Louis Dearborn L'Amour was an American novelist and short story writer. His books consisted primarily of Western novels ; however, he also wrote historical fiction, science fiction, non-fiction (Frontier), as well as poetry and short-story collections. Many of his stories were made into films. His books remain popular and most have gone through multiple printings. At the time of his death, almost all of his 105 existing works were still in print, and he was "one of the world's most popular writers".
Louis Lavelle was a French philosopher, considered one of the greatest French metaphysicians of the twentieth century. His magnum opus, La Dialectique de l'éternel présent (1922), is a systematic metaphysical work. Lavelle's other principal works include De l'Être (1928), De l'Acte (1937), Du Temps et de l'Eternité (1945), and De l'Âme Humaine (1951).
Louis Leo Snyder was an American scholar, who witnessed first hand the Nazi mass rallies held from 1923 on in Germany; and wrote about them from New York in his Hitlerism: The Iron Fist in Germany published in 1932 under the pseudonym Nordicus. Snyder predicted Adolf Hitler's rise to power, Nazi alliance with Benito Mussolini, and possibly the war upon the French and the Jews. His book was the first publication of the complete NSDAP National Socialist Program in the English language.
Louis Loss was a legal scholar considered by many to be the intellectual father of modern securities law. He served as the William Nelson Cromwell Professor of Law Emeritus at Harvard Law School. He is best known for his treatise Securities Regulation, which is still considered to be the definitive authority on the subject and which has been cited over 50 times by the Supreme Court of the United States. The Oxford English Dictionary credits him with having coined the word tippee, to refer to someone who trades stock after getting a tip from a corporate insider.
Frederick Louis MacNeice was an Irish poet and playwright, and a member of the Auden Group, which also included W. H. Auden, Stephen Spender and Cecil Day-Lewis. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots.
