THE LAND OF SONG
Book III.
FOR UPPER GRAMMAR GRADES
SELECTED BY
KATHARINE H. SHUTE
EDITED BY
LARKIN DUNTON, LL.D.
HEAD MASTER OF THE BOSTON NORMAL SCHOOL
SILVER, BURDETT & COMPANY
New York BOSTON Chicago
1899
Copyright, 1899,
By Silver, Burdett & Company.
C. J. PETERS & SON, TYPOGRAPHERS, BOSTON.
Plimpton Press
H. M. PLIMPTON & CO., PRINTERS & BINDERS,
NORWOOD, MASS., U.S.A.
Compilers' Preface.
The inestimable value of literature in supplying healthful recreation, in opening the mind to larger views of life, and in creating ideals that shall mold the spiritual nature, is conceded now by every one who has intelligently considered the problems of education. But the basis upon which literature shall be selected and arranged is still a matter of discussion.
Chronology, race-correspondence, correlation, and ethical training should all be recognized incidentally; but the main purpose of the teacher of literature is to send children on into life with a genuine love for good reading. To accomplish this, three things should be true of the reading offered: first, it should be literature; second, it should be literature of some scope, not merely some small phase of literature, such as the fables, or the poetry of one of the less eminent poets; and third, it should appeal to children's natural interests. Children's interests, varied as they seem, center in the marvelous and the preternatural; in the natural world; and in human life, especially child life and the romantic and heroic aspects of mature life. In the selections made for each grade, we have recognized these different interests.
To grade poetry perfectly for different ages is an impossibility; much of the greatest verse is for all ages—that is one reason why it is great. A child of five will lisp the numbers of Horatius with delight; and Scott's Lullaby of an Infant Chief, with its romantic color and its exquisite human tenderness, is dear to childhood, to manhood, and to old age. But the Land of Song is a great undiscovered country to the little child; by some road or other he must find his way into it; and these volumes simply attempt to point out a path through which he may be led into its happy fields.
Our earnest thanks are due to the following publishers for permission to use copyrighted poems: to Houghton, Mifflin & Co. for poems by Longfellow, Whittier, Emerson, Holmes, Lowell, Aldrich, Bayard Taylor, James T. Fields, Phœbe Cary, Lucy Larcom, Celia Thaxter, and Sarah Orne Jewett; to D. Appleton & Co. for a large number of Bryant's poems: to Charles Scribner's Sons for two poems by Stevenson, from Underwoods, and A Child's Garden of Verses; to J. B. Lippincott & Co. for two poems by Thomas Buchanan Read; and to Henry T. Coates & Co. for a poem by Charles Fenno Hoffman.
The present volume is intended for the seventh, eighth, and ninth school years, or higher grammar grades. It is the third of three books prepared for use in the grades below the high school. As no collection of this size can supply as much poetry as may be used to advantage, and as many desirable poems by American writers have necessarily been omitted, we have noted at the end of this volume lists of poems which it would be well to add to the material given here, that our children may realize the scope and beauty of the poetry of their own land.
CONTENTS
| PAGE | |
| Abide with Me | [72] |
| Adversity | [92] |
| Annie Laurie | [168] |
| Annie of Tharaw | [199] |
| Antony's Eulogy on Cæsar | [221] |
| Antiquity of Freedom, The | [13] |
| Apparitions | [253] |
| Auld Lang Syne | [112] |
| Awakening of Spring, The | [68] |
| | |
| Ballad of the Boat, The | [119] |
| Bannockburn | [52] |
| Before Sedan | [109] |
| Beggar Maid, The | [98] |
| Birkenhead, The | [108] |
| "Blessed are They that Mourn" | [151] |
| Bonnie Dundee | [53] |
| Bonnie Lesley | [167] |
| Boot and Saddle | [231] |
| Building of the Ship, The | [46] |
| | |
| Cavalier, The | [230] |
| Consolation, A | [261] |
| County Guy | [96] |
| Crossing the Bar | [269] |
| Cumnor Hall | [27] |
| | |
| Deathbed, The | [152] |
| Death the Leveler | [60] |
| Deserted House, The | [238] |
| Dora | [160] |
| Downfall of Wolsey, The | [177] |
| | |
| Each and All | [172] |
| Elaine | [248] |
| Elegy written in a Country Churchyard | [184] |
| Evening (Milton) | [212] |
| Evening (Scott) | [97] |
| | |
| Faith | [206] |
| Fall of Poland, The | [181] |
| Flow Gently, Sweet Afton | [196] |
| Forbearance | [260] |
| | |
| Glenara | [104] |
| Good Great Man, The | [59] |
| Growing Old | [253] |
| | |
| Harp that once through Tara's Halls, The | [183] |
| Helvellyn | [101] |
| Hervé Riel | [141] |
| Hester | [165] |
| High Tide on the Coast of Lincolnshire, The | [17] |
| Home Thoughts from Abroad | [69] |
| Horatius | [31] |
| Hymn Before Sunrise in the Vale of Chamouni | [214] |
| Hymn of Trust | [159] |
| Hymn to Diana | [101] |
| Hymn to the North Star, | [211] |
| | |
| Ichabod | [178] |
| Immortality | [202] |
| In Heavenly Love abiding | [245] |
| Ivry | [136] |
| | |
| Jacobite's Epitaph, A | [236] |
| Jacobite in Exile, A | [232] |
| Jaffar | [57] |
| John Anderson | [113] |
| | |
| Knight's Tomb, The | [103] |
| | |
| Lady of Shalott, The | [76] |
| Last Leaf, The | [239] |
| Last rose of Summer, The | [15] |
| Light of Other Days, The | [111] |
| Light shining out of Darkness, The | [134] |
| Lochiel's Warning | [61] |
| Lochinvar | [50] |
| London, 1802 | [229] |
| Lord of Himself | [58] |
| Lost Leader, The | [180] |
| Lucy | [192] |
| | |
| Man and Nature | [74] |
| Man that hath no Music in Himself, The | [91] |
| Morning | [75] |
| My Doves | [206] |
| My Love | [254] |
| | |
| Neckan, The | [116] |
| Night and Death | [201] |
| Nora's Vow | [255] |
| | |
| Ode on the Death of the Duke of Wellington | [226] |
| Of Old sat Freedom | [49] |
| O God, our Help in Ages Past | [140] |
| Oh Fairest of the Rural Maids | [195] |
| Oh, wert Thou in the Cauld Blast | [260] |
| On First looking into Chapman's Homer | [218] |
| On his Blindness | [46] |
| On the Receipt of My Mother's Picture | [241] |
| On the Sea | [120] |
| Outlaw, The | [257] |
| Ozymandias of Egypt | [61] |
| | |
| Patriot, The | [150] |
| Petition to Time, A | [104] |
| Pillar of the Cloud, The | [135] |
| Poet and the Bird, The | [115] |
| | |
| Qua Cursum Ventus | [210] |
| Quality of Mercy, The | [30] |
| Quiet Work | [213] |
| | |
| Raising of Lazarus, The | [204] |
| Recessional | [270] |
| Rhodora, The | [174] |
| Romance of the Swan's Nest | [82] |
| Rosabelle | [24] |
| Rugby Chapel | [147] |
| | |
| Safe Home | [133] |
| St. Agnes' Eve | [246] |
| Sands of Dee, The | [16] |
| Say not, the Struggle Naught availeth | [45] |
| Seven Sisters; or, the Solitude of Binnorie, The | [106] |
| She walks in Beauty | [99] |
| She was a Phantom of Delight | [200] |
| Sir Galahad | [249] |
| Sleep | [156] |
| Sleep, The | [153] |
| Snowstorm, The | [67] |
| Song from "Pippa Passes," | [73] |
| Song of the Camp, A | [169] |
| Song of the Western Men, The | [56] |
| Song: "Who is Silvia? What is She?" | [256] |
| Sonnet on Chillon | [14] |
| Stanzas for Music | [196] |
| | |
| Telling the Bees | [86] |
| Thanksgiving to God for His House, A | [157] |
| There'll Never be Peace | [231] |
| Three Fishers, The | [236] |
| To a Mountain Daisy | [95] |
| To a Skylark (Shelley) | [261] |
| To a Skylark (Wordsworth) | [26] |
| To the Daisy | [92] |
| Triumph of Charis | [198] |
| True Knighthood | [252] |
| Twilight Calm | [70] |
| | |
| Ulysses | [218] |
| | |
| Village Preacher, The | [190] |
| | |
| Waterloo | [266] |
| Wendell Phillips | [149] |
| Where lies the Land to which the Ship would go | [114] |
| White Ship, The | [121] |
INDEX OF AUTHORS.
| PAGE | |
| Arnold, Matthew. | |
| Quiet Work | [213] |
| Rugby Chapel: A Selection | [147] |
| The Neckan | [116] |
| | |
| Browning, Elizabeth Barrett. | |
| Man and Nature | [74] |
| My Doves | [206] |
| Romance of the Swan's Nest | [82] |
| The Poet and the Bird | [115] |
| The Sleep | [153] |
| | |
| Browning, Robert. | |
| Apparitions | [253] |
| Boot and Saddle | [231] |
| Growing Old: A Selection | [253] |
| Hervé Riel | [141] |
| Home Thoughts from Abroad | [69] |
| Song from "Pippa Passes" | [73] |
| The Lost Leader | [180] |
| The Patriot | [150] |
| | |
| Bryant, William Cullen. | |
| "Blessed are They that Mourn" | [151] |
| Hymn to the North Star | [211] |
| Oh Fairest of the Rural Maids | [195] |
| The Antiquity of Freedom | [13] |
| | |
| Burns, Robert. | |
| Auld Lang Syne | [112] |
| Bannockburn | [52] |
| Bonnie Lesley | [167] |
| Flow Gently, Sweet Afton | [196] |
| John Anderson | [113] |
| Oh, wert Thou in the Cauld Blast | [260] |
| There'll Never be Peace | [231] |
| To a Mountain Daisy | [95] |
| | |
| Byron, Lord (George Noel Gordon). | |
| She walks in Beauty | [9] |
| Sonnet on Chillon | [14] |
| Stanzas for Music | [196] |
| Waterloo: A Selection | [266] |
| | |
| Campbell, Thomas. | |
| Glenara | [104] |
| Lochiel's Warning | [61] |
| The Fall of Poland | [181] |
| | |
| Clough, Arthur Hugh. | |
| Qua Cursum Ventus | [210] |
| Say not, the Struggle Naught availeth | [45] |
| Where lies the Land to which the Ship would go | [114] |
| | |
| Coleridge, Samuel Taylor. | |
| Hymn before Sunrise in the Vale of Chamouni | [214] |
| The Good Great Man | [59] |
| The Knight's Tomb | [103] |
| | |
| Cornwall, Barry. (See Procter.) | |
| | |
| Cowper, William. | |
| Light Shining out of Darkness, The | [134] |
| On the receipt of my Mother's Picture | [241] |
| | |
| Dobson, Austin. | |
| Before Sedan | [109] |
| | |
| Douglas, William. | |
| Annie Laurie. | [168] |
| | |
| Emerson, Ralph Waldo. | |
| Each and All | [172] |
| Forbearance | [260] |
| The Rhodora | [174] |
| The Snowstorm | [67] |
| | |
| Garnett, Richard. | |
| The Ballad of the Boat | [119] |
| | |
| Goldsmith, Oliver. | |
| The Village Preacher | [190] |
| | |
| Gray, Thomas. | |
| Elegy written in a Country Churchyard | [184] |
| | |
| Hawker, Robert S. | |
| The Song of the Western Men | [56] |
| | |
| Herrick, Robert. | |
| A Thanksgiving to God for His House | [157] |
| | |
| Haywood, Thomas. | |
| Morning | [75] |
| | |
| Holmes, Oliver Wendell. | |
| Hymn of Trust | [159] |
| The Last Leaf | [239] |
| | |
| Hood, Thomas. | |
| The Deathbed | [152] |
| | |
| Hunt, Leigh. | |
| Jaffar | [57] |
| | |
| Ingelow, Jean. | |
| The High Tide on the Coast of Lincolnshire | [17] |
| | |
| Johnson, Ben. | |
| Hymn to Diana | [101] |
| Triumph of Charis | [198] |
| | |
| Keats, John. | |
| On First Looking into Chapman's Homer | [218] |
| On the Sea | [120] |
| | |
| Kingsley, Charles. | |
| The Sands of Dee | [16] |
| The Three Fishers | [236] |
| | |
| Kipling, Rudyard. | |
| Recessional | [270] |
| | |
| Lamb, Charles. | |
| Hester | [165] |
| | |
| Longfellow, Henry Wadsworth. | |
| Annie of Tharaw | [199] |
| The Building of the Ship: A Selection | [46] |
| | |
| Lowell, James Russell. | |
| My Love | [254] |
| Wendell Phillips | [149] |
| | |
| Lyte, Henry F. | |
| Abide with Me | [72] |
| | |
| Macauley, Thomas Babbington. | |
| A Jacobite's Epitaph | [236] |
| Horatius: A Selection | [31] |
| Ivry | [136] |
| | |
| Mickle, William F. | |
| Cumnor Hall | [27] |
| | |
| Milton, John. | |
| Evening: A Selection | [212] |
| On his Blindness | [46] |
| | |
| Montgomery, James. | |
| Immortality | [202] |
| | |
| Moore, Thomas. | |
| The Harp that once through Tara's Halls | [183] |
| The Last Rose of Summer | [15] |
| The Light of Other Days | [111] |
| | |
| Newman, John Henry. | |
| The Pillar of the Cloud | [135] |
| | |
| Procter, Bryan Waller. | |
| A Petition to Time | [104] |
| | |
| Rossetti, Christina G. | |
| Twilight Calm | [70] |
| | |
| Rossetti, Dante Gabriel. | |
| The White Ship | [121] |
| | |
| St. Joseph of the Studium. | |
| Safe Home. Translated by J. M. Neale | [133] |
| | |
| Scott, Sir Walter. | |
| Bonnie Dundee | [53] |
| County Guy | [96] |
| Evening | [97] |
| Helvellyn | [101] |
| Lochinvar | [50] |
| Nora's Vow | [255] |
| Rosabelle | [24] |
| The Cavalier | [230] |
| The Outlaw | [257] |
| | |
| Shakespeare, William. | |
| A Consolation | [261] |
| Adversity: A Selection | [92] |
| Antony's Eulogy on Caesar: A Selection | [221] |
| Sleep: A Selection | [156] |
| Song: "Who is Silvia? what is she?" From "Two Gentlemen of Verona" | [256] |
| The Downfall of Wolsey: A Selection | [177] |
| The Man that hath no Music in Himself: A Selection | [91] |
| The Quality of Mercy: A Selection | [30] |
| | |
| Shelley, Percy Bysshe. | |
| Ozymandias of Egypt | [61] |
| To a Skylark | [261] |
| | |
| Shirley, James. | |
| Death the Leveler | [60] |
| | |
| Swinburne, Algernon Charles. | |
| A Jacobite in Exile | [232] |
| | |
| Taylor, Bayard. | |
| A Song of the Camp | [169] |
| | |
| Tennyson, Alfred. | |
| Crossing the Bar | [269] |
| Dora | [160] |
| Elaine: A Selection from "The Idylls of the King" | [248] |
| Ode on the Death of the Duke of Wellington: A Selection | [226] |
| Of Old sat Freedom | [49] |
| St. Agnes' Eve | [246] |
| Sir Galahad | [249] |
| The Awakening of Spring: A Selection | [68] |
| The Beggar Maid | [98] |
| The Deserted House | [238] |
| The Lady of Shalott | [76] |
| The Raising of Lazarus: A Selection | [204] |
| True Knighthood: A Selection | [252] |
| Ulysses | [218] |
| | |
| Waring, Anna L. | |
| In Heavenly Love abiding | [245] |
| | |
| Watts, Isaac. | |
| O God, our Help in Ages Past | [140] |
| | |
| White, Joseph Blanco. | |
| Night and Death | [201] |
| | |
| Whittier, John Greenleaf. | |
| Ichabod | [178] |
| Telling the Bees | [86] |
| | |
| Wordsworth, William. | |
| Faith: A Selection | [206] |
| London, 1802 | [229] |
| Lucy | [192] |
| She was a Phantom of Delight | [200] |
| The Seven Sisters: or, The Solitude of Binnorie | [106] |
| To a Skylark | [26] |
| To the Daisy | [92] |
| | |
| Wotton, Sir Henry. | |
| Lord of Himself | [58] |
| | |
| Yule, Sir Henry. | |
| The Birkenhead | [108] |
THE LAND OF SONG: BOOK III.
PART I.
TITO CONTI
IRIS
The Land of Song: Book III.
PART ONE.
THE ANTIQUITY OF FREEDOM.
A Selection.
Oh Freedom! thou art not, as poets dream,
A fair young girl, with light and delicate limbs,
And wavy tresses gushing from the cap
With which the Roman master crowned his slave
When he took off the gyves. A bearded man,
Armed to the teeth, art thou; one mailèd hand
Grasps the broad shield, and one the sword; thy brow,
Glorious in beauty though it be, is scarred
With tokens of old wars; thy massive limbs
Are strong with struggling. Power at thee has launched
His bolts, and with his lightnings smitten thee;
They could not quench the life thou hast from heaven.
Merciless power has dug thy dungeon deep,
And his swart armorers, by a thousand fires,
Have forged thy chain; yet, while he deems thee bound,
The links are shivered, and the prison walls
Fall outward; terribly thou springest forth,
As springs the flame above a burning pile,
And shoutest to the nations, who return
Thy shoutings, while the pale oppressor flies.
William Cullen Bryant.
SONNET ON CHILLON.
Eternal Spirit of the chainless Mind!
Brightest in dungeons, Liberty! thou art,
For there thy habitation is the heart—
The heart which love of thee alone can bind;
And when thy sons to fetters are consigned—
To fetters, and the damp vault's day less gloom,
Their country conquers with their martyrdom,
And Freedom's fame finds wings on every wind.
Chillon! thy prison is a holy place,
And thy sad floor an altar—for 'twas trod,
Until his very steps have left a trace
Worn, as if thy cold pavement were a sod,
By Bonnivard! May none those marks efface!
For they appeal from tyranny to God.
Lord George Noel Gordon Byron.
THE LAST ROSE OF SUMMER.
'Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rosebud is nigh,
To reflect back her blushes,
Or give sigh for sigh!
I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them;
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead.
So soon may I follow,
When friendships decay,
And from love's shining circle
The gems drop away!
When true hearts lie withered,
And fond ones are flown,
O, who would inhabit
This bleak world alone?
Thomas Moore.
THE SANDS OF DEE.
"O Mary, go and call the cattle home,
And call the cattle home,
And call the cattle home,
Across the sands of Dee."
The western wind was wild and dank with foam,
And all alone went she.
The western tide crept up along the sand,
And o'er and o'er the sand,
And round and round the sand,
As far as eye could see.
The rolling mist came down and hid the land:
And never home came she.
"Oh! is it weed, or fish, or floating hair,—
A tress of golden hair,
A drownèd maiden's hair,
Above the nets at sea?
Was never salmon yet that shone so fair
Among the stakes on Dee."
They rowed her in across the rolling foam,
The cruel crawling foam,
The cruel hungry foam,
To her grave beside the sea.
But still the boatmen hear her call the cattle home,
Across the sands of Dee.
Charles Kingsley.
JEAN INGELOW.
THE HIGH TIDE ON THE COAST OF LINCOLNSHIRE.
(1571.)
The old mayor climbed the belfry tower,
The ringers ran by two, by three;
"Pull, if ye never pulled before;
Good ringers, pull your best," quoth he.
"Play uppe, play uppe, O Boston bells!
Play all your changes, all your swells,
Play uppe 'The Brides of Enderby.'"
Men say it was a stolen tyde—
The Lord that sent it, He knows all;
But in myne ears doth still abide
The message that the bells let fall:
And there was naught of strange, beside
The flights of mews and peewits pied
By millions crouched on the old sea wall.
I sat and spun within the doore,
My thread brake off, I raised myne eyes;
The level sun, like ruddy ore,
Lay sinking in the barren skies;
And dark against day's golden death
She moved where Lindis wandereth,
My sonne's faire wife, Elizabeth.
"Cusha! Cusha! Cusha!" calling,
Ere the early dews were falling,
Farre away I heard her song.
"Cusha! Cusha!" all along;
Where the reedy Lindis floweth,
Floweth, floweth,
From the meads where melick groweth
Faintly came her milking song—
"Cusha! Cusha! Cusha!" calling,
"For the dews will soone be falling;
Leave your meadow grasses mellow,
Mellow, mellow;
Quit your cowslips, cowslips yellow;
Come uppe Whitefoot, come uppe Lightfoot;
Quit the stalks of parsley hollow,
Hollow, hollow;
Come uppe Jetty, rise and follow,
From the clovers lift your head;
Come uppe Whitefoot, come uppe Lightfoot,
Come uppe Jetty, rise and follow,
Jetty, to the milking shed."
If it be long, ay, long ago,
When I beginne to think how long,
Againe I hear the Lindis flow,
Swifte as an arrow, sharpe and strong;
And all the aire, it seemeth mee,
Bin full of floating bells (sayth shee),
That ring the time of Enderby.
Alle fresh the level pasture lay,
And not a shadow mote be seene,
Save where full fyve miles away
The steeple towered from out the greene;
And lo! the great bell farre and wide
Was heard in all the country side
That Saturday at eventide.
The swanherds where their sedges are
Moved on in sunset's golden breath,
The shepherde lads I heard afarre,
And my sonne's wife, Elizabeth;
Till floating o'er the grassy sea
Came downe that kyndly message free,
The "Brides of Mavis Enderby."
Then some looked uppe into the sky,
And all along where Lindis flows
To where the goodly vessels lie,
And where the lordly steeple shows.
They sayde, "And why should this thing be?
What danger lowers by land or sea?
They ring the tune of Enderby!
"For evil news from Mablethorpe,
Of pyrate galleys warping down;
For shippes ashore beyond the scorpe,
They have not spared to wake the towne:
But while the west bin red to see,
And storms be none, and pyrates flee,
Why ring 'The Brides of Enderby'?"
I looked without, and lo! my sonne
Came riding downe with might and main:
He raised a shout as he drew on,
Till all the welkin rang again,
"Elizabeth! Elizabeth!"
(A sweeter woman ne'er drew breath
Than my sonne's wife, Elizabeth.)
"The olde sea wall (he cried) is downe,
The rising tide comes on apace,
And boats adrift in yonder towne
Go sailing uppe the market-place."
He shook as one that looks on death:
"God save you, mother!" straight he saith,
"Where is my wife, Elizabeth?"
"Good sonne, where Lindis winds her way,
With her two bairns I marked her long;
And ere yon bells beganne to play
Afar I heard her milking song."
He looked across the grassy lea,
To right, to left, "Ho Enderby!"
They rang "The Brides of Enderby!"
With that he cried and beat his breast;
For, lo! along the river's bed
A mighty eygre reared his crest,
And uppe the Lindis raging sped.
It swept with thunderous noises loud;
Shaped like a curling snow-white cloud,
Or like a demon in a shroud.
And rearing Lindis backward pressed
Shook all her trembling bankes amaine;
Then madly at the eygre's breast
Flung uppe her weltering walls againe.
Then bankes came downe with ruin and rout—
Then beaten foam flew round about—
Then all the mighty floods were out.
So farre, so fast the eygre drave,
The heart had hardly time to beat,
Before a shallow seething wave
Sobbed in the grasses at oure feet:
The feet had hardly time to flee
Before it brake against the knee,
And all the world was in the sea.
Upon the roofe we sate that night,
The noise of bells went sweeping by;
I marked the lofty beacon light
Stream from the church tower, red and high—
A lurid mark and dread to see;
And awsome bells they were to mee,
That in the dark rang "Enderby."
They rang the sailor lads to guide
From roofe to roofe who fearless rowed;
And I—my sonne was at my side,
And yet the ruddy beacon glowed;
And yet he moaned beneath his breath,
"O come in life, or come in death!
O lost! my love, Elizabeth."
And didst thou visit him no more?
Thou didst, thou didst, my daughter deare;
The waters laid thee at his doore,
Ere yet the early dawn was clear.
Thy pretty bairns in fast embrace,
The lifted sun shone on thy face,
Downe drifted to thy dwelling-place.
That flow strewed wrecks upon the grass,
That ebbe swept out the flocks to sea;
A fatal ebbe and flow, alas!
To manye more than myne and mee:
But each will mourn his own (she saith);
And sweeter woman ne'er drew breath
Than my sonne's wife, Elizabeth.
I shall never hear her more
By the reedy Lindis shore,
"Cusha! Cusha! Cusha!" calling,
Ere the early dews be falling;
I shall never hear her song,
"Cusha! Cusha!" all along
Where the sunny Lindis floweth,
Goeth, floweth;
From the meads where melick groweth,
When the water winding down,
Onward floweth to the town.
I shall never see her more
Where the reeds and rushes quiver,
Shiver, quiver;
Stand beside the sobbing river,
Sobbing, throbbing, in its falling
To the sandy lonesome shore;
I shall never hear her calling,
"Leave your meadow grasses mellow,
Mellow, mellow;
Quit your cowslips, cowslips yellow;
Come uppe Whitefoot, come uppe Lightfoot;
Quit your pipes of parsley hollow,
Hollow, hollow;
Come uppe Lightfoot, rise and follow;
Lightfoot, Whitefoot,
From your clovers lift the head;
Come uppe Jetty, follow, follow,
Jetty, to the milking shed."
Jean Ingelow.
ROSABELLE.
O listen, listen, ladies gay!
No haughty feat of arms I tell;
Soft is the note, and sad the lay,
That mourns the lovely Rosabelle.
"Moor, moor the barge, ye gallant crew!
And, gentle ladye, deign to stay!
Rest thee in Castle Ravensheuch,
Nor tempt the stormy firth to-day.
"The blackening wave is edged with white;
To inch and rock the sea-mews fly;
The fishers have heard the Water-Sprite,
Whose screams forebode that wreck is nigh.
"Last night the gifted Seer did view
A wet shroud swathed round ladye gay;
Then stay thee, Fair, in Ravensheuch;
Why cross the gloomy firth to-day?"
"'Tis not because Lord Lindesay's heir
To-night at Roslin leads the ball,
But that my ladye-mother there
Sits lonely in her castle hall.
"'Tis not because the ring they ride,
And Lindesay at the ring rides well,
But that my sire the wine will chide,
If 'tis not filled by Rosabelle."
O'er Roslin all that dreary night,
A wondrous blaze was seen to gleam;
'Twas broader than the watch-fire's light,
And redder than the bright moonbeam.
It glared on Roslin's castle rock,
It ruddied all the copse-wood glen;
'Twas seen from Dryden's groves of oak,
And seen from caverned Hawthornden.
Seemed all on fire that chapel proud,
Where Roslin's chiefs uncoffined lie,
Each Baron, for a sable shroud,
Sheathed in his iron panoply.
Seemed all on fire within, around,
Deep sacristy and altar's pale;
Shone every pillar foliage-bound,
And glimmered all the dead men's mail.
Blazed battlement and pinnet high,
Blazed every rose-carved buttress fair—
So still they blaze, when fate is nigh
The lordly line of high St. Clair.
There are twenty of Roslin's barons bold
Lie buried within that proud chapelle;
Each one the holy vault doth hold—
But the sea holds lovely Rosabelle!
And each St. Clair was buried there,
With candle, with book, and with knell;
But the sea-caves rung, and the wild winds sung,
The dirge of lovely Rosabelle!
Sir Walter Scott.
TO A SKYLARK.
Ethereal minstrel! pilgrim of the sky!
Dost thou despise the earth where cares abound?
Or, while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?
Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!
To the last point of vision, and beyond,
Mount, daring warbler!—that love-prompted strain
—'Twixt thee and thine a never-failing bond—
Thrills not the less the bosom of the plain:
Yet might'st thou seem, proud privilege, to sing
All independent of the leafy spring.
Leave to the nightingale her shady wood;
A privacy of glorious light is thine;
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine;
Type of the wise who soar, but never roam;
True to the kindred points of Heaven and Home!
William Wordsworth.
CUMNOR HALL.
The dews of summer night did fall;
The moon, sweet regent of the sky,
Silvered the walls of Cumnor Hall,
And many an oak that grew thereby.
Now naught was heard beneath the skies,
The sounds of busy life were still,
Save an unhappy lady's sighs
That issued from that lonely pile.
"Leicester!" she cried, "is this thy love
That thou so oft hast sworn to me,
To leave me in this lonely grove,
Immured in shameful privity?
"No more thou com'st with lover's speed
Thy once-belovèd bride to see;
But, be she alive, or be she dead,
I fear, stern Earl, 's the same to thee.
"Not so the usage I received
When happy in my father's hall;
No faithless husband then me grieved,
No chilling fears did me appall.
"I rose up with the cheerful morn,
No lark more blithe, no flower more gay;
And like the bird that haunts the thorn
So merrily sung the livelong day.
"If that my beauty is but small,
Among court ladies all despised,
Why didst thou rend it from that hall,
Where, scornful Earl! it well was prized?
"But, Leicester, or I much am wrong,
Or, 'tis not beauty lures thy vows;
Rather, ambition's gilded crown
Makes thee forget thy humble spouse.
"Then, Leicester, why,—again I plead,
The injured surely may repine,—
Why didst thou wed a country maid,
When some fair princess might be thine?
"Why didst thou praise my humble charms,
And oh! then leave them to decay?
Why didst thou win me to thy arms,
Then leave to mourn the livelong day?
"The village maidens of the plain
Salute me lowly as they go;
Envious they mark my silken train,
Nor think a countess can have woe.
"How far less blest am I than them!
Daily to pine and waste with care!
Like the poor plant, that, from its stem
Divided, feels the chilling air.
"My spirits flag—my hopes decay—
Still that dread death-bell smites my ear:
And many a boding seems to say,
Countess, prepare, thy end is near!"
Thus sore and sad that Lady grieved
In Cumnor Hall so lone and drear;
And many a heartfelt sigh she heaved,
And let fall many a bitter tear.
And ere the dawn of day appeared,
In Cumnor Hall so lone and drear,
Full many a piercing scream was heard,
And many a cry of mortal fear.
The death-bell thrice was heard to ring;
An aërial voice was heard to call,
And thrice the raven flapped its wing
Around the towers of Cumnor Hall.
The mastiff howled at village door,
The oaks were shattered on the green;
Woe was the hour—for never more
That hapless countess e'er was seen!
And in that manor now no more
Is cheerful feast and sprightly ball;
For ever since that dreary hour
Have spirits haunted Cumnor Hall.
The village maids, with fearful glance,
Avoid the ancient mossgrown wall;
Nor ever lead the merry dance
Among the groves of Cumnor Hall.
Full many a traveler oft hath sighed
And pensive wept the countess' fall,
As wand'ring onwards they've espied
The haunted towers of Cumnor Hall.
William F. Mickle.
THE QUALITY OF MERCY.
The quality of mercy is not strained,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest: it becomes
The thronèd monarch better than his crown:
His scepter shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptered sway;
It is enthronèd in the heart of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy.
William Shakespeare.
The "Merchant of Venice."
HORATIUS.
A Selection.
But the Consul's brow was sad,
And the Consul's speech was low,
And darkly looked he at the wall,
And darkly at the foe.
"Their van will be upon us
Before the bridge goes down;
And if they once may win the bridge,
What hope to save the town?"
Then out spake brave Horatius,
The Captain of the Gate:
"To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods;
"And for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
"Hew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon straight path a thousand
May well be stopped by three.
Now who will stand on either hand,
And keep the bridge with me?"
Then out spake Spurius Lartius;
A Ramnian proud was he:
"Lo, I will stand at thy right hand,
And keep the bridge with thee."
And out spake strong Herminius;
Of Titian blood was he:
"I will abide on thy left side,
And keep the bridge with thee."
"Horatius," quoth the Consul,
"As thou sayest, so let it be."
And straight against that great array
Forth went the dauntless Three.
For Romans in Rome's quarrel
Spared neither land nor gold,
Nor son, nor wife, nor limb, nor life,
In the brave days of old.
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.
Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low,
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.
Now while the Three were tightening
Their harness on their backs,
The Consul was the foremost man
To take in hand an ax:
And Fathers mixed with Commons
Seized hatchet, bar, and crow,
And smote upon the planks above,
And loosed the props below.
Meanwhile the Tuscan army,
Right glorious to behold,
Came flashing back the noonday light,
Rank behind rank, like surges bright
Of a broad sea of gold.
Four hundred trumpets sounded
A peal of warlike glee,
As that great host, with measured tread,
And spears advanced, and ensigns spread,
Rolled slowly towards the bridge's head,
Where stood the dauntless Three.
The Three stood calm and silent,
And looked upon the foes,
And a great shout of laughter
From all the vanguard rose;
And forth three chiefs came spurring
Before that deep array;
To earth they sprang, their swords they drew,
And lifted high their shields, and flew
To win the narrow way;
Aunus from green Tifernum,
Lord of the Hill of Vines;
And Seius, whose eight hundred slaves
Sicken in Ilva's mines;
And Picus, long to Clusium
Vassal in peace and war,
Who led to fight his Umbrian powers
From that gray crag where, girt with towers,
The fortress of Nequinum towers
O'er the pale waves of Nar.
Stout Lartius hurled down Aunus
Into the stream beneath:
Herminius struck at Seius,
And clove him to the teeth:
At Picus Brave Horatius
Darted one fiery thrust;
And the proud Umbrian's gilded arms
Clashed in the bloody dust.
Then Ocnus of Falerii
Rushed on the Roman Three;
And Lausulus of Urgo,
The rover of the sea;
And Aruns of Volsinium,
Who slew the great wild boar,
The great wild boar that had his den
Amidst the reeds of Cosa's fen,
And wasted fields, and slaughtered men,
Along Albinia's shore.
Herminius smote down Aruns:
Lartius laid Ocnus low:
Right to the heart of Lausulus
Horatius sent a blow.
"Lie there," he cried, "fell pirate!
No more, aghast and pale,
From Ostia's walls the crowd shall mark
The track of thy destroying bark.
No more Campania's hinds shall fly
To woods and caverns when they spy
Thy thrice accursèd sail."
But now no sound of laughter
Was heard among the foes,
A wild and wrathful clamor
From all the vanguard rose.
Six spears' lengths from the entrance
Halted that deep array,
And for a space no man came forth
To win the narrow way.
But hark! the cry is "Astur";
And lo! the ranks divide;
And the great Lord of Luna
Comes with his stately stride.
Upon his ample shoulders
Clangs loud the fourfold shield,
And in his hand he shakes the brand
Which none but he can wield.
He smiled on those bold Romans
A smile serene and high;
He eyed the flinching Tuscans,
And scorn was in his eye.
Quoth he, "The she-wolf's litter
Stands savagely at bay:
But will ye dare to follow,
If Astur clears the way?"
Then, whirling up his broadsword
With both hands to the height,
He rushed against Horatius,
And smote with all his might.
With shield and blade Horatius
Right deftly turned the blow.
The blow, though turned, came yet too nigh;
It missed his helm, but gashed his thigh;
The Tuscans raised a joyful cry
To see the red blood flow.
He reeled, and on Herminius
He leaned one breathing-space;
Then, like a wild cat mad with wounds,
Sprang right at Astur's face.
Through teeth, and skull, and helmet
So fierce a thrust he sped,
The good sword stood a hand-breadth out
Behind the Tuscan's head.
And the great Lord of Luna
Fell at that deadly stroke,
As falls on Mount Alvernus
A thunder-smitten oak.
Far o'er the crashing forest
The giant arms lie spread;
And the pale augurs, muttering low,
Gaze on the blasted head.
On Astur's throat Horatius
Right firmly pressed his heel,
And thrice and four times tugged amain,
Ere he wrenched out the steel.
"And see," he cried, "the welcome,
Fair guests, that waits you here!
What noble Lucumo comes next
To taste our Roman cheer?"
But at his haughty challenge
A sullen murmur ran,
Mingled of wrath, and shame, and dread,
Along that glittering van.
There lacked not men of prowess,
Nor men of lordly race;
For all Etruria's noblest
Were round the fatal place.
But all Etruria's noblest
Felt their hearts sink to see
On the earth the bloody corpses,
In the path the dauntless Three.
And from the ghastly entrance
Where those bold Romans stood,
All shrank, like boys who unaware,
Ranging the woods to start a hare,
Come to the mouth of the dark lair
Where, growling low, a fierce old bear
Lies amidst bones and blood.
Was none who would be foremost
To lead such dire attack:
But those behind cried, "Forward!"
And those before cried, "Back!"
And backward now and forward
Wavers the deep array;
And on the tossing sea of steel,
To and fro the standards reel;
And the victorious trumpet-peal
Dies fitfully away.
Yet one man for one moment
Stood out before the crowd;
Well known was he to all the Three,
And they gave him greeting loud.
"Now welcome, welcome, Sextus!
Now welcome to thy home!
Why dost thou stay, and turn away,
Here lies the road to Rome."
Thrice looked he at the city;
Thrice looked he at the dead;
And thrice came on in fury,
And thrice turned back in dread;
And, white with fear and hatred,
Scowled at the narrow way
Where, wallowing in a pool of blood,
The bravest Tuscans lay.
But meanwhile ax and lever
Have manfully been plied;
And now the bridge hangs tottering
Above the boiling tide.
"Come back, come back, Horatius!"
Loud cried the Fathers all,
"Back, Lartius! back, Herminius!
Back, ere the ruin fall!"
Back darted Spurius Lartius;
Herminius darted back:
And, as they passed, beneath their feet
They felt the timbers crack.
But when they turned their faces,
And on the farther shore
Saw brave Horatius stand alone,
They would have crossed once more.
But with a crash like thunder
Fell every loosened beam,
And, like a dam, the mighty wreck
Lay right athwart the stream;
And a long shout of triumph
Rose from the walls of Rome,
As to the highest turret-tops
Was splashed the yellow foam.
And like a horse unbroken
When first he feels the rein,
The furious river struggled hard,
And tossed his tawny mane,
And burst the curb, and bounded,
Rejoicing to be free;
And whirling down, in fierce career,
Battlement, and plank, and pier,
Rushed headlong to the sea.
Alone stood brave Horatius,
But constant still in mind;
Thrice thirty thousand foes before,
And the broad flood behind.
"Down with him!" cried false Sextus,
With a smile on his pale face.
"Now yield thee," cried Lars Porsena,
"Now yield thee to our grace."
Round turned he, as not deigning
Those craven ranks to see;
Naught spake he to Lars Porsena,
To Sextus naught spake he;
But he saw on Palatinus
The white porch of his home;
And he spake to the noble river
That rolls by the towers of Rome.
"Oh, Tiber! father Tiber!
To whom the Romans pray,
A Roman's life, a Roman's arms,
Take thou in charge this day."
So he spake, and speaking sheathed
The good sword by his side,
And with his harness on his back,
Plunged headlong in the tide.
No sound of joy or sorrow
Was heard from either bank;
But friends and foes, in dumb surprise,
With parted lips and straining eyes,
Stood gazing where he sank;
And when above the surges
They saw his crest appear,
All Rome sent forth a rapturous cry,
And even the ranks of Tuscany
Could scarce forbear to cheer.
But fiercely ran the current,
Swollen high by months of rain:
And fast his blood was flowing
And he was sore in pain,
And heavy with his armor,
And spent with changing blows:
And oft they thought him sinking,
But still again he rose.
Never, I ween, did swimmer,
In such an evil case,
Struggle through such a raging flood
Safe to the landing-place:
But his limbs were borne up bravely
By the brave heart within;
And our good father Tiber
Bore bravely up his chin.
"Curse on him!" quoth false Sextus;
"Will not the villain drown?
But for this stay, ere close of day
We should have sacked the town!"
"Heaven help him!" quoth Lars Porsena,
"And bring him safe to shore;
For such a gallant feat of arms
Was never seen before."
And now he feels the bottom;
Now on dry earth he stands;
Now round him throng the Fathers
To press his gory hands;
And now, with shouts and clapping,
And noise of weeping loud,
He enters through the River-Gate,
Borne by the joyous crowd.
They gave him of the corn-land,
That was of public right,
As much as two strong oxen
Could plow from morn till night;
And they made a molten image,
And set it up on high,
And there it stands unto this day
To witness if I lie.
It stands in the Comitium,
Plain for all folk to see;
Horatius in his harness,
Halting upon one knee:
And underneath is written,
In letters all of gold,
How valiantly he kept the bridge,
In the brave days of old.
And still his name sounds stirring
Unto the men of Rome,
As the trumpet-blast that cries to them
To charge the Volscian home;
And wives still pray to Juno
For boys with hearts as bold
As his who kept the bridge so well
In the brave days of old.
And in the nights of winter,
When the cold north winds blow,
And the long howling of the wolves
Is heard amidst the snow;
When round the lonely cottage
Roars loud the tempest's din,
And the good logs of Algidus
Roar louder yet within;
When the oldest cask is opened,
And the largest lamp is lit;
When the chestnuts glow in the embers,
And the kid turns on the spit;
When young and old in circle
Around the firebrands close;
When the girls are weaving baskets,
And the lads are shaping bows;
When the goodman mends his armor,
And trims his helmet's plume;
When the goodwife's shuttle merrily
Goes flashing through the loom;
With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.
Thomas Babington Macaulay.
THOMAS BABINGTON MACAULAY.
SAY NOT, THE STRUGGLE NAUGHT AVAILETH.
Say not, the struggle naught availeth,
The labor and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light,
In front, the sun climbs slow, how slowly,
But westward, look, the land is bright.
Arthur Hugh Clough.
ON HIS BLINDNESS.
When I consider how my light is spent,
Ere half my days, in this dark world and wide,
And that one talent, which is death to hide,
Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest He, returning, chide,—
"Doth God exact day-labor, light denied?"
I fondly ask:—But Patience, to prevent
That murmur, soon replies, "God doth not need
Either man's work, or His own gifts; who best
Bear His mild yoke, they serve Him best: His state
Is kingly; thousands at His bidding speed
And post o'er land and ocean without rest:—
They also serve who only stand and wait."
John Milton.
THE BUILDING OF THE SHIP.
A Selection.
All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o'er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.
·······
On the deck another bride
Is standing by her lover's side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.
·······
HENRY WADSWORTH LONGFELLOW.
Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean's arms!
·······
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the bosom of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o'er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!
Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
'Tis of the wave and not the rock;
Tis but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest's roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o'er our fears,
Are all with thee,—are all with thee!
Henry Wadsworth Longfellow.
OF OLD SAT FREEDOM.
Of old sat Freedom on the heights,
The thunders breaking at her feet:
Above her shook the starry lights:
She heard the torrents meet.
There in her place she did rejoice,
Self-gathered in her prophet-mind,
But fragments of her mighty voice
Came rolling on the wind.
Then stept she down thro' town and field
To mingle with the human race,
And part by part to men revealed
The fullness of her face—
Grave mother of majestic works,
From her isle-altar gazing down,
Who, godlike, grasps the triple forks,
And kinglike, wears the crown:
Her open eyes desire the truth.
The wisdom of a thousand years
Is in them. May perpetual youth
Keep dry their light from tears;
That her fair form may stand and shine,
Make bright our days and light our dreams,
Turning to scorn with lips divine
The falsehood of extremes!
Alfred Tennyson.
LOCHINVAR.
Oh, young Lochinvar is come out of the west.
Through all the wide Border his steed was the best,
And save his good broadsword he weapons had none;
He rode all unarmed, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He stayed not for brake, and he stopped not for stone,
He swam the Eske River where ford there was none;
But ere he alighted at Netherby gate
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war
Was to wed the fair Ellen of brave Lochinvar.
So boldly he entered the Netherby Hall,
Among bridesmen and kinsmen and brothers and all:
Then spoke the bride's father, his hand on his sword
(For the poor craven bridegroom said never a word),
"Oh, come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"
"I long wooed your daughter, my suit you denied;—
Love swells like the Solway, but ebbs like its tide—
And now am I come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."
The bride kissed the goblet; the knight took it up;
He quaffed off the wine, and he threw down the cup.
She looked down to blush, and she looked up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand ere her mother could bar,—
"Now tread we a measure!" said young Lochinvar.
So stately his form, and so lovely her face,
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume,
And the bridemaidens whispered, "'Twere better by far
To have matched our fair cousin with young Lochinvar."
One touch to her hand, and one word in her ear,
When they reached the hall door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.
There was mounting 'mong Græmes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?
Sir Walter Scott.
BANNOCKBURN.
Scots, wha hae wi' Wallace bled,
Scots, wham Bruce has aften led;
Welcome to your gory bed,
Or to victorie!
Now's the day, and now's the hour;
See the front o' battle lour:
See approach proud Edward's pow'r—
Chains and slaverie!
Wha will be a traitor-knave?
Wha can fill a coward's grave?
Wha sae base as be a slave?
Let him turn and flee!
Wha for Scotland's king and law,
Freedom's sword will strongly draw,
Freeman stand, or freeman fa',
Let him follow me!
By oppression's woes and pains!
By our sons in servile chains!
We will drain our dearest veins,
But they shall be free!
Lay the proud usurpers low!
Tyrants fall in every foe!
Liberty's in every blow!—
Let us do or die!
Robert Burns.
BONNIE DUNDEE.
To the Lords of Convention 'twas Claver'se who spoke,
"Ere the King's crown shall fall there are crowns to be broke;
So let each Cavalier who loves honor and me,
Come follow the bonnet of Bonnie Dundee.
Come fill up my cup, come fill up my can,
Come saddle your horses, and call up your men;
Come open the West Port, and let me gang free,
And it's room for the bonnets of Bonnie Dundee!"
Dundee he is mounted, he rides up the street,
The bells are rung backward, the drums they are beat;
But the Provost, douce man, said, "Just e'en let him be,
The Gude Town is weel quit of that Deil of Dundee!"
As he rode down the sanctified bends of the Bow,
Ilk carline was flyting and shaking her pow;
But the young plants of grace they looked couthie and slee,
Thinking, luck to thy bonnet, thou Bonnie Dundee!
With sour-featured Whigs the Grassmarket was crammed,
As if half the West had set tryst to be hanged;
There was spite in each look, there was fear in each e'e,
As they watched for the bonnet of Bonnie Dundee.
These cowls of Kilmarnock had spits and had spears,
And lang-hafted gullies to kill Cavaliers;
But they shrunk to close-heads, and the causeway was free,
At the toss of the bonnet of Bonnie Dundee.
He spurred to the foot of the proud Castle rock,
And with the gay Gordon he gallantly spoke;
"Let Mons Meg and her marrows speak twa words or three
For the love of the bonnet of Bonnie Dundee."
The Gordon demands of him which way he goes:
"Where'er shall direct me the shade of Montrose!
Your Grace in short space shall hear tidings of me,
Or that low lies the bonnet of Bonnie Dundee.
"There are hills beyond Pentland, and lands beyond Forth,
If there's lords in the Lowlands, there's chiefs in the North;
There are wild Duniewassals three thousand times three,
Will cry hoigh! for the bonnet of Bonnie Dundee.
"There's brass on the target of barkened bull hide;
There's steel in the scabbard that dangles beside;
The brass shall be burnished, the steel shall flash free,
At a toss of the bonnet of Bonnie Dundee.
"Away to the hills, to the caves, to the rocks,
Ere I own a usurper, I'll couch with the fox;
And tremble, false Whigs, in the midst of your glee,
You have not seen the last of my bonnet and me!"
He waved his proud hand, and the trumpets were blown,
The kettledrums clashed, and the horsemen rode on,
Till on Ravelston's cliffs and on Clermiston's lee
Died away the wild war notes of Bonnie Dundee.
Come fill up my cup, and fill up my can,
Come saddle the horses and call up the men,
Come open your gates, and let me gae free,
For it's up with the bonnets of Bonnie Dundee!
Sir Walter Scott.
THE SONG OF THE WESTERN MEN.
A good sword and a trusty hand!
A merry heart and true!
King James's men shall understand
What Cornish lads can do.
And have they fixed the where and when?
And shall Trelawny die?
Here's twenty thousand Cornish men
Will know the reason why!
Out spake their captain brave and bold,
A merry wight was he:
"If London Tower were Michael's hold,
We'll set Trelawny free!
"We'll cross the Tamar, land to land,
The Severn is no stay,
With one and all, and hand in hand,
And who shall bid us nay?
"And when we come to London Wall,
A pleasant sight to view,
Come forth! come forth! ye cowards all,
Here's men as good as you.
"Trelawny he's in keep and hold,
Trelawny he may die;
But here's twenty thousand Cornish bold
Will know the reason why!"
Robert S. Hawker.
JAFFAR.
Jaffar, the Barmecide, the good Vizier,
The poor man's hope, the friend without a peer,—
Jaffar was dead, slain by a doom unjust;
And guilty Haroun, sullen with mistrust
Of what the good, and e'en the bad, might say,
Ordained that no man living, from that day,
Should dare to speak his name on pain of death.
All Araby and Persia held their breath.
All but the brave Mondeer.—He, proud to show
How far for love a grateful soul could go,
And facing death for very scorn and grief,
For his great heart wanted a great relief,
Stood forth in Bagdad, daily in the square
Where once had stood a happy home, and there
Harangued the tremblers at the scymitar
On all they owed to the divine Jaffar.
"Bring me this man," the caliph cried: the man
Was brought, was gazed upon. The mutes began
To bind his arms. "Welcome, brave cords," cried he;
"From bonds far worse Jaffar delivered me;
From wants, from shames, from loveless household fears;
Made a man's eyes friends with delicious tears;
Restored me, loved me, put me on a par
With his great self. How can I pay Jaffar?"
Haroun, who felt that on a soul like this
The mightiest vengeance could but fall amiss,
Now deigned to smile, as one great lord of fate
Might smile upon another half as great.
He said, "Let worth grow frenzied if it will;
The caliph's judgment shall be master still.
"Go, and since gifts so move thee, take this gem,
The richest in the Tartar's diadem,
And hold the giver as thou deemest fit."
"Gifts!" cried the friend. He took: and holding it
High toward the heavens, as though to meet his star,
Exclaimed, "This, too, I owe to thee, Jaffar."
Leigh Hunt.
LORD OF HIMSELF.
How happy is he born or taught
Who serveth not another's will;
Whose armor is his honest thought,
And simple truth his highest skill: