Frontispiece. Her face turned towards the window.

ARMOREL OF LYONESSE
A Romance of To-day

BY
WALTER BESANT
AUTHOR OF 'ALL SORTS AND CONDITIONS OF MEN'

A NEW EDITION
WITH TWELVE ILLUSTRATIONS BY FRED. BARNARD

London
CHATTO & WINDUS, PICCADILLY
1891

The Illustrations to this Story are reproduced by kind permission of the Proprietors of 'The Illustrated London News'

CONTENTS

ARMOREL OF LYONESSE

PART I
CHAPTER I
THE CHILD OF SAMSON

It was the evening of a fine September day. Through the square window, built out so as to form another room almost as large as that which had been thus enlarged, the autumn sun, now fast declining to the west, poured in warm and strong; but not too warm or too strong for the girl on whose head it fell as she sat leaning back in the low chair, her face turned towards the window. The sun of Scilly is never too fierce or too burning in summer, nor in winter does it ever lose its force; in July, when the people of the adjacent islands of Great Britain and Ireland venture not forth into the glare of the sun, here the soft sea mists and the strong sea air temper the heat; and in December the sun still shines with a lingering warmth, as if he loved the place. This girl lived in the sunshine all the year round; rowed in it; lay in it; basked in it bare-headed, summer and winter; in the winter she would sit sheltered from the wind in some warm corner of the rocks; in summer she would lie on the hillside or stand upon the high headlands and the sea-beat crags, while the breezes, which in the Land of Lyonesse do never cease, played with her long tresses and kept her soft cheek cool.

The window was wide open on all three sides; the girl had been doing some kind of work, but it had dropped from her hands, and now lay unregarded on the floor; she was gazing upon the scene before her, but with the accustomed eyes which looked out upon it every day. A girl who has such a picture continually before her all day long never tires of it, though she may not be always consciously considering it and praising it. The stranger, for his part, cannot choose but cry aloud for admiration; but the native, who knows it as no stranger can, is silent. The house, half-way up the low hill, looked out upon the south—to be exact, its aspect was S. W. by S.—so that from this window the girl saw always, stretched out at her feet, the ocean, now glowing in the golden sunshine of September. Had she been tall enough, she might even have seen the coast of South America, the nearest land in the far distance. Looking S. W., that is, she would have seen the broad mouth of Oroonooque and the shores of El Dorado. This broad sea-scape was broken exactly in the middle by the Bishop's Rock and its stately lighthouse rising tall and straight out of the water; on the left hand the low hill of Annet shut out the sea; and on the right Great Minalto, rugged and black, the white foam always playing round its foot or flying over its great black northern headland, bounded and framed the picture. Almost in the middle of the water, not more than two miles distant, a sailing ship, all sails set, made swift way, bound outward one knows not whither. Lovely at all times is a ship in full sail, but doubly lovely when she is seen from afar, sailing on a smooth sea, under a cloudless sky, the sun of afternoon lighting up her white sails. No other ships were in sight; there was not even the long line of smoke which proclaims the steamer below the horizon; there was not even a Penzance fishing-boat tacking slowly homewards with brown sails and its two masts: in this direction there was no other sign of man.

The girl, I say, saw this sight every day: she never tired of it, partly because no one ever tires of the place in which he was born and has lived—not even an Arab of the Great Sandy Desert; partly because the sea, which has been called, by unobservant poets, unchanging, does in fact change—face, colour, mood, even shape—every day, and is never the same, except, perhaps, when the east wind of March covers the sky with a monotony of grey, and takes the colour out of the face of ocean as it takes the colour from the granite rocks, last year's brown and yellow fern, and the purple heath. To this girl, who lived with the sea around her, it always formed a setting, a background, a frame for her thoughts and dreams. Wherever she went, whatever she said or sang, or thought or did, there was always in her ears the lapping or the lashing of the waves; always before her eyes was the white surge flying over the rocks; always the tumbling waves. But, as for what she actually thought or what she dreamed, seeing how ignorant of the world she was, and how innocent and how young, and as for what was passing in her mind this afternoon as she sat at the window, I know not. On the first consideration of the thing, one would be inclined to ask how, without knowledge, can a girl think, or imagine, or dream anything? On further thought, one understands that knowledge has very little to do with dreams or fancies. Yet, with or without knowledge, no poet, sacred bard, or prophet has ever been able to divine the thoughts of a girl, or to interpret them, or even to set them down in consecutive language. I suppose they are not, in truth, thoughts. Thought implies reasoning and the connection of facts, and the experience of life as far as it has gone. A young maiden's mind is full of dimly seen shadows and pallid ghosts which flit across the brain and disappear. These shadows have the semblance of shape, but it is dim and uncertain: they have the pretence of colour, but it changes every moment: if they seem to show a face, it vanishes immediately and is forgotten. Yet these shadows smile upon the young with kindly eyes; they beckon with their fingers, and point to where, low down on the horizon, with cloudy outline, lies the Purple Island—to such a girl as this the future is always a small island girt by the sea, far off and lonely. The shadows whisper to her; they sing to her; but no girl has ever yet told us—even if she understands—what it is they tell her.

She had been lying there, quiet and motionless, for an hour or more, ever since the tea-things had been taken away—at Holy Hill they have tea at half-past four. The ancient lady who was in the room with her had fallen back again into the slumber which held her nearly all day long as well as all the night. The house seemed thoroughly wrapped and lapped in the softest peace and stillness; in one corner a high clock, wooden-cased, swung its brass pendulum behind a pane of glass with solemn and sonorous chronicle of the moments, so that they seemed to march rather than to fly. A clock ought not to tick as if Father Time were hurried and driven along without dignity and by a scourge. This clock, for one, was not in a hurry. Its tick showed that Time rests not—but hastes not. There is admonition in such a clock. When it has no one to admonish but a girl whose work depends on her own sweet will, its voice might seem thrown away; yet one never knows the worth of an admonition. Besides, the clock suited the place and the room. Where should Time march with solemn step and slow, if not on the quiet island of Samson, in the archipelago of Scilly? On its face was written the name of its maker, plain for all the world to see—'Peter Trevellick, Penzance, A.D. 1741.'

The room was not ceiled, but showed the dark joists and beams above, once painted, but a long time ago. The walls were wainscotted and painted drab, after an old fashion now gone out: within the panels hung coloured prints, which must have been there since the beginning of this century. They represented rural subjects—the farmer sitting before a sirloin of beef, while his wife, a cheerful nymph, brought him 'Brown George,' foaming with her best home-brewed; the children hung about his knees expectant of morsels; or the rustic bade farewell to his sweetheart, the recruiting-sergeant waiting for him, and the villagers, to a woman, bathed in tears. There were half a dozen of those compositions simply coloured. I believe they are now worth much money. But there were many other things in this room worth money. Opposite the fireplace stood a cabinet of carved oak, black with age, precious beyond price. Behind its glass windows one could see a collection of things once strange and rare—things which used to be brought home by sailors long before steamers ploughed every ocean and globe-trotters trotted over every land. There were wonderful things in coral, white and red and pink; Venus's-fingers from the Philippines; fans from the Seychelles; stuffed birds of wondrous hue, daggers and knives, carven tomahawks, ivory toys, and many other wonders from the far East and fabulous Cathay. Beside the cabinet was a wooden desk, carved in mahogany, with a date of 1645, said to have been brought to the islands by one of the Royalist prisoners whom Cromwell hanged upon the highest carn of Hangman's Island. There was no escaping Cromwell—not even in Scilly any more than in Jamaica. In one corner was a cupboard, the door standing open. No collector ever came here to gaze upon the treasures unspeakable of cups and saucers, plates and punch-bowls. On the mantelshelf were brass candlesticks and silver candlesticks, side by side with 'ornaments' of china, pink and gold, belonging to the artistic reign of good King George the Fourth. On the hearthrug before the fire, which was always burning in this room all the year round, lay an old dog sleeping.

Everybody knows the feeling of a room or a house belonging to the old. Even if the windows are kept open, the air is always close. Rest, a gentle, elderly angel, sits in the least frequented room with folded wings. Sleep is always coming to the doors at all hours: for the sake of Rest and Sleep the house must be kept very quiet: nobody must ever laugh in the house: there is none of the litter that children make: nothing is out of its place: nothing is disturbed: the furniture is old-fashioned and formal: the curtains are old and faded: the carpets are old, faded, and worn: it is always evening: everything belonging to the house has done its work: all together, like the tenant, are sitting still—solemn, hushed, at rest, waiting for the approaching end.

The only young thing at Holy Hill was the girl at the window. Everything else was old—the servants, the farm labourers, the house and the furniture. In the great hooded arm-chair beside the fire reposed the proprietor, tenant, or owner of all. She was the oldest and most venerable dame ever seen. At this time she was asleep: her head had dropped forward a little, but not much; her eyes were closed; her hands were folded in her lap. She was now so very ancient that she never left her chair except for her bed; also, by reason of her great antiquity, she now passed most of the day in sleep, partly awake in the morning, when she gazed about and asked questions of the day. But sometimes, as you will presently see, she revived again in the evening, became lively and talkative, and suffered her memory to return to the ancient days.

By the assistance of her handmaidens, this venerable lady was enabled to present an appearance both picturesque and pleasing, chiefly because it carried the imagination back to a period so very remote. To begin with, she wore her bonnet all day long. Fifty years ago it was not uncommon in country places to find very old ladies who wore their bonnets all day long. Ursula Rosevean, however, was the last who still preserved that ancient custom. It was a large bonnet that she wore, a kind of bonnet calculated to impress very deeply the imagination of one—whether male or female—who saw it for the first time: it was of bold design, as capacious as a store-ship, as flowing in its lines as an old man-of-war—inspired to a certain extent by the fashions of the Waterloo period—yet, in great part, of independent design. Those few who were permitted to gaze upon the bonnet beheld it reverently. Within the bonnet an adroit arrangement of cap and ribbons concealed whatever of baldness or exiguity as to locks—but what does one know? Venus Calva has never been worshipped by men; and women only pay their tribute at her shrine from fear—never from love. The face of the sleeping lady reminded one—at first, vaguely—of history. Presently one perceived that it was the identical face which that dread occidental star, Queen Elizabeth herself, would have assumed had she lived to the age of ninety-five, which was Ursula's time of life in the year 1884. For it was an aquiline face, thin and sharp; and if her eyes had been open you would have remarked that they were bright and piercing, also like those of the Tudor Queen. Her cheek still preserved something of the colour which had once made it beautiful; but cheek and forehead alike were covered with lines innumerable, and her withered hands seemed to have grown too small for their natural glove. She was dressed in black silk, and wore a gold chain about her neck.

The clock struck half-past five, melodiously. Then the girl started and sat upright—as awakened out of her dream. 'Armorel,' it seemed to say—nay, since it seemed to say, it actually did say—'Child Armorel, I am old and wise. For a hundred and forty-three years, ever since I left the hands of the ingenious Peter Trevellick, of Penzance, in the year 1741, I have been counting the moments, never ceasing save at those periods when surgical operations have been necessary. In each year there are 31,536,000 moments. Judge, therefore, for yourself how many moments in all I have counted. I must, you will own, be very wise indeed. I am older even than your great-great-grandmother. I remember her a baby first, and then a pretty child, and then a beautiful woman, for all she is now so worn and wizened. I remember her father and her grandfather. Also her brothers and her son, and her grandson—and your own father, dear Armorel. The moments pass: they never cease: I tell them as they go. You have but short space to do all you wish to do. You, child, have done nothing at all yet. But the moments pass. Patience. For you, too, work will be found. Youth passes. You can hear it pass. I tell the moments in which it melts away and vanishes. Age itself shall pass. You may listen if you please. I tell the moments in which it slowly passes.'

Armorel looked at the clock with serious eyes during the delivery of this fine sermon, the whole bearing of which she did not perhaps comprehend. Then she started up suddenly and sprang to her feet, stung by a sudden pang of restlessness, with a quick breath and a sigh. We who have passed the noon of life are apt to forget the disease of restlessness to which youth is prone: it is an affection which greatly troubles that period of life, though it should be the happiest and the most contented; it is a disorder due to anticipation, impatience, and inexperience. The voyage is all before: youth is eager to be sailing on that unknown ocean full of strange islands. Who would not be restless with such a journey before one and such discoveries to make?

Armorel opened the door noiselessly, and slipped out. At the same moment the old dog awoke and crept out with her, going delicately and on tiptoe, lest he should awaken the ancient lady. In the hall outside the girl stood listening. The house was quite silent, save that from the kitchen there was wafted on the air a soft droning—gentle, melodious, and murmurous, like the contented booming of a bumble-bee among the figwort. Armorel laughed gently. 'Oh!' she murmured, 'they are all asleep. Grandmother is asleep in the parlour; Dorcas and Chessun are asleep in the kitchen; Justinian is asleep in the cottage; and I suppose the boy is asleep somewhere in the farmyard.'

The girl led the way, and the dog followed.

She passed through the door into the garden of the front. It was not exactly a well-ordered garden, because everything seemed to grow as it pleased; but then in Samson you have not to coax flowers and plants into growing: they grow because it pleases them to grow: this is the reason why they grow so tall and so fast. The garden faced the south-west, and was protected from the north and east by the house itself and by a high stone wall. There is not anywhere on the island a warmer and sunnier corner than this little front garden of Holy Hill. The geranium clambered up the walls beside and among the branches of the tree-fuchsia, both together covering the front of the house with the rich colouring of their flowers. On either side of the door grew a great tree, with gnarled trunk and twisted branches, of lemon verbena, fragrant and sweet, perfuming the air; the myrtles were like unto trees for size; the very marguerites ran to timber of the smaller kind; the pampas-grass in the warmest corner rose eight feet high, waving its long silver plumes; the tall stalk still stood which had borne the flowers of an aloe that very summer; the leaves of the plant itself were slowly dying away, their life-work, which is nothing at all but the production of that one flowering stem, finished. That done, the world has no more attractions for the aloe: it is content—it slowly dies away. And in the front of the garden was a row of tall dracæna palms. An old ship's figure-head, thrown ashore after a wreck, representing the head and bust of a beautiful maiden, gilded, but with a good deal of the gilt rubbed off, stood on the left hand of the garden, half hidden by another fuchsia-tree in flower: and a huge old-fashioned ship's lantern hung from an iron bar projecting over the door of the house.

The house itself was of stone, with a roof of small slates. Impossible to say how old it was, because in this land stone-work ages rapidly, and soon becomes covered with yellow and orange lichen, while in the interstices there grows the grey sandwort; and in the soft sea air and the damp sea mists the sharp edges even of granite are quickly rounded off and crumbled. But it was a very old house, save for the square projecting window, which had been added recently—say thirty or forty years ago—a long, low house of two storeys, simply built; it stands half-way up the hill which slopes down to the water's edge; it is protected from the north and north-east winds, which are the deadliest enemies to Scilly, partly by the hill behind and partly by a spur of grey rock running like an ancient Cyclopean wall down the whole face of the hill into the sea, where for many a fathom it sticks out black teeth, round which the white surge rises and tumbles, even in the calmest time.

Beyond the garden-wall—why they wanted a garden-wall I know not, except for the pride and dignity of the thing—was a narrow green, with a little, a very little, pond; in the pond there were ducks; and beside the green was a small farmyard, containing everything that a farmyard should contain, except a stable. It had no stable, because there are no horses or carts upon the island. Pigs there are, and cows; fowls there are, and ducks and geese, and a single donkey for the purpose of carrying the flower-baskets from the farm to the landing-place; but neither horse nor cart.

Beyond the farmyard was a cottage, exactly like the house, but smaller. It was thatched, and on the thatch grew clumps of samphire. This was the abode of Justinian Tryeth, bailiff, head man, or foreman, who managed the farm. When you have named Ursula Rosevean, and Armorel, her great-great-granddaughter, and Justinian Tryeth, and Dorcas his wife—she was a native of St. Agnes, and therefore a Hicks by birth—Peter his son, and Chessun his daughter, you have a complete directory of the island, because nobody else now lives on Samson. Formerly, however, and almost within the memory of the oldest inhabitant, according to the computation of antiquaries and the voice of tradition, this island maintained a population of over two score.

The hill which rises behind the house is the southern hill of the two, which, with the broad valley between them, make up the island of Samson. This hill slopes steeply seaward to south and west. It is not a lofty hill, by any means. In Scilly there are no lofty hills. When Nature addressed herself to the construction of this archipelago she brought to the task a light touch: at the moment she happened to be full of feeling for the great and artistic effects which may be produced by small elevations, especially in those places where the material is granite. Therefore, though she raised no Alpine peak in Scilly, she provided great abundance and any variety of bold coast-line with rugged cliffs, lofty carns, and headlands piled with rocks. And her success as an artist in this genre has been undoubtedly wonderful. The actual measurement of Holy Hill, Samson—but why should we measure?—has been taken, for the admiration of the world, by the Ordnance Survey. It is really no more than a hundred and thirty-two feet—not a foot more or less. But then one knows hills ten times that height—the Herefordshire Beacon, for example—which are not half so mountainous in the effect produced. Only a hundred and thirty-two feet—yet on its summit one feels the exhilaration of spirits caused by the air, elsewhere of five thousand feet at least. On its southern and western slopes lie the fields which form the flower-farm of Holy Hill.

Below the farmyard the ground sloped more steeply to the water: the slope was covered with short heather fern, now brown and yellow, and long trailing branches of bramble, now laden with ripe blackberries, the leaves enriched with blazon of gold and purple and crimson.

Armorel ran across the green and plunged among the fern, tossing her arms and singing aloud, the old dog trotting and jumping, but with less elasticity, beside her. She was bare-headed; the sunshine made her dark cheeks ruddy and caused her black eyes to glow. Hebe, young and strong, loves Phœbus, and fears not any freckles. When she came to the water's edge, where the boulders lie piled in a broken mass among and above the water, she stood still and looked across the sea, silent for a moment. Then she began to sing in a strong contralto; but no one could hear her, not even the coastguard on Telegraph Hill, or he of the Star Fort: the song she sang was one taught her by the old lady, who had sung it herself in the old, old days, when the road was always filled with merchantmen waiting for convoy up the Channel, and when the islands were rich with the trade of the ships, and their piloting, and their wrecks—to say nothing of the free trade which went on gallantly and without break or stop. As she sang she lifted her arms and swung them in slow cadence, as a Nautch-girl sometimes swings her arms. What she sang was none other than the old song—

Early one morning, just as the sun was rising,
I heard a maid sing in the valley below:
Oh! don't deceive me. Oh! never leave me.
How could you use a poor maiden so?

In the year of grace 1884 Armorel was fifteen years of age. But she looked nineteen or twenty, because she was so tall and so well-grown. She was dressed simply in a blue flannel; the straw hat which she carried in her hand was trimmed with red ribbons; at her throat she had stuck a red verbena—she naturally took to red, because her complexion was so dark. Black hair; black eyes; a strongly marked brow; a dark cheek of warm and ruddy hue; the lips full, but the mouth finely curved; features large but regular—she was already, though so young, a tall and handsome woman. Those able to understand things would recognise in her dark complexion, in her carriage, in her eyes, and in her upright figure, the true Castilian touch. The gipsy is swarthy; the negro is black; the mulatto is dusky: it is not the colour alone, but the figure and the carriage also, which mark the Spanish blood. A noble Spanish lady; yet how could she get to Samson?

She wore no gloves—you cannot buy gloves in Samson—and her hands were brown with exposure to sea and sun, to wind and rain: they were by no means tiny hands, but strong and capable hands; her arms—no one ever saw them, but for shape and whiteness they could not be matched—would have disgraced no young fellow of her own age for strength and muscle. That was fairly to be expected in one who continually sailed and rowed across the inland seas of this archipelago; who went to church by boat and to market by boat; who paid her visits by boat and transacted her business by boat, and went by boat to do her shopping. She who rows every day upon the salt water, and knows how to manage a sail when the breeze is strong and the Atlantic surge rolls over the rocks and roughens the still water of the road, must needs be strong and sound. For my own part, I admire not the fragile maiden so much as her who rejoices in her strength. Youth, in woman as well as in man, should be brave and lusty; clean of limb as well as of heart; strong of arm as well as of will; enduring hardness of voluntary labour as well as hardness of involuntary pain; with feet that can walk, run, and climb, and with hands that can hold on. Such a girl as Armorel—so tall, so strong, so healthy—offers, methinks, a home ready-made for all the virtues, and especially the virtues feminine, to house themselves therein. Here they will remain, growing stronger every day, until at last they have become part and parcel of the very girl herself, and cannot be parted from her. Whereas, when they visit the puny creature, weak, timid, delicate—but no—'tis better to remain silent.

How many times had the girl wandered, morning or afternoon, down the rough face of the hill, and stood looking vaguely out to sea, and presently returned home again? How many such walks had she taken and forgotten? For a hundred times—yea, a thousand times—we do over and over again the old familiar action, the little piece of the day's routine, and forget it when we lie down to sleep. But there comes the thousandth time, when the same thing is done again in the same way, yet is never to be forgotten. For on that day happens the thing which changes and charges a whole life. It is the first of many days. It is the beginning of new days. From it, whatever may have happened before, everything shall now be dated until the end. Mohammed lived many years, but all the things that happened unto him or his successors are dated from the Flight. Is it for nothing that it has been told what things Armorel did and how she looked on this day? Not so, but for the sake of what happened afterwards, and because the history of Armorel begins with this restless fit, which drove her out of the quiet room down the hillside to the sea. Her history begins, like every history of a woman worth relating, with the man cast by the sea upon the shores of her island. The maiden always lives upon an island, and whether the man is cast upon the shore by the sea of Society, or the sea of travel, or the sea of accident, or the sea of adventure, or the sea of briny waves and roaring winds and jagged rocks, matters little. To Armorel it was the last. To you, dear Dorothy or Violet, it will doubtless be by the sea of Society. And the day that casts him before your feet will ever after begin a new period in your reckoning.

Armorel stopped her song as suddenly as she had begun it. She stopped because on the water below her, not far from the shore, she saw a strange thing. She had good sea eyes—an ordinary telescope does not afford a field of vision much larger or clearer across water than Armorel's eyes—but the thing was so strange that she shaded her forehead with her hand, and looked more curiously.

It would be strange on any evening, even after the calmest day of summer, when the sun is setting low, to see a small boat going out beyond Samson towards the Western Islets. There the swell of ocean is always rolling among the rocks and round the crags and headlands of the isles. Only in calm weather and in broad daylight can the boatman who knows the place venture in those waters. Not even the most skilled boatman would steer for the Outer Islands at sunset. For there are hidden rocks, long ridges of teeth that run out from the islands to tear and grind to powder any boat that should be caught in their devouring jaws. There are currents also which run swiftly and unexpectedly between the islands to sweep the boat along with them till it shall strike the rocks and so go down with any who are abroad; and there are strong gusts which sweep round the headlands and blow through the narrow sounds. So that it is only when the day is calm and in the full light of the sun that a boat can sail among these islands.

Yet Armorel saw a boat on the water, not half a mile from Samson, with two men on board. More than this, the boat was apparently without oars or sails, and it was drifting out to sea. What did this mean?

She looked and wondered. She looked again, and she remembered.

The tide was ebbing, the boat was floating out with the tide; the breeze had dropped, but there was still something left—what there was came from the south-east and helped the boat along; there was not much sea, but the feet of Great Minalto were white, and the white foam kept leaping up the sides, and on her right, over the ledges round White Island, the water was tearing and boiling, a white and angry heap. Why, the wind was getting up, and the sun was setting, and if they did not begin to row back as hard as they could, and that soon, they would be out to sea and in the dark.

She looked again, and she thought more. The sinking sun fell upon the boat, and lit it up so plainly that she could now see very well two things. First, that the boat was really without any oars or sails at all; and next, that the two men in her were not natives of Scilly. She could not discern their faces, but she could tell by their appearance and the way they sat in the boat that they were not men of the place. Besides, what would an islander want out in a boat at such a time and in such a place? They were, therefore, visitors; and by the quiet way in which they sat, as if it mattered not at all, it was perfectly plain that they understood little or nothing of their danger.

Again she considered, and now it became certain to her, looking down upon the boat, that the current was not taking her out to sea at all, which would be dangerous enough, but actually straight on the ridge or ledge of rocks lying off the south-west of White Island. Then, seized with sudden terror, she turned and fled back to the farm.

CHAPTER II
PRESENTED BY THE SEA

'Peter!' cried Armorel in the farmyard. 'Peter! Peter! Wake up! Where is the boy? Wake up and come quick!'

The boy was not sleeping, however, and came forth slowly, but obediently, in rustic fashion. He was a little older than most of those who still permit themselves to be called boys: unless his looks deceived one, he was a great deal older, for he was entirely bald, save for a few long, scattered hairs, which were white. His beard and whiskers also consisted of nothing but a few sparse white hairs. He moved heavily, without the spring of boyhood in his feet. Had Peter jumped or run, one might in haste have inferred a condition of drink or mental disorder. As for his shoulders, too, they were rounded, as if by the weight of years—a thing which is rarely seen in boys. Yet Armorel called this antique person 'the boy,' and he answered to the name without remonstrance.

'Quick, Peter!' she cried. 'There's a boat drifting on White Island Ledge, and the tide's running out strong; and there are two men in her, and they've got no oars in the boat. Ignorant trippers, I suppose! They will both be killed to a certainty, unless—— Quick!'

Peter followed her flying footsteps with a show of haste and a movement of the legs approaching alacrity. But then he was always a slow boy, and one who loved to have his work done for him. Therefore, when he reached the landing-place, he found that Armorel was well before him, and that she had already shipped mast and sail and oars, and was waiting for him to shove off.

Samson has two landing beaches, one on the north-east below Bryher Hill, and the other farther south, on the eastern side of the valley. There might be a third, better than either, on Porth Bay, if anyone desired to put off there, on the west side facing the other islands, where nobody has any business at all except to see the rocks or shoot wild birds.

The beach used by the Holy Hill folk was the second of these two; here they kept their boats, and had their old stone boat-house to store the gear; and it was here that Armorel stood waiting for her companion.

Peter was slow on land; at sea, however, he alone is slow who does not know what can be got out of a boat, and how it can be got. Peter did possess this knowledge; all the islanders, in fact, have it. They are born with it. They also know that nothing at sea is gained by hurry. It is a maxim which is said to rule or govern their conduct on land as well as afloat. Peter, therefore, when he had pushed off, sat down and took an oar with no more appearance of hurry than if he were taking a boat-load of boxes filled with flowers across to the port. Armorel took the other oar.

'They are drifting on White Island Ledge,' repeated Armorel; 'and the tide is running out fast.'

Peter made no reply—Armorel expected none—but dipped his oar. They rowed in silence for ten minutes. Then Peter found utterance, and spoke slowly.

'Twenty years ago—I remember it well—a boat went ashore on that very Ledge. The tide was running out—strong, like to-night. There was three men in her—visitors they were, who wanted to save the boatman's pay. Their bodies was never found.'

Then both pulled on in silence, and doggedly.

In ten minutes or more they had rounded the Point at a respectful distance, for reasons well known to the navigator and the nautical surveyor of Scilly. Peter, without a word, shipped his oar. Armorel did likewise. Then Peter stepped the mast and hoisted the sail, keeping the line in his own hand, and looked ahead, while Armorel took the helm.

'It's Jinkins's boat,' said Peter, because they were now in sight of her. 'What'll Jinkins say when he hears that his boat's gone to pieces?'

'And the two men? Who are they? Will Jinkins say nothing about the men?'

'Strangers they are; gentlemen, I suppose. Well, if the breeze doesn't soon—— Ah, here it is!'

The wind suddenly filled the sail. The boat heeled over under the breeze, and a moment after was flying through the water straight up the broad channel between the two Minaltos and Samson.

The sun was very low now. Between them and the west lay the boat they were pursuing—a small black object, with two black silhouettes of figures clear against the crimson sky. And now Armorel perceived that they had by this time gotten an inkling, at least, of their danger, for they no longer sat passive, but had torn up a plank from the bottom, with which one, kneeling in the bows, was working as with a paddle, but without science. The boat yawed this way and that, but still kept on her course drifting to the rocks.

'If she touches the Ledge, Peter,' said Armorel, 'she will be in little bits in five minutes. The water is rushing over it like a mill-stream.'

This she said ignorant of mill-streams, because there are none on Scilly; but the comparison served.

'If she touches,' Peter replied, 'we may just go home again. For we shall be no good to nobody.'

Beyond the boat they could plainly see the waters breaking over the Ledge; the sun lit up the white foam that leaped and flew over the black rocks just showing their teeth above the water as the tide went down.

Here is a problem—you may find plenty like it in every book of algebra. Given a boat drifting upon a ledge of rocks with the current and the tide; given a boat sailing in pursuit with a fair wind aft; given also the velocity of the current and the speed of the boat and the distance of the first boat from the rocks: at what distance must the second boat commence the race in order to catch up the first before it drives upon the rocks?

This second boat, paying close attention to the problem, came up hand over hand, rapidly overtaking the first boat, where the two men not only understood at last the danger they were in, but also that an attempt was being made to save them. In fact, one of them, who had some tincture or flavour of the mathematics left in him from his school days, remembered the problems of this class, and would have given a great deal to have been back again in school working out one of them.

Presently the boats were so near that Peter hailed, 'Boat ahoy! Back her! Back her! or you'll be upon the rocks. Back her all you know!'

'We've broken our oars,' they shouted.

'Keep her off!' Peter bawled again.

Even with a plank taken from the bottom of the boat a practised boatman would have been able to keep her off long enough to clear the rocks; but these two young men were not used to the ways of the sea.

'Put up your hellum,' said Peter, quietly.

'What are you going to do?' The girl obeyed first, as one must do at sea, and asked the question afterwards.

'There's only one chance. We must cut across her bows. Two lubbers! They ought not to be trusted with a boat. There's plenty of room.' He looked at the Ledge ahead and at his own sail. 'Now—steady.' He tightened the rope, the boat changed her course. Then Peter stood up and called again, his hand to his mouth, 'Back her! Back her! Back her all you know!' He sat down and said quietly, 'Now, then—luff it is—luff—all you can.'

The boat turned suddenly. It was high time. Right in front of them—only a few yards in front—the water rushed as if over a cascade, boiling and surging among the rocks. At high tide there would have been the calm, unruffled surface of the ocean swell; now there were roaring floods and swelling whirlpools. The girl looked round, but only for an instant. Then the boat crossed the bows of the other, and Armorel, as they passed, caught the rope that was held out to her.

One moment more and they were off the rocks, in deep water, towing the other boat after them.

Then Peter arose, lowered the sail, and took down his mast.

'Nothing,' he said, 'between us and Mincarlo. Now, gentlemen, if you will step into this boat we can tow yours along with us. So—take care, sir! Sit in the stern beside the young lady. Can you row, either of you?'

They could both row, they said. In these days a man is as much ashamed of not being able to row as, fifty years ago, he was ashamed of not being able to ride. Peter took one oar and gave the other to the stranger nearest. Then, without more words, he dipped his oar and began to row back again. The sun went down, and it suddenly became cold.

Armorel perceived that the man beside her was quite a young man—not more than one- or two-and-twenty. He wore brave attire—even a brown velvet jacket, a white waistcoat, and a crimson necktie; he also had a soft felt hat. Nature had not yet given him much beard, but what there was of it he wore pointed, with a light moustache so arranged as to show how it would be worn when it became of a respectable length. As he sat in the boat he seemed tall; and he did not look at all like one of the bawling and boastful trippers who sometimes come over to the islands for a night and pretend to know how to manage a boat. Yet——

'What do you mean,' asked the girl, severely, 'by going out in a boat, when you ought to have known very well that you could not manage her?'

'We thought we could,' replied this disconcerted pretender, with meekness suitable to the occasion. Indeed, under such humiliating circumstances, Captain Parolles himself would become meek.

'If we had not seen you,' she continued, 'you would most certainly have been killed.'

'I begin to think we might. We should certainly have gone on those rocks. But there is an island close by. We could swim.'

'If your boat had touched those rocks you would have been dead in three minutes,' this maid of wisdom continued. 'Nothing could have saved you. No boat could have come near you. And to think of standing or swimming in that current and among those rocks! Oh! but you don't know Scilly.'

'No,' he replied, still with a meekness that disarmed wrath, 'I'm afraid not.'

'Tell me how it happened.'

The other man struck in—he who was wielding the oar. He also was a young man, of shorter and more sturdy build than the other. Had he not, unfortunately, confined his whole attention in youth to football, he might have made a good boatman. Really, a young man whose appearance conveyed no information or suggestion at all about him except that he seemed healthy, active, and vigorous, and that he was presumably short-sighted, or he would not have worn spectacles.

'I will tell you how it came about,' he said. 'This man would go sketching the coast. I told him that the islands are so beautifully and benevolently built that every good bit has got another bit on the next island, or across a cove, or on the other side of a bay, put there on purpose for the finest view of the first bit. You only get that arrangement, you know, in the Isles of Scilly and the Isles of Greece. But he wouldn't be persuaded, and so we took a boat and went to sea, like the three merchants of Bristol city. We saw Jerusalem and Madagascar very well, and if you hadn't turned up in the nick of time I believe we should have seen the river Styx as well, with Cocytus very likely: good old Charon certainly: and Tantalus, too much punished—overdone—up to his neck.'

Armorel heard, wondering what, in the name of goodness, this talker of strange language might mean.

'When his oar broke, you know,' the talker went on, 'I began to laugh, and so I caught a crab; and while I lay in the bottom laughing like Tom of Bedlam, my oar dropped overboard, and there we were. Five mortal hours we drifted; but we had tobacco and a flask, and we didn't mind so very much. Some boat, we thought, might pick us up.'

'Some boat!' echoed Armorel. 'And outside Samson!'

'As for the rocks, we never thought about them. Had we known of the rocks, we should not have laughed——'

'You have saved our lives,' said the young man in the velvet jacket. He had a soft sweet voice, which trembled a little as he spoke. And, indeed, it is a solemn thing to be rescued from certain death.

'Peter did it,' Armorel replied. 'You may thank Peter.'

'Let me thank you,' he said, softly and persuasively. 'The other man may thank Peter.'

'Just as you like. So long, that is, as you remember that it will have to be a lesson to you as long as you live never to go out in a boat without a man.'

'It shall be a lesson. I promise. And the man I go out with, next time, shall not be you, Dick.'

'Never,' she went on, enforcing the lesson, 'never go in a boat alone, unless you know the waters. Are you Plymouth trippers? But then Plymouth people generally know how to handle a boat.'

'We are from London.' In the twilight the blush caused by being taken for a Plymouth tripper was not perceived. 'I am an artist, and I came to sketch.' He said this with some slight emphasis and distinction. There must be no mistaking an artist from London for a Plymouth tripper.

'You must be hungry.'

'We are ravenous, but at this moment one can only feel that it is better to be hungry and alive than to be drowned and dead.'

'Oh!' she said, earnestly, 'you don't know how strong the water is. It would have thrown you down and rolled you over and over among the rocks, your head would have been knocked to pieces, your face would have been crushed out of shape, every bone would have been broken: Peter has seen them so.'

'Ay! ay!' said Peter. 'I've picked 'em up just so. You are well off those rocks, gentlemen.'

Silence fell upon them. The twilight was deepening, the breeze was chill. Armorel felt that the young man beside her was shivering—perhaps with the cold. He looked across the dark water and gasped: 'We are coming up,' he said, 'out of the gates of death and the jaws of hell. Strange! to have been so near unto dying. Five minutes more, and there would have been an end, and two more men would have been created for no other purpose but to be drowned.'

Armorel made no reply. The oars kept dipping, dipping, evenly and steadily. Across the waters on either hand flashed lights: St. Agnes and the Bishop from the south—they are white lights; and from the north the crimson splendour of Round Island: the wind was dropping, and there was a little phosphorescence on the water, which gleamed along the blade of the oar.

In half an hour the boat rounded the new pier, and they were in the harbour of Hugh Town at the foot of the landing steps.

'Now,' said Armorel, 'you had better get home as fast as you can and have some supper.'

'Why,' cried the artist, realising the fact for the first time, 'you are bare-headed! You will kill yourself.'

'I am used to going about bare-headed. I shall come to no harm. Now go and get some food.'

'And you?' The young man stood on the stepping-stones ready to mount.

'We shall put up the sail and get back to Samson in twenty minutes. There is breeze enough for that.'

'Will you tell us,' said the artist, 'before you go—to whom we are indebted for our very lives?'

'My name is Armorel.'

'May we call upon you? To-night we are too bewildered. We cannot say what we ought and must say.'

'I live on Samson. What is your name?'

'My name is Roland Lee. My friend here is called Dick Stephenson.'

'You can come if you wish. I shall be glad to see you,' she corrected herself, thinking she had been inhospitable and ungracious.

'Am I to ask for Miss Armorel?'

She laughed merrily. 'You will find no one to ask, I am afraid. Nobody else, you see, lives on Samson. When you land, just turn to the left, walk over the hill, and you will find the house on the other side. Samson is not so big that you can miss the house. Good-night, Roland Lee! Good-night, Dick Stephenson!'

'She's only a child,' said the young man called Dick, as he climbed painfully and fearfully up the dark and narrow steps, slippery with sea-weed and not even protected by an inner bar. 'I suppose it doesn't much matter since she's only a child. But I merely desire to point out that it's always the way. If there does happen to be an adventure accompanied by a girl—most adventures bring along the girl: nobody cares, in fact, for an adventure without a girl in it—I'm put in the background and made to do the work while you sit down and talk to the girl. Don't tell me it was accidental. It was the accident of design. Hang it all! I'll turn painter myself.'

CHAPTER III
IN THE BAR PARLOUR

At nine o'clock the little bar parlour of Tregarthen's was nearly full. It is a very little room, low as well as little, therefore it is easily filled. And though it is the principal club-room of Hugh Town, where the better sort and the notables meet, it can easily accommodate them all. They do not, however, meet every evening, and they do not all come at once. There is a wooden settle along the wall, beautifully polished by constant use, which holds four: a smaller one beside the fire, where at a pinch two might sit; there is a seat in the window which also might hold two, but is only comfortable for one. A small round table only leaves room for one chair. This makes sitting accommodation for nine, and when all are present, and all nine are smoking tobacco like one, the atmosphere is convivially pungent. This evening there were only seven. They consisted of the two young men whose perils on the deep you have just witnessed; a Justice of the Peace—but his office is a sinecure, because on the Scilly Isles virtue reigns in every heart; a flower-farmer of the highest standing; two other gentlemen weighed down with the mercantile anxieties and interests of the place—they ought to have been in wigs and square brown coats, with silver buckles to their shoes; and one who held office and exercised authority.

The art of conversation cannot be successfully cultivated on a small island, on board ship, or in a small country town. Conversation requires a continual change of company, and a great variety of topics. Your great talker, when he inconsiderately remains too long among the same set, becomes a bore. After a little, unless he goes away, or dies, or becomes silent, they kill him, or lock him up in an asylum. At Tregarthen's he would be made to understand that either he or the rest of the population must leave the archipelago and go elsewhere. In some colonial circles they play whist, which is an excellent method, perhaps the best ever invented, for disguising the poverty or the absence of conversation. At Tregarthen's they do not feel this necessity—they are contented with their conversation; they are so happily contented that they do not repine even though they get no more than an observation dropped every ten minutes or so. They are not anxious to reply hurriedly; they are even contented to sit silently enjoying the proximity of each other—the thing, in fact, which lies at the root of all society. The evening is not felt to be dull, though there are no fireworks of wit and repartee. Indeed, if Douglas Jerrold himself were to appear with a bag full of the most sparkling epigrams and repartees, nobody would laugh, even when he was kicked out into the cold and unappreciative night—the stars have no sense of humour—as a punishment for impudence.

This evening the notables spoke occasionally; they spoke slowly—the Scillonians all talk slowly—they neither attempted nor looked for smartness. They did not tell stories, because all the stories are known, and they can now only be told to strangers. The two young men from London listened without taking any part in the talk: people who have just escaped—and that narrowly—a sharp and painful death by drowning and banging on jagged rocks are expected to be hushed for awhile. But they listened. And they became aware that the talk, in whatever direction it wandered, always came back to the sea. Everything in Scilly belongs to the sea: they may go up country, which is a journey of a mile and a half, or even two miles—and speak for a moment of the crops and the farms; but that leads to the question of import and export, and, therefore, to the vessels lying within the pier, and to the steam service to Penzance and to vessels in other ports, and, generally, to steam service about the world. And again, wherever two or three are gathered together in Scilly, one at least will be found to have ploughed the seas in distant parts. This confers a superiority on the society of the islands which cannot, even in these days, be denied or concealed. In the last century, when a man who was known to have crossed the Pacific entered a coffee-house, the company with one accord gazed upon him with envy and wonder. Even now, familiarity hath not quite bred contempt. We still look with unconcealed respect upon one who can tell of Tahiti and the New Hebrides, and has stood upon the mysterious shores of Papua. And, at Tregarthen's this evening, these two strangers were young; they had not yet made the circuit of the round earth; they had had, as yet, not many opportunities of talking with travellers and sailors. Therefore, they listened, and were silent.

Presently, one after the other, the company got up and went out. There is no sitting late at night in Scilly. There were left of all only the Permanent Official.

'I hear, gentlemen,' he said, 'that you have had rather a nasty time this evening.'

'We should have been lost,' said the artist, 'but for a—young lady, who saw our danger and came out to us.'

'Armorel. I saw her towing in your boat and landing you. Yes, it was a mighty lucky job that she saw you in time. There's a girl! Not yet sixteen years old! Yet I'd rather trust myself with her in a boat, especially if she had the boy Peter with her, than any boatman of the islands. And there's not a rock or an islet, not a bay or a headland in this country of bays and capes and rocks, that she does not know. She could find her way blindfold by the feel of the wind and the force of the current. But it's in her blood. Father to son—father to son and daughter too—the Roseveans are born boatmen.'

'She saved our lives,' repeated the artist. 'That is all we know of her. It is a good deal to know, perhaps, from our own point of view.'

'She belongs to Samson. They've always lived on Samson. Once there were Roseveans, Tryeths, Jenkinses, and Woodcocks on Samson. Now, they are nearly all gone—only one family of Rosevean left, and one of Tryeth.'

'She said that nobody else lived there.'

'Well, it is only her own family. They've started a flower-farm lately on Holy Hill, and I hear it's doing pretty well. It's a likely situation, too, facing south-west and well sheltered. You should go and see the flower-farm. Armorel will be glad to show you the farm, and the island too. Samson has got a good many curious things—more curious, perhaps, than she knows, poor child!'

He paused for a moment, and then continued: 'There's nobody on the island now but themselves. There's the old woman, first—you should see her too. She's a curiosity by herself—Ursula Rosevean—she was a Traverse, and came from Bryher to be married. She married Methusalem Rosevean, Armorel's great-great-grandfather—that was nigh upon eighty years ago; she's close upon a hundred now; and she's been a widow since—when was it?—I believe she'd only been a wife for twelve months or so. He was drowned on a smuggling run—his brother Emanuel, too. Widow used to look for him from the hill-top every night for a year and more afterwards. A wonderful old woman! Go and look at her. Perhaps she will talk to you. Sometimes, when Armorel plays the fiddle, she will brighten up and talk for an hour. She knows how to cure all diseases, and she can foretell the future. But she's too old now, and mostly she's asleep. Then there's Justinian Tryeth and Dorcas, his wife—they're over seventy, both of them, if they're a day. Dorcas was a St. Agnes girl—that's the reason why her name was Hicks: if she'd come from Bryher she'd have been a Traverse; if from Tresco she'd have been a Jenkins. But she was a Hicks. She's as old as her husband, I should say. As for the boy, Peter——'

'She called him the boy, I remember. But he seemed to me——'

'He's fifty, but he's always been the boy. He never married, because there was nobody left on Samson for him to marry, and he's always been too busy on the farm to come over here after a wife. And he looks more than fifty, because once he fell off the pier, head first, into the stern of a boat, and after he'd been unconscious for three days, all his hair fell off except a few stragglers, and they'd turned white. Looks most as old as his father. Chessun's near fifty-two.'

'Who is Chessun?'

'She's the girl. She's always been the girl. She's never married, just like Peter her brother, because there was no one left on Samson for her. And she never leaves the island except once or twice a year, when she goes to the afternoon service at Bryher. Well, gentlemen, that's all the people left on Samson. There used to be more—a great many more—quite a population, and if all stories are true, they were a lively lot. You'll see their cottages standing in ruins. As for getting drowned, you'd hardly believe! Why, take Armorel alone. Her father, Emanuel—he'd be about fifty-seven now—he was drowned—twelve years ago it must be now—with his wife and his three boys, Emanuel, John, and Andrew, crossing over from a wedding at St. Agnes. He married Rovena Wetherel, from St. Mary's. Then there was her grandfather, he was a pilot—but they were all pilots—and he was cast away taking an East Indiaman up the Channel, cast away on Chesil Bank in a fog—that was in the year 1845—and all hands lost. His father—no, no, that was his uncle—all in the line were drowned; that one's uncle died in his bed unexpectedly—you can see the bed still—but they do say, just before some officers came over about a little bit of business connected with French brandy. One of the Roseveans went away, and became a purser in the Royal Navy. Those were the days for pursers! Their accounts were never audited, and when they'd squared the captain and paid him the wages and allowances for the dummies and the dead men, they had left as much—ay, as a couple of thousand a year. After this he left the Navy and purveyed for the Fleet, and became so rich that they had to make him a knight.'

'Was there much smuggling here in the old days?'

'Look here, sir; a Scillonian in the old days called himself a pilot, a fisherman, a shopkeeper, or a farmer, just as he pleased. That was his pleasant way. But he was always—mind you—a smuggler. Armorel's great-great-great-grandfather, father of the old lady's husband—him who was never heard of afterwards, but was supposed to have been cast away off the French coast—he was known to have made great sums of money. Never was anyone on the islands in such a big way. Lots of money came to the islands from smuggling. They say that the St. Martin's people have kept theirs, and have got it invested; but, for all the rest, it's gone. And they were wreckers too. Many and many a good ship before the islands were lit up have struck on the rocks and gone to pieces. What do you think became of the cargoes? Where were the Scilly boats when the craft was breaking up? And did you never hear of the ship's lantern tied to the horns of a cow? They've got one on Samson could tell a tale or two; and they've still got a figure-head there which ought to have haunted old Emanuel Rosevean when his boat capsized off the coast of France.'

'An interesting family history.'

'Yes. Until the Preventive Service put an end to the trade, the Roseveans were the most successful and the most daring smugglers in the islands. But an unlucky family. All these drownings make people talk. Old wives' talk, I dare say. But for something one of them did—wrecking a ship, robbing the dead, who knows—they say the bad luck will go on till something is done—I know not what.'

He got up and put on his cap, the blue-cloth cap with a cloth peak, much affected in Scilly, because the wind blows off any other form of hat ever invented.

'It is ten o'clock—I must go. Did you ever hear the story, gentlemen, of the Scillonian sailor?' He sat down again. 'I believe it must have been one of the Roseveans. He was on board a West Indiaman, homeward bound, and the skipper got into a fog and lost his reckoning. Then he asked this man if he knew the Scilly Isles. "Better nor any book," says the sailor. "Then," says the skipper, "take the wheel." In an hour crash went the ship upon the rocks. "Damn your eyes!" says the skipper, "you said you knew the Scilly Isles." "So I do," says the man; "this is one of 'em." The ship went to pieces, and near all the hands were lost. But the people of the islands had a fine time with the flotsam and the jetsam for a good many days afterwards.'

'I believe,' said the young man—he who answered to the name of Dick—'that this patriot is buried in the old churchyard. I saw an inscription to-day which probably marks his tomb. Under the name is written the words "Dulce et decor"—but the rest is obliterated.'

'Very likely—they would bury him in the old churchyard. Good-night, gentlemen!'

'Roland!' The young man called Dick jumped from the settle. 'Roland! Pinch me—shake me—stick a knife into me—but not too far—I feel as if I was going off my head. The fair Armorel's father was a corsair, who was drowned on his way from the coast of France, with his grandfather and his great-grandfather and great-grand-uncles, after having been cast away upon the Chesil Bank, and never heard of again, though he was wanted on account of a keg of French brandy picked up in the Channel. He made an immense pile of money, which has been lost; and there's an old lady at the farm so old—so old—so very, very old—it takes your breath away only to think of it—that she married Methusalem. Her husband was drowned—a new light, this, on history—and of course she escaped on the Ark—as a stowaway or a cabin passenger. Armorel plays the fiddle and makes the old lady jump.'

'We'll go over there to-morrow.'

'We will. It is a Land of Enchantment, this outlying bit of Lyonesse. Meanwhile, just to clear my brain, I think I must have a whisky. The weakness of humanity demands it.

Oh! 'twas in Tregarthen's bar,
Where the pipes and whiskies are——

They are an unlucky family,' he went on, 'because they "did something." Remark, Roland, that here is the very element of romance. My ancestors have "done something" too. I am sure they have, because my grandfather kept a shop, and you can't keep a shop without "doing something." But Fate never persecuted my father, the dean, and I am not in much anxiety that I too shall be shadowed on account of the old man. Yet look at Armorel Rosevean! There's distinction, mind you, in being selected by Fate for vicarious punishment. The old corsair wrecked a ship and robbed the bodies: therefore, all his descendants have got to be drowned. Dear me! If we were all to be drowned because our people had once "done something," the hungry, insatiate sea would be choked, and the world would come to an end. A Scotch whisky, Rebecca, if you please, and a seltzer! To-morrow, Roland, we will once more cross the raging main, but under protection. If you break an oar again, you shall be put overboard. We will visit this fair child of Samson. Child of Samson! The Child of Samson! Was Delilah her mother, or is she the grand daughter of the Timnite? Has she inherited the virtues of her father as well as his strength? Were the latter days of Delilah sanctified and purified? Happily, she is only as yet a child—only a child, Roland'—he emphasised the words—'although a child of Samson.'

In the night a vision came to Roland Lee. He saw Armorel once more sailing to his rescue. And in his vision he was seized with a mighty terror and a shaking of the limbs, and his heart sank and his cheek blanched; and he cried aloud, as he sank beneath the cold waters: 'Oh, Armorel, you have come too late! Armorel, you cannot save me now.'

CHAPTER IV
THE GOLDEN TORQUE

The morning was bright, the sky blue, the breeze fresh—so fresh that even in the Road the sea broke over the bows and the boat ran almost gunwale under. This time the two lands-men were not unprotected: they were in charge of two boatmen. Humiliating, perhaps; but your true courage consisteth not in vain boasting and arrogant pretence, and he is safest who doth not ignorantly presume to manage a boat. Therefore, boatmen twain now guided the light bark and held the ropes.

'Dick,' said Roland, presently, looking ahead, 'I see her. There she is—upon the hillside among the brown fern. I can see her, with her blue dress.'

Dick looked, and shook his short-sighted head.

'I only see Samson,' he said. 'He groweth bigger as we approach. That is not uncommon with islands. I perceive that he hath two hills, one on the north and the other on the south; he showeth—perhaps with pride—a narrow plain in the middle. The hills appear to be strewn with boulders, and there are carns, and perhaps Logan stones. There is always a Logan stone, but you can never find it. There are also, I perceive, ruins. Samson looks quite a large island when you come near to it. Life on Samson must be curiously peaceful. No post-office, no telegrams, no telephones, no tennis, no shops, no papers, no people—good heavens! For a whole month one would enjoy Samson.'

'Don't you see her?' repeated Roland. 'She is coming down the hillside.'

'I dare say I do see her if I knew it; but I cannot at this distance, even with assisted eyes——'

'Oh! a blue dress—blue—against the brown and yellow of the fern. Can you not——?'

Dick gazed with the slow, uncertain eyes of short sight, and adjusted his glasses.

'My pal,' he said, 'to please you I would pretend to see anything. In fact, I always do: it saves trouble. I see her plainly—blue dress, you say—certainly—sitting on a rock——'

'Nonsense! She is walking down the hill. You don't see her at all.'

'Quite so. Coming down the hill,' Dick replied, unmoved.

'She has been in my mind all night. I have been thinking all kinds of things—impossible things—about this nymph. She is not in the least common, to begin with. She is——'

'She is only a child, Roland. Don't——'

'A child? Why shouldn't she be a child? I suppose I may admire a beautiful child? Do you insinuate that I am going to make love to her?'

'Well, old man, you mostly do.'

'It was not so dark last night but one could see that she is a very beautiful girl. She looks eighteen, but our friend last night assured us that she is not yet sixteen. A very beautiful girl she is: features regular, and a head that ought to be modelled. She is dark, like a Spaniard.'

'Gipsy, probably. Name of Stanley or Smith—Pharaoh Stanley was, most likely, her papa.'

'Gipsy yourself! Who ever heard of a gipsy on Scilly? You might as well look for an organ-grinder! Spanish blood, I swear! Castilian of the deepest blue. Then her eyes! You didn't observe her eyes?'

'I was too hungry. Besides, as usual, I was doing all the work.'

'They are black eyes——'

'The Romany have black eyes—roving eyes—hard, bold, bad, black eyes.'

'Soft black—not hard black. The dark velvet eyes which hold the light. Dick, I should like to paint those eyes. She is now looking at our boat. I can see her lifting her hand to shade her eyes. I should like to paint those eyes just at the moment when she gives away her heart.'

'You cannot, Childe Roland, because there could only be one other person present on that interesting occasion. And that person must not be you.'

'Dick, too often you are little better than an ass.'

'If you painted those eyes when she was giving away her heart it might lead to another and a later picture when she was giving away her temper. Eyes which hold the light also hold the fire. You might be killed with lightning, or, at least, blinded with excess of light. Take care!'

'Better be blinded with excess of light than pass by insensible. Some men are worse than the fellow with the muck-rake. He was only insensible to a golden crown; they are insensible to Venus. Without loveliness, where is love? Without love, what is life?'

'Yet,' said Dick, drily, 'most of us have got to shape our lives for ourselves before we can afford to think of Venus.'

It will be understood that these two young men represented two large classes of humanity. One would not go so far as to say that mankind may be divided into those two classes only: but, undoubtedly, they are always with us. First, the young man who walketh humbly, doing his appointed task with honesty, and taking with gratitude any good thing that is bestowed upon him by Fate. Next, the young man who believes that the whole round world and all that therein is are created for his own special pleasure and enjoyment; that for him the lovely girls attire themselves, and for his pleasure go forth to dance and ball; for him the actress plays her best; for him the feasts are spread, the corks are popped, the fruits are ripened, the suns shine. To the former class belonged Dick Stephenson: to the latter, Roland Lee. Indeed, the artistic temperament not uncommonly enlists a young man in the latter class.

'Look!' cried the artist. 'She sees us. She is coming down the hill. Even you can see her now. Oh! the light, elastic step! Nothing in the world more beautiful than the light, elastic step of a girl. Somehow, I don't remember it in pictures. Perhaps—some day—I may——' He began to talk in unconnected jerks. 'As for the Greek maiden by the sea-shore playing at ball and showing bony shoulders, and all that—I don't like it. Only very young girls should play at ball and jump about—not women grown and formed. They may walk or spring as much as they like, but they must not jump, and they must not run. They must not laugh loud. Violent emotions are masculine. Figure and dress alike make violence ungraceful: that is why I don't like to see women jump about. If they knew how it uglifies most of them! Armorel is only a child—yes—but how graceful, how complete she is in her movements!'

She was now visible, even to a short-sighted man, tripping lightly through the fern on the slope of the hill. As she ran, she tossed her arms to balance herself from boulder to boulder. She was singing, too, but those in the boat could not hear her; and before the keel touched the sand she was silent.

She stood waiting for them on the beach, her old dog Jack beside her, a smile of welcome in her eyes, and the sunlight on her cheeks. Hebe herself—who remained always fifteen from prehistoric times until the melancholy catastrophe of the fourth century, when, with the other Olympians, she was snuffed out—was not sweeter, more dainty, or stronger, or more vigorous of aspect.

'I thought you would come across this morning,' she said. 'I went to the top of the hill and looked out, and presently I saw your boat. You have not ventured out alone again, I see. Good-morning, Roland Lee! Good-morning, Dick Stephenson!'

She called them thus by their Christian names, not with familiarity, but quite naturally, and because when she went into the world—that is to say, to Bryher Church—on Sunday afternoon, each called unto each by his Christian name. And to each she gave her hand with a smile of welcome. But it seemed to Dick, who was observant rather than jealous, that his companion appropriated to himself and absorbed both smiles.

'Shall I show you Samson? Have you seen the islands yet?'

No; they had only arrived two days before, and were going back the next day.

'Many do that,' said the girl. 'They stay here a day or two: they go across to Tresco and see the gardens: then perhaps they walk over Sallakey Down, and they see Peninnis and Porthellick and the old church, and they think they have seen the islands. You will know nothing whatever about Scilly if you go to-morrow.'

'Why should we go to-morrow?' asked the artist. 'Tell me, that, Dick.'

'I, because my time is up, and Somerset House once more expects me. You, my friend,' Dick replied, with meaning, 'because you have got your work to do and you must not fool around any longer.'

Roland Lee laughed. 'We came first of all,' he said, turning to Armorel, 'in order to thank you for——'

'Oh! you thanked me last night. Besides it was Peter——'

'No, no. I refuse to believe in Peter.'

'Well, do not let us say any more about it. Come with me.'

The landing-place of Samson is a flat beach, covered with a fine white sand and strewn with little shells—yellow and grey, green and blue. Behind the beach is a low bank on which grow the sea-holly, the sea-lavender, the horned poppy, and the spurge, and behind the bank stretches a small plain, low and sandy, raised above the high tide by no more than a foot or two. Armorel led the way across this plain to the foot of the northern hill. It is a rough and rugged hill, wild and uncultivated. The slope facing the south is covered with gorse and fern, the latter brown and yellow in September. Among the fern at this season stood the tall dead stalks of foxglove. Here and there were patches of short turf set about with the withered flowers of the sea-pink, and the long branches of the bramble lay trailing over the ground. The hand of some prehistoric giant has sprinkled the slopes of this hill with boulders of granite: they are piled above each other so as to make carns, headlands, and capes with strange resemblances and odd surprises. Upon the top they found a small plateau sloping gently to the north.

'See!' said Armorel. 'This is the finest thing we have to show on Samson, or on any of the islands. This is the burial-place of the kings. Here are their tombs.'

'What kings?' asked Dick, looking about him. 'Where are the tombs?'

'The kings,' Roland repeated; 'there can be no other kings. These are their tombs. Do not interrupt.'

'The ancient kings,' Armorel replied, with historic precision. 'These mounds are their tombs. See—one—two—half a dozen of them are here. Only kings had barrows raised over them. Did you expect graves and headstones, Dick Stephenson?'

'Oh, these are barrows, are they?' he replied, in some confusion. A man of the world does not expect to be caught in ignorance by the solitary inhabitant of a desert island.

'A long time ago,' Armorel went on, 'these islands formed part of the mainland. Bryher and Tresco, St. Helen's, Tean, St. Martin's and St. Mary's, were all joined together, and the road was only a creek of the sea. Then the sea washed away all the land between Scilly and the Land's End. They used to call the place Lyonesse. The kings of Lyonesse were buried on Samson. Their kingdom is gone, but their graves remain. It is said that their ghosts have been seen. Dorcas saw them once.'

'I should like to see them very much,' said Roland.

'If you were here at night, we could go out and look for them. I have been here often after dark looking for them.'

'What did you see?'

She answered like unto the bold Sir Bedivere—who, perhaps, was standing on that occasion not far from this hill-top.

'I saw the moonlight on the rocks, and I heard the beating of the waves.'

Quoth Dick: 'The spook of a king of Lyonesse would be indeed worth coming out to see.'

Armorel led the way to a barrow, the top of which showed signs of the spade.

'See!' she said. 'Here is one that has been opened. It was a long time ago.'

There were the four slabs of stone still in position which formed the sides of the grave, and the slab which had been its cover lying close beside.

Armorel looked into the grave. 'They found,' she whispered, 'the bones of the king lying on the stone. But when someone touched them they turned to dust. There is the dust at your feet in the grave. The wind cannot bear it away. It may blow the sand and earth into it, but the dust remains. The rain can turn it into mud, but it cannot melt it. This is the dust of a king.'

The young men stood beside her silent, awed a little, partly by the serious look in the girl's face, and partly because, though it now lay open to the wind and rain, it was really a grave. One must not laugh beside the grave of a man. The wind lifted Armorel's long locks and blew them off her white forehead: her eyes were sad and even solemn. Even the short-sighted Dick saw that his friend was right: they were soft black eyes, not of the gipsy kind; and he repented him of a hasty inference. To the artist it seemed as if here was a princess of Lyonesse mourning over the grave of her buried king and—what?—father—brother—cousin—lover? Everything, in his imagination, vanished—except that one figure: even her clothes were changed for the raiment—say the court mourning—of that vanished realm. And also, like Sir Bedivere, he heard nothing but the wild water lapping on the crag.

And here followed a thing so strange that the historian hesitates about putting it down.

Let us remember that it is thirty years, or thereabouts, since this barrow was laid open; that we may suppose those who opened it to have had eyes in their heads; that it has been lying open ever since; and that every visitor—to be sure there are not many—who lands on Samson is bound to climb this hill and visit this open barrow with its perfect kistvaen. These things borne in mind, it will seem indeed wonderful that anything in the grave should have escaped discovery.

Roland Lee, leaning over, began idly to poke about the mould and dust of the grave with his stick. He was thinking of the girl and of the romance with which his imagination had already clothed this lonely spot; he was also thinking of a picture which might be made of her; he was wondering what excuse he could make for staying another week at Tregarthen's—when he was startled by striking his stick against metal. He knelt down and felt about with his hands. Then he found something and drew it out, and arose with the triumph that belongs to an archæologist who picks up an ancient thing—say, a rose noble in a newly ploughed field. The thing which he found was a hoop or ring. It was covered and encrusted with mould; he rubbed this off with his fingers. Lo! it was of gold: a hoop of gold as thick as a lady's little finger, twisted spirally, bent into the form of a circle, the two ends not joined, but turned back. Pure gold: yellow, soft gold.

'I believe,' he said, gasping, 'that this must be—it is—a torque. I think I have seen something like it in museums. And I've read of them. It was your king's necklace: it was buried with him: it lay around the skeleton neck all these thousand years. Take it, Miss Armorel. It is yours.'

'No! no! Let me look at it. Let me have it in my hands. It is yours'—in ignorance of ancient law and the rights of the lord proprietor—'it is yours because you found it.'

'Then I will give it to you, because you are the Princess of the Island.'

She took it with a blush and placed it round her own neck, bending open the ends and closing them again. It lay there—the red, red gold—as if it belonged to her and had been made for her.

'The buried king is your ancestor,' said Roland. 'It is his legacy to his descendant. Wear the king's necklace.'

'My luck, as usual,' grumbled Dick, aside. 'Why couldn't I find a torque and say pretty things?'

'Come,' said Armorel, 'we have seen the barrows. There are others scattered about—but this is the best place for them. Now I will show you the island.'

The hill slopes gently northward till it reaches a headland or carn of granite boldly projecting. Here it breaks away sharply to the sea. Armorel climbed lightly up the carn and stood upon the highest boulder, a pretty figure against the sky. The young men followed and stood below her.

Armorel climbed lightly up the carn.

At their feet the waves broke in white foam (in the calmest weather the Atlantic surge rolling over the rocks is broken into foam), a broad sound or channel lay between Samson and the adjacent island: in the channel half a dozen rocks and islets showed black and threatening.

'The island across the channel,' said Armorel, 'is Bryher. This is Bryher Hill, because it faces Bryher Island. Yonder, on Bryher is Samson Hill, because it faces Samson Island. Bryher is a large place. There are houses and farms on Bryher, and a church where they have service every Sunday afternoon. If you were here on Sunday, you could go in our boat with Peter, Chessun, and me. Justinian and Dorcas mostly stay at home now, because they are old.'

'Can anybody stay on the island, then?' asked Roland, quickly.

'Once the doctor came for Justinian's rheumatism, and bad weather began and he had to stay a week.'

'His other patients meanly took advantage and got well, I suppose,' said Dick.

'I hope so,' Armorel replied simply.

She turned and looked to the north-east, where lie the eastern islands, the group between St. Martin's and St. Mary's, a miniature in little of the greater group. From this point they looked to the eye of ignorance like one island. Armorel distinguished them. There were Great and Little Arthur; Ganilly, with his two hills, like Samson; the Ganninicks and Meneweather, Ragged Island, and Inisvouls.

'They are not inhabited,' said the girl, pointing to them one by one; 'but it is pleasant to row about among them in fine weather. In the old time, when they made kelp, people would go and live there for weeks together. But they are not cultivated.'

Then she turned northwards, and showed them the long island of St. Martin's, with its white houses, its church, its gentle hills, and its white and red daymark on the highest point. Half of St. Martin's was hidden by Tresco, and more than half of Tresco by Bryher. Over the downs of Tresco rose the dome of Round Island, crowned with its white lighthouse. And over Bryher, out at sea, showed the rent and jagged crest of the great rock Menovawr.

'You should land on Tresco,' said Armorel. 'There is the church to see. Oh! it is a most beautiful church. They say that in Cornwall itself there is hardly any church so fine as Tresco Church. And then there are the gardens and the lake. Everybody goes to see the gardens, but they do not walk over the down to Cromwell's Castle. Yet there is nothing in the islands like Cromwell's Castle, standing on the Sound, with Shipman's Head beyond. And you must go out beyond Tresco, to the islands which we cannot see here—Tean and St. Helen's, and the rest.'

Then she turned westward. Lying scattered among the bright waters, whitened by the breeze, there lay before their eyes—dots and specks upon the biggest maps, but here great massive rocks and rugged islets piled with granite, surrounded by ledges and reefs, cut and carved by winds and flying foam into ragged edges, bold peaks, and defiant cliffs—places where all the year round the seals play and the sea-gulls scream, and, in spring, the puffins lay their eggs, with the oyster-catchers and the sherewaters, the shags and the hern. Over all shone the golden sun of September, and round them all the water leaped and sparkled in the light.

'Those are the Outer Islands.' The girl pointed them out, her eyes brightening. 'It is among the Outer Islands that I like best to sail. Look! that great rock with the ledge at foot is Castle Bryher; that noble rock beyond is Maiden Bower; the rock farthest out is Scilly. If you were going to stay, we would sail round Scilly and watch the waves always tearing at his sides. You cannot see from here, but he is divided by a narrow channel; the water always rushes through this channel roaring and tearing. But once we found it calm—and we got through; only Peter would never try again. If you were going to stay—sometimes in September it is very still——'

'I did not know,' said Roland, 'that there was anything near England so wonderful and so lovely.'

'You cannot see the islands in one morning. You cannot see half of them from this hill. You like them more and more as you stay longer, and see them every day with a different light and a different sea.'

'You know them all, I suppose?' Roland asked.

'Oh! every one. If you had sailed among them so often, you would know them too. There are hundreds, and every one has got its name. I think I have stood on all, though there are some on which no one can land, even at low tide and in the calmest weather. And no one knows what beautiful bays and beaches and headlands there are hidden away and never seen by anyone. If you could stay, I would show them to you. But since you cannot——' She sighed. 'Well, you have not even seen the whole of Samson yet—and that is only one of all the rest.'

She leaped lightly from the rocks, and led them southward.

'See!' she said. 'On this hill there are ten great barrows at least, every one the tomb of a king—a king of Lyonesse. And on the sides of the hill—they kept the top for the kings—there are smaller barrows, I suppose of the princes and princesses. I told you that the island was a royal burying-ground. At the foot of the hill—you can see them—are some walls which they say are the ruins of a church; but I suppose that in those days they had no church.'

They left these venerable tombs behind them and descended the hill. At its foot, between the two hills, there lies a pretty little bay, circular and fringed with a beach of white sand. If one wanted a port for Samson, here is the spot, looking straight across the Atlantic, with Mincarlo lying like a lion couchant on the water a mile out.

'This is Porth Bay,' said their guide. 'Out there at the end is Shark Point. There are sharks sometimes, I believe: but I have never seen them. Now we are going up the southern hill.'

It began with a gentle ascent. There were signs of former cultivation; stone walls remained, enclosing spaces which once were fields—nothing in them now but fern and gorse and bramble and wild flowers. Half-way up there stood a ruined cottage. The walls were standing, but the roof was gone and all the woodwork. The garden-wall remained, but the little garden was overrun with fern.

'This was my great-great-grandmother's cottage,' said Armorel. 'It was built by her husband. They lived in it for twelve months after they were married. Then he was drowned, and she came to live at the farm. See!'—she showed them in a corner of the garden a little wizened apple-tree, crouching under the stone wall out of the reach of the north wind—'she planted this tree on her wedding-day. It is too old now to bear fruit; but she is still living, and her husband has been dead for seventy-five years. I often come to look at the place, and to wonder how it looked when it was first inhabited. There were flowers, I suppose, in the garden, when she was young and happy.'

'There are more ruins,' said Roland.

'Yes, there are other ruins. When all the people except ourselves went away, these cottages were deserted, and so they fell into decay. They used to live by smuggling and wrecking, you see, and when they could no longer do either, they had to go away or starve.'

They stood upon the highest point of Holy Hill, some twenty feet above the summit of the northern hill, and looked out upon the Southern Islands.

'There!' said Armorel, with a flush of pride, because the view here is so different and yet so lovely.

'Here you can see the South Islands. Look! there is Minalto, which you drifted past yesterday: those are the ledges of White Island, where you were nearly cast away and lost: there is Annet, where the sea-birds lay their eggs—oh! thousands and thousands of puffins, though now there are not any: you should see them in the spring. That is St. Agnes—a beautiful island. I should like to show you Camberdizl and St. Warna's Cove. And there are the Dogs of Scilly beyond—they look to be black spots from here. You should see them close: then you would understand how big they are and how terrible. There are Gorregan and Daisy, Rosevean and Rosevear, Crebawethan and Pednathias; and there—where you see a little circle of white—that is Retarrier Ledge. Not long ago there was a great ship coming slowly up the Channel in bad weather: she was filled with Germans from New York going home to spend the money they had saved in America: most of them had their money with them tied up in bags. Suddenly, the ship struck on Retarrier. It was ten o'clock in the evening and a great sea running. For two hours the ship kept bumping on the rocks: then she began to break up, and they were all drowned—all the women and all the children, and most of the men. Some of them had life-belts on, but they did not know how to tie them, and so the things only slipped down over their legs and helped to drown them. The money was found on them. In the old days the people of the islands would have had it all; but the coastguard took care of it. There, on the right of Retarrier, is the Bishop's Rock and lighthouse. In storms, the lighthouse rocks like a tree in the wind. You ought to sail over to those rocks, if it was only to see the surf dashing up their sides. But, since you cannot stay——' Again she sighed.

'These are very interesting islands,' said Dick. 'Especially is it interesting to consider the consequences of being a native.'

'I should like to stay and sail among them,' said Roland.

'For instance'—Dick pursued his line of thought—'in the study of geography. We who are from the inland parts of Great Britain must begin by learning the elements, the definitions, the terminology. Now to a Scilly boy——'

'A Scillonian,' the girl corrected him. 'We never speak of Scilly folk.'

'Naturally. To a Scillonian no explanation is needed. He knows, without being told, the meaning of peninsula, island, bay, shore, archipelago, current, tide, cape, headland, ocean, lake, road, harbour, reef, lighthouse, beacon, buoy, sounding—everything. He must know also what is meant by a gale of wind, a stiff breeze, a dead calm. He recognises, by the look of it, a lively sea, a chopping sea, a heavy sea, a roaring sea, a sulky sea. He knows everything except a river. That, I suppose, requires very careful explanation. It was a Scilly youth—I mean a Scillonian—who sat down on the river bank to wait for the water to go by. The history seems to prove the commercial intercourse which in remote antiquity took place between Phœnicia and the Cassiterides or Scilly Islands.'

Armorel looked puzzled. 'I did not know that story of a Scillonian and a river,' she said, coldly.

'Never mind his stories,' said Roland. 'This place is a story in itself: you are a story: we are all in fairyland.'

'No'—she shook her head. 'Bryher is the only island in all Scilly which has any fairies. They call them pixies there. I do not think that fairies would ever like to come and live on Samson: because of the graves, you know.'

She led them down the hill along a path worn by her own feet alone, and brought them out to the level space occupied by the farm-buildings.

'This is where we live,' she said. 'If you could stay here, Roland Lee, we could give you a room. We have many empty rooms'—she sighed—'since my father and mother and my brothers were all drowned. Will you come in?'

She took them into the 'best parlour,' a room which struck a sudden chill to anyone who entered therein. It was the room reserved for days of ceremony—for a wedding, a christening, or a funeral. Between these events the room was never used. The furniture presented the aspect common to 'best parlours,' being formal and awkward. In one corner stood a bookcase with glass doors, filled with books. Armorel showed them into this apartment, drew up the blind, opened the window—there was certainly a stuffiness in the air—and looked about the room with evident pride. Few best parlours, she thought, in the adjacent islands of St. Mary's, Bryher, Tresco, or even Great Britain itself, could beat this.

She left them for a few minutes, and came back bearing a tray on which were a plate of apples, another of biscuits, and a decanter full of a very black liquid. Hospitality has its rules even on Samson, whither come so few visitors.

'Will you taste our Scilly apples?' she said. 'These are from our own orchard, behind the house. You will find them very sweet.'

Roland took one—as a general rule, this young man would rather take a dose of medicine than an apple—and munched it with avidity. 'A delicious fruit!' he cried. But his friend refused the proffered gift.

'Then you will take a biscuit, Dick Stephenson? Nothing? At least, a glass of wine?'

'Never in the morning, thank you.'

'You will, Roland Lee?' She turned, with a look of disappointment, to the other man, who was so easily pleased and who said such beautiful things. 'It is my own wine—I made it myself last year, of ripe blackberries.'

'Indeed I will! Your own wine? Your own making, Miss Armorel? Wine of Samson—the glorious vintage of the blackberry! In pies and in jam-pots I know the blackberry, but not, as yet, in decanters. Thank you, thank you!'

He smiled heroically while he held the glass to the light, smelt it, rolled it gently round. Then he tasted it. 'Sweet,' he said, critically. 'And strong. Clings to the palate. A liqueur wine—a curious wine.' He drank it up, and smiled again. 'Your own making! It is wonderful! No—not another drop, thank you!'

'Shall I show you?'—the girl asked, timidly—'would you like to see my great-great-grandmother? She is so very old that the people come all the way from St. Agnes only just to look at her. Sometimes she answers questions for them, and they think it is telling their fortunes. She is asleep. But you may talk aloud. You will not awaken her. She is so very, very old, you know. Consider: she has been a widow nearly eighty years.'

She led them into the other room, where, in effect, the ancient dame sat in her hooded chair fast asleep, in cap and bonnet, her hands, in black mittens, crossed.

'Heavens!' Roland murmured. 'What a face! I must draw that face! And'—he looked at the girl bending over the chair placing a pillow in position—'and that other. It is wonderful!' he said aloud. 'This is, indeed, the face of one who has lived a hundred years. Does she sometimes wake up and talk?'

'In the evening she recovers her memory for awhile and talks—sometimes quite nicely, sometimes she rambles.'

'And you have a spinning-wheel in the corner.'

'She likes someone to work at the spinning-wheel while she talks. Then she thinks it is the old time back again.'

'And there is a violin.'

'I play it in the evening. It keeps her awake, and helps her to remember. Justinian taught me. He used to play very well indeed until his fingers grew stiff. I can play a great many tunes, but it is difficult to learn any new ones. Last summer there were some ladies at Tregarthen's—one of them had a most beautiful voice, and she used to sing in the evening with the window open. I used to sail across on purpose to land and listen outside. And I learned a very pretty tune. I would play it to you in the evening if you were not going away.'

'I am not obliged to go away,' the young man said, with strangely flushing cheeks.

'Roland!' That was Dick's voice—but it was unheeded.

'Will you stay here, then?' the girl asked.

'Here in this house? In your house?'

'You can have my brother Emanuel's room. I shall be very glad if you will stay. And I will show you everything.' She did not invite the young man called Dick, but this other, the young man who drank her wine and ate her apple.

'If your—your—your guardian—or your great-great-grandmother approves.'

'Oh! she will approve. Stay, Roland Lee. We will make you very happy here. And you don't know what a lot there is to see.'

'Roland!' Again Dick's warning voice.

'A thousand thanks!' he said. 'I will stay.'