The Project Gutenberg eBook, The Orange Girl, by Walter Besant, Illustrated by Warren B. Davis

The ORANGE GIRL

By Sir Walter Besant

Illustrated by
Warren B. Davis

NEW YORK
DODD, MEAD & COMPANY
1899

Copyright, 1898,
By Walter Besant.

"OVER THIS RURAL PLACE WE STRAYED AT OUR WILL."

CONTENTS

PART I

HOW I GOT INTO THE KING'S BENCH

PART II

OUT OF THE FRYING PAN INTO THE FIRE

PROLOGUE

On a certain afternoon in May, about four or five of the clock, I was standing at the open window of my room in that Palace to which Fortune leads her choicest favourites—the College, or Prison, as some call it, of the King's Bench. I was at the time a prisoner for debt, with very little chance of ever getting out. More fortunate than most of the tenants, I was able to carry on my business. For instance, all that morning I had been engaged in composing a song—it was afterwards sung with great applause at the Dog and Duck; and on the bed reposed the instrument with which I earned the greater part of my daily bread—my faithful violin.

My window was on the ground-floor in the great building which was then new, for the Prison had been transferred from the other side two or three years before. This building contains more than two hundred rooms, and twice that number of prisoners. Many of the ground-floor rooms have been converted into shops—chandlers', grocers', mercers', hosiers'. You may buy anything in these shops, except a good book. I believe that there is no demand in the prison for such an article of commerce. Song-books and jest-books and cards on the other hand, are constantly called for. It was a day of bright sunshine. Outside, on the Grand Parade—otherwise called King Street—which is a broad footway flagged, strolled up and down in the sunshine an endless procession. They paced the pavement from East to West; they turned and paced it again from West to East. Among them were a few neatly attired, but by far the greater number, men and women, were slatternly, untidy, and slipshod. Their walk—nobody was ever seen to walk briskly in the Prison—was the characteristic scuffle easily acquired in this place; the men were mostly in slippers: some were in morning gowns: very few had their heads dressed: some wore old-fashioned wigs, rusty and uncombed: some, the poorer set, were bare-footed, and in such rags and tatters as would not be tolerated in the open streets. The faces of the people as they passed were various. There was the humorous face of the prisoner who takes fortune philosophically: there was the face always resentful: the face resigned: the face vacuous: the face of suffering: the face sodden with drink: the face vicious: the face soured: the face saddened: the face, like the clothes, ragged and ruined: everything but the face happy—that cannot be found in the King's Bench Prison. Children ran about playing and shouting: there were at this time many hundreds of children in the prison. Against the wall—'tis surely twenty-five feet higher than is needed—the racquet and fives players carried on their games: at the lower end of the Parade some played the game called Bumble Puppy: here and there tables were set where men drank and smoked pipes of tobacco and played cards, though as yet it was only afternoon. The people talked as they went along, but not with animation: now and then one laughed; but the merriment of the College is very near the fount of tears; it hath a sound hysterical. Some conversed eagerly with visitors: by their eagerness you knew that they were newcomers. What did they talk about? The means of release? Yet so few do get out. For the first three or four years of imprisonment, when visitors call, prisoners talk of nothing else. After that time visitors cease to call: and there is no more talk of release. A man in the King's Bench is speedily forgotten. He becomes dead to the world: dead and forgotten. Surely there is no more pitiless and relentless enemy than a creditor. Yet in church every Sunday he asks, and expects, that mercy from his God which he himself refuses to his debtor.

On no other day in the year could the Prison look more cheerful. Yet as I stood at the window there fell upon me such sadness as belongs only to the Prison; it is a longing to be free: a yearning inconceivable for the green fields and the trees. Such moods are common in the Prison. I have seen men turn aside from their friends in the midst of a song, in the height of the revelry, and slink away from the company with drooping head and bowed shoulders. It is indeed difficult not to feel this sadness from time to time. I was young: I had few friends, for a reason that I shall tell you presently. For aught that I could see there was nothing before me but a life-long imprisonment. Nobody, I say, can understand the strength and the misery of this yearning for liberty—for air—that sometimes seizes the prisoner and rends him and will not let him go. Yet I was better off than many, because, though I could in no way pay the money for which I was imprisoned, I was not without the means of a livelihood. I had, as I have said, my fiddle. So long as a man has a fiddle and can play it he need never want. To play the fiddle is the safest of all trades, because the fiddler is always wanted. If a company is drinking they will call for the fiddler to lift up their hearts: if there are girls with them they will call for the fiddler to make them dance: if they would sing they want the fiddler to lead them off: if they are sitting in the coffee-room they call for the fiddler to enliven them. Grave discourse or gay; young people or old: they are always ready to call for the fiddler and to pay him for his trouble. So that by dint of playing every evening, I did very well, and could afford to dine at the two shilling ordinary and to drink every day a glass or two of ale, and to pay my brother-in-law for the maintenance of Alice and the boy.

Among the prisoners were two who always walked together: talked together: and drank together. The others looked askance upon them. One, who was called the Captain, wore a scarlet coat which might have been newer, and a gold-laced hat which had once been finer. He was a tall, burly fellow, with the kind of comeliness one may see in a horse-rider at a fair, or a fellow who performs on a tight-rope; a man who carries by storm the hearts of village girls and leaves them all forlorn. He swaggered as he walked, and looked about him with an insolence which made me, among others, desirous of tweaking him by the nose, if only to see whether his courage was equal to his swagger. I have always, since, regretted that I lost the opportunity. Duels are not allowed in the College, and perhaps in an encounter with the simpler weapons provided by Nature I might have been equal to the Captain. His manners at the Ordinary were noisy and, if he had ever really carried His Majesty's Commission, as to which there were whispers, it must have been in some branch of the service where the urbanities of life were not required. Further: it was known that he was always ready to play with anyone: and at any time of the day: it was reported that he always won: this reputation, coupled with his insolent carriage, caused him to be shunned and suspected.

His companion, commonly known as the Bishop, was dressed in the habit of a clergyman. He wore a frayed silk cassock and a gown with dirty bands. His wig, which wanted dressing, was canonical. His age might have been forty or more: his cheeks were red with strong drink: his neck was puffed: his figure was square and corpulent: his voice was thick: he looked in a word what he was, not a servant of the Lord at all, but of the Devil.

At this period I had little experience or knowledge of the people who live by rogueries and cheats: nor had I any suspicion when a stranger appeared that he was not always what he pretended to be. At the same time one could not believe that the hulking fellow in a scarlet coat had ever received a commission from the King: nor could anyone believe that the hoglike creature who wore a cassock and a gown and a clergyman's wig was really in Holy Orders.

Among the collegians there was one who pleased me, though his raiment was shabby to the last degree, by his manners, which were singularly gentle; and his language, which was that of a scholar. He scorned the vulgar idiom and turned with disgust from the universal verb (or participle) with which annoyance or dislike or disappointment was commonly expressed. And he spoke in measured terms as one who pronounces a judgment. I heard afterward that he wrote critical papers on new books in the Gentlemen's Magazine. But I never read new books unless they are books of music. When he could afford to dine at the Ordinary, which was about twice a week, he sat beside me and instructed me by his discourse. He was a scholar of some college at Cambridge and a poet. I sometimes think that it may be a loss to the world not to know its poets. There are without doubt some who regard poetry as musicians regard music. Now if the work of a Purcell or a Handel were to fall dead and unnoticed it would be a most dreadful loss to music and a discouragement for composers. So that there may be poets, of whom the world hears nothing, whose verse is neglected and lost, though it might be of great service to other poets or to mankind, if verse can in any way help the world.

However, one day, when these two prisoners, the Captain and the Bishop, had left the Ordinary and were brawling in the tavern hard by for a bottle of Port, my friend the scholar turned to me.

'Sir,' he said, 'the Prison ought to be purged of such residents. They should be sent to the Borough Compter or the Clink. Here we have gentlemen: here we have tradesmen: here we have craftsmen: we are a little World. Here are the temptations of the world': he looked across the table where some of the ladies of the Prison were dining. 'The tavern invites us: the gaming table offers us a seat: we have our virtues and our vices. But we have not our crimes. And as a rule we cannot boast among our company the presence of the Robber, the Forger, or the Common Rogue. We have, in a word, no representative, as a rule of the Gallows, the Pillory, the Stocks, the Cart-tail, and the Whipping Post.'

I waited, for he did not like to be interrupted.

'Sir,' he went on, 'I am a Poet. As a child of the Muses'—I thought they were unmarried but did not venture on that objection—'it is my business to observe the crooked ways of men and the artful ways of women, even though one may at times be misunderstood—as has once or twice happened. One may be the temporary companion of a Rogue without having to pick a pocket. I remember the faces of those two men—I saw them in a Thieves' Kitchen whither I was taken in disguise by one who knows them. The Captain, Sir, is a Highwayman, common and notorious. He is now five-and-twenty, and his rope is certainly long out, so that he is kept from Tyburn Tree by some special favour by Mr. Merridew the Thief-Taker. The other, whom they call the Bishop, is a Rogue of some education. He may last longer because he is useful and it would be hard to replace him. He was once usher in a suburban school at Marybone, and now writes lying, threatening or begging letters for the crew. He also concocts villainies. He threatens to set the house on fire, or to bring the householder into bankruptcy: or in some way to injure him fatally unless he sends a certain sum of money. He tells gentlemen who have been robbed that they can have their papers back, but not their money, by sending a reward. His villainy is without any pity or mercy or consideration. The Captain is a mere robber—a Barabbas. The Bishop is worse: he has the soul of a Fiend in the body of a man.'

'But why,' I said 'are they here?'

'They are in hiding. A sham debt has been sworn against them. From their dejected faces and from what I have overheard them saying, I learn that a true debt has been added for another detainer. But indeed I know not their affairs, except that they came here in order to be out of the way, and that something has happened to disconcert their plans. As honest men we must agree in hoping that their plans, which are certainly dishonest, may succeed, in order that their presence among us may cease and so we may breathe again. The air of the Prison is sometimes close and even musty, but we do not desire it to be mistaken for the reek of St. Giles's or the stench of Turnmill Street.'

However, I troubled myself but little as to these two men. And I know not how long they were in the prison. Had I known what they would do for me in the future I think I should have brained them there and then.

This afternoon the pair were talking together with none of the listlessness that belongs to the King's Bench. 'Might as well get out at once'—I heard fragments—'quite certain that he won't appear—no more danger—if she will consent,' and so on—phrases to which I paid no attention.

Suddenly, however, they stopped short, and both cried out together:

'She's come herself!'

I looked out of my window and beheld a Vision.

The lady was alone. She stood at the end of the Parade and looked about her for a moment with hesitation, because the scene was new to her. She saw the ragged rout playing racquets: drinking at their tables: leaning against the pumps at each of which there is always a little gathering: or strolling by in couples on the Parade. Then she advanced slowly, looking to the right and to the left. She smiled upon the people as they made way for her: no Queen could have smiled more graciously: yet not a Queen, for there was no majesty in her face, which was inspired by, and filled with, Venus herself, the Goddess of charm and grace and loveliness. Never was a face more lovely and more full of love. As for her dress, all that I can tell you is that I have never known at any time how this lady was dressed: she carried, I remember, an ivory-handled fan in her hand: she seemed to beholders to be dressed in nothing but lace, ribbons and embroidery. Her figure was neither tall nor short. Reasonably tall, for a woman ought not to be six feet high: so tall as not to be insignificant: not so tall as to dwarf the men: slender in shape and quick and active in her movements. Her eyes, which I observed later, changed every moment with her change of mood: one would say that they even changed their colour, which was a dark blue: they could be limpid, or melting, or fiery, or pitiful; in a word, they could express every fleeting emotion. Her features changed as much as her eyes: one never knew how she would look, until one had watched and known her in all her moods and passions: her lips were always ready to smile: her face was continually lit up by the sunshine of joy and happiness. But this woman wanted joy as some women want love. Her voice was gentle and musical.

I speak of her as I knew her afterwards, not as she appeared on this, the first day of meeting. I make no excuse for thus speaking of her, because, in truth, the very thought of Jenny—I have too soon revealed her name—makes me long to speak of what she was. Out of the fulness of my heart I write about her. And as you will understand presently, I could love without wronging my wife, and as much as a woman can be loved, and yet in innocence and with the full approval of the other woman whom also I loved.

At the sight of this apparition the whole Prison stared with open mouth. Who was this angel, and for what fortunate prisoner did she come? At the very outset, when I could not dream that she would ever condescend to speak to me, she seemed the most lovely woman I had ever beheld. Some women might possess more regular features: no one, sure, was ever so lovely, so bewitching, so attractive. It is as if I could go on forever repeating my words. The women of the Prison—poor tattered drabs, for the most part—looked after her with sighs—oh! to dress like that! Some of them murmured impudently to each other, 'Who gave her all that finery?' Most of them only looked and longed and sighed. Oh! to be dressed like her! To look like her! To smile like her! To put on that embroidered petticoat—that frock—those gloves—to carry that fan—to possess that figure—that manner! Well: to gaze upon the inaccessible may sometimes do us good. The sight of this Wonder made those poor women appear a little less slatternly. They straightened themselves: they tidied their hair: the more ragged crept away.

As for the men, they followed her with looks of wonder and of worship. For my own part I understood for the first time that power of beauty which compels admiration, worship and service: when I am greatly moved by music that memory comes back to me. In looking upon such a woman, one asks not what has been her history: what she is: what she has done: one accepts the heavenly cheerfulness of her smile: the heavenly wisdom seated on her brow: the heavenly innocence in her eyes: the purity which cannot be smirched or soiled by contact with things of the world.

I continued to gaze upon her while she walked up the Parade. To my surprise this angelic creature stopped before the pair of worthies—the bully in scarlet and the drunken divine. What could she want with them? They received her with profound salutations, the Bishop sweeping the ground with his greasy hat.

'Madam,' he said, 'we did not expect that you would yourself condescend to such a place.'

'I wished to see you,' she replied, curtly. I seemed to remember her voice.

'May we conduct you, Madam,' said the Captain, 'to the Coffee-room for more private conversation. Perhaps a glass——'

'Or,' said the Bishop, for she refused the proffered glass with an impatient gesture—could such a woman drink with such men? she refused, I say, with a shake of her head, 'for greater privacy to our own room. It is on the third floor. No one will venture to intrude upon us—and there is a chair. I fear that, in the neglect, which is too common in this place, the beds are not yet made,' He looked as if the morning wash had not been performed either.

'What do I care, sir,' she asked, interrupting again, 'whether your beds are made or not? I shall stay here,' She withdrew a little nearer to the wall beside my window, so as to be outside the throng of people. 'We can talk, I suppose, undisturbed, and unheard, though, so far as I care, all the world may hear. Bless me! The people look as if a woman was a rare object here.' She looked round at the crowd. 'Yet there are women among your prisoners. Well, then, what have you got to say? Speak up, and quickly, because I like not the place or the company. You wrote to me. Now go on.'

'I wrote to you,' said the Bishop, 'asking a great favour. I know that we have no reason to expect that or any other favour from you.'

'You have no reason. But go on.'

'We came here, you know'—his voice dropped to a whisper, but I heard what he said—'in order to escape a great danger.'

'I heard. You told me. The danger was in connection with a gentleman and a post-chaise.'

'A villainous charge,' said the Captain.

'Villainous indeed,' repeated the Bishop. 'I could prove to you in five minutes and quite to your satisfaction that the Captain was engaged at Newmarket on the day in question, while I myself was conducting a funeral in place of the Vicar in a country village thirty miles on the other side of London.'

'An excellent defence, truly. But I will leave that to the lawyers. Well, the debt was sworn against you by Mr. Merridew.' I pricked up my ears at this because this was the name of the man, as you shall hear, who swore a debt which never existed against me. Could there be two Merridews?

'That was mere form. Unfortunately other detainers are out against both of us. I know not how they found out that we were here. Mr. Merridew refuses to take us out. He says that he thinks our time is up, and so he knows that we are safe.' He shuddered. Afterwards I understood why. 'There is the danger that we may have to remain here till he takes us out. As for our present necessities—' He drew out his purse and dangled it—a long purse with a very few guineas in it. 'You see, Madam, to stay here, where there is no opportunity of honest work, is ruin and starvation.'

'Honest work! Why, if you go out, you will only continue in your old courses.'

'They are at least honest and even pious courses,' said the Bishop with a snuffle.

'As you please. But there is still the former danger.'

'No. The gentleman understands now that he only mislaid his pocket-book. Mr. Merridew found it for him. The drafts and notes were still in it, fortunately. The gentleman has redeemed the papers from Mr. Merridew. He will not take any further steps.'

'If I take you out,' she spoke to the Captain, 'you know what will happen. Better stay here in safety.'

'What else can a man do?' asked the Captain.

'You might go abroad; go to America—anything is better than the Road and the certain end.' She made a gesture with her hand, easy to be understood.

'If a man has a long rope, what else can he expect?'

'And you?' she turned to the Bishop, 'what will become of you? Will you stay in London where you are known in every street?'

'I have had thoughts of trying Ireland. A good many things can be done in Ireland. The Irish are a confiding people.'

'Do what you please. It is nothing to me what becomes of both of you. I interfere because—oh! you know why. And as for your future—that, I suppose, will be arranged for you by your friend Mr. Merridew.

Putting together what my friend the starveling poet told me and what they themselves confessed, they were clearly a pair of rogues, and she knew it, and she was going to help them. Charity covereth a multitude of sins. Yet, surely, it was remarkable that a gentlewoman should come to the King's Bench Prison in order to send two abominable criminals back to their old haunts.

'Any place is better than this,' said the Captain.

'Much better than this,' echoed the Bishop. 'Give me freedom while I live. A short life—' but he was certainly past forty—'and a free life, for me.'

'How much is it, then, altogether, for the pair of you?'

'The detainers, not counting Mr. Merridew's, amount to close upon seventy pounds. Then there are the costs and the fees.'

'Oh!' she cried impatiently, 'what is the good of setting you loose again? Why should I let loose upon the world such a pair of rogues? Why not keep you here so that you may at least die in your beds?'

The Bishop looked astonished at this outburst. 'Why,' he said, slowly, 'we are what we are. That is true. What else can we be? Nobody knows better than you what we are. Come, now, nobody, I say, knows better than you what we are.'

'Yes,' she replied with a sigh. 'I do know very well—I wish I did not.'

And nobody knows better than you,' he went on, roughly, 'that what we are we must continue to be. What else can we do?'

'Say no more,' she replied, sighing again. 'There is no help, I suppose. When I made up my mind to come here at all, I made up my mind that I would take you out—both of you. Yet—it is like walking over a grave, I shiver'—she did actually shiver as she spoke. 'I feel as if I were contriving a mischief for myself. These signs always come true—a mischief,' she repeated, 'to myself'—indeed she was, as you shall afterwards learn. 'As for the world you will certainly do as much mischief to that as you can.'

'As we can, Madam,' said the Bishop with a smile—he was easy now that he knew her mind. Before, he was inclined to be rough. 'The world, on the other hand, is always trying to do a mischief to me.'

'But mischief to you, Madam?' cried the captain, that mirror of gallantry. 'A soldier is all gratitude and honour. Mischief to you? Impossible!'

'And a Divine,' added the other with a grin, 'is all truth, fidelity, and honesty. His profession compels these qualities.'

'Quite so. Well, gentlemen of honour and truth, you shall once more return to the scenes and the pursuits and the companions that you love. Moll and Doll and Poll impatiently await you at the Black Jack. And I see, only a short mile from that hospitable place, another refuge—call it the Black Jug—where before long you will pass a few pleasant days of rest and repose before going forth in a glorious procession.'

'If we go forth in that procession', murmured the Bishop with lowering face, 'there are other people quite as deserving, who will sit there beside us.'

'Go,' she said. 'I have talked enough and more than enough with such as you. Go.'

They bowed again and walked away.

Now I heard this interview, half of which I did not understand, with amazement unspeakable. The lady was going to release this pair of villains—Why? Out of the boundless charity of her benevolent heart?

She looked after the precious pair, standing for a moment with her hand shading her eyes. The light went out of her face: a cloud fell upon it: she sighed again: her lips parted: she caught her breath. Ah! Poor lady! Thy face was made for joy and not for sorrow. What thought, what memory, was it that compelled the cloud and chased away the sunshine?

She turned her head—she moved away. I was still standing at my window looking on: as she passed she started and stopped short, her face expressing the greatest possible bewilderment and amazement.

'It is not ...' she cried—'Surely—No—Yet the resemblance is so great. Sir, I thought—at first—you were a gentleman of my acquaintance. You are so much like him that I venture to ask you who you are?'

'A prison bird, Madam. Nothing more,'

'Yes, but you are so like that gentleman. May I ask your name?'

'My name, at your service, Madam, is Halliday. My friends call me Will Halliday.'

'Will Halliday. Are you a brother—but that cannot be—of Mr. Matthew Halliday?'

'I am his first cousin.'

'Matthew Halliday's first cousin? But he is rich. Does he allow you to remain in this place?'

'It is not only by the sufferance of my cousin Matthew but by his desire that I am here.'

'By his desire! Yes—I know something of your cousin, sir. It is by his desire. I discover new virtues in your cousin the more I learn of him. I suppose, then, that you are not on friendly terms with your cousin?'

'I am not indeed. Quite the contrary,'

'Can you tell me the reason why?'

'Because he desires my death. Therefore he has caused my arrest—he and an attorney of the devil—named Probus.'

'Oh! Probus! I have heard of that Probus. Sir, I would willingly hear more concerning this matter and your cousin and Mr. Probus, if you will kindly tell me. I must now go, but with your permission I will come again. It is not I assure you, out of idle curiosity that I ask these questions.'

The next day, or the day after, the Captain and the Bishop walked out of the Prison. When they were gone open talk went round the Prison, perhaps started by the Poet, that one was a highwayman and the other a sharper—perhaps a forger—a contriver of plots and plans to deceive the unwary. I marvelled that they should have received the bounty of so fine a lady, for indeed, whether highwayman or sharper or honest men, they were as foul-mouthed a pair of reprobates—drunken withal—as we had in the prison.

And then I remembered, suddenly, the reason why I recognised the lady's voice and why there was something in the face also that I seemed to know. I had been but once in my life to the Theatre. On that occasion there was an actress whose beauty and vivacity gave me the greatest possible delight. One may perhaps forget the face of an actress playing a part, because she alters her face with every part: but her voice, when it is a sweet voice, one remembers. The lady was that actress. I remembered her—and her name. She was Miss Jenny Wilmot of Drury Lane.

PART I

HOW I GOT INTO THE KING'S BENCH

CHAPTER I

I AM TURNED OUT INTO THE WORLD

In the year 1760 or thereabouts, everybody knew the name of Sir Peter Halliday, Merchant. The House in which Sir Peter was the Senior Partner possessed a fleet of West Indiamen which traded between the Port of London and Jamaica, Barbadoes, and the other English Islands, taking out all kinds of stuffs, weapons, implements, clothing, wine, silks, gloves, and everything else that the planters could want, and returning laden with sugar in bags, mahogany, arrack, and whatever else the islands produce. Our wharf was that which stands next to the Tower stairs: the counting-house was on the wharf: there the clerks worked daily from seven in the morning till eight at night. As a boy it was my delight to go on board the ships when they arrived. There I ran up and down the companion: into the dark lower deck where the midshipmen messed and slept among the flying cockroaches, which buzzed into their faces and the rats which ran over them and the creatures which infest a ship in hot latitudes and come on board with the gunny-bags, such as centipedes, scorpions, and great spiders. And I would stand and watch the barges when they came alongside to receive the cargo. Then with a yeo-heave-oh! and a chantey of the sailors, mostly meaningless, yet pleasant to hear, they tossed the bags of sugar into the barge as if they were loaves of bread, and the casks of rum as if they had been pint pots. Or I would talk to the sailors and hear stories of maroon niggers and how the planters engaged the sailors to go ashore in search of these fierce runaways and shoot them down in the mountains: and stories of shark and barra coota: of hurricanos and islands where men had been put ashore to starve and die miserably: of pirates, of whom there have always been plenty in the Caribbean Sea since that ocean was first discovered. Strange things these sailors brought home with them: coral, pink and white: preserved flying-fish: creatures put in spirits: carved cocoanuts: everybody knows the treasures of the sailor arrived in port.

This, I say, was my delight as a boy: thus I learned to think of things outside the narrow bounds of the counting-house and the City walls. Marvellous it is to mark how while the Pool is crammed with ships from all parts of the world, the Londoner will go on in ignorance of any world beyond the walls of the City or the boundaries of his parish. Therefore, I say, it was better for me than the study of Moll's Geography to converse with these sailors and to listen to their adventures.

Another thing they taught me. It is well known that on board every ship there is one, at least, who can play the fiddle. A ship without a fiddler is robbed of the sailors' chief joy. Now, ever since I remember anything I was always making music: out of the whistle pipe: the twanging Jews' harp: the comb and paper: but above all out of the fiddle. I had a fiddle: I found it in a garret of our house in Great College Street. I made a sailor tell me how to practise upon it: whenever one of our ships put into port I made friends with the fiddler on board and got more lessons; so that I was under instruction, in this rude manner for the greater part of the year, and before I was twelve I could play anything readily and after the fashion, rough and vigorous, of the sailors with whom strength of arm reckons before style.

I belong to a family which for nearly two hundred years have been Puritans. Some of them were preachers and divines under Cromwell. Their descendants retained the strict observance of opinions which forbid mirth and merriment, even among young people. Although they conformed to the Church of England, they held that music of all kinds: the theatre: dancing at the Assembly: reading poetry and tales: and wearing of fine dress must be sinful, because they call attention from the salvation of the soul, the only thing about which the sinner ought to think. Why it was worse to let the mind dwell upon music than upon money-getting I know not, nor have I ever been able to discover. It will be understood, however, that ours was a strict household. It consisted of my father, myself, a housekeeper and five servants, all godly. We had long prayers, morning and evening; we attended the Church of St. Stephen Walbrook, instead of our own parish church of St. Michael Paternoster, because there was no organ in it: we went to church on Sundays twice: and twice in the week to the Gift Lectures, of which there were two. My father was a stern man, of great dignity. When he was Lord Mayor he was greatly feared by malefactors. He was of a full habit of body, with a large red face, his neck swollen into rolls. Like all merchants in his position he drank a great deal of port, of which he possessed a noble cellar.

I have often wondered why it was never discovered that I practised the fiddle in the garret. To be sure, it was only at those hours when my father was on the wharf. When I had the door shut and the windows open the maids below thought, I suppose, that the sounds came from the next house. However that may be, I was never found out.

Now this fondness for music produced an unfortunate result. The sight of a book of arithmetic always filled me with a disgust unspeakable. The sight of a book of accounts inspired me with loathing. The daily aspect of my father's clerks all sitting in a row on high stools, and all driving the quill with heads bending over the paper, made me, even as a child, believe theirs to be the most miserable lot that Fortune has to offer her most unhappy victims. I still think so. Give me any other kind of life: make me a bargee: a coal-heaver: a sailor before the mast: an apothecary: a schoolmaster's usher: in all these occupations there will be something to redeem the position: but for the accountant there is nothing. All day long he sits within four walls: his pay is miserable: his food is insufficient: when in the evening he crawls away, there is only time left for him to take a little supper and go to his miserable bed.

Imagine, therefore, my loathing when I understood that at the age of sixteen I was to take my place among these unfortunates, and to work my way towards the succession which awaited me—the partnership held by my father—by becoming a clerk like unto these others whom I had always pitied and generally despised. From that lot, however, there was no escape. All the partners, from father to son, had so worked their way. The reason of this rule was that the young men in this way acquired a knowledge of the business in all its branches before they were called upon to direct its enterprise, and to enter upon new ventures. I daresay that it was a good practical rule. But in my own case I found it almost intolerable.

I was unlike the clerks in one or two respects: I had good food and plenty of it. And I received no salary.

I had a cousin, named Matthew, son of my father's younger brother and partner, Alderman Paul Halliday, Citizen and Lorimer, who had not yet passed the chair. Matthew, though his father was the younger son, was three or four years older than myself. He, therefore, mounted the clerks' stool so many years before me. He was a young man with a face and carriage serious and thoughtful (to all appearance) beyond his years. He had a trick of dropping his eyes while he talked: his face was always pale and his hands were always clammy. Other young men who had been at school with him spoke of him with disrespect and even hatred, but I know not why. In a word, Matthew had no friends among those of his own age. On the other hand, the older people thought highly of him. My father spoke with praise of his capacity for business and of his industry, and of the grasp of detail which he had already begun to show. As for me, I could never like my cousin, and what happened when I was about eighteen years of age gave me no reason to like him any better.

I had been in the counting-house for two years, each day feeling like a week for duration. But the question of rebellion had so far never occurred to me. I could no longer practise in the garret while my father was in the counting-house. But I could get away, on pretence of business to the ships, and snatch an hour below with the fiddler. And in the evening sometimes, when my father was feasting with a City Company or engaged in other business out of the house, I could take boat across the river and run over to St. George's Fields, there to have half an hour of play with a musician, of whom you shall learn more, called Tom Shirley. After the manner of youths I never asked myself how long this would go on without discovery: or what would be the result when it was discovered. Yet I knew very well that no Quaker could be more decided as to the sinfulness of music than my father and my uncle. Had not the great and Reverend Samuel Halliday, D. D., preached before the Protector on the subject of the snares spread by the devil to catch souls by means of music?

Now, one afternoon in the month of June, when the counting-house is more than commonly terrible, a message came to me that my father wished to speak with me.

I found him in his own room, his brother Paul sitting with him. His face showed astonishment and anger; that of his brother presented some appearance of sorrow—real or not, I cannot say. My uncle Paul was, as often happens in a family, a reduced copy of his elder brother. He was not so tall: not so portly: not so red in the face: not so swollen in the neck: yet he was tall and portly and red and swollen. He was shaking his head as I entered saying, 'Dear! dear! dear! And in our family too—in our family!'

'Son William,' said my father, 'I have heard a serious thing.'

'What is that, Sir, if I may ask?'

'I learn from my brother, who had it from Matthew——'

'From Matthew,' my uncle interposed solemnly.

'That you lose no opportunity of getting away from your desk to go on board our ships in the Pool, there to play the fiddle with the common sailors—to play the fiddle—the common fiddle—like a fellow with a bear—with the common sailors. I hear that our Captains and officers are all acquainted with this unworthy pastime of yours! I hear, further, that you have formed an acquaintance with a certain fellow named Shirley, now a prisoner in the Rules of the King's Bench, one who makes a sinful living by playing wanton music for lewd and wicked persons at what are called Pleasure Gardens, whither resort such company as no godly youth should meet. And I hear that you spend such time as you can spare under the tuition of this person.'

He stopped. My uncle took up the word.

'All these things I am assured by my son Matthew to be the case. I have informed Matthew that in my opinion it was right and even necessary that they should be brought before the notice of my brother.'

'I wait thy reply, Will,' said my father.

'It is all quite true, Sir.'

'Quite true.' I felt a little sinking of the heart because of the disappointment and sadness in his voice. 'But,' he went on, 'what is the meaning of it? For my own part I see no good purpose to be gained by music. On the other hand my grandfather, the Rev. Dr. Samuel Halliday, hath clearly shown in his book of godly discourses, that music, especially music with dancing, is the surest bait by which the devil draws souls to destruction. People, I am aware, will have music. At our Company's feasts music attends: at the Lord Mayor's banquets there is music: at the Lord Mayor's Show there is music: at many churches there is an organ: but what hast thou to do with music, Will? It is thy part to become a merchant, bent on serious work: and outside the counting-house to become a magistrate. What hast thou to do with music?'

He spoke, being much moved, kindly—because—alas! he loved his son.

'Sir,' I said, 'it is all most true. There is nothing that I love so much as music.'

'Consider,' he went on. 'There is no place for music in the life before thee. All day long learning thy work in the counting-house: some time to succeed me in this room. How is it possible for a young man who stoops to make music on catgut with a bow to become a serious merchant, respected in the City?'

'Indeed, Sir, I do not know,'

'How will it be possible for you to advance the interests of the House—nay, to maintain the interests of the House, when it is known that you are a common scraper in a crowd like a one-legged man with a Jack in the Green?'

Now I might even then have submitted and promised and given up my fiddle and so pleased my father and remained in his favour. But this was one of those moments which are turning-points in a man's life. Besides I was young; I was inexperienced. And an overwhelming disgust fell upon my soul as I thought of the counting-house and the ledgers and the long hours in the dingy place driving the quill all day long. So without understanding what the words meant, I broke out impatiently:

'Sir,' I said, 'with submission, I would ask your leave to give up my place in this office.'

'Give up? Give up?' he cried, growing purple in the face. 'Does the boy know what he means?'

"'GIVE UP!' HE CRIED, GROWING PURPLE IN THE FACE."

'Give up?' cried my uncle. 'Is the boy mad? Give up his prospects in this House—this—the soundest House in the whole City? Nephew Will, wouldst starve?'

'I will make a living by music.'

'Make a living—a living—make a living—by music? What? To play the fiddle in a tavern? To play in the gallery while your father is feasting below?'

'Nay, sir; but there are other ways.'

'Hark ye, Will; let this stop. Back to thy desk lest something happen.' My father spoke with sudden sternness.

'Nay, sir; but I am serious.'

'Ay—ay? Serious? Then I am serious, too. Understand, then, that I own no son who disgraces the City family to which he belongs by becoming a common musician. Choose. Take thy fiddle and give up me—this office—thine inheritance—thine inheritance, mind, or lay down the fiddle and go back to thy desk. There, sir, I am, I hope, serious enough.'

He was. My father was a masterful man at all times; he was perfectly serious. Now the sons of masterful men are themselves often masterful. I walked out of the counting-house without a word.

I am conscious that there is no excuse for a disobedient son. I ought to have accepted any orders that my father might choose to lay upon me. But to part with my fiddle, to give up music: to abandon that sweet refreshment of the soul: oh! it was too much.

Moreover, no one knew better than myself the inveterate hatred with which my father and the whole of my family regarded what they called the tinkling cymbal which they thought leads souls to destruction. Had I seen any gleam of hope that there would be a relenting, I would have waited. But there was none. Therefore I cast obedience to the winds, and left the room without a word.

Had I known what awaited me: the misfortunes which were to drag me down almost unto a shameful death, in consequence of this act of disobedience, I might have given way.

But perhaps not: for in all my troubles there were two things which cheered and sustained me, I enjoyed at all times, so you shall learn, the support of love and the refreshment of music.

Had my father known of these misfortunes would he have given way? I doubt it. Misfortune does not destroy the soul, but music does. So he would say and so think, and conduct his relations with his own accordingly.

I walked out of the counting-house. At the door I met, face to face, the informer, my cousin Matthew, who had caused all this trouble.

He was attired as becomes a responsible merchant, though as yet only a clerk or factor with the other clerks. He wore a brown coat with silver buttons: white silk stockings: silver buckles in his shoes: silver braid upon his hat: a silver chain with seals hanging from his fob: with white lace ruffles and neckerchief as fine as those of his father, or of any merchant on Change.

He met me, I say, face to face, and for the first time within my knowledge, he grinned when he met me. For he knew what had been said to me. He grinned with a look of such devilish glee that I understood for the first time how much he hated me. Why? I had never crossed him. Because I was the son of the senior partner whose place I was to take and of the richer man of the two Partners. His would be the subordinate position with a third only of the profits. Therefore my cousin hated me. He, I say, noted my discomfiture. Now, at that moment, I was in no mood for mockery.

Something in my face stopped his grinning. He became suddenly grave: he dropped his eyes: he made as if he would pass by me and so into the house.

'Villain and maker of mischief!' I cried. Then I fell upon him. I had but fists: he had a stick: I was eighteen: he was five-and-twenty: he was heavier and taller: well; there is little credit, because he was a poor fighter: in two minutes I had his stick from him, and in three more I had broken it over his head and his shoulders. However, had his wind and his strength equalled his hatred and desire that the stick should be broken over my shoulders instead of his, the result would have been different.

'You shall pay—you shall pay—you shall pay for this,' he gasped, lying prostrate.

I kicked him out of my way as if he had been a dog and strode off, my cheek aflame, my hand trembling and my limbs stiffened with the joy of the fight and the victory. Come what might, I had whipped my cousin, like the cur he was. A thing to remember.

I have never repented that act of justice. The memory of it brought many woes upon me, but I have never repented or regretted it. And certain I am that to the day of his miserable death Matthew never forgot it. Nor did I.

CHAPTER II

A CITY OF REFUGE

My last recollection of the counting-house is that of Matthew lying in a heap and shaking his fist, at me, while, behind, my uncle's face looks out amazed upon the spectacle from one door, and the clerks in a crowd contemplate the discomfiture of Mr. Matthew from another door. Then I strode off, I say, like a gamecock after a victory, head erect, cheek flushed, legs straight. Ha! I am always glad that I drubbed my cousin, just once. A righteous drubbing it was, too, if ever there was one. It hanselled the new life. After it, there was no return possible.

And so home—though the house in College Street could no longer be called a home—I now had no home—I was turned into the street. However, I went upstairs to my own room—mine no longer. I looked about. In the cupboard I found a black box in which I placed everything I could call my own: my music; my linen and my clothes. On the wall hung the miniature of my mother. Happily she had not lived to see the banishment of her son: this I put in my pocket. The fiddle I laid in its case. Then with my cudgel under my arm and carrying the fiddle in one hand and the box on my shoulder I descended the stairs—now, I must confess, with a sinking heart—and found myself in the street.

I had in my purse five guineas—the son of a most solid and substantial merchant, and I had no more than five guineas in the world. What could I do to earn a living? Since I had been for two years in my father's counting house I might be supposed to know something of affairs. Alas! I knew nothing. One art or accomplishment I possessed: and one alone. I could play the fiddle. Now that I had to depend upon my playing for a livelihood, I began to ask whether I could play well enough. At all events, I could play vigorously. But the die was cast. I had made my choice, and must make the best of it. Besides, had I not drubbed my cousin Matthew and that, as they say, with authority?

You have heard how my father accused me of intimacy with a person named Shirley, a resident in the Rules of the King's Bench. That charge I could not deny. Indeed, the person named Shirley, by all his friends called Tom, had been of late my master. Every spare hour that I had was spent with him, practising with him and learning from him. He taught a finer style than I could learn from the sailors. When I went into the counting-house I had no longer any spare hours, except in the evening, and then my master was engaged earning his bread in an orchestra. Still I could manage to visit him sometimes on Sunday evenings when my father was generally occupied with friends who loved likewise to limit and make as narrow as they could the mercies of the Almighty.

At this moment I could think of no one except Tom Shirley who could help me or advise me.

I therefore lugged my box and my violin to the Three Cranes, and took boat across to Moldstrand Stairs, from which it is an easy half mile by pleasant lanes, Love Lane and Gravel Lane, past Looman's Pond to St. George's Fields where Tom Shirley lived.

It was a little after noon when I arrived at the house. It was one of three or four cottages standing in a row, every cottage consisting of four or five rooms. They are pleasing retreats, each having a small front garden where lilacs, laburnums, hollyhock, sunflowers, tulips, and other flowers and bushes grow. In front of the garden flows languidly one of the many little streams which cross the fields and meadows of Southwark: a rustic bridge with a single hand-rail crosses the stream.

The region of St. George's Fields, as is very well known, has a reputation which, in fact, is well deserved. The fact that it is covered with shallow ponds, some of which are little better than mere laystalls, causes it to be frequented on Sundays and on summer evenings by the rude and barbarous people who come here to hunt ducks with dogs—a horrid sport: some of them even throw cats into the water and set their dogs at them. The same people come here for prize fights, but they say that the combatants have an understanding beforehand how long the fight is to last: some come for quarter-staff practice: some come for hockey or for football. Outside the Fields there are many taverns and places of entertainment: on the Fields there is at least one, the notorious Dog and Duck. Every evening except in winter these places are full of people who come to dance and drink and sing. Every kind of wickedness is openly practised here: if a man would gamble, here are the companions for him and here are rooms where he can play: if he would meet women as deboshed as himself here they may be found.

It is unfortunate for Southwark and its environs that everything seems to have conspired to give it a bad name. First of all, it was formerly outside the jurisdiction of the City, so that all the villains and criminals of the City got across the water and found refuge here. Next, the government of the place was not single, but divided by the manors, so that a rogue might pass from one manor into another and so escape: thirdly, the Sanctuary of Southwark tolerated after the Reformation at St. Mary Overies, grew to accommodate as great a number as that in Westminster where they only lately pulled down the gray old Tower which looked like a donjon keep rather than the walls enclosing two chapels. I know not whether there was such a tower at Montagu Close, but within my recollection no officer of the law dared to arrest any sanctuary man in Mint Street—their latest refuge: nor did any person with property to lose venture into that street. For first his hat would be snatched off: then his wig: then his silk handkerchief: then he would be hustled, thrown, and kicked: when he was permitted to get up it was without watch, chain, buckles, shoes, lace cravat, ruffles. Fortunate if he was allowed to escape with no more injury. The presence of these villains was alone enough to give the place a bad name. But there was more. Prisons there must be, but in Southwark there were too many. The King's Bench Prison: the Marshal-sea: the Borough Compter: the Clink: the White Lyon. So many prisons in a place so thinly populated produced a saddening effect. And, besides, there are those who live in the Rules, which are themselves a kind of prison but without walls. In another part, along the Embankment, the Show Folk used to live: those who act: those who write plays and songs: those who dance and tumble: mimes, musicians, buffoons: and those who live by the bear-baiting, badger-baiting, bull-baiting, and cock-throwing, which are the favourite sports of Southwark.

These considerations are quite sufficient to account for the evil reputation which clings to the Borough. They do not, however, prevent it from being a place of great resort for those who come up from Kent and Surrey on business, and they do not for obvious reasons prevent the place from being inhabited by the prisoners of the Rules.

When I arrived, Tom Shirley was playing on the harpsichord, his head in a white nightcap, his wig hanging on a nail. As he played, not looking at notes or keys, his face was turned upwards and his eyes were rapt. As one watched him his face changed in expression with the various emotions of the music: no man, certainly, was more moved by music than Tom Shirley. No man, also, could more certainly bring out the very soul of the music, the inner thought of the composer. He played as if he loved playing, which indeed he did whether it was a country dance, or a minuet or an oratorio or a Roman Catholic Mass. It was a fine face, delicate in outline; full of expression: the face of a musician: it lacked the firmness which belongs to one who fights: he was no gladiator in the arena: a face full of sweetness. Everyone loved Tom Shirley. As for age, he was then about five-and-twenty.

I stood at the open door and looked in, listening, for at such moments he heard nothing. There was another door opposite leading to the kitchen, where his wife was engaged in some domestic work. Presently, she lifted her head and saw me. 'Father,' she cried. 'Here is Will!'

He heard that: brought his fingers down with a splendid chord and sprang to his feet. 'Will? In the morning? What is the meaning—why this box?'

'I have come away, Tom. I have left the counting-house for good.'

'What? You have deserted the money bags? You have run away for the sake of music?'

'My father has turned me out.'

'And you have chosen music. Good—good—what could you have done better? Wife, hear this. Will has run away. He will play the fiddle in the orchestra rather than become an Alderman and Lord Mayor.'

'I want to live as you live, Tom.'

'If you can, boy, you shall.' Now it was the humour of Tom to speak of his own cottage and his manner of life as if both were stately and sumptuous. 'Very few,' he added proudly, 'can live as we live.' He looked proudly round. The room was about ten feet square: low, painted drab, without ornament, without curtains: there were a few shelves: a cupboard: a small table: two brass candlesticks, a brass pair of snuffers: four rush-bottomed chairs, and nothing more.

Tom was dressed in an old brown coat with patches on the elbows, the wrists frayed and the buttons gone. To be sure he had a finer coat for the orchestra. His stockings were of worsted, darned in many places: a woollen wrapper was round his neck. Everything proclaimed poverty: of course people who are not poor do not live in the Rules. 'Few,' he repeated, 'are privileged to live as I live.' I have never known whether this was a craze or his humour to pretend that he fared sumptuously: was lodged like a prince: and received the wages of an ambassador. Perhaps it was mere habit; a way of presenting his own life to himself by exaggeration and pretence which he had somehow grown to believe.

'You ask, Will, a thing difficult of achievement.'

'But gradually—little by little. One would never expect it all at once.'

'Ay, there we talk sense. But first, why hath Sir Peter behaved with this (apparent) harshness? I would not judge him hastily. Therefore I say, apparent.'

'Because he found out at last—my cousin Matthew told him—that I came here to play the fiddle. So he gave me the choice—either to give up the counting-house or to give up the music. And I gave up the counting-house, Tom. I don't care what happens so that I get out of the counting-house.'

'Good—lad—good.'

'And I drubbed my cousin—I paid him with his own stick. And here I am.'

He took my hand, his honest face beaming with satisfaction. At that moment, his sister Alice came back from making some purchases in the Borough High Street. 'Alice my dear,' he said, 'Will has been turned out of house and home by his father—sent out into the streets without a penny.'

Alice burst into tears.

When I think of Alice at that moment, my heart swells, my eyes grow humid. She was then fifteen, an age when the child and the woman meet, and one knows not whether to expect the one or the other. When Alice burst into tears it was the child who wept: she had always loved me with a childish unconsciousness: she was only beginning to understand that I was not her brother.

You know how sweet a flower will sometimes spring up in the most unlovely spot. Well: in this place, close to the Dog and Duck, with prodigals and rakes and painted Jezebels always before her eyes, this child grew up sweet and tender and white as the snow. I have never known any girl upon whom the continual sight—not to be concealed—of gross vice produced so little effect: it was as if the eyes of her soul involuntarily closed to the meaning of such things. Such sweetness, such purity, was stamped upon her face then as afterwards. Never, surely, was there a face that showed so plain and clear to read that the thoughts behind it were not earthly or common.

'It is the soul of music that possesses her,' said her brother once. 'She has imbibed that soul day by day. Will, 'tis a saintly child. Sometimes I fear that she may be carried away like Elijah.'

Well, when I saw those tears, I was seized with a kind of joyful compassion and, so to speak, happy shame, to think that those tears were for me. I drew her gently and kissed her.

'Why, nothing better could have happened to him. Thou little simpleton,' said her brother. Warming up with his subject, he became eloquent. 'He shall do much better—far better—than if he had stayed in the counting-house. He shall not be weighed down with a load of riches: he shall have to work in order to live—believe me, Will, Art must be forced by necessity: where there is no necessity there is no Art: when riches creep in, Art becomes a toy. Because he must work, therefore he will be stimulated to do great things. He shall never set his mind upon growing rich: he shall remain poor.'

'Not too poor,' said his wife gently. Indeed her poor shabby dress showed what she meant.

'Peace, woman. He shall be poor, I say. Happy lad! He shall be poor. He shall never have money in a stocking, and he shall never want any. He shall live like the sparrows, from day to day, fed by the bounty of the Lord.'

'Who loveth the Dog and Duck,' said his wife.

The husband frowned. 'To sum up, Will, thy lot shall be the happiest that the world can give. What?' He lifted his hand and his eyes grew brighter. 'For the musician the curse of labour is remitted: for him there is no longing after riches: for him there is no flattery of great men: for him there is no meanness; for him there are no base arts: for him there is no wriggling: for him there are no back stairs: for him there is no patron.—In a word, Will, the musician is the only free man in the world.'

'In the Rules, you mean, my dear.' This was his wife's correction.

'Will,' said Alice, 'shall you really become like Tom?'

'Truly, Alice, if I can.'

'Wife,' said Tom. 'Will shall stay with us. He can sleep in the garret. We must find a mattress somewhere.'

'Nay, but I must pay my footing. See, Tom. I have five guineas.' I showed this mine of wealth. He took one and gave it to his wife.

'Aha!' he laughed. 'Buy him a mattress and a blanket, wife. And this evening we will have a bowl of punch. Will, we shall fare like Kings and like the Great ones of the Earth.'

CHAPTER III

A WAY TO LIVE

I think that Tom Shirley was the most good-natured man in the whole world: the most ready to do anything he could for anybody: always cheerful: always happy: partly, I suppose, because he looked at everything through spectacles of imagination. He joined, however, to his passion for music another which belonged to a lower world: namely, for punch. Yet he was not an intemperate man: he showed neither purple cheeks, nor a double chin, nor a swollen neck, nor a rubicund nose—all of which were common sights on Change and in the streets of London. The reason why he displayed no signs of drink was that he could seldom gratify his passion for punch by reason of his poverty, and that in eating, which, I believe, also contributes its share to the puffing out of the neck and the painting of the nose, such as may be seen on Change, he was always as moderate, although he thought every meal a feast, as became his slender means.

I do not know how he got into the King's Bench, but the thing is so easy that one marvels that so many are able to keep out. They put him in and kept him there for a time, when he was enabled to obtain the privilege of the Rules. He was, as he boasted, always rich, because he thought he was rich. His wife took from him, every week, the whole of his wages, otherwise he would have given them away.

At one o'clock Alice laid the cloth and we had dinner. Tom lifted the knife and fork and held it over the cold boiled beef as if fearing to mar that delicate dish by a false or clumsy cut. 'Is there anything,' he said, 'more delicious to the palate than cold boiled beef? It must be cut delicately and with judgment—with judgment, Will.' He proceeded to exercise judgment. There was a cabbage on the table. 'This delicacy,' he said, 'is actually grown for us—for us—in the gardens of Lambeth Marsh. Remark the crispness of it: there is a solid heart for you: there is colour: there is flavour.' All this was, I remember, the grossest flattery. 'Oat cake,' he said, breaking a piece. 'Some, I believe, prefer wheaten bread. They do wrong. Viands must not be judged by their cost but by their fitness to others on the table, and by the season. Remember, Will, that with cold boiled beef, oat cake is your only eating.' He poured out some beer into a glass and held it up to the light. 'Watch the sparkles: hear the humming: strong October this'—it was the most common small beer—'have a care, Will, have a care.' And so on, turning the simple meal into a banquet.

His wife and sister received these extravagances without a smile. They were used to them. The latter, at least, believed that they were the simple truth. The poor girl was innocently proud of her humble home, this cottage on St. George's Fields, within the Rules.

After dinner, we talked. As the subject was Music Tom was somewhat carried away; yet there was method in his madness.

'I said, lad, that there would be no Art if there were no necessity. 'Tis Poverty alone makes men became musicians and painters and poets. Where can you find a rich man who was ever a great artist? I am no scholar, but I have asked scholars this question, and they agree with me that riches destroy Art. Hardly may Dives become even a Connoisseur. He may become a general or a statesman: we do not take all from him: we leave him something—but not the best—that we keep for ourselves—we keep Art for ourselves. As for a rich merchant becoming a musician or a painter—it is impossible: one laughs at the very thought.'

'Well, that danger is gone, Tom, so far as I am concerned.'

'Ay. The reason I take it, is that Art demands the whole man—not a bit of him—the whole man—all his soul, all his mind, all his thoughts, all his strength. You must give all that to music, Will.'

'I ask nothing better.'

'Another reason is that Art raises a man's thoughts to a higher level than is wanted for Trade. It is impossible for a man's mind to soar or to sink according as he thinks of art or trade. You will remember, Will, for your comfort, that your mind is raised above the City.'

'I will remember.'

'Well, then, let us think about what is best to be done.'

He pondered a little. Then he smiled.

'Put pride in pocket, Will. Now what would you like?'

'To write great music.'

'A worthy ambition. It has been my own. It is not for me to say whether my songs, which are nightly sung at the Dog and Duck, are great music or not. Posterity may judge. Lad, it is one thing to love music—and another thing to compose it. The latter is given to few: the former to many. It may be that it is thy gift. But I know not. Meantime, we must live.'

'I will do anything.'

'Again—put pride in pocket. Now there is a riverside tavern at Bermondsey. It is a place for sailors and their Dolls. A rough and coarse place it is, at best. They want a fiddler from six o'clock till ten every night, and later on Saturdays.'

I heard with a shiver. To play in a sailors' tavern! It was my father's prophecy.

'Everybody must begin, Will. What? A sailors' tavern is no place for the son of a City merchant, is it? But that is gone. Thou art now nobody's son—a child of the gutter—the world is thine oyster—free of all ties—with neither brother nor cousin to say thee nay. Lucky dog! What? We must make a beginning—I say—in the gutter.'

His eyes twinkled and smiled, and I perceived without being told that he meant to try my courage. So, with a rueful countenance and a foolish sense of shame, I consented to sit in the corner of a sanded room in a common riverside tavern and to make music for common sailors and their sweethearts.

'Why,' said Tom, 'that is well. And now, my lad, remember. There are no better judges of a fiddle than sailors. They love their music as they love their lobscouse, hot and strong and plenty. Give it elbow, Will. They are not for fine fingering or for cunning strokes and effects—they like the tune to come out full and sweet. They will be thy masters. As for dancing, they like the time to be marked as well as the tune. Find out how they like to take it. There is one time for a hornpipe and another for a jig. As for pay——'

I will not complete the sentence. For such as myself there must be a Day of Small Things. But one need not confess how very small these things have been.

Thus it was that I found an Asylum—a City of Refuge—in the Rules of the King's Bench, when I was turned out by my own people. And in this way I became that despised and contemptible object, a Common Fiddler. I played, not without glory, every night, to a company as low as could be found. At least, I thought so at the time. Later on, it is true, I found a lower company still. And I dare say there are assemblies of men and women even lower. My fellows, at least, were honest, and their companions were, at least, what the men had made them.

We settled the business that very afternoon, walking over to Bermondsey. The landlord said I was very young, but if I could fiddle he did not mind that, only it must be remembered in the pay. So I was engaged to begin the next day. In the evening I went with Tom to the Dog and Duck where he played first fiddle in the Orchestra, and sat in the musicians' gallery. About this place more anon. At twelve o'clock the music ceased and I walked home with Tom. I remember, it was then a fine clear night in September: the wind blew chill across the marshes: it had come up with the flow of the river: the moon was riding high: a strange elation possessed my soul: for my independence was beginning: four guineas in my pocket: and a place with so many shillings a week to live upon: nothing to do but to work at music: and to live with the best-hearted man in the whole world.

We got home. Alice had gone to bed. Tom's wife was sitting up for us, the bowl of punch was ready for us, not too big a bowl, because Tom's weakness where punch was concerned was well known. He drank my success in one glass: my future operas and oratorios in the second: my joyful independence in the third: and my happy release in the fourth. That finished the bowl and we went to bed.

CHAPTER IV

LOVE AND MUSIC

You need not be told how I lived for the next three or four years. I took what came. Pride remained in pocket. I fiddled a wedding-party to church and home again. I fiddled the Company of Fellowship Porters through the streets when they held their yearly feast. I fiddled for sailors; I fiddled at beanfeasts; I fiddled for Free Masons; I fiddled in taverns; I fiddled here and there and everywhere, quite unconcerned, even though I was playing in the gallery of a City company's hall, and actually saw my cousin sitting in state among the guests at the feast below, and knew that he saw me and rejoiced at the sight, in his ignorance of the consolations of music.

Nothing in those days came amiss to me. One who makes music for his livelihood has no cause to be ashamed of playing for anyone. It does not seem an occupation such as one would choose, to spend the evening in a chair, stuck in a corner out of the way, in a stinking room, for rough fellows to dance hornpipes: the work does not lift up the soul to the level which Tom Shirley claimed for the musician. But this was only the pot-boiling work. I had the mornings to myself, when I could practise and attempt composition. Besides, at eighteen, the present, if one belongs to a calling which has a career, is of very little importance: the real life lies before: the boy lives for the future. I was going, in those days, to be a great composer like Handel. I was going to write oratorios such as his: majestic, where majesty was wanted: tender, where love and pity must be depicted: devout, where piety was called for. I would write, besides, in my ambition, such things as were written by Purcell and Arne: anthems for the church: songs and madrigals and rounds and catches such as those with which my patron Tom Shirley delighted his world.

The profession of music is one which can only be followed by those who have the gift of music. That is the definition of any Art: it can only be followed by those who have the gift of that Art. In any other calling a man may serve after a fashion, who hath not been called thereto. Many men, for example, are divines who have neither learning nor eloquence nor—the Lord help them!—religion. Many lawyers have no love for the law. Many merchants hate the counting-house. But in music no one can serve at all unless he is a musician born. He who, without the gift, would try to enter the profession breaks down at the outset, seeing that he cannot even learn to play an instrument with feeling, ease, or judgment. Nay, there are distinct ranks of music, to each of which one is raised by Nature, as much as by study. Thus, you have at the bottom, the rank and file, namely, those who can play a single instrument: next, those who can compose and make simple music for songs, in which all that is wanted is a tuneful and spirited air with an ordinary accompaniment: next those who understand harmony and can make music of a higher character, such as anthems, part-songs, and so forth. Lastly, you have the composer in whose brains lies the knowledge of every instrument in the orchestra. He is the King of musicians: from him come the noble oratorios which delight our age and lift our souls to Heaven: from him come the masses which are sung—I have the scores of several—in Cathedrals of Roman Catholic countries. It is not for an Englishman to admire aught that belongs to Rome: but we must at least concede to the Roman Catholic the possession of noble music.

This, then, was my ambition. For four years I continued to live with my friend Tom Shirley. I held no communication with my father or any of my own people. None of them made any attempt at reconciliation. I believe they were honestly ashamed of me. The new friends I made were good and faithful: musical people have ever kindly hearts, and are loyal to each other: they do not backbite: there is no room for envy where one man plays the fiddle and another the cornet: we are all a company of brothers.

The time came when it was no longer necessary for me to play at taverns for the sailors: when I was no longer compelled to attend weddings. I obtained, one after the other, two posts, neither of which was a very great thing, but both together made it possible for me to live in some comfort. The first was that of organist at St. George's in the Borough. I had to attend the service and to play the organ twice on Sunday: the week day services and the Gift Lectures were conducted without any singing. The Church contains, I believe, the most fashionable congregation of South London, and therefore the most critical. I do not think, however, that, while I sat in the organ-loft, they had any reason to complain either of music or of choir. There sat with me in the organ-loft, Alice, who possessed a sweet, clear, and strong voice: her brother Tom, who brought into the choir an excellent tenor: Mr. Ramage, one of my father's clerks, who lodged behind the Marshal-sea, gave us a bass of indifferent quality, though he was now past fifty. Half a dozen boys and girls from the Charity School, of no great account for voices, made up our choir. I believe it was better than the average, and I think that people came on Sunday morning on purpose to hear the organ and the singing.

Mr. Ramage, or Ramage, as he was called in the Counting-house, where no title is allowed to any below the rank of partner or partner's son, kept me acquainted with events in College Street and on the wharf. My father, it was understood, never mentioned my name: the business of the Firm was never more flourishing: Mr. Matthew was constantly called in for consultations. 'And oh! Master Will,' my old friend always concluded, 'be reconciled. What is it—to give up playing the organ at Church? Why—it is nothing. Someone else will play while you sit in state in your red velvet pew below. Give way to your father. He is a hard man, but he is just.'

It also appeared from Mr. Ramage's information that it was perfectly well known by the clerks and by Mr. Matthew, who doubtless told my father, the ways by which I had been making a living: I had been seen by one marching ahead of a sailor's wedding-party: by another fiddling in the Bermondsey Tavern: by a third in the Gallery of a City Company Hall. The Counting-house down to the messengers was humiliated: there was but one feeling among the clerks: I had brought disgrace upon the House.

'They are sorry, Master Will, for your father's sake. It is hard for him: so proud a man—with so much to be proud of—a quarter of a million, some say. Think how hard it is for him.'

'It is harder for me Ramage,' I replied, 'to be driven to fiddle for sailors, when all I ask is to be allowed to follow music in peace. However, tell the clerks that I am sorry to have disgraced them.'

Disgraced the clerks! What did I say? Why, theirs is the lowest kind of work that the world can find for men. They were disgraced because their Master's son played the fiddle for a living. But I could not afford to consider their opinions.

Ramage knew nothing about my other place, or his entreaties would have been more fervent. I had but one answer, however. I could not give up the only work that I cared for, even to be reconciled to my father. Why, I was born for music. Shall a man fly in the face of Providence, and scorn the gifts with which he is endowed?

My other place was none other than second fiddle, Tom Shirley being the first fiddle, of the Dog and Duck.

I have mentioned the Pleasure Gardens south of the River. There are, as Londoners know very well, a great many such gardens, all alike in most respects. That is to say, there is in every one of them an avenue or walk, lined by trees which at night are festooned by thousands of lights in coloured glass lamps hanging from tree to tree. There is also in most a piece of water with swans or ducks upon it, and all round it arbours where the company take tea or punch or wine. There is a tavern where drink may be had: suppers are served in the evening: there is a floor for dancing in the open air with a place for the band; and there is a Long Room with an organ at one end where the company promenade and listen, and where on hot nights the band and the singers perform. In many gardens there is also a bowling-green: there is sometimes a swimming bath, and in most there is a chalybeate spring the water of which is warranted to cure anything, but especially rheumatism, gout, and the King's evil.

Every one of these gardens employs an orchestra, and engages the services of singers. The number of musicians employed is therefore considerable. There are certainly in the south of London alone more than a dozen Gardens large enough to have a band. Beside the Dog and Duck, there are the Temple of Flora: the Lambeth Wells: the Cumberland Gardens: Vauxhall Gardens: Bermondsey Spa: St. Helena Gardens: Finch's Grotto: Cupid's Gardens: Restoration Spring Gardens—is not that twelve? And there are more. So that it is not difficult for a young man who can play any instrument tolerably to get a place in the orchestra of some Garden.

One would not choose such a position if Fortune gave one a choice. At the Dog and Duck there are visitors to whose pleasure we should be ashamed of ministering: people whose proper place is the House of Correction or Bridewell: they are allowed to attend these gardens with friends who should also be denied entrance: they make the company noisy and disorderly. We gave them music that was a great deal better than they deserved: it was thrown away upon the majority: we gave them songs that were innocent and tender—Tom Shirley wrote and composed them himself: we also had to give them other songs more suited to their gross and grovelling tastes.

It was part of Tom's humour to speak of the audience at the Dog and Duck as the most polite, fashionable, and aristocratic assembly in the world. He declared that their taste in music was excellent: their attention that of a connoisseur: and their appreciation of his own songs all that he could desire. I asked him once how he reconciled these things with their delight in the comic songs which were also provided for them. 'The aristocracy,' he said, 'must from time to time, unbend: they must from time to time, laugh: they laugh and they unbend when we give them a song to which in their more polite moments they would refuse to listen.' I knew very well that the company was chiefly composed of deboshed profligates: prentices who daily robbed their masters in order to come to the gardens: young gentlemen from the country; prodigal sons from the Temple and Lincoln's Inn; and tradesmen who were dissipating their capital. If good music was played they talked and laughed: at the singing of good songs they walked about or left the open platform for the dark lanes of the garden. 'You are lucky, Will,' said Tom. 'To play for such an audience brings good luck, with name and fame and riches.'

It brought me fifteen shillings a week. And as for name and fame I never heard of either.

I did not propose to write my own history, but that of a woman to whom you have already seen me conversing. Yet my own history must be understood before hers can be related. You have been told how for my obstinate adherence to music I was turned out of my father's house: how I found a refuge: how I earned my livelihood by playing the fiddle. Now, before I come to the events which connected my fortunes with those of the lady whom I call my mistress—and that with my wife's consent—I must tell one or two events which befell me. The first of them was my courtship and my marriage. In the courtship there was no obstacle: the course of true love ran smoothly: in my marriage there were no regrets: no discords: always a full deep current of affection on both sides. A simple, plain story, in which nothing happened, so far: would to Heaven that nothing had happened, afterwards.

When a young man and girl live under the same roof: when they share the same interests: when they have the same affections—Alice herself could not love her brother more than I did: when the home is happy in spite of poverty and its restrictions: when the hearts of the two go out to each other spontaneously, then the time must come when they will resolve upon becoming brother and sister or declared and open lovers.

When I think of this time, this truly happy time, I sometimes feel as if we were too hurried over it. I sat beside Alice every morning at breakfast and at dinner: I played to her: I composed songs for her: I even wrote verses for the music—I have some of them still, and really, though I do not pretend to be a poet, there are things in them which I admire. Poets always speak of the warblers in the grove: so did I. Love, which rhymes to grove, always burns and flames—did so in my verses. As to the rhymes, I abolished the first and third, which was a great relief. Without the necessity of rhyming one could easily become a poet.

I say that the situation being so pleasant and so happy, I might have prolonged it: but there comes a time when a man must take the last step. The uncertainty is sweet. Can she love me? Will she perhaps say nay? Yet the pleasing pain, the charming smart, the raptured flames—I quote from my own verses which were really like many that I have seen used in songs—become in time too much: one must perforce go on to secure the happiness beyond.

In the morning, when the weather was fine, we would walk abroad among the fields and gardens that lie stretched out behind the river bank: some of them are pretty gardens, each with its hedge and bushes filled with flowers in the summer: garden houses stand about here and there: windmills vary the landskip: the lanes are shaded by trees: at the end of one is a great stone barn, formerly part of King Richard's Palace, of which not another stone is left. Beside the river are Lambeth Palace and Lambeth Church with a few fishermen's cottages. Over this rural place we strayed at our will, now among the lanes; picking wild flowers; recalling scraps of songs; listening to the skylark, while the fresh breeze coming up the river with the tide fanned Alice's cheek and heightened the soft colour which was one of her charms. Sometimes we left the fields and walked along the high Embankment watching the laden barges slowly going up or down and the sailing tilt-boats bound for Richmond: or the fishermen in mid-stream with their nets: or the wherries plying with their fares and the swans: admiring, in a word, the life and animation of the river at Westminster and above it. Chiefly, however, Alice loved the fields, where in the morning we were always alone save for a gardener here and there at work. Since the life that she saw around her was such as she saw—made up of debtors' prisons, noisy duck-hunters, prize-fighters and drunken profligates, what wonder if she loved to linger where she was apart from the vileness of men and women? To meditate: to muse: to sing all alone, for my companionship counted nothing: was her greatest joy. So it has continued: even now she loves to wander alone beneath the trees—they are other trees under another sky—and lift up her voice to Heaven, which answers by giving her thoughts, always new and always holy.

It was in the middle of May, the poet's month, when we were thus roaming in the fields. Alice carried a handful of hawthorn. She sang as she went. Dear Heart! how she sang! Yet I know not what. It was Prayer: it was Praise: it was Adoration: it was Worship: I know not what she sang. The larks were dumb because they could not sing with her.

It was the time of which I have spoken—the time of uncertainty. Never had Alice looked so heavenly sweet: she carried her hat by the strings: her hair fell about her shoulders—fair, soft hair, like silk, with a touch of gold in it: her eyes gazed upwards when the light clouds flew across the blue, as if they were things of this world trying to turn her eyes and thoughts away from the things of Heaven. I could endure the doubt no longer. I laid my arm about her waist: the song was troubled: her eyes dropped. 'Oh!' she said. 'What wilt thou?' I drew her closer. The song broke off. I kissed her head, her brow, her lips. We said nothing. She sang no more. But the larks began their hymns of joy: the clouds passed: the sun came out in splendour: the hedges seemed all to burst together into blossom.

Thus it was—so easily—so sweetly—did we pass into the condition of lovers. Yet we had been lovers all the time.

CHAPTER V

WEDDING BELLS AND THE BOOK OF THE PLAY

We were married without delay. Why should we wait? I should be no richer for waiting and time would be passing. We were married, therefore. It was impossible from time to time we should not be reminded of the lowly station in which we lived. When one of my cousins was married, what preparations! what feasts arranged and provided! What troops of guests! What a noble company in the Church! What crowds afterwards—the street filled with beggars come for the broken victuals: the butchers with their din unmusical of marrow-bones and cleavers: the band of music playing outside: the acclamation of the crowd when the bride was brought back from church: the rooms full of guests all with wedding favours: the loving-cup passing from hand to hand: the kissing of the bridesmaids: the merriment and coquetry over the bride-cake and the wedding-ring! All this I remembered and it made me sad for a moment. Not for long, for beside me stood a bride sweeter far than was any cousin of mine: and I was a musician; and I was independent.

We walked over the Fields to St. George's Church and were there married at ten o'clock in the morning. Tom gave away his sister: Alice had no bridesmaids: I had no groomsmen: there was no crowd of witnesses: there was no loving-cup. We were married in an empty church, and after marriage we walked home again to Tom's cottage.

He sat down and played a wedding march, of his own composition, made for the occasion. 'There!' he said, 'that is better than a wedding feast—yet there shall be a wedding feast and of the best.'

It was served at noon: there was a duck pie: a pair of soles: a cowslip tart—a very dainty dish: and fried sweetbreads. After dinner there was a bottle of port.

'Will,' said my brother-in-law, taking the last glass in the bottle, 'who would be one of those unhappy creatures who cannot be married without crowds and noise and a great company? Here are we, contented with ourselves: we have been married: we have had a royal banquet—your sweetbreads, wife, were a morsel for a king. You are contented, Will?'

'Quite.' For I was holding Alice by the hand.

'You never regret the flesh-pots?'

'Never—I have forgotten them.' This was not quite true, but it passed.

'I have sometimes thought'—he looked from me to Alice and from Alice to me again—'that there might have been regrets.'

'There can be none, now.'

'Good. Hands upon it, brother. We shall miss Alice, shall we not, wife? But she will not be far off. So.' A tear stood in his eye while he kissed his sister. 'Now,' he said, 'enough of sentiment. The day is before us. I have got a man to take my place to-night and another to take yours. On such an occasion, Will, we must not spare and grudge. We will see the sights of London and then—then—none of your Pleasure Gardens—we will—but I have a surprise for you.'

We sallied forth. Never was a wedding-day kept in so strange a fashion. We took oars at the Falcon Stairs to the Tower. Now Alice had spent all her life in or about the Rules of the King's Bench, but she had never seen London City or the Sights of London. To her everything was new. We showed her the Tower and the wild beasts and the arms and armour and the Royal Crown and Sceptre. After the Tower, we walked along Thames Street where are the Custom House and Billingsgate Market and the Steelyard and the Monument. We climbed up the Monument for the sake of the view: it was a clear day, and we could discern in the distance Lambeth Palace and the Church and perhaps even, one was not sure, the cottage which we had taken on the Bank. After this we went to see the Guildhall and the famous Giants: then the Bank of England and the Royal Exchange: we looked at the shops in Cheapside: they are the richest shops in the world, but the mercers and haberdashers do not put out in the window their costly stuffs to tempt the shoplifter. 'You must imagine, Alice,' I told her, 'the treasures that lie within: some time if we ever become rich you shall come here and buy to your heart's content.' Then we entered St. Paul's, that solemn and magnificent pile: here we heard part of the afternoon service, the boys in their white surplices singing like angels, so that the tears rolled down my girl's face—they were tears of praise and prayer, not of repentance. From St. Paul's we walked up the narrow street called the Old Bailey and saw the outside of Newgate. Now had we known what things we were to do and to suffer in that awful place, I think we should have prayed for death. But Heaven mercifully withholds the future.

"WE TOOK OARS AT THE FALCON STAIRS TO THE TOWER."

It was then about five o'clock. We went to a coffee-house and took some coffee and ratafia. The animation of the place; the brisk conversation; the running about of the boys: the fragrant odour of the coffee: pleased us. There were coffee-houses in the High Street, but they lacked the vivacity of this on Ludgate Hill, where Templars, Doctors of Divinity, and the mercers and goldsmiths of Ludgate Hill and Fleet Street were assembled together to talk and drink the fragrant beverage which has done so much to soften the manners of the better sort.

'And now,' said Tom, 'for my surprise.'

He called a coach and we drove not knowing whither; he was taking us to Drury Lane.

We were to celebrate our wedding-day by going to the Play.

For my own part I had never—for reasons which you will understand—been allowed to go to the Play. To sober-minded merchants the Play was a thing abhorrent: a hot-bed of temptation: the amusements of Prodigals and Profligates. Therefore I had never seen the Play. Nor had Alice or her sister-in-law, while Tom, who had once played in the orchestra, had never seen the Play since his debts carried him off to the King's Bench.

We found good places in the Boxes: the House was not yet half full and the candles were not all lighted: many of the seats were occupied by footmen waiting for their mistresses to take them: in the Pit the gentlemen, who seemed to know each other, were standing about in little knots conversing with the utmost gravity. One would have thought that affairs of state were being discussed: on the contrary, we were assured, they were arguing as to the merits or the blemishes of the piece, now in its third night.

Presently the musicians came in and the cheerful sound of tuning up began: then the House began to fill up rapidly; and the orange girls made their way about the Pit with their baskets, and walked about the back of the boxes calling out their 'fine Chaney orange—fine Chaney orange.' Why do I note these familiar things? Because they were not familiar to me: because they are always connected in my mind with what followed.

The play was 'The Country Girl.' The story is about an innocent Country Girl, an heiress, who knows nothing of London, or of the world. Her guardian wants to marry her himself for the sake of her money, though he is fifty and she is twenty: as he cannot do so without certain papers being drawn up, he makes her believe that they are married by breaking a sixpence, and brings her to London with him. How she deceives him, pretends this and that, makes appointments and writes love-letters under his very nose, wrings his consent to a subterfuge and marries the man she loves—these things compose the whole play.

The first Act, I confess, touched me little. The young fellow, the lover, talks about the girl he loves: her guardian is introduced: there is no action: and there were no women. I felt no interest in the talk of the men: there was an old rake and a young rake; the soured and gloomy guardian, and the lover. They did not belong to my world, either of the City or of St. George's Fields.

But in the second Act the Country Girl herself appeared and with her as a foil and for companion the town woman. Now the Country Girl, Peggy by name, instantly, on her very first appearance, ravished all hearts. For she was so lovely, with her light hair hardly dressed at all, hanging in curls over her neck and shoulders, her bright eyes, her quick movements, that no one could resist her. She brought with her on the stage the air of the country; one seemed to breathe the perfumes of roses and jessamine. And she was so curious and so ignorant and so innocent. She had been taken, the evening before, to the Play: she found the actors 'the goodliest, properest men': she liked them 'hugeously': she wants to go out and see the streets and the people. Her curmudgeon of a guardian comes in and treats her with the barbarity of a natural bad temper irritated by jealousy. There was a charming scene in which the Country Girl is dressed as a boy so that she may walk in the Park without being recognised by her lover—but she is recognised and is kissed by the very man whom her guardian dreads. There is another in which she is made to write a letter forbidding her lover ever to see her again: this is dictated by the guardian: when he goes to fetch sealing-wax she writes another exactly the opposite and substitutes it. Now all this was done with so much apparent artlessness and so much real feminine cunning that the play was charming whenever the Country Girl was on the stage.

It was over too soon.