TRANSCRIBER’S NOTES:

In the plain text version text in italics is enclosed by underscores (_italics_), small capitals are represented in upper case as in SMALL CAPS, text in bold is represented as in =text in bold=.

A number of words in this book have both hyphenated and non-hyphenated variants. For the words with both variants present the one more used has been kept.

During the review process it was brought to the Transcriber's attention that the edition used to create this project has some text missing in the story "The Queen of Spades". A search made has confirmed the issue. According to the version of this story included in "The Prose Tales of Alexander Pushkin", translated by Thomas Keane, and posted also in Project Gutenberg, the following text is missing at the end:

Lizaveta Ivanovna has married a very amiable young man, a son of the former steward of the old Countess. He is in the service of the State somewhere, and is in receipt of a good income. Lizaveta is also supporting a poor relative.

Tomsky has been promoted to the rank of captain, and has become the husband of the Princess Pauline.

Obvious punctuation and other printing errors have been corrected.


Turgenev

SHORT STORY
CLASSICS

(FOREIGN)

VOLUME ONE RUSSIAN

Edited by
William Patten

With an Introduction
and Notes

P. F. COLLIER & SON
NEW YORK

Copyright 1907
By P. F. Collier & Son

The use of the copyrighted translations in
collection has been authorized by the
authors or their representatives. The
translations made especially for
this collection are covered
by the general
copyright

CONTENTS—VOLUME I
RUSSIAN

PAGE
THE QUEEN OF SPADES
Alexander Sergeievitch Poushkin
[3]
THE CLOAK
Nikolai Vasilievitch Gogol
[21]
THE RENDEZVOUS
Iván Turgenev
[67]
THE COUNTING-HOUSE
Iván Turgenev
[81]
THE THIEF
Feodor Mikailovitch Dostoievski
[109]
THE LONG EXILE
Count Leo Nikolaievitch Tolstoi
[137]
EASTER NIGHT
Vladímir Galaktionovitch Korolénko
[153]
THE SIGNAL
Vsevolod Mikailovitch Garshin
[165]
THE CURSE OF FAME
Ignatiy Nikolaievitch Potapenko
[183]
A WORK OF ART
Anton Pavlovitch Chekhov
[217]
THE SLANDERER
Anton Pavlovitch Chekhov
[223]
FAUST
Eugène Nikolaievitch Chirikov
[231]
THE DUEL
Nikolai Dmítrievitch Teleshov
[263]
BOLESS
Alexei Maximovitch Pyeshkov (Maxim Gorki)
[273]
THE LOVE OF A SCENE-PAINTER
“Skitalitz”
[285]
VALIA
Leonid Andreiev
[309]

CONTENTS—VOLUME II
ITALIAN

PAGE
THE LOST LETTER
Enrico Castelnuovo
329
CAVALLERIA RUSTICANA
Giovanni Verga
347
THE SILVER CRUCIFIX
Antonio Fogazzaro
359
THE LITTLE SARDINIAN DRUMMER
Edmondo de Amicis
375
LULU’S TRIUMPH
Matilda Serao
387
THE END OF CANDIA
Gabriele d’Annunzio
411
SIGNORA SPERANZA
Luigi Pirandello
427
TWO MEN AND A WOMAN
Grazia Deledda
481
SCANDINAVIAN
RAILROAD AND CHURCHYARD
Björnstjerne Björnson
511
BJÖRN SIVERTSEN’S WEDDING TRIP
Holger Drachmann
547
JALO THE TROTTER
Johann Jacob Ahrenberg
567
THE PLAGUE AT BERGAMO
Jens Peter Jacobsen
583
KAREN
Alexander Lange Kielland
595
LOVE AND BREAD
Jean August Strindberg
605
IRENE HOLM
Hermann Joachim Bang
619
THE OUTLAWS
Selma Lagerlöf
637

CONTENTS—VOLUME III
GERMAN

PAGE
THE BROKEN CUP
Johann Heinrich Daniel Zschokke
663
CASTLE NEIDECK
Wilhelm Heinrich von Riehl
691
THE YOUNG GIRL OF TREPPI
Paul Johann Ludwig Heyse
739
THE STONEBREAKERS
Ferdinand von Saar
793
THOU SHALT NOT KILL
Leopold von Sacher-Masoch
839
THE FOUNTAIN OF YOUTH
Rudolf Baumbach
849
GOOD BLOOD
Ernst von Wildenbruch
863
DELIVERANCE
Max Simon Nordau
903
A NEW-YEAR’S EVE CONFESSION
Hermann Sudermann
917
BRIC-A-BRAC AND DESTINIES
Gabriele Reuter
929
THE FUR COAT
Ludwig Fulda
939
THE DEAD ARE SILENT
Arthur Schnitzler
955
MARGRET’S PILGRIMAGE
Clara Viebig
981

CONTENTS—VOLUME IV
FRENCH

PAGE
THE UNKNOWN MASTERPIECE
Honoré de Balzac
1007
THE PRICE OF A LIFE
Augustin Eugène Scribe
1049
NAPOLEON AND POPE PIUS VII
Alfred Victor, Comte de Vigny
1067
CLAUDE GUEUX
Victor Marie Hugo
1083
A BAL MASQUÉ
Alexandre Davy de la Pailleterie Dumas
1105
HOW THE REDOUBT WAS TAKEN
Prosper Mérimée
1121
THE VENDEAN MARRIAGE
Jules Gabriel Janin
1131
THE MARQUISE
George Sand
1149
THE BEAUTY-SPOT
Alfred Louis Charles de Musset
1185
THE MUMMY’S FOOT
Théophile Gautier
1237
CIRCÉ
Octave Feuillet
1257
THE HANGING AT LA PIROCHE
Alexandre Dumas, Fils
1269
THE DEAN’S WATCH
Erckmann-Chatrian
1289
AT THE PALAIS DE JUSTICE
Alphonse Daudet
1319
BOUM-BOUM
Jules Claretie
1327

CONTENTS—VOLUME V
FRENCH

PAGE
LA BRETONNE
André Theuriet
1339
WHICH WAS THE MADMAN?
Edmond About
1349
THE GRAND MARRIAGE
Ludovic Halévy
1379
THE ACCURSED HOUSE
Émile Gaboriau
1415
THE FÊTE AT COQUEVILLE
Émile Zola
1427
THE LOST CHILD
François Coppée
1471
PUTOIS
Anatole France
1495
SAC-AU-DOS
Joris Karl Huysmans
1515
“BONJOUR, MONSIEUR”
Jean Richepin
1559
THE BIT OF STRING
Guy de Maupassant
1571
THE NECKLACE
Guy de Maupassant
1581
THE WALL OPPOSITE
Pierre Loti
1595
THE ANCESTOR
Paul Bourget
1605
WHEN HE WAS A LITTLE BOY
Henri Lavedan
1639
A GENTLEMAN FINDS A WATCH
Georges Courteline
1651
A YOUNG GIRL’S DIARY
Marcel Prévost
1659
THE SIGN OF THE KEY AND THE CROSS
Henri de Régnier
1671
THE TELEGRAPH OPERATOR
Alphonse Allais
1685

PREFACE

When the five-volume collection known as “Short Story Classics (American)” was planned, it was entirely evident that it should be supplemented by a collection of the best examples of the short story to be found in foreign literatures.

The five volumes now offered to the public are designed to supply this lack. They contain seventy-eight short stories, chosen from the literatures of France, Russia, Germany, Italy, Norway, Sweden, Denmark, and Finland—works of importance that have made their mark in the literary world.

The aim has been not only to represent the most widely sympathetic writers, but to select their most generally interesting as well as characteristic stories. The stories have all been written within the last seventy-five years, which has this advantage for the reader, that the scope of the collection may be said to lie within present-day interests.

None of the stories by the following authors appear in any other collection:

FRENCH

Honoré de Balzac, Eugène Scribe, Alfred de Vigny, Victor Hugo, Alexandre Dumas, Prosper Mérimée, Jules Janin, George Sand, Alfred de Musset, Théophile Gautier, Octave Feuillet, Alexandre Dumas (Fils), Erckmann-Chatrian, Alphonse Daudet, André Theuriet, Ludovic Halévy, Émile Gaboriau, Émile Zola, Jules Claretie, François Coppée, Anatole France, Joris Karl Huysmans, Jean Richepin, Pierre Loti, Paul Bourget, Henri de Régnier, Henri Lavedan, Marcel Prévost, Georges Courteline, Alphonse Allais.

RUSSIAN

Poushkin, Gogol, Turgenev, Dostoievski, Tolstoi, Korolénko, Garshin, Potapenko, Chekhov, Chirikov, Teleshov, Maxim Gorki, “Skitalitz,” Andreiev.

ITALIAN AND SCANDINAVIAN

Enrico Castelnuovo, Giovanni Verga, Antonio Fogaszaro, Edmondo de Amicis, Matilda Serao, Gabriele d’Annunzio, Luigi Pirandello, Grazia Deledda, Björnson, Holger Drachmann, Jacob Ahrenberg, Jens Peter Jacobsen, Alexander Kielland, August Strindberg, Hermann Bang, Selma Lagerlöf.

GERMAN

Heinrich Zschokke, Wilhelm Heinrich von Riehl, Paul Heyse, Ferdinand von Saar, Leopold von Sacher-Masoch, Rudolf Baumbach, Ernst von Wildenbruch, Max Nordau, Hermann Sudermann, Gabriele Reuter, Ludwig Fulda, Arthur Schnitzler, and Clara Viebig.

About half of the stories have been especially translated for this collection, and some of them now appear in English for the first time. Among these will be found some by the more recent writers in Germany and Russia, two very interesting groups of moderns whose work has not received as much attention at the hands of the public as it would seem to merit.

In only two or three cases, where the point of view was likely to fail of appreciation by American readers, have the stories been abbreviated or otherwise altered; and attention has been called to this in the accompanying note.

The notes which preceded the stories in “Short Story Classics (American)” proved to be an appreciated and even popular feature, and it is hoped that those written for the present collection may prove equally acceptable.

If any one country more than another can be said to excel in the use and development of the modern short story form, it is France. The literatures of Russia, Italy, Germany, Norway, Sweden, and Denmark, as well as that of the United States, have all been influenced to a greater or lesser extent by the art of Balzac, Gautier, Mérimée, and De Maupassant, for in France short story writing may be said to be based on a theory of art, and to be, consequently, the result of conviction.

This theory of art, apart from the questions of form which it involves, in themselves important considerations, affords great freedom to the writer in the choice of subject-matter and the method of treatment. It presupposes the artist’s right to his point of view. It presupposes an audience more keenly alive to life and the manifestations of life than is characteristic of the general reading public in America at the present time. Generalizations like these are at the best unsatisfactory, since the differences alluded to must be apprehended and can not be well expounded; they will have abundantly served their purpose if they awaken curiosity and prompt the reader unfamiliar with the short story in foreign literatures, and especially in the literature of France, to make his own comparisons.

All over the world the literary main current seems to be toward the development of the realism of twenty-five years ago. From Denmark, where the trace is slightest, to Russia, where it is most brutal, the best work is apparently being done by the realists. In France there is a decided reaction against strenuous realism, but it is principally the reaction of a few individuals, and among these the most prominent is Anatole France. He is not any the less a realist, in the sense of being true to nature, because his intelligence is concerned with an appreciation of something else besides the material side of life.

To those who are familiar with the work of Émile Zola, it seems desirable to explain that “Jacques Damour,” a really great story, was too long to be included in this collection. An interesting comparison can be made between “The Bit of String,” by Guy de Maupassant, and the two stories which it inspired, “The Slanderer,” by Anton Chekhov, and “The End of Candia,” by Gabriele d’Annunzio.

Even the most casual reader must surely be impressed with the extraordinary vitality of these stories and their likeness to life. It is a likeness that is not always optimistic, it is true, as in the case of many of the Russian writers, for example, but it seldom depends on a misstatement of the facts of experience to create its effect, and is seldom lacking in integrity of workmanship.

I am glad of an opportunity to record my appreciation of the intelligent and interested assistance rendered by Mr. R. W. Howes 3d, in preparing these volumes for the press.

William Patten.

THE QUEEN OF SPADES

BY ALEXANDER SERGEIEVITCH POUSHKIN

Alexander Poushkin (born 1799, died 1837) was the greatest genius among the Russian poets. Though born of a noble family, thick lips and crisp, curly hair showed his descent from an Abyssinian negro slave ancestor on his mother’s side. As a poet his work has been compared with that of Byron, of which he was frankly a close student. Chronologically he comes first in the list of Russian prose writers, a list that includes Gogol, Turgenev, Dostoievski, and Tolstoi. “The Queen of Spades” is one of the best and most characteristic of his short stories.

THE QUEEN OF SPADES

BY ALEXANDER POUSHKIN

Translated by H. Twitehell. Copyright, 1901,
by The Current Literature Publishing Company.

At the house of Naroumov, a cavalry officer, the long winter night had been passed in gambling. At five in the morning breakfast was served to the weary players. The winners ate with relish; the losers, on the contrary, pushed back their plates and sat brooding gloomily. Under the influence of the good wine, however, the conversation became general.

“Well, Sourine?” said the host inquiringly.

“Oh, I lost as usual. My luck is abominable. No matter how cool I keep, I never win.”

“How is it, Herman, that you never touch a card?” remarked one of the men, addressing a young officer of the Engineering Corps. “Here you are with the rest of us at five o’clock in the morning, and you have neither played nor bet all night.”

“Play interests me greatly,” replied the person addressed, “but I hardly care to sacrifice the necessaries of life for uncertain superfluities.”

“Herman is a German, therefore economical; that explains it,” said Tomsky. “But the person I can’t quite understand is my grandmother, the Countess Anna Fedorovna.”

“Why?” inquired a chorus of voices.

“I can’t understand why my grandmother never gambles.”

“I don’t see anything very striking in the fact that a woman of eighty refuses to gamble,” objected Naroumov.

“Have you never heard her story?”

“No.”

“Well, then, listen to it. To begin with, sixty years ago my grandmother went to Paris, where she was all the fashion. People crowded each other in the streets to get a chance to see the ‘Muscovite Venus,’ as she was called. All the great ladies played faro, then. On one occasion, while playing with the Duke of Orleans, she lost an enormous sum. She told her husband of the debt, but he refused outright to pay it. Nothing could induce him to change his mind on the subject, and grandmother was at her wits’ ends. Finally, she remembered a friend of hers, Count Saint-Germain. You must have heard of him, as many wonderful stories have been told about him. He is said to have discovered the elixir of life, the philosopher’s stone, and many other equally marvelous things. He had money at his disposal, and my grandmother knew it. She sent him a note asking him to come to see her. He obeyed her summons and found her in great distress. She painted the cruelty of her husband in the darkest colors, and ended by telling the Count that she depended upon his friendship and generosity.

“‘I could lend you the money,’ replied the Count, after a moment of thoughtfulness, ‘but I know that you would not enjoy a moment’s rest until you had returned it; it would only add to your embarrassment. There is another way of freeing yourself.’

“‘But I have no money at all,’ insisted my grandmother.

“‘There is no need of money. Listen to me.’

“The Count then told her a secret which any of us would give a good deal to know.”

The young gamesters were all attention. Tomsky lit his pipe, took a few whiffs, then continued:

“The next evening, grandmother appeared at Versailles at the Queen’s gaming-table. The Duke of Orleans was the dealer. Grandmother made some excuse for not having brought any money, and began to punt. She chose three cards in succession, again and again, winning every time, and was soon out of debt.”

“A fable,” remarked Herman; “perhaps the cards were marked.”

“I hardly think so,” replied Tomsky, with an air of importance.

“So you have a grandmother who knows three winning cards, and you haven’t found out the magic secret.”

“I must say I have not. She had four sons, one of them being my father, all of whom are devoted to play; she never told the secret to one of them. But my uncle told me this much, on his word of honor. Tchaplitzky, who died in poverty after having squandered millions, lost at one time, at play, nearly three hundred thousand rubles. He was desperate and grandmother took pity on him. She told him the three cards, making him swear never to use them again. He returned to the game, staked fifty thousand rubles on each card, and came out ahead, after paying his debts.”

As day was dawning the party now broke up, each one draining his glass and taking his leave.


The Countess Anna Fedorovna was seated before her mirror in her dressing-room. Three women were assisting at her toilet. The old Countess no longer made the slightest pretensions to beauty, but she still clung to all the habits of her youth, and spent as much time at her toilet as she had done sixty years before. At the window a young girl, her ward, sat at her needle-work.

“Good afternoon, grandmother,” cried a young officer, who had just entered the room. “I have come to ask a favor of you.”

“What, Pavel?”

“I want to be allowed to present one of my friends to you, and to take you to the ball on Tuesday night.”

“Take me to the ball and present him to me there.”

After a few more remarks the officer walked up to the window where Lisaveta Ivanovna sat.

“Whom do you wish to present?” asked the girl.

“Naroumov; do you know him?”

“No; is he a soldier?”

“Yes.”

“An engineer?”

“No; why do you ask?”

The girl smiled and made no reply.

Pavel Tomsky took his leave, and, left to herself, Lisaveta glanced out of the window. Soon, a young officer appeared at the corner of the street; the girl blushed and bent her head low over her canvas.

This appearance of the officer had become a daily occurrence. The man was totally unknown to her, and as she was not accustomed to coquetting with the soldiers she saw on the street, she hardly knew how to explain his presence. His persistence finally roused an interest entirely strange to her. One day, she even ventured to smile upon her admirer, for such he seemed to be.

The reader need hardly be told that the officer was no other than Herman, the would-be gambler, whose imagination had been strongly excited by the story told by Tomsky of the three magic cards.

“Ah,” he thought, “if the old Countess would only reveal the secret to me. Why not try to win her good-will and appeal to her sympathy?”

With this idea in mind, he took up his daily station before the house, watching the pretty face at the window, and trusting to fate to bring about the desired acquaintance.

One day, as Lisaveta was standing on the pavement about to enter the carriage after the Countess, she felt herself jostled and a note was thrust into her hand. Turning, she saw the young officer at her elbow. As quick as thought, she put the note in her glove and entered the carriage. On her return from the drive, she hastened to her chamber to read the missive, in a state of excitement mingled with fear. It was a tender and respectful declaration of affection, copied word for word from a German novel. Of this fact, Lisa was, of course, ignorant.

The young girl was much impressed by the missive, but she felt that the writer must not be encouraged. She therefore wrote a few lines of explanation and, at the first opportunity, dropped it, with the letter, out of the window. The officer hastily crossed the street, picked up the papers and entered a shop to read them.

In no wise daunted by this rebuff, he found the opportunity to send her another note in a few days. He received no reply, but, evidently understanding the female heart, he persevered, begging for an interview. He was rewarded at last by the following:

“To-night we go to the ambassador’s ball. We shall remain until two o’clock. I can arrange for a meeting in this way. After our departure, the servants will probably all go out, or go to sleep. At half-past eleven enter the vestibule boldly, and if you see any one, inquire for the Countess; if not, ascend the stairs, turn to the left and go on until you come to a door, which opens into her bed-chamber. Enter this room and behind a screen you will find another door leading to a corridor; from this a spiral staircase leads to my sitting-room. I shall expect to find you there on my return.”

Herman trembled like a leaf as the appointed hour drew near. He obeyed instructions fully, and, as he met no one, he reached the old lady’s bed-chamber without difficulty. Instead of going out of the small door behind the screen, however, he concealed himself in a closet to await the return of the old Countess.

The hours dragged slowly by; at last he heard the sound of wheels. Immediately lamps were lighted and servants began moving about. Finally the old woman tottered into the room, completely exhausted. Her women removed her wraps and proceeded to get her in readiness for the night. Herman watched the proceedings with a curiosity not unmingled with superstitious fear. When at last she was attired in cap and gown, the old woman looked less uncanny than when she wore her ball-dress of blue brocade.

She sat down in an easy chair beside a table, as she was in the habit of doing before retiring, and her women withdrew. As the old lady sat swaying to and fro, seemingly oblivious to her surroundings, Herman crept out of his hiding-place.

At the slight noise the old woman opened her eyes, and gazed at the intruder with a half-dazed expression.

“Have no fear, I beg of you,” said Herman, in a calm voice. “I have not come to harm you, but to ask a favor of you instead.”

The Countess looked at him in silence, seemingly without comprehending him. Herman thought she might be deaf, so he put his lips close to her ear and repeated his remark. The listener remained perfectly mute.

“You could make my fortune without its costing you anything,” pleaded the young man; “only tell me the three cards which are sure to win, and—”

Herman paused as the old woman opened her lips as if about to speak.

“It was only a jest; I swear to you, it was only a jest,” came from the withered lips.

“There was no jesting about it. Remember Tchaplitzky, who, thanks to you, was able to pay his debts.”

An expression of interior agitation passed over the face of the old woman; then she relapsed into her former apathy.

“Will you tell me the names of the magic cards, or not?” asked Herman after a pause.

There was no reply.

The young man then drew a pistol from his pocket, exclaiming: “You old witch, I’ll force you to tell me!”

At the sight of the weapon the Countess gave a second sign of life. She threw back her head and put out her hands as if to protect herself; then they dropped and she sat motionless.

Herman grasped her arm roughly, and was about to renew his threats, when he saw that she was dead!


Seated in her room, still in her ball-dress, Lisaveta gave herself up to her reflections. She had expected to find the young officer there, but she felt relieved to see that he was not.

Strangely enough, that very night at the ball, Tomsky had rallied her about her preference for the young officer, assuring her that he knew more than she supposed he did.

“Of whom are you speaking?” she had asked in alarm, fearing her adventure had been discovered.

“Of the remarkable man,” was the reply. “His name is Herman.”

Lisa made no reply.

“This Herman,” continued Tomsky, “is a romantic character; he has the profile of a Napoleon and the heart of a Mephistopheles. It is said he has at least three crimes on his conscience. But how pale you are.”

“It is only a slight headache. But why do you talk to me of this Herman?”

“Because I believe he has serious intentions concerning you.”

“Where has he seen me?”

“At church, perhaps, or on the street.”

The conversation was interrupted at this point, to the great regret of the young girl. The words of Tomsky made a deep impression upon her, and she realized how imprudently she had acted. She was thinking of all this and a great deal more when the door of her apartment suddenly opened, and Herman stood before her. She drew back at sight of him, trembling violently.

“Where have you been?” she asked in a frightened whisper.

“In the bed-chamber of the Countess. She is dead,” was the calm reply.

“My God! What are you saying?” cried the girl.

“Furthermore, I believe that I was the cause of her death.”

The words of Tomsky flashed through Lisa’s mind.

Herman sat down and told her all. She listened with a feeling of terror and disgust. So those passionate letters, that audacious pursuit were not the result of tenderness and love. It was money that he desired. The poor girl felt that she had in a sense been an accomplice in the death of her benefactress. She began to weep bitterly. Herman regarded her in silence.

“You are a monster!” exclaimed Lisa, drying her eyes.

“I didn’t intend to kill her; the pistol was not even loaded.”

“How are you going to get out of the house?” inquired Lisa. “It is nearly daylight. I intended to show you the way to a secret staircase, while the Countess was asleep, as we would have to cross her chamber. Now I am afraid to do so.”

“Direct me, and I will find the way alone,” replied Herman.

She gave him minute instructions and a key with which to open the street door. The young man pressed the cold, inert hand, then went out.

The death of the Countess had surprised no one, as it had long been expected. Her funeral was attended by every one of note in the vicinity. Herman mingled with the throng without attracting any especial attention. After all the friends had taken their last look at the dead face, the young man approached the bier. He prostrated himself on the cold floor, and remained motionless for a long time. He rose at last with a face almost as pale as that of the corpse itself, and went up the steps to look into the casket. As he looked down it seemed to him that the rigid face returned his glance mockingly, closing one eye. He turned abruptly away, made a false step, and fell to the floor. He was picked up, and, at the same moment, Lisaveta was carried out in a faint.

Herman did not recover his usual composure during the entire day. He dined alone at an out-of-the-way restaurant, and drank a great deal, in the hope of stifling his emotion. The wine only served to stimulate his imagination. He returned home and threw himself down on his bed without undressing.

During the night he awoke with a start; the moon shone into his chamber, making everything plainly visible. Some one looked in at the window, then quickly disappeared. He paid no attention to this, but soon he heard the vestibule door open. He thought it was his orderly, returning late, drunk as usual. The step was an unfamiliar one, and he heard the shuffling sound of loose slippers.

The door of his room opened, and a woman in white entered. She came close to the bed, and the terrified man recognized the Countess.

“I have come to you against my will,” she said abruptly; “but I was commanded to grant your request. The three, seven, and ace in succession are the magic cards. Twenty-four hours must elapse between the use of each card, and after the three have been used you must never play again.”

The fantom then turned and walked away. Herman heard the outside door close, and again saw the form pass the window.

He rose and went out into the hall, where his orderly lay asleep on the floor. The door was closed. Finding no trace of a visitor, he returned to his room, lit his candle, and wrote down what he had just heard.

Two fixed ideas can not exist in the brain at the same time any more than two bodies can occupy the same point in space. The three, seven, and ace soon chased away the thoughts of the dead woman, and all other thoughts from the brain of the young officer. All his ideas merged into a single one: how to turn to advantage the secret paid for so dearly. He even thought of resigning his commission and going to Paris to force a fortune from conquered fate. Chance rescued him from his embarrassment.

Tchekalinsky, a man who had passed his whole life at cards, opened a club at St. Petersburg. His long experience secured for him the confidence of his companions, and his hospitality and genial humor conciliated society.

The gilded youth flocked around him, neglecting society, preferring the charms of faro to those of their sweethearts. Naroumov invited Herman to accompany him to the club, and the young man accepted the invitation only too willingly.

The two officers found the apartments full. Generals and statesmen played whist; young men lounged on sofas, eating ices or smoking. In the principal salon stood a long table, at which about twenty men sat playing faro, the host of the establishment being the banker.

He was a man of about sixty, gray-haired and respectable. His ruddy face shone with genial humor; his eyes sparkled and a constant smile hovered around his lips.

Naroumov presented Herman. The host gave him a cordial handshake, begged him not to stand upon ceremony, and returned to his dealing. More than thirty cards were already on the table. Tchekalinsky paused after each coup, to allow the punters time to recognize their gains or losses, politely answering all questions and constantly smiling.

After the deal was over, the cards were shuffled and the game began again.

“Permit me to choose a card,” said Herman, stretching out his hand over the head of a portly gentleman, to reach a livret. The banker bowed without replying.

Herman chose a card, and wrote the amount of his stake upon it with a piece of chalk.

“How much is that?” asked the banker; “excuse me, sir, but I do not see well.”

“Forty thousand rubles,” said Herman coolly.

All eyes were instantly turned upon the speaker.

“He has lost his wits,” thought Naroumov.

“Allow me to observe,” said Tchekalinsky, with his eternal smile, “that your stake is excessive.”

“What of it?” replied Herman, nettled. “Do you accept it or not?”

The banker nodded in assent. “I have only to remind you that the cash will be necessary; of course your word is good, but in order to keep the confidence of my patrons, I prefer the ready money.”

Herman took a bank-check from his pocket and handed it to his host. The latter examined it attentively, then laid it on the card chosen.

He began dealing: to the right, a nine; to the left, a three.

“The three wins,” said Herman, showing the card he held—a three.

A murmur ran through the crowd. Tchekalinsky frowned for a second only, then his smile returned. He took a roll of bank-bills from his pocket and counted out the required sum. Herman received it and at once left the table.

The next evening saw him at the place again. Every one eyed him curiously, and Tchekalinsky greeted him cordially.

He selected his card and placed upon it his fresh stake. The banker began dealing: to the right, a nine; to the left, a seven.

Herman then showed his card—a seven spot. The onlookers exclaimed, and the host was visibly disturbed. He counted out ninety-four thousand rubles and passed them to Herman, who accepted them without showing the least surprise, and at once withdrew.

The following evening he went again. His appearance was the signal for the cessation of all occupation, every one being eager to watch the developments of events. He selected his card—an ace.

The dealing began: to the right, a queen; to the left, an ace.

“The ace wins,” remarked Herman, turning up his card without glancing at it.

“Your queen is killed,” remarked Tchekalinsky quietly.

Herman trembled; looking down, he saw, not the ace he had selected, but the queen of spades. He could scarcely believe his eyes. It seemed impossible that he could have made such a mistake. As he stared at the card it seemed to him that the queen winked one eye at him mockingly.

“The old woman!” he exclaimed involuntarily.

The croupier raked in the money while he looked on in stupid terror. When he left the table, all made way for him to pass; the cards were shuffled, and the gambling went on.

Herman became a lunatic. He was confined at the hospital at Oboukov, where he spoke to no one, but kept constantly murmuring in a monotonous tone: “The three, seven, ace! The three, seven, queen!”

THE CLOAK

BY NIKOLAI VASILIEVITCH GOGOL

The naturalistic movement, which took its rise in France with Balzac and Mérimée, was represented in Russia by Gogol (born 1809, died 1852), who has been called the true founder of the Russian school of fiction. He undoubtedly derived some inspiration from the romantic Poushkin, but, unlike Poushkin, he was of Cossack origin—that is, not pure Russian; he was born in Southwestern Russia, on the borders of Poland. His writings have exerted a great influence on both French and Russian writers. Zola frankly confesses him as his master, and Turgenev has said: “We all came from Gogol’s ‘Cloak.’” Over and above the constant observation of life on which his work is based, and the remarkable ability he possessed to present his facts in a simple, natural manner, there is always the understanding and sympathy of a big-hearted man of the people.

THE CLOAK

BY NIKOLAI GOGOL

In the department of—but it is better not to mention the department. There is nothing more irritable than departments, regiments, courts of justice, and, in a word, every branch of public service. Each individual attached to them nowadays thinks all society insulted in his person. Quite recently a complaint was received from a justice of the peace, in which he plainly demonstrated that all the imperial institutions were going to the dogs, and that the Czar’s sacred name was being taken in vain; and in proof he appended to the complaint a romance, in which the justice of the peace is made to appear about once in every ten lines, and sometimes in a drunken condition. Therefore, in order to avoid all unpleasantness, it will be better to designate the department in question as a certain department.

So, in a certain department there was a certain official—not a very high one, it must be allowed—short of stature, somewhat pock-marked, red-haired, and short-sighted, with a bald forehead, wrinkled cheeks, and a complexion of the kind known as sanguine. The St. Petersburg climate was responsible for this. As for his official status, he was what is called a perpetual titular councilor, over which some writers make merry and crack their jokes, obeying the praiseworthy custom of attacking those who can not bite back.

His family name was Bashmatchkin. This name is evidently derived from bashmak (shoe); but when, at what time, and in what manner, is not known. His father and grandfather, and all the Bashmatchkins, always wore boots, which only had new heels two or three times a year. His name was Akakiy Akakievitch. It may strike the reader as rather singular and far-fetched; but he may rest assured that it was by no means far-fetched, and that the circumstances were such that it would have been impossible to give him any other.

This was how it came about.

Akakiy Akakievitch was born, if my memory fails me not, in the evening on the 23d of March. His mother, the wife of a Government official, and a very fine woman, made all due arrangements for having the child baptized. She was lying on the bed opposite the door; on her right stood the godfather, Iván Ivanovitch Eroshkin, a most estimable man, who served as presiding officer of the senate; and the godmother, Anna Semenovna Byelobrushkova, the wife of an officer of the quarter, and a woman of rare virtues. They offered the mother her choice of three names, Mokiya, Sossiya, or that the child should be called after the martyr Khozdazat. “No,” said the good woman, “all those names are poor.” In order to please her, they opened the calendar at another place; three more names appeared, Triphiliy, Dula, and Varakhasiy. “This is a judgment,” said the old woman. “What names! I truly never heard the like. Varadat or Varukh might have been borne, but not Triphiliy and Varakhasiy!” They turned to another page and found Pavsikakhiy and Vakhtisiy. “Now I see,” said the old woman, “that it is plainly fate. And since such is the case, it will be better to name him after his father. His father’s name was Akakiy, so let his son’s be Akakiy too.” In this manner he became Akakiy Akakievitch. They christened the child, whereat he wept, and made a grimace, as though he foresaw that he was to be a titular councilor.

In this manner did it all come about. We have mentioned it in order that the reader might see for himself that it was a case of necessity, and that it was utterly impossible to give him any other name. When and how he entered the department, and who appointed him, no one could remember. However much the directors and chiefs of all kinds were changed, he was always to be seen in the same place, the same attitude, the same occupation; so that it was afterward affirmed that he had been born in undress uniform with a bald head.

No respect was shown him in the department. The porter not only did not rise from his seat when he passed, but never even glanced at him, any more than if a fly had flown through the reception-room. His superiors treated him in coolly despotic fashion. Some subchief would thrust a paper under his nose without so much as saying “Copy,” or “Here’s a nice, interesting affair,” or anything else agreeable, as is customary among well-bred officials. And he took it, looking only at the paper, and not observing who handed it to him, or whether he had the right to do so; simply took it, and set about copying it.

The young officials laughed at and made fun of him, so far as their official wit permitted; told in his presence various stories concocted about him, and about his landlady, an old woman of seventy; declared that she beat him; asked when the wedding was to be; and strewed bits of paper over his head, calling them snow. But Akakiy Akakievitch answered not a word, any more than if there had been no one there besides himself. It even had no effect upon his work: amid all these annoyances he never made a single mistake in a letter. But if the joking became wholly unbearable, as when they jogged his hand, and prevented his attending to his work, he would exclaim, “Leave me alone! Why do you insult me?” And there was something strange in the words and the voice in which they were uttered. There was in it something which moved to pity; so much that one young man, a newcomer, who, taking pattern by the others, had permitted himself to make sport of Akakiy, suddenly stopped short, as though all about him had undergone a transformation and presented itself in a different aspect. Some unseen force repelled him from the comrades whose acquaintance he had made, on the supposition that they were well-bred and polite men. Long afterward, in his gayest moments, there recurred to his mind the little official with the bald forehead, with his heart-rending words, “Leave me alone! Why do you insult me?” In these moving words, other words resounded—“I am thy brother.” And the young man covered his face with his hand; and many a time afterward, in the course of his life, shuddered at seeing how much inhumanity there is in man, how much savage coarseness is concealed beneath delicate, refined worldliness, and even, O God! in that man whom the world acknowledges as honorable and noble.

It would be difficult to find another man who lived so entirely for his duties. It is not enough to say that Akakiy labored with zeal: no, he labored with love. In his copying he found a varied and agreeable employment. Enjoyment was written on his face: some letters were even favorites with him, and when he encountered these he smiled, winked, and worked with his lips, till it seemed as though each letter might be read in his face, as his pen traced it. If his pay had been in proportion to his zeal, he would, perhaps, to his great surprise, have been made even a councilor of state. But he worked, as his companions, the wits, put it, like a horse in a mill.

Moreover, it is impossible to say that no attention was paid to him. One director, being a kindly man, and desirous of rewarding him for his long service, ordered him to be given something more important than mere copying. So he was ordered to make a report of an already concluded affair to another department; the duty consisting simply in changing the heading and altering a few words from the first to the third person. This caused him so much toil that he broke into a perspiration, rubbed his forehead, and finally said: “No, give me rather something to copy.” After that they let him copy on forever.

Outside this copying, it appeared that nothing existed for him. He gave no thought to his clothes; his undress uniform was not green, but a sort of rusty-meal color. The collar was low, so that his neck, in spite of the fact that it was not long, seemed inordinately so as it emerged from it, like the necks of those plaster cats which wag their heads and are carried about upon the heads of scores of image sellers. And something was always sticking to his uniform, either a bit of hay or some trifle. Moreover, he had a peculiar knack, as he walked along the street, of arriving beneath a window just as all sorts of rubbish was being flung out of it; hence he always bore about on his hat scraps of melon rinds and other such articles. Never once in his life did he give heed to what was going on every day in the street; while it is well known that his young brother officials train the range of their glances till they can see when any one’s trouser-straps come undone upon the opposite sidewalk, which always brings a malicious smile to their faces. But Akakiy Akakievitch saw in all things the clean, even strokes of his written lines; and only when a horse thrust his nose, from some unknown quarter, over his shoulder, and sent a whole gust of wind down his neck from his nostrils, did he observe that he was not in the middle of a page, but in the middle of the street.

On reaching home he sat down at once at the table, supped his cabbage-soup up quickly, and swallowed a bit of beef with onions, never noticing their taste, and gulping down everything with flies and anything else which the Lord happened to send at the moment. His stomach filled, he rose from the table and copied papers which he had brought home. If there happened to be none, he took copies for himself, for his own gratification, especially if the document was noteworthy, not on account of its style, but of its being addressed to some distinguished person.

Even at the hour when the gray St. Petersburg sky had quite disappeared, and all the official world had eaten or dined, each as he could, in accordance with the salary he received and his own fancy; when all were resting from the departmental jar of pens, running to and fro from their own and other people’s indispensable occupations, and from all the work that an uneasy man makes willingly for himself, rather than what is necessary; when officials hasten to dedicate to pleasure the time which is left to them, one bolder than the rest going to the theatre; another into the street, looking under all the bonnets; another wasting his evening in compliments to some pretty girl, the star of a small official circle; another—and this is the common case of all—visiting his comrades on the fourth or third floor, in two small rooms with an anteroom or kitchen, and some pretensions to fashion, such as a lamp or some other trifle, which has cost many a sacrifice of dinner or pleasure trip; in a word, at the hour when all officials disperse among the contracted quarters of their friends, to play whist as they sip their tea from glasses with a kopek’s worth of sugar, smoke long pipes, relate at times some bits of gossip which a Russian man can never, under any circumstances, refrain from, and, when there is nothing else to talk of, repeat eternal anecdotes about the commandant to whom they had sent word that the tails of the horses on the Falconet Monument had been cut off, when all strive to divert themselves, Akakiy Akakievitch indulged in no kind of diversion. No one could ever say that he had seen him at any kind of evening party. Having written to his heart’s content, he lay down to sleep, smiling at the thought of the coming day—of what God might send him to copy on the morrow.

Thus flowed on the peaceful life of the man, who, with a salary of four hundred rubles, understood how to be content with his lot; and thus it would have continued to flow on, perhaps, to extreme old age were it not that there are various ills strewn along the path of life for titular councilors as well as for private, actual, court, and every other species of councilor, even for those who never give any advice or take any themselves.

There exists in St. Petersburg a powerful foe of all who receive a salary of four hundred rubles a year, or thereabouts. This foe is no other than the northern cold, although it is said to be very healthy. At nine o’clock in the morning, at the very hour when the streets are filled with men bound for the various official departments, it begins to bestow such powerful and piercing nips on all noses impartially that the poor officials really do not know what to do with them. At an hour when the foreheads of even those who occupy exalted positions ache with the cold, and tears start to their eyes, the poor titular councilors are sometimes quite unprotected. Their only salvation lies in traversing as quickly as possible, in their thin little cloaks, five or six streets, and then warming their feet in the porter’s room, and so thawing all their talents and qualifications for official service which had become frozen on the way.

Akakiy Akakievitch had felt for some time that his back and shoulders suffered with peculiar poignancy in spite of the fact that he tried to traverse the distance with all possible speed. He began finally to wonder whether the fault did not lie in his cloak. He examined it thoroughly at home, and discovered that in two places, namely, on the back and shoulders, it had become thin as gauze; the cloth was worn to such a degree that he could see through it, and the lining had fallen into pieces. You must know that Akakiy Akakievitch’s cloak served as an object of ridicule to the officials; they even refused it the noble name of cloak, and called it a cape. In fact, it was of singular make; its collar diminishing year by year, but serving to patch its other parts. The patching did not exhibit great skill on the part of the tailor, and was, in fact, baggy and ugly. Seeing how the matter stood, Akakiy Akakievitch decided that it would be necessary to take the cloak to Petrovitch, the tailor, who lived somewhere on the fourth floor, up a dark staircase, and who, in spite of his having but one eye, and pock-marks all over his face, busied himself in repairing the trousers and coats of officials and others; that is to say, when he was sober, and not nursing some other scheme in his head.

It is not necessary to say much about this tailor; but, as it is the custom to have the character of each personage in a novel clearly defined, there is no help for it, so here is Petrovitch the tailor. At first he was called only Grigoriy, and was some gentleman’s serf; he commenced calling himself Petrovitch from the time when he received his free papers, and further began to drink heavily on all holidays, at first on the great ones, and then on all church festivals without discrimination, wherever a cross stood in the calendar. On this point he was faithful to ancestral custom; and when quarreling with his wife he called her a low female and a German. As we have mentioned his wife, it will be necessary to say a word or two about her. Unfortunately, little is known of her beyond the fact that Petrovitch has a wife, who wears a cap and a dress, but can not lay claim to beauty; at least, no one but the soldiers of the guard even looked under her cap when they met her.

Ascending the staircase which led to Petrovitch’s room—which staircase was all soaked with dish-water and reeked with the smell of spirits which affects the eyes, and is an inevitable adjunct to all dark stairways in St. Petersburg houses—ascending the stairs, Akakiy Akakievitch pondered how much Petrovitch would ask, and mentally resolved not to give more than two rubles. The door was open; for the mistress, in cooking some fish, had raised such a smoke in the kitchen that not even the beetles were visible. Akakiy Akakievitch passed through the kitchen unperceived, even by the housewife, and at length reached a room where he beheld Petrovitch seated on a large unpainted table, with his legs tucked under him like a Turkish pasha. His feet were bare, after the fashion of tailors as they sit at work; and the first thing which caught the eye was his thumb, with a deformed nail thick and strong as a turtle’s shell. About Petrovitch’s neck hung a skein of silk and thread, and upon his knees lay some old garment. He had been trying unsuccessfully for three minutes to thread his needle, and was enraged at the darkness and even at the thread, growling in a low voice, “It won’t go through, the barbarian! You pricked me, you rascal!”

Akakiy Akakievitch was vexed at arriving at the precise moment when Petrovitch was angry; he liked to order something of Petrovitch when the latter was a little downhearted, or, as his wife expressed it, “when he had settled himself with brandy, the one-eyed devil!” Under such circumstances, Petrovitch generally came down in his price very readily, and even bowed and returned thanks. Afterward, to be sure, his wife would come, complaining that her husband was drunk, and so had fixed the price too low; but if only a ten-kopek piece were added, then the matter was settled. But now it appeared that Petrovitch was in a sober condition, and therefore rough, taciturn, and inclined to demand, Satan only knows what price. Akakiy Akakievitch felt this, and would gladly have beat a retreat; but he was in for it. Petrovitch screwed up his one eye very intently at him; and Akakiy Akakievitch involuntarily said: “How do you do, Petrovitch?”

“I wish you a good-morning, sir,” said Petrovitch, squinting at Akakiy Akakievitch’s hands, to see what sort of booty he had brought.

“Ah! I—to you, Petrovitch, this—” It must be known that Akakiy Akakievitch expressed himself chiefly by prepositions, adverbs, and scraps of phrases which had no meaning whatever. If the matter was a very difficult one, he had a habit of never completing his sentences; so that frequently, having begun a phrase with the words, “This, in fact, is quite—” he forgot to go on, thinking that he had already finished it.

“What is it?” asked Petrovitch, and with his one eye scanned Akakievitch’s whole uniform from the collar down to the cuffs, the back, the tails, and the button-holes, all of which were well known to him, since they were his own handiwork. Such is the habit of tailors; it is the first thing they do on meeting one.

“But I, here, this—Petrovitch—a cloak, cloth—here you see, everywhere, in different places, it is quite strong—it is a little dusty, and looks old, but it is new, only here in one place it is a little—on the back, and here on one of the shoulders, it is a little worn, yes, here on this shoulder it is a little—do you see? that is all. And a little work—”

Petrovitch took the cloak, spread it out, to begin with, on the table, looked hard at it, shook his head, reached out his hand to the window-sill for his snuff-box, adorned with the portrait of some general, though what general is unknown, for the place where the face should have been had been rubbed through by the finger, and a square bit of paper had been pasted over it. Having taken a pinch of snuff, Petrovitch held up the cloak, and inspected it against the light, and again shook his head. Then he turned it, lining upward, and shook his head once more. After which he again lifted the general-adorned lid with its bit of pasted paper, and, having stuffed his nose with snuff, closed and put away the snuff-box, and said finally, “No, it is impossible to mend it; it’s a wretched garment!”

Akakiy Akakievitch’s heart sank at these words.

“Why is it impossible, Petrovitch?” he said, almost in the pleading voice of a child; “all that ails it is that it is worn at the shoulders. You must have some pieces—”

“Yes, patches could be found, patches are easily found,” said Petrovitch, “but there’s nothing to sew them to. The thing is completely rotten; if you put a needle to it—see, it will give way.”

“Let it give way, and you can put on another patch at once.”

“But there is nothing to put the patches on to; there’s no use in strengthening it; it is too far gone. It’s lucky that it’s cloth; for, if the wind were to blow, it would fly away.”

“Well, strengthen it again. How this, in fact.”

“No,” said Petrovitch decisively, “there is nothing to be done with it. It’s a thoroughly bad job. You’d better, when the cold winter weather comes on, make yourself some gaiters out of it, because stockings are not warm. The Germans invented them in order to make more money.” Petrovitch loved, on all occasions, to have a fling at the Germans. “But it is plain you must have a new cloak.”

At the word “new,” all grew dark before Akakiy Akakievitch’s eyes and everything in the room began to whirl round. The only thing he saw clearly was the general with the paper face on the lid of Petrovitch’s snuff-box. “A new one?” said he, as if still in a dream: “why, I have no money for that.”

“Yes, a new one,” said Petrovitch, with barbarous composure.

“Well, if it came to a new one, how it?”

“You mean how much would it cost?”

“Yes.”

“Well, you would have to lay out a hundred and fifty or more,” said Petrovitch, and pursed up his lips significantly. He liked to produce powerful effects, liked to stun utterly and suddenly and then to glance sidewise to see what face the stunned person would put on the matter.

“A hundred and fifty rubles for a cloak!” shrieked poor Akakiy Akakievitch, perhaps for the first time in his life, for his voice had always been distinguished for softness.

“Yes, sir,” said Petrovitch, “for any kind of cloak. If you have a marten fur on the collar, or a silk-lined hood, it will mount up to two hundred.”

“Petrovitch, please,” said Akakiy Akakievitch in a beseeching tone, not hearing, and not trying to hear, Petrovitch’s words, and disregarding all his “effects,” “some repairs, in order that it may wear yet a little longer.”

“No, it would only be a waste of time and money,” said Petrovitch; and Akakiy Akakievitch went away after these words, utterly discouraged. But Petrovitch stood for some time after his departure, with significantly compressed lips, and without betaking himself to his work, satisfied that he would not be dropped, and an artistic tailor employed.

Akakiy Akakievitch went out into the street as if in a dream. “Such an affair!” he said to himself: “I did not think it had come to—” and then after a pause he added: “Well, so it is! see what it has come to at last! and I never imagined that it was so!” Then followed a long silence, after which he exclaimed: “Well, so it is! see what already—nothing unexpected that it would be nothing—what a strange circumstance!” So saying, instead of going home, he went in exactly the opposite direction without himself suspecting it. On the way a chimney-sweep bumped up against him and blackened his shoulder, and a whole hatful of rubbish landed on him from the top of a house which was building. He did not notice it; and only when he ran against a watchman, who, having planted his halberd beside him, was shaking some snuff from his box into his horny hand, did he recover himself a little, and that because the watchman said, “Why are you poking yourself into a man’s very face? Haven’t you the pavement?” This caused him to look about him, and turn toward home.

There only he finally began to collect his thoughts and to survey his position in its clear and actual light, and to argue with himself, sensibly and frankly, as with a reasonable friend, with whom one can discuss private and personal matters. “No,” said Akakiy Akakievitch, “it is impossible to reason with Petrovitch now; he is that—evidently his wife has been beating him. I’d better go to him on Sunday morning; after Saturday night he will be a little cross-eyed and sleepy, for he will want to get drunk, and his wife won’t give him any money; and at such a time a ten-kopek piece in his hand will—he will become more fit to reason with, and then the cloak, and that—” Thus argued Akakiy Akakievitch with himself, regained his courage, and waited until the first Sunday, when, seeing from afar that Petrovitch’s wife had left the house, he went straight to him.

Petrovitch’s eye was, indeed, very much askew after Saturday: his head drooped and he was very sleepy; but for all that, as soon as he knew what it was a question of, it seemed as though Satan jogged his memory. “Impossible,” said he; “please to order a new one.” Thereupon Akakiy Akakievitch handed over the ten-kopek piece. “Thank you, sir; I will drink your good health,” said Petrovitch; “but as for the cloak, don’t trouble yourself about it; it is good for nothing. I will make you a capital new one, so let us settle about it now.”

Akakiy Akakievitch was still for mending it; but Petrovitch would not hear of it, and said: “I shall certainly have to make you a new one, and you may depend upon it that I shall do my best. It may even be, as the fashion goes, that the collar can be fastened by silver hooks under a flap.”

Then Akakiy Akakievitch saw that it was impossible to get along without a new cloak, and his spirit sank utterly. How, in fact, was it to be done? Where was the money to come from? He might, to be sure, depend, in part, upon his present at Christmas; but that money had long been allotted beforehand. He must have some new trousers, and pay a debt of long standing to the shoemaker for putting new tops to his old boots, and he must order three shirts from the seamstress, and a couple of pieces of linen. In short, all his money must be spent; and even if the director should be so kind as to order him to receive forty-five rubles instead of forty, or even fifty, it would be a mere nothing, a mere drop in the ocean toward the funds necessary for a cloak; although he knew that Petrovitch was often wrong-headed enough to blurt out some outrageous price, so that even his own wife could not refrain from exclaiming, “Have you lost your senses, you fool?” At one time he would not work at any price, and now it was quite likely that he had named a higher sum than the cloak would cost.

But although he knew that Petrovitch would undertake to make a cloak for eighty rubles, still, where was he to get the eighty rubles from? He might possibly manage half; yes, half might be procured, but where was the other half to come from? But the reader must first be told where the first half came from. Akakiy Akakievitch had a habit of putting, for every ruble he spent, a kopek into a small box, fastened with lock and key, and with a slit in the top for the reception of money. At the end of every half-year he counted over the heap of coppers, and changed it for silver. This he had done for a long time, and in the course of years the sum had mounted up to over forty rubles. Thus he had one-half on hand; but where was he to find the other half? where was he to get another forty rubles from? Akakiy Akakievitch thought and thought, and decided that it would be necessary to curtail his ordinary expenses for the space of one year at least—to dispense with tea in the evening, to burn no candles, and, if there was anything which he must do, to go into his landlady’s room and work by her light. When he went into the street he must walk as lightly as he could, and as cautiously, upon the stones, almost upon tiptoe, in order not to wear his heels down in too short a time; he must give the laundress as little to wash as possible; and, in order not to wear out his clothes, he must take them off as soon as he got home, and wear only his cotton dressing-gown, which had been long and carefully saved.

To tell the truth, it was a little hard for him at first to accustom himself to these deprivations; but he got used to them at length, after a fashion, and all went smoothly. He even got used to being hungry in the evening, but he made up for it by treating himself, so to say, in spirit, by bearing ever in mind the idea of his future cloak. From that time forth his existence seemed to become, in some way, fuller, as if he were married, or as if some other man lived in him, as if, in fact, he were not alone, and some pleasant friend had consented to travel along life’s path with him, the friend being no other than the cloak, with thick wadding and a strong lining incapable of wearing out. He became more lively, and even his character grew firmer, like that of a man who has made up his mind and set himself a goal. From his face and gait, doubt and indecision, all hesitating and wavering traits, disappeared of themselves. Fire gleamed in his eyes, and occasionally the boldest and most daring ideas flitted through his mind; why not, for instance, have marten fur on the collar? The thought of this almost made him absent-minded. Once, in copying a letter, he nearly made a mistake, so that he exclaimed almost aloud, “Ugh!” and crossed himself. Once in the course of every month he had a conference with Petrovitch on the subject of the cloak, where it would be better to buy the cloth, and the color, and the price. He always returned home satisfied, though troubled, reflecting that the time would come at last when it could all be bought, and then the cloak made.

The affair progressed more briskly than he had expected. Far beyond all his hopes, the director awarded neither forty nor forty-five rubles for Akakiy Akakievitch’s share, but sixty. Whether he suspected that Akakiy Akakievitch needed a cloak, or whether it was merely chance; at all events, twenty extra rubles were by this means provided. This circumstance hastened matters. Two or three months more of hunger and Akakiy Akakievitch had accumulated about eighty rubles. His heart, generally so quiet, began to throb. On the first possible day he went shopping in company with Petrovitch. They bought some very good cloth, and at a reasonable rate too, for they had been considering the matter for six months, and rarely let a month pass without their visiting the shops to inquire prices. Petrovitch himself said that no better cloth could be had. For lining, they selected a cotton stuff, but so firm and thick that Petrovitch declared it to be better than silk, and even prettier and more glossy. They did not buy the marten fur because it was, in fact, dear, but in its stead they picked out the very best of cat-skin which could be found in the shop, and which might, indeed, be taken for marten at a distance.

Petrovitch worked at the cloak two whole weeks, for there was a great deal of quilting; otherwise it would have been finished sooner. He charged twelve rubles for the job; it could not possibly have been done for less. It was all sewed with silk, in small, double seams; and Petrovitch went over each seam afterward with his own teeth.

It was—it is difficult to say precisely on what day, but probably the most glorious one in Akakiy Akakievitch’s life, when Petrovitch at length brought home the cloak. He brought it in the morning, before the hour when it was necessary to start for the department. Never did a cloak arrive so exactly in the nick of time, for the severe cold had set in, and it seemed to threaten to increase. Petrovitch brought the cloak himself as befits a good tailor. On his countenance was a significant expression, such as Akakiy Akakievitch had never beheld there. He seemed fully sensible that he had done no small deed, and crossed a gulf separating tailors who only put in linings and execute repairs from those who make new things. He took the cloak out of the pocket-handkerchief in which he had brought it. The handkerchief was fresh from the laundress, and he put it in his pocket for use. Taking out the cloak, he gazed proudly at it, held it up with both hands, and flung it skilfully over the shoulders of Akakiy Akakievitch. Then he pulled it and fitted it down behind with his hand, and he draped it around Akakiy Akakievitch without buttoning it. Akakiy Akakievitch, like an experienced man, wished to try the sleeves. Petrovitch helped him on with them, and it turned out that the sleeves were satisfactory also. In short, the cloak appeared to be perfect and most seasonable. Petrovitch did not neglect to observe that it was only because he lived in a narrow street, and had no sign-board, and had known Akakiy Akakievitch so long, that he had made it so cheaply; but that if he had been in business on the Nevsky Prospect he would have charged seventy-five rubles for the making alone. Akakiy Akakievitch did not care to argue this point with Petrovitch. He paid him, thanked him, and set out at once in his new cloak for the department. Petrovitch followed him, and, pausing in the street, gazed long at the cloak in the distance, after which he went to one side expressly to run through a crooked alley and emerge again into the street beyond to gaze once more upon the cloak from another point, namely, directly in front.

Meantime Akakiy Akakievitch went on in holiday mood. He was conscious, every second of the time, that he had a new cloak on his shoulders; and several times he laughed with internal satisfaction. In fact there were two advantages, one was its warmth, the other its beauty. He saw nothing of the road, but suddenly found himself at the department. He took off his cloak in the anteroom, looked it over carefully, and confided it to the especial care of the attendant. It is impossible to say precisely how it was that every one in the department knew at once that Akakiy Akakievitch had a new cloak, and that the “cape” no longer existed. All rushed at the same moment into the anteroom, to inspect it. They congratulated him and said pleasant things to him, so that he began at first to smile and then to grow ashamed. When all surrounded him and said that the new cloak must be “christened,” and that he must give a whole evening at least to this, Akakiy Akakievitch lost his head completely, and did not know where he stood, what to answer, or how to get out of it. He stood blushing all over for several minutes, and was on the point of assuring them with great simplicity that it was not a new cloak, that it was so and so, that it was in fact the old “cape.”

At length one of the officials, a subchief probably, in order to show that he was not at all proud, and on good terms with his inferiors, said: “So be it, only I will give the party instead of Akakiy Akakievitch; I invite you all to tea with me to-night; it happens quite à propos, as it is my name-day.” The officials naturally at once offered the subchief their congratulations, and accepted the invitation with pleasure. Akakiy Akakievitch would have declined, but all declared that it was discourteous, that it was simply a sin and a shame, and that he could not possibly refuse. Besides, the notion became pleasant to him when he recollected that he should thereby have a chance of wearing his new cloak in the evening also.

That whole day was truly a most triumphant festival day for Akakiy Akakievitch. He returned home in the most happy frame of mind, took off his cloak, and hung it carefully on the wall, admiring afresh the cloth and the lining. Then he brought out his old, worn-out cloak for comparison. He looked at it and laughed, so vast was the difference. And long after dinner he laughed again when the condition of the “cape” recurred to his mind. He dined cheerfully, and after dinner wrote nothing, but took his ease for a while on the bed, until it got dark. Then he dressed himself leisurely, put on his cloak, and stepped out into the street. Where the host lived, unfortunately, we can not say; our memory begins to fail us badly; and the houses and streets in St. Petersburg have become so mixed up in our head that it is very difficult to get anything out of it again in proper form. This much is certain, that the official lived in the best part of the city; and, therefore, it must have been anything but near to Akakiy Akakievitch’s residence. Akakiy Akakievitch was first obliged to traverse a kind of wilderness of deserted, dimly lighted streets; but in proportion as he approached the official’s quarter of the city the streets became more lively, more populous, and more brilliantly illuminated. Pedestrians began to appear; handsomely dressed ladies were more frequently encountered; the men had otter-skin collars to their coats; peasant wagoners, with their grate like sledges stuck over with brass-headed nails, became rarer; while, on the other hand, more and more drivers in red velvet caps, lacquered sledges, and bear-skin coats began to appear, and carriages with rich hammercloths flew swiftly through the streets, their wheels crunching the snow. Akakiy Akakievitch gazed upon all this as upon a novel sight. He had not been in the streets during the evening for years. He halted out of curiosity before a shop-window, to look at a picture representing a handsome woman, who had thrown off her shoe, thereby baring her whole foot in a very pretty way; while behind her the head of a man with whiskers and a handsome mustache peeped through the doorway of another room. Akakiy Akakievitch shook his head and laughed, and then went on his way. Why did he laugh? Either because he had met with a thing utterly unknown, but for which every one cherishes, nevertheless, some sort of feeling; or else he thought, like many officials, as follows: “Well, those French! What is to be said? If they do go in anything of that sort, why—” But possibly he did not think at all.

Akakiy Akakievitch at length reached the house in which the subchief lodged. The subchief lived in fine style; the staircase was lit by a lamp, his apartment being on the second floor. On entering the vestibule, Akakiy Akakievitch beheld a whole row of goloshes on the floor. Among them, in the centre of the room, stood a samovár, or tea-urn, humming and emitting clouds of steam. On the walls hung all sorts of coats and cloaks, among which there were even some with beaver collars or velvet facings. Beyond, the buzz of conversation was audible, and became clear and loud when the servant came out with a trayful of empty glasses, cream-jugs, and sugar-bowls. It was evident that the officials had arrived long before, and had already finished their first glass of tea.

Akakiy Akakievitch, having hung up his own cloak, entered the inner room. Before him all at once appeared lights, officials, pipes, and card-tables; and he was bewildered by a sound of rapid conversation rising from all the tables, and the noise of moving chairs. He halted very awkwardly in the middle of the room, wondering what he ought to do. But they had seen him. They received him with a shout, and all thronged at once into the anteroom, and there took another look at his cloak. Akakiy Akakievitch, although somewhat confused, was frank-hearted, and could not refrain from rejoicing when he saw how they praised his cloak. Then, of course, they all dropped him and his cloak, and returned, as was proper, to the tables set out for whist.

All this, the noise, the talk, and the throng of people was rather overwhelming to Akakiy Akakievitch. He simply did not know where he stood, or where to put his hands, his feet, and his whole body. Finally he sat down by the players, looked at the cards, gazed at the face of one and another, and after a while began to gape, and to feel that it was wearisome, the more so as the hour was already long past when he usually went to bed. He wanted to take leave of the host; but they would not let him go, saying that he must not fail to drink a glass of champagne, in honor of his new garment. In the course of an hour, supper, consisting of vegetables, salad, cold veal, pastry, confectioner’s pies, and champagne, was served. They made Akakiy Akakievitch drink two glasses of champagne, after which he felt things grow livelier.

Still, he could not forget that it was twelve o’clock, and that he should have been at home long ago. In order that the host might not think of some excuse for detaining him, he stole out of the room quickly, sought out, in the anteroom, his cloak, which, to his sorrow, he found lying on the floor, brushed it, picked off every speck upon it, put it on his shoulders, and descended the stairs to the street.

In the street all was still bright. Some petty shops, those permanent clubs of servants and all sorts of folks, were open. Others were shut, but, nevertheless, showed a streak of light the whole length of the door-crack, indicating that they were not yet free of company, and that probably some domestics, male and female, were finishing their stories and conversations, while leaving their masters in complete ignorance as to their whereabouts. Akakiy Akakievitch went on in a happy frame of mind: he even started to run, without knowing why, after some lady, who flew past like a flash of lightning. But he stopped short, and went on very quietly as before, wondering why he had quickened his pace. Soon there spread before him those deserted streets, which are not cheerful in the daytime, to say nothing of the evening. Now they were even more dim and lonely: the lanterns began to grow rarer, oil, evidently, had been less liberally supplied. Then came wooden houses and fences: not a soul anywhere; only the snow sparkled in the streets and mournfully veiled the low-roofed cabins with their closed shutters. He approached the spot where the street crossed a vast square with houses barely visible on its farther side, a square which seemed a fearful desert.

Afar, a tiny spark glimmered from some watchman’s box, which seemed to stand on the edge of the world. Akakiy Akakievitch’s cheerfulness diminished at this point in a marked degree. He entered the square, not without an involuntary sensation of fear, as though his heart warned him of some evil. He glanced back and on both sides, it was like a sea about him. “No, it is better not to look,” he thought, and went on, closing his eyes. When he opened them, to see whether he was near the end of the square, he suddenly beheld, standing just before his very nose, some bearded individuals of precisely what sort he could not make out. All grew dark before his eyes, and his heart throbbed.

“But, of course, the cloak is mine!” said one of them in a loud voice, seizing hold of his collar. Akakiy Akakievitch was about to shout “watch” when the second man thrust a fist about the size of a man’s head into his mouth, muttering, “Now scream!”

Akakiy Akakievitch felt them strip off his cloak and give him a push with a knee; he fell headlong upon the snow, and felt no more. In a few minutes he recovered consciousness, and rose to his feet; but no one was there. He felt that it was cold in the square and that his cloak was gone; he began to shout, but his voice did not appear to reach to the outskirts of the square. In despair, but without ceasing to shout, he started at a run across the square, straight toward the watch-box, beside which stood the watchman, leaning on his halberd, and apparently curious to know what kind of a customer was running toward him and shouting. Akakiy Akakievitch ran up to him, and began in a sobbing voice to shout that he was asleep and attended to nothing, and did not see when a man was robbed. The watchman replied that he had seen two men stop him in the middle of the square, but supposed that they were friends of his; and that, instead of scolding vainly, he had better go to the police on the morrow, so that they might make a search for whoever had stolen the cloak.

Akakiy Akakievitch ran home in complete disorder; his hair, which grew very thinly upon his temples and the back of his head, wholly disordered; his body, arms, and legs covered with snow. The old woman, who was mistress of his lodgings, on hearing a terrible knocking, sprang hastily from her bed, and, with only one shoe on, ran to open the door, pressing the sleeve of her chemise to her bosom out of modesty; but when she had opened it she fell back on beholding Akakiy Akakievitch in such a state. When he told her about the affair she clasped her hands, and said that he must go straight to the district chief of police, for his subordinate would turn up his nose, promise well, and drop the matter there. The very best thing to do, therefore, would be to go to the district chief, whom she knew, because Finnish Anna, her former cook, was now nurse at his house. She often saw him passing the house; and he was at church every Sunday, praying, but at the same time gazing cheerfully at everybody; so that he must be a good man, judging from all appearances. Having listened to this opinion, Akakiy Akakievitch betook himself sadly to his room; and how he spent the night there any one who can put himself in another’s place may readily imagine.

Early in the morning he presented himself at the district chief’s; but was told that this official was asleep. He went again at ten and was again informed that he was asleep; at eleven, and they said, “The superintendent is not at home;” at dinner time, and the clerks in the anteroom would not admit him on any terms, and insisted upon knowing his business. So that at last, for once in his life, Akakiy Akakievitch felt an inclination to show some spirit, and said curtly that he must see the chief in person; that they ought not to presume to refuse him entrance; that he came from the department of justice, and that when he complained of them, they would see.

The clerks dared make no reply to this, and one of them went to call the chief, who listened to the strange story of the theft of the coat. Instead of directing his attention to the principal points of the matter, he began to question Akakiy Akakievitch: Why was he going home so late? Was he in the habit of doing so, or had he been to some disorderly house? So that Akakiy Akakievitch got thoroughly confused, and left him without knowing whether the affair of his cloak was in proper train or not.

All that day, for the first time in his life, he never went near the department. The next day he made his appearance, very pale, and in his old cape, which had become even more shabby. The news of the robbery of the cloak touched many; although there were some officials present who never lost an opportunity, even such a one as the present, of ridiculing Akakiy Akakievitch. They decided to make a collection for him on the spot, but the officials had already spent a great deal in subscribing for the director’s portrait, and for some book, at the suggestion of the head of that division, who was a friend of the author; and so the sum was trifling.

One of them, moved by pity, resolved to help Akakiy Akakievitch with some good advice at least, and told him that he ought not to go to the police, for although it might happen that a police officer, wishing to win the approval of his superiors, might hunt up the cloak by some means, still his cloak would remain in the possession of the police if he did not offer legal proof that it belonged to him. The best thing for him, therefore, would be to apply to a certain prominent personage; since this prominent personage, by entering into relations with the proper persons, could greatly expedite the matter.

As there was nothing else to be done, Akakiy Akakievitch decided to go to the prominent personage. What was the exact official position of the prominent personage remains unknown to this day. The reader must know that the prominent personage had but recently become a prominent personage, having up to that time been only an insignificant person. Moreover, his present position was not considered prominent in comparison with others still more so. But there is always a circle of people to whom what is insignificant in the eyes of others is important enough. Moreover, he strove to increase his importance by sundry devices; for instance, he managed to have the inferior officials meet him on the staircase when he entered upon his service; no one was to presume to come directly to him, but the strictest etiquette must be observed; the collegiate recorder must make a report to the government secretary, the government secretary to the titular councilor, or whatever other man was proper, and all business must come before him in this manner. In Holy Russia all is thus contaminated with the love of imitation; every man imitates and copies his superior. They even say that a certain titular councilor, when promoted to the head of some small separate room, immediately partitioned off a private room for himself, called it the audience chamber, and posted at the door a lackey with red collar and braid, who grasped the handle of the door and opened to all comers; though the audience chamber would hardly hold an ordinary writing table.

The manners and customs of the prominent personage were grand and imposing, but rather exaggerated. The main foundation of his system was strictness. “Strictness, strictness, and always strictness!” he generally said; and at the last word he looked significantly into the face of the person to whom he spoke. But there was no necessity for this, for the half-score of subordinates, who formed the entire force of the office, were properly afraid; on catching sight of him afar off, they left their work, and waited, drawn up in line, until he had passed through the room. His ordinary converse with his inferiors smacked of sternness, and consisted chiefly of three phrases: “How dare you?” “Do you know whom you are speaking to?” “Do you realize who stands before you?”

Otherwise he was a very kind-hearted man, good to his comrades, and ready to oblige; but the rank of general threw him completely off his balance. On receiving any one of that rank he became confused, lost his way, as it were, and never knew what to do. If he chanced to be among his equals, he was still a very nice kind of man, a very good fellow in many respects, and not stupid; but the very moment that he found himself in the society of people but one rank lower than himself, he became silent; and his situation aroused sympathy, the more so as he felt himself that he might have been making an incomparably better use of his time. In his eyes there was sometimes visible a desire to join some interesting conversation or group; but he was kept back by the thought, “Would it not be a very great condescension on his part? Would it not be familiar? and would he not thereby lose his importance?” And in consequence of such reflections he always remained in the same dumb state, uttering from time to time a few monosyllabic sounds, and thereby earning the name of the most wearisome of men.

To this prominent personage, Akakiy Akakievitch presented himself, and this at the most unfavorable time for himself, though opportune for the prominent personage. The prominent personage was in his cabinet, conversing very gaily with an old acquaintance and companion of his childhood, whom he had not seen for several years, and who had just arrived, when it was announced to him that a person named Bashmatchkin had come. He asked abruptly: “Who is he?” “Some official,” he was informed. “Ah, he can wait! this is no time for him to call,” said the important man.

It must be remarked here that the important man lied outrageously: he had said all he had to say to his friend long before; and the conversation had been interspersed for some time with very long pauses, during which they merely slapped each other on the leg, and said: “You think so, Iván Abramovitch?” “Just so, Stephan Varlamovitch!” Nevertheless, he ordered that the official should be kept waiting, in order to show his friend, a man who had not been in the service for a long time, but had lived at home in the country, how long officials had to wait in his anteroom.

At length, having talked himself completely out, and more than that, having had his fill of pauses, and smoked a cigar in a very comfortable armchair with reclining back, he suddenly seemed to recollect, and said to the secretary, who stood by the door with papers of reports, “So it seems that there is a tchinovnik waiting to see me. Tell him that he may come in.” On perceiving Akakiy Akakievitch’s modest mien and his worn undress uniform, he turned abruptly to him and said: “What do you want?” in a curt, hard voice, which he had practised in his room in private, and before the looking-glass, for a whole week before being raised to his present rank.

Akakiy Akakievitch, who was already imbued with a due amount of fear, became somewhat confused; and, as well as his tongue would permit, explained, with a rather more frequent addition than usual of the word “that,” that his cloak was quite new and had been stolen in the most inhuman manner; that he had applied to him in order that he might, in some way, by his intermediation—that he might enter into correspondence with the chief of police, and find the cloak.

For some inexplicable reason this conduct seemed familiar to the prominent personage. “What, my dear sir!” he said abruptly, “are you not acquainted with etiquette? Where have you come from? Don’t you know how such matters are managed? You should first have entered a complaint about this at the court below: it would have gone to the head of the department, then to the chief of the division, then it would have been handed over to the secretary, and the secretary would have given it to me.”

“But, your excellency,” said Akakiy Akakievitch, trying to collect his small handful of wits, and conscious at the same time that he was perspiring terribly, “I, your excellency, presumed to trouble you because secretaries—are an untrustworthy race.”

“What, what, what!” said the important personage. “Where did you get such courage? Where did you get such ideas? What impudence toward their chiefs and superiors has spread among the young generation!” The prominent personage apparently had not observed that Akakiy Akakievitch was already in the neighborhood of fifty. If he could be called a young man, it must have been in comparison with some one who was seventy. “Do you know to whom you speak? Do you realize who stands before you? Do you realize it? do you realize it? I ask you!” Then he stamped his foot and raised his voice to such a pitch that it would have frightened even a different man from Akakiy Akakievitch.

Akakiy Akakievitch’s senses failed him; he staggered, trembled in every limb, and, if the porters had not run in to support him, would have fallen to the floor. They carried him out insensible. But the prominent personage, gratified that the effect should have surpassed his expectations, and quite intoxicated with the thought that his word could even deprive a man of his senses, glanced sidewise at his friend in order to see how he looked upon this, and perceived, not without satisfaction, that his friend was in a most uneasy frame of mind, and even beginning, on his part, to feel a trifle frightened.

Akakiy Akakievitch could not remember how he descended the stairs, and got into the street. He felt neither his hands nor feet. Never in his life had he been so rated by any high official, let alone a strange one. He went staggering on through the snowstorm, which was blowing in the streets, with his mouth wide open, the wind, in St. Petersburg fashion, darted upon him from all quarters, and down every cross street. In a twinkling it had blown a quinsy into his throat, and he reached home unable to utter a word. His throat was swollen, and he lay down on his bed. So powerful is sometimes a good scolding!

The next day a violent fever showed itself. Thanks to the generous assistance of the St. Petersburg climate, the malady progressed more rapidly than could have been expected; and when the doctor arrived, he found, on feeling the sick man’s pulse, that there was nothing to be done, except to prescribe a fomentation, so that the patient might not be left entirely without the beneficent aid of medicine; but at the same time he predicted his end in thirty-six hours. After this he turned to the landlady, and said: “And as for you, don’t waste your time on him: order his pine coffin now, for an oak one will be too expensive for him.” Did Akakiy Akakievitch hear these fatal words? And if he heard them, did they produce any overwhelming effect upon him? Did he lament the bitterness of his life? We know not, for he continued in a delirious condition. Visions incessantly appeared to him each stranger than the other. Now he saw Petrovitch and ordered him to make a cloak with some traps for robbers who seemed to him to be always under the bed; and cried every moment to the landlady to pull one of them from under his coverlet. Then he inquired why his old mantle hung before him when he had a new cloak. Next he fancied that he was standing before the prominent person listening to a thorough setting-down and saying: “Forgive me, your excellency!” but at last he began to curse, uttering the most horrible words, so that his aged landlady crossed herself, never in her life having heard anything of the kind from him, the more so, as those words followed directly after the words “your excellency.” Later on he talked utter nonsense, of which nothing could be made: all that was evident being that his incoherent words and thoughts hovered ever about one thing, his cloak.

At length poor Akakiy Akakievitch breathed his last. They sealed up neither his room nor his effects, because, in the first place, there were no heirs, and, in the second, there was very little to inherit beyond a bundle of goose-quills, a quire of white official paper, three pairs of socks, two or three buttons which had burst off his trousers, and the mantle already known to the reader. To whom all this fell, God knows. I confess that the person who told me this tale took no interest in the matter. They carried Akakiy Akakievitch out, and buried him.

And St. Petersburg was left without Akakiy Akakievitch, as though he had never lived there. A being disappeared, who was protected by none, dear to none, interesting to none, and who never even attracted to himself the attention of those students of human nature, who omit no opportunity of thrusting a pin through a common fly, and examining it under the microscope. A being who bore meekly the jibes of the department, and went to his grave without having done one unusual deed, but to whom, nevertheless, at the close of his life, appeared a bright visitant in the form of a cloak, which momentarily cheered his poor life, and upon whom, thereafter, an intolerable misfortune descended, just as it descends upon the heads of the mighty of this world!

Several days after his death, the porter was sent from the department to his lodgings with an order for him to present himself there immediately; the chief commanding it. But the porter had to return unsuccessful, with the answer that he could not come; and to the question, “Why?” replied, “Well, because he is dead! he was buried four days ago.” In this manner did they hear of Akakiy Akakievitch’s death at the department; and the next day a new official sat in his place, with a handwriting by no means so upright, but more inclined and slanting.

But who could have imagined that this was not really the end of Akakiy Akakievitch, that he was destined to raise a commotion after death, as if in compensation for his utterly insignificant life? But so it happened, and our poor story unexpectedly gains a fantastic ending.

A rumor suddenly spread through St. Petersburg that a dead man had taken to appearing on the Kalinkin Bridge and its vicinity, at night, in the form of a tchinovnik seeking a stolen cloak, and that, under the pretext of its being the stolen cloak, he dragged, without regard to rank or calling, every one’s cloak from his shoulders, be it cat-skin, beaver, fox, bear, sable; in a word, every sort of fur and skin which men adopted for their covering. One of the department officials saw the dead man with his own eyes, and immediately recognized in him Akakiy Akakievitch. This, however, inspired him with such terror that he ran off with all his might, and therefore did not scan the dead man closely, but only saw how the latter threatened him from afar with his finger. Constant complaints poured in from all quarters, of those who were exposed to the danger of a cold, on account of the frequent dragging off of their cloaks.

Arrangements were made by the police to catch the corpse, alive or dead, at any cost, and punish him as an example to others, in the most severe manner. In this they nearly succeeded; for a watchman, on guard in Kirushkin Alley, caught the corpse by the collar on the very scene of his evil deeds, when attempting to pull off the frieze cloak of a retired musician. Having seized him by the collar, he summoned, with a shout, two of his comrades, whom he enjoined to hold him fast, while he himself felt for a moment in his boot, in order to draw out his snuff-box, and refresh his frozen nose. But the snuff was of a sort which even a corpse could not endure. The watchman, having closed his right nostril with his finger, had no sooner succeeded in holding half a handful up to the left than the corpse sneezed so violently that he completely filled the eyes of all three. While they raised their hands to wipe them, the dead man vanished completely, so that they positively did not know whether they had actually had him in their grip at all. Thereafter the watchmen conceived such a terror of dead men that they were afraid even to seize the living, and only screamed from a distance: “Hey, there! go your way!” So the dead tchinovnik began to appear, even beyond the Kalinkin Bridge, causing no little terror to all timid people.

But we have totally neglected that certain prominent personage, who may really be considered as the cause of the fantastic turn taken by this true history. First of all, justice compels us to say that after the departure of poor, annihilated Akakiy Akakievitch, he felt something like remorse. Suffering was unpleasant to him, for his heart was accessible to many good impulses, in spite of the fact that his rank often prevented his showing his true self. As soon as his friend had left his cabinet he began to think about poor Akakiy Akakievitch. And from that day forth poor Akakiy Akakievitch, who could not bear up under an official reprimand, recurred to his mind almost every day. The thought troubled him to such an extent that a week later he even resolved to send an official to him, to learn whether he really could assist him; and when it was reported to him that Akakiy Akakievitch had died suddenly of fever, he was startled, harkened to the reproaches of his conscience, and was out of sorts for the whole day.

Wishing to divert his mind in some way, and drive away the disagreeable impression, he set out that evening for one of his friends’ houses, where he found quite a large party assembled. What was better, nearly every one was of the same rank as himself, so that he need not feel in the least constrained. This had a marvelous effect upon his mental state. He grew expansive, made himself agreeable in conversation, in short, he passed a delightful evening. After supper he drank a couple of glasses of champagne—not a bad recipe for cheerfulness, as every one knows. The champagne inclined him to various adventures; and he determined not to return home, but to go and see a certain well-known lady, of German extraction, Karolina Ivanovna, a lady, it appears, with whom he was on a very friendly footing.

It must be mentioned that the prominent personage was no longer a young man, but a good husband, and respected father of a family. Two sons, one of whom was already in the service; and a good-looking, sixteen-year-old daughter, with a rather retroussé but pretty little nose, came every morning to kiss his hand, and say: “Bon jour, papa.” His wife, a still fresh and good-looking woman, first gave him her hand to kiss, and then, reversing the procedure, kissed his. But the prominent personage, though perfectly satisfied in his domestic relations, considered it stylish to have a friend in another quarter of the city. This friend was scarcely prettier or younger than his wife; but there are such puzzles in the world, and it is not our place to judge them. So the important personage descended the stairs, stepped into his sledge, said to the coachman, “To Karolina Ivanovna’s,” and, wrapping himself luxuriously in his warm cloak, found himself in that delightful frame of mind than which a Russian can conceive nothing better, namely, when you think of nothing yourself, yet when the thoughts creep into your mind of their own accord, each more agreeable than the other, giving you no trouble either to drive them away or seek them. Fully satisfied, he recalled all the gay features of the evening just passed, and all the mots which had made the little circle laugh. Many of them he repeated in a low voice, and found them quite as funny as before; so it is not surprising that he should laugh heartily at them. Occasionally, however, he was interrupted by gusts of wind, which, coming suddenly, God knows whence or why, cut his face, drove masses of snow into it, filled out his cloak-collar like a sail, or suddenly blew it over his head with supernatural force, and thus caused him constant trouble to disentangle himself.

Suddenly the important personage felt some one clutch him firmly by the collar. Turning round, he perceived a man of short stature, in an old, worn uniform, and recognized, not without terror, Akakiy Akakievitch. The official’s face was white as snow, and looked just like a corpse’s. But the horror of the important personage transcended all bounds when he saw the dead man’s mouth open, and, with a terrible odor of the grave, give vent to the following remarks: “Ah, here you are at last! I have you, that—by the collar! I need your cloak; you took no trouble about mine, but reprimanded me; so now give up your own.”

The pallid prominent personage almost died of fright. Brave as he was in the office and in the presence of inferiors generally, and although, at the sight of his manly form and appearance, every one said, “Ugh! how much character he has!” at this crisis, he, like many possessed of a heroic exterior, experienced such terror that, not without cause, he began to fear an attack of illness. He flung his cloak hastily from his shoulders and shouted to his coachman in an unnatural voice: “Home at full speed!” The coachman, hearing the tone which is generally employed at critical moments, and even accompanied by something much more tangible, drew his head down between his shoulders in case of an emergency, flourished his whip, and flew on like an arrow. In a little more than six minutes the prominent personage was at the entrance of his own house. Pale, thoroughly scared, and cloakless, he went home instead of to Karolina Ivanovna’s, reached his room somehow or other, and passed the night in the direst distress; so that the next morning over their tea his daughter said: “You are very pale to-day, papa.” But papa remained silent, and said not a word to any one of what had happened to him, where he had been, or where he had intended to go.

This occurrence made a deep impression upon him. He even began to say: “How dare you? do you realize who stands before you?” less frequently to the under-officials, and, if he did utter the words, it was only after first having learned the bearings of the matter. But the most noteworthy point was that from that day forward the apparition of the dead tchinovnik ceased to be seen. Evidently the prominent personage’s cloak just fitted his shoulders; at all events, no more instances of his dragging cloaks from people’s shoulders were heard of. But many active and apprehensive persons could by no means reassure themselves, and asserted that the dead tchinovnik still showed himself in distant parts of the city.

In fact, one watchman in Kolomna saw with his own eyes the apparition come from behind a house. But being rather weak of body, he dared not arrest him, but followed him in the dark, until, at length, the apparition looked round, paused, and inquired: “What do you want?” at the same time showing such a fist as is never seen on living men. The watchman said: “It’s of no consequence,” and turned back instantly. But the apparition was much too tall, wore huge mustaches, and, directing its steps apparently toward the Obukhoff Bridge, disappeared in the darkness of the night.

THE RENDEZVOUS

AND

THE COUNTING-HOUSE

BY IVAN TURGENEV

The greatest of Russian authors was born in 1818, and, expatriated from Russia, died in the suburbs of Paris in 1883. His literary method reversed the usual process. The plot of a story was something he never thought of. His short stories are wonderful character drawings of individuals or groups that show a complete, a brooding absorption in his subjects. The spirit of the great Slav race lives in his work, and though his stories are sombre his characters have a vitality that only genius can give. An aristocrat, and possessed of some means, Turgenev’s stories concern themselves with the old racial traits of character, but do not touch on the revolutionary element.

THE RENDEZVOUS

BY IVAN TURGENEV

Translated by Herman Bernstein. Copyright, 1907,
by P. F. Collier & Son.

I was sitting in a birch grove in autumn, near the middle of September. It had been drizzling ever since morning; occasionally the sun shone warmly—the weather was changeable. Now the sky was overcast with watery white clouds, now it suddenly cleared up for an instant, and then the bright, soft azure, like a beautiful eye, appeared from beyond the dispersed clouds. I was sitting looking about me and listening. The leaves were slightly rustling over my head; and by their very rustle one could tell what season of the year it was. It was not the gay, laughing palpitation of spring; not a soft whispering, nor the lingering chatter of summer, nor the timid and cold lisping of late autumn, but a barely audible, drowsy prattle. A faint breeze was whisking over the tree-tops. The interior of the grove, moist from the rain, was forever changing, as the sun shone or hid beyond the clouds; now the grove was all illuminated as if everything in it had burst into a smile; the trunks of the birch trees suddenly assumed the soft reflection of white silk; the small leaves which lay scattered on the ground all at once became variegated and flashed up like red gold; and the pretty stalks of the tall, branchy ferns, already tinted in their autumn hue, resembling the color of overripe grapes, appeared here and there tangling and crossing one another. Now again everything suddenly turned blue; the bright colors died out instantaneously, the birch trees stood all white, lustreless, like snow which had not yet been touched by the coldly playing rays of the winter sun—and stealthily, slyly, a drizzling rain began to sprinkle and whisper over the forest. The leaves on the birches were almost all green yet, though they had turned somewhat pale; only here and there stood a solitary young little birch, all red or all golden, and one should have seen how brightly these birches flushed in the sun when its rays suddenly appeared gliding and flashing through the dense net of the thin branches which had just been washed around by the sparkling rain. Not a single bird was heard; all had found shelter, and were silent; only rarely the mocking voice of the bluebird sang out like a little steel bell. Before stopping in this birch forest I passed with my dog through a poplar grove. I confess I am not very fond of the poplar tree with its pale lilac-colored trunk and its grayish-green, metallic leaves, which it lifts high and spreads in the air like a trembling fan—I do not like the constant shaking of its round, untidy leaves, which are so awkwardly attached to long stems. The poplar is pretty only on certain summer evenings when, rising high amid the low shrubbery, it stands against the red rays of the setting sun, shining and trembling, bathed from root to top in uniform yellowish purple—or when, on a clear windy day, it rocks noisily, lisping against the blue sky, and each leaf seems as if eager to tear itself away, to fly and hurry off into the distance. But in general I do not like this tree, and, therefore, not stopping to rest in the poplar grove, I made my way to the birch forest, and seated myself under a tree whose branches started near the ground, and thus could protect me from the rain. Having admired the surrounding view, I fell asleep—I slept that tranquil, sweet sleep which is familiar to hunters only.

I can not say how long I slept, but when I opened my eyes the entire interior of the forest was filled with sunshine, and everywhere the bright blue sky was flashing through the cheerfully droning leaves; the clouds disappeared, driven asunder by the wind which had begun to play; the weather was clear now, and one felt in the air that peculiar, dry freshness which, filling the heart with a certain vigorous sensation, almost always predicts a quiet, clear night after a rainy day. I was about to rise and try my luck at hunting again, when my eyes suddenly fell on a motionless human figure. I gazed at it fixedly; it was a young peasant girl. She was sitting some twenty feet away from me, her head bowed pensively and her hands dropped on her knees; in one hand, which was half open, lay a heavy bunch of field flowers, and every time she breathed the flowers were softly gliding over her checkered skirt. A clear white shirt, buttoned at the neck and the wrists, fell in short, soft folds about her waist; large yellow beads were hanging down from her neck on her bosom in two rows. She was not at all bad-looking. Her heavy fair hair, of a beautiful ash color, parted in two neatly combed half-circles from under a narrow, dark-red head-band, which was pulled down almost to her ivory-white forehead; the rest of her face was slightly tanned with the golden sunburn peculiar to a tender skin. I could not see her eyes—she did not lift them; but I saw her thin, high eyebrows, her long lashes; these were moist, and on her cheek gleamed a dried-up teardrop, which had stopped near her somewhat pale lips. Her entire small head was very charming; even her somewhat thick and round nose did not spoil it. I liked especially the expression of her face; it was so simple and gentle, so sad and so full of childish perplexity before her own sadness. She was apparently waiting for some one. Something cracked faintly in the forest. Immediately she raised her head and looked around; her eyes flashed quickly before me in the transparent shade—they were large, bright, and shy like a deer’s. She listened for a few seconds, not moving her wide-open eyes from the spot whence the faint sound had come; she heaved a sigh, turned her head slowly, bent down still lower and began to examine the flowers. Her eyelids turned red, her lips quivered bitterly and a new teardrop rolled down from under her heavy eyelashes, stopping and sparkling on her cheek. Thus quite a long while passed; the poor girl did not stir—only occasionally she moved her hands and listened—listened all the time. Something cracked once more in the forest—she startled. This time the noise did not stop, it was becoming more distinct, it was nearing—at last firm footsteps were heard. She straightened herself, and it seemed as if she lost her courage, for her eyes began to quiver. The figure of a man appeared through the jungle. She looked fixedly, suddenly flushed, and, smiling joyously and happily, seemed about to rise, but she immediately cast down her head again, turned pale, confused—only then she lifted her quivering, almost prayerful, eyes to the man as he paused beside her.

I looked at him from my hiding-place with curiosity. I confess he did not produce a pleasant impression upon me. He was, by all appearances, a spoiled valet of some rich young man. His clothes betokened a claim to taste and smart carelessness. He wore a short top-coat of bronze color, which evidently belonged to his master, and which was buttoned up to the very top; he had on a pink necktie with lilac-colored edges; and his black velvet cap, trimmed with gold stripes, was pulled over his very eyebrows. The round collar of his white shirt propped his ears up and cut his cheeks mercilessly, and the starched cuffs covered his hands up to his red, crooked fingers, which were ornamented with silver and gold rings, set with forget-me-nots of turquoise. His red, fresh, impudent face belonged to those countenances which, as far as I have observed, are almost always repulsive to men, but, unfortunately, are often admired by women. Apparently trying to give an expression of contempt and of weariness to his rough features, he was forever closing his small, milky-gray eyes, knitting his brows, lowering the corners of his lips, yawning forcedly, and, with careless, although not too clever, ease, now adjusting his reddish, smartly twisted temple-curls, now fingering the yellow hair which bristled upon his thick upper lip—in a word, he was making an insufferable display of himself. He started to do this as soon as he noticed the young peasant girl who was awaiting him. He advanced to her slowly, with large strides, then stood for a while, twitched his shoulders, thrust both hands into the pockets of his coat, and, casting a quick and indifferent glance at the poor girl, sank down on the ground.

“Well?” he began, continuing to look aside, shaking his foot and yawning. “Have you waited long?”

The girl could not answer him at once.

“Long, Victor Alexandrovich,” she said at last, in a scarcely audible voice.

“Ah!” He removed his cap, majestically passed his hand over his thick, curly hair whose roots started almost at his eyebrows, and, looking around with dignity, covered his precious head again cautiously. “And I almost forgot all about it. Besides, you see, it’s raining.” He yawned again. “I have a lot of work to do; you can’t look after everything, and he is yet scolding. We are leaving to-morrow—”