Transcriber’s Notes
This e-text is based on ‘The Century Illustrated Monthly Magazine,’ from November, 1912. Inconsistent spelling and hyphenation have been retained, but punctuation and typographical errors have been corrected. Passages in English dialect and in languages other than English have not been altered. Footnotes have been moved to the end of the corresponding article.
THE CENTURY
ILLUSTRATED MONTHLY
MAGAZINE
VOL. LXXXV
NEW SERIES: VOL. LXIII
NOVEMBER, 1912, TO APRIL, 1913
THE CENTURY CO., NEW YORK
HODDER & STOUGHTON, LONDON
Copyright, 1912, 1913, by THE CENTURY CO.
THE DE VINNE PRESS
INDEX
TO
THE CENTURY MAGAZINE
VOL. LXXXV NEW SERIES: VOL. LXIII
| PAGE | |||
| AFTER-DINNER STORIES. | |||
| Bearding Whistler in his Den; “Rules are Made to be Broken”; Serviceable French | Sylvester Menlo | [156] | |
| A Reminiscence of Marion Crawford. | Baddeley Boardman | 319 | |
| Why he Could Not Go with his State; A Significant Saying of Henry Clay | Arthur G. Rowe | 478 | |
| Mark Twain in an Emergency; The Narrow Escape of Bobby Sawyer | John B. Quackenbos | 637 | |
| Anecdotes of President Cleveland; A Fable for Office-seekers | 800 | ||
| The Sultan of Moro on the Charleston | E. C. Rost | 958 | |
| Remington on Tiger-Hunting | S. Walter Jones | 959 | |
| AFTER-THE-WAR SERIES, THE CENTURY’S | |||
| The Humor and Tragedy of the Greeley Campaign | Henry Watterson | [26] | |
| Pictures from photographs and cartoons. | |||
| The Impeachment of Andrew Johnson. | |||
| I. The Causes of Impeachment | Harrison Gray Otis | 187 | |
| II. Emancipation and Impeachment | John B. Henderson | 196 | |
| Portraits, and drawing by Jay Hambidge. | |||
| III. The President’s Defense | Gaillard Hunt | 422 | |
| IV. Anecdotes of Andrew Johnson | Benjamin C. Truman | 435 | |
| Pictures from photographs, portraits, etc. | |||
| Our Alaska Bargain. | |||
| Introduction | 581 | ||
| Alaska as a Territory of the United States | Alfred Holman | 582 | |
| Pictures by Jay Hambidge, Nast, and Harry Fenn; photographs and map. | |||
| Our Greatest Victory of Peace. | |||
| Introduction | 702 | ||
| The Arbitration of the Alabama Claims | William Conant Church | 703 | |
| With cartoons from “Punch,” drawings by W. Taber, J. O. Davidson, and photographs. | |||
| The Southern View of Reconstruction. | |||
| Introduction | 843 | ||
| The Aftermath of Reconstruction | Clark Howell | 844 | |
| Pictures from photographs. | |||
| How We Redeemed Alabama | Hilary A. Herbert | 854 | |
| Pictures from photographs and cartoons. | |||
| Ex-Senator Edmunds on Reconstruction and Impeachment | 863 | ||
| AMERICANS FROM THE EUROPEAN POINT OF VIEW. | Maurice Francis Egan | 686 | |
| “AN ELITE OF THOUGHTFUL MEN” | Editorial | 632 | |
| ANNUNCIATION, THE. From the painting by | H. O. Tanner | [57] | |
| ARCH OF CONSTANTINE UNVEILED, THE MYSTERY OF THE | A. I. Frothingham | 449 | |
| Pictures from photographs. | |||
| ARTISTS SERIES, AMERICAN, THE CENTURY’S. | |||
| Mary Greene Blumenschein: Idleness | 162 | ||
| Printed in color. | |||
| Henry Golden Dearth: The White Rose | 324 | ||
| Printed in color. | |||
| John C. Johansen: Portrait of Mr. J. H. K—— | 563 | ||
| Printed in color. | |||
| William M. Chase: Portrait of Annie Traquair Lang | 721 | ||
| Printed in color. | |||
| ASSASSIN, THE | Horace Hazeltine | 678 | |
| Pictures by W. M. Berger. | |||
| BALKAN PENINSULA, SKIRTING THE | Robert Hichens | ||
| I. Picturesque Dalmatia | 643 | ||
| Pictures by Jules Guérin, Joseph Pennell, and from photographs. | |||
| II. In and Near Athens | 884 | ||
| Pictures by Jules Guérin and from photographs. | |||
| BERGSON, HENRI | Alvan F. Sanborn | 172 | |
| Portrait by Jacques Blanche. | |||
| BIG JOB, THE, THE END OF | Farnham Bishop | 271 | |
| Pictures from photographs, map, and diagram. | |||
| BROWNING, ROBERT, AS SEEN BY HIS SON | William Lyon Phelps | 417 | |
| BURNETT, FRANCES HODGSON. See “[T. Tembarom].” | |||
| CANAL BLUNDER, THE, A WAY OUT OF: REPEAL THE EXEMPTION | Editorial | [150] | |
| CAPITOL AT WASHINGTON, THE. Lithographs by | Joseph Pennell | 787 | |
| CAPTURE OF NEW YORK, THE | Paul B. Malone | 927 | |
| CARTOONS. | |||
| Ambidextrous | Neagle | [157] | |
| “When Immortal Meets Immortal” | John T. McCutcheon | [158] | |
| “Does Your Muvver Make You Wear Old Clothes?” | J. R. Shaver | 639 | |
| “We are Seven” | J. R. Shaver | 801 | |
| At an Exhibition of “Cubist” Pictures | Abel Faivre | 960 | |
| CARTOONS, AMERICAN, OF TO-DAY | Frank Weitenkampf | 540 | |
| With examples of work by noted cartoonists. | |||
| CERVANTES LOOKED, HOW | 256 | ||
| CHILDREN’S, THE, UNCENSORED READING | Editorial | 312 | |
| CHRISTMAS, EMMY JANE’S | Julia B. Tenney | 319 | |
| CHRISTMAS FÊTE, A, IN CALIFORNIA | Louise Herrick Wall | 210 | |
| Pictures by W. T. Benda. | |||
| CHRISTMAS TREE, THE, ON CLINCH | Lucy Furman | 163 | |
| Pictures by F. R. Gruger. | |||
| CHURCH UNITY, THE INCREASING HOPE OF | Editorial | 631 | |
| CLEVELAND, GROVER, AND HIS CABINET AT WORK | Hilary A. Herbert | 740 | |
| Picture from photograph. | |||
| COLE’S (TIMOTHY) ENGRAVINGS OF MASTERPIECES IN AMERICAN GALLERIES. | |||
| Woman with the Lamp. By Jean Francois Millet | [2] | ||
| Lady Mildmay. By Hoppner | 225 | ||
| The Countess Leccari. By Vandyke | 515 | ||
| Young Woman with a Guitar. By Vermeer | 804 | ||
| COLE’S (TIMOTHY) ENGRAVINGS OF MASTERPIECES IN FRENCH GALLERIES. | |||
| Marie Leczinska. By Vanloo | 405 | ||
| DANTE’S DIVINE COMEDY. Red chalk drawings. | Violet Oakley | 239 | |
| DEMOCRATIC ACHILLES’ HEEL, THE | Editorial | 470 | |
| DIVORCE IN WAR AND WEDLOCK, ON | Gilbert K. Chesterton | 634 | |
| DOCTOR TO THE SAINTS. | Amanda Mathews | 816 | |
| Pictures by W. M. Berger. | |||
| ETCHINGS, EIGHT | Frank Brangwyn | 441 | |
| EUROPEAN POLITICS, A BIRD’S-EYE VIEW OF | André Tardieu | 821 | |
| EXHORTATION. Music by | Will Marion Cook | [58] | |
| FAIRY WIFE, THE | Maurice Hewlett | 500 | |
| Frontispiece in color by Arthur Rackham. | |||
| FEMINIST, THE, OF FRANCE | Ethel Dean Rockwell | [116] | |
| Pictures from photographs. | |||
| FINANCING A CAMPAIGN, THE NEW WAY OF | Editorial | [152] | |
| FRATERNITIES IN WOMEN’S COLLEGES. | |||
| The Fraternity Idea among College Women | Edith Rickert | [97] | |
| Pictures by J. Norman Lynd, and from photographs. | |||
| Exclusiveness among College Women | Edith Rickert | 227 | |
| Comments on Miss Rickert’s Articles by the Presidents and Deans of Various Colleges for Women | 326 | ||
| FRYING-PAN AND THE FIRE, THE | Edith Barnard Delano | 873 | |
| Pictures by Paul J. Meylan. | |||
| FURNESS, HORACE HOWARD. See “[Shakspere].” | |||
| GIVING AWAY THE NATION’S PROPERTY. | Editorial | 315 | |
| GLIMPSES OF THE OLD SOUTH. Pictures by Vernon Howe Bailey. | 839 | ||
| HARE, THE | Richard Dehan | 602 | |
| Picture by Henry Raleigh. | |||
| HEALTH, NATIONAL, AND MEDICAL FREEDOM | B. O. Flower | } | 512 |
| Irving Fisher | |||
| HOBBY, ON BREAKING IN A | Elsie Hill | 635 | |
| “HOLY CALM,” THE WOOING OF | Marion Hamilton Carter | 218 | |
| Picture by Fletcher C. Ransom. | |||
| HOLY WAR, AMERICAN AND TURK IN | William T. Ellis | 456 | |
| Pictures from photographs. | |||
| HUNGRY SHEEP, THE | William Lyon Phelps | [114] | |
| IMPRESSIONS OF NEW YORK. | Pierre Loti | 609, 758 | |
| Portrait from an unpublished photograph. | |||
| JEFFERSON, JOSEPH, THE HUMAN SIDE OF | Mary Shaw | 379 | |
| Head-piece by Joseph Clement Coll, and photograph. | |||
| JERUSALEM, LORDS SPIRITUAL IN | Thomas E. Green | 289 | |
| Pictures from photographs. | |||
| JUSTICE IN NEW YORK. | Editorial | 473 | |
| KNOWINGEST CHILD, THE MOST | Lucy Furman | 763 | |
| Picture by F. R. Gruger. | |||
| LABOR-UNIONS, THE PERIL OF THE | Editorial | 792 | |
| LADYBROOK WATER, THE SOUND OF | John Trevena | 905 | |
| Pictures by Norman Price. | |||
| LINCOLN. | |||
| Lincoln Could Return, If | Editorial | [153] | |
| Lincoln’s Pledge. With facsimile | 554 | ||
| Lincoln as a Boy Knew Him | John Langdon Kaine | 555 | |
| Lincoln’s Assassination, A New Story of | Jesse W. Weik | 559 | |
| LONG SAM “TAKES OUT.” | Ellis Parker Butler | 571 | |
| Pictures by May Wilson Preston. | |||
| LOTI, PIERRE. See “[Impressions].” | |||
| MAGIC CASEMENTS, ON | Vida D. Scudder | 316 | |
| MAN, A, AND HIS DOG | Hugh Johnson | 732 | |
| Pictures by E. M. Ashe. | |||
| MANSHIP, PAUL, SCULPTURE BY | 869 | ||
| With editorial note. | |||
| MCGINNIS, THE MYSTERY OF | Charles D. Stewart | 723 | |
| Pictures by Reginald Birch. | |||
| NATIONAL HONOR ON THE BARGAIN-COUNTER. | Editorial | 952 | |
| NEGRO HAVING A FAIR CHANCE? IS THE | Booker T. Washington | [46] | |
| NEWSBOY, THE NEW YORK | Jacob A. Riis | 247 | |
| Pictures by J. R. Shaver. | |||
| NEW YEAR RESOLUTIONS, ON CHECKMATING | Leonard Hatch | 474 | |
| NOËL, LITTLE, THE MIRACLE OF | Virginia Yeaman Remnitz | 181 | |
| Pictures by W. T. Benda and Joseph Clement Coll. | |||
| NOTEWORTHY STORIES OF THE LAST GENERATION. | |||
| Lady or the Tiger, The | Frank R. Stockton | 534 | |
| Portrait, and new drawings by Oliver Herford. | |||
| Monte Flat Pastoral, A | Bret Harte | 828 | |
| Portrait, and picture by N. C. Wyeth. | |||
| OPERA IN NEW YORK; GIULIO GATTI-CASAZZA. | Algernon St. John Brenon | 368 | |
| Pictures by Arthur I. Keller; caricatures by Enrico Caruso. | |||
| PANAMA TOLLS BLUNDER, THE | Editorial | 630 | |
| PERILOUS, DOINGS ON. See “[Scarborough],” “[Christmas],” “[Knowingest].” | |||
| PIE-COLORED HORSE, THE | Marion Hamilton Carter | 517 | |
| Pictures by Reginald Birch. | |||
| PLAY, A STRANGE NEW | 960 | ||
| PLAYING WITH FIRE, THE NEW GAME OF | Editorial | 795 | |
| POLITICAL VIRTUES, THE, PRESIDENT WILSON WILL NEED | Editorial | 629 | |
| POST-IMPRESSIONIST ILLUSION, THE | Royal Cortissos | 805 | |
| Examples by “Cubists,” “Futurists,” and others. | |||
| REALISM AND REALITY IN FICTION. | William Lyon Phelps | 864 | |
| REPORTERS, ON THE TWO KINDS OF | Simeon Strunsky | 955 | |
| ROMAN AMPHITHEATER, THE, AT POLA. Painted by | Jules Guérin | 642 | |
| ROOT’S, MR., GREAT SPEECH | Editorial | 796 | |
| SADDLE-HORSES, THOROUGHBREDS AND TROTTERS AS | E. S. Nadal | [71] | |
| Pictures by J. C. Coll, Reginald Birch, from photographs and a painting by Richard Newton, Jr. | |||
| SALOME, THE STORY OF | E. B. | 638 | |
| SCARBOROUGH SPOONS, THE | Lucy Furman | [126] | |
| Pictures by F. R. Gruger. | |||
| SCOTT, FRANK HALL, PORTRAIT OF | 468 | ||
| SCOTT, FRANK HALL | Editorial | 469 | |
| SECRET WRITING. | John H. Haswell | [83] | |
| SERVANTS, THE SPOILING OF | Annie Payson Call | 915 | |
| SHAKSPERE CRITIC, OUR GREAT | Talcott Williams | [108] | |
| Portrait by Amy Otis. | |||
| SHAVE, A CLEAN | Grace MacGowan Cooke | [63] | |
| Picture by F. E. Schoonover. | |||
| SINAI, IN THE LAND OF | Frederick Jones Bliss | 919 | |
| Pictures from photographs. | |||
| SIREN OF THE AIR, THE | Allan Updegraff | 282 | |
| Picture by W. M. Berger. | |||
| SOCIALISM, ENGLISH, THE SET-BACK TO | Gilbert K. Chesterton | 236 | |
| “SOLIDARITY.” | Edna Kenton | 407 | |
| Picture by F. R. Gruger. | |||
| STATE RIGHTS, A WRONG APPLICATION OF | Editorial | 954 | |
| STELLA MARIS. | William J. Locke | [14], 258 | |
| Pictures by Frank Wiles. | |||
| SUFFRAGISTS, MILITANT, WANTED: STRAIGHT THINKING ABOUT | Editorial | [151] | |
| SUFFRAGISTS, THE SILENT, OF AMERICA | Editorial | 953 | |
| SWEETNESS AND LIGHT, ON THE RELATIVE CLAIMS OF | Louise Herrick Wall | [154] | |
| TAFT, PRESIDENT, “CONSIDERATE JUDGMENT” FOR | Editorial | 794 | |
| TAMMANY, THE LARGER HOPE AGAINST | Editorial | 951 | |
| TEMPTING ONE BY TRUSTING HIM, ON | May Gay Humphreys | 798 | |
| TERRY LUTE, THE ART OF | Norman Duncan | 397 | |
| Picture by Jay Hambidge. | |||
| TOSCANINI AT THE BATON. | Max Smith | 691 | |
| Pictures by Arthur I. Keller, caricature by Enrico Caruso. | |||
| TRADE OF THE WORLD PAPERS, THE | James Davenport Whelpley | ||
| XIII. The Trade of Northern Africa | [136] | ||
| Pictures from photographs. | |||
| XIV. The Trade of Russia | 296 | ||
| Pictures from photographs. | |||
| XV. Japan’s Commercial Crisis | 483 | ||
| Pictures from photographs, and tables. | |||
| XVI. The Trade of China | 770 | ||
| Pictures from photographs. | |||
| T. TEMBAROM. | Frances Hodgson Burnett | 325, 614, 658, 934 | |
| Drawings by Charles S. Chapman. | |||
| UNMARRIED WOMAN, THE, OF ENGLAND | J. B. Atkins | 565 | |
| UNMARRIED WOMAN, THE, IN FRANCE | William Morton Fullerton | 899 | |
| VALENTINE, THE. Drawing by | Charles D. Hubbard | 533 | |
| VOTING, NEW ANXIETIES ABOUT | Editorial | 311 | |
| VOX PABULI | Deems Taylor | 476 | |
| WAR AND ARBITRATION, A CHRISTMAS THOUGHT ON | Editorial | 314 | |
| WATERWAYS, AMERICAN, AND THE “PORK-BARREL” | Hubert Bruce Fuller | 386 | |
| Pictures from photographs. | |||
| WELLAWAY’S HOST, MR. | Ellis Parker Butler | [3] | |
| WILSON, WOODROW. | |||
| The Kind of Man Woodrow Wilson Is | W. G. McAdoo | 744 | |
| Pictures from photographs. | |||
| Woodrow Wilson as a Man of Letters | Bliss Perry | 753 | |
| President Wilson and the Foreign Service | Editorial | 791 | |
| “WOMAN OF LEISURE,” NEW YORK, THE DIARY OF A | Elsie Hill | 797 | |
| WOMAN’S SUFFRAGE MOVEMENT, THE, VIOLENCE IN | Millicent Garrett Fawcett | [148] | |
| WOMEN, MERCHANTS, AND WAR. | Editorial | 471 | |
VERSE | |||
| ALONG THE ROAD. | Robert Browning Hamilton | 562 | |
| APE OWE ’EM. | Deems Taylor | [157] | |
| APHRODITE, THE TEMPLE OF | Alfred Noyes | 838 | |
| BROWNING, ROBERT | Margaret Widdemer | 416 | |
| CARREL-ATIVE THANATOLOGY. | Corinne Rockwell Swain | 959 | |
| CHARMS. | William Rose Benét | 676 | |
| DADDY DO-FUNNY’S WISDOM JINGLES. | Ruth McEnery Stuart | 320, 960 | |
| DAVY. | Louise Imogen Guiney | [107] | |
| Head-piece from photograph. | |||
| DEEP WATER SONG. | John Reed | 677 | |
| Decoration by R. C. Hallowell. | |||
| DOUBLE CROWNING, THE | Amelia J. Burr | 769 | |
| DREAMS DENIED, THE | Marion Couthouy Smith | 217 | |
| DUNBAR, PAUL LAURENCE | James D. Corrothers | [56] | |
| EDITOR, THE, AND THE SONG | Deems Taylor | 960 | |
| GLORY SHALL FOLLOW GLORY | Charles Hanson Towne | 288 | |
| GRAPES, THE, OF ESHCOL | Emily Huntington Miller | [94] | |
| Decorations in color by F. V. DuMond. | |||
| LACTIC ACID BACILLUS, THE, ODE TO | Corinne Rockwell Swain | 478 | |
| LIGHT-BEARER, A | Marion Couthouy Smith | 364 | |
| LIMERICKS: | |||
| Text and pictures by Oliver Herford. | |||
| XVII. The Financier Fox | [159] | ||
| XVIII. The Fastidious Yak | [160] | ||
| XIX. The Filcanthropic Cow | 319 | ||
| XX. Tact | 320 | ||
| XXI. The Partial Pig | 479 | ||
| XXII. The Optimist | 480 | ||
| XXIII. The Misapprehended Goose | 640 | ||
| XXIV. The Mendacious Mole | 802 | ||
| XXV. A Mock Miracle | 961 | ||
| XXVI. The Fan-tastic Squirrel | 962 | ||
| NEGRO SINGER, THE | James D. Corrothers | [56] | |
| NOT YET. | Katharine Lee Bates | 739 | |
| OPEN LAND, THE, SONG OF | Richard Burton | 553 | |
| PITILESSNESS OF DESIRE, THE | Shaemas O’Sheel | 235 | |
| POET, TO A CERTAIN | Walter Brooke | 476 | |
| Drawing by Oliver Herford. | |||
| PRAYER, A | Louis Untermeyer | 580 | |
| PROVENCE, CHRISTMAS ECHOES FROM | Edith M. Thomas | 177 | |
| Pictures by Charles S. Chapman. | |||
| REAR-GUARD, THE | Leonard Bacon | 827 | |
| SCAMPS OF ROMANCE. | William Rose Benét | [60] | |
| Decorations by Reginald Birch. | |||
| SEMELE. | Grace Denio Litchfield | 467 | |
| SLEEP. | Katharine French | 378 | |
| SNOW, THE LINGERING | Harriet Prescott Spofford | 898 | |
| SOREHEAD, THE, THE PLAINT OF | James D. Corrothers | [157] | |
| THEATER, AT THE. A lullaby. | Deems Taylor | 801 | |
| THEN AND NOW. | Carolyn Wells | [157] | |
| THOUGHTS, DECEMBER TWENTY-FOURTH | Deems Taylor | 319 | |
| TO ANY ONE. | Witter Bynner | [70] | |
| UNMASKED. | Madison Cawein | 365 | |
| Decorations by Joseph Clement Coll. | |||
| VERMONT. | Sarah N. Cleghorn | 873 | |
| VOICE OF THE DOVE, THE | George Sterling | 950 | |
| WHERE AM I WHILE I SLEEP? | Grace Denio Litchfield | 685 | |
| WILL’S COUNSELOR. | Charles Wharton Stork | 539 | |
| WINTER-SLEEP. | Edith M. Thomas | 872 | |
| Decoration by Oliver Herford. | |||
| “WORKER,” THE | Edmund Vance Cooke | 638 | |
VOL. LXXXV, NO. 1 NOVEMBER, 1912 PRICE, 35 CENTS
THE CENTURY
ILLUSTRATED
MONTHLY
MAGAZINE
Beginning
THE CENTURY’S
“AFTER THE WAR”
Series
with
“The Humor & Tragedy
of the
Greeley Campaign”
by
Henry Watterson
THE CENTURY CO UNION SQUARE NEW YORK
FRANK H. SCOTT, PRESIDENT. WILLIAM W. ELLSWORTH, VICE-PRESIDENT AND SECRETARY. DONALD SCOTT, TREASURER. UNION SQUARE, NEW YORK.
Copyright, 1912, by The Century Co.] (Title Registered U. S. Pat. Off.) [Entered at N. Y. Post Office as Second Class Mail Matter.
Original Advertisement
TIMOTHY COLE’S
WOOD ENGRAVINGS
OF
MASTERPIECES
IN
AMERICAN GALLERIES
WOMAN WITH A LAMP
BY
JEAN FRANÇOIS MILLET
Owned by Mr. Henry Clay Frick
WOMAN WITH A LAMP. BY JEAN FRANÇOIS MILLET
(TIMOTHY COLE’S WOOD ENGRAVINGS OF MASTERPIECES IN AMERICAN GALLERIES—XIII)
THE CENTURY MAGAZINE
VOL. LXXXV
NOVEMBER, 1912
NO. 1
Copyright, 1912, by THE CENTURY CO. All rights reserved.
MR. WELLAWAY’S HOST
BY ELLIS PARKER BUTLER
Author of “Pigs is Pigs,” “The Man Who was Some One Else,” etc.
I
“NO, sir,” said Mr. Wellaway, positively, “this is not the club at all. This is not the sort of club. The club I mean has a heavier head—heavier and flatter.”
The clerk looked here and there among the racks of golf-clubs, but his general manner was that of hopelessness. There seemed to be thousands of golf-clubs in the racks, and he had shown Mr. Wellaway club after club, each seeming to fit the description Mr. Wellaway had given, but in vain. Mr. Wellaway looked up and down the shop.
“If I could remember the name of the clerk,” he said, “he would know the club. He sold one of them to Mr. ——” He hesitated. “Now I can’t remember his name. A rather large man with a smooth face. He has a small wart or a wen just at the side of his nose. You didn’t wait on such a man last week, did you?”
“I can’t recall him by the description,” said the clerk.
“Pshaw, now!” said Mr. Wellaway, with vexation. “I know his name as well as I know my own! I would forget my own if people didn’t mention it to me once in a while. It is peculiar how a man can remember faces and forget names, isn’t it?”
“Yes, it is,” said the clerk. “If you just look through these clubs yourself, you may be able to find what you want. Was the name of the clerk you had in mind Mills? Or Waterson? Or Frazer?”
“It might be Frazer,” said Mr. Wellaway, doubtfully.
“If it was Frazer,” said the clerk, “he left here last Saturday.”
“But couldn’t you look up Frazer’s sales and see what kind of driver he sold? But of course you can’t if I don’t remember the name of the man he sold it to, can you?”
“Not very well,” admitted the clerk, with a polite smile. “Now, if you like a heavy club—”
He was interrupted by another customer. The golf goods were on the basement floor, and a short flight of steps led to the basement from the main floor, and the new customer had come down the stairs. He was a big, bluff, hearty man, with a cheerful manner and a rather red face, and Mr. Wellaway immediately remembered having met him sometime and somewhere. He nodded his head with the ready comradeship of a fellow-golfer.
“Hello!” exclaimed the new-comer, heartily. “Well! well! so you are at it too, are you? Got the golf fever?” Then to the clerk: “Got my brassy mended?”
“What name, sir?” asked the clerk.
“Didn’t leave any name,” said the big man. “It’s a mahogany brassy, the only real mahogany brassy you ever saw. I had it made to order,” he said to Mr. Wellaway, as the clerk hurried away to the repair department. “So you’ve taken up golf, have you? It’s a great game.”
“It is a great game,” said Mr. Wellaway; “but I’ve been at it a long time. Not that I’m much good at it.”
“No one is ever any good at it except the crack players,” said the other. “I’m as bad as they make ’em; but I love it. Where do you play?”
“Van Cortlandt,” said Mr. Wellaway.
“Ever play Westcote?”
“No,” said Mr. Wellaway. “I’ve been in the village, but I didn’t know there was a course there.”
“Best little course you ever saw,” said the hearty man. “Nine holes, but all beauties. I want you to play it sometime. Look here,” he added suddenly, “what have you got on for this afternoon?”
“Well, I was going up to Van Cortlandt,” said Mr. Wellaway, hesitatingly.
“That’s all off now! You’re coming out with me and have a try at our Westcote course. Yes, you are. You know I never take ‘No’ for an answer when I make up my mind. And, look here, we have just time to get a train.”
Mr. Wellaway’s host beckoned violently to the clerk.
“But my clubs—” protested Mr. Wellaway.
“That’s all right, too. Our professional can fit you out.”
“I ought to telephone my wife.”
“Oh, do it from the club.”
The temptation was too much for Mr. Wellaway. It was a hot day, and he knew the public links at Van Cortlandt would be crowded to the limit. He imagined the cool green of the little course at Westcote and let himself be persuaded, and in four minutes he was aboard the commuters’ train, being whirled under the East River.
It was not until the train was out of the tunnel and speeding along over the Long Island right of way that he felt the first qualm of uneasiness; but it was a very slight qualm. He was ashamed that he could not remember the name of his host. The man’s face was certainly familiar enough, and the man evidently knew Mr. Wellaway well enough to invite him to play golf, or Mr. Wellaway would not have been invited; but the name would not make itself known. But, after all, that was an easily remedied matter. The first friend they met would call Mr. Wellaway’s host by name.
At Woodside they left the electric train and boarded the steam train, but no one had spoken to Mr. Wellaway’s host on the platform. One or two men had nodded to him in a manner that showed they liked him, but none mentioned his name. Mr. Wellaway smiled. He would use a little very simple Sherlock Holmes work when the conductor came through for the fares.
Mr. Wellaway had noticed that his host used a fifty-trip ticket-book when the conductor asked for the fare on the electric, and now he waited until the new conductor tore the trip leaves from the book and returned the book to its owner.
“I see you use a book,” said Mr. Wellaway. “Do you find it cheaper than buying mileage?”
He held out his hand for the book. It was an ordinary gesture of curiosity, and his host surrendered the book.
“No, I don’t, not usually,” he said. “And a commutation-ticket is cheaper than either. Now, a commutation-ticket costs—”
He entered into the commuter’s usual closely computed average of cost per trip, and Mr. Wellaway nodded his acquiescence in the figures; but his mind was elsewhere. He read as though interested the face of the book, and then turned it over. There on the back, in a bold hand, under the contract the thrifty railroads make book-holders sign, was the signature, “Geo. P. Garris.” Mr. Wellaway stared at the name while he ransacked his memory to recall a George P. Garris. He not only could not recall a George P. Garris, but he could not remember ever having heard or seen the name of Garris. If the second “r” was meant for a “v,” the name might be “Garvis,” but that did not help. He could not recall a Garvis. At any rate, it was some satisfaction to know his host was George P. Garris or George P. Garvis. When and how he had met him would probably soon appear.
Drawn by Henry Raleigh
“‘LOOK HERE,’ HE ADDED SUDDENLY, ‘WHAT HAVE YOU GOT ON FOR THIS AFTERNOON?’”
“I see you are looking at that name,” said Mr. Wellaway’s host, “and I don’t wonder. Matter of fact, I have no business to have that book; but Garvis was a good fellow, and he needed the money, so I bought it of him when he left Westcote.”
“Oh,” said Mr. Wellaway, blankly, and then: “So that’s why you are not using a commutation-ticket this month.” He had to say something.
“That’s the reason,” said his host; “and this is Westcote.”
II
THE Westcote Country Club was all Mr. Wellaway’s host had boasted. The greens rolled away from the small club-house in graceful beauty, small groves of elms and maples studded the course, and picturesque stone walls and sodded bunkers provided sufficient hazards. Everything was as neat as a new pin. It was a sight to make any golfer happy, but when the station cab rolled up to the club-house door, Mr. Wellaway was not entirely happy. He was beginning to feel like an interloper. The more he studied the face of his host, the surer he became that he had no business to be a guest. As a word in print, when studied intensely, becomes a mere jumble of meaningless letters, so the face of his host grew less and less familiar, until Mr. Wellaway had decided his familiarity was with the type of face and not with this particular face. One thing alone comforted him: his host seemed to know Mr. Wellaway.
As they left the cab, Mr. Wellaway made a desperate effort to learn the name of his host; for he felt that if he did not learn it now he was in for a most unpleasant five minutes. Mr. Wellaway was a small, gentle little man, but he was almost rude in his insistence that he be permitted to pay the cabby.
“Yes, I will,” he insisted. “I certainly will. If you don’t let me, I’ll be downright angry. You paid my fare, and you offer me an afternoon’s sport; but I am going to pay this cabman.”
“But this is my party,” said his host.
“You go right into the club-house, and let me pay,” said Mr. Wellaway. “I want to do this, and you ought to let me.” With a laugh the host turned away. Mr. Wellaway fumbled in his pocket until he was alone with the cabman.
“What is the charge?” he asked.
“Quarter,” said the cabby, briefly.
“Here’s a dollar,” said Mr. Wellaway. “Now, can you tell me the name of that man—the man who drove up with me?”
“No, sir,” said the cabman; “I don’t know what his name is.”
“I just wanted to know,” said Mr. Wellaway.
When he entered the club-house his host was alone.
“You wanted to telephone,” he said to Mr. Wellaway. “There’s the booth. It’s a money-in-the-slot machine. I’ll get a greens-ticket and a bag of clubs for you while you are in there, and we will not lose any time. When you come out, come up to the locker-room.”
Mr. Wellaway entered the booth and closed the door. He called for his number and waited while the connection was made. It was hot in the booth with the door closed, but not for the world would Mr. Wellaway have opened it.
“Hello, is that you, Mary?” he asked, when he had dropped the requisite coins in the slot at the request of the central. “This is Edgar. Yes. I’m out at Westcote, on Long Island. I’m going to play golf. I met a friend, and he insisted that I come out here and try his course. I say I met a friend. Yes, a friend. An old acquaintance. He lives out here.”
For a few seconds Mr. Wellaway listened.
“No, listen!” said Mr. Wellaway. “I don’t know what his name is, but I’ll find out. I just met him, you know, and he asked me, and I couldn’t say, ‘Thank you, I’ll accept; but what is your name?’ I couldn’t say that, could I? When he knew me so well? Oh, nonsense, Mary! I tell you it’s a man.”
As he listened to what Mary had to say to this, Mr. Wellaway sighed deeply.
“No, it is not funny that I don’t know his name,” he said. “You know I can’t remember names, and I know thousands of men, and speak to them, and can’t recall their names. Listen! There’s no reason in the world for your jealousy to get stirred up. Not the least. I’ll know his name inside half an hour, and if you are going to act that way about it, I’ll telephone you the minute I learn it. Yes, I will! Well, that’s all right, too; but since you take that attitude, I’m going to telephone you. Good-by.” He waited half a minute for an answering “Good-by,” and then hung up the receiver softly. Mary’s jealousy was a real annoyance. Mr. Wellaway stepped out of the booth and wiped his forehead.
The small sitting-room of the club was deserted. In the adjacent butler’s pantry he could hear the steward at work, and above the low ceiling he could hear his host changing his shoes. On the bulletin-board, among the announcements of competitions and new rules, was a list of members posted for dues or house-accounts. It was a very short list, and Mr. Wellaway recognized none of the names. On the opposite wall was a framed list of the club-members, perhaps one hundred and twenty-five, and Mr. Wellaway ran his eye down them. Only one of the names was familiar, that of George C. Rogers, and the host was not Rogers, for Mr. Wellaway knew Rogers well. Not another name was even faintly familiar. Mr. Wellaway was still poring over the list when his host descended the stairs.
“I see,” said Mr. Wellaway, “that George Rogers is a member of the club.”
“That so?” said his host. “I don’t know him. I don’t know many of the fellows yet. Rankin and Mallows are putting me up for membership, but I’m playing on a temporary card until the next meeting of the board of governors. They say there’s no doubt I’ll be admitted; but I don’t take chances. I pay as I go until I’m a full member. When I’m in, I’ll sign checks like the rest of them; but until I am in, I’ll pay cash. Now, you run up and shuck your coat, if you want to, while I get you a bag of clubs and a greens-ticket. I left my locker open—Number 43.”
Mr. Wellaway ascended the stairs. All about the locker-room were the lockers, two high, and on each was the name of the holder. The door of 43 stood open, and Mr. Wellaway darted for it, and looked for the name of his host. There was no name on the locker.
Drawn by Henry Raleigh
“‘NOW, CAN YOU TELL ME THE NAME OF THAT MAN—THE MAN WHO DROVE UP WITH ME?’”
III
IN the locker was the usual accumulation of golfer’s odds and ends. A few badly scarred golf-balls lay on the floor, along with a pair of winter golf-shoes. A couple of extra clubs stood in one corner. A sweater hung from a hook, and from another hook hung the coat and waistcoat his host had just removed. From one pocket, the inside pocket, of the coat protruded the tops of three or four letters. Mr. Wellaway stared at the letters and perspired profusely. He had only to put out his hand and raise the letters partly from the pocket to know the name of his host. Then he could make an excuse to telephone his wife again. Assuredly there was nothing dishonorable in merely glancing at the address of the letters. But he stood very still and listened intently before he put out his hand. He could hear the soft tread of rubber-soled shoes on the floor below. Very gently Mr. Wellaway raised the letters from the pocket just as he heard the rubber-soled shoes touch the zinc treads of the stairs. He slid the letters back into the pocket in a panic, and jerked off his coat, but he had seen the address of the outermost letter. It was an unmailed letter, and it was addressed to “Mrs. Edgar Wellaway, Rimmon Apartments, West End Avenue, New York.”
“All ready!” said his host, cheerfully.
“Just a moment,” said Mr. Wellaway. He was taking his papers from his coat-pockets and putting them in the hip-pocket of his trousers. A man cannot be too careful.
IV
MR. WELLAWAY’S host used a Scotch-plaid golf-bag, without initials painted on it, and when the two men issued from the club-house the bag was leaning against the wall immediately under the outside bulletin-board. One list on the board was headed “Applications for Membership,” but there were no names entered later than a month and a half old, and all these had the word “Elected” written after them. When Mr. Wellaway caught sight of the other list his face brightened.
“My handicap is eighteen,” he said, looking through the list of members with the handicaps set opposite the names.
“Two better than mine,” said his host. “I play at twenty.”
“Twenty?” said Mr. Wellaway, running his finger up and down the handicap list.
“But I haven’t been given a handicap here yet,” said his host. “They don’t give you a handicap here until you are a member.”
“Oh,” said Mr. Wellaway, and turned away. He had no further interest in the handicap-list.
The course was clear for the entire first hole. Mr. Wellaway got away with a clean drive, but sliced his second into the rough, while his host sliced his first into a sand-pit, got out with a high niblick shot, and lay on the putting-green in three. Mr. Wellaway wasted a stroke chopping out of the rough, and put his ball on the green with a clean iron shot in four, close enough to putt out in one, making the hole a five. His host took two to hole out, doing another five, but winning the hole on his handicap, which gave him one stroke on the first hole. It was good golf, par golf, and Mr. Wellaway was elated. To do a hole in par on a strange course, after getting into the rough, was better golf than he knew how to play, and the loss of the hole after such playing made him only the more eager to play his best. He forgot Mary’s jealousy and his annoyance at not knowing the name of his host, and played golf as he had never played it before. The professional’s clubs seemed to work magic in his hands. At the ninth hole he was still one down, but his host did the first hole on the second round in eight, to Mr. Wellaway’s seven, and it was seesaw around the course the second time, with all even when eighteen holes had been played.
“I guess we can play it off before the storm hits us,” said Mr. Wellaway’s host, and for the first time Mr. Wellaway noticed the black clouds piling up in the west. They started the nineteenth hole with a rush of wind whirling the dust from the road across the course, and before they had walked to where their balls lay after their drives, the forward edge of the storm-clouds, low, ragged, and an ugly yellow, was full over them, and a glare of lightning, followed by a tremendous crash, blinded them both. Mr. Wellaway’s host threw his bag of clubs on the grass as though it were red hot, and started at a full run for the club-house. Mr. Wellaway followed him.
Except for the steward and his wife, the club-house was already deserted, the last automobile tearing down the club roadway as Mr. Wellaway reached the veranda. The lightning exceeded anything Mr. Wellaway had ever seen, and crash followed crash in deafening explosions, as though the electrical storm had centered near the club-house. A fair-sized hickory-tree, half dead from the depredations of the hickory-bark beetle, fell crashing across the sleeping-room annex of the club-house. For half an hour after the rain began to fall in sheets the lightning continued, while Mr. Wellaway and his host stared at the storm through the windows of the club-house; but about six o’clock the worst of the storm had passed on, and the rain had become a steady, heavy downpour.
“There’s one thing sure,” said Mr. Wellaway’s host: “there’s no going home for you to-night.”
“But I must go home,” said Mr. Wellaway.
“If you must, of course you must,” said his host; “but there would be no sense in going in this rain. We will have dinner right here. I suppose you can get us up a couple of chops or something?”
“Yes, sir,” said the steward, who had returned from a survey of his sleeping-quarters. “Chops or steak.”
“Then I’ll just ’phone my wife that I’ll not be home,” said Mr. Wellaway’s host, and he entered the telephone-booth. In a few minutes he came out again. “Can’t get central,” he said with annoyance. “The thing is either cut off or burned out. Probably a tree has fallen across the wires. I hate to drag you out through all this rain, but my wife will be distracted if I don’t get home. She’ll imagine I’m killed. You will have to come home with me and take pot-luck.”
Drawn by Henry Raleigh
“VERY GENTLY MR. WELLAWAY RAISED THE LETTERS FROM THE POCKET JUST AS HE HEARD THE RUBBER-SOLED SHOES TOUCH THE ZINC TREADS OF THE STAIRS”
“Why, that’s very kind of you,” said Mr. Wellaway, “but I could not think of it. My own wife will be worrying. I’ll just scoot through the rain to the station and get the first train home.”
“Of course, if you think best,” said the host. “We have to pass the station on the way to my house. But Sarah would be glad to put you up for the night.”
The station was not as far as Mr. Wellaway had feared, for it was not necessary to walk to the main station; there was another nearer, and they reached it a few minutes before a train for the city was due. Mr. Wellaway’s host walked to the ticket-window.
“I presume the train is late,” he asked.
“You presume exactly right,” said the young man in the ticket-office. “She’s not only late, but she’s going to be later before she ever gets to New York. The lightning struck the Bloom Street bridge, and the bridge went up like fireworks. It will be about twenty-four hours before anybody from this town gets to New York.”
“Twenty-four hours!” exclaimed Mr. Wellaway, aghast. “But I can telegraph.”
“If you can, you can do more than I can do,” said the young man. “I’ve tried, and I can’t do it, and I’m a professional.”
“Well!” said Mr. Wellaway.
“All right,” said his host. “Now there’s nothing for you to do but accept my invitation, and I make it doubly warm. Sarah will be delighted. You are the first guest we’ve had for the night since we moved out here. She’ll be delighted, I tell you. And so will I.”
Drawn by Henry Raleigh
“‘A TALL, THIN FELLOW, WITH SANDY SIDEBURNS. PROBABLY A FLOOR-WALKER IN SOME SHOP, WITH A PERPETUAL SMILE’”
“But I ought to go home,” insisted Mr. Wellaway.
“But you can’t go home,” laughed his host. “Come right along. Sarah will be delighted. She’s—she’s fond of company. Perhaps our ’phone will be working. You can telephone your wife from our house. Really, Sarah will be glad—she’ll be delighted, I tell you.”
So Mr. Wellaway accompanied his host. The house to which he was led was an average suburban dwelling, a frame house of ample size, with wide verandas, a goodly lawn, and the usual clumps of shrubbery. At the screen door the host paused.
“If you don’t mind,” he said, “I’ll let you wait here while I step inside and tell Sarah we are coming. Sarah is the most hospitable of women, and that’s the reason I want to tell her. She’ll welcome you with open arms, but—you know how these hospitable women are, don’t you? They like a minute or two to get into a more than casual mood. It will be all right. Only a minute.”
“Certainly,” said Mr. Wellaway, feeling rather uncomfortable, and his host opened the door with a latch-key and entered. If Mr. Wellaway could have heard what passed inside that door, he would have turned and run.
“Darling!” exclaimed his host’s wife when she saw him. “How wet you are! Go right up-stairs and get into a hot bath this minute! You’ll die of cold!”
“In a minute, Sarah,” said her husband; “but, first, I’ve got a man out there. He’s going to stay for dinner and sleep here.”
“Oh!” exclaimed Sarah, letting her mind jump to her larder. “But we didn’t expect any one. Really I don’t know. Perhaps I can make what I have do. Is—is it any one important?”
“Don’t know,” said Mr. Wellaway’s host, hastily. “I’ll tell you all about it when I’m dressing. I don’t know the fellow’s name, but he knows me as well as I know you. I ought to know his name as well as I know yours, but I don’t. I met him somewhere, and I remember he was a good fellow. We’ll get his name out of him somehow before he’s in the house very long, but, for Heaven’s sake! don’t let him know I don’t know. He may be some one important. He looks as if he might be somebody. I’ll bring him in. Don’t give me away.”
“But you don’t know who he is. He may be a thief—”
“Hope not. I can’t let him stand out there any longer, anyway. Be pleasant to him.”
He threw open the door.
“Come right in!” he exclaimed heartily. “I’ve bearded the lioness, and told her the story of our lives. I don’t believe you have met before.”
“I have not had that pleasure,” said Mr. Wellaway, making his best bow, “but I am delighted, although I’m sorry to come unannounced.”
“Announced or unannounced, you might know you are always welcome,” said Sarah, charmingly. “And the first thing is to get on some dry clothes. You’ll both of you take cold. Run along, and I’ll see what we have for dinner.”
The garments given him by his host did not fit Mr. Wellaway specially well. They were considerably too large, but he was glad to get into anything dry. What dissatisfied him with them more than aught else was that they were the sort of garments of which the newspapers remark, “There were no marks of identification.” The spare room into which he was put offered no more aid. Three or four recent magazines lay on the small table, but bore no names except their own titles. For the rest, the spare room was evidently a brand-new spare room, fresh from the maker. For purposes of identification it might as well have been a hotel bedroom. Mr. Wellaway dressed hastily and hurried down-stairs.
The parlor, to the right of the stairs, stood open, and Mr. Wellaway entered. A large fireplace occupied one end of the room, and the furnishings and pictures bespoke a home of fair means, but no great wealth. Magazines lay on a console table, but what attracted Mr. Wellaway was a book-case. The case was well filled with books in good bindings, and Mr. Wellaway stepped happily across the carpet and laid his hand on the book-case door. It was locked.
V
MR. WELLAWAY’S host and his host’s wife descended the stairs together just as the maid issued from the dining-room to announce dinner, and once seated, the conversation turned to the storm, to the utter disruption of the telephone service, and to the game of golf the two men had been unable to finish. In the midst of the conversation Mr. Wellaway studied the monogram on the handles of his fork and spoon. It was one of those triumphs of monogrammery that are so beautiful as to be absolutely illegible. The name on the butter-knife handle was legible, however. It was “Sarah.”
The soup had been consumed, and the roast carved when Mr. Wellaway’s host looked at his wife and raised his eyebrows. She smiled in acknowledgment of the signal.
“Don’t you think some names are supremely odd?” she asked Mr. Wellaway. “My husband was telling me of one that came under his notice to-day. What was it, dear?”
“Oh, I shouldn’t have noticed it but for the circumstances,” said Mr. Wellaway’s host; “but it was a rather ridiculous name for a human being. Can you imagine any one carrying around the name of Wellaway?”
Mr. Wellaway gasped.
“Imagine being a Wellaway!” said Sarah. “Isn’t it an inhospitable name? It seems to suggest ‘Good-by; I’m glad you’re gone.’ Doesn’t it?”
“I can see the man with my mind’s eye,” said Mr. Wellaway’s host. “A tall, thin fellow, with sandy sideburns. Probably a floor-walker in some shop, with a perpetual smile.”
“But tell him the rest,” said Sarah, chuckling.
“Oh, the rest—that’s too funny!” said Mr. Wellaway’s host. “I had a letter this morning from this Mrs. Wellaway—”
Mr. Wellaway turned very red and moved uneasily in his chair.
“I ought to tell you that—that I know Mrs. Wellaway,” he stammered. “I—I know her quite well. In fact—”
“Then you’ll appreciate this,” said his host, merrily. “You know the business I’m in. Every one knows it. So you can imagine how I laughed when I read this letter.”
From the inside pocket of his coat Mr. Wellaway’s host took a letter. He removed the envelop and placed it on the table, address down.
“Listen to this,” he said: “‘Dear Sir: Only the greatest anguish of mind induces me to write to you and ask your assistance. It may be that I am the victim of an insane jealousy, but I fear the explanation is not so innocent. I distrust my husband, and anything is better than the pangs of uncertainty I now suffer. If your time is not entirely taken, I wish, therefore, to engage you to make certain that my fears are baseless or well founded. Please consider the matter as most confidential, for I am only addressing you because I know that when a matter is put in your hands it never receives the slightest publicity. Yours truly, Mrs. Edgar Wellaway.’”
When he had read the letter, Mr. Wellaway’s host lay back in his chair and laughed until the tears ran from his eyes, and his wife joined him, and their joy was so great they did not notice that Mr. Wellaway turned from red to white and choked on the bit of food he had attempted to swallow. When they observed him, he was rapidly turning purple, and with one accord they sprang from their chairs and began thumping him vigorously on the back. In a minute they had thumped so vigorously that Mr. Wellaway was pushing them away with his hands. He was still gasping for breath when they half led, half carried him to the parlor and laid him on a lounge.
“By George!” said his host, self-accusingly, “I shouldn’t have read you that letter. But I didn’t know you would think it so funny as all that. Do you feel all right now?”
“I feel—I feel—” gasped Mr. Wellaway. He could not express his feelings.
“Well, it was funny, writing that to me, of all people, wasn’t it?” said Mr. Wellaway’s host. “‘Not the slightest publicity.’ I suppose she looked up the name in the telephone directory, and got the wrong address. I know the fellow she was writing to. Same name as mine. Same middle initial. Think you can finish that dinner now?”
“No, thank you,” said Mr. Wellaway. “I think I’d like to rest here.”
“Just as you wish,” said his host. “Hello! There’s the telephone bell. You can ’phone your wife now, if you wish.”
“No, thank you,” said Mr. Wellaway, meekly. “I’ll not. It’s of no importance—no importance whatever.”
VI
“WELL, what do you think!” exclaimed Mr. Wellaway’s host’s wife a few minutes later, as she entered the parlor. “Of all the remarkable things! You would never guess it. Who do you think just called me on the ’phone? That Mrs. Wellaway!”
“No!” exclaimed Mr. Wellaway’s host, and Mr. Wellaway sat straight up on the lounge.
“But she did,” said Sarah. “And she’s hunting that distrusted husband! She telephoned the country club, and the steward told her there had been no strangers there except your guest, so she telephoned here! Imagine the assurance of the—”
She stopped short and stared at Mr. Wellaway. He was going through all the symptoms of intense pain accompanied by loss of intelligence. Then he asked feebly,
“What—what did you tell her?”
“I told her he wasn’t here, and hadn’t been here, of course,” said Mr. Wellaway’s hostess, “and that we did not know any such man, and that I didn’t believe he had come to Westcote at all, and that if I had a husband I couldn’t trust, I’d keep better track of him than she did.”
“Did you—did you tell her all that?” asked Mr. Wellaway with anguish.
They stared at him in dismay.
“See here,” said his host, suddenly, “are you Mr. Wellaway?”
For answer Mr. Wellaway dropped back on the lounge and covered his face with his hands.
“Now, I’ll never, never be able to make Mary believe I was here,” he said, and then he groaned miserably.
VII
“OH, I’m so sorry!” said Mr. Wellaway’s hostess in real distress. “We were absolutely unaware, Mr. Wellaway. We meant no harm. Roger did not know your name. But you can fix it all right. You can telephone Mrs. Wellaway that you are here. Telephone her immediately.”
“Yes,” said Mr. Wellaway. “I’ll do that. That’s what I must do,” and he went up the stairs to the telephone. He returned in ten minutes and found his host and hostess sitting opposite each other, staring at each other with sober faces. They looked at him eagerly as he entered. His face showed no relief.
“She says,” he said, “she says she don’t believe I’m here. She says I could telephone from anywhere, and say I was anywhere else. She says she just telephoned here, and knows I’m not here. And then she asked me where I was telephoning from, and—”
Mr. Wellaway broke down and hid his face in his hands.
“And I didn’t know where I was telephoning from!” he moaned. “I didn’t know the street or the house number, or—or the name!”
“You didn’t know the name!” cried Mr. Wellaway’s host. “You didn’t know my name was Murchison?”
“Murchison?” said Mr. Wellaway, blankly. “Not the—not the Murchison? Not Roger P. Murchison, the advertising agent, the publicity man?”
“Of course,” said Mr. Wellaway’s host. For a full minute Mr. Wellaway stared at Mr. Murchison.
“I know,” said Mr. Wellaway. “You eat at the Fifth Avenue! You sit by the palm just to the left of the third window every noon.”
“By George!” exclaimed Mr. Murchison. “I knew your face was familiar. And you sit at the end table right by the first window. Why, I’ve seen you there every day for a year.”
“Of course you have,” said Mr. Wellaway, cheerfully. “That explains everything. It makes it all as simple as—” His face fell suddenly. “But it doesn’t make it any easier about Mary.”
Mr. Murchison might have said that Mary was none of his concern, but he creased his brow in thought.
“Sarah,” he said at length, “run up-stairs and telephone Mrs. Wellaway that her husband is here. Tell her he means to stay over Sunday, and that he wants her to hire a taxicab and come out immediately and stay over Sunday. Tell her our game of golf was a tie, and I insist that Mr. Wellaway play off the tie to-morrow afternoon.”
Mrs. Murchison disappeared.
“And now,” said Mr. Murchison, genially, “you know my name, and you know my business, and I know your name, and everything is all right, and I’m mighty glad to know you as long as you are not a floor-walker. Oh, pardon me!” he added quickly, “you are not a floor-walker, are you? You didn’t say what your business was.”
Mr. Wellaway blushed.
“Names,” he said. “I’m a genealogist. My business is looking up names.”
Drawn by Henry Raleigh
“MR. WELLAWAY’S HOST THREW HIS BAG OF CLUBS ON THE GRASS AS THOUGH IT WERE RED HOT, AND STARTED AT A FULL RUN FOR THE CLUB-HOUSE”
STELLA MARIS
BY WILLIAM J. LOCKE
Author of “The Beloved Vagabond,” “The Morals of Marcus Ordeyne,” “Septimus,” “The Glory of Clementina,” etc.
CHAPTER XXII
THEY found him lying on the sofa, a pitiable object, the whole of his head from the back of his neck to his eyebrows swathed in bandages. His clothes were mere limp and discolored wrappings. They looked as though they had been wet through, for the red of his tie had run into his shirt-front and collar. The coarse black sprouts on pallid cheek and upper lip gave him an appearance of indescribable grime. His eyes were sunken and feverish.
Unity uttered a little cry as she saw him, but checked it quickly, and threw herself on her knees by his side.
“Thank God you’re alive!”
He put his hand on her head.
“I’m all right,” he said faintly; “but you shouldn’t have come. That’s why I didn’t go straight home. I didn’t want to frighten you. I’m a ghastly sight, and I should have scared your aunt out of her wits.”
“But how, in Heaven’s name, man,” said Herold, “did you get into this state?”
“Something hit me over the head, and I spent the night in rain and sea-water on the rocks.”
“On the rocks? Where? At Southcliff?”
“Yes,” said John, “at Southcliff. I was a fool to go down, but I’ve been a fool all my life, so a bit more folly doesn’t matter.” He closed his eyes. “Give me a drink, Wallie—some brandy.”
Herold went into the dining-room, which adjoined the library, and returned with decanter, syphon, and glasses. He poured out a brandy and soda for John and watched him drink it; then he realized that he, too, would be the better for stimulant. With an abstemious man’s idea of taking brandy as medicine, he poured out for himself an extravagant dose, mixed a little soda-water with it, and gulped it down.
“That’ll do me good,” said John; but on saying it he fell to shivering, despite the heat of the summer afternoon.
“You’ve caught a chill,” cried Unity. She counseled home and bed at once.
“Not yet,” he murmured. “It was all I could do to get here. Let me rest for a couple of hours. I shall be all right. I’m not going to bed,” he declared with sudden irritability; “I’ve never gone to bed in the daytime in my life. I’ve never been ill, and I’m not going to be ill now. I’m only stiff and tired.”
“You’ll go to bed here right away,” said Herold.
John protested. Herold insisted.
“Those infernal clothes—you must get them off at once,” said he. John being physically weak, his natural obstinacy gave way. Unity saw the sense of the suggestion; but it was giving trouble.
“Not a bit,” said Herold. “There’s a spare bedroom. John can have mine, which is aired. Mrs. Ripley will see to it.”
He went out to give the necessary orders. Unity busied herself with unlacing and taking off the stiffened boots. Herold returned, beckoned to Unity, and whispered that he had telephoned for a doctor. Then he said to John:
“How are you feeling, dear old man?”
“My head’s queer, devilish queer. Something fell on it last night and knocked me out of time. It was raining, and I was sheltering under the cliff on the beach, the other side of the path, where you can see the lights of the house, when down came the thing. I must have recovered just before dawn; for I remember staggering about in a dazed way. I must have taken the road round the cliff, thinking it the upper road, and missed my footing and fallen down. I came to about nine this morning, on the rocks, the tide washing over my legs. I’m black and blue all over. Wonder I didn’t break my neck. But I’m tough.”
“Thank God you’re alive!” said Unity again.
He passed his hands over his eyes. “Yes. You must have thought all manner of things, dear. I didn’t realize till Ripley told me that I hadn’t let you know. I went out, meaning to catch the 7:15 and come back by the last train. But this thing knocked all memory out of me. I’m sorry.”
Herold looked in bewilderment at the stricken giant. Even now he had not accounted for the lunatic and almost tragic adventure. What was he doing on the beach in the rain? What were the happenings subsequent to his recovering consciousness at nine o’clock?
“Does it worry you to talk?” he asked.
“No. It did at first—I mean this morning. But I’m all right now—nearly all right. I’d like to tell you. I picked myself up, all over blood, a devil of a mess, and crawled to the doctor’s—not Ransome; the other chap, Theed. He’s the nearest; and, besides, I didn’t want to go to Ransome. I don’t think any one saw me. Theed took me in and fixed me up and dried my clothes. Of course he wanted to drag me to the Channel House, but I wouldn’t let him. I made him swear not to tell them. I don’t want them to know. Neither of you must say anything. He also tried to fit me out. But, you know, he’s about five foot nothing; it was absurd. As soon as I could manage it, he stuck me in a train, much against his will, and I came on here. That’s all.”
“If only I had known!” said Herold. “I was down there all the morning.”
“You?”
“I had a letter from Julia, summoning me.”
“So had I.” He closed his eyes again for a moment. Then he asked, “How is Stella?”
“I had a long talk with her. I may have straightened things out a bit. She’ll come round. There’s no cause for worry for the present. Julia is a good soul, but she has no sense of proportion, and where Stella is concerned she exaggerates.”
When a man has had rocks fall on his head, and again has fallen on his head upon rocks, it is best to soothe what is left of his mind. And after he had partly soothed it,—a very difficult matter, first, because it was in a troubled and despairing state, and, secondly, because John, never having taken Unity into his confidence, references had to be veiled,—he satisfied the need of another brandy and soda. Then Ripley came in to announce that the room was ready.
“Ripley and I will see to him,” said Herold to Unity. “You had better go and fetch him a change of clothes and things he may want.”
“Mayn’t I wait till the doctor comes?” she pleaded.
“Of course, my dear. There’s no hurry,” said Herold.
The two men helped Risca to his feet, and, taking him to the bedroom, undressed him, clothed him in warm pajamas, and put him into the bed, where a hot-water bottle diffused grateful heat. Herold had seen the livid bruises on his great, muscular limbs.
“Any one but you,” said he, with forced cheeriness, “would have been smashed to bits, like an egg.”
“I tell you I’m tough,” John growled. “It’s only to please you that I submit to this silly foolery of going to bed.”
As soon as Ripley was dismissed, he called Herold to his side.
“I would like to tell you everything, Wallie. I couldn’t in the other room. Unity, poor child, knows nothing at all about things. Naturally. I had been worried all the afternoon. I thought I saw her—you know—hanging about outside the office. It was just before I met you at the club. I didn’t tell you,—perhaps I ought to,—but that was why I was so upset. But you’ll forgive me. You’ve always forgiven me. Anyway, I thought I saw her. It was just a flash, for she, if it was she, was swallowed up in the traffic of Fleet Street. After leaving the club, I went back to the office—verification in proofs of something in Baxter’s article. I found odds and ends to do. Then I went home, and Julia’s letter lay on my table. I’ve been off my head of late, Wallie. For the matter of that, I’m still off it. I’ve hardly slept for weeks. I found Julia’s letter. I looked at my watch. There was just time to catch the 7:15. I ran out, jumped into a taxi, and caught it just as it was starting. But as I passed by a third-class carriage,—in fact, I realized it only after I had gone several yards beyond; one rushes, you know,—I seemed to see her face—those thin lips and cold eyes—framed in the window. The guard pitched me into a carriage. I looked out for her at all the stations. At Tring Bay the usual crowd got out. I didn’t see her. No one like her got out at Southcliff. What’s the matter, Wallie?” He broke off suddenly.
“Nothing, man; nothing,” said Herold, turning away and fumbling for his cigarette-case.
“You looked as if you had seen a ghost. It was I who saw the ghost.” He laughed. And the laugh, coming from the haggard face below the brow-reaching white bandage, was horrible.
“Your brain was playing you tricks,” said Herold. “You got to Southcliff. What happened?”
“I felt a fool,” said John. “Can’t you see what a fool a man feels when he knows he has played the fool?”
Bit by bit he revealed himself. At the gate of the Channel House he reflected. He had not the courage to enter. Stella would be up and about. He resolved to wait until she went to bed. He wandered down to the beach. The rain began to fall, fine, almost imperceptible. The beacon-light in the west window threw a vanishing shaft into the darkness.
“We saw it once—don’t you remember?—years ago when you gave her the name—Stellamaris. I sat like a fool and watched the window. How long I don’t know. My God! Wallie, you don’t know what it is to be shaken and racked by the want of a woman—”
“By love for a woman, you mean,” said Herold.
“It’s the same thing. At last I saw her. She stood defined in the light. She had changed. I cried out toward her like an idiot,”—the rugged, grim half face visible beneath the bandage was grotesque, a parody of passion,—“and I stayed there, watching, after she had gone away. How long I don’t know. It was impossible to ring at the door and see Oliver and Julia.”
He laughed again. “You must have some sense of humor, my dear man. Fancy Oliver and Julia! What could I have said to them? What could they have said to me? I sat staring up at her window. The rain was falling. Everything was still. It was night. You know how quiet everything is there. Then I seemed to hear footsteps and I turned, and a kind of shape—a woman’s—disappeared. I know I was off my head, but I began to think. I had a funny experience once—I’ve never told you. It was the day she came out of prison. I sat down in St. James’s Park and fell half asleep,—that sort of dog sleep one has when one’s tired,—and I thought I saw her going for Stella—Stella in her bed at the Channel House—going to strangle her. This came into my mind, and then something hit me,—a chunk of overhanging cliff loosened by the rain, I suppose,—and, as I’ve told you, it knocked me out. But it’s devilish odd that she should be mixed up in it.”
“As I said, your brain was playing you tricks,” said Herold, outwardly calm; but within himself he shuddered to his soul. The woman was like a foul spirit hovering unseen about those he loved.
Presently the doctor, a young man with a cheery face, came in and made his examination. There was no serious damage done. The only thing to fear was the chill. If the patient’s temperature went down in the morning, he could quite safely be moved to his own home. For the present rest was imperative, immediate sleep desirable. He wrote a prescription, and with pleasant words went away. Then Unity, summoned to the room, heard the doctor’s comforting opinion.
“I’ll be with you to-morrow,” said John.
“You don’t mind leaving him to Mrs. Ripley and me just for one night?” asked Herold.
“He’s always safe with you,” Unity replied, her eyes fixed not on him, but on John Risca. “Good-by, Guardian dear.”
John drew an arm from beneath the bedclothes and put it round her thin shoulders. “Good-by, dear. Forgive me for giving you such a fright, and make my peace with auntie. You’ll be coming back with my things, won’t you?”
“Of course; but you’ll be asleep then.”
“I shouldn’t wonder,” said John.
She made him cover up his arm again and tucked the bedclothes snugly about him, her finger-tips lingering by his cheeks.
“I’ll leave you, too. Try and get to sleep,” said Herold.
They went together out of the room and back to the library.
“Has he said anything more?”
He stood before her trembling all over.
“What is the matter?”
He burst into an uncontrollable cry. “It’s that hellish woman again! He saw her spying on him outside his office, he saw her in a railway carriage on the train he took. Because she disappeared each time, he thinks it was an hallucination; and somehow he was aware of her presence just before the piece of rock came down.”
Unity’s face beneath the skimpy hair and rubbishy tam-o’-shanter was white and strained.
“She threw it. I knew she threw it.”
“So do I. He saw her. She disappeared as she did that night in the fog. A woman like that isn’t human. She has the power of disappearing at will. You can’t measure her cunning.”
“What did he go down for?”
He told her. Unity’s lips twitched.
“And he sat there in the rain just looking at her window?”
She put out her hand. “Good-by, Mr. Herold. When you see Miss Stellamaris, you’ll tell her I’m a good girl—in that way, you know—and that I love her. She has been a kind of beautiful angel to me—has always been with me. It’s funny; I can’t explain. But you understand. If you’d only let her see that, I’d be so happy—and perhaps she’d be happier.”
“I’ll do my utmost,” said Herold.