William Bennett Munro was a Canadian historian and political scientist. He taught at Harvard University and the California Institute of Technology. He was known for research on the seigneurial system in New France and on municipal administration in the United States.
William Barnes was an English polymath, writer, poet, philologist, priest, mathematician, engraving artist and inventor. He wrote over 800 poems, some in Dorset dialect, and much other work, including a comprehensive English grammar quoting from more than 70 different languages. A linguistic purist, Barnes strongly advocated against borrowing foreign words into English, and instead supported the use and proliferation of "strong old Anglo-Saxon speech".
William Thomas Beckford was an English novelist, art critic, planter and politician. He was reputed at one stage to be England's richest commoner. The son of William Beckford and Maria Hamilton, daughter of the Hon. George Hamilton, he served as a Member of Parliament for Wells in 1784–1790 and Hindon in 1790–1795 and 1806–1820. Beckford is best known for writing the 1786 Gothic novel Vathek, for building the Fonthill Abbey in Wiltshire and Beckford's Tower in Bath, and for his extensive art collection.
William Bemrose (1831–1908) was a writer on wood-carving and pottery, director of a printing business and Royal Crown Derby. He wrote and published a biography of Joseph Wright of Derby.
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".
