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BOYS AND GIRLS
BOOKSHELF

A Practical Plan of Character Building

COMPLETE IN SEVENTEEN VOLUMES

THE UNIVERSITY SOCIETY
INCORPORATED
New York

MAROONED
from a drawing by mabel lucie attwell

BOYS AND GIRLS
BOOKSHELF

A Practical Plan of Character Building

Little Folks’ Section

Prepared Under the Supervision of
THE EDITORIAL BOARD of the UNIVERSITY SOCIETY

Volume I

FUN AND THOUGHT FOR LITTLE FOLK

THE UNIVERSITY SOCIETY
INCORPORATED
New York

Copyright, 1920, By
THE UNIVERSITY SOCIETY INC.

Copyright, 1912, 1915, By
THE UNIVERSITY SOCIETY INC.

Manufactured in the U. S. A.

THE EDITORIAL BOARD
of
THE UNIVERSITY SOCIETY INC.

General Editor: William Byron Forbush, Ph.D., Litt.D.
Author of “The Boy Problem”

Office Editor: Jennie Ellis Burdick
Editor of “The Children’s Own Library”

PARTIAL LIST OF SPECIAL CONTRIBUTORS

PARTIAL LIST OF AUTHORS REPRESENTED

in the boys and girls bookshelf by selections from their writings

PARTIAL LIST OF ILLUSTRATORS

Examples of whose work appear in the Boys and Girls Bookshelf

GENERAL INTRODUCTION

Books are as essentially a part of the home where boys and girls are growing into manhood and womanhood as any other part of the furnishings. Parents have no more right to starve a child’s mind than they have his body. If a child is to take his place among the men and women of his time he needs to know the past out of which the present grew, and he needs to know what is going on in the world in which he lives. He needs tools for his brain as much as for his hands. All these things are found, and found only, in books.

The child is helpless to provide himself with these necessaries for life. The majority of parents are eager that their children shall start early and right on that road which leads to honorable success. But it is impossible for any parent, by no matter how liberal an expenditure, to collect books that shall adequately cover all a child’s needs and interests. This is the task of experts.

INSTRUCTIVE PLAY

Recent studies of childhood have emphasized the conviction that a child develops his talents even more in his playtime than in his school; his spontaneous activities build up his fourfold—physical, mental, social, and moral—nature. Probably no collection of books has been more strongly affected by this modern discovery than the Boys and Girls Bookshelf. The whole effort has been to utilize the child’s play-interests so that they shall express themselves in joyous ways that lead into the world of invention and industry, of imagination and achievement, of science and art and music, of character and worth-while deeds.

Children’s collections have had various literary styles. The encyclopedia is comprehensive, but stately and often dull; it will answer the question of the child, but it does not lead the child toward more knowledge. The scrapbook is interesting, but it has no plan or order. The “inspirational” book is full of fine sentiments, but without facts or much information.

THE PURPOSE OF THE BOOKSHELF

The Bookshelf is so built that it creates a desire for knowledge, and then satisfies that desire. At the same time the Bookshelf does not pretend to tell all that is known on any one subject. The Editors have selected the subjects concerning which no one should be ignorant, and have seen to it that the information is given in an attractive form with plenty of illustrative material, and that when the reader is finished he will have a working knowledge of the subject. To awaken minds and to make them alert and receptive has been the aim in making the Bookshelf.

THE PLAN AND SCOPE

The Bookshelf begins with the dawn of intelligence in the child, and goes with him through the morning of childhood, and into the noonday of youth. It contains a complete stock of finger-plays, action-plays, lullabies, and other entertaining and educational material enjoyable to babies and little children; it reaches into and through the high-school age. In fact, the Bookshelf, with its valuable scientific and natural-history material, its information about inventions and industries, and its literary treasures, is an asset to the library even of an adult.

The Bookshelf is classified. In some libraries material upon an unrelated variety of subjects may be found within the covers of a single volume. This feature has been tried and found wanting. It means that when the reader is on the trail of a given subject he never knows where to look for it, and he is likely to have to hunt through several volumes before he learns what he wants to know. The argument for an unclassified library is that the child who is reading a story may happen at the end of that story upon an article containing valuable information, and thus be lured on to read it. Children are not so easily beguiled. The mental distinction of being, as it were, forced to spring from one theme to another certainly counterbalances any supposed advantage in the scrapbook arrangement. “A place for everything, and everything in its place,” is as true an adage and as necessary to remember and to practise to-day as it ever was.

In addition to classifying the contents of the Bookshelf, the Editors have graded the material. Any collection that is purchased for a home and leaves out the needs of the children of any given age is disappointing to that home. There is also a Graded Index, which is an enlargement upon the general plan.

On the very day of its birth a baby enters the child’s garden of life. In this beautiful place there are weeds as well as flowers, and father and mother must guide the little adventurer so that only the good flowers are developed, while the weeds are held in check and the poisonous plants torn up and destroyed. Earnest parents feel this responsibility very keenly. In “Fun and Thought for Little Folk” there is a well-selected collection of jingles, stories, and play exercises for babies up to about three or four years of age. It covers the earliest informal education of a child, from finger-play days to the alphabet period. It helps parents who wish to enjoy their little children and who do not wish such enjoyment to be a mere matter of chance. Trained kindergartners with the modern viewpoint had much to do with this collection. Not only does it delight the little folk, but it is also the first material for child-training.

Educators are making much nowadays of fairy stories and wonder-tales. The imaginative man, they say, is the effective man, because he has the mental vision which sees farther than the physical eye; and they urge that all children should be the possessors of these nursery tales that have made children happy for so many centuries. “Folk-lore, Fables, and Fairy Tales” is the result of careful comparative study of all the leading anthologies, with added research into sources that have not otherwise been thoroughly explored.

The folk-lore of many races and times has been sifted, and wherever necessary it has been retold so as to be suitable to modern tastes and needs of modern children. Whatever was gruesome or morally undesirable has been omitted, but the flavor and the language of the past have been retained. Here are “Cinderella,” “Tom Thumb,” and all the other favorites of our childhood days, together with the stories that are told to the children in the four corners of the world. While these will be read to our boys and girls before they are able to read for themselves, they will turn back again and again to this department as they grow older. There is perpetual youth in the tales evolved by a race in its infancy.

From the fairy-tale and the folk-lore period, when beasts and trees and all that is about them speak to them in words they can understand, children develop into a stage where they want stories, or, as we say when we are older, fiction. Both they and we mean tales that while untrue yet would be possible of happening. At this age, also, children desire to learn the habits of the animals they see on the farm, in the zoo, and in the circus. The importance of giving children an early acquaintance with good literature is unquestioned, but even the most earnest parent has difficulty in making the selection, finding the source in available form, and keeping out what is unworthy.

“Famous Tales and Nature Stories” has been made with care. Many of the world’s famous stories are collected here, and wherever possible they are in the original language. The nature stories, about flowers and trees, birds and insects, are not formal, but are planned to give the child direct contact with nature and to assist the good habit of direct and interested observation.

This division also includes a Primer and a First Reader, made according to modern principles. Enough reading material is furnished in graded form to enable the home teacher to help her little pupil master the elements of reading, or the child will use it himself to supplement the work of the teacher in school, if the mother is too busy with her other tasks to permit her the enjoyment of teaching her child to read.

All modern kindergarten teaching to-day centers about the development of the child’s own impulses and interests. Of these the two most noticeable are the tendency to play and the tendency to construct. Even if a mother had no higher motive than to keep her little child out of mischief she would welcome a treasury of devices that will always be at hand to answer the question, “Mother, what shall I do now?” But most mothers appreciate the value and importance of well directed play and work. In “Things to Make and Things to Do” are given the directions for elementary cooking, sewing, woodworking and other handicraft. Successful teachers who are close to young children, and who kept home conditions in mind in all their writing, prepared these sections. Educationally they are sound, but, better than that, they are simple and explicit, and within the reach of the resources of each home. Here, too, are the suggestions for the directed and undirected play of the wee tots. The material in this department, while complete in itself, will prepare the way for and supplement all teaching in schools of these important subjects. It is of the first importance that boys and girls recognize the true nature of work and play. This department will help them in the right direction.

As a child grows older he craves true stories. “Mother, did it really happen?” “Father, was that make-believe or real?” These questions are but the sign of mental and spiritual growing pains. If the child is wisely aided, that poise which is so envied by the self-conscious person will be his. The chief factor in poise is knowledge.

To be at home in many lands and times is the mark of a really educated man or woman. Not all of us can actually travel, not all of us can have the privilege of the acquaintance of the world’s great men and women, but it is within the reach of every one to-day to discover, through picture and description, the world’s most far-away lands, and in the pages of books to have an intimate and inspiring acquaintance with the heroes of the nations. If we wish our children to be fine types of men and women, we must form their tastes in these large directions before they are overwhelmed by what is so ephemeral and worthless in literature and drama of the day.

“True Stories from Every Land” is prepared to catch the attention and to hold the interest of young children. Foreign lands are studied not by their boundaries and political affairs, but through the home life, the customs, the sports, and the work of their children, their men, and their women. The approach to history is made by biographies of some of the most interesting heroes, and especially by accounts of the adventurous pioneer days of America. The illustrations in this department are multitudinous, graphic, up-to-date, and many of them unusual. These stories will assist in home and school studies, because they illustrate the history, customs, manners, and peoples of different countries. They will help little children to learn how to read, and incidentally teach them much that will help them to appreciate the privilege and responsibility of being good Americans.

A good book of songs, familiar, tuneful, suitable to all occasions, and graded to suit the differing tastes of separate members of the family, is always welcome. The collection of “Famous Songs,” edited by Winton James Baltzell, is skillfully assembled from the best song-books available, and it also contains many pieces of unusual charm not so generally known. The songs for little children, for instance, are based upon a list approved by our leading kindergartners. A novel feature is that not only are the songs within range of children’s voices, but many of them have been arranged for instrumental use, and some for folk-dancing.

In “Picture Stories” we have a delightful series of reproductions of masterpieces of painting and sculpture of the world’s great art eras. Old masters and modern are well represented. The descriptions were written for children, remembering their interest in the story-element in pictures, and including inspiring details of the artists’ lives. In the other volumes are many more reproductions of masterpieces.

There are two volumes entitled “Nature and Outdoor Life”; the first one, “Trees, Flowers, Amphibians, and Reptiles,” begins with talks about earth, air, and sky, the clouds and weather, the seasons, the ways of bees and bugs and birds, illustrated with portraits of real children busy in observing the things of nature. Then follow sections on Familiar Flowers, Plant Life, Common Trees, and Reptiles and Amphibians, each written by an expert on the subject, and all profusely illustrated with photographs and drawings, many of the illustrations being in color. All this material is written in an easy and familiar style and in a manner to stimulate the right kind of curiosity. Children are encouraged to ask questions, and are unconsciously led to observe and read for themselves. Both this volume and its companion, “Birds, Animals, and Insects,” help boys and girls to find out many secrets of nature. In the second nature series we begin with pets and domestic animals, and then study the wild animals and birds of America. Next we learn of the ways of the birds and animals in other lands, which we meet in the zoölogical gardens of our own country. The volume closes with descriptions of the invertebrates.

The natural sciences are cared for in “Earth, Sea, and Sky.” Each division is more fascinating than the last, as it unfolds the world to us. We all want to know, and ought to know, more about the sphere upon which we live, its place in the universe, how it came to be peopled, and what are some of the laws that govern its magnificent forces and changes. This department is as interesting to old as to young, though it will find a warm place in the hearts of the youths who are just getting interested in physics, physiography, chemistry, and electricity.

An earlier volume covered the play and hand-work of little children. Our young people are now ready for games more skillful and coöperative, and handicraft more elaborate and involving a finer finish. “Games and Handicraft” supplies this need. If we are going to have a more interesting home life, if we are going to keep our boys and girls off the streets and away (sometimes) from the movies, if we are going to supplement the textbook work of the schools by the education of the hands, we need adequate handbooks to guide us. Sometimes such books are too vague to be practical. Here are working-drawings that are detailed and exact. That these projects can be executed is evidenced by the photographs of the finished work.

“Where can I get up-to-date, interesting and trustworthy descriptions of modern inventions for my young folks?” How many times this question is asked of book-store clerks by fathers! How often is a satisfactory answer given? Often such books are not up to date; usually they are too technical to be interesting; if they are interesting they are often untrustworthy; and none of them covers more than a portion of the ground. “Wonders of Invention” represents an earnest endeavor to meet this wide need within the covers of a single volume. The Editors were fortunate in obtaining for this department the coöperation of steamship companies, great electrical concerns, concrete firms, inventors and others “who know.” The illustrations were selected individually, and add to the value and interest of the text.

VOCATIONAL GUIDANCE

As a child develops toward maturity his talents begin to focus and his interests to direct themselves toward some special life occupation. The matter of Vocational Guidance is the most vital thing in education to-day, but wisdom in this field is far to seek. Changes in the industrial world are so rapid that books giving mere statistics of salaries and requirements are soon out of date, and they have no appeal to the young. Motive, rather than immediate gain, is what affects young people; and the Editors of The Bookshelf have felt that the one wise way to approach this great question is to describe the important activities of the world and some of the men who have been occupied in them, that young readers may be able to make an intelligent choice, and at the same time discover their own special talents. This section of The Bookshelf is known as “Marvels of Industry.” Aside from its value as a vocational guide, this volume will add much to the enjoyment of the family circle because of the facts that are gleaned from a perusal of its pages.

In “True Stories from Every Land” the little folks made the acquaintance of the world’s children. It is now time for the older young folk to travel. In “Every Land and Its Story” we take a journey around the world, beginning in North America, covering the rest of the New World, and then going to Europe, Asia, Africa, Australia, and the islands of the sea. The greatest emphasis is laid upon the lands that we love the most. In the United States the eight great natural divisions are described, then the Indians, the National Parks, Alaska, and Porto Rico. The greatest cities are visited in turn, the characteristics of each being picturesquely described. Canada is visited in the same way. In each case the country is described by a competent, interesting traveler, in many instances by one who has lived there a long time, and in some cases by a famous writer. Carefully chosen photographs illustrate this department.

Carlyle was right, at least as far as young people are concerned, when he insisted that history is only biography. The character-making influence of great lives has never been denied, and ought never to be neglected. “Famous Men and Women” begins with the men who made the United States and Canada. It tells about some of the living Men Who Count to-day. A simple graphic history of the greatest event in history, the World War of 1914-1918, is given. Then comes a glorious pageant of Scientists and Inventors, Writers and Rulers, National Heroes, and Servants of the Common Good. This material will not only form an excellent supplemental reading book, but a valued treasury for everyday inspiration.

Crowning the collection, and of surpassing importance, is “Bookland—Story and Verse.” This is an introduction to the best literature in poetry and prose for young people from twelve to twenty; in fact, for young people from twelve to eighty. The prose stories are presented in the language of the masters themselves. There is no diluting of their fine literary style. Careful abridgments have been made by well-known literary critics, but the essence of these masterpieces has been retained. This is important: our young people should know the great, not only about them. The poems are usually given entire.

In making the General Index and the Graded Index the Editors have remembered that these are for use, not to fill space. The General Index is practical and will help the user to find just what he is looking for, and to find it quickly. The Graded Index is intended primarily for the use of the parent. It sorts out and selects the best material for each age. First is given a brief, clear account of the tastes and needs of Infancy, Early Childhood, Middle Childhood, Late Childhood, and Adolescence. Then all the material in The Bookshelf is assorted under its score of important subjects, and put in the grade where it belongs. By this plan the child may be directed to what he wants and needs now, and each year he will grow more and more into the riches of his Bookshelf.

QUESTIONS AND ANSWERS

Many questions are listed in the Indexes. This is a very instructive feature, for it often sets the mind alert in some new direction and starts fresh lines of interest and research. These questions may be made the means of making many a family evening one of pleasure and profit, as one member asks the questions and the others take turns in answering them.

AMERICAN

The Bookshelf is American in viewpoint, but worldwide in outlook. While it has been produced within the United States, it is larger than the United States or even than North America. Unusual space is given to Canadian affairs and interests, and the rest of the world has not been neglected. Throughout the entire set, and in the Child Welfare Manual, available to parents in connection with The Bookshelf, there is an emphasis on character, uprightness, honor, service, which is distinctly aimed to build up that type of manhood and womanhood for which the good American is famed at home and abroad.

ACKNOWLEDGMENTS

The Publishers and the Editors wish to thank each and every one of the individuals who have coöperated with them to make The Bookshelf what it is. The courtesy, the heartiness with which assistance has been given, the belief of these friends in the success of the ideals of The Bookshelf, have made the task of compiling, editing, and manufacturing a pleasure.

Special acknowledgment must be given at this time to the photographers, Brown Brothers, Underwood & Underwood, and the Publishers Photo Service, for the use of many copyrighted pictures from their files. In a number of instances, when they did not have a particular picture desired, it was made by one of them specially for The Bookshelf.

The Editors, in preparing the manuscript for these volumes, have endeavored in all cases where material has been used which has previously appeared in print to give credit to author, publisher, and book, and to any other to whom such acknowledgment was due. If they have failed to do so in any particular case, it has been an oversight, for which the Publishers are not responsible, as their instructions on this point were definite, and for which the Editors express their regrets. Future editions will offer an opportunity for the correction, which will be gladly made.

INTRODUCTION TO VOLUME I

Most mothers and fathers realize that long before children are old enough to read there is a rich treasury of rhythm and song and story that may be given them. To make this treasury available is the purpose of this volume.

Finger-plays and action-plays, in which Froebel found so rich a meaning, do much to help the baby to know and control his fingers and hands, to enable him to discover the other parts of his body, to awaken his intelligence and to bring him into affectionate companionship with his father and mother. Here we have gathered not only the traditional ones, which the mother and father may remember from their own early childhood; but also many that will be fresh and new.

Mother Goose long ago established her throne as Queen of the Nursery. There is something about her short ditties, always full of rhythm, sometimes of sense, and frequently of the most elemental humor, that appeals to the baby mind as nothing else does. A proof of the worth of her songs and stories would be found if any of us should try to write better. We have brought together many familiar ones and some unfamiliar (for Mother Goose lived in many times and many lands), and have illustrated them with some new and charming drawings and color-plates.

Children as young as three are ready for the simplest sort of stories, but it is so hard for us grown-ups to become children again that many of us have found difficulty in suiting our language and thought to their eager but unfurnished minds. These bedtime stories and little tales of babies and animals and girls and boys are therefore a real godsend.

Soon comes the time when the little folk are ready to learn about the letters and the numbers and the days of the week. Rhymes to help this first memorizing will be welcome.

Most of the stories in this book are illustrated by pictures, some are told entirely by them. The choice of these illustrations was made from our best modern knowledge about little children. It is now recognized that they like simple incidents, about themselves or the familiar things around them, drawn in clear outline or with strong color. There are certain artists, too, who seem to have retained their own childlikeness better than others, and such were called upon to illustrate this volume.

CONTENTS

These ten little live playthings can be held in every baby’s hand, five in one and five in the other and be the baby ever so poor yet he always has these ten playthings because, you know, he brings them with him.

But all babies do not know how to play with them. They find out for themselves a good many ways of playing with them but here are some of the ways that a baby I used to know got amusement out of his.

The very first was the play called “Ta-ra-chese” (Ta-rar-cheese). It is a Dutch word and there was a little song about it all in Dutch. This is the way the baby I knew would play it when he was a tiny little fellow.

His Mamma would hold her hand up and move it gently around this way (Fig. 1) singing “Ta-ra-chese, ta-ra-chese!” Baby would look and watch awhile, and presently his little hand would begin to move and five little playthings would begin the play—dear, sweet little chubby pink fingers—for I think you have guessed these are every baby’s playthings.

How glad Mamma is to find that her baby has learned his first lesson!

Then he must learn, “Pat-a-cake, pat-a-cake Baker’s man,” (Fig. 2) and “How big is baby?” “So Big!”

And here are some other ways by which a little sister’s fingers may amuse the baby.

“This the church and this is the steeple, Open the gates—there are all the good people.” (Fig. 3)

“Chimney sweep—Oho! oho! Chimney sweep!” (Fig. 4)

“Put your finger in the bird’s nest. The bird isn’t home.” (Fig. 5)

And then when the little finger is poked in, a sly pinch is given by a hidden thumb and baby is told, “The birdie has just come home!” But you mustn’t pinch hard, of course, just enough to make baby laugh at being caught.

And then there is the play of “Two men sawing wood—one little boy picking up chips.” (Fig. 6) The two finger men are moved up and down and the little boy finger works busily.

Everybody knows the rhyming finger-play:

“Here’s my Father’s knives and forks, (Fig. 7)
“Here’s my Mother’s table, (Fig. 8)
“Here’s my Sister’s looking-glass, (Fig. 9)
“And here’s the baby’s cradle.” (Fig. 10)

Another play is a little act in which three persons are supposed to take part, and it has come down from the old times of long ago.

The middle finger is the Friar. Those on each side of him touch each other and make the door, the little finger is the Lady and the thumb is the Page. (Fig. 11)

The Friar knocks at the door.

Friar. “Knock, Knock, Knock!”

Page. “Somebody knocks at the door! Somebody knocks at the door!”

Lady. “Who is it? Who is it?”

Page. (Going to door) “Who is it? Who is it?”

Friar. “A Friar, a Friar.”

Page. “A Friar, Ma’am, a Friar, Ma’am.”

Lady. “What does he want? What does he want?”

Page. “What do you want, Sir? What do you want, Sir?”

Friar. “I want to come in. I want to come in.”

Page. “He wants to come in, Ma’am. He wants to come in.”

Lady. “Let him walk in. Let him walk in.”

Page. “Will you walk in, Sir? Will you walk in?”

So in he pops and takes a seat.

When each player is supposed to speak he or she must move gently, bending forward and back and when the Friar is invited to enter, the door must open only just far enough to let him “pop in.”

These are only some of the plays with which the baby I knew used to be amused; but they will suggest others to parents and older brothers and sisters. The baby cannot make all of these things himself but he will be quite as much interested when they are made by older hands.

COUNTING THE FINGERS

This is the thumb, you see;
This finger shakes the tree;
And then this finger comes up;
And this one eats the plums up;
This little one, says he,
“I’ll tell of you, you’ll see!”

That one is the thumb;
And this one wants a plum;
This one says, “Where do they grow?”
This one says, “Come with me—I know.”
But this little one, he says,
“I will not go near the place!
I don’t like such naughty ways.”

Now, I think that through and through
Little Finger’s right—don’t you?

This one fell in the water,
And this one helped him ashore,
And this one put him into bed,
And this one covered him o’er;
And then, in walks this noisy little chap,
And wakes him up once more.

This one walked out into the wood,
And caught a little hare;
And this one took and carried it home,
For he thought it dainty fare;
And this one came and cooked it up
With sauces rich and rare;
And this one laid the table out,
And did the plates prepare;
And this little fellow the keeper told
What the others were doing there.

AN OLD NORSE FINGER PLAY

Thicken man, build the barn,
Thinner man, spool the yarn,
Longen man, stir the brew,
Gowden man, make a shoe,
Littlen man, all for you!

BABY’S TOES

Dear little bare feet,
Dimpled and white,
In your long nightgown
Wrapped for the night.

Come, let me count all
Your queer little toes,
Pink as the heart
Of a shell or a rose.

One is a lady
That sits in the sun;
Two is a baby,
And three is a nun.

Four is a lily
With innocent breast;
And five is a birdie
Asleep on her nest.

“BABY’S TOES”

BY EDITH A. BENTLEY

Five little piggie wiggies
Standing in a row,
We always have to toddle
Where the baby wants to go;
Up-stairs and down-stairs,
Indoors and out,
We’re always close together
And we never fall out.

Chorus:
Father-Pig and Mother-Pig,
And Big-Brother Pig,
And Sister-Pig, and darling little
Baby Piggie-Wig!

Oh, sometimes we are all tied up
In a bag so tight.
This is when the baby goes
“To sleepy-bye” at night.
Then there’s nothing else to do
But cuddle down and rest—
Just as little birdies cuddle
In their little nest.

Chorus:
Father-Pig and Mother-Pig
And Big-Brother Pig,
And Sister-Pig, and darling little
Baby Piggie-Wig!

THIS IS THE WAY MY FINGERS STAND

To the tune of “Here We Go Round the Mulberry Bush.”

This is the way my fingers stand,
Fingers stand, fingers stand,
This is the way my fingers stand,
So early in the morning.

This is the way I fold my hand,
Fold my hand, fold my hand,
This is the way I fold my hand,
So early in the morning.

This is the way they dance about,
Dance about, dance about,
This is the way they dance about,
So early in the morning.

This is the way they go to rest,
Go to rest, go to rest,
This is the way they go to rest,
So early in the morning.

THUMBKIN, POINTER

Thumbkin, Pointer, Middleman big,
Sillyman, Weeman, rig-a-jig-jig.

NAMING THE FINGERS[A]

BY LAURA E. RICHARDS

This is little Tommy Thumb,
Round and smooth as any plum.
This is busy Peter Pointer:
Surely he’s a double-jointer.
This is mighty Toby Tall,
He’s the biggest one of all.
This is dainty Reuben Ring:
He’s too fine for anything.
And this little wee one, maybe,
Is the pretty Finger-baby.

All the five we’ve counted now,
Busy fingers in a row.
Every finger knows the way
How to work and how to play;
Yet together work they best,
Each one helping all the rest.

[A] From “Songs and Music of Froebel’s Mother Play”; used by permission of the publishers, D. Appleton & Company.

ROBERT BARNS

Robert Barns, fellow fine,
Can you shoe this horse of mine,
So that I may cut a shine?
Yes, good sir, and that I can,
As well as any other man;
There a nail, and here a prod,
And now, good sir, your horse is shod.

“SHALL I, OH! SHALL I?”

A little boy and a little girl
Lived in an alley;
Said the little boy to the little girl,
“Shall I, oh! shall I?”

Said the little girl to the little boy,
“What will you do?”
Said the little boy to the little girl,
“I will kiss you.”

(As the last words are sung, the mother kisses
the little one in the folds of the neck.)

OFF WITH MOTHER GOOSE
from a drawing by mabel lucie attwell

JACK, BE NIMBLE

Jack, be nimble,
Jack, be quick;

(Jack is one hand walking along on its
fore- and middle-fingers.)

Jack, jump over
The candlestick.

(Fist closed; uplifted thumb for candle.
Jack jumps over it.)

TWO LITTLE HANDS

Two little hands so soft and white,
This is the left—this is the right.
Five little fingers stand on each,
So I can hold a plum or a peach.
But if I should grow as old as you
Lots of little things these hands can do.

————

PAT A CAKE

Pat a cake, pat a cake, baker’s man.
So I do, master, as fast as I can.
Pat it, and prick it, and mark it with T,
And then it will serve for Tommy and me.

THE BIRD’S NEST

A Froebel Finger Play

Here upon the leaves at rest
A little bird has built her nest.
Two tiny eggs within she’s laid,
And many days beside them stayed.
Now she’s happy; listen well!
Two baby birds break through the shell.
Don’t you hear them? “Peep! peep! peep!
We love you, mother. Cheep! cheep! cheep!”

TWO LITTLE BLACKBIRDS

There were two blackbirds sitting on a hill,
(Little pieces of paper perched on forefingers.)
One named Jack, the other named Jill.
Fly away, Jack; fly away, Jill.
(Fingers soar gently in the air.)
Come again, Jack; come again, Jill.
(Fingers fly back.)

MASTER SMITH

Is Master Smith within? Yes, that he is.
Can he set a shoe? Ay, marry, two.
Here a nail, and there a nail,
Tick—tack—too.

LITTLE ROBIN REDBREAST

Little Robin Redbreast
Sat upon a rail,
(Right hand extended in shape of a bird is poised
on extended forefinger of left hand.)
Niddle noddle went his head,
And waggle went his tail.
(Little finger of right hand waggles from side to side.)

GREETING

Good little Mother,
How do you do?
Dear strong “Daddy,”
Glad to see you!
Big tall Brother,
Pleased you are here.
Kind little Sister,
You need not fear,
Glad welcome we’ll give you,
And Babykins, too.
Yes, Babykins,
How do you do?

A PLAY FOR THE ARMS

Pump, pump, pump,
Water, water, come;
Here a rush, there a gush,
Done, done, done.

THE LITTLE WINDOW

A Froebel Finger Play

Look, my dear, at this window clear.
See how the light shines through in here.
If you would always see the light,
Keep your heart’s window clean and bright.

SING A SONG OF SIXPENCE

Sing a song of sixpence,
A pocket full of rye;
Four-and-twenty blackbirds
Baked in a pie;
When the pie was opened
The birds began to sing;
Was not that a dainty dish
To set before the King?

The King was in his counting-house,
Counting out his money;
The Queen was in the parlor,
Eating bread and honey;
The maid was in the garden
Hanging out the clothes;
When up came a blackbird
And nipped off her nose.

(At this line somebody’s nose gets nipped.)

THE PIGEON HOUSE

A Froebel Finger Play

Now I’m going to open my pigeon-house door.
The pigeons fly out to the light,
Straight to the meadows so pleasant they soar,
And flutter about with delight.
But at evening they’ll all come home at last,
And the door of the house I’ll then shut fast.

SAID THIS LITTLE FAIRY

Said this little fairy, “I’m as thirsty as can be.”
Said this little fairy, “I’m hungry, too, dear me!”
Said this little fairy, “Who’ll tell us where to go?”
Said this little fairy, “I’m sure that I don’t know.”
Said this little fairy, “Let’s brew some dewdrop tea.”
So they sipped it and ate honey beneath the maple tree.

A BURROWING GAME

See the little mousie, creeping up the stair,
Looking for a warm nest—there, oh, there!

(Mother’s fingers creep up the body, and finally fumble in baby’s neck.)

PAT A CAKE

A Froebel Finger Play

Baby, would you like to make
For yourself a little cake?
Pat it gently, smooth it down.
Baker says: “Now, in to brown;
Bring it here, baby dear,
While the oven fire burns clear.”
“Baker, see, here is my cake;
Bake it well for baby’s sake.”
“In the oven, right deep down,
Here the cake will soon get brown.”

A KNEE GAME

What do I see? Baby’s knee.
Tickily, tickily, tic, tac, tee.
One for a penny, two for a pound;
Tickily, tickily, round and round.

A FOOT PLAY

Up, down—up, down.
One foot up and one foot down,
All the way to London town.
Tra la la la la la.

Putting The Fingers To Sleep

My fingers are so sleepy
It’s time they went to bed,
So first, you Baby Finger
Tuck in your Little Head.

Ringman, come now its your turn,
And then come, Tallman Great;
Now, Pointer Finger, hurry
Because its getting late.

Let’s see if all are snuggled.
No, here’s one more to come,
So come, lie close, little brothers,
Make room for Master Thumb.

TEN LITTLE SQUIRRELS

Ten little squirrels up in a tree—
(Ten fingers outspread.)

The first two said: “What do I see?”
(Thumbs only.)

The next two said: “A man with a gun.”
(Forefingers only.)

The next two said: “Let’s run, let’s run.”
(Middle fingers only.)

The next two said: “Let’s hide in the shade.”
(Ring fingers only.)

The last two said: “We’re not afraid.”
(Little fingers only.)

Bang! went a gun.
(Clap hands.)

Away they all run.
(All fingers scamper off.)

MY LITTLE GARDEN

See my little garden,

How I rake it over,