Eugene Manlove Rhodes was an American writer, nicknamed the "cowboy chronicler". He lived in south central New Mexico when the first cattle ranching and cowboys arrived in the area; when he moved to New York with his wife in 1899, he wrote stories of the American West that set the image of cowboy life in that era. He moved back to New Mexico in 1926 and continued to write novels. In 1958, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum.
Eugene Gladstone O'Neill was an American playwright awarded the 1936 Nobel Prize in Literature. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy Long Day's Journey into Night is often included on lists of the finest U.S. plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman.
Marie-Joseph "Eugène" Sue was a French novelist. He was one of several authors who popularized the genre of the serial novel in France with his very popular and widely imitated The Mysteries of Paris, which was published in a newspaper from 1842 to 1843.
Eugene Ferdinand Walter, Jr. was an American screenwriter, poet, short-story author, actor, puppeteer, gourmet chef, cryptographer, translator, editor, costume designer and well-known raconteur. During his years in Paris, he was nicknamed Tum-te-tum. His friend Pat Conroy observed that Walter had lived a "pixilated wonderland of a life." Walter was labeled "Mobile's Renaissance Man" because of his diverse activities in many areas of the arts. In later life, he maintained a connection with Mobile by carrying a shoebox of Alabama red clay around Europe.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Eustace Hale Ball was a writer, screenwriter, and director of short films in the United States. He wrote The Voice on the Wire, Bubbles from Gotham's Pierian Spring, Traffic In Souls: A Novel Of Crime And Its Cure, and The Gaucho.
Eva Emery Dye was an American writer, historian, and prominent member of the women's suffrage movement. As the author of several historical novels, fictional yet thoroughly researched, she is credited with "romanticizing the historic West, turning it into a poetic epic of expanding civilization." Her best known work, The Conquest: The True Story of Lewis & Clark (1902), is notable for being the first to present Sacagawea as a historically significant character in her own right.
Eva March Tappan was a teacher and American author born in Blackstone, Massachusetts, the only child of Reverend Edmund March Tappan and Lucretia Logée. Eva graduated from Vassar College in 1875. She was a member of Phi Beta Kappa and an editor of the Vassar Miscellany. After leaving Vassar she began teaching at Wheaton College where she taught Latin and German from 1875 until 1880. From 1884–94 she was the Associate Principal at the Raymond Academy in Camden, New Jersey. She received graduate degrees in English Literature from the University of Pennsylvania. Tappan was the head of the English department at the English High School at Worcester, Massachusetts. She began her literary career writing about famous characters in history and developed an interest in writing children books. Tappan never married.
Eva Moore was an English actress. Her career on stage and in film spanned six decades, and she was active in the women's suffrage movement. In her 1923 book of reminiscences, Exits and Entrances, she describes approximately ninety of her roles in plays, but she continued to act on stage until 1945. She also acted in more than two dozen films. Her daughter, Jill Esmond, was the first wife of Laurence Olivier.
