Events, are consequential or inconsequential irrespective of their size. The wars of Troy were fought for a woman, and Charles VIII, of France, bumped his head against a stone doorway and died because he did not stoop low enough. And to descend from history down to my own poor chronicle, Mr. Cooke's railroad case, my first experience at the bar of any gravity or magnitude, had tied to it a string of consequences then far beyond my guessing. The suit was my stepping-stone not only to a larger and more remunerative practice, but also, I believe, to the position of district attorney, which I attained shortly afterwards.
Mr. Cooke had laid out Mohair as ruthlessly as Napoleon planned the new Paris; though not, I regret to say, with a like genius. Fortunately Farrar interposed and saved the grounds, but there was no guardian angel to do a like turn for the house. Mr. Langdon Willis, of Philadelphia, was the architect who had nominal charge of the building. He had regularly submitted some dozen plans for Mr. Cooke's approval, which were as regularly rejected. My client believed, in common with a great many other people, that architects should be driven and not followed, and was plainly resolved to make this house the logical development of many cherished ideas. It is not strange, therefore, that the edifice was completed by a Chicago contractor who had less self-respect than Mr. Willis, the latter having abruptly refused to have his name tacked on to the work.
Mohair was finished and ready for occupation in July, two years after the suit. I drove out one day before Mr. Cooke's arrival to look it over. The grounds, where Farrar had had matters pretty much his own way, to my mind rivalled the best private parks in the East. The stables were filled with a score or so of Mr. Cooke's best horses, brought hither in his private cars, and the trotters were exercising on the track. The middle of June found Farrar and myself at the Asquith Inn. It was Farrar's custom to go to Asquith in the summer, being near the forest properties in his charge; and since Asquith was but five miles from the county-seat it was convenient for me, and gave me the advantages of the lake breezes and a comparative rest, which I should not have had in town. At that time Asquith was a small community of summer residents from Cincinnati, Chicago, St. Louis, and other western cities, most of whom owned cottages and the grounds around them. They were a quiet lot that long association had made clannish; and they had a happy faculty, so rare in summer resorts, of discrimination between an amusement and a nuisance. Hence a great many diversions which are accounted pleasurable elsewhere are at Asquith set down at their true value. It was, therefore, rather with resentment than otherwise that the approaching arrival of Mr. Cooke and the guests he was likely to have at Mohair were looked upon.
I had not been long at Asquith before I discovered that Farrar was acting in a peculiar manner, though I was longer in finding out what the matter was. I saw much less of him than in town. Once in a while in the evenings, after ten, he would run across me on the porch of the inn, or drift into my rooms. Even after three years of more or less intimacy between us, Farrar still wore his exterior of pessimism and indifference, the shell with which he chose to hide a naturally warm and affectionate disposition. In the dining-room we sat together at the end of a large table set aside for bachelors and small families of two or three, and it seemed as though we had all the humorists and story-tellers in that place. And Farrar as a source of amusement proved equal to the best of them. He would wait until a story was well under way, and then annihilate the point of it with a cutting cynicism and set the table in a roar of laughter. Among others who were seated here was a Mr. Trevor, of Cincinnati, one of the pioneers of Asquith. Mr. Trevor was a trifle bombastic, with a tendency towards gesticulation, an art which he had learned in no less a school than the Ohio State Senate. He was a self-made man,—a fact which he took good care should not escape one,—and had amassed his money, I believe, in the dry-goods business. He always wore a long, shiny coat, a low, turned-down collar, and a black tie, all of which united to give him the general appearance of a professional pallbearer.
But Mr. Trevor possessed a daughter who amply made up for his shortcomings. She was the only one who could meet Farrar on his own ground, and rarely a meal passed that they did not have a tilt. They filled up the holes of the conversation with running commentaries, giving a dig at the luckless narrator and a side-slap at each other, until one would have given his oath they were sworn enemies. At least I, in the innocence of my heart, thought so until I was forcibly enlightened. I had taken rather a prejudice to Miss Trevor. I could find no better reason than her antagonism to Farrar. I was revolving this very thing in my mind one day as I was paddling back to the inn after a look at my client's new pier and boat-houses, when I descried Farrar's catboat some distance out. The lake was glass, and the sail hung lifeless. It was near lunch-time, and charity prompted me to head for the boat and give it a tow homeward. As I drew near, Farrar himself emerged from behind the sail and asked me, with a great show of nonchalance, what I wanted.
"To tow you back for lunch, of course," I answered, used to his ways.
He threw me a line, which I made fast to the stern, and then he disappeared again. I thought this somewhat strange, but as the boat was a light one, I towed it in and hitched it to the wharf, when, to my great astonishment, there disembarked not Farrar, but Miss Trevor. She leaped lightly ashore and was gone before I could catch my breath, while Farrar let down the sail and offered me a cigarette. I had learned a lesson in appearances.
It could not have been very long after this that I was looking over my batch of New York papers, which arrived weekly, when my eye was arrested by a name. I read the paragraph, which announced the fact that my friend the Celebrity was about to sail for Europe in search of "color" for his next novel; this was already contracted for at a large price, and was to be of a more serious nature than any of his former work. An interview was published in which the Celebrity had declared that a new novel was to appear in a short time. I do not know what impelled me, but I began at once to search through the other papers, and found almost identically the same notice in all of them.
By one of those odd coincidents which sometimes start one to thinking, the Celebrity was the subject of a lively discussion when I reached the table that evening. I had my quota of information concerning his European trip, but I did not commit myself when appealed to for an opinion. I had once known the man (which, however, I did not think it worth while to mention) and I did not feel justified in criticising him in public. Besides, what I knew of him was excellent, and entirely apart from the literary merit or demerit of his work. The others, however, were within their right when they censured or praised him, and they did both. Farrar, in particular, surprised me by the violence of his attacks, while Miss Trevor took up the Celebrity's defence with equal ardor. Her motives were beyond me now. The Celebrity's works spoke for themselves, she said, and she could not and would not believe such injurious reports of one who wrote as he did.
The next day I went over to the county-seat, and got back to Asquith after dark. I dined alone, and afterwards I was strolling up and down one end of the long veranda when I caught sight of a lonely figure in a corner, with chair tilted back and feet on the rail. A gleam of a cigar lighted up the face, and I saw that it was Farrar. I sat down beside him, and we talked commonplaces for a while, Farrar's being almost monosyllabic, while now and again feminine voices and feminine laughter reached our ears from the far end of the porch. They seemed to go through Farrar like a knife, and he smoked furiously, his lips tightly compressed the while. I had a dozen conjectures, none of which I dared voice. So I waited in patience.
"Crocker," said he, at length, "there's a man here from Boston, Charles Wrexell Allen; came this morning. You know Boston. Have you ever heard of him?"
"Allen," I repeated, reflecting; "no Charles Wrexell."
"It is Charles Wrexell, I think," said Farrar, as though the matter were trivial. "However, we can go into the register and make sure."
"What about him?" I asked, not feeling inclined to stir.
The Celebrity
"Oh, nothing. An arrival is rather an occurrence, though. You can hear him down there now," he added, tossing his head towards the other end of the porch, "with the women around him."
In fact, I did catch the deeper sound of a man's voice among the lighter tones, and the voice had a ring to it which was not wholly unfamiliar, although I could not place it.
I threw Farrar a bait.
"He must make friends easily," I said.
"With the women?—yes," he replied, so scathingly that I was forced to laugh in spite of myself.
"Let us go in and look at the register," I suggested. "You may have his name wrong."
We went in accordingly. Sure enough, in bold, heavy characters, was the name Charles Wrexell Allen written out in full. That handwriting was one in a thousand. I made sure I had seen it before, and yet I did not know it; and the more I puzzled over it the more confused I became. I turned to Farrar.
"I have had a poor cigar passed off on me and deceive me for a while.
That is precisely the case here. I think I should recognize your man if
I were to see him."
"Well," said Farrar, "here's your chance."
The company outside were moving in. Two or three of the older ladies came first, carrying their wraps; then a troop of girls, among whom was Miss Trevor; and lastly, a man. Farrar and I had walked to the door while the women turned into the drawing-room, so that we were brought face to face with him, suddenly. At sight of me he halted abruptly, as though he had struck the edge of a door, changed color, and held out his hand, tentatively. Then he withdrew it again, for I made no sign of recognition.
It was the Celebrity!
I felt a shock of disgust as I passed out. Masquerading, it must be admitted, is not pleasant to the taste; and the whole farce, as it flashed through my mind,—his advertised trip, his turning up here under an assumed name, had an ill savor. Perhaps some of the things they said of him might be true, after all.
"Who the devil is he?" said Farrar, dropping for once his indifference; "he looked as if he knew you."
I evaded.
"He may have taken me for some one else," I answered with all the coolness I could muster. "I have never met any one of his name. His voice and handwriting, however, are very much like those of a man I used to know."
Farrar was very poor company that evening, and left me early. I went to my rooms and had taken down a volume of Carlyle, who can generally command my attention, when there came a knock at the door.
"Come in," I replied, with an instinctive sense of prophecy.
This was fulfilled at once by the appearance of the Celebrity. He was attired—for the details of his dress forced themselves upon me vividly —in a rough-spun suit of knickerbockers, a colored-shirt having a large and prominent gold stud, red and brown stockings of a diamond pattern, and heavy walking-boots. And he entered with an air of assurance that was maddening.
"My dear Crocker," he exclaimed, "you have no idea how delighted I am to see you here!"
I rose, first placing a book-mark in Carlyle, and assured him that I was surprised to see him here.
"Surprised to see me!" he returned, far from being damped by my manner.
"In fact, I am a little surprised to see myself here."
He sank back on the window-seat and clasped his hands behind his head.
"But first let me thank you for respecting my incognito," he said.
I tried hard to keep my temper, marvelling at the ready way he had chosen to turn my action.
"And now," he continued, "I suppose you want to know why I came out here." He easily supplied the lack of cordial solicitation on my part.
"Yes, I should like to know," I said.
Thus having aroused my curiosity, he took his time about appeasing it, after the custom of his kind. He produced a gold cigarette case, offered me a cigarette, which I refused, took one himself and blew the smoke in rings toward the ceiling. Then, raising himself on his elbow, he drew his features together in such a way as to lead me to believe he was about to impart some valuable information.
"Crocker," said he, "it's the very deuce to be famous, isn't it?"
"I suppose it is," I replied curtly, wondering what he was driving at;
"I have never tried it."
"An ordinary man, such as you, can't conceive of the torture a fellow in my position is obliged to go through the year round, but especially in the summer, when one wishes to go off on a rest. You know what I mean, of course."
"I am afraid I do not," I answered, in a vain endeavor to embarrass him.
"You're thicker than when I used to know you, then," he returned with candor. "To tell the truth, Crocker, I often wish I were back at the law, and had never written a line. I am paying the penalty of fame. Wherever I go I am hounded to death by the people who have read my books, and they want to dine and wine me for the sake of showing me off at their houses. I am heartily sick and tired of it all; you would be if you had to go through it. I could stand a winter, but the worst comes in the summer, when one meets the women who fire all sorts of socio-psychological questions at one for solution, and who have suggestions for stories." He shuddered.
"And what has all this to do with your coming here?" I cut in, strangling a smile.
He twisted his cigarette at an acute angle with his face, and looked at me out of the corner of his eye.
"I'll try to be a little plainer," he went on, sighing as one unused to deal with people who require crosses on their t's. "I've been worried almost out of my mind with attention—nothing but attention the whole time. I can't go on the street but what I'm stared at and pointed out, so I thought of a scheme to relieve it for a time. It was becoming unbearable. I determined to assume a name and go to some quiet little place for the summer, West, if possible, where I was not likely to be recognized, and have three months of rest."
He paused, but I offered no comment.
"Well, the more I thought of it, the better I liked the idea. I met a western man at the club and asked him about western resorts, quiet ones. 'Have you heard of Asquith?' says he. 'No,' said I; 'describe it.' He did, and it was just the place; quaint, restful, and retired. Of course I put him off the track, but I did not count on striking you. My man boxed up, and we were off in twenty-four hours, and here I am."
Now all this was very fine, but not at all in keeping with the Celebrity's character as I had come to conceive it. The idea that adulation ever cloyed on him was ludicrous in itself. In fact I thought the whole story fishy, and came very near to saying so.
"You won't tell anyone who I am, will you?" he asked anxiously.
He even misinterpreted my silences.
"Certainly not," I replied. "It is no concern of mine. You might come here as Emil Zola or Ralph Waldo Emerson and it would make no difference to me."
He looked at me dubiously, even suspiciously.
"That's a good chap," said he, and was gone, leaving me to reflect on the ways of genius.
And the longer I reflected, the more positive I became that there existed a more potent reason for the Celebrity's disguise than ennui. As actions speak louder than words, so does a man's character often give the lie to his tongue.