, we were meant for each other, John Sanderson and I. He loved me more than poor Daniel ever did or could, loved me enough to throw away a life of promise, just to hang on here after every one else was gone, alone with his 'cello and is one little memory. And I loved him enough to—to—Christopher, don't look at me so!"
His eyes did not waver. You must remember his age, the immaculate, ruthless, mid-Victorian 'teens; and you must remember his bringing-up.
"And so this was my father," he said. And then he went on without waiting, his voice breaking into falsetto with the fierceness of his charge. "And you would have kept on lying to me! If I hadn't happened, just happened, to find you here, now, you would have gone on keeping me in the dark! You would have stood by and seen me—well—go crazy! Yes, go crazy, thinking I was—well, thinking I was meant for it! And all to save your precious—"
She was down on the floor again, what was left of the gentlewoman, wailing.
"But you don't know what it means to a woman, Chris! You don't know what it means to a woman!"
A wave of rebellion brought her up and she strained toward him across the coffin.
"Isn't it something, then, that I gave you a father with a mind? And if you think you've been sinned against, think of me! Sin! You call it sin! Well, isn't it anything at all that by my 'sin' my son's blood came down to him clean? Tell me that!"
He shook himself, and his flame turned to sullenness.
"It's not so," he glowered.
All the girl in him, the poet, the hero-worshipping boy, rebelled. His harassed eyes went to the wall beyond and the faces there, the ghosts of the doomed, glorious, youth-ridden line, priceless possessions of his dreams. He would not lose them: he refused to be robbed of a tragic birthright. He wanted some gesture puissant enough to turn back and blot out all that had been told him.
"It's not his!" he cried. And reaching out fiercely he dragged the 'cello away from the coffin's side. He stood for an instant at bay, bitter, defiant.
"It's not his! It's mine! It's—it's—ours!"
And then he fled out into the dark of the entrance-hall and up the black stairs. In his room there was no moonlight now, for the cloud ran over the sky and the rain had come.
"It isn't so, it isn't so!" It was like a sob in his throat.
He struck on the full strings. And listening breathless through the dying discord he heard the liquid whispers of the rain, nothing more. He lashed with a wild bow, time and again. But something was broken, something was lost: out of the surf of sound he could no longer fashion the measure of marching feet. The mad Kains had found him out, and cast him out. No longer could he dream them in dreams or run naked-hearted with them in the flood of the moon, for he was no blood of theirs, and they were gone. And huddling down on the edge of the bed, he wept.
The tears washed his eyes and falling down bathed his strengthless hands. And beyond the phantom windows, over the marsh and the moor and the hill that were not his, the graves of strangers and the lost Willow Wood, lay the healing rain. He heard it in gurgling rivulets along the gutters overhead. He heard the soft impact, like a kiss, brushing the reedy cheeks of the marsh, the showery shouldering of branches, the aspiration of myriad drinking grasses, the far whisper of waters coming home to the waters of the sea—the long, low melody of the rain.
And by and by he found it was "Ugo," the 'cello, and he was playing.
They went home the following afternoon, he and his mother. Or rather, she went home, and he with her as far as the Junction, where he changed for school.
They had not much to say to each other through the journey. The boy had to be given time. Five years younger, or fifteen years older, it would have been easier for him to look at his mother. You must remember what his mother had meant to him, and what, bound up still in the fierce and sombre battle of adolescence, she must mean to him now.
As for Agnes Kain, she did not look at him, either. Through the changing hours her eyes rested on the transparent hands lying crossed in her lap. She seemed very tired and very white. Her hair was not done as tidily, her lace cuffs were less fresh than they had used to be. About her whole presence there was a troubling hint of let-down, something obscurely slovenly, a kind of awkward and unlovely nakedness.
She really spoke to him for the first time at the Junction, when he stood before her, slim and uncouth under the huge burden of "Ugo," fumbling through his leave-taking.
"Christopher," she said, "try not to think of me—always—as—as—well, when you're older, Christopher, you'll know what I mean."
That was the last time he ever heard her speak. He saw her once again, but the telegram was delayed and his train was late, and when he came beside her bed she said nothing. She looked into his eyes searchingly, for a long while, and died.
* * * * *
That space stands for the interval of silence that fell after Christopher had told me the story. I thought he had quite finished. He sat motionless, his shoulders fallen forward, his eyes fixed in the heart of the incandescent globe over the dressing-table, his long fingers wrapped around the neck of the 'cello.
"And so she got me through those years," he said. "Those nip-and-tuck years that followed. By her lie.
"Insanity is a queer thing," he went on, still brooding into the light. "There's more of it about than we're apt to think. It works in so many ways. In hobbies, arts, philosophies. Music is a kind of insanity. I know. I've got mine penned up in the music now, and I think I can keep it there now, and save my soul."
"Yours?"
"Yes, mine. I know now—now that it's safe for me to know. I was down at that village by the beach a year or so ago. I'm a Kain, of course, one of the crazy Kains, after all. John Sanderson was born in the village and lived there till his death. Only once that folks could remember had he been away, and that was when he took some papers to the city for Mrs. Kain to sign. He was caretaker at the old 'Kain place' the last ten years of his life, and deaf, they said, since his tenth year—'deaf as a post.' And they told me something else. They said there was a story that before my father, Daniel, married her, my mother had been an actress. An actress! You'll understand that I needed no one to tell me that!
"They told me that they had heard a story that she was a great actress. Dear God, if they could only know! When I think of that night and that setting, that scene! It killed her, and it got me over the wall—"
THEY GRIND EXCEEDING SMALL
By BEN AMES WILLIAMS
From Saturday Evening Post
I telephoned down the hill to Hazen Kinch. "Hazen," I asked, "are you going to town to-day?"
"Yes, yes," he said abruptly in his quick, harsh fashion. "Of course I'm going to town."
"I've a matter of business," I suggested.
"Come along," he invited brusquely. "Come along."
There was not another man within forty miles to whom he would have given that invitation.
"I'll be down in ten minutes," I promised him; and I went to pull on my Pontiacs and heavy half boots over them and started downhill through the sandy snow. It was bitterly cold; it had been a cold winter. The bay—I could see it from my window—was frozen over for a dozen miles east and west and thirty north and south; and that had not happened in close to a score of years. Men were freighting across to the islands with heavy teams. Automobiles had beaten a rough road along the course the steamers took in summer. A man who had ventured to stock one of the lower islands with foxes for the sake of their fur, counting on the water to hold them prisoners, had gone bankrupt when his stock in trade escaped across the ice. Bitterly cold and steadily cold, and deep snow lay upon the hills, blue-white in the distance. The evergreens were blue-black blotches on this whiteness. The birches, almost indistinguishable, were like trees in camouflage. To me the hills are never so grand as in this winter coat they wear. It is easy to believe that a brooding God dwells upon them. I wondered as I ploughed my way down to Hazen Kinch's farm whether God did indeed dwell among these hills; and I wondered what He thought of Hazen Kinch.
This was no new matter of thought with me. I had given some thought to Hazen in the past. I was interested in the man and in that which should come to him. He was, it seemed to me, a problem in fundamental ethics; he was, as matters stood, a demonstration of the essential uprightness of things as they are. The biologist would have called him a sport, a deviation from type, a violation of all the proper laws of life. That such a man should live and grow great and prosper was not fitting; in a well-regulated world it could not be. Yet Hazen Kinch did live; he had grown—in his small way—great; and by our lights he had prospered. Therefore I watched him. There was about the man the fascination which clothes a tight-rope walker above Niagara; an aeronaut in the midst of the nose dive. The spectator stares with half-caught breath, afraid to see and afraid to miss seeing the ultimate catastrophe. Sometimes I wondered whether Hazen Kinch suspected this attitude on my part. It was not impossible. There was a cynical courage in the man; it might have amused him. Certainly I was the only man who had in any degree his confidence.
I have said there was not another within forty miles whom he would have given a lift to town; I doubt if there was another man anywhere for whom he would have done this small favour.
He seemed to find a mocking sort of pleasure in my company.
When I came to his house he was in the barn harnessing his mare to the sleigh. The mare was a good animal, fast and strong. She feared and she hated Hazen. I could see her roll her eyes backward at him as he adjusted the traces. He called to me without turning:
"Shut the door! Shut the door! Damn the cold!"
I slid the door shut behind me. There was within the barn the curious chill warmth which housed animals generate to protect themselves against our winters.
"It will snow," I told Hazen. "I was not sure you would go."
He laughed crookedly, jerking at the trace.
"Snow!" he exclaimed. "A man would think you were the personal manager of the weather. Why do you say it will snow?"
"The drift of the clouds—and it's warmer," I told him.
"I'll not have it snowing," he said, and looked at me and cackled. He was a little, thin, old man with meager whiskers and a curious precision of speech; and I think he got some enjoyment out of watching my expression at such remarks as this. He elaborated his assumption that the universe was conducted for his benefit, in order to see my silent revolt at the suggestion. "I'll not have it snowing." he said. "Open the door."
He led the mare out and stopped by the kitchen door.
"Come in," he said. "A hot drink."
I went with him into the kitchen. His wife was there, and their child. The woman was lean and frail; and she was afraid of him. The countryside said he had taken her in payment of a bad debt. Her father had owed him money which he could not pay.
"I decided it was time I had a wife," Hazen used to say to me.
The child was on the floor. The woman had a drink of milk and egg and rum, hot and ready for us. We drank, and Hazen knelt beside the child. A boy baby, not yet two years old. It is an ugly thing to say, but I hated this child. There was evil malevolence in his baby eyes. I have sometimes thought the grey devils must have left just such hate-bred babes as this in France. Also, he was deformed—a twisted leg. The women of the neighbourhood sometimes said he would be better dead. But Hazen Kinch loved him. He lifted him in his arms now with a curious passion in his movement, and the child stared at him sullenly. When the mother came near the baby squalled at her, and Hazen said roughly:
"Stand away! Leave him alone!"
She moved back furtively; and Hazen asked me, displaying the child: "A fine boy, eh?"
I said nothing, and in his cracked old voice he mumbled endearments to the baby. I had often wondered whether his love for the child redeemed the man; or merely made him vulnerable. Certainly any harm that might come to the baby would be a crushing blow to Hazen.
He put the child down on the floor again and he said to the woman curtly: "Tend him well." She nodded. There was a dumb submission in her eyes; but through this blank veil I had seen now and then a blaze of pain.
Hazen went out of the door without further word to her, and I followed him. We got into the sleigh, bundling ourselves into the robes for the six-mile drive along the drifted road to town. There was a feeling of storm in the air. I looked at the sky and so did Hazen Kinch. He guessed what I would have said and he answered me before I could speak.
"I'll not have it snowing," he said, and leered at me.
Nevertheless, I knew the storm would come. The mare turned out of the barnyard and ploughed through a drift and struck hard-packed road. Her hoofs beat a swift tattoo; our runners sang beneath us. We dropped to the little bridge and across and began the mile-long climb to the top of Rayborn Hill. The road from Hazen's house to town is compounded of such ups and downs.
At the top of the hill we paused for a moment to breathe the mare; paused just in front of the big old Rayborn house, that has stood there for more years than most of us remember. It was closed and shuttered and deserted; and Hazen dipped his whip toward it and said meanly:
"An ugly, improvident lot, the Rayborns were."
I had known only one of them—the eldest son. A fine man, I had thought him. Picking apples in his orchard, he fell one October and broke his neck. His widow tried to make a go of the place, but she borrowed of Hazen and he had evicted her this three months back. It was one of the lesser evils he had done. I looked at the house and at him, and he clucked to the mare and we dipped down into the steep valley below the hill.
The wind had a sweep in that valley and there was a drift of snow across it and across the road. This drift was well packed by the wind, but when we drove over its top our left-hand runner broke through the coaming and we tumbled into the snow, Hazen and I. We were well entangled in the rugs. The mare gave a frightened start, but Hazen had held the reins and the whip so that she could not break away. We got up together, he and I, and we righted the sleigh and set it upon the road again. I remember that it was becoming bitter cold and the sun was no longer shining. There was a steel-grey veil drawn across the bay.
When the sleigh was upright Hazen went forward and stood beside the mare. Some men, blaming the beast without reason, would have beaten her. They would have cursed, cried out upon her. That was not the cut of Hazen Kinch. But I could see that he was angry and I was not surprised when he reached up and gripped the horse's ear. He pulled the mare's head down and twisted the ear viciously. All in a silence that was deadly.
The mare snorted and tried to rear back and Hazen clapped the butt of his whip across her knees. She stood still, quivering, and he wrenched at her ear again.
"Now," he said softly, "keep the road."
And he returned and climbed to his place beside me in the sleigh. I said nothing. I might have interfered, but something had always impelled me to keep back my hand from Hazen Kinch.
We drove on and the mare was lame. Though Hazen pushed her, we were slow in coming to town and before we reached Hazen's office the swirling snow was whirling down—a pressure of driving, swirling flakes like a heavy white hand.
I left Hazen at the stair that led to his office and I went about my business of the day. He said as I turned away:
"Be here at three."
I nodded. But I did not think we should drive home that afternoon. I had some knowledge of storms.
That which had brought me to town was not engrossing. I found time to go to the stable and see Hazen's mare. There was an ugly welt across her knees and some blood had flowed. The stablemen had tended the welt, and cursed Hazen in my hearing. It was still snowing, and the stable boss, looking out at the driving flakes, spat upon the ground and said to me:
"Them legs'll go stiff. That mare won't go home to-night."
"I think you are right," I agreed.
"The white-whiskered skunk!" he said, and I knew he spoke of Hazen.
At a quarter of three I took myself to Hazen Kinch's office. It was not much of an office; not that Hazen could not have afforded a better. But it was up two flights—an attic room ill lighted. A small air-tight stove kept the room stifling hot. The room was also air-tight. Hazen had a table and two chairs, and an iron safe in the corner. He put a pathetic trust in that safe. I believe I could have opened it with a screwdriver. I met him as I climbed the stairs. He said harshly:
"I'm going to telephone. They say the road's impassable."
He had no telephone in his office; he used one in the store below. A small economy fairly typical of Hazen.
"I'll wait in the office," I told him.
"Go ahead," he agreed, halfway down the stairs.
I went up to his office and closed the drafts of the stove—it was red-hot—and tried to open the one window, but it was nailed fast. Then Hazen came back up the stairs grumbling.
"Damn the snow!" he said. "The wire is down."
"Where to?" I asked.
"My house, man! To my house!"
"You wanted to telephone home that you—"
"I can't get home to-night. You'll have to go to the hotel."
I nodded good-naturedly.
"All right. You, too, I suppose."
"I'll sleep here," he said.
I looked round. There was no bed, no cot, nothing but the two stiff chairs. He saw my glance and said angrily: "I've slept on the floor before."
I was always interested in the man's mental processes.
"You wanted to telephone Mrs. Kinch not to worry?" I suggested.
"Pshaw, let her fret!" said Hazen. "I wanted to ask after my boy." His eyes expanded, he rubbed his hands a little, cackling. "A fine boy, sir! A fine boy!"
It was then we heard Doan Marshey coming up the stairs. We heard his stumbling steps as he began the last flight and Hazen seemed to cock his ears as he listened. Then he sat still and watched the door. The steps climbed nearer; they stopped in the dim little hall outside the door and someone fumbled with the knob. When the door opened we saw who it was. I knew Marshey. He lived a little beyond Hazen on the same road. Lived in a two-room cabin—it was little more—with his wife and his five children; lived meanly and pitiably, grovelling in the soil for daily bread, sweating life out of the earth—life and no more. A thin man, racking thin; a forward-thrusting neck and a bony face and a sad and drooping moustache about his mouth. His eyes were meek and weary.
He stood in the doorway blinking at us; and with his gloved hands—they were stiff and awkward with the cold—he unwound the ragged muffler that was about his neck and he brushed weakly at the snow upon his head and his shoulders. Hazen said angrily:
"Come in! Do you want my stove to heat the town?"
Doan shuffled in and he shut the door behind him. He said: "Howdy, Mr.
Kinch." And he smiled in a humble and placating way.
Hazen said: "What's your business? Your interest is due."
Doan nodded.
"Yeah. I know, Mr. Kinch. I cain't pay it all."
Kinch exclaimed impatiently: "An old story! How much can you pay?"
"Eleven dollars and fifty cents," said Doan.
"You owe twenty."
"I aim to pay it when the hens begin to lay."
Hazen laughed scornfully.
"You aim to pay! Damn you, Marshey, if your old farm was worth taking
I'd have you out in this snow, you old scamp!"
Doan pleaded dully: "Don't you do that, Mr Kinch! I aim to pay."
Hazen clapped his hands on the table.
"Rats! Come! Give me what you've got! And Marshey, you'll have to get the rest. I'm sick of waiting on you."
Marshey came shuffling toward the table. Hazen was sitting with the table between him and the man and I was a little behind Hazen at one side. Marshey blinked as he came nearer, and his weak nearsighted eyes turned from Hazen to me. I could see that the man was stiff with the cold.
When he came to the table in front of Hazen he took off his thick gloves. His hands were blue. He laid the gloves on the table and reached into an inner pocket of his torn coat and drew out a little cloth pouch and he fumbled into this and I heard the clink of coins. He drew out two quarters and laid them on the table before Hazen, and Hazen picked them up. I saw that Marshey's fingers moved stiffly; I could almost hear them creak with the cold. Then he reached into the pouch again.
Something dropped out of the mouth of the little cloth bag and fell soundlessly on the table. It looked to me like a bill, a piece of paper currency. I was about to speak, but Hazen, without an instant's hesitation, had dropped his hand on the thing and drawn it unostentatiously toward him. When he lifted his hand the money—if it was money—was gone.
Marshey drew out a little roll of worn bills. Hazen took them out of his hand and counted them swiftly.
"All right." he said. "Eleven-fifty. I'll give you a receipt. But you mind me, Doan Marshey, you get the rest before the month's out. I've been too slack with you."
Marshey, his dull eyes watching Hazen write the receipt, was folding the little pouch and putting it away. Hazen tore off the bit of paper and gave it to him. Doan took it and he said humbly: "Thank'e, sir."
Hazen nodded.
"Mind now," he exclaimed, and Marshey said: "I'll do my best, Mr.
Kinch."
Then he turned and shuffled across the room and out into the hall and we heard him descending the stairs.
When he was gone I asked Hazen casually: "What was it that he dropped upon the table?"
"A dollar," said Hazen promptly. "A dollar bill. The miserable fool!"
Hazen's mental processes were always of interest to me.
"You mean to give it back to him?" I asked.
He stared at me and he laughed. "No! If he can't take care of his own money—that's why he is what he is."
"Still it is his money."
"He owes me more than that."
"Going to give him credit for it?"
"Am I a fool?" Hazen asked me. "Do I look like so much of a fool?"
"He may charge you with finding it."
"He loses a dollar; I find one. Can he prove ownership? Pshaw!" Hazen laughed again.
"If there is any spine in him he will lay the thing to you as a theft," I suggested. I was not afraid of angering Hazen. He allowed me open speech; he seemed to find a grim pleasure in my distaste for him and for his way of life.
"If there were any backbone in the man he would not be paying me eighty dollars a year on a five-hundred-dollar loan—discounted."
Hazen grinned at me triumphantly.
"I wonder if he will come back," I said.
"Besides," Hazen continued, "he lied to me. He told me the eleven-fifty was all he had."
"Yes," I agreed. "There is no doubt he lied to you."
Hazen had a letter to write and he bent to it. I sat by the stove and watched him and considered. He had not yet finished the letter when we heard Marshey returning. His dragging feet on the stair were unmistakable. At the sound of his weary feet some tide of indignation surged up in me.
I was minded to do violence to Hazen Kinch. But—a deeper impulse held my hand from the man.
Marshey came in and his weary eyes wandered about the room. They inspected the floor; they inspected me; they inspected Hazen Kinch's table, and they rose at last humbly to Hazen Kinch.
"Well?" said Hazen.
"I lost a dollar," Marshey told him. "I 'lowed I might have dropped it here."
Hazen frowned.
"You told me eleven-fifty was all you had."
"This here dollar wa'n't mine."
The money-lender laughed.
"Likely! Who would give you a dollar? You lied to me, or you're lying now. I don't believe you lost a dollar."
Marshey reiterated weakly: "I lost a dollar."
"Well," said Hazen, "there's no dollar of yours here."
"It was to git medicine," Marshey said. "It wa'n't mine."
Hazen Kinch exclaimed: "By God, I believe you're accusing me!"
Marshey lifted both hands placatingly.
"No, Mr. Kinch. No, sir." His eyes once more wandered about the room.
"Mebbe I dropped it in the snow," he said.
He turned to the door. Even in his slow shuffle there was a hint of trembling eagerness to escape. He went out and down the stairs. Hazen looked at me, his old face wrinkling mirthfully.
"You see?" he said.
I left him a little later and went out into the street. On the way to the hotel I stopped for a cigar at the drug store. Marshey was there, talking with the druggist.
I heard the druggist say: "No, Marshey, I'm sorry. I've been stung too often."
Marshey nodded humbly.
"I didn't 'low you'd figure to trust me." he agreed. "It's all right. I didn't 'low you would."
It was my impulse to give him the dollar he needed, but I did not do it. An overpowering compulsion bade me keep my hands off in this matter. I did not know what I expected, but I felt the imminence of the fates. When I went out into the snow it seemed to me the groan of the gale was like the slow grind of millstones, one upon the other.
I thought long upon the matter of Hazen Kinch before sleep came that night.
Toward morning the snow must have stopped; and the wind increased and carved the drifts till sunrise, then abruptly died. I met Hazen at the postoffice at ten and he said: "I'm starting home."
I asked: "Can you get through?"
He laughed.
"I will get through," he told me.
"You're in haste."
"I want to see that boy of mine," said Hazen Kinch. "A fine boy, man! A fine boy!"
"I'm ready," I said.
When we took the road the mare was limping. But she seemed to work out the stiffness in her knees and after a mile or so of the hard going she was moving smoothly enough. We made good time.
The day, as often happens after a storm, was full of blinding sunlight. The glare of the sun upon the snow was almost unbearable. I kept my eyes all but closed but there was so much beauty abroad in the land that I could not bear to close them altogether. The snow clung to twigs and to fences and to wires, and a thousand flames glinted from every crystal when the sun struck down upon the drifts. The pine wood upon the eastern slope of Rayborn Hill was a checkerboard of rich colour. Green and blue and black and white, indescribably brilliant. When we crossed the bridge at the foot of the hill we could hear the brook playing beneath the ice that sheathed it. On the white pages of the snow wild things had writ here and there the fine-traced tale of their morning's adventuring. We saw once where a fox had pinned a big snowshoe rabbit in a drift.
Hazen talked much of that child of his on the homeward way. I said little. From the top of the Rayborn Hill we sighted his house and he laid the whip along the mare and we went down that last long descent at a speed that left me breathless. I shut my eyes and huddled low in the robes for protection against the bitter wind, and I did not open them again till we turned into Hazen's barnyard, ploughing through the unpacked snow.
When we stopped Hazen laughed.
"Ha!" he said. "Now, come in, man, and warm yourself and see the baby! A fine boy!"
He was ahead of me at the door; I went in upon his heels. We came into the kitchen together.
Hazen's kitchen was also living-room and bedroom in the cold of winter. The arrangement saved firewood. There was a bed against the wall opposite the door. As we came in a woman got up stiffly from this bed and I saw that this woman was Hazen's wife. But there was a change in her. She was bleak as cold iron and she was somehow strong.
Hazen rasped at this woman impatiently: "Well, I'm home! Where is the boy?"
She looked at him and her lips moved soundlessly. She closed them, opened them again. This time she was able to speak.
"The boy?" she said to Hazen. "The boy is dead!"
The dim-lit kitchen was very quiet for a little time. I felt myself breathe deeply, almost with relief. The thing for which I had waited—it had come. And I looked at Hazen Kinch.
He had always been a little thin man. He was shrunken now and very white and very still. Only his face twitched. A muscle in one cheek jerked and jerked and jerked at his mouth. It was as though he controlled a desire to smile. That jerking, suppressed smile upon his white and tortured countenance was terrible. I could see the blood drain down from his forehead, down from his cheeks. He became white as death itself.
After a little he tried to speak. I do not know what he meant to say.
But what he did was to repeat—as though he had not heard her words—the
question which he had flung at her in the beginning. He said huskily:
"Where is the boy?"
She looked toward the bed and Hazen looked that way; and then he went across to the bed with uncertain little steps. I followed him. I saw the little twisted body there. The woman had been keeping it warm with her own body. It must have been in her arms when we came in. The tumbled coverings, the crushed pillows spoke mutely of a ferocious intensity of grief.
Hazen looked down at the little body. He made no move to touch it, but I heard him whisper to himself: "Fine boy."
After a while he looked at the woman. She seemed to feel an accusation in his eyes. She said: "I did all I could."
He asked "What was it?"
I had it in me—though I had reason enough to despise the little man—to pity Hazen Kinch.
"He coughed," said the woman. "I knew it was croup. You know I asked you to get the medicine—ipecac. You said no matter—no need—and you had gone."
She looked out of the window.
"I went for help—to Annie Marshey. Her babies had had it. Her husband was going to town and she said he would get the medicine for me. She did not tell him it was for me. He would not have done it for you. He did not know. So I gave her a dollar to give him—to bring it out to me.
"He came home in the snow last night. Baby was bad by that time, so I was watching for Doan. I stopped him in the road and I asked for the medicine. When he understood he told me. He had not brought it."
The woman was speaking dully, without emotion.
"It would have been in time, even then," she said. "But after a while, after that, baby died."
I understood in that moment the working of the mills. And when I looked at Hazen Kinch I saw that he, too, was beginning to understand. There is a just mercilessness in an aroused God. Hazen Kinch was driven to questions.
"Why—didn't Marshey fetch it?" he asked.
She said slowly: "They would not trust him—at the store."
His mouth twitched, he raised his hands.
"The money!" he cried. "The money! What did he do with that?"
"He said," the woman answered, "that he lost it—in your office; lost the money there."
After a little the old money-lender leaned far back like a man wrenched with agony. His body was contorted, his face was terrible. His dry mouth opened wide.
He screamed!
* * * * *
Halfway up the hill to my house I stopped to look back and all round. The vast hills in their snowy garments looked down upon the land, upon the house of Hazen Kinch. Still and silent and inscrutable.
I knew now that a just and brooding God dwelt among these hills.
ON STRIKE
BY ALBERT PAYSON TERHUNE
From The Popular Magazine
"Furthermore, howadji," ventured Najib, who had not spoken for fully half an hour, but had been poring over a sheaf of shipment items scribbled in Arabic, "furthermore, I am yearnful to know who was the unhappy person the wicked general threatened. Or, of a perhaps, it was that poor general himself who was bethreatened by his padishah or by the—"
"What on earth are you babbling about, Najib?" absent-mindedly asked Logan Kirby, as he looked up from a month-old New York paper which had arrived by muleteer that day and which the expatriated American had been reading with pathetic interest.
Now, roused from his perusal by Najib's query, Logan saw that the little Syrian has ceased wrestling with the shipment items and was peering over his employer's shoulder, his beady eyes fixed in keen curiosity on the printed page.
"I enseeched you to tell me, howadji," said Najib, "who has been threatening that poor general. Or, perchancely, who has been made to cower himself undertheneath of that fierce general's threatenings. See, it is there, howadji. There, in the black line at the left top end of the news. See?"
Following the guidance of Najib's stubby, unwashed finger, Kirby read the indicated headline:
GENERAL STRIKE THREATENED
"Oh!" he answered, choking back a grin, "I see. There isn't any 'general,' Najib. And he isn't threatened. It means—"
"May the faces of all liars be blackened!" cried Najib in virtuous indignation. "And may the maker of the becurst newspage lie be doubly afflictioned! May his camels die and his wives cast dust upon his bared head! For he has befooled me, by what he has here enprinted. My heart went out with a sweet sorrowfulness for that poor general or for the folk he bethreatened. Whichever it might chance itself to be. And now the news person has made a jest of the truth. But he—"
Kirby's attempt at self-control went to pieces. He guffawed. Najib eyed him sourly; then said in icy reproof:
"It is known to all, howadji, that Sidi-ben-Hassan, the sheikh, was the wisest of men. And did not Sidi-ben-Hassan make known, in his book, that 'Laughter is for women and for hyenas'? Furthermore—"
"I'm sorry I laughed at you, Najib," returned Kirby, with due penitence, "I don't wonder you got such an idea, from the headline. You see, I have read the story that goes under it. That's how I happen to know what it means. It means that several thousand workmen of several allied trades threatened to go on strike. That will tie up a lot of business, you see; along a lot of lines. It will mean a general tie-up—a—"
From Najib's blank face, the American saw his more or less technical explanation was going wide. Still remorseful at having hurt his factotum's feelings, Kirby laid the paper aside and undertook to simplify the matter.
"It's like this," said he. "We'll say a gang of men aren't satisfied with the pay or the hours they are getting. They asked for more money or for shorter hours; or for both. If the demand is refused, they stop working. They won't go back to their jobs till they get the cash and the hours they want. That is known as 'going on strike.' When a number of concerns are involved in it, it's sometimes called 'a general strike.' This paper says a general strike is threatened. That means—"
"I apperceive it, howadji!" exclaimed Najib. "I am onward to it, now. I might have known the printed page cannot lie. But, oh, my heart berends itself when I think of the sad fate of those poor folk who do the stroking! Of an assuredly, Allah hath deprived them of wisdom!
"Not necessarily," argued Kirby, wondering at his henchman's outburst of sympathy for union labourers so many thousand miles away. "They may win, you know; or, at least, get a compromise. And their unions will support them while they are out of work. Of course, they may lose. And then—"
"But when they make refusal to do their work," urged Najib, "will not the soldiers of the pasha cut them to ribbons with the kourbash and drive them back to their toil? Or if the pasha of that pashalik is a brutesome man, will not he cast those poor fellaheen into the prison and beseize their goods? And I answer, howadji, he will. Wherefore my eyes are tearing, for the men who have so unlucklessly—"
"Hold on!" exhorted Kirby; albeit despairing of opening the mind of a man whose forebears for thousands of years had lived in a land where the corvée—forced labour—was a hallowed institution; and where the money of employers could always enlist the aid of government soldiery to keep the fellaheen at their tasks. "Hold on! That sort of thing is dead and done with. Even in the East. Chinese Gordon stamped out the last of it, in Egypt, years ago. If a man doesn't want to work, he can't be forced to. All his boss can do is to fire him and try to get some one in his place. When a whole factory of men strike—especially if there are any big contract orders to fill in a rush—the employers sometimes find it cheaper to give them what they want than to call in untrained strikebreakers. On the other hand, sometimes, the boss can bring the men to terms. It all depends."
Yielding to the human joy of imparting instruction to so interested a listener, Kirby launched forth into an elaboration of his theme; trying to expound something of the capital-and-labour situation to his follower; and secretly wondering at the keen zest wherewith his words were listened to.
Seldom was Kirby so successful in making Najib follow so long an oration. And he was pleased with his own new-found powers of explaining Occidental customs to an Oriental mind.
Now, Logan Kirby knew the tangled Syrian character and its myriad queer slants, as well as it can be given to a white man to know it. Kirby's father had been a missionary, at Nablous. He himself had been born there, and had spent his boyhood at the mission. That was why—after he had completed his engineering course at Columbia's school of mines and had served an apprenticeship in Colorado and Arizona—the Cabell Smelting Company of New York had sent him out to the Land of Moab, as manager of its new-acquired little antimony mine.
The mine—a mere prospect shaft—was worked by about thirty fellaheen—native labourers—supervised by a native guard of twelve Turkish soldiers. Small as was the plant, it was a rich property and it was piling up dividends for the Cabells. Antimony, in the East, is used in a score of ways—from its employment in the form of kohl, for the darkening of women's eyes, to the chemical by-products, always in demand by Syrian apothecaries.
This was the only antimony mine between Aden and Germany. Its shipments were in constant demand. Its revenues were a big item on the credit side of the Cabell ledger.
Kirby's personal factotum, as well as superintendent of the mine, was this squat little Syrian, Najib, who had once spent two blissfully useless years with an All Nations Show, at Coney Island; and who there had picked up a language which he proudly believed to be English; and which he spoke exclusively when talking with the manager.
Kirby's rare knowledge of the East had enabled the mine to escape ruin a score of times where a manager less conversant with Oriental ways must have blundered into some fatal error in the handling of his men or in dealing with the local authorities.
Remember, please, that in the East it is the seemingly insignificant things which bring disaster to the feringhee, or foreigner. For example, many an American or European has met unavenged death because he did not realize that he was heaping vile affront upon his Bedouin host by eating with his left hand. Many a foreign manager of labour has lost instant and complete control over his fellaheen by deigning to wash his own shirt in the near-by river or for brushing the dirt from his own clothes. Thereby he has proved himself a labourer, instead of a master of men. Many a foreigner has been shot or stabbed for speaking to a native whom he thought afflicted with a fit and who was really engaged in prayer. Many more have lost life or authority by laughing at the wrong time or by glancing—with entire absence of interest, perhaps—at some passing woman.
Yes, Kirby had been invaluable to his employers by virtue of his inborn knowledge of Syrian ways. Yet, now, he was not enough of an Oriental to understand why his lecture on the strike system should thrill his listener.
He did not pause to realize that the idea of strikes was one which carries a true appeal to the Eastern imagination. It has all the elements of revenge, of coercion, and of trapping, of wily give-and-take, and of simple and logical gambling uncertainty, which characterize the most popular of the Arabian Nights yarns and which have made those tales remain as Syrian classics for more than ten centuries.
"It is of an assuredly a pleasing and noble plan," applauded Najib when Kirby finished the divers ramifications of his discourse. "And I do not misdoubt but what that cruel general betrembled himself inside of his boots when they threatened to strike. If the stroking ones may not be lawfully attackled by the pashalik troops, indeed must the general—"
"I told you there wasn't any general!" interrupted Kirby, jarred that his luminous explanations had still left Najib more or less where it found him, so far as any lucid idea was concerned. "And I've wasted enough time trying to ding the notion of the thing into your thick head. If you've got those shipment items catalogued, go back to the shaft and check off the inventory. The first load ought to be on the way to the coast before sunrise to-morrow. Chase!"
As he picked up the duplicate sets of the list and ran over their items once more, Kirby tried to forget his own silly annoyance at his failure to make the dull little Syrian comprehend a custom that had never reached the Land of Moab.
Presently, in his absorption in his work, the American forgot the whole incident. It was the beginning of a rush period at the mine—the busiest month in its history was just setting in. The Alexandretta-bound shipment of the morrow was but the first of twelve big shipments scheduled for the next twenty-nine days.
The restoration of peace and the shutting out of several Central European rivals had thrown an unprecedented sheaf of rush orders on the Cabell mine. It was such a chance as Kirby had longed for; a chance to show his rivals' customers the quality of the Cabell product and the speed and efficiency wherewith orders could and would be filled by him. If he could but fill these new customers' orders in quicker and more satisfactory fashion than the firms were accustomed to receiving, it might well mean that the new buyers would stick to the Cabells, after the other mines should again be in operation.
It was a big chance, as Kirby had explained at some length to Najib, during the past few weeks. At his behest, the little superintendent had used every known method to get extra work and extra speed out of the fellaheen; and, by judicious baksheesh, had even impressed to the toil several members of the haughty, Turkish guard and certain folk from the nearest hill village.
As a result, the first shipment was ready for the muleteers to carry coastward a full week ahead of schedule time. And the contract chanced to be one for which the eager wholesalers at Alexandretta had agreed to pay a bonus for early arrival. The men were even now busy getting a second shipment in shape for transportation by mule train to Tiberias and thence by railway to Damascus.
The work was progressing finely. Kirby thrilled at the thought. And he was just a little ashamed of his own recent impatience at Najib, when he remembered how the superintendent was pushing the relays of consignments along. After all, he mused, it was no reflection on Najib's intelligence that the poor little chap could not grasp the whole involved Occidental strike system in one hasty lecture; and that his simple mind clung to the delusion that there was some fierce general involved in it. In the Arabian Nights was there not always a scheming sultan or a baffled wazir, in every clash with the folk of the land? Was it unnatural that Najib should have substituted for these the mythical general of whom he thought he had seen mention in the news headline?
But, soon after dusk, Kirby had reason to know that his words had not all fallen on barren soil. At close of the working day, Najib had brought the manager the usual diurnal report from the mine. Now, after supper, Kirby, glancing over the report again, found a gap of terse yet complete reports. And occasionally Kirby was obliged to summon his henchman to correct or amend the day's tally sheet.
Wherefore, the list in his hand, the American strolled down from his own knoll-top tent toward Najib's quarters. As Najib was superintendent, and thus technically an official, Kirby could make such domiciliary visits without loss of prestige, instead of summoning the Syrian to his presence by handclap of by messenger, as would have been necessary in dealing with any of the other employees.
Najib's hut lay a hundred yards beyond the hollow where the fellaheen and soldiers were encamped. For Najib, too, had a dignity to uphold. He might no more lodge or break bread with his underlings than might Kirby with him. Yet, at times, preparatory to pattering up the knoll for his wonted evening chat with the American at the latter's campfire, Najib would so far unbend as to pause at the fellaheen's camp for a native discussion of many gestures and much loud talking.
So it was to-night. Just outside the radius of the fellaheen's firelight, Kirby paused. For he heard Najib's shrill voice uplifted in speech. And amusedly he halted and prepared to turn back. He had no wish to break in upon a harangue so interesting as the speaker seemed to find this one.
Najib's voice was pitched far above the tones of normal Eastern conversation;—louder and more excited even than that of a professional story-teller. In Syria it is hard to believe that these professionals are merely telling an oft-heard Arabian Nights narrative; and not indulging in delirium or apoplexy.
Yet at a stray word of Najib's, Kirby checked involuntarily his own retreat; and paused again to look back. There stood Najib, in the center of the firelit circle; hands and head in wild motion. Around him, spell-bound, squatted the ring of his dark-faced and unwashed hearers. The superintendent, being with his own people, was orating in pure Arabic—or, rather, in the colloquial vernacular which is as close to pure Arabic as one can expect to hear, except among the remoter Bedouins.
"Thus it is!" he was declaiming. "Even as I have sought to show you, oh, addle-witted offspring of mangy camels and one-eyed mules! In that far country, when men are dissatisfied with their wage, they take counsel together and they say, one unto the other: 'Lo, we shall labour no more, unless our hire be greater and our toil hours less!' Then go they to their sheikh or whomever he be who hath hired them, and they say to him: 'Oh, favoured of Allah, behold we must have such and such wage and such and such hours of labour!' Then doth their sheikh cast ashes upon his beard and rend his garments. For doth he not know his fate is upon him and that his breath is in his nostrils? Yet will they not listen to his prayers; but at once they make 'strike.'
"Then doth their sheikh betake himself to the pasha with his grievance; beseeching the pasha, with many rich gifts, that he will throw those strike-making labourers into prison and scourge their kinsmen with the kourbash. But the pasha maketh answer, with tears: 'Lo, I am helpless! What saith the law? It saith that a man may make strike at will; and that his employer must pay what is demanded!' Now, this pasha is named 'General.' And his heart is as gall within him that he may not accept the rich gifts offered by the sheikh; and punish the labourers. Yet the law restraineth him. Then the sheikh, perchance, still refuseth the demands of his toilers. And they say to him then: 'If you will not employ us and on the terms we ordain, then shall ye hire none others, for we shall overthrow those whom you set in our places. And perchance we shall destroy your warehouses or barns or shops!' This say they, when they know he hath greatest need of them. Then boweth their master his head upon his breast and saith: 'Be it even as ye will, my hirelings! For I must obey!' And he giveth them, of his substance, whatsoever they may require. And all are glad. And under the new law, even in this land of ours, none may imprison or beat those who will not work. And all may demand and receive what wage they will. And—"
And Kirby waited to hear no more. With a groan of disgust at the orator's imbecility, he went back, up the hill, to his own tent.
There, he drew forth his rickety sea chair and placed it in front of a patch of campfire that twinkled in the open space in front of the tent door. For, up there in the hills, the nights had an edge of chill to them; be the days ever so hot.
Stretching himself out lazily in his long chair, Kirby exhumed from a shirt pocket his disreputable brier pipe, and filled and lighted it. The big white Syrian stars glinted down on him from a black velvet sky. Along the nearer peaks and hollows of the Moab Mountains, the knots of prowling jackals kept up a running chorus of yapping—a discordant chant punctuated now and then by the far-away howl of a hunting wolf; or, by the choking "laugh" of a hyena in the valley below, who thus gave forth the news of some especially delicious bit of carrion discovered among the rocks.
And Kirby was reminded of Najib's quoted dictum that "laughter is for women and for hyenas." The memory brought back to him his squat henchman's weird jumbling of the strike system. And he smiled in reminiscent mirth.
The Syrian had been his comrade in many a vicissitude And he knew that Najib's fondness for him was as sincere as can be that of any Oriental for a foreigner, an affection based not wholly on self-interest. Kirby enjoyed his evening powwows with superintendent beside the campfire; and the little man's amazing faculty for mangling the English tongue.
He rather missed Najib's presence to-night. But he was not to miss it for long. Just as he was about to knock out his pipe and go to bed, the native came pattering up the slope on excitedly rapid feet; and squatted as usual on the ground beside the American's lounging chair. In Najib's manner there was a scarce-repressed jubilant thrill. His beady eyes shone wildly. Hardly had he seated himself when he broke the custom of momentary grave silence by blurting forth:
"Furthermore, howadji, I am the bearer of gladly tidings which will make you to beshout yourself aloud for joyfulness and leap about and besclaim: 'Pretty fair!' and other words of a grand rapture. For the bird will sing gleesome dirges in your heart!"
"Well?" queried Kirby in no especial excitement. "I'm listening. But if the news is really so wonderful you surely took your time in bringing it. I've been here all evening, while you've stayed below there, trying to increase those fellaheens' stock of ignorance. What's the idea?"
"Oh, I prythee you, do not let my awayness beget your goat, howadji!" pleaded Najib, ever sensitive to any hint of reproof from his master. "It was that which made the grand tidings. If I had not of been where I have been this evening—and doing what I have done—there would not be any tidings at all. I made the tidings myself. Both of them. And I made them for you. Is it that I may now tell them to you, howadji?"
"Go ahead," adjured Kirby, humouring the wistful eagerness of the man.
"What's the news you have for me?"
"It is more than just a 'news,' howadji," corrected Najib with jealous regard for shades of meaning. "It is a tidings. And it is this: You and my poor self and the fellaheen and even those hell-selected pashalik soldiers—we are all to be rich. Most especially you, howadji. Wealthiness bewaits us all. No longer shall any of us be downward and outward from povertude. No more shall any of us toil early and belatedly. We shall all live in easiness of hours and with much payment. Inshallah! Alhandulillah!" he concluded, his rising excitement for once bursting the carefully nourished bounds of English and overflowing into Arabic expletive.
Noting his own lapse into his native language, he looked sheepishly at Kirby, as though hoping the American had not heard the break. Then, with mounting eagerness, Najib struck the climax of his narrative.
"To speak with a briefness, howadji," he proclaimed grandiloquently. "We have all stroked ourselfs!"
"You've all done—what?" asked the puzzled Kirby.
"Not we alone, howadji," amended Najib, "but you also! We would not berich ourselves and leave you outward in the plan. It is you also who are to stroke yourself. And—"
"For the love of Heaven!" exclaimed Kirby in sudden loss of patience.
"What are you driving at? What do you mean about 'stroking yourselves'?
Say it in Arabic. Then perhaps I can find what you mean."
"It is not to be said in the Arabic, howadji," returned Najib, wincing at this slur on his English. "For there is not such a thing in the Arabic as to make strike. We make strike. Thus I say it we 'stroke ourselves.' If it is the wrong way for saying it—"
"Strike?" repeated Kirby, perplexed. "What do you mean? Are you still thinking about what I told you to-day? If you are going—"
"I have bethought of it, howadji, ever since," was the reply. "And it is because of my much bethoughting that I found my splenderous plan. That is my tidings. I bethought it all out with tremense clearness and wiseness. Then I told those others, down yonder. At first they were of a stupidity. For it was so new. But at last I made them understand. And they rejoiced of it. So it is all settled most sweetly. You may not fear that they will not stand by it. As soon as that was made sure I came to you to tell—"
"Najib!" groaned Kirby, his head awhirl. "Will you stop chewing chunks of indigestible language, and tell me what you are jabbering about? What was it you thought over? And what is 'all settled'? What will—"
"The strike, of an assuredly," explained Najib, as if in pity of his chief's denseness. "To-night we make strike. All of us. That is one tiding. And you, too, make strike with us. That is the other tiding. Making two tidings. We make strike. To-morrow we all sleep late. No work is to be made. And so it shall be, on each dear and nice and happy day, until Cabell Effendi—be his sons an hundred and his wives true!—shall pay us the money we ask and make short our hours of toil. Then—"
Kirby sought to speak. But his breath was gone. He only gobbled. Taking the wordless sound for a token of high approval, Najib hastened on, more glibly, with his program.
"On the to-morrow's morning, howadji," he said, "we enseech that you will write a sorrowsome letter to Cabell Effendi, in the Broad Street of New York; and say to him that all of us have made strike and that we shall work no more until we have from his hands a writing that our payment shall be two mejidie for every mejidie we have been capturing from his company. Also and likewise that we shall work but half time. And that you, howadji, are to receive even as we; save only that your wage is to be enswollen to three times over than what it is now. And say to him, howadji, that unless he does our wish in this striking we shall slay all others whom he may behire in our place and that we shall dynamitely destroy that nice mine. Remind him, howadji—if perchancely he does not know of such things—that the law is with us. Say, moreoverly, that there be many importanceful shipments and contracts just now. And say he will lose all if he be so bony of head as to refuse us. Furthermore, howadji, tell him, I prythee you, that we—"
A veritable yell from Kirby broke in on the smug instructions. The American had recovered enough of his breath to expend a lungful of it in one profane bellow. In a flash he visualized the whole scene at the fellaheens' quarters—Najib's crazy explanation of the strike system and of the supposed immunity from punishment that would follow sabotage and other violence; the fellaheens' duller brains gradually seizing on the idea until it had become as much a part of their mucilaginous mentality as the Koran itself; and Najib's friendly desire that Kirby might share in the golden benefits of the new scheme.
Yes, the American grasped the whole thing at once; his knowledge of the East foretelling to him its boundless possibilities for mischief and for the ruin of the mine's new prosperity. He fairly strangled with the gust of wrath and impotent amaze which gripped him.
Najib smiled up at him as might a dog that had just performed some pretty new trick, or a child who has brought to its father a gift. But the aspect of Kirby's distorted face there in the dying firelight shocked the Syrian into a grunt of terror. Scrambling to his feet, he sputtered quaveringly.
"Tame yourself, howadji, I enseech you! Why are you not rejoiceful? Will it not mean much money for you; and—"
"You mangy brown rat!" shouted Kirby in fury. "What in blazes have you done? You know, as well as I do, that such an idea will never get out of those fellaheens' skulls, once it's really planted there. They'll believe every word of that wall-eyed rot you've been telling them! And they'll go on a genuine strike on the strength of it. They'll—"
"Of an assuredly, howadji, they will," assented the bewildered Najib. "I made me very assured of that. Four times I told it all over to them, until even poor Imbarak—whose witfulness hath been beblown out from his brain by the breath of the Most High—until even Imbarak understood. But why it should enrouse you to a lionsome raging I cannot think. I bethought you would be pleasured—"
"Listen to me!" ordered Kirby, fighting hard for self-control and forcing himself to speak with unnatural slowness. "You've done more damage than if you had dynamited the whole mine and then turned a river into the shaft. This kind of news spreads. In a week there won't be a worker east of the Jordan who won't be a strike fan. And these people here will work the idea a step farther. I know them. They'll decide that if one strike is good, two strikes are better. And they will strike every week—loafing between times."
This prospect brought a grin of pure bliss to Najib's swarthy face. He looked in new admiration upon his farsighted chief. Kirby went on:
"Not that that will concern us. For this present strike will settle the Cabell mine. It means ruin to our business here, and the loss of all your jobs, as well as my own. Why, you idiot, can't you see what you've done? If you don't take that asinine grin off your ugly face, I'll knock it off!" he burst out, his hard-held patience momentarily fraying.
Then, taking new hold on his self-control, Kirby began again to talk. As if addressing a defective child, which, as a matter of fact, he was doing, he expounded the hideous situation.
He explained the disloyalty to the Cabells of such a move as Najib had planned. He pointed out the pride he and Najib had taken in the new business they had secured for the home office; and the fact that this new business had brought an increase of pay to them both as well as to the fellaheen. He showed how great a triumph for the mine was this vast increase of business; and the stark necessity of impressing the new customers by the promptitude and uniform excellence of all shipments. He pointed out the utter collapse to this and to all the rest of the mine's connections which a strike would entail. Najib listened unmoved.
Hopeless of hammering American ethics into the brain of an Oriental, Kirby set off at a new angle. He explained the loss of prestige and position which he himself would suffer. He would be discharged—probably by cable—for allowing the mine's bourgeoning prosperity to go to pieces in such fashion. Another and less lenient and understanding manager would be sent out to take his place. A manager whose first official act would probably be the discharging of Najib as the cause of the whole trouble.
Najib listened to this with a new interest, but with no great conviction.
Even Kirby's declaration that the ridiculous strike be a failure, and that the government would assuredly punish any damage done to the Cabell property, did not serve to impress him. Najib was a Syrian. An idea once firm-rooted in his mind, was loathe to let itself be torn thence by mere words. Kirby waxed desperate.
"You have wrecked this whole thing!" he stormed. "You got an idiotically wrong slant on what I told you about strikes to-day; and you have ruined us all. Even if you should go down there to the quarters this minute and tell the men that you were mistaken and that the strike is off—you know they wouldn't believe you. And you know they would go straight ahead with the thing. That's the Oriental of it. They'd refuse to go on working. And our shipments wouldn't be delivered. None of the ore for the next shipments would be mined. The men would just hang about, peacefully waiting for the double pay and the half time that you've promised them."
"Of an assuredly, that is true, howadji," conceded Najib. "They would—"
"They will!" corrected Kirby with grim hopelessness.
"But soon Cabell Effendi will reply to your letter," went on Najib. "And then the double paying—"
"To my letter!" mocked the raging Kirby.
Then he paused, a sudden inspiration smiting him.
"Najib," he continued after a minute of concentrated thought, "you have sense enough to know one thing: You have sense enough to know you people can't get that extra pay till I write to Mr. Cabell and demand it for you. There's not another one of you who can write English. There's no one here but yourself who can speak or understand it or make shift to spell out a few English words in print And Mr. Cabell doesn't know a word of Arabic—let alone the Arabic script. And your own two years at Coney Island must have shown you that no New Yorkers would know how to read an Arabic letter to him. Now I swear to you, by every Christian and Moslem oath, that I shan't write such a letter! So how are you going to get word to him that you people are on strike and that you won't do another lick of work till you get double pay and half time? How are you going to do that?"
Najib's solid face went blank. Here at last was an argument that struck home. He had known Kirby for years, long enough to know that the American was most emphatically a man of his word. If Kirby swore he would not act as the men's intermediary with the company, then decisively Kirby would keep his oath. And Najib realized the futility of getting any one else to write such a letter in any language which the Cabell Smelting Company's home office would decipher.
He peered up at Kirby with disconsolate astonishment. Quick to take advantage of the change, the manager hurried on:
"Now, the men are on strike. That's understood. Well what are you and they going to do about it? When the draft for the monthly pay roll comes to the bank, at Jerusalem as usual, I shall refuse to indorse it. I give you my oath on that, too. I am not going to distribute the company's cash among a bunch of strikers. Without my signature, the bank won't cash the draft. You know that. Well, how are you going to live, all of you, on nothing a month? When the present stock of provisions gives out I'm not going to order them renewed. And the provision people in Jerusalem won't honour any one's order for them but mine. This is the only concern in Syria to-day that pays within forty per cent, of the wages you chaps are getting. With no pay and no food you're due to find your strike rather costly. For when the mine shuts down I'm going back to America. There'll be nothing to keep me here. I'll be ruined, in any case. You people will find yourself without money or provisions. And if you go elsewhere for work it will be at a pay that is only a little more than half what you are getting now. Your lookout isn't cheery, my striking friend!"
He made as though to go into his tent. After a brief pause of horror,
Najib pattered hurriedly and beseechingly in his wake.
"Howadji!" pleaded the Syrian shakily. "Howadji! You would not, in the untamefulness of your mad, desertion us like that? Not me, at anyhow? Not me, who have loved you as Daoud the Emir loved Jonathan of old! You would not forsook me, to starve myself! Aie! Ohé!"
"Shut up that ungodly racket!" snapped Kirby, entering his tent and lighting his lamp, as the first piercing notes of the traditional mourner chant exploded through the unhappy Najib's wide-flung jaws. "Shut up! You'll start every hyena and jackal in the mountains to howling! It's bad enough as it is without adding a native concert to the rest of the mess."
"But, howadji!" pleaded Najib.
"Tamán!" growled Kirby, summarily speaking the age-hallowed Arabic word for the ending of all interviews.
"But I shall be beruinated, howadji!" tearfully insisted Najib.
Covertly the American watched his henchman while pretending to make ready for bed. If he had fully and permanently scared Najib into a conviction that the strike would spell ruin for the Syrian himself, then the little man's brain might possibly be jarred into one of its rare intervals of uncanny craftiness; and Najib might hit upon some way of persuading the fellaheen that the strike was off.
This was Kirby's sole hope. And he knew it. Unless the fellaheen could be so convinced, it meant the strike would continue until it should break the mine as well as the mine's manager. Kirby knew of no way to persuade the men. The same arguments which had crushed Najib would mean nothing to them. All their brains could master at one time, without the aid of some uprooting shock, was that henceforth they were to get double pay and half labour.
A calm fatalism of hopelessness, bred perhaps of his long residence in the homeland of fatalism began to creep over Kirby. In one hour his golden ambitions for the mine and for himself had been smashed. At best he saw no hope of getting the obsessed mine crew to work soon enough to save his present contracts. He would be lucky if, on non-receipt of their demanded increase, they did not follow Najib's muddled preachments to the point of sabotage.
The more he thought of it, the less possible did it seem to Kirby that Najib could undo the damage he had so blithely done. Ordering the blubbering little fellow out of the tent and refusing to speak or listen further, Kirby went to bed.
Oddly enough, he slept. There was nothing to worry about. When a man's job or fortune are imperilled sleep vanishes. But after the catastrophe what sense is there in lying awake? Depression and nervous fatigue threw Kirby into a troubled slumber. Only once in the night was he roused.
Perhaps two hours before dawn he started up at sound of a humble scratching at the open door flap of his tent. On the threshold cowered Najib.
"Furthermore, howadji," came the Syrian's woe-begone voice through the gloom, "could I borrow me a book if I shall use it with much carefulness?"
Too drowsy to heed the absurdity of such a plea at such an hour, Kirby grumbled a surly assent, and dozed again as he heard Najib rumbling, in the dark, among the shelves of the packing-box bookcase in a far corner of the tent. Here were stored nearly a hundred old volumes which had once been a part of the missionary library belonging to Kirby's father at Nablous. A few years earlier, at the moving of the mission, the dead missionary's scanty library had been shipped across country to his son.
Kirby awoke at greyest daylight. Through force of habit he woke at this hour; in spite of the workless day which he knew confronted him. It was his custom to get up and take his bath in the rain cistern at this time, and to finish dressing just as the men piled out for the morning's work.
Yet now the first sounds that smote his ears as he opened his eyes were the rhythmic creak of the mine windlass and equally rhythmic, if less tuneful, chant of the men who were working it;
"All-ah sa-eed!—Ne-bi sa-eed! Ohé! Sa-eed! Sa-eed! Sa-EED!"
In the distance, dying away, he heard the plodding hoofs of a string of pack mules. From the direction of the mine came the hoodlum racket which betokens, in Syria, the efforts of a number of honest labourers to perform their daily tasks in an efficient and orderly way.
Kirby, in sleepy amaze, looked at his watch in the dim dawn light. He saw it was still a full half hour before the men were due to begin work. And by the sounds he judged that the day's labour was evidently well under way. Yes, and to-day there was to have been no work done!
Kirby jumped out of bed and strode dazedly to his tent door. At the mine below him his fellaheen were as busy as so many dirty and gaudy bees. Even the lordly lazy Turkish soldiers were lending a hand at windlass and crane. Over the nick of the pass, leading toward Jerusalem, the last animal of a mule train was vanishing. Najib, who had as usual escorted the departing shipment of ore to the opening in the pass, was trotting back toward camp.
At sight of Kirby in the tent door the little superintendent veered from his course toward the mine and increased his pace to a run as he bore down upon the American. Najib's swart face was aglow. But his eyes were those of a man who has neglected to sleep. His cheeks still bore flecks of the dust he had thrown on his head when Kirby had explained the wreck of his scheme and of his future. There, in all likelihood, the dust smears would remain until the next rain should wash them off. But, beyond these tokens of recent mental strife, Najib's visage shone like a full moon that is streaked by dun dust clouds.
"Furthermore, howadji!" he hailed his chief as soon as he was within earshot, "the shipment for Alexandretta is on its wayward—over than an hour earlier than it was due to bestart itself. And those poor hell-selected fellaheen are betoiling themselfs grand. Have I done well, oh, howadji?"
"Najib!" stammered Kirby, still dazed.
"And here is that most sweet book of great worthiness and wit, which I borrowed me of you in the night, howadji," pursued Najib, taking from the soiled folds of his abieh a large old volume, bound in stout leather, after the manner of religious or scientific books of a half-century ago. On the brown back a scratched gold lettering proclaimed the gruesome title:
"Martyrs of Ancient and Modern Error."
Well did Kirby know the tome. Hundreds of times, as a child, had he sat on the stone floor of his father's cell-like mission study at Nablous, and had pored in shuddering fascination over its highly coloured illustrations. The book was a compilation—chiefly in the form of multichrome pictures with accompanying borders of text—of all the grisly scenes of martyrdom which the publishers had been able to scrape together from such classics as "Fox's Book of Martyrs" and the like. Twice this past year he had surprised Najib scanning the gruesome pages in frank delight.
"I betook the book to their campfire, howadji, and I smote upon my breast and I bewept me and I wailed aloud and I would not make comfort. Till at last they all awoken and they came out of their huts and they reviled at me for disturbing them as they slept themselfs so happily. Then I spake much to them. And all the time I teared with my eyes and moaned aloudly.
"But," put in Kirby, "I don't see what this—"
"In a presently you shall, howadji. Yesterday I begot your goat. To-day I shall make you to frisk with peacefulness of heart. Those fellaheen cannot read. They are not of an education, as I am. And they know my wiseness in reading. For over than a trillion times I have told them. And they believe. Pictures also they believe. Just as men of an education believe the printed word; knowing full well it could not be printed if it were not Allah's own truth. Well, these folk believe a picture, if it be in a book. So I showed them pictures. And I read the law which was beneath the pictures. They heard me read. And they saw the pictures with their own eyesight. So what could they do but believe? And they did. Behold, howadji!"
Opening the volume with respectful care, Najib thumbed the yellowing pages. Presently he paused at a picture which represented in glaring detail a stricken battlefield strewn with dead and dying Orientals of vivid costume. In the middle distance a regiment of prisoners was being slaughtered in a singularly bloodthirsty fashion. The caption, above the cut, read:
"Destruction of Sennacherib's Assyrian Hosts, by the People of Israel."
"While yet they gazed joyingly on this noble picture," remarked Najib, "I read to them the words of the law about it. I read aloudly, thus: 'This shall be the way of punishing all folk who make strike hereafter this date.' Then," continued Najib, "I showed to them another pretty and splendid picture. See!"
"Martyrdom of John Rogers, His Wife and Their Nine Children."
"And," proclaimed Najib, "of this sweet portrait I read thus the law: 'So shall the wifes and the offsprungs of all strike-makers be put to death; and those wicked strike-makers themselfs along with them.' By the time I had shown them six or fifteen of such pictures and read them the law for each of them, those miserable fellaheen and guards were beweeping themselfs harder and louder and sadder than I had seemed to. Why, howadji, it was with a difficultness that I kept them from running away and enhiding themselfs in the mountains, lest the soldiers of the pasha come upon them at once and punish them for trying to make strike! But I said I would intercede with you to make you merciful of heart toward them, to spare them and not to tell the law what they had so sinsomely planned to do I said I would do this, for mine own sake as well as for theirs, and that I knew I could wake you to pity. But I said it would perchancely soften your heart toward them, if all should work harder to atone themselfs for the sin they had beplotted. Wherefore, howadji, they would consent to sleep no more; but they ran henceforthly and at once to the mine. They have been onto the job ever since. And, howadji, they are jobbing harder than ever I have seen men bejob themselfs. Am I forgiven, howadji?" he finished timidly.
"Forgiven!" yelled Kirby, when he could speak. "Why, you eternal little liar, you're a genius! My hat is off to you! This ought to be worth a fifty-mejidie bonus. And—"
"Instead of the bonus, howadji," ventured Najib, scared at his own audacity, yet seeking to take full advantage of this moment of expansiveness, "could I have this pleasing book as a baksheesh gift?"
"Take it!" vouchsafed Kirby. "The thing gives me bad dreams. Take it!"
"May the houris make soft your bed in the Paradise of the Prophet!" jabbered Najib, in a frenzy of gratitude, as he hugged the treasured gift to his breast. "And—and, howadji, there be more pictures I did not show. They will be of a nice convenience, if ever again it be needsome to make a new law for the mine."
"But—"
"Oh, happy and pretty decent hour!" chortled the little man, petting his beloved volume as if it were a loved child and executing a shuffling and improvised step-dance of unalloyed rapture. "This book has been donationed to me because I was brave enough to request for it while yet your heart was warm at me, howadji. It is even as your sainted feringhee proverb says: 'Never put off till to-morrow the—the—man who may be done, to-day!'"
THE ELEPHANT REMEMBERS
By EDISON MARSHALL
From Everybody's Magazine
An elephant is old on the day he is born, say the natives of Burma, and no white man is ever quite sure just what they mean. Perhaps they refer to his pink, old-gentleman's skin and his droll, fumbling, old-man ways and his squeaking treble voice. And maybe they mean he is born with a wisdom such as usually belongs only to age. And it is true that if any animal in the world has had a chance to acquire knowledge it is the elephant, for his breed are the oldest residents of this old world.
They are so old that they don't seem to belong to the twentieth century at all. Their long trunks, their huge shapes, all seem part of the remote past. They are just the remnants of a breed that once was great.
Long and long ago, when the world was very young indeed, when the mountains were new, and before the descent of the great glaciers taught the meaning of cold, they were the rulers of the earth, but they have been conquered in the struggle for existence. Their great cousins, the mastodon and the mammoth, are completely gone, and their own tribe can now be numbered by thousands.
But because they have been so long upon the earth, because they have wealth of experience beyond all other creatures, they seem like venerable sages in a world of children. They are like the last veterans of an old war, who can remember scenes and faces that all others have forgotten.
Far in a remote section of British India, in a strange, wild province called Burma, Muztagh was born. And although he was born in captivity, the property of a mahout, in his first hour he heard the far-off call of the wild elephants in the jungle.
The Burmans, just like the other people of India, always watch the first hour of a baby's life very closely. They know that always some incident will occur that will point, as a weather-vane points in the wind, to the baby's future. Often they have to call a man versed in magic to interpret, but sometimes the prophecy is quite self-evident. No one knows whether or not it works the same with baby elephants, but certainly this wild, far-carrying call, not to be imitated by any living voice, did seem a token and an omen in the life of Muztagh. And it is a curious fact that the little baby lifted his ears at the sound and rocked back and forth on his pillar legs.
Of all the places in the great world, only a few remain wherein a captive elephant hears the call of his wild brethren at birth. Muztagh's birthplace lies around the corner of the Bay of Bengal, not far from the watershed of the Irawadi, almost north of Java. It is strange and wild and dark beyond the power of words to tell. There are great dark forests, unknown, slow-moving rivers, and jungles silent and dark and impenetrable.
Little Muztagh weighed a flat two hundred pounds at birth. But this was not the queerest thing about him. Elephant babies, although usually weighing not more than one hundred and eighty, often touch two hundred. The queerest thing was a peculiarity that probably was completely overlooked by his mother. If she saw it out of her dull eyes, she took no notice of it. It was not definitely discovered until the mahout came out of his hut with a lighted fagot for a first inspection.
He had been wakened by the sound of the mother's pain. "Hai!" he had exclaimed to his wife. "Who has ever heard a cow bawl so loud in labour? The little one that to-morrow you will see beneath her belly must weigh more than you!"
This was rather a compliment to his plump wife. She was not offended at all. Burman women love to be well-rounded. But the mahout was not weighing the effect of his words. He was busy lighting his firebrand, and his features seemed sharp and intent when the beams came out. Rather he was already weighing the profits of little Muztagh. He was an elephant-catcher by trade, in the employ of the great white Dugan Sahib, and the cow that was at this moment bringing a son into the world was his own property. If the baby should be of the Kumiria—
The mahout knew elephants from head to tail, and he was very well acquainted with the three grades that compose the breed. The least valuable of all are the Mierga—a light, small-headed, thin-skinned, weak-trunked and unintelligent variety that are often found in the best elephant herds. They are often born of the most noble parents, and they are as big a problem to elephant men as razor-backs to hog-breeders. Then there is a second variety, the Dwasala, that compose the great bulk of the herd—a good, substantial, strong, intelligent grade of elephant. But the Kumiria is the best of all; and when one is born in a captive herd it is a time for rejoicing. He is the perfect elephant—heavy, symmetrical, trustworthy and fearless—fitted for the pageantry of kings.
He hurried out to the lines, for now he knew that the baby was born. The mother's cries had ceased. The jungle, dark and savage beyond ever the power of man to tame, lay just beyond. He could feel its heavy air, its smells; its silence was an essence. And as he stood, lifting the fagot high, he heard the wild elephants trumpeting from the hills.
He turned his head in amazement. A Burman, and particularly one who chases the wild elephants in their jungles, is intensely superstitious, and for an instant it seemed to him that the wild trumpeting must have some secret meaning, it was so loud and triumphant and prolonged. It was greatly like the far-famed elephant salute—ever one of the mysteries of those most mysterious of animals—that the great creatures utter at certain occasions and times.
"Are you saluting this little one?" he cried. "He is not a wild tusker like you. He is not a wild pig of the jungle. He is born in bonds, such as you will wear too, after the next drive!"
They trumpeted again, as if in scorn of his words. Their great strength was given them to rule the jungle, not to haul logs and pull chains! The man turned back to the lines and lifted higher his light.
Yes—the little elephant in the light-glow was of the Kumiria. Never had there been a more perfect calf. The light of greed sprang again in his eyes. And as he held the fagot nearer so that the beams played in the elephant's eyes and on his coat, the mahout sat down and was still, lest the gods observe his good luck, and, being jealous, turn it into evil.
The coat was not pinky dark, as is usual in baby elephants. It was distinctly light-coloured—only a few degrees darker than white.
The man understood at once. In the elephants, as well as in all other breeds, an albino is sometimes born. A perfectly white elephant, up to a few years ago, had never been seen, but on rare occasions elephants are born with light-coloured or clouded hides. Such creatures are bought at fabulous prices by the Malay and Siamese princes, to whom a white elephant is the greatest treasure that a king can possess.
Muztagh was a long way from being an albino, yet a tendency in that direction had bleached his hide. And the man knew that on the morrow Dugan Sahib would pay him a lifetime's earnings for the little wabbly calf, whose welcome had been the wild cries of the tuskers in the jungle.
II
Little Muztagh (which means White Mountain in an ancient tongue) did not enjoy his babyhood at all. He was born with the memory of jungle kingdoms, and the life in the elephant lines almost killed him with dulness.
There was never anything to do but nurse of the strong elephant milk and roam about in the keddah or along the lines. He had been bought the second day of his life by Dugan Sahib, and the great white heaven-born saw to it that he underwent none of the risks that are the happy fate of most baby elephants. His mother was not taken on the elephant drives into the jungles, so he never got a taste of this exciting sport. Mostly she was kept chained in the lines, and every day Langur Dass, the low-caste hillman in Dugan's employ, grubbed grass for her in the valleys. All night long, except the regular four hours of sleep, he would hear her grumble and rumble and mutter discontent that her little son shared with her.
Muztagh's second year was little better. Of course he had reached the age where he could eat such dainties as grass and young sugar-cane, but these things could not make up for the fun he was missing in the hills. He would stand long hours watching their purple tops against the skies, and his little dark eyes would glow. He would see the storms break and flash above them, behold the rains lash down through the jungles, and he was always filled with strange longings and desires that he was too young to understand or to follow. He would see the white haze steam up from the labyrinth of wet vines, and he would tingle and scratch for the feel of its wetness on his skin. And often, when the mysterious Burman night came down, it seemed to him that he would go mad. He would hear the wild tuskers trumpeting in the jungles a very long way off, and all the myriad noises of the mysterious night, and at such times even his mother looked at him with wonder.
"Oh, little restless one," Langur Dass would say, "thou and that old cow thy mother and I have one heart between us. We know the burning—we understand, we three!"
It was true that Langur Dass understood more of the ways of the forest people than any other hillman in the encampment. But his caste was low, and he was drunken and careless and lazy beyond words, and the hunters had mostly only scorn for him. They called him Langur after a grey-bearded breed of monkeys along the slopes of the Himalayas, rather suspecting he was cursed with evil spirits, for why should any sane man have such mad ideas as to the rights of elephants? He never wanted to join in the drives—which was a strange thing indeed for a man raised in the hills. Perhaps he was afraid—but yet they could remember a certain day in the bamboo thickets, when a great, wild buffalo had charged their camp and Langur Dass acted as if fear were something he had never heard of and knew nothing whatever about.
One day they asked him about it. "Tell us, Langur Dass," they asked, mocking the ragged, dejected looking creature, "If thy name speaks truth, thou art brother to many monkey-folk, and who knows the jungle better than thou or they? None but the monkey-folk and thou canst talk with my lord the elephant. Hai! We have seen thee do it, Langur Dass. How is it that when we go hunting, thou art afraid to come?"
Langur looked at them out of his dull eyes, and evaded their question just as long as he could. "Have you forgotten the tales you heard on your mothers' breasts?" he asked at last. "Elephants are of the jungle. You are of the cooking-pots and thatch! How should such folk as ye are understand?"
This was flat heresy from their viewpoint. There is an old legend among the elephant-catchers to the effect that at one time men were subject to the elephants.
Yet mostly the elephants that these men knew were patient and contented in their bonds. Mostly they loved their mahouts, gave their strong backs willingly to toil, and were always glad and ready to join in the chase after others of their breed. Only on certain nights of the year, when the tuskers called from the jungles, and the spirit of the wild was abroad, would their love of liberty return to them. But to all this little Muztagh was distinctly an exception. Even though he had been born in captivity, his desire for liberty was with him just as constantly as his trunk or his ears.
He had no love for the mahout that rode his mother. He took little interest in the little brown boys and girls that played before his stall. He would stand and look over their heads into the wild, dark heart of the jungle that no man can ever quite understand. And being only a beast, he did not know anything about the caste and prejudices of the men he saw, but he did know that one of them, the low-caste Langur Dass, ragged and dirty and despised, wakened a responsive chord in his lonely heart.
They would have long talks together, that is, Langur would talk and Muztagh would mumble. "Little calf, little fat one," the man would say, "can great rocks stop a tree from growing? Shall iron shackles stop a prince from being king? Muztagh—jewel among jewels! Thy heart speaks through those sleepless eyes of thine! Have patience—what thou knowest, who shall take away from thee?"
But most of the mahouts and catchers noticed the rapidity with which the little Muztagh acquired weight and strength. He outweighed, at the age of three, any calf of his season in the encampment by a full two hundred pounds. And of course three in an elephant is no older than three in a human child. He was still just a baby, even if he did have the wild tuskers' love of liberty.
"Shalt thou never lie the day long in the cool mud, little one? Never see a storm break on the hills? Nor feel a warm rain dripping through the branches? Or are these matters part of thee that none may steal?" Langur Dass would ask him, contented to wait a very long time for his answer. "I think already that thou knowest how the tiger steals away at thy shrill note; how thickets feel that crash beneath thy hurrying weight! A little I think thou knowest how the madness comes with the changing seasons. How knowest thou these things? Not as I know them, who have seen—nay, but as a king knows conquering; it's in thy blood! Is a bundle of sugar-cane tribute enough for thee, Kumiria? Shall purple trappings please thee? Shall some fat rajah of the plains make a beast of burden of thee? Answer, lord of mighty memories!"
And Muztagh answered in his own way, without sound or emphasis, but giving his love to Langur Dass, a love as large as the big elephant heart from which it had sprung. No other man could even win his friendship. The smell of the jungle was on Langur Dass. The mahouts and hunters smelt more or less of civilization and were convinced for their part that the disposition of the little light-coloured elephant was beyond redemption.
"He is a born rogue," was their verdict, and they meant by that, a particular kind of elephant, sometimes a young male, more often an old and savage tusker alone in the jungle—apart from the herd. Solitariness doesn't improve their dispositions, and they were generally expelled from a herd for ill-temper to begin with. "Woe to the fool prince who buys this one!" said the grey-beard catchers. "There is murder in his eyes."
But Langur Dass would only look wise when he heard these remarks. He knew elephants. The gleam in the dark eyes of Muztagh was not viciousness, but simply inheritance, a love of the wide wild spaces that left no room for ordinary friendships.
But calf-love and mother-love bind other animals as well as men, and possibly he might have perfectly fulfilled the plans Dugan had made for him but for a mistake the sahib made in the little calf's ninth year.
He sold Muztagh's mother to an elephant-breeder from a distant province. Little Muztagh saw her march away between two tuskers—down the long elephant trail into the valley and the shadow.
"Watch the little one closely to-night," Dugan Sahib said to his mahout. So when they had led him back and forth along the lines, they saw that the ends of his ropes were pegged down tightly. They were horsehair ropes, far beyond the strength of any normal nine-year-old elephant to break. Then they went to the huts and to their women and left him to shift restlessly from foot to foot, and think.
Probably he would have been satisfied with thinking, for Muztagh did not know his strength, and thought he was securely tied. The incident that upset the mahout's plans was simply that the wild elephants trumpeted again from the hills.
Muztagh heard the sound, long drawn and strange from the silence of the jungle. He grew motionless. The great ears pricked forward, the whipping tail stood still. It was a call never to be denied. The blood was leaping in his great veins.
He suddenly rocked forward with all his strength. The rope spun tight, hummed, and snapped—very softly indeed. Then he padded in silence out among the huts, and nobody who had not seen him do it would believe how silently an elephant can move when he sees fit.
There was no thick jungle here—just soft grass, huts, approaching dark fringe that was jungle. None of the mahouts was awake to see him. No voice called him back. The grass gave way to bamboo thickets, the smell of the huts to the wild, bewitching perfumes of the jungle.
Then, still in silence, because there are decencies to be observed by animals no less than men, he walked forward with his trunk outstretched into the primordial jungle and was born again.
III
Muztagh's reception was cordial from the very first. The great bulls of the herd stood still and lifted their ears when they heard him grunting up the hill. But he slipped among them and was forgotten at once. They had no dealings with the princes of Malay and Siam, and his light-coloured coat meant nothing whatever to them. If they did any thinking about him at all, it was just to wonder why a calf with all the evident marks of a nine-year-old should be so tall and weigh so much.
One can fancy that the great old wrinkled tusker that led the herd peered at him now and then out of his little red eyes and wondered. A herd-leader begins to think about future contestants for his place as soon as he acquires the leadership. But Hai! This little one would not have his greatest strength for fifteen years.
It was a compact, medium-sized herd—vast males, mothers, old-maid elephants, long-legged and ungainly, young males just learning their strength and proud of it beyond words, and many calves. They ranged all the way in size from the great leader, who stood ten feet and weighed nearly nine thousand pounds, to little two-hundred-and-fifty-pound babies that had been born that season. And before long the entire herd began its cautious advance into the deeper hills.
The first night in the jungle—and Muztagh found it wonderful past all dreams. The mist on his skin was the same cool joy he had expected. There were sounds, too, that set his great muscles aquiver. He heard the sound that the bamboos make—the little click-click of the stems in the wind—the soft rustle and stir of many leafy tendrils entwining and touching together, and the whisper of the wind over the jungle grass. And he knew because it was his heritage, what every single one of these sounds meant.
The herd threaded through the dark jungle, and now they descended into a cool river. A herd of deer—either the dark sambur or black buck—sprang from the misty shore-line and leaped away into the bamboos. Farther down, he could hear the grunt of buffalo.
It was simply a caress—the touch of the soft, cool water on his flanks. Then they reared out, like great sea-gods rising from the deep, and grunted and squealed their way up the banks into the jungle again.
But the smells were the book that he read best; he understood them even better than the sounds of green things growing. Flowers that he could not see hung like bells from the arching branches. Every fern and every seeding grass had its own scent that told sweet tales. The very mud that his four feet sank into emitted scent that told the history of jungle-life from the world's beginnings. When dawn burst over the eastern hills, he was weary in every muscle of his young body, but much too happy to admit it.
This day was just the first of three thousand joyous days. The jungle, old as the world itself, is ever new. Not even the wisest elephant, who, after all, is king of the jungle, knows what will turn up at the next bend in the elephant trail. It may be a native woodcutter, whose long hair is stirred with fright. It may easily be one of the great breed of bears, large as the American grizzly, that some naturalists believe are to be found in the Siamese and Burman jungles. It may be a herd of wild buffalo, always looking for a fight, or simply some absurd armadillo-like thing, to make him shake his vast sides with mirth.
The herd was never still. They ranged from one mysterious hill to another, to the ranges of the Himalayas and back again. There were no rivers that they did not swim, no jungles that they did not penetrate, no elephant trails that they did not follow, in the whole northeastern corner of British India. And all the time Muztagh's strength grew upon him until it became too vast a thing to measure or control.
Whether or not he kept with the herd was by now a matter of supreme indifference to him. He no longer needed its protection. Except for the men who came with the ropes and guns and shoutings, there was nothing in the jungle for him to fear. He was twenty years old, and he stood nearly eleven feet to the top of his shoulders. He would have broken any scales in the Indian Empire that tried to weigh him.
He had had his share of adventures, yet he knew that life in reality had just begun. The time would come when he would want to fight the great arrogant bull for the leadership of the herd. He was tired of fighting the young bulls of his own age. He always won, and to an elephant constant winning is almost as dull as constant losing. He was a great deal like a youth of twenty in any breed of any land—light-hearted, self-confident, enjoying every minute of wakefulness between one midnight and another. He loved the jungle smells and the jungle sounds, and he could even tolerate the horrible laughter of the hyenas that sometimes tore to shreds the silence of the grassy plains below.
But India is too thickly populated by human beings for a wild elephant to escape observation entirely. Many natives had caught sight of him, and at last the tales reached a little circle of trackers and hunters in camp on a distant range of hills. They did not work for Dugan Sahib, for Dugan Sahib was dead long since. They were a determined little group, and one night they sat and talked softly over their fire. If Muztagh's ears had been sharp enough to hear their words across the space of hills, he wouldn't have gone to his mud-baths with such complacency the next day. But the space between them was fifty miles of sweating jungle, and of course he did not hear.
"You will go, Khusru," said the leader, "for there are none here half so skilful with horsehair rope as you. If you do not come back within twelve months we shall know you have failed."
Of course all of them knew what he meant. If a man failed in the effort to capture a wild elephant by the hair-rope method, he very rarely lived to tell of it.
"In that case," Ahmad Din went on, "there will be a great drive after the monsoon of next year. Picked men will be chosen. No detail will be overlooked. It will cost more, but it will be sure. And our purses will be fat from the selling-price of this king of elephants with a white coat!"
IV
There is no need to follow Khusru on his long pursuit through the elephant trails. He was an able hunter and, after the manner of the elephant-trackers, the scared little man followed Muztagh through jungle and river, over hill and into dale, for countless days, and at last, as Muztagh slept, he crept up within a half-dozen feet of him. He intended to loop a horsehair rope about his great feet—one of the oldest and most hazardous methods of elephant-catching. But Muztagh wakened just in time.
And then a curious thing happened. The native could never entirely believe it, and it was one of his best stories to the day he died. Any other wild tusker would have charged in furious wrath, and there would have been a quick and certain death beneath his great knees. Muztagh started out as if he had intended to charge. He lifted his trunk out of the way—the elephant trunk is for a thousand uses, but fighting is not one of them—and sprang forward. He went just two paces. Then his little eyes caught sight of the brown figure fleeing through the bamboos. And at once the elephant set his great feet to brake himself, and drew to a sliding halt six feet beyond.
He did not know why. He was perfectly aware that this man was an enemy, jealous of his most-loved liberty. He knew perfectly it was the man's intention to put him back into his bonds. He did not feel fear, either—because an elephant's anger is too tremendous an emotion to leave room for any other impulse such as fear. It seemed to him that memories came thronging from long ago, so real and insistent that he could not think of charging.
He remembered his days in the elephant lines. These brown creatures had been his masters then. They had cut his grass for him in the jungle, and brought him bundles of sugar-cane. The hill people say that the elephant memory is the greatest single marvel in the jungle, and it was that memory that saved Khusru then. It wasn't deliberate gratitude for the grass-cutting of long ago. It wasn't any particular emotion that he could reach out his trunk and touch. It was simply an impulse—another one of the thousand mysteries that envelop, like a cloud, the mental processes of these largest of forest creatures.
These were the days when he lived apart from the herd. He did it from choice. He liked the silence, the solitary mud-baths, the constant watchfulness against danger.
One day a rhino charged him—without warning or reason. This is quite a common thing for a rhino to do. They have the worst tempers in the jungle, and they would just as soon charge a mountain if they didn't like the look of it. Muztagh had awakened the great creature from his sleep, and he came bearing down like a tank over "no man's land."
Muztagh met him squarely, with the full shock of his tusks, and the battle ended promptly. Muztagh's tusk, driven by five tons of might behind it, would have pierced a ship's side, and the rhino limped away to let his hurt grow well and meditate revenge. Thereafter for a full year, he looked carefully out of his bleary, drunken eyes and chose a smaller objective before he charged.
Month after month Muztagh wended alone through the elephant trails, and now and then rooted up great trees just to try his strength. Sometimes he went silently, and sometimes like an avalanche. He swam alone in the deep holes, and sometimes shut his eyes and stood on the bottom, just keeping the end of his trunk out of the water. One day he was obliged to kneel on the broad back of an alligator who tried to bite off his foot. He drove the long body down into the muddy bottom, and no living creature, except possibly the catfish that burrow in the mud, ever saw it again.
He loved the rains that flashed through the jungles, the swift-climbing dawns in the east, the strange, tense, breathless nights. And at midnight he loved to trumpet to the herd on some far-away hill, and hear, fainter than the death-cry of a beetle, its answer come back to him. At twenty-five he had reached full maturity; and no more magnificent specimen of the elephant could be found in all of British India. At last he had begun to learn his strength.
Of course he had known for years his mastery over the inanimate things of the world. He knew how easy it was to tear a tree from its roots, to jerk a great tree-limb from its socket. He knew that under most conditions he had nothing to fear from the great tigers, although a fight with a tiger is a painful thing and well to avoid. But he did not know that he had developed a craft and skill that would avail him in battle against the greatest of his own kind. He made the discovery one sunlit day beside the Manipur River.
He was in the mud-bath, grunting and bubbling with content. It was a bath with just room enough for one. And seeing that he was young, and perhaps failing to measure his size, obscured as it was in the mud, a great "rogue" bull came out of the jungles to take the bath for himself.
He was a huge creature—wrinkled and yellow-tusked and scarred from the wounds of a thousand fights. His little red eyes looked out malignantly, and he grunted all the insults the elephant tongue can compass to the youngster that lolled in the bath. He confidently expected that Muztagh would yield at once, because as a rule young twenty-five-year-olds do not care to mix in battle with the scarred and crafty veterans of sixty years. But he did not know Muztagh.
The latter had been enjoying the bath to the limit, and he had no desire whatever to give it up. Something hot and raging seemed to explode in his brain and it was as if a red glare, such as sometimes comes in the sunset, had fallen over all the stretch of river and jungle before his eyes. He squealed once, reared up with one lunge out of the bath—and charged. They met with a shock.
Of all the expressions of power in the animal world, the elephant fight is the most terrible to see. It is as if two mountains rose up from their roots of strata and went to war. It is terrible to hear, too. The jungle had been still before. The river glided softly, the wind was dead, the mid-afternoon silence was over the thickets.
The jungle people were asleep. A thunder-storm would not have broken more quickly, or could not have created a wilder pandemonium. The jungle seemed to shiver with the sound.
They squealed and bellowed and trumpeted and grunted and charged. Their tusks clicked like the noise of a giant's game of billiards. The thickets cracked and broke beneath their great feet.
It lasted only a moment. It was so easy, after all. In a very few seconds indeed, the old rogue became aware that he had made a very dangerous and disagreeable mistake. There were better mud-baths on the river, anyway.
He had not been able to land a single blow. And his wrath gave way to startled amazement when Muztagh sent home his third. The rogue did not wait for the fourth.
Muztagh chased him into the thickets. But he was too proud to chase a beaten elephant for long. He halted, trumpeting, and swung back to his mud-bath.
But he did not enter the mud again. All at once he remembered the herd and the fights of his calfhood. All at once he knew that his craft and strength and power were beyond that of any elephant in all the jungle. Who was the great, arrogant herd-leader to stand against him? What yellow tusks were to meet his and come away unbroken?
His little eyes grew ever more red as he stood rocking back and forth, his trunk lifted to catch the sounds and smells of the distant jungle. Why should he abide alone, when he could be the ruler of the herd and the jungle king? Then he grunted softly and started away down the river. Far away, beyond the mountains and rivers and the villages of the hillfolk, the herd of his youth roamed in joyous freedom. He would find them and assert his mastery.
V
The night fire of a little band of elephant-catchers burned fitfully at the edge of the jungle. They were silent men—for they had lived long on the elephant trails—and curiously scarred and sombre. They smoked their cheroots, and waited for Ahmad Din to speak.
"You have all heard?" he asked at last.
All but one of them nodded. Of course this did not count the most despised one of them all—old Langur Dass—who sat at the very edge of the shadow. His long hair was grey, and his youth had gone where the sun goes at evening. They scarcely addressed a word to him, or he to them. True, he knew the elephants, but was he not possessed of evil spirits? He was always without rupees, too, a creature of the wild that could not seem to understand the gathering of money. As a man, according to the standards of men, he was an abject failure.
"Khusru has failed to catch White-Skin, but he has lived to tell many lies about it. He comes to-night."
It was noticeable that Langur Dass, at the edge of the circle, pricked up his ears.
"Do you mean the white elephant of which the Manipur people tell so many lies?" he asked. "Do you, skilled catchers that you are, believe that such an elephant is still wild in the jungle?"
Ahmad Din scowled. "The Manipur people tell of him, but for once they tell the truth," was the reply. "He is the greatest elephant, the richest prize, in all of Burma. Too many people have seen him to doubt. I add my word to theirs, thou son of immorality!"
Ahmad Din hesitated before he continued. Perhaps it was a mistake to tell of the great, light-coloured elephant until this man should have gone away. But what harm could this wanderer do them? All men knew that the jungle had maddened him.
Langur Dass's face lit suddenly. "Then it could be none but Muztagh, escaped from Dugan Sahib fifteen years ago. That calf was also white. He was also overgrown for his years."
One of the trackers suddenly gasped. "Then that is why he spared
Khusru!" he cried. "He remembered men."
The others nodded gravely. "They never forget," said Langur Dass.
"You will be silent while I speak," Ahmad Din went on. Langur grew silent as commanded, but his thoughts were flowing backward twenty years, to days at the elephant lines in distant hills. Muztagh was the one living creature that in all his days had loved Langur Dass. The man shut his eyes, and his limbs seemed to relax as if he had lost all interest in the talk. The evil one took hold of him at such times, the people said, letting understanding follow his thoughts back into the purple hills and the far-off spaces of the jungle. But to-night he was only pretending. He meant to hear every word of the talk before he left the circle.
"He tells a mad story, as you know, of the elephant sparing him when he was beneath his feet," Ahmad Din went on; "that part of his story does not matter to us. Hai! He might have been frightened enough to say that the sun set at noon. But what matters to us more is that he knows where the herd is—but a day's journey beyond the river. And there is no time to be lost."
His fellows nodded in agreement.
"So to-morrow we will break camp. There can be no mistake this time. There must be no points overlooked. The chase will cost much, but it will return a hundredfold. Khusru says that at last the white one has started back toward his herd, so that all can be taken in the same keddah. And the white sahib that holds the license is not to know that White-Coat is in the herd at all."
The circle nodded again, and contracted toward the speaker.
"We will hire beaters and drivers, the best that can be found. To-morrow we will take the elephants and go."
Langur Dass pretended to waken. "I have gone hungry many days," he said. "If the drive is on, perhaps you will give your servant a place among the beaters."
The circle turned and stared at him. It was one of the stories of Langur Dass that he never partook in the elephant hunts. Evidently poor living had broken his resolutions.
"You shall have your wish, if you know how to keep a closed mouth,"
Ahmad Din replied. "There are other hunting parties in the hills."
Langur nodded. He was very adept indeed at keeping a closed mouth. It is one of the first lessons of the jungle.
For another long hour they sat and perfected their plans. Then they lay down by the fire together, and sleep dropped over them one by one. At last Langur sat by the fire alone.
"You will watch the flame to-night," Ahmad Din ordered. "We did not feed you to-night for pity on your grey hairs. And remember—a gipsy died in a tiger's claws on this very slope—not six months past."
Langur Dass was left alone with his thoughts. Soon he got up and stole out into the velvet darkness. The mists were over the hills as always.
"Have I followed the tales of your greatness all these years for this?" he muttered. "It is right for pigs with the hearts of pigs to break their backs in labour. But you, my Muztagh! Jewel among elephants! King of the jungle! Thou art of the true breed! Moreover I am minded that thy heart and mine are one!
"Thou art born ten thousand years after thy time, Muztagh," he went on. "Thou art of the breed of masters, not of slaves! We are of the same womb, thou and I. Can I not understand? These are not my people—these brown men about the fire. I have not thy strength, Muztagh, or I would be out there with thee! Yet is not the saying that brother shall serve brother?"
He turned slowly back to the circle of the firelight. Then his brown, scrawny fingers clenched.
"Am I to desert my brother in his hour of need? Am I to see these brown pigs put chains around him, in the moment of his power? A king, falling to the place of a slave? Muztagh, we will see what can be done! Muztagh, my king, my pearl, my pink baby, for whom I dug grass in the long ago! Thy Langur Dass is old, and his whole strength is not that of thy trunk, and men look at him as a worm in the grass. But hai! perhaps thou wilt find him an ally not to be despised!"
VI
The night had just fallen, moist and heavy over the jungle, when Muztagh caught up with his herd. He found them in an open grassy glade, encircled by hills, and they were all waiting, silent, as he sped down the hills toward them. They had heard him coming a long way. He was not attempting silence. The jungle people had not got out of his way.
The old bull that led the herd, seventy years of age and at the pride of his wisdom and strength, scarred, yellow-tusked and noble past any elephant patriarch in the jungle, curled up his trunk when he saw him come. He knew very well what would happen. And because no one knows better than the jungle people what a good thing it is to take the offensive in all battles, and because it was fitting his place and dignity, he uttered the challenge himself.
The silence dropped as something from the sky. The little pink calves who had never seen the herd grow still in this same way before, felt the dawn of the storm that they could not understand, and took shelter beneath their mothers' bellies. But they did not squeal. The silence was too deep for them to dare to break.
It is always an epoch in the life of the herd when a young bull contests for leadership. It is a much more serious thing than in the herds of deer and buffalo. The latter only live a handful of years, then grow weak and die. A great bull who has attained strength and wisdom enough to obtain the leadership of an elephant herd may often keep it for forty years. Kings do not rise and fall half so often as in the kingdoms of Europe. For, as most men know, an elephant is not really old until he has seen a hundred summers come and go. Then he will linger fifty years more, wise and grey and wrinkled and strange and full of memories of a time no man can possibly remember.
Long years had passed since the leader's place had been questioned. The aristocracy of strength is drawn on quite inflexible lines. It would have been simply absurd for an elephant of the Dwasala or Mierga grades to covet the leadership. They had grown old without making the attempt. Only the great Kumiria, the grand dukes in the aristocracy, had ever made the trial at all. And besides, the bull was a better fighter after thirty years of leadership than on the day he had gained the honour.
The herd stood like heroic figures in stone for a long moment—until Muztagh had replied to the challenge. He was so surprised that he couldn't make any sound at all at first. He had expected to do the challenging himself. The fact that the leader had done it shook his self-confidence to some slight degree. Evidently the old leader still felt able to handle any young and arrogant bulls that desired his place.
Then the herd began to shift. The cows drew back with their calves, the bulls surged forward, and slowly they made a hollow ring, not greatly different from the pugilistic ring known to fight-fans. The calves began to squeal, but their mothers silenced them. Very slowly and grandly, with infinite dignity, Muztagh stamped into the circle. His tusks gleamed. His eyes glowed red. And those appraising old bulls in the ring knew that such an elephant had not been born since the time of their grandfathers.
They looked him over from tail to trunk. They marked the symmetrical form, the legs like mighty pillars, the sloping back, the wide-apart, intelligent eyes. His shoulders were an expression of latent might—power to break a tree-trunk at its base; by the conformity of his muscles he was agile and quick as a tiger. And knowing these things, and recognizing them, and honouring them, devotees of strength that they were, they threw their trunks in the air till they touched their foreheads and blared their full-voiced salute.
They gave it the same instant—as musicians strike the same note at their leader's signal. It was a perfect explosion of sound, a terrible blare, that crashed out through the jungles and wakened every sleeping thing. The dew fell from the trees. A great tawny tiger, lingering in hope of an elephant calf, slipped silently away. The sound rang true and loud to the surrounding hills and echoed and re-echoed softer and softer, until it was just a tiny tremour in the air.
Not only the jungle folk marvelled at the sound. At an encampment three miles distant Ahmad Din and his men heard the wild call, and looked with wondering eyes upon each other. Then out of the silence spoke Langur Dass.
"My lord Muztagh has come back to his herd—that is his salute," he said.
Ahmad Din looked darkly about the circle. "And how long shall he stay?" he asked.
The trap was almost ready. The hour to strike had almost come.
Meanwhile the grand old leader stamped into the circle, seeming unconscious of the eyes upon him, battle-scarred and old. Even if this fight were his last, he meant to preserve his dignity.
Again the salute sounded—shattering out like a thunderclap over the jungle. Then challenger and challenged closed.
At first the watchers were silent. Then as the battle grew ever fiercer and more terrible, they began to grunt and squeal, surging back and forth, stamping the earth and crashing the underbrush. All the jungle-folk for miles about knew what was occurring. And Ahmad Din wished his keddah were completed, for never could there be a better opportunity to surround the herd than at the present moment, when they had forgotten all things except the battling monsters in the centre of the ring.
The two bulls were quite evenly matched. The patriarch knew more of fighting, had learned more wiles, but he had neither the strength nor the agility of Muztagh. The late twilight deepened into the intense dark, and the stars of midnight rose above the eastern hills.
All at once, Muztagh went to his knees. But as might a tiger, he sprang aside in time to avoid a terrible tusk blow to his shoulder. And his counter-blow, a lashing cut with the head, shattered the great leader to the earth. The elephants bounded forward, but the old leader had a trick left in his trunk. As Muztagh bore down upon him he reared up beneath, and almost turned the tables. Only the youngster's superior strength saved him from immediate defeat.
But as the night drew to morning, the bulls began to see that the tide of the battle had turned. Youth was conquering—too mighty and agile to resist. The rushes of the patriarch were ever weaker. He still could inflict punishment, and the hides of both of them were terrible to see, but he was no longer able to take advantage of his openings. Then Muztagh did a thing that reassured the old bulls as to his craft and wisdom. Just as a pugilist will invite a blow to draw his opponent within range, Muztagh pretended to leave his great shoulder exposed. The old bull failed to see the plot. He bore down, and Muztagh was ready with flashing tusk.
What happened thereafter occurred too quickly for the eyes of the elephants to follow. They saw the great bull go down and Muztagh stand lunging above him. And the battle was over.
The great leader, seriously hurt, backed away into the shadowed jungle. His trunk was lowered in token of defeat. Then the ring was empty except for a great red-eyed elephant, whose hide was no longer white, standing blaring his triumph to the stars.
Three times the elephant salute crashed out into the jungle silence—the full voiced salaam to a new king. Muztagh had come into his birthright.
VII
The keddah was built at last. It was a strong stockade, opening with great wings spreading out one hundred yards, and equipped with the great gate that lowered like a portcullis at the funnel end of the wings. The herd had been surrounded by the drivers and beaters, and slowly they had been driven, for long days, toward the keddah mouth. They had guns loaded with blank cartridges, and firebrands ready to light. At a given signal they would close down quickly about the herd, and stampede it into the yawning mouth of the stockade.
No detail had been overlooked. No expense had been spared. The profit was assured in advance, not only from the matchless Muztagh, but from the herd as well. The king of the jungle, free now as the winds or the waters, was about to go back to his chains. These had been such days! He had led the herd through the hills, and had known the rapture of living as never before. It had been his work to clear the trail of all dangers for the herd. It was his pride to find them the coolest watering-places, the greenest hills. One night a tiger had tried to kill a calf that had wandered from its mother's side. Muztagh lifted his trunk high and charged down with great, driving strides—four tons and over of majestic wrath. The tiger leaped to meet him, but the elephant was ready. He had met tigers before. He avoided the terrible stroke of outstretched claws, and his tusks lashed to one side as the tiger was in midspring. Then he lunged out, and the great knees descended slowly, as a hydraulic press descends on yellow apples. And soon after that the kites were dropping out of the sky for a feast.
His word was law in the herd. And slowly he began to overcome the doubt that the great bulls had of him—doubt of his youth and experience. If he had had three months more of leadership, their trust would have been absolute. But in the meantime, the slow herding toward the keddah had begun.
"We will need brave men to stand at the end of the wings of the keddah," said Ahmad Din. He spoke no less than truth. The man who stands at the end of the wings, or wide-stretching gates, of the keddah is of course in the greatest danger of being charged and killed. The herd, mad with fright, is only slightly less afraid of the spreading wings of the stockade than of the yelling, whooping beaters behind. Often they will try to break through the circle rather than enter the wings.
"For two rupees additional I will hold one of the wings," replied old Langur Dass. Ahmad Din glanced at him—at his hard, bright eyes and determined face. Then he peered hard, and tried in vain to read the thoughts behind the eyes. "You are a madman, Langur Dass," he said wonderingly. "But thou shalt lie behind the right-wing men to pass them torches. I have spoken."
"And the two extra rupees?" Langur asked cunningly.
"Maybe." One does not throw away rupees in Upper Burma.
Within the hour the signal of "Maîl, maîl!" (Go on, go on!) was given, and the final laps of the drive began.
The hills grew full of sound. The beaters sprang up with firebrand and rifle, and closed swiftly about the herd. The animals moved slowly at first. The time was not quite ripe to throw them into a panic. Many times the herd would leave their trail and start to dip into a valley or a creek-bed, but always there was a new crowd of beaters to block their path. But presently the beaters closed in on them. Then the animals began a wild descent squarely toward the mouth of the keddah.
"Hai!" the wild men cried. "Oh, you forest pigs! On, on! Block the way through that valley, you brainless sons of jackals! Are you afraid? Ai! Stand close! Watch, Puran! Guard your post, Khusru! Now on, on—do not let them halt! Arre! Aihai!"
Firebrands waved, rifles cracked, the wild shout of beaters increased in volume. The men closed in, driving the beasts before them.
But there was one man that did not raise his voice. Through all the turmoil and pandemonium he crouched at the end of the stockade wing, tense, and silent and alone. To one that could have looked into his eyes, it would have seemed that his thoughts were far and far away. It was just old Langur Dass, named for a monkey and despised of men.
He was waiting for the instant that the herd would come thundering down the hill, in order to pass lighted firebrands to the bold men who held that corner. He was not certain that he could do the thing he had set out to do. Perhaps the herd would sweep past him, through the gates. If he did win, he would have to face alone the screaming, infuriated hillmen, whose knives were always ready to draw. But knives did not matter now. Langur Dass had only his own faith and his own creed, and no fear could make him betray them.
Muztagh had lost control of his herd. At their head ran the old leader that he had worsted. In their hour of fear they had turned back to him. What did this youngster know of elephant-drives? Ever the waving firebrands drew nearer, the beaters lessened their circle, the avenues of escape became more narrow. The yawning arms of the stockade stretched just beyond.
"Will I win, jungle gods?" a little grey man at the keddah wing was whispering to the forests. "Will I save you, great one that I knew in babyhood? Will you go down into chains before the night is done? Ai! I hear the thunder of your feet! The moment is almost here. And now—your last chance, Muztagh!"
"Close down, close down!" Ahmad Din was shouting to his beaters. "The thing is done in another moment. Hasten, pigs of the hills! Raise your voice! Now! Aihai!"
The herd was at the very wings of the stockade. They had halted an instant, milling, and the beaters increased their shouts. Only one of all the herd seemed to know the danger—Muztagh himself, and he had dropped from the front rank to the very rear. He stood with uplifted trunk, facing the approaching rows of beaters. And there seemed to be no break in the whole line.
The herd started to move on into the wings of captitivity; and they did not heed his warning squeals to turn. The circle of fire drew nearer. Then his trunk seemed to droop, and he turned, too. He could not break the line. He turned, too, toward the mouth of the keddah.
But even as he turned, a brown figure darted toward him from the end of the wing. A voice known long ago was calling to him—a voice that penetrated high and clear above the babble of the beaters. "Muztagh!" it was crying. "Muztagh!"
But it was not the words that turned Muztagh. An elephant cannot understand words, except a few elemental sounds such as a horse or dog can learn. Rather it was the smell of the man, remembered from long ago, and the sound of his voice, never quite forgotten. For an elephant never forgets.
"Muztagh! Muztagh!"
The elephant knew him now. He remembered his one friend among all the human beings that he knew in his calfhood; the one mortal from whom he had received love and given love in exchange.
"More firebrands!" yelled the men who held that corner of the wing. "Firebrands! Where is Langur Dass?" but instead of firebrands that would have frightened beast and aided men, Langur Dass stepped out from behind a tree and beat at the heads of the right-wing guards with a bamboo cane that whistled and whacked and scattered them into panic—yelling all the while—"Muztagh! O my Muztagh! Here is an opening! Muztagh, come!".
And Muztagh did come—trumpeting—crashing like an avalanche, with Langur Dass hard after him afraid, now that he had done the trick. And hot on the trail of Langur Dass ran Ahmad Din, with his knife drawn not meaning to let that prize be lost to him at less than the cost of the trickster's life.
But it was not written that the knife should ever enter the flesh of
Langur Dass.
The elephant never forgets, and Muztagh was monarch of his breed. He turned back two paces, and struck with his trunk. Ahmad Din was knocked aside as the wind whips a straw.
For an instant elephant and man stood front to front. To the left of them the gates of the stockade dropped shut behind the herd. The elephant stood with trunk slightly lifted, for the moment motionless. The long-haired man who saved him stood lifting upstretched arms.
It was such as scene as one might remember in an old legend, wherein beasts and men were brothers, or such as sometimes might steal, likely something remembered from another age, into a man's dreams. Nowhere but in India, where men have a little knowledge of the mystery of the elephant, could it have taken place at all.
For Langur Dass was speaking to my lord the elephant:
"Take me with thee, Muztagh! Monarch of the hills! Thou and I are not of the world of men, but of the jungle and the rain, the silence, and the cold touch of rivers. We are brothers, Muztagh. O beloved, wilt thou leave me here to die!"
The elephant slowly turned his head and looked scornfully at the group of beaters bearing down on Langur Dass, murder shining no less from their knives than from their lighted eyes.
"Take me," the old man pleaded; "thy herd is gone."
The elephant seemed to know what he was asking. He had lifted him to his great shoulders many times, in the last days of his captivity. And besides, his old love for Langur Dass had never been forgotten. It all returned, full and strong as ever. For an elephant never can forget.
It was not one of the man-herd that stood pleading before him. It was one of his own jungle people, just as, deep in his heart, he had always known. So with one motion light as air, he swung him gently to his shoulder.
The jungle, vast and mysterious and still, closed its gates behind them.
TURKEY RED
BY FRANCES GILCHRIST WOOD
From Pictorial Review
The old mail-sled running between Haney and Le Beau, in the days when Dakota was still a Territory, was nearing the end of its hundred-mile route.
It was a desolate country in those days; geographers still described it as The Great American Desert, and in looks it deserved the title. Never was there anything so lonesome as that endless stretch of snow reaching across the world until it cut into a cold grey sky, excepting the same desert burned to a brown tinder by the hot wind of summer.
Nothing but sky and plain and its voice, the wind, unless you might count a lonely sod shack blocked against the horizon, miles away from a neighbour, miles from anywhere, its red-curtained square of window glowing through the early twilight.
There were three men in the sled; Dan, the mail-carrier, crusty, belligerently Western, the self-elected guardian of every one on his route; Hillas, a younger man, hardly more than a boy, living on his pre-emption claim near the upper reaches of the stage line; the third a stranger from that part of the country vaguely defined as "the East." He was travelling, had given him name as Smith, and was as inquisitive about the country as he was reticent about his business there. Dan plainly disapproved of him.
They had driven the last cold miles in silence when the stage-driver turned to his neighbour. "Letter didn't say anything about coming out in the spring to look over the country, did it?"
Hillas shook his head. "It was like all the rest, Dan. Don't want to build a railroad at all until the country's settled."
"God! Can't they see the other side of it? What it means to the folks already here to wait for it?"
The stranger thrust a suddenly interested profile above the handsome collar of his fur coat. He looked out over the waste of snow.
"You say there's no timber here?"
Dan maintained unfriendly silence and Hillas answered: "Nothing but scrub on the banks of the creeks. Years of prairie fires have burned out the trees, we think."
"Any ores—mines?"
The boy shook his head as he slid farther down in his worn buffalo coat of the plains.
"We're too busy rustling for something to eat first. And you can't develop mines without tools."
"Tools?"
"Yes, a railroad first of all."
Dan shifted the lines from one fur-mittened hand to the other, swinging the freed numbed arm in rhythmic beating against his body as he looked along the horizon a bit anxiously. The stranger shivered visibly.
"It's a god-forsaken country. Why don't you get out?"
Hillas, following Dan's glance around the blurred sky line, answered absently, "Usual answer is 'Leave? It's all I can do to stay here.'"
Smith regarded him irritably. "Why should any sane man ever have chosen this frozen wilderness?"
Hillas closed his eyes wearily. "We came in the spring."
"I see!" The edged voice snapped, "Visionaries!"
Hillas's eyes opened again, wide, and then the boy was looking beyond the man with the far-seeing eyes of the plainsman. He spoke under his breath as if he were alone.
"Visionary, pioneer, American. That was the evolution in the beginning.
Perhaps that is what we are." Suddenly the endurance in his voice went
down before a wave of bitterness. "The first pioneers had to wait, too.
How could they stand it so long!"
The young shoulders drooped as he thrust stiff fingers deep within the shapeless coat pockets. He slowly withdrew his right hand holding a parcel wrapped in brown paper. He tore a three-cornered flap in the cover, looked at the brightly coloured contents, replaced the flap and returned the parcel, his chin a little higher.
Dan watched the northern sky-line restlessly. "It won't be snow. Look like a blizzard to you, Hillas?"
The traveller sat up. "Blizzard?"
"Yes," Dan drawled in willing contribution to his uneasiness, "the real Dakota article where blizzards are made. None of your eastern imitations, but a ninety-mile wind that whets slivers of ice off the frozen drifts all the way down from the North Pole. Only one good thing about a blizzard—it's over in a hurry. You get to shelter or you freeze to death."
A gust of wind flung a powder of snow stingingly against their faces. The traveller withdrew his head turtlewise within the handsome collar in final condemnation. "No man in his senses would ever have deliberately come here to live."
Dan turned. "Wouldn't, eh?"
"No."
"You're American?"
"Yes."
"Why?"
"I was born here. It's my country."
"Ever read about your Pilgrim Fathers?"
"Why, of course."
"Frontiersmen, same as us. You're living on what they did. We're getting this frontier ready for those who come after. Want our children to have a better chance than we had. Our reason's same as theirs. Hillas told you the truth. Country's all right if we had a railroad."
"Humph!" With a contemptuous look across the desert. "Where's your freight, your grain, cattle—"
"West-bound freight, coal, feed, seed-grain, work, and more neighbours."
"One-sided bargain. Road that hauls empties one way doesn't pay. No company would risk a line through here."
The angles of Dan's jaw showed white. "Maybe. Ever get a chance to pay your debt to those Pilgrim pioneers? Ever take it? Think the stock was worth saving?"
He lifted his whip-handle toward a pin-point of light across the stretch of snow. "Donovan lives over there and Mis' Donovan. We call them 'old folks' now; their hair has turned white as these drifts in two years. All they've got is here. He's a real farmer and a lot of help to the country, but they won't last long like this."
Dan swung his arm toward a glimmer nor' by nor'east. "Mis' Clark lives there, a mile back from the stage road. Clark's down in Yankton earning money to keep them going. She's alone with her baby holding down the claim." Dan's arm sagged. "We've had women go crazy out here."
The whip-stock followed the empty horizon half round the compass to a lighted red square not more than two miles away. "Mis' Carson died in the spring. Carson stayed until he was too poor to get away. There's three children—oldest's Katy, just eleven." Dan's words failed, but his eyes told. "Somebody will brag of them as ancestors some day. They'll deserve it if they live through this."
Dan's jaw squared as he leveled his whip-handle straight at the traveller. "I've answered your questions, now you answer mine! We know your opinion of the country—you're not travelling for pleasure or your health. What are you here for?"
"Business. My own!"
"There's two kinds of business out here this time of year. Tain't healthy for either of them." Dan's words were measured and clipped. "You've damned the West and all that's in it good and plenty. Now I say, damn the people anywhere in the whole country that won't pay their debts from pioneer to pioneer; that lets us fight the wilderness barehanded and die fighting; that won't risk—"
A grey film dropped down over the world, a leaden shroud that was not the coming of twilight. Dan jerked about, his whip cracked out over the heads of the leaders and they broke into a quick trot. The shriek of the runners along the frozen snow cut through the ominous darkness.
"Hillas," Dan's voice came sharply, "stand up and look for the light on Clark's guide-pole about a mile to the right. God help us if it ain't burning."
Hillas struggled up, one clumsy mitten thatching his eyes from the blinding needles. "I don't see it, Dan. We can't be more than a mile away. Hadn't you better break toward it?"
"Got to keep the track 'til we—see—light!"
The wind tore the words from his mouth as it struck them in lashing fury. The leaders had disappeared in a wall of snow, but Dan's lash whistled forward in reminding authority. There was a moment's lull.
"See it, Hillas?"
"No, Dan."
Tiger-like the storm leaped again, bandying them about in its paws like captive mice. The horses swerved before the punishing blows, bunched, backed, tangled. Dan stood up shouting his orders of menacing appeal above the storm.
Again a breathing space before the next deadly impact. As it came Hillas shouted, "I see it—there, Dan! It's a red light. She's in trouble."
Through the whirling smother and chaos of Dan's cries and the struggling horses the sled lunged out of the road into unbroken drifts. Again the leaders swung sidewise before the lashing of a thousand lariats of ice and bunched against the wheel-horses. Dan swore, prayed, mastered them with far-reaching lash, then the off leader went down. Dan felt behind him for Hillas and shoved the reins against his arm.
"I'll get him up—or cut leaders—loose! If I don't—come back—drive to light. Don't—get—out!"
Dan disappeared in the white fury. There were sounds of a struggle; the sled jerked sharply and stood still. Slowly it strained forward.
Hillas was standing, one foot outside on the runner, as they travelled a team's length ahead. He gave a cry—"Dan! Dan!" and gripped a furry bulk that lumbered up out of the drift.
"All—right—son." Dan reached for the reins.
Frantically they fought their slow way toward the blurred light, staggering on in a fight with the odds too savage to last. They stopped abruptly as the winded leaders leaned against a wall interposed between themselves and insatiable fury.
Dan stepped over the dashboard, groped his way along the tongue between the wheel-horses and reached the leeway of a shadowy square. "It's the shed, Hillas. Help get the team in." The exhausted animals crowded into the narrow space without protest.
"Find the guide-rope to the house, Dan?"
"On the other side, toward the shack. Where's—Smith?"
"Here, by the shed."
Dan turned toward the stranger's voice.
"We're going 'round to the blizzard-line tied from shed to shack. Take hold of it and don't let go. If you do you'll freeze before we can find you. When the wind comes, turn your back and wait. Go on when it dies down and never let go the rope. Ready? The wind's dropped. Here, Hillas, next to me."
Three blurs hugged the sod walls around to the north-east corner. The forward shadow reached upward to a swaying rope, lifted the hand of the second who guided the third.
"Hang on to my belt, too, Hillas. Ready—Smith? Got the rope?"
They crawled forward, three barely visible figures, six, eight, ten steps. With a shriek the wind tore at them, beat the breath from their bodies, cut them with stinging needle-points and threw them aside. Dan reached back to make sure of Hillas who fumbled through the darkness for the stranger.
Slowly they struggled ahead, the cold growing more intense; two steps, four, and the mounting fury of the blizzard reached its zenith. The blurs swayed like battered leaves on a vine that the wind tore in two at last and flung the living beings wide. Dan, clinging to the broken rope, rolled over and found Hillas with the frayed end of the line in his hand, reaching about through the black drifts for the stranger. Dan crept closer, his mouth at Hillas's ear, shouting, "Quick! Right behind me if we're to live through it!"
The next moment Hillas let go the rope. Dan reached madly. "Boy, you can't find him—it'll only be two instead of one! Hillas! Hillas!"
The storm screamed louder than the plainsman and began heaping the snow over three obstructions in its path, two that groped slowly and one that lay still. Dan fumbled at his belt, unfastened it, slipped the rope through the buckle, knotted it and crept its full length back toward the boy. A snow-covered something moved forward guiding another, one arm groping in blind search, reached and touched the man clinging to the belt.
Beaten and buffeted by the ceaseless fury that no longer gave quarter, they slowly fought their way hand-over-hand along the rope, Dan now crawling last. After a frozen eternity they reached the end of the line fastened man-high against a second haven of wall. Hillas pushed open the unlocked door, the three men staggered in and fell panting against the side of the room.
The stage-driver recovered first, pulled off his mittens, examined his fingers and felt quickly of nose, ears, and chin. He looked sharply at Hillas and nodded. Unceremoniously they stripped off the stranger's gloves, reached for a pan, opened the door, dipped it into the drift and plunged Smith's fingers down in the snow.
"Your nose is white, too. Thaw it out."
Abruptly Dan indicated a bench against the wall where the two men seated would take up less space.
"I'm—" The stranger's voice was unsteady. "I—," but Dan had turned his back and his attention to the homesteader.
The eight by ten room constituted the entire home. A shed roof slanted from eight feet high on the door and window side to a bit more than five on the other. A bed in one corner took up most of the space, and the remaining necessities were bestowed with the compactness of a ship's cabin. The rough boards of the roof and walls had been hidden by a covering of newspapers, with a row of illustrations pasted picture height. Cushions and curtains of turkey-red calico brightened the homely shack.
The driver had slipped off his buffalo coat and was bending over a baby exhaustedly fighting for breath that whistled shrilly through a closing throat. The mother, scarcely more than a girl, held her in tensely extended arms.
"How long's she been this way?"
"She began to choke up day before yesterday, just after you passed on the down trip."
The driver laid big finger tips on the restless wrist.
"She always has the croup when she cuts a tooth, Dan, but this is different. I've used all the medicines I have—nothing relieves the choking."
The girl lifted heavy eyelids above blue semicircles of fatigue and the compelling terror back of her eyes forced a question through dry lips.
"Dan, do you know what membranous croup is like? Is this it?"
The stage-driver picked up the lamp and held it close to the child's face, bringing out with distressing clearness the blue-veined pallour, sunken eyes, and effort of impeded breathing. He frowned, putting the lamp back quickly.
"Mebbe it is, Mis' Clark, but don't you be scared. We'll help you a spell."
Dan lifted the red curtain from the cupboard, found an emptied lard-pail, half filled it with water and placed it on an oil-stove that stood in the center of the room. He looked questioningly about the four walls, discovered a cleverly contrived tool-box beneath the cupboard shelves, sorted out a pair of pincers and bits of iron, laying the latter in a row over the oil blaze. He took down a can of condensed milk, poured a spoonful of the thick stuff into a cup of water and made room for it near the bits of heating iron.
He turned to the girl, opened his lips as if to speak and stood with a face full of pity.
Along the four-foot space between the end of the bed and the opposite wall the girl walked, crooning to the sick child she carried. As they watched, the low song died away, her shoulder rubbed heavily against the boarding, her eyelids dropped and she stood sound asleep. The next hard-drawn breath of the baby roused her and she stumbled on, crooning a lullaby.
Smith clutched the younger man's shoulder. "God, Hillas, look where she's marked the wall rubbing against it! Do you suppose she's been walking that way for three days and nights? Why, she's only a child—no older than my own daughter!"
Hillas nodded.
"Where are her people? Where's her husband?"
"Down in Yankton, Dan told you, working for the winter. Got to have the money to live."
"Where's the doctor?"
"Nearest one's in Haney—four days' trip away by stage."
The traveller stared, frowningly.
Dan was looking about the room again and after prodding the gay seat in the corner, lifted the cover and picked up a folded blanket, shaking out the erstwhile padded cushion. He hung the blanket over the back of a chair.
"Mis' Clark, there's nothing but steam will touch membreenous croup. We saved my baby that way last year. Set here and I'll fix things."
He put the steaming lard-pail on the floor beside the mother and lifted the blanket over the baby's head. She put up her hand.
"She's so little, Dan, and weak. How am I going to know if she—if she—"
Dan rearranged the blanket tent. "Jest get under with her yourself, Mis'
Clark, then you'll know all that's happening."
With the pincers he picked up a bit of hot iron and dropped it hissing into the pail, which he pushed beneath the tent. The room was oppressively quiet, walled in by the thick sod from the storm. The blanket muffled the sound of the child's breathing and the girl no longer stumbled against the wall.
Dan lifted the corner of the blanket and another bit of iron hissed as it struck the water. The older man leaned toward the younger.
"Stove—fire?" with a gesture of protest against the inadequate oil blaze.
Hillas whispered, "Can't afford it. Coal is $9.00 in Haney, $18.00 here."
They sat with heads thrust forward, listening in the intolerable silence. Dan lifted the blanket, hearkened a moment, then—"pst!" another bit of iron fell into the pail. Dan stooped to the tool-chest for a reserve supply when a strangling cough made him spring to his feet and hurriedly lift the blanket.
The child was beating the air with tiny fists, fighting for breath. The mother stood rigid, arms out.
"Turn her this way!" Dan shifted the struggling child, face out. "Now watch out for the—"
The strangling cough broke and a horrible something—"It's the membrane!
She's too weak—let me have her!"
Dan snatched the child and turned it face downward. The blue-faced baby fought in a supreme effort—again the horrible something—then Dan laid the child, white and motionless, in her mother's arms. She held the limp body close, her eyes wide with fear.
"Dan, is—is she—?"
A faint sobbing breath of relief fluttered the pale lips that moved in the merest ghost of a smile. The heavy eyelids half-lifted and the child nestled against its mother's breast. The girl swayed, shaking with sobs, "Baby—baby!"
She struggled for self-control and stood up straight and pale. "Dan, I ought to tell you. When it began to get dark with the storm and time to put up the lantern, I was afraid to leave the baby. If she strangled when I was gone—with no one to help her—she would die!"
Her lips quivered as she drew the child closer. "I didn't go right away but—I did—at last. I propped her up in bed and ran. If I hadn't—" Her eyes were wide with the shadowy edge of horror, "if I hadn't—you'd have been lost in the blizzard and—my baby would have died!"
She stood before the men as if for judgment, her face wet with unchecked tears. Dan patted her shoulder dumbly and touched a fresh, livid bruise that ran from the curling hair on her temple down across cheek and chin.
"Did you get this then?"
She nodded. "The storm threw me against the pole when I hoisted the lantern. I thought I'd—never—get back!"
It was Smith who translated Dan's look of appeal for the cup of warm milk and held it to the girl's lips.
"Drink it, Mis' Clark, you need it."
She made heroic attempts to swallow, her head drooped lower over the cup and fell against the driver's rough sleeve. "Poor kid, dead asleep!"