Young Ireland had taught a study of our history with the glory of Ireland for event, and this for lack, when less than Taylor studied, of comparison with that of other countries wrecked the historical instinct. An old man with an academic appointment, who was a leader in the attack upon Synge, sees in the 11th century romance of Deirdre a re-telling of the first five act tragedy outside the classic languages, and this tragedy from his description of it was certainly written on the Elizabethan model; while an allusion to a copper boat, a marvel of magic like Cinderella's slipper, persuades him that the ancient Irish had forestalled the modern dockyards in the making of metal ships. The man who doubted, let us say, our fabulous ancient kings running up to Adam, or found but mythology in some old tale, was as hated as if he had doubted the authority of Scripture. Above all no man was so ignorant, that he had not by rote familiar arguments and statistics to drive away amid familiar applause, all those had they but found strange truth in the world or in their mind, whose knowledge has passed out of memory and become an instinct of hand or eye. There was no literature, for literature is a child of experience always, of knowledge never; and the nation itself, instead of being a dumb struggling thought seeking a mouth to utter it or hand to show it, a teeming delight that would re-create the world, had become, at best, a subject of knowledge.