Ambrosio de Morales was a historian. After his studies at the University of Salamanca and Alcalá, he took Holy orders. Soon he was elected to the chair of Belles-Lettres at Alcalá. In 1574 he was appointed chronicler of Castile and commissioned to continue Florián de Ocampo's Crónica General de España. This he brought down, after ten years of labour on it, to the date of the union of Castile and León under Ferdinand I. His pupil Sandoval continued it down to 1079.
Ameen Rihani (Amīn Fāris Anṭūn ar-Rīḥānī), was a Lebanese American writer, intellectual and political activist. He was also a major figure in the mahjar literary movement developed by Arab emigrants in North America, and an early theorist of Arab nationalism. He became an American citizen in 1901.
Amelia Edith Huddleston Barr was a British novelist and teacher. Many of the plots of her stories are laid in Scotland and England. The scenes are from her girlhood recollection of surroundings. Her works include, Jan Vedder's Wife, A Border Shepherdess, Feet of Clay, Friend Olivia, The Bow of Orange Ribbon, Remember the Alamo, She Loved a Sailor, A Daughter of Fife, The Squire of Sanddal Side, Paul and Christina, Master of His Fate, The Household of McNeil, The Last of the Macallisters, Between Two Loves, A Sister to Esau, A Rose of a Hundred Leaves, A Singer from the Sea, The Beads of Tasmer, The Hallam Succession, The Lone House, Christopher and Other Stories, The Lost Silver of Briffault.
Amelia Ann Blanford Edwards, also known as Amelia B. Edwards, was an English novelist, journalist, traveller and Egyptologist. Her literary successes included the ghost story "The Phantom Coach" (1864), the novels Barbara's History (1864) and Lord Brackenbury (1880), and the travelogue of Egypt A Thousand Miles up the Nile (1877). She also edited a poetry anthology published in 1878.
Amelia Gillespie Smyth (1788–1876) was a Scottish writer who published numerous works in the mid-nineteenth century, including a series of books on Christian scriptures for children and a biography of sixteenth-century Italian classical scholar Olympia Morata.
Amélia Janny was a Portuguese Parnassian poet, playwright and lyricist who was highly regarded by, among others, the Portuguese writers and poets, Teixeira de Pascoaes and António Feliciano de Castilho.
Amelia Jones, originally from Durham, North Carolina, is an American art historian, art theorist, art critic, author, professor and curator. Her research specialisms include feminist art, body art, performance art, video art, identity politics, and New York Dada. Jones's earliest work established her as a feminist scholar and curator, including through a pioneering exhibition and publication concerning the art of Judy Chicago; later, she broadened her focus on other social activist topics including race, class and identity politics. Jones has contributed significantly to the study of art and performance as a teacher, researcher, and activist.
