Ahmad Sattar oghlu Jamilzade was an Azerbaijani poet, member of Union of Azerbaijani Writers (1939), laureate of the State Prize of the Azerbaijan SSR (1980).
Ahmad Javad was an Azerbaijani poet who is best known for writing the words of the National Anthem of Azerbaijan used under the 1918–1920 Democratic Republic of Azerbaijan, and again since 1991, and another poem named Chirpynirdi gara deniz.
Ahmad Kamal Abdullah was a Malaysian poet, novelist, playwright, literary critic and Malaysian National Laureate (2011). He was known under the pseudonym Kemala.
Aḥmad Khwājagī b. Jalāl ad-Dīn al-Kāsānī, revered as the Makhdūm-i Aʿẓam, was a Ṣūfī saint of the Naqshbandiyya. He was born in the Farghāna valley and became a disciple of Khwāja Aḥrār in Tāshkand. He created a Ṣūfī hostel in Bukhārā and died in his estate in Dahbīd. His descendants dominated the history of Eastern Turkistān in the 17th–18th centuries. Among them was Āfāq Khwāja, who preached in Kāshghar.
Ahmad Nadeem Qasmi born Ahmad Shah Awan was an Urdu language Pakistani poet, journalist, literary critic, dramatist and short story author. He wrote 50 books on poetry, fiction, criticism, journalism and art. He was a major figure in contemporary Urdu literature. His poetry was distinguished by its humanism, and his Urdu afsana work is considered by some second only to Munshi Prem Chand in its depiction of rural culture. He was also the editor and publisher of the literary magazine Funoon for almost half a century. He received awards such as the Pride of Performance in 1968 and Sitara-e-Imtiaz in 1980 for his literary work.
Ahmad Nadeem Qasmi né Ahmad Shah Awan le 20 novembre 1916 dans le district de Khushab et mort le 10 juillet 2006 à Lahore, est un poète, auteur, journaliste, philosophe, dramaturge et critique littéraire pakistanais.
Ahmad Shamlou was an Iranian poet, writer, and journalist. Shamlou was arguably the most influential poet of modern Iran. His initial poetry was influenced by and in the tradition of Nima Youshij. In fact, Abdolali Dastgheib, Iranian literary critic, argues that Shamlou is one of the pioneers of modern Persian poetry and has had the greatest influence, after Nima, on Iranian poets of his era. Shamlou's poetry is complex, yet his imagery, which contributes significantly to the intensity of his poems, is accessible. As the base, he uses the traditional imagery familiar to his Iranian audience through the works of Persian masters like Hafez and Omar Khayyám. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concrete thus far unprecedented in Persian poetry, which distressed some of the admirers of more traditional poetry.
